#in conclusion i'm insane

[thequeensjester]

Rings of Power ➤ Season 2 Cinematography: Cages as Camera Framing

Strong vertical lines and literal cages are used throughout the season to express key or emotional beats for characters in their narratives. They are prisoners of circumstances, their pain, or their ambition. For some, it ultimately foreshadows their fates.

In the case of Celebrimbor, he is consistently framed with cages, including his own hands, making him a prisoner to his forge and his own skill by Sauron's design—to the point we're shown only nine fingers when Celebrimbor first agrees to forge rings for Men.

credit: cap-that.com

[chaosandwolves]

I agree

Like Buck needs to have that

oh... OH

moment

But as I've mentioned before

I think the first oh will be that he realizes that he can actually date men

I'm 100% convinced he's slept with men cause it's sex, they're hot, why not

But it never occurred to him that he could DATE them

So maybe he falls into bed with a guy or he crushes on one and one little offhand comment makes him spiral

Something like...

"Why don't you ask him on a date?"

And Buck is like...

Wait, I can do that?!!??!?

And then maybe he does and something is off (spoiler alert... Because it's not Eddie)

And then he thinks about it and thinks and then

capital OH

It's Eddie. It's been Eddie all along.

Yes sure he knows he's had a crush on Eddie in the beginning but who didn't? Even Hen said he was beautiful... But that wasn't romantic

Accept it was... It has been

He's been building that life he so desperately wants for years, with Eddie and Chris and it never ever occurred to him that it's a real possibility

And then he'll replay it all and he'll be like.... Wait... Does Eddie have feelings as well?

And then he'll realize the change that happened after the cemetery scene

And he'll be like...

Omg have I fucked up everything????

And then

So

Much

Angst

[miraculouslbcnreactions]

Sorry if this seems confrontational, but for the life of me I can’t get into your “Chloe has no growth” point when the show itself retracts growth from everyone and is inconsistent with everyone. You saying “The show just lays down basic character traits in Chloe” doesn’t make sense when her basic character traits are supposed to be her being selfish and spoiled.

S2 built off of that and despite what you say, had Chloe doing things that in S1 she wouldn’t have done. She apologized multiple times to the people she wronged, she willingly put herself in harm’s way to help the people she cares about and she was openly vulnerable to Ladybug in “Malidiktaor”. Something S1 Chloe wouldn’t have done. If there’s a distinct difference between a Chloe back in S1 and a Chloe in S2, then growth HAS taken place. But it doesn’t stay because of the formula (and the writers just don’t want her to keep that growth)

So what I’m asking is…what do you mean “Chloe doesn’t have growth”?

I can understand the “No arc” argument because an unfinished arc feels like there’s no arc at all (even though they are fundamentally not the same)

I wouldn't say that the show retracts growth from everyone. It's more that no one is ever supposed to grow. Every episode resets the cast. That's just how pure formula shows work and Miraculous is being sold as a pure formula show. The characters are meant to be static (one of the writers literally compared Miraculous to Dora the Explorer).

That static nature is why pure formula shows normally avoid giving their good-guy characters major flaws. It's the wrong medium for that type of thing specifically because the characters cannot change in meaningful ways throughout the show. They can learn little lessons that don't really change them and maybe have big change between seasons via a special or movie, but that's about it. Thus things like the season four conflict working so poorly. It's just a terrible choice for a formula show! The conflict is literally not allowed to develop properly because of the chosen format.

But sure, let's talk about Chloe and why I will die on the hill that she never demonstrated meaningful improvement even with the issue of the inconstant writing. In fact, seasons-one-to-three Chloe is one of the most consistent characters in the show. For this discussion to work, we need to start off by discussing character development and the two main forms it can take: character establishment and character growth.

Character Establishment

When the audience meets a character, they know nothing about said character. It's up to the writer to guide the introduction process. To choose when to reveal already existing elements of the character's personality, skills, and backstory. This is called character establishment. It is the writing telling you who the character is on a baseline level. Those reveals don't need to happen at the start of the story, though. They can be - and often are - held back for when the time is right.

When these reveals are delayed, it's important to remember that these elements were always part of the character. The reveal isn't changing who the character actually is. It's just changing how the audience views the character.

For example, we spend a good chunk of season one uncertain why Gabriel is doing what he does. Then, in Origins, we learn that it's all for Emilie. This is new information that adds depth to Gabriel's character, but it doesn't change him in any way. This is who he always was. We just know him better now and can recontextualize past events with our new understanding of his motivation.

Character Growth

Character growth is when writers take a character's personality or world view or even just their skills from point A to point B, allowing the audience to watch the character change and become a new better - or lesser - version of themself. This is usually part of a larger character arc where all the moments of growth add up, but it can take the form of small moments of growth that don't fit into a bigger picture, too. I'd probably still call that an arc, but we'll use the word "growth" a lot in this post, so let's just call it growth to be consistent.

Miraculous doesn't really have either arcs or growth because - once again - formula shows don't allow characters to meaningfully change, so I'm going to have to make up an example here. I'll use one that illustrates how character establishment and character growth can and do intertwine as that's an important thing to acknowledge to help guide this discussion.

Let's say that we have a character who lost their family at a young age. We'll call this character Mary. Mary's loss guides her character throughout the entire story, but the other characters and the audience are never told that this is what's going on. We just know that Mary acts in seemingly illogical ways at times and that she trusts no one.

Throughout the story, Mary learns to trust her costars, leading to a big, dramatic scene where she finally tells them - and the audience - about her past. This big dramatic scene is both the culmination of a character arc and a piece of baseline character establishment that allows us to understand Mary's character better no matter what part of the story we're reading.

Because these combo growth and establishment moments are so common in stories, it can feel like character growth when we learn new things about a character in a dramatic moment, but that's not always what's happening. Sometimes dramatic moments are just there to reveal what was always there by forcing a character to act differently than they usually do through the power of extenuating circumstances. These extenuating-circumstances moments are not character growth because, once the moment is over, the character resets to their normal self. The moment wasn't there to let them grow. It was there for the sake of the plot.

This is actually a really important thing that writers need to know how to do. Figuring out what circumstances will make a character say or do a thing they generally wouldn't say or do is part of how stories work. I have started stories with characters acting wildly "out of character" because I put them in the a situation where the behavior suddenly was in character!

Oh, you don't want to talk to this total stranger because you're an introvert with social anxiety who has yet to learn how to love yourself and open up to others? That's nice. Your leg is broken now and you're stuck in the middle of nowhere. What you gonna do sucker? Lie there in the dirt or talk to the nice lady who wants to help you? Your choice! (Spoiler: he talked to the nice lady. He even let her physically support him when he'd usually never let a stranger touch him!)

As soon as that scene was over, the character reverted because it wasn't growth. He didn't become a more open person. He just did something he normally wouldn't do because the situation demanded it. It was extenuating circumstances so that the freaking plot could start.

This is what happened with Chloe in season two. Everything that people call growth is really just extenuating circumstances that reset by the end of the episode or even by the end of the scene.

Let's Talk About Chloe

Chloe does not have a character arc, aborted or otherwise. She is never taken on a journey where we watch her change. All we get is delayed character establishment via extenuating circumstances, but it's given in ways that make some people feel like she was being given an arc. Let's talk about why that is.

Season one Chloe is a one dimensional mean girl. She has almost no depth. She's just here to be petty and cause akumas. She is not a fully realized character.

Season two takes those traits and keeps them, but also gives Chloe a lot more depth to round her out and make her feel like a real character. She's just as petty and mean as she always was, but we're finally allowed to see her in some moments that make her feel like a well of potential to become something more, which the writers basically had to do if they wanted to let her be a hero. The audience needed to feel like Chloe could be good in the right situation.

The feelings evoked by her newly discovered depth are why people go "oh, she had a character arc! My feelings about her changed in a big way!" But she didn't have an arc. You just got to know her better by seeing her in moments where she was forced to be vulnerable. That's not growth. Growth is meaningful, lasting change, not situational change. Everyone changes based on the situation! It's why the "True Selves" stuff is such nonsense. It implies that there's one set way that we're supposed to act in order to be authentic and anything else is some kind of lie which just isn't how the world works.

Let's look at some examples to drive home what I mean.

Season one established that Chloe idolized Ladybug. It's why we get things like this moment from Evil Illustrator:

Ladybug: Fine! You stay! Later! Cat Noir: What do you mean later? Ladybug: I mean, you're the one who wants to protect her, so you don't need me. So, later! (swings away) Chloé:(looks over balcony) Ahhh! Ladybug! Text me! OK!

And this confession from Antibug:

Ladybug: [Chloe] pretended she was me?! How often does that happen? Armand: She idolizes you.

So Chloe adores Ladybug and wants to impress her/be her best friend. Cool. Got it. That never goes anywhere in season one because season one doesn't see Chloe and Ladybug interact much. The most we get is Ladybug saving Chloe from akumas, which doesn't allow for deep conversations. I don't think that they're ever alone in a moment where they can actually talk.

That changes in season two. In season two, they get to interact a lot and it's often in moments where there's a big threat and no one else is around, letting us see a new side to Chloe. But that's not Chloe changing. It's just the writers revealing that Chloe has more to her than the mean girl stuff because of course she does! Pure mean girls don't exist. Everyone has depth. We simply never saw that depth before because Chloe was never put in a situation where she needed to be open. We can't say that season one Chloe wouldn't confess things to Ladybug or chose to sacrifice herself to let Ladybug win because she never had the chance to do those things!

In fact, I'd go so far as to argue that season one Chloe probably would have done the same things as season two Chloe because season two Chloe doesn't really contradict season one Chloe. Antibug showed us that Chloe was pretty desperate to be loved and welcomed the way that Ladybug is loved and welcomed:

Chloé: Jagged Stone! Jagged: (thinking she's the actual Ladybug) Ladybug! What are you doing here? Chloé: Um… when I find out you were here, I knew you'd wanna see me! I had to come say hello. (Sabrina waves at Jagged)

and Chloe has always been a stubborn girl who stands up for what she wants even if what she wants is something bad. Antibug also showed us that Chloe can be genuinely nice to the people she cares about. Her and Sabrina's relationship is shown to be complex with them often having a lot of fun together.

Similarly, Origins sees Chloe showing her father genuine affection after she's saved from Stoneheart:

[Image description: Chloe and Andre hugging and looking very happy to be together]

Origins is the baseline episode that tells us who the characters are on day one, so I never once doubted that Chloe loved Andre, but Andre didn't get akumatized because of Chloe's actions in season one. He didn't even get akumatized for something that Chloe had nothing to do with! His first akumatization is in season two, so it's not shocking that we don't get a Malidiktaor type scene until Malidiktaor.

Chloe was vulnerable with her personal hero when her beloved parent was in danger, but not before? Shocking! Who would have guessed?

Me. I would have guessed. I didn't even realize that people were reading it as some sort of character growth because it clearly wasn't. Malidiktaor didn't feel like something new for Chloe's character. It just felt like the writers were leaning into things that we'd always known about Chloe and using them to better establish her character as someone who genuinely cares about select people. She just doesn't show most of the time.

The same thing goes for Chloe's sacrifice and apology in Zombizou. Chloe only sacrifices herself when there's no one left but her and Ladybug. When the choice is to let the terrorist win or take the hit and let you personal hero save the day. Brave? Sure, but also not growth. Chloe is team Ladybug for all of seasons one, two, and three! She wants Ladybug to like her! Plus even a petty brat can have moments of goodness where they pick a hero over a literal terrorist.

This honestly would have been a damming moment if Chloe didn't sacrifice herself. She functionally had no other choice here. The entire episode builds itself to the self-sacrifice moment so that Chloe is forced to make that choice even though she's been her petty bratty self throughout the whole attack. It's genuinely solid writing.

Then, in the heightened emotions directly after the Zombizou win, we get this:

Miss Bustier: But I hurt a lot of people... Chloé: No... I did... I forgot your birthday, once again. And when I saw everyone had prepared a gift for you, I totally lost it. Because I, too, would've liked to offer you something. I'm sorry, Miss Bustier. Miss Bustier: Thank you, Chloé. Those words are the best possible gift you could ever give me. (hugs Chloé) (Chloé hugs her back, forgetting herself for a moment.) Chloé: Huh?... Uh, yeah. Okay then, we're all good.

A brief moment of vulnerability that quickly ends and does not stick around because Chloe's change was situational, not true growth. The next scene of that episode starts with Chloe being her usual self:

Chloé: Me? You want me to apologize to the entire class? Ridiculous! They should be thanking me for saving everybody.

And ends with the reveal of Chloe's gift to Miss Bustier, which was given in private via a note.

Once again, nothing new for Chloe's character. She acts as she always has, being mean to everyone while having moments of vulnerability when things get tense. Remember that hug between her and her father that we talked about earlier? Same concept. She had just almost died from an akuma attack and so she needed some emotional support, leading her to act more openly loving than she usually does when he's around. Once the moment is over, she reverts to the petty mean girl default.

Giving gifts to placate people is also something that we've seen before. A pretty similar thing happens at the end of Evil Illustrator, it's just played less sympathetic towards Chloe because the writers weren't giving her depth back then:

Sabrina: Too late. Chloé and I are doing the project together. Marinette: You mean, you're doing the project? Sabrina: Well, of course! After all she's been through... Marinette: Ughhh.... Nice new beret, by the way. Sabrina: I know, right! Chloé lent it to me. She really is my BFF! Chloé! Your geography homework's ready!

For any of this to be character growth, we need to see Chloe act differently over time. For her to be put in similar situations and get different outcomes, but we don't see that in part because Chloe didn't change and in part because season one didn't do much to develop Chloe's deeper side. We rarely see her alone or in moments of extreme vulnerability, but you need those moments to show her depth. That's why Despair Bear had Chloe crying alone after Adrien threatened to end her friendship and not before. Chloe is very reluctant to openly show depth. You have to force it out of her, which perfectly fits the character we met in season one.

Even her standing up to Hawkmoth and rejecting the akuma isn't character growth in my opinion. Chloe has always stood up to authority and demanded whatever she wants. She has wanted to be Ladybug's friend and be seen as a hero since season one, so it's not shocking that her extremely strong will would allow her to defy a terrorist. If there is anyone in this show who can stand up to a terrorist on shear "no!" power alone, it's little miss I-always-get-what-I-want. I could see a variation of this happening at any point in the show, just change Chloe's reason for defying Gabriel to match the situation. Rework these lines to be about a party that she wanted to go to and I'd still totally buy it:

Chloé: No, Hawk Moth! I am a superheroine! I am Queen Bee! Ladybug will come and get me when she needs me! I WILL NEVER JOIN YOU! (throws her photo onto the ground as the akuma exits it... and pants)

Chloe acted like a hero here because she wants all the perks of being a hero and can't believe that Ladybug would actually bench her. That's impossible! Ladybug wouldn't do that!

As soon as Chloe accepts that she won't be a hero again, Chloe stops acting heroic because acting heroic wasn't growth. It was her playing a part the same way she played a part in Despair Bear. She was doing what she needed to do to be Queen Bee again and not because it's the right thing to do. This would only be real growth if she rejected the akuma after accepting that she wouldn't be Queen Bee again, but that's not what happens. As soon as she accepts that she's out, she no longer has any reason to play nice. She never grew into a character who did what's right for the sake of doing the right thing. It's always been about getting what she wants or being seen how she wants to be seen. Until that changes, she hasn't changed.

So no, Chloe didn't have an aborted arc. They didn't start to redeem her and then change their minds. All they did was make Chloe one of the most complex characters in the show only to then not do anything with the character they wasted our time establishing, ignoring the complexity they gave her while also cranking her mean dial up to the point of absurdity where she's not even fun in her original role anymore.

I get why it feels like she had an aborted arc. The fact that the character establishment was delayed makes it feel like something shiny and new about Chloe. There's also the fact that the character establishment we get in season two is the kind of character establishment that you'd do if you were setting up for a redemption arc, but that doesn't change the fact that it was all establishment work. None of it was a true arc where we watched Chloe grow. We just saw her put in situations that revealed hidden depths.

Her showing depth is not her growing because when in the world does she show off this supposed growth? She only acts differently in the type of scenes that we've never seen her in before or around characters that we've never seen her truly interact with before. When she's around the established teen characters or in her usual scenes, then she acts the same way that she always has. We never see her be genuinely nice to Marinette or something like that. She's only nice to Ladybug and she's still rude to Chat Noir. That's not character growth! That's character establishment that can then be used to guide character growth!

Same thing goes for the stuff in Despair Bear. We learn that Adrien can push Chloe to be better, but he never does it again and she reverts as soon as he lets her off the hook, so it wasn't character growth! It was just Chloe establishing that she can play nice when she needs to. This means that she could grow if the story chose to take her down that path because we've established that she knows what being nice looks like. Fake it til you make it plot go, go, go! But the plot never went, went, went so meh?

Add in the fact that season one was a bit of a test season with lots of elements that got dropped and the fact that characterization in this show has always been wildly inconsistent from episode to episode and I'm really not seeing a strong argument for Chloe having an intentional arc that somehow got aborted. People just saw the potential for her to have one and argue that potential is the same as an aborted arc when it really, really isn't.

To give an analogy, Chloe's story is like walking into the kitchen and seeing grandma laying out the ingredients for her famous chocolate chip cookies. We get excited because, hey, cookies! Then we come back an hour later and there are no cookies. Nor is there some other sweet that uses the same ingredients. There's just ingredients, sitting unused in their original packaging, making us wonder what the heck grandma was up to. At the same time, she never really started making cookies. She just set out ingredients. They're still there, totally unused, waiting to be made into something, so we can't call them a failed cookie attempt. That implies a level of commitment that was never there. She didn't even say that she was making cookies! We just assumed she was because we, understandably, wanted cookies and wanted to believe that grandma had a purpose to her actions.

[ruvviks]

we would sell anything just to buy who we're not // we kill our way to heaven

taglist (opt in/out)

@shellibisshe, @florbelles, @ncytiri, @hibernationsuit, @stars-of-the-heart;

@lestatlioncunt, @katsigian, @radioactiveshitstorm, @estevnys, @adelaidedrubman;

@celticwoman, @rindemption, @carlosoliveiraa, @noirapocalypto, @dickytwister;

@killerspinal, @euryalex, @ri-a-rose, @velocitic, @thedeadthree

[wellcollapse]

assuming that tommy is gonna be staying on the show after 7x06 the one thing i want more than anything is another buckley-diaz family dinner like the one they had with taylor in 5x11 except this time it's different bc eddie likes tommy and chris likes tommy and yet there's still an unspoken intimacy between buck, eddie, and christopher that tommy could never even begin to understand, y'know? like. i know that all three members of the buckley-diaz family would be so excited to have him there and buck would be all sweet smiles and shy head-ducks as he holds tommy's hand under the table and chris would pepper tommy about questions about his favorite movies and cheer whenever tommy agrees with him as buck half-heartedly argues that neither of them have any taste in media and eddie would excitedly tell buck and chris about the insane 3-pointer he made at last week's basketball game and yet, and yet, and yet...despite everything tommy would still be on the outside looking in, because how could he not be?

he's not being left out, he's being actively included by everyone there, and still...he feels it. feels the unshakeable unit that the three of them make, feels the love there that's been built from the ground up. and he wants it. he wants it so badly, wants to playfully wince the same way eddie does when buck makes a crack about how bad he used to be at cooking. wants to needle christopher about the homework that he still hasn't finished. wants to get up in tandem with buck and eddie as they clear the dinner table together after their meal. he wants to belong, but he sees them, the way the chris rolls his eyes at buck and eddie and wordlessly retreats into his room to start that project. sees the way buck reaches into the fridge to grab three beers without taking his eyes off of eddie. sees the way eddie gently brushes his arm along buck's back as he carries the plate of dessert out. he sees it all, and he realizes — really, how could he have hoped to make his way into that?

[pinacoladamatata]

feeling kind of stressed like i'm running out of time to draw solas

[eugene-da-potato]

So, uh

The fuck was that

[lolhex12]

we don't talk enough abt akutagawa's cough / lung disease (chronic&terminal) yet it has so much angst potential?? anywayy

after the current arc, atsushi knows akutagawa is actively dying and he's the only one who does bc akutagawa didn't tell anyone else abt it. (altho, in all honesty, the amount this man coughs should at least hint at it. i'm honestly amazed not more ppl in the story are concerned abt it)

so, the next mission they have together, akutagawa coughs and atsushi is now aware what it really means, so he wonders out loud with nonchalance masking his concern: "hey, so like, do you think yosano's ability would help with your cough and all? would it go away then?"

akutagawa, wiping his mouth, slightly annoyed: "how would i now? i'm not well-acquainted with your coworkers, weretiger, therefore it's none of my concern. and even then, i wouldn't trust any ada members with my issues, nor my life."

atsushi finds his words a bit sus bc 'u do trust me tho', but doesn't say it out loud and they leave it at that.

somehow, it becomes a regular thing. every time they have a mission together and atsushi hears his partner cough, he presents more ideas of how they could cure a terminal lung disease, and they vary in absurdity as he runs out of inspiration.

his ideas range from mere "have you tried going to a doctor?" (<- at which akutagawa stares in disbelief: "you either think i'm an idiot, or you are the idiot. which one is it?" and atsushi pouts bc 'ok yeah, fair... but also, rude') to insanities like "maybe witchcraft would help! i could look up witches in the area and see if black magic or something has any luck." (<- at which akutagawa is so done he doesn't even entertain the idea and just keeps walking)

they never follow through with any idea tho, bc akutagawa stubbornly refuses to waste time on trying to find a cure when his time on earth already is very limited.

it should also be noted that each time the cough gets worse; louder, rougher, more persistent and even bloody, which only makes atsushi more and more worried.

so one time, akutagawa's particularly annoyed by atsushi's insane and stupid ideas. he turns to him and point-blank asks: "why do even care so much whether i succumb to my illness or not? surely, my death should only leave you overjoyed to see the world be rid of one more evil."

that makes atsushi think bc 'why? why does he care whether akutagawa lives or dies? he's right, a bad person like a mafioso dying should be a good thing.'

after lengthy contemplation he comes to the conclusion that he simply cannot have his sworn enemy/rival/partner die from something as pathetic as a disease. someone as strong as akutagawa has to die in a more memorable way - not alone, in a bed, coughing, with nothing more to be remembered by. if anything he'd have to die fighting atsushi or something. yeah that's it. that's why. (<- it's not, but they're not quite there yet)

so atsushi tells him as much. akutagawa accepts it bc 'yeah, makes sense. what else could the reason be?'

the whole routine of coughing and brainstorming a solution in vain continues as the ideas get even more insane, the cough even worse and atsushi more concerned than ever.

the next time akutagawa is annoyed enough to pose the question again, atsushi is close to tears from anxiety as he holds up akutagawa who collapsed and can't seem to subdue his cough properly.

atsushi struggles to get out the water bottle and cough drops he'd started carrying around on their missions together. he's so scared bc he's never seen akutagawa look so sick and frail before (but not weak. never weak. akutagawa could never be weak in atsushi's eyes. it's impossible, bc akutagawa being strong is a simple, unchangeable fact, constant in any possible universe).

what would he do if akutagawa actually died there? in his arms? on a mission? which would probably get cancelled. would the pm think atsushi killed him? does he bring back the body or just bury it somewhere? pretend he got killed on the mission and not by his own body that had turned on him years ago and was in reality a long time coming? he couldn't even bear to think abt it.

"why tf do u care so much??" akutagawa yells with a scratchy voice before his cough continue despite his best efforts to stop.

atsushi can barely breathe anymore. "because i don't want you to die, you idiot! we're a team! you're my partner. who will i be left with if you go?" tears stream down his face, mainly from how overwhelming his anxiety feels. or maybe bc he really doesn't want his partner to die? nah, it's the anxiety. definitely the anxiety. (<- #denial)

akutagawa, at first embarrassed how his collapse derailed their mission bc goddammit he's supposed to be a professional and not let his issues interfere with his job, pauses when he sees atsushi crying... for him? because of him? ???

he's very confused bc he's pretty sure his rival/enemy/partner should not be so concerned abt his health and impending death, but something abt atsushi's expression and that whole situation makes him rethink his outlook on life.

that's when akutagawa starts taking his health more seriously and actively looks for possible, feasible ways to cure his disease, even if there's only a small chance it'll actually work. bc seeing atsushi like that made him realize there are a handful of people who care abt him and would mourn him if he died; more than just his sister and higuchi.

it made him realize his life had a bigger impact on others than he'd previously thought, not all of it bad.

[demodraws0606]

You know I think there is something interesting to say in terms of where the fuck WxS is going because like

I think WxS is the only unit where the end goal or overall progression is probably the most unknown out of all of them ???

MMJ and VBS are extremely obvious, they both have the most explicit goals that are said to us in a straightforward way

25-ji, in the end we know the main goal at the end will be for all of the characters to go over their hurdles with Mafuyu finally being able to find herself and move forward

Leo/need is probably the closest in terms of vagueness but we know the end goal is clear for them to grow as a band, probably ending in a big concert or something along those lines

But with WxS...like I guess the closest thing I can see to an end goal is all of WxS preparing a show together with everyone playing their part but that definitely doesn't feel like something you'd build up for an entire arc and definitely not something that feels fitting after the emotional turmoil that was the disbandement arc ???

In terms of physical achievements as well they literally revived an entire parc through one gigantic show, so it just comes into question what they can do now.

Then you look at their first few event for this arc considering usually the first event kinda set up what will be planned for the future but it's...weird.

Yeah, Tsukasa and Rui's events set up they're inexperienced and how they will grow in the future but also there is this weird feeling of something feeling off ?

The plays/scripts all are strangely depressing, the play in Tsukasa's event being about a failed writer planning to drown himself (which I believe is one of the only undeniable explicit description of suicide ever in the game?????) and the second being someone whose given up on life meeting their estranged sister only for her to become ill.

We even have Emu's side story in Rui's event where they watched the movie Rin was watching during the event made by the same producer and Emu herself note how depressing the story is (meanwhile the main character of the movie clearly parallels Rui)

We don't see the conclusion of these in-game stories as well, lingering on their worst moment never really seeing the presumably happy conclusion.

THEN we also have Emukasa fes which....again strangely different in tone from what you'd expect a WxS fes card, they're not really all that conclusive either. Tsukasa never aknowledges how he relates to the brother in the story and Emu doesn't really get a conclusion on her grief.

Then we also have Rui's entire fuckign event with the cards and his cyberpunk deadbo-YOU SEE WHAT IM SAYING

The closest we fucking have to knowing what WxS's fucking endgoal towards the story is, is fucking WL which....TELLS US NOTHING

At least with VBS we know that they're goal is to go even further beyond and conquer the whole world, that is a developpement of their goal.

What I'm saying is I don't know what the fuck colorpalet is cooking wiht WxS but I feel like i'm a fucking twilight zone reading the way they're writing WxS now because I can't be the only one feeling insane at how weird all of this is

[givemewallywestorgivemedeath]

Who do you think are the most OP members of the FlashFam? I think it's difficult, the majority of them has almost the same powers.

Oh easy.

Wally, Bart and Barry.

I think we forget sometimes that the vast majority of the crazy feats of godlike powers we see from speedsters are coming from these three. Wally, Bart and Barry have insane connections to the speedforce and their skill level is unmatched. What these three can do is by no means normal or average. They are op as fuck.

You have to remember that even... let's say Max Mercury is nowhere even remotely near their skill level. And we're talking about Max Mercury. The guy who knows more about the speedforce than anyone else and trained for years to master it. But Max (although he was faster than Bart when Bart was a child) isn't on the same playing field as Wally, Bart and Barry. Max couldn't enter the speedforce without Bart's assistance, Max couldn't leave the speedforce without Barry and Wally's assistance, Max can't time travel to a destination of his own choice, Max can't speed steal or fully pause time, ect ect. Max is one of the most skilled, most knowledgeable, most trained and most respected speedsters of all time. Max is the cream of the crop. You won't find another speedster better than Max. He's a shining example of what's humanely possible for speedsters to achieve.

But Wally, Bart and Barry aren't humanely possible. Those three are insane.

I'm actually going to make a tier list to explain this

ABSOLUTELY FUCKING INSANE:

(AKA actually gods. Can do literally every speedster ability. Faster than literally everything. Beyond op.)

Wally West (now), Bart Allen, Barry Allen

TOP LEVEL OF SPEEDSTER ABILITY:

(AKA the top of the top. Insane skills. Insane knowledge. Insane speed. Likely has a vast amount of speedster abilities other than running. Likely faster than most other speedsters. Op af)

Max Mercury, Jay Garrick, Savitar, Eobard Thawne, Thad Thawne, Irey West (future)

ABOVE AVERAGE:

(AKA one of the following: above average speed, above average connection or above average abilities. Likely has one or two speedster abilities other than running. Slightly op but still beatable)

Irey West (now), August Heart, Edward Clariss, Jess Quick, Alinta (future), Hunter Zoloman (when connected), Lia Nelson, Jai West (future)

AVERAGE:

(AKA average connection, average speed, average abilities. Potentially an additional speedforce ability but no crazy speedforce abilities. Not op.)

Wally West (past), Ace West, Avery Ho, Jesse Chambers, Daniel West, Christina Alexandrova, Jenni Ognats, Jai West (now), John Fox, Red Death, Don Allen, Dawn Allen, Meena Dhawan, Anatole, David Edwards (after), Judy Garrick, Bar Torr, Fastbak, Swoosh, Terri Magnus, Sela Allen, Jonathan Allen, Carrie Allen, Barry West, S'Kidd Flash, Thondor Allen, Jace Allen, Blaire Allen, Nora Allen, Agent Flashling, Danica Williams, Cherub

TRIES REALLY HARD:

(AKA normal connection but below average speed and abilities. Extremely beatable.)

Baroness Blitzkrieg, Johnny Chambers, Bebeck, Cassiopeia, Harold Christos, Inertia 2, Killspeed, Mayfly, Millie Heyday, Runaround Sue, Wind, Pellmell, Poprocket, Velocity, Gabriella Rossetti

OH NO:

(AKA needs outside assistance to access speedforce (suit, drugs, formula), faulty connection, connection is killing them, can only access powers for short periods of time, ect)

Jai West (past), Alinta (now), Owen Mercer, Eliza Harmon, Jerry McGee, Meloni Thawne (*see notes), Gregor Gregorovich, Boleslaw Uminski, Joanie Swift, Mas, Menos, David Edwards (previously), Keigo, Ezra Gill, Henry Cosgei, Jaculi, Jaculi 2, Jimmy Olsen, Xane Swift

So yeah, as you can see by this, although all speedsters with a functioning speedforce connection are technically capable of being op, speedsters rarely actually are op.

We're just really used to op speedsters because we're used to whatever the fuck Wally, Bart and Barry have going on. But they are very much not representative of speedsters as a whole.

Do you guys remember how fast Wally used to be? When he was younger and struggling with his speed and stuff? THAT'S THE GODDAMN AVERAGE. Wally AT HIS SLOWEST was still faster than every single goddamn speedster he came across, including Jay, Johnny, Jesse, the Blue Trinity, the Red Trinity, ect. HE JUST WASN'T FASTER THAN BARRY OR EOBARD SO HE THOUGHT HE WAS THE WORST. Because Wally is fucking insane. He's an insane human being. Anyway, Wally at his slowest is the typical representation of an average speedster. That's how they typically are.

[moe-broey]

The.. they..........

Sharena angles! She was pretty straightforward! I still have to add more bits to her hair, but, I think I'll have a better idea of how to place them once I have a body for reference. Plus, I felt I was flying waaaay too close to the sun w adding pink to her bangs like that (had an idea of adding the "gradient" by using embroidery thread/stitches, which would involve cutting the og fabric in half to attach the new one) -- so she only has one pink streak 🥲 (I'll have more room for trial and error w her other details though I think 🫡 Which I think will pull her together more!)

Meanwhile

Alfonse.

Plus the top of their heads!

I did want to avoid using hot glue but it was kind of impossible LMFAO. Also I kinda stopped caring too much about feeling like I was "cheating" after the ordeal that was Alfonse 🧍

My goal and hope is that they match and look nice together -- that, Alfonse wouldn't look too overworked/a mess of being overly detailed, while also maintaining that he has a very choppy/layered style that's more complicated than Sharena's.

[butmakeitgayblog]

Spoiler? for fear the walking dead. if you care about that? Alycia did it again 💀 I’m not sure about anything else that happened since she left but apparently her character finally reunited with her mother

Baby I seen, and she looks fine as fuck

I haven't seen exactly what happens entirely cuz people are being slow posting clips but it's fine cuz I'm,,, pretty sure it's offensively nonsensical plot wise anyway, but whew. Damn Alycia, back at it again. Girl will do community service for all the busted ass shows of her past and I suppose I respect that. Loyalty and all that

[flowerflamestars]

Rust snippet

“The problem with Morrigan,” Azriel admitted, knee sliding against the softness of Nesta’s dress, “Is that it did work, once.” With a primness that might have fooled, Nesta uncrossed her legs, framing Azriel’s thigh in a soft flash of bared skin. Casual. Close. But what tipped the odds was her mouth, smile developing an edge, delight. “How?” Azriel shrugged. “I was eighteen. Stupid. A girl like her had never looked twice at me.” Morrigan, a wilder, younger, less brittle version, had looked expensive. Like a person Azriel should not, under any circumstances, be allowed to touch. Four years of scholarship at private school had gotten him to college, gotten him here, and taught him too, to keep his fucking head down. Not looking had never made wanting any less. “And then,” Nesta hedged, sliding closer. “Never again? So”- “So I’m a fun challenge,” Azriel agreed, savoring that faint, phantom warmth. The ferric tang of wine, so sharp it turned right around into sweet. “It was stupid and meaningless then. Means even less now.” Nesta grinned, totality of the expression briefly breathtaking. “You must make her insane.” “Says the woman Cassian seems to think is going to have his babies.” He was sorry to see the smile turn to disgust, but not regretful. Full-body, her shoulders moving, lovely posture shifting. It was choice- it was a choice at all that Azriel had come tonight, against all better judgement, a decision that was now seeming wise to the point of psychic intuition- it was a call, and Azriel made it, skimming her bare knee as Nesta’s horror turned right around into a scathing little laugh. She watched him do it. Slow, smile stilling but not fading, as Azriel traced a curve upward. Nesta leaned forward, catching her chin again with one steady hand. “We should go to dinner.” A slow line, his thumb on her soft thigh, like Azriel could match the clear cut shape of her jaw, drawing him in. He cleared his throat. “We should.”

[vonlipvig]

Just heard a podcast reviewing Anatomy of a Fall, and the guy keeps throwing around the word 'narcissist' and criticising the way she mothers Daniel 💀I will never read/hear another guy's opinion on this film ever again

come here, man with a podcast. i want to hear more about your opinions on how sandra voyter is an evil narcissist who only cares about herself and who rules over her poor husband and child with an iron fist. ooh, you're sooo good at media analysis. come here, come closer. closer. closer to this window, yes. don't worry about it. alexa, play PIMP by bacao rhythm & steel band.

[mixmangosmangoverse]

Hello I'm randomly thinking about Healin Good PreCure for the first time in years and looking back at how wildly people misunderstood the point and expected every other season to follow a plot point that's very specific to it

[random-french-girl]

Okay I'm doing it. I'm righting my wrongs. I am finishing campaign 1 of Critical Role, which I abandoned YEARS ago somewhere in the mid 90s episodes because, idk, life happened and I lost interest.

I started back at episode 94, I'm up to episode 99 now and my two main takeaways are:

1) I'm never gonna love Vox Machina as much as I love the M9 or Bell's Hells. Part of it is honestly just personal taste: there's like, only two characters I truly love (Vex and Keyleth, my beloveds) and a few relationships that I care about (the twins, Percy and Kiki's friendship, Vax/Keyleth to some extent, obviously Vex/Keyleth), whereas in the M9 and BH I'm interested in almost everyone, and I love soooo many dynamics! Another part of it (which may also be subjective) is that in CR2 and CR3 I find the cast SO much more at ease with each other's play styles. Like the group dynamic has truly solidified and they all mesh together so well. There's less cross talk, less awkwardness, less moments of tension; there's more balance, more understanding and patience and open joy at everyone doing their thing.

2) That being said, watching Vox Machina is still a uniquely rewarding experience, because yeah they're still finding their footing as a production, but they're also all playing characters they visibly know and love so so so much, characters they created/played for themselves before they ever did for an audience... I don't know, it's less polished, but also when you get to the later VM campaign episodes, the characters truly are family in an organic way that comes, I imagine, from the fact that the cast has spent more time with them than any other characters, and from the fact that these were their first PCs. It feels very nostalgic, in the best way.