#in case it becomes… Relevant… in the future

[sunnyaalisse]

Wanna know how to manage anxiety effectively? (I'm a psychologist) Formulate your anxious thoughts in a form of "What Will I Do if X happens?" and then answer as best as you can. You will find that there are 4 main types of situations your anxiety might be asking about: 1) nonsensical, unlikely, useless (WWID if I get kidnapped by a UFO?) 2) rational, predictable (WWID if I get a bad grade?) 3) rational, unpredictable (WWID if I go to a new job and something bad happens?) 4) unpredictable and uncontrolled (WWID if I get attacked on my way home?) Here's how to deal with each type: 1) unlikely, useless, nonsensical? answer it like the person who's asking you this question is a 13 year old child who's trying to annoy you. "that would suck, Timmy, but it sure would make a cool story that I would tell to anybody who would listen if I survived" 2) rational, predictable? make a date with this question. find time to sit down and legitimately think of a plan on what you're going to do. "I'll go talk to the teacher, ask what I can do to improve my grade, then I'll talk to my friends and ask them to explain the topic to me, then I'll talk to my parents and explain the situation if they're interested in hearing about it" 3) rational, unpredictable? you don't have to answer it in a detailed way, just decide on the first few things you will realistically do in any sort of distressful situation. "I'll call my friend and tell them about my situation, then I'll buy myself some ice-cream and figure out my next steps with the help of relevant people, google and determination." 4) uncontrolled? plan for what happens after the part you can't control, once you're in charge again. "I'll call the police, I know where the nearest hospital is, I have my friend's numbers memorised so I'll call them, either way I'll deal with whatever happens once I'm in control" anxiety related to the events that already happened (I said "you too" to the waiter who said "have a good meal") truly means to ask about either the consequences (what if now they think I'm dumb?) or the repeating of the situation (what if I do it again?). you can still reformulate these questions the same way: "WWID if they treat me like I'm stupid next time I'm there?" and "WWID if I say the same thing again, how can I make it charming?" or "WWID to avoid repeating the same situation again, what can I say instead?" anxiety is a mechanism that means to fill the gaps in a person's perception of their future, it seeks clarity, stability, normalcy and control. It doesn't need to clarify IF the situation will happen, it needs to clarify how the situation will be DEALT WITH if it does happen. unanswered "what will I do if..." questions tend to become a broken record because the need for clarity is not fulfilled. more often than not if the needs for clarity and normalcy are fulfilled, anxiety lets up. even questions like "WWID if I die?" can be answered: "if there's an afterlife I'll try to punch god" or "I'll ask if they have soda here" or "if there's no afterlife I'll do nothing, but the world will go on without me, complex, busy and beautiful" also, since anxiety can be caused by physical factors like exhaustion and overuse of caffeine, dealing with these factors could be very helpful. this type of anxiety doesn't come from the mind, it comes from the body, so grilling yourself with questions won't help in this case. rest, nourishment and sleep will do a lot of good though.

[pyrotation]

…sometimes when i’m making selfship arts i wonder if it looks like my oc is just a sniper oc… because i look like him quite a bit irl :> doesn’t matter. i ship them all

[synthient]

2nd watch, a few new details:

On the first watch, I was like "of course Owen couldn't go with Maddy the first time, her mom had cancer :(". But this time I caught that Maddy went missing "a few weeks" after Owen's mom died. Owen had nothing left to stay for. Maddy probably waited around for those extra weeks, just in case Owen had a change of heart. And yet,

The first time we see the dress flashback, it's through what seems like a relatively objective perspective. The second time we see it (as they walk to the grave), the memory has taken on the vhs-fuzz and aspect ratio of the pink opaque tapes. The real becomes unreal, an impossible fantasy, "kid stuff"

Happened to see a captioned screening this time, and the Tara from the streaming version is described as "Fake Tara."

The tv guide page Owen finds by the electrical field is for "season 6, episode 1: Escape from the Midnight Realm"

Mr. Melancholy and Maddy's ex friend who accused them of dykery ("like a secret agent sent to ruin my life") were the same actor

All the school hallway motivational posters are thematically relevant, but this time I caught the "the only easy day is yesterday" and "courage: without it, no other virtues matter" ones

You can see the emotional shifts between Owen and Narrator Owen in real time (ie, Owen looking distraught as the firefighters surround Maddy's tv, then dropping the expression and looking coolly into the camera as she starts to narrate again)

There's an interesting recurring thing where audio from the near "future" plays over footage from the "past." ie, we hear Maddy's planetarium monologue, while we watch Owen still walking to the school to meet them. Something about time not working right, something about Owen playing back memories that already happened, something about inevitability and walking down a path with a fixed ending

Void High School, or VHS

[prokopetz]

Do you ever have a passive gripe with the way trade is represented in medieval/sci-fi/post-apocalyptic fiction? I can't shake the feeling that those are societies that have moved beyond the need for abstract currency - that such forms of trade are more a concession for the viewer to analogize trade to our world instead of offering some kind of unique barter for a world.

A medieval peasant isn't gonna want gold coins for jack because the next trade caravan is two seasons away, they'd much rather a useful tool or some extra fertilizer. Credits in science fiction universes can become worthless due to Future™️ hackers setting their bank accounts to extraordinarily high values, so extra parts for firearms and spaceships are much more useful. Caps in Fallout just make no sense in a world where food and water are few and far between!

I feel unreasonably grumpy about this and I wanted to know if you have any kind of insight to this kind of thing.

There are a couple of only partly related problems here:

1. The idea that the economies of most sci-fi and fantasy settings, as depicted, don't make any sense. This is absolutely true, because most science fiction and fantasy authors don't really think about that sort of thing – their settings only have economies to the extent that the details of those economies are relevant to the plot, which they usually aren't.

2. The idea that it doesn't make sense for currency to exist in these settings because most of them logically ought to have barter economies. The trouble with this assertion is that there's no such thing as a barter economy. Yes, you can describe what one would look like, but no civilisation which has ever actually existed has operated in this fashion. It's a made-up idea – at best, a spherical-cow approximation of how the exchange of goods and services operates in a stateless society, and at worst, complete bullshit.

Consequently, whether or not it makes sense for anything like currency to exist is going to depend on the particulars of how the setting's economy operates (i.e., all the details that that are getting glossed over in point 1, above). About the most we can say in nearly all cases is that we simply don't have enough information about a given fantasy or sci-fi setting's economic structure to know whether it makes sense to have currency or not; we can't just assume in the absence of further details that things will default to a barter economy, because – again – there's no such animal.

[bakubonez]

Snap out of it!

Katsuki Bakugo x oblivious! GN! Reader

Summary thing: Katsuki likes you and apparently you have no idea.

A/N: AAAAAAAAAAAAAAAAA

Warnings: not proof read cuz I’m lazy, reader doesn’t know Katsuki likes them at all + they convince themselves he doesn’t lol, ambiguous ending, mostly focuses on Katsuki’s POV I think

You were an idiot. But Katsuki liked you regardless.

It was a problem, really. You’d weaseled your way into Katsuki’s group of friends, instantly charming everyone. He’d been more difficult to please, though. You’d been okay with it—you knew he’d come around eventually.

Which he did. Problem was, he’d come around and he’d fallen head over heels for you. Normally that wouldn’t be an issue, he could’ve just confessed or flirted with you.

Katsuki had decided to go with the method of dropping hints and flirting rather than straight up confessing to you. He wanted to test the waters first. There was no doubt in his mind that you’d like him; he’d seen the glances when you thought he wouldn’t notice, the little touches, your faint smile when he joined whatever you and his other friends were doing that day(after some pressure from Eijiro!). He knew there was no way it could possibly go wrong.

Little did he know, you were oblivious to his advances.

You constantly brushed his teasing remarks and flattery off as him being nice, not interested in jumping to the conclusion of him reciprocating your feelings in case you were wrong. You didn’t want to get your hopes up and your feelings hurt. So you ignored what he was doing, always somehow convincing yourself that the increase in your heart rate and the heat burning your skin when he made his stupid jokes and such was simply a trick of the mind. He didn’t like you. You just had to accept that fact and get on with it.

It was infuriating to Katsuki, though. Maybe infuriating isn’t the right word, he couldn’t seem to bring himself to be truly angered by you any more. Frustrating. There it was. You were unbelievably frustrating.

He adored you. Ever since the realisation of his feelings had dawned on him, he hadn’t been able to scrub any corner of his mind of you. You always lingered there. When he got bored in class he’d think of you, zoning out while the teacher at the front went on and on about something that clearly wasn’t anywhere near as relevant as you. He’d stumble across videos online that made him think of you, that made him think, ‘you’d like this’. Some of them would make it to you, but sometimes he’d already sent so many of them that day that he needed to save it to a little folder dedicated to you, to keep for when he needed an excuse to message you.

Katsuki hadn’t come to UA with the intention of making friends. But he had. And now he was on the complete other side of his initial promise—chasing not only a friend, but a romantic connection.

And so, the days went on where he’d shoot his shot and miss. He’d miss because you kept interfering. You kept brushing it off.

Eventually he resorted to telling Eijiro, whining and complaining to you about how stubborn and irritating you were right now, but also how much he’d come to treasure you. You’d become precious to him, nestled in your own little place in his heart. He was having a hard time trying to get over you. Maybe it was because he really didn’t want to.

At the end of the day, despite how much he complained about your oblivious nature, he couldn’t bring himself to scrap the future he’d carefully carved out in his mind for the two of you. Katsuki wanted those sweet, domestic moments that he would’ve ignored with anyone else but you. He wanted the less sweet ones, arguments and results of villain battles. All of it. He wanted all of it. He wanted all of you.

It didn’t matter to him what you thought a partner wouldn’t like in you. To him, there was nothing to dislike. The curve of your nose, the colour of your eyes, the texture of your skin, your laugh. Even the parts of you that you tried to hide, he loved all of it. He couldn’t imagine a time where he didn’t.

For now, though, he had to wait patiently for you to catch on, or for his self control to slip from him. He had to tell you the truth one day. You’d snap out of it.

Katsuki hoped it wouldn’t be too late by the time he did.

[fanfic-obsessed]

Smitten

I had this idea for a JayTim that I want to share. 

Obviously there is no canon here, for the record. 

In addition we have a version of Jack and Janet Drake that do love their son, they just have a really bad grasp on age appropriate supervision and activities. They honestly believe that a nine year old can be left alone with only a periodic check from a housekeeper (Also they are aware that Tim leaves the premises almost every night with a camera, they also believe this is a reasonable activity).  Like the very embodiment ‘they’re confused, but they got spirit’. Believe me when I say this will be relevant later.

We are also bringing Jason and Tim’s ages just a hair closer together. This starts with Jason being 14 and Tim being 13, at the annual holiday Wanye Gala. This particular time Jack, Janet, and Tim are in attendance. 

It starts with some boorish rich asshole, a little too drunk and being stupid about it, making an insulting comment about Janet Drake, heard by Tim. Now Tim loves his mother, and does not appreciate this man who insulted her. 

Thirteen year old Tim verbally eviscerates this man, his voice an icy even tone that everyone around recognized from Tim’s mother Janet. Tim’s diatribe of insults and threats leverages this man's secrets, his fears, and insecurities that he didn't even realize he had.  Ten minutes in, this man begins to cry. Just the complete, public, destruction of a middle aged rich drunk by a tiny thirteen year old.  The Drake family proceeds to exit after Tim winds down, never looking back (it was later in the evening anyway).

Jason, standing off to one side next to Dick, falls immediately and completely in love. Smitten through and through.  The first words out of his mouth, after the Drakes leave, is ‘We’re going to get married on that boy’s 18th birthday’.  This was heard by just about everyone present. Jason did not even know Tim’s name yet.

By the next morning Jason has used the BatComputer to discover that his future spouse is named Timothy Drake, he lives next door, and that he is 14 months younger than Jason.  At breakfast Jason very seriously, though a touch maniacally, tells Bruce that he would be marrying Tim when Tim turned 18, and that before that point they would be telling Tim about their ‘nightlife’ on the grounds that “we should not start our marriage off with secrets”. Jason magnanimously told Bruce that he had until Tim was 17 to get his feelings under control about the reveal (to give a full year before the wedding, in case Tim needed an adjustment period or Jason needed to win him back).  

Bruce is already very tired. 

Jason finds any occasion to seek out Tim Drake, to get to know his future spouse (the entire time Jason Mantra-having gotten some good advice from Alfred about becoming friends with and maybe dating Tim before anything else-is ‘Don’t start talking about the wedding, don’t start talking about the wedding’). Also every piece of romantic knowledge/flirting knowledge that Jason has comes from the regency era/Victorian era romances he reads. 

Tim, for his part, believes that Jason (Tim’s Robin and crush) has figured out that Tim knows Robin’s identity and is trying to subtly figure out how much Tim knows and what he is going to do about it; but for some reason Jason is not asking directly and Tim is enjoying getting closer to the other boy, so he does not admit to what he knows. 

This leads to some painfully stilted conversations and weird interactions, but every so often both will forget to be awkward and it becomes clear, whenever they actually act naturally, that they are very well matched. 

To the Gotham Elites, this is the best entertainment in years. Between Bruce Wayne’s ‘Brucie’ act and Dick’s feral behavior growing up, Jason’s bookish politeness makes him the ‘best behaved’ Wayne and honestly the most well liked one. Combined that with how sweet he is acting with Tim and  that this all started with Tim defending his mother, well this is the love story of the ages, happening right in front of them. 

Bruce and the Drakes are already fielding requests for invitations to the wedding. On a slightly more creepy note they are also receiving offers to be a surrogate for the boy’s to ‘continue the bloodline’ when the time comes. 

Bruce is honestly wondering if everyone forgot that Jason is adopted. Dick comes to Gotham more often, because he is also finding this immensely entertaining. 

A few months in, this leads to Batman, Nightwing, and Robin finding Tim taking pictures on a rooftop in the Bowery.  In Tim’s rush to apologize (he is starting to feel a bit guilty about his picture taking pictures of the Bats now that he has an actual relationship-where he believes that they know he knows who they are-instead of a parasocial relationship) it becomes clear that Tim knows their civilian identities and that they did not know that Tim knew their civilian identities. 

Tim gives his explanation (a quadruple flip that only a few people in the world can do and connecting the dots from there). Jason immediately blurts out ‘Go on a date with me?’ and is quite proud that he kept the ‘Marry me?’ behind his teeth (The earliest they could get married in New Jersey is 17, and only with parental consent. Jason had 4 years to convince the Drakes to let him marry their son, 5 if they don’t like him). Tim turns bright red and squeaks out a ‘Yes’. 

The next gala they enter holding hands.  Dick is quickly sought after by the Elite for gossip. Dick confirms that Tim and Jason are now dating, and that Jason insisted on a chaperone for their dates (Jason is still working off the regency/victorian era romantic relationships) so that nothing would ‘besmirch Tim’s honor’.  There is an entire crowd of cooing Gothamites around Dick as they discuss how these two got even more adorable, all the while watching Jason and Tim surreptitiously. 

At some point Bruce has to have a very surreal conversation with Jack and Janet Drake about when it is appropriate to leave one's children alone and for how long and at what ages. Jack and Janet, upon being convinced that they should not leave their 13 year old alone for weeks or months at a time, rearrange their future plans so that one of them is almost always home (and on the few occasions that they would have to Tim by himself, Tim would stay with the Waynes).

By the way, Jack and Janet love Jason, they can see how much he makes their son happy and are glad to support the relationship.  

Now I see this continuing one of two ways. 

The first way is that this derails Ethiopia. Jason still fights with Batman, but runs to Janet Drake (who is home) and Tim.  He does not discover that Catherine is not his mother until later, but is not missing parental influences and does some digging but does not go to meet Sheila. Tim becomes Oracle’s apprentice.

Alternately, it does not derail Ethiopia. Janet and Jack, on one of the few business trips that required both of them, is woken up by a call from an inconsolable Tim who tells them Jason has been killed by the Joker (both Jack and Janet having been let in on the secret at some point). Janet immediately hires Deathstroke and Talia Al Ghul to kill the Joker (Janet contemplated having them bring the Joker to her, so she could do it and make sure he understood why-he killed her future son in law and made her son cry- but realized that the why would never actually matter to Joker) and paid extra to make it look like natural causes (to lessen the attention on the bastard).  Two weeks after Jason Todd’s funeral, the Joker dropped dead of an apparent heart attack, there was not even enough time to get him back in Arkham. 

The Gotham Elite treat Tim like a bereaved widow, despite Jason never getting to have the ‘let’s get married when we are old enough’ talk with him. Jack Drake gets to have his own surreal talk with Bruce Wayne about accepting help, and therapy, after Jason’s death.  Tim picks up the Robin mantle to feel closer to Jason, and to distract himself from grief. 

Jason (Now 17) is brought back and Talia does find him. In this she does have good intentions (She knows that Damian is going to need to be sent to his father eventually, and hopes that helping Jason will endear Talia to Bruce enough that she can still see her son), plus a connection to Janet Drake and the knowledge that Janet had the Joker killed for Jason. So as soon as Jason’s madness ebbs enough to travel she brings him straight to Janet Drake's door. By then enough time has passed that it is three days before Tim’s 17th birthday.   

Jante takes one look at Jason and goes ‘Hmm, I was wondering what we were getting Tim for his birthday this year’.

[jaynovz]

I'm watching 1.7 and the break in Flint's voice when Gates is questioning him in the stable and he's like "I'm trying to answer the question" is devastating. The facial acting that Toby is doing here is like, he does great body language here and the trembling voice and nervous swallowing and darting eyes, you can see him trying to stave off some kind of extreme anxiety attack. Because. Like. God the flashbacks he must be having to London and Hennessey and Alfred Hamilton. Anyway, what he is saying just gets more and more desperate throughout the exchange, but legit he is trying to level with Gates the only way that he can in this moment. There is no version of Flint right now who could tell the whole truth, bc of his background, bc of the trauma, bc of what happened last time he trusted someone like that. So when we see what appears to be a mental BREAK, and he tells Gates his vision of sequestering a portion of the Urca gold for the future of Nassau and their men, that's him trying to explain his motivation the best way he can.

And the worst part is, he just sounds crazy and meglomaniacal and Machiavellian and DERANGED. It's exactly the wrong thing to say to Gates at that moment, they have already broken apart, it's too little too late, it's ten years too late!! Gates is hearing a lying maniac being conniving and cold and awful about Billy. But tbh, when I hear Flint say "He fell. Why? What do you think happened?" I just hear someone that WE KNOW doesn't know in his heart of hearts WHAT HE DID, WHAT HAPPENED, and he just... it would be easier if someone just told him.

I know we joke about Flint being full of SHIT, and he is in MUCH of the show, he does SO MUCH LYING. But this entire exchange doesn't feel like that. It feels like he's cracking and reaching and grasping and trying. And he has no earthly idea what path he would even take to get Gates back on side.

Gates says, "This is what we do. You orate and you dissemble and I look the other way..."

And the saddest fucking part, the most tragic of the tragedy is that HE'S NOT WRONG. That is what they do!! and it's. It's over! It's too much!

But poor fucking Captain, he just... He doesn't know how else to be.

And with regard to SilverFlint, and their arc... I've been thinking this go round about why it's different from Flint's relationship with Miranda or with Gates or with anyone...

And, well... It really is just a case of finding deep understanding from a person you never expected, isn't it?

At first it is extremely begrudging, because he doesn't have another choice, unwilling allies due to strife. But eventually it does becomes voluntary.

At its core, I think the reason that relationship is different, is because that becomes clear to Flint over time, and then he is able to offer up all the sides of himself to be further collated and understood.

And then faster than the speed of fucking light we get to 3.10 and 4.9: "You asked me where I began, and I felt that you were entitled to an answer. To the truth." and "I cannot do it without you." Silver says, "We might be friends by then" and by fuckin god they ARE. "As my partner as my friend" and "You know of me all I can bear to be known. All that is relevant to be known. That is to say, you know my genuine friendship and loyalty." So, what I've been circling is... sitting down in the woods and just telling Silver everything that happened in London is exactly what he can't do with Gates in 1.7 :////

[ineffable-endearments]

The Crow Road by Iain Banks

I finished The Crow Road and had a little time to think about it. I'll put my thoughts under a Keep Reading in case anyone is trying to avoid spoilers.

As I speculated before, I think it's likely that The Crow Road is more related to Good Omens in philosophy than in plot. I mean, it's not that the plots necessarily have nothing in common, and we could be very surprised in the end of course, but now that I've read the whole book, its philosophical commonalities with GO are both apparent and kind of inspiring. Also, if I were a writer, I'd be more interested in dropping hints about what themes are important than telegraphing my whole plot ahead of time.

So here, I will describe the book and point out themes that I believe may reappear in Good Omens 3.

This is a long post. If you read it, make a cup of [beverage of choice].

Update on 4/20/2024: I made a second post: The Crow Road and Good Omens: Further-Out Thoughts

Below are mentions of suicide, death/murder, and sexual acts.

The Crow Road centers around a character named Prentice McHoan, a university student in Scotland who starts to sort out his complicated relationship with his complicated family as he explores the mystery of his uncle Rory's disappearance. Although the book is mostly from Prentice's perspective, the narration jumps around in time with the McHoan family. There are quite a lot of important characters to keep track of; the bare-bones summary I put below doesn't even include some of the important ones. I wanted to make the summary even shorter and simpler than this, but the truth is that this book is not short or simple, and if I made the summary any simpler, it might be downright misleading.

There are at least three major cultural aspects of The Crow Road that I am inexperienced with: the overall culture in the 1950s-1980s (I was born in 1988, so of course wasn't here for the relevant decades), the international experience of the Gulf War (again, born in 1988), and the history and culture of Scotland itself (I'm USAmerican with only reading as a source). As a result, I'm sure there are important dimensions to the book that I've missed. If someone has a different perspective taking some of these things into account, I'd love to know about it.

Also, keep in mind, there is a great deal of descriptive writing in this book. There are a lot of pages about the geography of Scotland, and about Prentice as a kid, and about Prentice's father and uncles hanging out together in their youth, and about various family incidents, and about Prentice spending time with his brothers and friends. At first, these passages seem to just make things more confusing, and in my head, I accused them of being "filler." But they definitely serve a purpose. They're a way of showing and not telling the characters' attitudes and relationships to each other. More importantly, because we get to actually live these experiences with the characters, they are what give all the plot points below their deeper emotional impacts. In other words, the everyday experiences give the plot its deeper meaning. They resonate with one of the core themes in the novel: that our experiences in life, rather than any supposed existence after death, are what matters.

The Crow Road's story is like this:

Prentice is rather directionless in life, and he seems to have trouble investing any energy in his own future as he moons over his unrequited feelings for an idealized young woman named Verity. Soon, Verity ends up in a romance with Prentice's brother, Lewis, and Prentice feels that Lewis "stole" her from him. Prentice has also become estranged from his father, Kenneth, over spirituality. Prentice believes there has to be something more after death because he feels it would be incredibly unfair if people didn't get anything other than this one life; Kenneth is not only a passionate atheist, but is offended by the notion of an afterlife.

Prentice's uncle Hamish, Kenneth's brother, has always been religious, although his religion involves a number of bizarre and offbeat ideas of his own, with inspiration from more traditional Christian notions. Prentice is not really sure about this ideology, but he's willing to talk to Hamish about it and even participates during Hamish's prayers, whereas Kenneth is openly scornful of Hamish's beliefs. Hamish interprets this as Prentice being on "his side."

Prentice has a few opportunities to go back and talk to his father, and is begged to do so by his mom, Mary, with whom his relationship is still good. Mary doesn't want either of the men to give up their inner ideas about the universe; she just wants them to agree to disagree and move on as a family. Prentice says he will visit, but he just keeps putting it off and off and off.

Prentice acquires a folder containing some of his missing uncle Rory's notes in the process of hooking up with Rory's former girlfriend, Janice Rae, who seems to have taken a shine to Prentice because he reminds her of Rory. Using the contents of the folder, Prentice wants to piece together the great literary work that Rory left unfinished, which Rory titled Crow Road; however, it becomes apparent that Rory didn't turn his concepts into anything substantial and only had a bunch of disconnected notes and ideas. He hadn't even decided whether Crow Road would be a novel, a play, or something else. The few bits of Rory's poetry for Crow Road read are bleak and depressing.

Prentice also spends a lot of time with a young woman named Ash. They've been good friends since childhood and seem to have a somewhat flirtatious dynamic now, but they aren't in a romantic relationship; mostly, they drink and hang out together. Ash tells Prentice bluntly to get his life back on track when she finds out he's failing at school, avoiding his family, and engaging in shoplifting. She is a voice of reason, and when Prentice insists to her that he's just a failure, she reminds him that actually, he's just a kid.

Prentice's efforts to figure out Rory's story or location stagnate, and he continues to fail at school and avoid his father. He then receives word that Kenneth was killed while debating faith with Hamish. In fact, Kenneth dies after a fall from a church lightning rod, which he was climbing in an act of defiance against Hamish's philosophy when it was struck by lightning; Hamish is convinced that Kenneth had incurred God's wrath. Ash is there for support when Prentice finds out about the death.

With Ash's help, Prentice returns to his hometown again to help manage Kenneth's affairs. Prentice speaks with a very shaken Hamish, who is handling Kenneth's death with extreme drama and making it all about his own feelings. Hamish tells Prentice that Kenneth was jealous that Prentice shared more in common with Hamish's faith than with Kenneth's lack of faith. However, this isn't really true, and as he contemplates his father's death, Prentice begins to internalize one of the last things Hamish reported that Kenneth had argued: "All the gods are false. Faith itself is idolatry."

As the chapters go on, Prentice is compelled by some of the meaningful items related to Rory that he discovers in his father's belongings. He gains a renewed sense of purpose trying to solve the mystery of where Rory went and what happened to him. Among the interesting items are an ancient computer disk of Rory's that Prentice can't access with any equipment he can find; Ash uses her connections in the US and Canada to find a computer expert who can finally open the files on it. This takes quite a while, since the disk has to be mailed and Ash's connection is investigating the disk only in his free time.

Prentice also discovers that his feelings for Verity have changed. He no longer feels angry with Lewis for "stealing her." At first, Prentice's narration describes this as his feelings "cooling" as a result of the trauma of losing his father, but interestingly, this soon means Prentice gets to know Verity as a sister-in-law without getting caught up in jealous romantic feelings. Verity gets along well with the family, and Prentice is actually happy to discover that she and Lewis have a baby on the way. Prentice's relationship with Lewis improves greatly as well, partly because he is no longer jealous and partly because he realizes he does not want to lose Lewis, too.

Ash's connection who was looking at Rory's computer disk comes through and sends the printed contents of the files to Prentice. The files reveal to him that Rory likely knew Prentice's uncle, Fergus, murdered his wife by unbuckling her seat belt and crashing their car. Rory had written out a fictional version of events and considered using it in Crow Road. I'm not clear on exactly how certain Rory was about Fergus's crime, or whether Rory would have intentionally reported Ferg, or whether Rory even had enough proof to publicly accuse Ferg of murder, but people would likely have connected the dots in Rory's work and become suspicious of Ferg. For this reason, Prentice believes Ferg murdered Rory as well.

Prentice confronts Ferg. He doesn't get a confession and leaves Ferg's home with no concrete proof of anything; Ferg denies it all. But Prentice is soon physically assaulted in the night, and it seems Ferg was almost certainly the culprit, because he hadn't been home that same night, and he had injuries (probably from being fought off) the next day. A day or two later, Ferg's body is found unconscious in the cockpit of a plane, which crashes into the ocean. It's uncertain whether this was a suicide, but Prentice suspects it was. Rory's body is then soon recovered from the bottom of a waterway near Prentice's home, where Ferg had sunk it years ago.

As the mysteries are solved, Prentice realizes his feelings for Ash are romantic love. However, it's too late, he thinks, because Ash is about to take a job in Canada, where she may or may not stay. Prentice also hesitates to approach her because he's embarrassed about his previous behavior, venting all his angst about Verity and his father. He isn't sure she would even want to be in a relationship with him after that. But the very night before Ash leaves, she kisses Prentice on the cheek, which leads to a deeper kiss. They finally connect, have sex, and confess their mutual feelings. Ash still goes to her job in Canada, but says she'll come back when Prentice is done with his studies that summer.

The relationship's future is somewhat uncertain because something could come up while Ash is in Canada, but Prentice is hopeful. The book ends with Prentice getting ready to graduate with his grades on track as a history scholar, fully renouncing his belief in an afterlife while he acknowledges the inherent importance of our experiences in our lives now, and enjoying his time with Lewis and Verity and his other family members.

What's the point of all these hundreds of pages?

Well, look at all of the above; there's definitely more than one point. But the main point I took away is that we get this one life, with our loved ones in this world here and now, and this is where we make our meanings. There is no other meaning, but that doesn't mean there's no meaning at all. It means the meaning is here.

It's not death that gives life its meaning. It's the things we do while alive that give life its deeper meaning.

The Crow Road is described (on Wikipedia) as a Bildungsroman, a story focusing on the moral and philosophical growth and change of its main character as they transition from childhood to adulthood ("coming-of-age novel" is a similar term that is interchangeable, but more vague and not necessarily focused on morality/philosophy). And, indeed, all of the plots ultimately tie into Prentice's changed philosophy.

After his argument with Kenneth, Prentice feels childish and humiliated, and as a result, he refuses to go back home, which leads to a spiral of shame and depression. Kenneth dies and Prentice realizes it's too late to repair the relationship, which also leads him to realize it's what we do in life that matters, and that therefore, his father's argument was correct after all.

At the end of the novel, Prentice outright describes his new philosophy. However, I can't recall one specific passage where Prentice describes the process of how he changed his mind (if anyone else can remember something I missed, do let me know). There is, however, a moment when his narration indicates that Hamish seems less disturbed by his own part in the incident that led to Kenneth's death and more disturbed by the notion that his beliefs might actually be true: there might actually be an angry, vengeful God. In other words, Hamish's philosophy is selfish at its core.

My interpretation is that when his father died, Prentice realized three things: how utterly self-serving Hamish's devout faith is, how Kenneth's untimely death proves the importance of working things out now rather than in an imaginary afterlife, and how much profound meaning Kenneth had left behind despite having no faith at all. After these realizations, a determined belief in an afterlife no longer makes our lives here more profound like Prentice once thought it did.

Also, it's worth noting that this incident changes Prentice's idea of partnership, too. He loses interest in this distant, idealized woman he's been after. In love as in the rest of life, Prentice lets go of his ideals, and in doing so, he makes room for true meaning, both in a sincere familial, platonic connection with Verity and a sincere intimate, romantic connection with Ash.

But what about the sex scene?!

Yes, indeed, at the tail end of the story, Prentice and Ash have sex and admit they want to be in a relationship together. Prentice's narration describes them sleeping together and having intercourse not just once, but many times, including some slow and relaxed couplings during which they flex the muscles in their private parts to spell out "I.L.Y." and "I.L.Y.T." to each other in Morse code. This is relevant because earlier, they had been surprised and delighted to discover that they both knew Morse code; it isn't a detail that came from nowhere.

I didn't get the impression that this scene was trying to be especially titillating to the reader. It was mostly just a list of stuff the characters did together. I felt the point was that they were still anxious about being emotionally honest, a little desperate to convey their feelings without having to speak them out loud, and awkward in a way that made it obvious that their primary concern was the feelings, not the sexual performance. They cared about each other, but they weren't trying to be impressive or put on a show; contrast this with previous scenes where Prentice would act like a clown in front of Ash to diffuse his own anxiety. I've always thought that being able to have awkward sex and still enjoy it is a good sign.

Okay, so what does this all have to do with Good Omens?

Here's where I have to get especially interpretive. I'm doing my best, but of course, not everyone reading this will have the same perspective on Good Omens, the Final Fifteen especially. I believe similar themes are going to resonate between The Crow Road and Good Omens regardless of our particular interpretations of the characters' behavior and motivations, but I suppose it could hit differently for some people.

The TL;DR: I see similar themes between The Crow Road and Good Omens in:

The importance of mortal life on Earth

Meaning (or purpose) as something that we create as we live, not something that is handed to us by a supreme being

Sincere connection and love/passion (for people, causes, arts, life's work, etc) as a type of meaning/purpose

Relationships as reflections of philosophy

The dual nature of humanity

Life on Earth as the important part of existence is a core theme in Good Omens, and has been since the very beginning. We all already know Adam chose to preserve the world as it already is because he figured this out, and we all already know Aziraphale and Crowley have been shaped for the better by their experiences on Earth. But Good Omens isn't done with this theme by a long shot. I think this is the most important thematic commonality Good Omens will have with The Crow Road. Closely related is the notion that we create our meanings as we live, rather than having them handed to us. Isn't this, in a way, what Aziraphale struggles with in A Companion to Owls? He's been given this meaning, this identity, that doesn't fit him. But does he have anything else to be? Not yet.

Partnerships as a parallel to the characters' philosophical development also resonates as a commonality that The Crow Road may have with Good Omens. Prentice's obsession with Verity goes away when he starts to embrace the importance of life on Earth and makes room for his sincere relationship with Ash. Note their names: "Verity" is truth, an ideal Prentice's father instills in him; "Ashley" means "dweller in the ash tree meadow" in Anglo-Saxon, according to Wikipedia, and "ash" is one of the things people return to after death. Prentice literally trades his high ideals for life on Earth. We see in Aziraphale a similar tug-o'-war between Heaven's distant ideals and Crowley's Earthly pleasures, so I can see a similar process potentially playing out for him.

I don't particularly recall a ton of thematic exploration of free will in The Crow Road. However, there is a glimmer of something there: Prentice feels excessively controlled by Kenneth's desire to pass down his beliefs, and part of the reason Prentice is so resistant to change is simply his frustration with feeling censored and not being taken seriously. As the reader, I do get the feeling that while Prentice is immature, Kenneth made major mistakes in handling their conflict, too. And Kenneth's mistakes come from trying to dictate Prentice's thoughts. There is likely some crossover with Good Omens in the sense that I'm pretty sure both stories are going to take the position that people need to be allowed to make mistakes, and to do things that one perceives as mistakes, without getting written off as "stupid" or "bad" or otherwise "unworthy."

Suffice it to say that the human characters in Good Omens will also certainly play into these themes, but it's hard to write about them when we don't know much about them except that one of them is almost certainly the reincarnation of Jesus. This also makes me suspect perhaps the human cast will be 100% entirely all-new, or mostly new, symbolic of how Aziraphale and Crowley have immersed themselves in the ever-evolving, ever-changing world of life on Earth. Alternatively, if we encounter human characters again from Season 1 or 2, perhaps the ways they've grown and changed will be highlighted. For example, even in real-world time, Adam and Warlock have already, as of the time I'm writing this, gone through at least one entire life stage (from 11 in 2019 to 16 in 2024). They'll be legal adults in a couple of years, and if there's a significant time skip, they could be much older. If characters from Season 1 do reappear and themes from The Crow Road are prominent, I would expect either some key scenes highlighting contrasts and changes from their younger selves or for stagnation and growth to be a central part of their plot.

The more I write, the more I just interpret everything in circles. Hopefully this post has at least given you a decent idea of what The Crow Road is like and how it may relate to Good Omens.

I'll end this post with a quotation that feels relevant:

Telling us straight or through his stories, my father taught us that there was, generally, a fire at the core of things, and that change was the only constant, and that we – like everybody else – were both the most important people in the universe, and utterly without significance, depending, and that individuals mattered before their institutions, and that people were people, much the same everywhere, and when they appeared to do things that were stupid or evil, often you hadn’t been told the whole story, but that sometimes people did behave badly, usually because some idea had taken hold of them and given them an excuse to regard other people as expendable (or bad), and that was part of who we were too, as a species, and it wasn’t always possible to know that you were right and they were wrong, but the important thing was to keep trying to find out, and always to face the truth. Because truth mattered. Iain Banks, The Crow Road

[starmosaics]

Natal Sun square Uranus

I have this aspect in my chart and it's one of the most challenging ones I have so here's some things I've piled up from my own experience with this aspect and how its manifested within other people's charts;

Those with a Sun square Uranus aspect often experience a strong need for personal freedom and originality. This aspect gives one a drive to break away from the conventional road and way of living to forge something that is uniquely their own. As a result, conformity can feel uncomfortable and frustrating for these individuals. Most people with this aspect feel very drawn to seek out radical and original experiences, often finding themselves fighting against societal expectations and standards. These folks are not seeking conventionality, they're seeking radical and original experiences.

Because of this they can feel out of place a lot of the time. Their takes and opinions may be very outlandish to others because of their free thinking abilities. They may feel like the odd one out, feel like they stick out like a sore thumb, feel like they do not quite fit in, or feel like an outsider within in their environment. Sun-Uranus folks have a very hard time accepting their differences and the things that make them unique at first. Because of their crave for unorthodox experiences, this can lead to feelings of alienation. This can be particularly challenging when their innovative ideas or unconventional approaches are met with resistance or misunderstanding from others. Their sense of not belonging can become a battle within themselves, which could lead to suppressing their unique traits in an attempt to gain acceptance in worst case scenario. They can also end up pretending to be someone they’re not because of rejection from society/others.

This can make one a rule-breaker, an inventor, risk taker, a contrarian, defiant, a rebellion, scientist, alchemist, villain, etc. These people will refuse to do something if it goes against their beliefs or is unethical to them; they can be incredibly set in their own ways. They tend to do things with a different approach that works for them which tends to piss others off, especially those who like control. Often needing to do things differently than the common person, they may purposely take the harder route and go against the grain. This resistance to approach things in a conventional way can be liberating, but can also lead to conflicts and a lack of compromise with those who take more traditional approaches. People usually have a hard time figuring out those who have this aspect.

Those with a Sun-Uranus aspect thrive on innovation and variety. They are unpredictable and hate being told what to do. Their open-mindedness make them willing to try almost anything as they view most things an experience to learn and expand. Nothing feels normal to these folks. Sun-Uranus people are the types to act first, think later. They're also frequently changing things about themselves internally and externally. If stuck in one place for too long, they tend to feel restricted and restless.

Famous people who possess this aspect include; Doja Cat, Dennis Rodman, Elon Musk, RuPaul, Sky Ferreira, Mitski, Grimes, and Frida Kahlo. These people are known for their unconventional lives, innovative ideas, unique/distinctive styles, and refusal to conform to societal norms.

Some scenarios a Sun-Uranus person might experience:

Not trying at all in school because they know it won't be relevant to their future aspirations.

People having to compromise with them a lot because they tend to want to do things their own way.

Leaving their 9-5 job because they got tired of the same day-to-day tasks.

Facing issues in their personal relationships because of lack of communication.

Doing the opposite of what someone wants them to do because they don't like being ordered around.

Getting up and leaving one day without telling anyone because they felt trapped being in one space.

Deciding to do something last minute, neglecting their responsibilities.

Having issues with their bosses or other authority members.

Challenging rules and those of authority because they might believe certain rules don't apply to them.

Waking up one day and deciding they want to completely change their appearance/ways of living.

Creating a trademark for themselves whether it's through fashion, music, art, etc.

[life-take]

Making a Gamut Mask in CSP

Strap in folks! I'm going to show you how to make a "gamut mask" and palette using nothing but a color wheel and Clip Studio Paint!

*I made this tutorial using CSP Pro 1, but the same principles should apply for any version.

Introduction

First, what's a gamut mask? The term comes from physical painting and printing, where artists only have so many pigments to work with. A 'gamut' is the set of all colors that can be mixed from a certain set of pigments. Painters and printers have been looking for 'wide' gamuts for a long time -- so they can make the widest variety of colors from the fewest number of base pigments or dyes. Some base-color sets you may have heard of are CMYK, RGB, or RYB.

One of the easiest ways of making a painting harmonious is to use color theory to limit the number of colors of your palette. The technique of covering up, or 'masking' your reference color wheel also lets the artist see what intermediate colors can be mixed and still remain part of the cohesive palette. And in the physical world, where more pigments means more tubes of paint you have to spend money on, it's important to know exactly how few pigments you can get away with.

In digital art, painters have access to every possible RGB color right out of the gate, which can sometimes feel overwhelming or make it harder to see relationships between colors. So let's try gamut masking! Using this tutorial, you'll make a general-purpose file you can change and adapt to your liking for future projects!

Part I: The Setup

In this tutorial, I'm using a color wheel image obtained from Björn Ottosson's blog, showcasing the OKHSL color space. I like it because the OKHSL space has perceptually constant lightness and saturation per hue. Try out his comparative color picker here. (I also like this image bc it has a transparent background)

You can use whatever color wheel you like! Just one thing is important-- it should gradually become more unsaturated toward the center of the wheel. This saves you some manual color mixing down the road.

Here's our basic layer template. To get started, follow this:

Open your color wheel in Clip Studio Paint. It will be the only layer.

Select the "Frame Border" tool (U), pick the shape or subtool you think is best. I've picked 'polyline' since I'm making a triangle. (HINT: if you want an elliptical/circle shape, click the wrench in the tool properties window, then the "Figure" submenu, then you should see the option to choose an ellipse shape.)

Create the frame shape on the canvas over any section of the wheel. If it's not quite right, choose the "Operation" tool (O) and adjust the rotation, corners, or size of the frame!

You'll now see your frame border shape over the color wheel. Drag the color wheel layer into the Frame folder and it'll be masked!

That's the very basics! Here's some extra steps I took to make it extra helpful:

*In the Frame folder, I added two correction layers: a Hue/Luminosity/Saturation and a Color Balance. The first is in case I want to work with darker/lighter tones. The second is if I want to apply a tint to my gamut while preserving the color relationships of the mask! eg: if I want to make a painting that's overall blue, but still want colors that 'feel' red, yellow, etc compared to the strongest blue.

*I've created a uniform neutral grey layer at the very bottom, so I can judge tones and colors without bias.

*("Folder 1" was unused, just some layers not relevant to this tutorial)

With that mask, you technically have everything you need! For each new painting you want to make a palette for, just edit the shape of the Frame Border layer and change the adjustment layers to your liking. Then you can save it as your favorite image type to use for reference!

But let's talk about how you can further use the mask...to be continued!

[frigid666]

re: why is radblr ‘like that’?

so recently i’ve been seeing some discourse among bisexual users in/orbiting the radblr space regarding its profoundly biphobic (and homophobic) culture. why is radblr hostile to bisexual women? why are lesbians and bisexual women constantly at odds? is this feud manufactured by outside influence? or is it inherent to the space? @watermelinoe wrote a great nuanced response to an anon who attempted to antagonize lesbian users. i agree with everything that was said, but i don’t think placing the fault on black-pill infiltrators and politically unserious edgy teenagers is the full story. this post is mostly in addition to that reply, but i figured i should create a separate post for my lengthy thoughts. 

for context: i’ve been working on a detailed post about the history and politics of the lesbian feminist movement (i.e. the political lesbian branch of feminism), as it is apparent to me that most of radblr is uninitiated due to how frequently its users conflate radical feminist principles and lesbian feminist principles. i still might finish that post at some point in the future, but i thought i should put some of the information i’ve come across while researching for that post out there now since it's become relevant.

one of the readings i found to be crucial in understanding how the culture of radblr enables biphobia (and lesbophobia) is sharon dale stone’s “bisexual women and the ‘threat’ to lesbian spaces: or what if all the lesbians leave?” (x) the title is inflammatory, but i highly recommend giving her paper a read. stone authored it in 1996 as a reflection on the culture of the canadian lesbian/cultural feminist spaces she was an active member of in the 1970s-1980s and provides a truly fascinating look into a niche community that i consider to be a spiritual predecessor of radblr.

the paper is quite dated in many regards. the most obvious being stone’s use of ‘lesbian’ to mean both ‘homosexual female’ (which is the only and rightly so accepted meaning of the word today in radblr) and the political ‘lesbian’ identity, of which the philosophy for is outlined as follows:

it was entirely possible to be a true female homosexual, or female bisexual, or even female heterosexual and be a ‘political lesbian’ and active member of communities like stone’s house on jarvis street. stone says that those voicing opposition to lesbianism as a choice were the minority, but i think this was largely the case because ‘lesbianism’ meant different things to different groups and organizations of cultural/lesbian feminists at that time. the reason i am reluctant to dismiss lesbian involvement in these spaces is because they were mostly born of lesbian (and bisexual) exclusion from other more mainstream feminist spaces and organizations by homophobic heterosexual feminists, as well as the marginalization lesbian (and bisexual) women in the gay liberation movement experienced due to lack support against misogyny by male counterparts. i am also reluctant to dismiss straight women’s involvement in these spaces because even into the late 1980s, lesbianism was conceptualized by many cultural/lesbian feminists as not needing a sexual component at all; all that was required from women to live a ‘lesbian’ lifestyle was prioritizing closeness and connections with other women and eschewing relationships with men (akin to radblr's idea of practicing 'micro-separatism' in one's day-to-day life in lieu of not being able to move to a women's land full-time). from my understanding, 'lesbianism' and 'female homosexuality' were not thought of as synonymous, which is why 'lesbianism' was considered a voluntary political philosophy, even by many female homosexual feminists.

all that said, stone’s descriptions of the jarvis house culture are very reminiscent of radblr culture (down to the usage of slang terminology like ‘gomer’ for men, the radblr equivalent being ‘nigel’ and ‘jakey’). this is because radblr culture is heavily inspired by cultural/lesbian feminist values, not radical feminist values. while both schools of feminism share similarities, lesbian/cultural feminism deviates significantly in its emphasis of separatism as the solution to the male supremacy and patriarchy present in all levels of society. meanwhile, radical feminism calls for a fundamental restructuring of society to eliminate women's oppression. radical feminism was never about female separatism. radblr culture is biphobic because female separatism 'as the solution to female oppression' will always require a politicization and objectification of female sexuality.

i normally wouldn't cite wikipedia articles as sources, but this distinction is outlined on the very top of the entries for radical feminism and lesbian/cultural feminism:

as an aside, this is why i find it very funny when radblr users try to 'kick out' other radblr users from the radical feminist club, because the beliefs these users are being kicked out for not holding (i.e. separatism as the means to female liberation), are conclusively NOT radical feminist beliefs. they are lesbian/cultural feminist beliefs!

the script of political lesbianism that radblr holds is "non-lesbian who believes inaccurately adopting the lesbian label is feminist action, therefore giving credence to the homophobic notion that lesbianism is an active, politicized identification choice, or born out of experiencing trauma from men, instead of a politically neutral, natural sexuality that some women experience." and yes, that is a large and significant aspect of why political lesbianism is harmful (and uniquely so to lesbians). but it also goes deeper than that. in truth, this definition is only surface-level. all women in feminist spaces can be guilty of holding and perpetuating polilez beliefs, and this rhetoric dehumanizes ALL women. through the political lesbian perspective, women's capacity for feminist action is made and broken by her sexual behavior - namely, her exclusion or inclusion of males from her sexual behavior - and by extension, her reproductive decisions (i.e. remaining childfree or birthing children 'for a man.') this is where the core harm of radblr's covert political lesbian rhetoric lies.

saying or implying that:

motherhood is compliance to patriarchy

engaging in relations with men is compliance to patriarchy

bisexual women have a moral imperative to only date women in order to defy patriarchy, and if they reject this, they are in kahoots with the patriarchy

patriarchy is defined by "sexual access" to women

lesbians are intrinsically 'better' feminists than non-lesbians

lesbians are inherently feminist, and choosing to not be living aspirational figures is a betrayal to womankind

patriarchy can be ended through female separatism

female sexual behavior can never be predatory or result in meaningful harm to others

men are fundamentally incapable of changing

and any other type of rhetoric that posits women's physical bodies as the territory for a gender war that can be "preserved" or "ceded" to the "enemy" in accordance to her sexual behavior (including reproductive choices, irrespective of her individual sexuality) ✅️ is political lesbian rhetoric. put radblr posts to the test; a good amount of them will contain or imply at least 1 of the above assertions. during a cursory search through recent/popular radblr posts, i came across several examples of this rhetoric:

i cropped out the usernames from these posts because my intention isn’t to single out any particular users for this behavior; these posts (and similar) have many notes consisting mostly of positive feedback and support, so its safe to say that these beliefs are widely held in the radblr space. the op’s are just the ones to put pen to paper so to speak. i don’t believe some of these sentiments are harmful or bad on their own either. i actually agree with some of them, especially the first one; although note its rhetorical similarity with this section of stone's paper:

however, in aggregate (and especially in addition to commonly held stereotypes about bisexual women and lesbian women that predate radblr), they create a harmful culture that covertly encourages women to objectify their and others' sexualities for political ends, which is never going to be a good or productive thing.

choice feminists and neo-liberals have run the phrase "don't rob women of their agency" into the ground to cheaply deny the power of gendered socialization and gendered consumerism, as they are quite allegiant to these systems for a variety of reasons. so i understand the instinct from radblr to not give it any credence, but handwaving women's (including feminist-minded women's) desire for children and/or romantic relationships with men as products of solely or even primarily patriarchal brainwashing that can be undone through enough cultural/lesbian feminist re-education, which is what many radblr users espouse, is just as cheap. 

for this reason, radblr is hostile to bisexual women, many of whom reject female separatism as the only means to female liberation and don't want to objectify their sexuality in service to this political goal. for this reason, bisexual women will be known as "traitors" and "fairweather." however, just as many bisexual female users believe the opposite and participate in disseminating political lesbian rhetoric (as do heterosexual and gay users). similarly, this is why radblr is toxic to lesbians who have deep friendships with men, who want to be mothers, who practice religion or don't believe in female separatism; their 'legitimacy' as lesbians is questioned, as there is the 'positive' stereotype (and key insinuation of lesbian feminism) that lesbians are naturally inclined towards feminism; and they are often accused of secretly being bisexual because these lifestyle preferences are viewed as in alignment with the patriarchy and therefore oppositional to the cultural/lesbian feminist perspective that reigns supreme in the space. radblr will not stop being biphobic (and lesbophobic) until it is free of cultural/lesbian feminist influence.

[appaloosawhims]

sims 3 barbie legacy challenge

this is pretty much a conversation from the sims 4 barbie legacy challenge by @sims-himbo but i did change up some of the generations as well just to use more features from ts3 that arent in ts4 as add some extra optional ones for occult/supernatural players

mods i recommend downloading

• nraas porter (for moving towns without traveler file bloat)

• nraas master controller

• family secrets (in case you wanna add drama)

rules

• all heirs must be female and named barbie

• you can use money cheats just starting out but nothing after that

• do not sell the future portal that is summoned when you first start a save, to get rid of it “testingcheatsenabled true > shift click > delete” no free money here

gen one: housewife barbie

• complete the surrounded by family lifetime wish

• you must never get a job, earn money through opportunities, painting, playing the guitar for tips, etc

• have at least one pet

• must have the family oriented and nurturing traits

gen two: business barbie

• complete the ceo of a mega corporation lifetime wish

• be worth at least 50k simeoleans

• master logic and charisma skills

• must have ambitious and born saleswoman traits

gen three: equestrian barbie

• complete the ark builder aspiration

• dont have an actual job and make money through horse riding competitions

• all of your children must have a small pet of their own (by small i mean snake, lizard, turtle, etc)

• must have the equestrian trait

gen four: sea pearl barbie

• move to isla paradiso

• become a mermaid

• master the grand explorer lifetime wish

• live on a houseboat

• master the scuba diving and logic skills

• must have the loves to swim trait

gen five: best seller barbie

• complete the professional author lifetime wish

• max writing skill

• master the journalism career

• must have the artistic, bookworm and virtuoso traits

gen six: academic barbie

• complete the perfect studio lifetime wish

• max out the nerds social group

• master the science and painting skills

• earn a fine arts degree

• must have the socially awkward and genius traits

gen seven: movie star barbie

• complete the superstar actor lifetime wish

• become a 5 star celebrity

• have a secret affair with a fellow actor

• master the film career (acting branch)

• fall in love with a non celebrity

• master the charisma skill

• must have the star quality, schmoozer and charismatic traits

gen eight: rockstar barbie

• complete the one sim one band lifetime wish

• master the music career (rock star branch)

• must have the virtuoso trait

gen nine: president barbie

• complete the leader of the free world lifetime wish

• be the richest sim in town

• max the politics career

• never be lower than a 2 star celebrity

• must have the charismatic trait

gen ten: time traveling barbie

• complete the made the most of my time lifetime wish

• become best friends with emit relevant

• build a plumbot

• master the bot building, advanced technology, and handiness skills

• own a jetpack

• must have the ambitious and bot fan traits

optional generations

gen eleven: vampire barbie

• move to midnight hollow

• complete the turn the town lifetime wish

• must have the proper and night owl traits

gen twelve: fairy barbie

• move to moonlight falls and live their for the rest of the legacy

• complete the mystic healer lifetime wish

• marry and fall in love with a werewolf since fairies live longer do not get into another relationship after they die

• must have the gatherer trait

gen thirteen: werewolf barbie

• complete the leader of the pack lifetime wish

• purchase the alpha wolf lifetime reward

• must have the loves the outdoors trait

gen fourteen: witch barbie

• complete the greener gardens lifetime wish

• master the fortune teller career (scam artist branch)

• master the charmisa, logic, gardening, and alchemy skills

• must have the evil and green thumb traits

[ceilidhtransing]

Having spent pretty much the entire year immersed in studying Nazi Germany, the Holocaust, and genocide more broadly, my heart is bursting with the need to stress how much you should take Project 2025 seriously. This is a long post but please stick with me.

Don't take this post as an attempt to concretely predict anything. We can't ever fully know the future and I think it's silly to say with total certainty “if Trump wins then America will become just like Nazi Germany” - not only because the future isn't written yet, but also because Germany under the Nazis was a very specific regime with its own quirks and peculiarities and I don't think that even a worst-case-scenario Trump regime would look exactly like Hitler's Germany. No two regimes ever look exactly alike: it would use the same colour palette as all far-right dictatorships but be constructed from a different medium, like what a watercolour is to an oil painting.

But just because Trump is a very different person from Hitler, and a worst-case-scenario Trump dictatorship would not literally be “Nazi Germany all over again”, that doesn't mean that what happened in Germany isn't instructive here. Forget the specifics of whether or not Trump as a dictator would organise a state identically to how the Nazis organised Germany or whatever; on a far broader and more relevant level, there is a distressing number of similarities. And too many people are falling into the same thought traps as they did then.

Please don't assume that Trump is “way too incompetent” to achieve what's in Project 2025 or Agenda 47. They said the same thing about Hitler. They said that there was no way this showman could govern effectively - holding big rallies and making speeches that get people riled up isn't the same as being good at running a functioning state and achieving what you want. The New York Times even wrote after he became Chancellor of Germany that this would only “let him expose to the German public his own futility”. And in many ways Hitler was pretty incompetent. But that didn't end up mattering. The greatest crime of the Nazi regime, the Holocaust, was masterminded mostly by a whole load of people besides Hitler, who were delegated the nitty-gritty task of actually orchestrating it. Hitler's personal incompetence didn't prevent war or genocide.

Please don't assume that Trump is “just a wacky nutcase” who “can't possibly be a real risk”. They said the same thing about Hitler. The mainstream media gave constant coverage to all the crazy extreme things Hitler said as if he was merely a bit of a joke and not a massive threat. The Nazis were quite happy with this. To quote Goebbels repeatedly in his diary, “The main thing is they're talking about us.”

Please don't assume that being in power will “moderate” Trump and that “of course he won't be able to do all the crazy stuff once he actually has to govern”. They said the same thing about Hitler. It was a common sentiment in the early 1930s that all the sensible politicians around him would force him to moderate his stances. Fritz von Papen, the last Chancellor of Weimar Germany, persuaded President Hindenburg to make Hitler the Chancellor by assuring him, “In a few months, we will have pushed [Hitler] so far into the corner that he will squeak.” It turns out that power doesn't “moderate” people who are openly talking about a dictatorship.

Please don't assume that there's any truth to the whole “Trump has nothing to do with Project 2025 and trying to link it to him is just liberal hysteria” line. They said the same thing about Hitler. People repeatedly asserted that Nazi street violence wasn't really representative of the party leadership; it wasn't representative of Hitler. He was even subpoenaed by a very brave lawyer in 1931 in a bid to prove that recent violence by Nazi stormtroopers was committed with the knowledge and encouragement of the party leadership, with part of the prosecution's argument hanging on a pamphlet by Goebbels that promised a violent overthrow of the state if the Nazis couldn't come to power legitimately. Surely no legal political party could be publishing that. In a successful attempt to escape criminal charges, Hitler repeatedly lied that the pamphlet was not official Nazi Party material and that he didn't know anything about it. No Trump didn't write it, no it isn't an official GOP manifesto, but the links between Project 2025 and Trump, the previous Trump administration, and Trump allies are extremely well documented. Just the other day, Project 2025 co-author Russell Vought was caught calling Trump's disavowals of the document “graduate-level politics” and saying, “what he's doing is just very, very conscious distancing himself from a brand ... he's in fact not even opposing himself to a particular policy.”

Please don't assume that “there's no way something like that could happen here; we're way too educated and advanced”. They said the same thing about Hitler. The Germany of the 1920s and 1930s was one of the most educated and most scientifically and industrially advanced nations in the world, and its cities were some of the most progressive in the world. People were stunned and horrified that it was in Germany of all places - Germany, land of music and art and science and literature! - that fascism took root. Germany's economic and social advancement didn't stop about 40% of its voters choosing the Nazis. It didn't stop them taking power.

Please don't assume that Project 2025 is “just a wishlist” and “not actually a serious plan”. They said the same thing about Hitler. As is hopefully very clear by now, plenty of people did not think that the Nazis were capable of, or would dare to try, putting into actual practice the horrific ideas about race that undergirded so much of their ideology. “I like Hitler; he talks sense economically and I think all this stuff about Jews is just bluff and bluster.” “Every party has a loony wing, right? You have to understand they're not serious when they talk about this stuff; they're just telling their base what they want to hear.” “God have you heard this crazy race science shit about head shapes and stuff? It's hilarious! I'm sure none of them at the top really believe that; there's no way they'd be that nuts.” When a group of people like this tells you what they believe and tells you what they want to do with power, believe them. No matter how ridiculous they seem, they're not joking.

In the words of Hans Litten, the lawyer who subpoenaed and cross-examined Hitler in that court case in 1931, “Don't listen to him; he's telling the truth.” Litten was arrested on the night of the Reichstag fire in 1933 and spent the rest of his life being tortured in concentration camps before dying in Dachau in 1938 at the age of 34.

A tyrannical dictatorship can often be seen coming a mile away. I don't want to imply for a second that what the Nazis did came as a surprise to everyone and couldn't possibly have been predicted. There were people who saw this coming in the 1920s and 1930s and tried to sound the alarm while they still had a chance. But they were too often in the minority, taking the threat seriously while others had convinced themselves that there was no need for concern because the Nazis wouldn't really do all the things they repeatedly talked about wanting to do. Everyone should have seen this coming, but too many people wanted to believe it couldn't be true.

Don't let this scare you. Let it energise you. Talk to the people in your life about Project 2025 and Agenda 47. Push back against people who assert that “they'd never actually do all that stuff” or “Trump didn't even write Project 2025” or “it's not a real plan, just a list of crazy shit to get the base riled up”. Have conversations with folks you know who are on the fence about voting or about who to vote for and who seem persuadable. Make sure you're registered to vote, and keep making sure, especially if you live in a red state where people keep mysteriously dropping off voter rolls.

Now, again, please don't read this as some confident prediction that Trump will be a Hitler figure. I want to stress that is a worst-case scenario. If a Trump presidency is what happens, I would much prefer the best-case scenario: that he spends four years fumbling around and not really accomplishing anything and then gives up power at the end without much of a fight. But it would also be a folly to be smugly overconfident that the worst-case scenario “won't” or “can't” happen. It could. It has happened before. There is no reason it couldn't happen again.

[accio-victuuri]

February CPNs

hello! it’s that time of the month again that i compile the sweets brought to us by the boys! this month started out very quiet but in this fandom will mean that things will take a turn in the next week/s. you just never know what will happen next. i have added some commentary here on certain incidents that i didn’t talk about separately on my blog to have “bonus content” for this round-up.

• XZ’s GQ cover and collaboration sweets + additional ones connected to fake rumor

• not really cpn, but our boys continue to make it in the weibo hot search trend report - i still hate sina weibo but i understand how it’s relevant for them.

• XZ’s wedding suit from the AV festival. yes, this was made for him but we just had him wear that white backless wedding suit by jacquemus for GQ and now this? hmmmm. me thinks he has a preference? lol. he prefers white and that’s fine, but the choice of what looks like a wedding suit is 👀. i am on standby, let me see if this continues.

pair it off with WYB! and it’s perfect. tho i would prefer it if they are both in white. 🤍

• xzs has the same caption as a cpf

• yibo’s watch and gg’s GQ props connection the number 91 and 3.

• chinese new year candies - gg’s weibo post, wyb’s red envelope cover clues etc

• rufeng shares new thailand fm rehearsal footage

• tencent video posting their new year vcr so close together! they could have easily posted it one after the other but maybe they didn’t want some solo fan drama. i’m happy that bobo continues to collab with 10c, and ZZ is not exclusive to 10c anymore— so hopefully this means in the future they can work on a project together <3

• clowning over XZ’s song in spring festival gala as you wish + same composer as wyb’s singles and how wyb was listening to a song from this artist lately.

• this parallel between their looks. it’s not just their characters that match each other, but their outfits from certain events. so classy!

but i think this one is the best. seeing them get recognition for their acting in the past few months has been very rewarding. all the hard work and challenges are bearing fruit. remembering them talking about wanting to become professional actors and really take that path — studying and dreaming together. now here we are 🫶🏼

• a cute tidbit, but the cat xz is playing with is called xiao wang. that’s because on it’s back looks like the character for wang! what a coincidence!!!! 🥹

• Bottled Joy stirring the CPN pot again by posting this on 2/13. As You Wish. The context of the post is that, as you wish — fans can get these wallpapers and photos of Bobo. but it’s a coincidence cause it’s the english title of the song GG sang @ BRTV Spring Festival Gala. 👀 the colors too, white and silver which is the same color combination of GG’s outfit. This may be meh to some, but knowing Bottled Joy’s cpn history, you can’t blame us.

• Golden Hour and Eason Chan songs @ yibo’s playlist

• Small weekend roundup - includes mention of asian pop magazines where the boys are both mentioned, supplement to xz using tickets for his spring festival photos last year as support of bobo’s movie and the phone card case appears.

• Rumor of Wang Yibo being in Hengdian - one / two / three ( i feel like this one is up there with the leica camera and gg’s bday cpn but this one is more risky on their part. as i have said in my posts, what is important is they are safe and happy. it’s their personal life. their relationship is between the two of them. as cpfs, we should be protecting them and not be people they are wary of. if we are not careful, we are no different from ss and yxh. )

• On 2/20, Yuehua & YBO have posted about the slander recently going around related to WYB and that they have reported it to the police. This went really high on HS and was widely talked about, even Du Hua reposted and reacted to it. Hours later, XZS has posted their own reminder to fans in relation to people disturbing his drama filming. What made it more important is that XZ reposted it too and put in a very firm reminder to everyone.

to give some context, the horrible rumor regarding WYB was spread around by mostly XZ fans. There was a melon that said “X” has STD and then toxic people started saying it’s WYB ( cause toxic xz fans doesn’t want it linked to XZ because of the clue given so they throw it to WYB. i know it sounds stupid, but it’s actually a common tactic done by both sides ) and even fabricated some photos. another actor, xukai was also implicated and he also reported to the police.

so this can be read by so/os as XZ&XZS trying to cover up for the toxic solos and what they did. i get why other people will think that and i personally wanted them to address the bad things his solos do. however i also understand why xz and his team can’t “betray” the solo fans. that’s just how it goes. however, in cpf interpretation, this is XZ’s way of taking away the heat from wyb and a way of putting a stop to the conversations about that horrible lie. it worked in a way that it went on HS, but not as high as WYB’s. I was also surprised that XZ reposted it himself. i am aware that the leaks and everything else is a serious issue and XZ is someone who hates being a bother to the crew. but he usually doesn’t do this. he usually leaves it to XZS or the drama account. This tells me that he personally wants to lend his name and his weibo account, to get more of the heat. The last line he said can also be a message to his toxic so/os: respect others and respect yourself.

• On 2/20, there were tarot readings some BXGs have enjoyed. One is this that is a new year CP reading done on 2/4. What made fans 👀 are:

1. this card, where OP said it’s them being hand in hand and don’t get tired of each other. and in the background is a sacred building, which symbolizes them having a vow to each other.

more cpn was added into it when GG did MFW and people realized not to take this literally cause it could be representing the Duomo.

2. Here is the part that was v interesting to cpfs cause this person gave a prediction that followed what we cpn and happened in the next couple of days.

The two of them haven’t had many official activities recently. So from February 4th, there is a chance for the two of them to meet each other in the past few days. And as soon as the two of them meet, they won’t be going out. Yibo knows he is active but he will close up and be willing to hide at home for XZ.

this is so close to what we speculated! that they spent a quiet cny break together. 🥹🥹🥹

3. Next one is so on point it’s scary cause i have already discussed the bad rumor going around and was directed at WYB before this entry. OP was sort of right. tho i don’t know it this will be another hateful rumor, i hope not.

My prediction is that it will be in March 2024, around this time, I feel that WYB will have a a force of public opinion surrounding him. It's unfriendly to him. This power of public opinion including but not limited to WYB. If we use the 8 of Swords to understand the external environment, it is a relatively sharp. There is some public opinion about the two of them that may cause some trouble

If something happens to WYB, XZ will immediately rise up and have to rush out to protect him. XZ will work hard behind the scenes silently in his own way and are some practical actions.

I don’t think i need to further explain. It fits what happened in 2/20. 👁️👄👁️

4. WYB’s resources for 2024 will be very good. In the first quarter, the number of resources was not very large but the quality of the resources is very good. Then the Queen of Pentacles in the third quarter. In the fourth quarter, the Queen of Cups.

For context: The Queen of Pentacles, therefore, depicts a certain level of success and prosperity. But the rabbit at the bottom cautions us that we should be careful of where we leap when we are chasing that success. Queen of Cups - Generally speaking, this is a positive card for both career and finances, suggesting you're "in tune with yourself, have a good work-life balance going on, and overall a positive job experience.

The reading is close to 1 hour long and I just can’t translate it all so i’m going off what CPFs are highlighting.

• XZ’s pre Milan flight Gucci & camcorder cpn

• Fake Rumors : getting caught kissing / spending time during CNY

• XZS first post in Milan is the invitation given to XZ by Tod’s for the show. Those who had the same time as Milan saw the actual time stamp which is 1823. A beloved kadian number!!!!!

• xz’s collar and whole look for GUCCI MFW gave us so many thoughts. lol. i know sexualization of the boys is a complicated issue in the fandom but when things like this happen — how can we stop? lol. no. but seriously. it is what it is.

• checking their fingernails + similar pose to HB

• a comment that implies xz went to zhuhai with wyb to ride a motorcycle

• their photos match so well. 🌅

from zz’s post in milan. it’s filled with the elements they love like the moon and a beautiful sunset background. gg was also showing off his re web shoes which is of course, because he is a gucci ambassador and all that but the “web” cpn is getting stronger. however, i am personally losing my mind over the implications in the caption he used.

• clues in zz’s mfw interviews, matching talismans on their phone cases and similar ads for shu uemura & loreal

• 8 fake rumors from CQL shoot/era that i posted about 📝

• A place CPFs landmark lol

• spotted same mannerism! twins ☺️☺️☺️☺️

see you all next month for another round up of sweetness! just continue to support the boys and ignore the toxic moves of irrelevant people. fandom is supposed to be fun and a safe space so i hope we all fight to keep that love & peace here 🫶🏼

[ganymedesclock]

This might be extremely late and maybe you already got an answer about this and isn't in su anymore but if it was possible do you think Greg should reconcile with his parents despite everything they done to him?

TL;DR I think "should" doesn't really have anything to do with it in cases of personal relationships.

This may come at a contrast to a lot of how "redemption discourse" tends to get circled around but one thing I think that a lot of people don't realize is that when you are talking about specifically heroes and villains in actionized series, there tends to be an accidental blend of "are we going to personally develop a friendship with Badguy McStabs" and "are we going to pull Badguy McStabs off this railroad track before the train hits him"

Longer deliberation under the cut,

The thing is. In a lot of stories. protagonists tend to have, or acquire, or assert, a lot of say over the situation. To use SU as an example, if Steven decides he is not going to work with White Diamond in any magnitude, draw an us-vs-them line and not allow any of his allies to work with her either... White Diamond does not really have a lot of options besides dying- or getting exiled to the middle of nowhere in a 'technically not a death' death sentence. Steven, at this point, is functionally one of the ruling authorities of Homeworld and leading an active revolution.

What Steven Universe does that I think is particularly relevant to this topic is it points out that Steven can choose to let White Diamond have a functional life, while 1. meaningfully halting the threat that she poses and 2. not choosing to personally be her friend.

SU Future makes it pretty darn obvious that their relationship is strained. White has become, in no uncertain terms, the weird grandma that Steven feels some familial obligation to but is not sure he likes. Sure, as his weird grandma she's very enthusiastic about connecting with him but she's out of touch and condescending and a lot of things he doesn't personally like.

By contrast, the thing with Greg and his parents, is similar to the thing with Steven and Marty, or Steven and Kevin. If Our Hero does not extend an olive branch in this situation... nothing's directly gonna happen to these guys. We cannot say directly, unambiguously clear-cut, Greg's parents will suffer if Greg never talks to them again. They may miss their son, but, well, at that point, we're weighing their hurt feelings over Greg's hurt feelings at his upbringing, which we know he was miserable about.

Any time we talk about rehabilitating an antagonist, we're actually talking about multiple bundled concepts.

-Does the antagonist specifically stay in power, or remain unchecked?

In the case of White Diamond, the answer to this is no- while she is still ruler of Homeworld, her relationship with her peers has completely changed and Steven now directly has the public authority to put a check on her and be backed by Homeworld's own resources.

-Does the antagonist functionally get to have a life after this?

I would generalize this out from "does the antagonist die or not"- think about someone going to jail, implicitly for a life sentence, or as Vlad Masters from Danny Phantom, getting flung out into the depths of space for the rest of his existence. They are nominally alive but narratively they have still been put in a neat tidy box where they will never affect anybody's life again, the end goodbye.

-Does the hero or heroes personally keep the villain in their life after this?

That's what this question is getting at. And your intention may not have ever been to touch the other two- we KNOW Greg's parents have or had some kinda life and presumably didn't get fired or forced into destitution by their son running away. The thing they lost was access to Greg- and in time, to Steven. But I think whether or not you answer yes, or no, to this question, it's important to split it off from the other two- because that's where a lot of people can get into really intense arguments about this- where person A thinks that the answer is "yes, they should be redeemed", meaning, "obviously take them out of power and the heroes may not want them around personally but like, don't kill them or ruin their life, yeesh" and person B hears that yes and thinks that person A means "they should not experience ANY consequences for their behavior and in fact be directly coddled by people they hurt whether or not those people independently want to"

And when "is someone good or bad" is inevitably complicated as all hell even in media where it's the Happy Caring Friends Of Hug-A-Lot vs. The Hateful Nasties Of Mount Meanie, you can see where boiling things to imperfect extremes and then getting really mad at people is both an enduring pastime for the ages and also not a great way to read media.

To follow up my opener- at the point where it's just about who do you choose to keep in your life or not, no implicit threat of death or fantastical consequences... I don't think moral imperatives really matter that much.

At the end of the day, we're never going to know Greg's mind fully, even having a deeper lens into him than we'd ever have into a real-world associate given we've watched him as an audience. We aren't going to know his entire situation. And even if we somehow, perfectly did... we'd still have different answers on whether or not he "should" forgive his parents, based on innumerable factors, none of which are "are we, ourselves, Good or Evil"

So I just don't think framing it as a potential imperative, should he, is gonna get us anywhere. It's just not the knife to cut this particular question with. I'd be more interested in would he, or if so, what might that look like? good idea? bad idea? or even just, how did his parents feel about all this, what's their side of the story and how does that inform our read of Greg?

[sweetsmalldog]

SVSSS Liveblog Volume 1 Chapter 1

Before I start: this cover art is so pretty I love it

Is this whole opening a PSA on not abusing children or they’ll become Stallion Protagonists?

… Yes yes it is apparently

‘“Dumbfuck author Dumbfuck book” With his dying breath Shen Yuan spat this final curse’ Local man hated so hard he died

Bro why are you shocked the web novel writing by Mr. Masturbation was filled with smut and not very well written? You didn’t half to start it. You could’ve simply not been a hater. You could’ve simply touched grass.

Actually I think it makes sense that people still need to eat and sleep. Have you considered that sleep is nice and eating good food is good? Maybe the body still wants food even if it can’t eat it? Also what if your cultivation fails and you haven’t been eating or sleeping? Do you just suddenly die of starvation? Ever think of that Shen Yuan?

Once again your reading a web novel by Mr. Masturbation why are you surprised it’s bad?

The System immediately had enough of his hater vibe and told him to stfu

More pretty art let’s goooooooo

RIP my hater king you are the titular Scum Villain I mean it’s in the title to be fair

“Second: from now on, cling madly to the male lead’s thighs” The closet is made of glass

This man just got told he’s required to be a child abuser until he can unlock not having to act like an asshole 24/7 mode

And the last this that dude did was torture the protagonist oof

He is pretty that is your only saving grace until you unlock no more child abuse to your future murderer mode dude embrace that bit at least

“He still couldn’t compare to Luo Binghe” Once again the closet is made of glass

Even the system thinks the plot is shit

Even more pretty art!!!!

Smart way to give Binghe the medicine ngl

Man is already like “I’m fucked” and honestly fair

“It’s not like I don’t want to cling the the male lead’s thighs” the closet is open at this point

I too would just want to flee in disgrace

Local man just watching children bully other children because if he doesn’t join in on bullying said child he’ll literally die despite not wanting to be a child abuser

And he intervened valid and fair but he is fucking himself over but +10 morals for ever ten points he lost

‘Let me just grab the protagonist’s prized possession real quick’ -Shen Qingqiu

I mean fair enough get those points back

Man is on his way to unlocking not being a child abuser lets gooooo

Local man is hot, he’s being forced to be a horrible asshole by Google Translate God but he is hot

Fun Fact: If a torturer is particularly skilled a person won’t die of blood loss when being flayed hypothermia would usually be what did them in that case not relevant at all but idc

Love him outsmarting the system take that you Google Translate ass

This man sound so hot despite being shitty why is everyone saying he’s not? Look at the cover art!! That’s a hot man

LOOK AT THE GOOD ART HE LOOKS HOT!!!!

Local man banned from smiling rip