#in case it becomes… Relevant… in the future

[pyrotation]

…sometimes when i’m making selfship arts i wonder if it looks like my oc is just a sniper oc… because i look like him quite a bit irl :> doesn’t matter. i ship them all

[one-winged-dreams]

FUGG, Lighter's banner is the one after this one NOT THAT I CARE OR ANYTHING, but @adoredbyalatus @dearly-beeloved would you guys be interested in me streaming ZZZ in the next few days?

[synthient]

2nd watch, a few new details:

On the first watch, I was like "of course Owen couldn't go with Maddy the first time, her mom had cancer :(". But this time I caught that Maddy went missing "a few weeks" after Owen's mom died. Owen had nothing left to stay for. Maddy probably waited around for those extra weeks, just in case Owen had a change of heart. And yet,

The first time we see the dress flashback, it's through what seems like a relatively objective perspective. The second time we see it (as they walk to the grave), the memory has taken on the vhs-fuzz and aspect ratio of the pink opaque tapes. The real becomes unreal, an impossible fantasy, "kid stuff"

Happened to see a captioned screening this time, and the Tara from the streaming version is described as "Fake Tara."

The tv guide page Owen finds by the electrical field is for "season 6, episode 1: Escape from the Midnight Realm"

Mr. Melancholy and Maddy's ex friend who accused them of dykery ("like a secret agent sent to ruin my life") were the same actor

All the school hallway motivational posters are thematically relevant, but this time I caught the "the only easy day is yesterday" and "courage: without it, no other virtues matter" ones

You can see the emotional shifts between Owen and Narrator Owen in real time (ie, Owen looking distraught as the firefighters surround Maddy's tv, then dropping the expression and looking coolly into the camera as she starts to narrate again)

There's an interesting recurring thing where audio from the near "future" plays over footage from the "past." ie, we hear Maddy's planetarium monologue, while we watch Owen still walking to the school to meet them. Something about time not working right, something about Owen playing back memories that already happened, something about inevitability and walking down a path with a fixed ending

Void High School, or VHS

[fanfic-obsessed]

Smitten

I had this idea for a JayTim that I want to share. 

Obviously there is no canon here, for the record. 

In addition we have a version of Jack and Janet Drake that do love their son, they just have a really bad grasp on age appropriate supervision and activities. They honestly believe that a nine year old can be left alone with only a periodic check from a housekeeper (Also they are aware that Tim leaves the premises almost every night with a camera, they also believe this is a reasonable activity).  Like the very embodiment ‘they’re confused, but they got spirit’. Believe me when I say this will be relevant later.

We are also bringing Jason and Tim’s ages just a hair closer together. This starts with Jason being 14 and Tim being 13, at the annual holiday Wanye Gala. This particular time Jack, Janet, and Tim are in attendance. 

It starts with some boorish rich asshole, a little too drunk and being stupid about it, making an insulting comment about Janet Drake, heard by Tim. Now Tim loves his mother, and does not appreciate this man who insulted her. 

Thirteen year old Tim verbally eviscerates this man, his voice an icy even tone that everyone around recognized from Tim’s mother Janet. Tim’s diatribe of insults and threats leverages this man's secrets, his fears, and insecurities that he didn't even realize he had.  Ten minutes in, this man begins to cry. Just the complete, public, destruction of a middle aged rich drunk by a tiny thirteen year old.  The Drake family proceeds to exit after Tim winds down, never looking back (it was later in the evening anyway).

Jason, standing off to one side next to Dick, falls immediately and completely in love. Smitten through and through.  The first words out of his mouth, after the Drakes leave, is ‘We’re going to get married on that boy’s 18th birthday’.  This was heard by just about everyone present. Jason did not even know Tim’s name yet.

By the next morning Jason has used the BatComputer to discover that his future spouse is named Timothy Drake, he lives next door, and that he is 14 months younger than Jason.  At breakfast Jason very seriously, though a touch maniacally, tells Bruce that he would be marrying Tim when Tim turned 18, and that before that point they would be telling Tim about their ‘nightlife’ on the grounds that “we should not start our marriage off with secrets”. Jason magnanimously told Bruce that he had until Tim was 17 to get his feelings under control about the reveal (to give a full year before the wedding, in case Tim needed an adjustment period or Jason needed to win him back).  

Bruce is already very tired. 

Jason finds any occasion to seek out Tim Drake, to get to know his future spouse (the entire time Jason Mantra-having gotten some good advice from Alfred about becoming friends with and maybe dating Tim before anything else-is ‘Don’t start talking about the wedding, don’t start talking about the wedding’). Also every piece of romantic knowledge/flirting knowledge that Jason has comes from the regency era/Victorian era romances he reads. 

Tim, for his part, believes that Jason (Tim’s Robin and crush) has figured out that Tim knows Robin’s identity and is trying to subtly figure out how much Tim knows and what he is going to do about it; but for some reason Jason is not asking directly and Tim is enjoying getting closer to the other boy, so he does not admit to what he knows. 

This leads to some painfully stilted conversations and weird interactions, but every so often both will forget to be awkward and it becomes clear, whenever they actually act naturally, that they are very well matched. 

To the Gotham Elites, this is the best entertainment in years. Between Bruce Wayne’s ‘Brucie’ act and Dick’s feral behavior growing up, Jason’s bookish politeness makes him the ‘best behaved’ Wayne and honestly the most well liked one. Combined that with how sweet he is acting with Tim and  that this all started with Tim defending his mother, well this is the love story of the ages, happening right in front of them. 

Bruce and the Drakes are already fielding requests for invitations to the wedding. On a slightly more creepy note they are also receiving offers to be a surrogate for the boy’s to ‘continue the bloodline’ when the time comes. 

Bruce is honestly wondering if everyone forgot that Jason is adopted. Dick comes to Gotham more often, because he is also finding this immensely entertaining. 

A few months in, this leads to Batman, Nightwing, and Robin finding Tim taking pictures on a rooftop in the Bowery.  In Tim’s rush to apologize (he is starting to feel a bit guilty about his picture taking pictures of the Bats now that he has an actual relationship-where he believes that they know he knows who they are-instead of a parasocial relationship) it becomes clear that Tim knows their civilian identities and that they did not know that Tim knew their civilian identities. 

Tim gives his explanation (a quadruple flip that only a few people in the world can do and connecting the dots from there). Jason immediately blurts out ‘Go on a date with me?’ and is quite proud that he kept the ‘Marry me?’ behind his teeth (The earliest they could get married in New Jersey is 17, and only with parental consent. Jason had 4 years to convince the Drakes to let him marry their son, 5 if they don’t like him). Tim turns bright red and squeaks out a ‘Yes’. 

The next gala they enter holding hands.  Dick is quickly sought after by the Elite for gossip. Dick confirms that Tim and Jason are now dating, and that Jason insisted on a chaperone for their dates (Jason is still working off the regency/victorian era romantic relationships) so that nothing would ‘besmirch Tim’s honor’.  There is an entire crowd of cooing Gothamites around Dick as they discuss how these two got even more adorable, all the while watching Jason and Tim surreptitiously. 

At some point Bruce has to have a very surreal conversation with Jack and Janet Drake about when it is appropriate to leave one's children alone and for how long and at what ages. Jack and Janet, upon being convinced that they should not leave their 13 year old alone for weeks or months at a time, rearrange their future plans so that one of them is almost always home (and on the few occasions that they would have to Tim by himself, Tim would stay with the Waynes).

By the way, Jack and Janet love Jason, they can see how much he makes their son happy and are glad to support the relationship.  

Now I see this continuing one of two ways. 

The first way is that this derails Ethiopia. Jason still fights with Batman, but runs to Janet Drake (who is home) and Tim.  He does not discover that Catherine is not his mother until later, but is not missing parental influences and does some digging but does not go to meet Sheila. Tim becomes Oracle’s apprentice.

Alternately, it does not derail Ethiopia. Janet and Jack, on one of the few business trips that required both of them, is woken up by a call from an inconsolable Tim who tells them Jason has been killed by the Joker (both Jack and Janet having been let in on the secret at some point). Janet immediately hires Deathstroke and Talia Al Ghul to kill the Joker (Janet contemplated having them bring the Joker to her, so she could do it and make sure he understood why-he killed her future son in law and made her son cry- but realized that the why would never actually matter to Joker) and paid extra to make it look like natural causes (to lessen the attention on the bastard).  Two weeks after Jason Todd’s funeral, the Joker dropped dead of an apparent heart attack, there was not even enough time to get him back in Arkham. 

The Gotham Elite treat Tim like a bereaved widow, despite Jason never getting to have the ‘let’s get married when we are old enough’ talk with him. Jack Drake gets to have his own surreal talk with Bruce Wayne about accepting help, and therapy, after Jason’s death.  Tim picks up the Robin mantle to feel closer to Jason, and to distract himself from grief. 

Jason (Now 17) is brought back and Talia does find him. In this she does have good intentions (She knows that Damian is going to need to be sent to his father eventually, and hopes that helping Jason will endear Talia to Bruce enough that she can still see her son), plus a connection to Janet Drake and the knowledge that Janet had the Joker killed for Jason. So as soon as Jason’s madness ebbs enough to travel she brings him straight to Janet Drake's door. By then enough time has passed that it is three days before Tim’s 17th birthday.   

Jante takes one look at Jason and goes ‘Hmm, I was wondering what we were getting Tim for his birthday this year’.

[prokopetz]

Do you ever have a passive gripe with the way trade is represented in medieval/sci-fi/post-apocalyptic fiction? I can't shake the feeling that those are societies that have moved beyond the need for abstract currency - that such forms of trade are more a concession for the viewer to analogize trade to our world instead of offering some kind of unique barter for a world.

A medieval peasant isn't gonna want gold coins for jack because the next trade caravan is two seasons away, they'd much rather a useful tool or some extra fertilizer. Credits in science fiction universes can become worthless due to Future™️ hackers setting their bank accounts to extraordinarily high values, so extra parts for firearms and spaceships are much more useful. Caps in Fallout just make no sense in a world where food and water are few and far between!

I feel unreasonably grumpy about this and I wanted to know if you have any kind of insight to this kind of thing.

There are a couple of only partly related problems here:

1. The idea that the economies of most sci-fi and fantasy settings, as depicted, don't make any sense. This is absolutely true, because most science fiction and fantasy authors don't really think about that sort of thing – their settings only have economies to the extent that the details of those economies are relevant to the plot, which they usually aren't.

2. The idea that it doesn't make sense for currency to exist in these settings because most of them logically ought to have barter economies. The trouble with this assertion is that there's no such thing as a barter economy. Yes, you can describe what one would look like, but no civilisation which has ever actually existed has operated in this fashion. It's a made-up idea – at best, a spherical-cow approximation of how the exchange of goods and services operates in a stateless society, and at worst, complete bullshit.

Consequently, whether or not it makes sense for anything like currency to exist is going to depend on the particulars of how the setting's economy operates (i.e., all the details that that are getting glossed over in point 1, above). About the most we can say in nearly all cases is that we simply don't have enough information about a given fantasy or sci-fi setting's economic structure to know whether it makes sense to have currency or not; we can't just assume in the absence of further details that things will default to a barter economy, because – again – there's no such animal.

[bakubonez]

Snap out of it!

Katsuki Bakugo x oblivious! GN! Reader

Summary thing: Katsuki likes you and apparently you have no idea.

A/N: AAAAAAAAAAAAAAAAA

Warnings: not proof read cuz I’m lazy, reader doesn’t know Katsuki likes them at all + they convince themselves he doesn’t lol, ambiguous ending, mostly focuses on Katsuki’s POV I think

You were an idiot. But Katsuki liked you regardless.

It was a problem, really. You’d weaseled your way into Katsuki’s group of friends, instantly charming everyone. He’d been more difficult to please, though. You’d been okay with it—you knew he’d come around eventually.

Which he did. Problem was, he’d come around and he’d fallen head over heels for you. Normally that wouldn’t be an issue, he could’ve just confessed or flirted with you.

Katsuki had decided to go with the method of dropping hints and flirting rather than straight up confessing to you. He wanted to test the waters first. There was no doubt in his mind that you’d like him; he’d seen the glances when you thought he wouldn’t notice, the little touches, your faint smile when he joined whatever you and his other friends were doing that day(after some pressure from Eijiro!). He knew there was no way it could possibly go wrong.

Little did he know, you were oblivious to his advances.

You constantly brushed his teasing remarks and flattery off as him being nice, not interested in jumping to the conclusion of him reciprocating your feelings in case you were wrong. You didn’t want to get your hopes up and your feelings hurt. So you ignored what he was doing, always somehow convincing yourself that the increase in your heart rate and the heat burning your skin when he made his stupid jokes and such was simply a trick of the mind. He didn’t like you. You just had to accept that fact and get on with it.

It was infuriating to Katsuki, though. Maybe infuriating isn’t the right word, he couldn’t seem to bring himself to be truly angered by you any more. Frustrating. There it was. You were unbelievably frustrating.

He adored you. Ever since the realisation of his feelings had dawned on him, he hadn’t been able to scrub any corner of his mind of you. You always lingered there. When he got bored in class he’d think of you, zoning out while the teacher at the front went on and on about something that clearly wasn’t anywhere near as relevant as you. He’d stumble across videos online that made him think of you, that made him think, ‘you’d like this’. Some of them would make it to you, but sometimes he’d already sent so many of them that day that he needed to save it to a little folder dedicated to you, to keep for when he needed an excuse to message you.

Katsuki hadn’t come to UA with the intention of making friends. But he had. And now he was on the complete other side of his initial promise—chasing not only a friend, but a romantic connection.

And so, the days went on where he’d shoot his shot and miss. He’d miss because you kept interfering. You kept brushing it off.

Eventually he resorted to telling Eijiro, whining and complaining to you about how stubborn and irritating you were right now, but also how much he’d come to treasure you. You’d become precious to him, nestled in your own little place in his heart. He was having a hard time trying to get over you. Maybe it was because he really didn’t want to.

At the end of the day, despite how much he complained about your oblivious nature, he couldn’t bring himself to scrap the future he’d carefully carved out in his mind for the two of you. Katsuki wanted those sweet, domestic moments that he would’ve ignored with anyone else but you. He wanted the less sweet ones, arguments and results of villain battles. All of it. He wanted all of it. He wanted all of you.

It didn’t matter to him what you thought a partner wouldn’t like in you. To him, there was nothing to dislike. The curve of your nose, the colour of your eyes, the texture of your skin, your laugh. Even the parts of you that you tried to hide, he loved all of it. He couldn’t imagine a time where he didn’t.

For now, though, he had to wait patiently for you to catch on, or for his self control to slip from him. He had to tell you the truth one day. You’d snap out of it.

Katsuki hoped it wouldn’t be too late by the time he did.

[ceilidhtransing]

Having spent pretty much the entire year immersed in studying Nazi Germany, the Holocaust, and genocide more broadly, my heart is bursting with the need to stress how much you should take Project 2025 seriously. This is a long post but please stick with me.

Don't take this post as an attempt to concretely predict anything. We can't ever fully know the future and I think it's silly to say with total certainty “if Trump wins then America will become just like Nazi Germany” - not only because the future isn't written yet, but also because Germany under the Nazis was a very specific regime with its own quirks and peculiarities and I don't think that even a worst-case-scenario Trump regime would look exactly like Hitler's Germany. No two regimes ever look exactly alike: it would use the same colour palette as all far-right dictatorships but be constructed from a different medium, like what a watercolour is to an oil painting.

But just because Trump is a very different person from Hitler, and a worst-case-scenario Trump dictatorship would not literally be “Nazi Germany all over again”, that doesn't mean that what happened in Germany isn't instructive here. Forget the specifics of whether or not Trump as a dictator would organise a state identically to how the Nazis organised Germany or whatever; on a far broader and more relevant level, there is a distressing number of similarities. And too many people are falling into the same thought traps as they did then.

Please don't assume that Trump is “way too incompetent” to achieve what's in Project 2025 or Agenda 47. They said the same thing about Hitler. They said that there was no way this showman could govern effectively - holding big rallies and making speeches that get people riled up isn't the same as being good at running a functioning state and achieving what you want. The New York Times even wrote after he became Chancellor of Germany that this would only “let him expose to the German public his own futility”. And in many ways Hitler was pretty incompetent. But that didn't end up mattering. The greatest crime of the Nazi regime, the Holocaust, was masterminded mostly by a whole load of people besides Hitler, who were delegated the nitty-gritty task of actually orchestrating it. Hitler's personal incompetence didn't prevent war or genocide.

Please don't assume that Trump is “just a wacky nutcase” who “can't possibly be a real risk”. They said the same thing about Hitler. The mainstream media gave constant coverage to all the crazy extreme things Hitler said as if he was merely a bit of a joke and not a massive threat. The Nazis were quite happy with this. To quote Goebbels repeatedly in his diary, “The main thing is they're talking about us.”

Please don't assume that being in power will “moderate” Trump and that “of course he won't be able to do all the crazy stuff once he actually has to govern”. They said the same thing about Hitler. It was a common sentiment in the early 1930s that all the sensible politicians around him would force him to moderate his stances. Fritz von Papen, the last Chancellor of Weimar Germany, persuaded President Hindenburg to make Hitler the Chancellor by assuring him, “In a few months, we will have pushed [Hitler] so far into the corner that he will squeak.” It turns out that power doesn't “moderate” people who are openly talking about a dictatorship.

Please don't assume that there's any truth to the whole “Trump has nothing to do with Project 2025 and trying to link it to him is just liberal hysteria” line. They said the same thing about Hitler. People repeatedly asserted that Nazi street violence wasn't really representative of the party leadership; it wasn't representative of Hitler. He was even subpoenaed by a very brave lawyer in 1931 in a bid to prove that recent violence by Nazi stormtroopers was committed with the knowledge and encouragement of the party leadership, with part of the prosecution's argument hanging on a pamphlet by Goebbels that promised a violent overthrow of the state if the Nazis couldn't come to power legitimately. Surely no legal political party could be publishing that. In a successful attempt to escape criminal charges, Hitler repeatedly lied that the pamphlet was not official Nazi Party material and that he didn't know anything about it. No Trump didn't write it, no it isn't an official GOP manifesto, but the links between Project 2025 and Trump, the previous Trump administration, and Trump allies are extremely well documented. Just the other day, Project 2025 co-author Russell Vought was caught calling Trump's disavowals of the document “graduate-level politics” and saying, “what he's doing is just very, very conscious distancing himself from a brand ... he's in fact not even opposing himself to a particular policy.”

Please don't assume that “there's no way something like that could happen here; we're way too educated and advanced”. They said the same thing about Hitler. The Germany of the 1920s and 1930s was one of the most educated and most scientifically and industrially advanced nations in the world, and its cities were some of the most progressive in the world. People were stunned and horrified that it was in Germany of all places - Germany, land of music and art and science and literature! - that fascism took root. Germany's economic and social advancement didn't stop about 40% of its voters choosing the Nazis. It didn't stop them taking power.

Please don't assume that Project 2025 is “just a wishlist” and “not actually a serious plan”. They said the same thing about Hitler. As is hopefully very clear by now, plenty of people did not think that the Nazis were capable of, or would dare to try, putting into actual practice the horrific ideas about race that undergirded so much of their ideology. “I like Hitler; he talks sense economically and I think all this stuff about Jews is just bluff and bluster.” “Every party has a loony wing, right? You have to understand they're not serious when they talk about this stuff; they're just telling their base what they want to hear.” “God have you heard this crazy race science shit about head shapes and stuff? It's hilarious! I'm sure none of them at the top really believe that; there's no way they'd be that nuts.” When a group of people like this tells you what they believe and tells you what they want to do with power, believe them. No matter how ridiculous they seem, they're not joking.

In the words of Hans Litten, the lawyer who subpoenaed and cross-examined Hitler in that court case in 1931, “Don't listen to him; he's telling the truth.” Litten was arrested on the night of the Reichstag fire in 1933 and spent the rest of his life being tortured in concentration camps before dying in Dachau in 1938 at the age of 34.

A tyrannical dictatorship can often be seen coming a mile away. I don't want to imply for a second that what the Nazis did came as a surprise to everyone and couldn't possibly have been predicted. There were people who saw this coming in the 1920s and 1930s and tried to sound the alarm while they still had a chance. But they were too often in the minority, taking the threat seriously while others had convinced themselves that there was no need for concern because the Nazis wouldn't really do all the things they repeatedly talked about wanting to do. Everyone should have seen this coming, but too many people wanted to believe it couldn't be true.

Don't let this scare you. Let it energise you. Talk to the people in your life about Project 2025 and Agenda 47. Push back against people who assert that “they'd never actually do all that stuff” or “Trump didn't even write Project 2025” or “it's not a real plan, just a list of crazy shit to get the base riled up”. Have conversations with folks you know who are on the fence about voting or about who to vote for and who seem persuadable. Make sure you're registered to vote, and keep making sure, especially if you live in a red state where people keep mysteriously dropping off voter rolls.

Now, again, please don't read this as some confident prediction that Trump will be a Hitler figure. I want to stress that is a worst-case scenario. If a Trump presidency is what happens, I would much prefer the best-case scenario: that he spends four years fumbling around and not really accomplishing anything and then gives up power at the end without much of a fight. But it would also be a folly to be smugly overconfident that the worst-case scenario “won't” or “can't” happen. It could. It has happened before. There is no reason it couldn't happen again.

[mochifiction]

As someone who agrees with a decent amount of the pre-war Decepticon party’s views in certain continuities, some of y’all new fans are starting to piss me off with your belief that D-16 was correct in Transformers One. As someone who does a lot of community organizing and writes on sociopolitical theory vs. practice, especially within the context of the anti-colonial struggle (as well as the Black struggle simultaneously or separately depending on the context), a lot of the reasons you all choose to support D-16 and diss on Orion are actually obscene and you need to crack open a book. I normally don’t like shoving theory in people’s faces, as I think that it comes with a pedantic demeanor that relies on belittling people and feeding a moral superiority complex amongst academics. However, this is one of the cases where I think a lot of people truly need to take the time to read into why D-16’s emotions and initial reactions are valid, but the decisions he makes in providing solutions are wrong. That being said, I will be writing a paper on D-16’s fall from grace in conversation with Paulo Freire’s “Pedagogy of the Oppressed,” because a lot of the ways in which Freire discusses how the oppressed become their oppressors in the name of liberation, which is no fault of their own in some areas, is relevant to D-16’s transformation into Megatron. A lot of you are thinking with a more pathos-based means of societal change without thinking about realism, practicality, and actually analyzing D-16’s character and why he does what he does. It is more so an attempt at self-preservation and closure from embarrassment (specifically from taking the bait and living as a conformist) than an actual attempt at political change. I also encourage new fans to get more acquainted with Transformers continuities to better round their perspectives, as a lot of this is turning into the “Killmonger was right” discourse, which is problematic for a lot of reasons as a Black scholar who discusses Blackness, representation, and political discourse often in their writing. Seeing these really bad takes spread online, not only hurts how people interact with Transformers media in the future, but arguably indicates a rise of certain short-sighted political philosophies that translate directly into activism.

[orangeejuice]

Analyzing Cole's Reflection (or lack thereof)

This is a bit of an analysis regarding the topic of Cole's reflection in Season 5, which I find really fascinating, especially considering how it was explained in canon (particularly how it was written to be completely insignificant). Despite this, I personally haven't seen it talked about much, even though it has really interesting implications. While I do believe this is in part due to odd/sloppy writing, I also think there's quite a bit to see beneath the surface here, as I'll discuss under the cut below.

As we know, in Season 5, Episode 8, "Grave Danger," the ninja are going through the ice labyrinth in the tomb of the First Spinjitzu master. Within the ice, the ninja are able to see reflections of their future selves. This scene is actually quite important, as it becomes pretty relevant in Season 6 (Skybound), due to Jay seeing himself with Nya in his reflection.

However, what I find to be the most notable in this scene is that Cole does not see any reflection whatsoever. This causes him quite a bit of distress and confusion, although this is quickly interrupted by Morro attacking the ninja. Kai seems to bring up the possibility that the lack of reflection is because Cole is a ghost, but this is quickly shot down by Zane stating that ghosts cast reflections.

Upon first viewing this scene, it's pretty easy to have many different interpretations of why Cole doesn't see his reflection. I personally interpreted it as Cole quite literally not having a future, therefore not having a reflection, which felt quite relevant due to him becoming a ghost only four episodes prior.

Yet, in Season 6, Episode 1, "Infamous," we get our "answer." Cole finds out he can turn invisible and concludes that he couldn't see his reflection because "he can disappear." Thus, this plot thread (or whatever you want to call it) regarding Cole's reflection is entirely dropped, seemingly confirming that this explaination is true.

My issue with this is that not only is it boring, but it just doesn't make sense. For reference, this is what the other ninja's reflections look like.

As we can see, these reflections clearly are not meant to be their near futures, judging by the visible aging on Kai, Jay, and Nya (Zane being the exception, of course). If Cole's reflection really isn't visible because his future self is quite literally invisible, that implies that either his reflection is somehow the exception (by showing his near future), or that for whatever reason, his future self would have a reason to be invisible. Frankly, neither of these explainations are plausible, which is why I really dislike invisibility being the actual explaination. It's entirely possible that Cole only believes this to be the case as a way to cope with the otherwise bleak implication about his future. I prefer to interpret it this way opposed to it being written to genuinely be true.

However, it's also important to note that these future reflections don't seem to be set in stone. In particular (and forgive me if I am misinterpreting this), Jay's future seen in the reflection seems to have been entirely avoided by his final wish at the end of Skybound erasing the majority of the events in that season and thus changing the future from that point. In particular, him gaining the eyepatch during the events of Skybound leads not only us as the viewers, but Jay himself to connect this to the reflection he saw in Season 5.

It's also important to note that Jay's final wish would most likely not change the future reflections of the other ninja, just his own. However, as stated earlier, if it's possible for Jay to change his own future reflection, than perhaps the same logic can extend to the others as well.

With Cole in particular, I genuinely wonder if his lack of reflection was actually supposed to be relevant again in Day of the Departed but was cut for time. As much as I love DotD, it was clearly trying to shove as much content as possible into just 44 minutes. Unfortunately, the story ends up being condensed quite a bit as a result and I think it could've really used at least another 22 minutes, especially if it included stuff like this connection. But this post isn't meant to be about my thoughts on DotD's pacing and content, really, so I'll move on.

My thoughts on this are that perhaps Cole altered his future by going through the rift on the Day of Departed and becoming human once more, rather than fading or becoming stuck and forgotten in Airjitzu temple. I actually really do like this explanation, because it makes sense. Cole fading or being forgotten in a "bad" future are entirely plausible reasons for his lack of reflection in the ice.

Either way, I think it's quite a shame that it wasn't explored more. Obviously Ninjago is a show meant for kids and exploring a character's feelings regarding their possible lack of a future can be a little dark (although I don't personally see it as being too dark for Ninjago). Cole's fear and resignation (at least until his friends get to the Airjitzu temple) of fading away is completely well founded, because of this small scene in Season 5 and it adds even more motivation for him to go "settle his debt" with Master Yang.

On the other hand, it's not explored much in fan content either from what I can see, and I think that it's a huge missed opportunity. Like, can you imagine how scared Cole must've been when he started fading away and "ghosting out," meanwhile the fact he didn't have a reflection of his future self lingered in the back of his mind? Especially if he was coping with this fear by concluding it was due to his invisibility. Even with the events of DotD, I can imagine Cole still worrying about it in the present. After all, for all he knows, that future could still come to pass.

Overall, I found this scene and how it was handled super interesting and I would really love to see it brought up more in fan content (I might even write my own fic relating to this at some point).

Either way, I'd also be curious to see if anyone else has thoughts about this. I may have missed something that the writers/creators have stated regarding this, so if that's the case, you can let me know as well.

[multimousenette]

bkdkbk longfic recs

for @miss-multifandom-mess, who wanted fics that are:

Long & completed ☑️

Good balance of genres: angst, comedy, romance, the package deal

Accurate bakudeku (as a pair and individually)

Great dynamic 👍

Izuku is not ‘feminized’ or made uwu

I'll give title (linked to the fic) & author, word count, rating, dynamic if relevant*, content warnings, major tags and a synopsis.

I'll also put them in the following categories:

Canon compliant: this does not disagree with canon in any way (eg. character study of Kacchan during dark hero arc, anything during the 8 year time skip that has Kacchan saving up/Deku teaching)

Canon consistent: yeah that could more or less be canon (eg future pro heroes especially where deku keeps OFA)

Canon divergent: something during canon actively changes, but the world is the same (eg. becoming friends in middle school, one of them is on a different course, pro heroes but my gut says it's too far away to be really canon consistent)

Canon adjacent: feels like canon except for one Major Thing (eg. omegaverse, (non-quirk related) hanahaki but still heroes)

Alternate Universe (AU): completely different universe (eg fantasy, sci-fi, or no quirks)

*it ended up being mostly either bkdkbk (ie switching) or dkbk -- I've highlighted these red just in case, but I've included them cos people tend to use bkdk for the ship generally if they don't have a preference, and I couldn't see anything saying you were fixed bkdk on your acc

... and I'll put them below the cut cos this is already so long oh my god

In order of word count (high -> low):

I Will Find You by Purple_Insomniac (174k, T, canon consistent)

CW: Alt universe character death

Major tags: Parallel universes, angst w a happy ending.

Deku disappears in the middle of a rescue mission. Turns out, thanks to some OFA weirdness, the person who sent Izuku into an alternate universe… doesn’t know which one he’s in. Somehow, Izuku and Katsuki can speak in the OFA Vestige Realm, but it’s still a total nightmare trying to find which universe Izuku’s in — let alone bringing him home.

For it is Something That We Lost by TheGraveyardChild (160k, E, top Deku, canon divergent)

CW: past domestic abuse, past child abuse.

Major tags: Kidfic, angst with a happy ending.

Number four pro hero Dynamight returns to his hometown, but — to (number five pro hero) Deku’s surprise — he’s kind of flaky now. Turns out, this is because he has a daughter, and they’ve only just escaped his abusive ex. Slowly, Katsuki and Deku grow close again, but everything’s complicated when they start work on a child kidnapping/trafficking case — especially when Katsuki’s daughter is caught up in it.

Halfway to the Moon (But the Sun is So Bright) by Catsired (105k, T, canon divergent)

CW: Graphic depictions of abuse and self harm; depressed & suicidal Izuku; physically, financially, emotionally and verbally abusive Hisashi; bullying; mild homophobia.

Major tags: Middle School AU, Slow burn, hurt/comfort, angst with a happy ending.

Izuku has a lot on his plate. It’s his final year of middle school and between his training with All Might, the part time job he’s picked up to help his mum with bills, and Kacchan… being Kacchan, he’s about ready to drop. And then his dad comes home, and his mum is so happy he can’t bear to tell her that Hisashi hits him. Meanwhile, Katsuki notices there’s something up with Shitty Deku and somehow decides it’s his responsibility to fix it. And maybe, as they grow closer, he finds that doesn’t hate Deku so much anymore. Maybe he never really did.

Surprise Reunions and Childhood Rekindlings by ladyofsnails (90k, G, AU)

Major tags: Slice of life, no quirks AU, uni/college AU, mutual pining, FLUFF.

Izuku and Katsuki haven’t seen each other in five years, but it turns out their friends are friends — and incredibly shocked (and concerned) when the first thing Katsuki and Izuku do upon meeting is start roughhousing. The two of them fall straight back into their chaotic childhood dynamic… and in love. Obviously.

After All We’ve Been Through (You get turned into a fucking rabbit) by TigerLilies64 (88k, E, switching, canon consistent).

Major tags: crack treated seriously, fluff, hurt/comfort.

Pro hero Deku gets hit by a quirk that turns him into a rabbit hybrid. To make matters worse, he shapeshifts into an actual rabbit when his heart rate gets too high. Kacchan... helps. 

Tidal Hearts by macksmilesback and SamIsNotLegend (83k, T, AU) 

Major tags: h2o just add water/early 2000s mermaid AU, high school drama, mild angst, fluff.

Izuku and Katsuki were best friends as kids, but that all changes after they nearly drown while swimming in the ocean and Inko moves her and Izuku away. Years later, they reunite, and after Katsuki saves Izuku from a nasty hazing prank, end up… growing a tail any time they get wet. Well, that’s one way to spend their senior year of high school!

The Spell in Her Name by MerryWeatherWeather (62k, E, top Katsuki, canon divergent)

CW: Past OC teacher/student relationship, past minor character death, past child abandonment.

Major tags: kidfic, domestic fluff, mutual pining, angst. 

Pro hero Katsuki returns from working in the US and due to some complications, has nowhere to live, so pitches up at Deku’s house — and is shocked to discover that Deku has a child. Turns out, she was abandoned on his doorstep as a baby, and he took her in. When her mother initiates a public custody battle, Deku will do anything to keep his daughter — and Kacchan will do anything to help.

just for your love (I’ll give you the world) by thwnderpoint (52k, E, top deku, canon consistent)

Major tags: idiots to lovers, (light) angst with a happy ending, mutual pining.

Katsuki confesses to Izuku, and Izuku doesn’t want Kacchan to suffer or feel like he has to hold back his feelings. So he tells him not to. Kacchan takes this offer and runs with it. Izuku quickly realises that while he hadn’t considered Kacchan as a romantic option, he is in fact absolutely in love with him… but Kacchan thinks Izuku deserves better than him. Izuku, of course, can’t let that stand. And now they’re engaged in some sort of psychological flirt-off, much to the dismay of everyone around them.

Photo Op by whitetail (50k, M, top deku, canon adjacent)

CW: transphobia, gender dysphoria

Note: I LOVE the characterisation of Deku, he’s an absolute disaster, but I can see that it might be love it or hate it as the author does exaggerate his social issues a lot. This Deku is explicitly, intentionally autistic and it's a close third person POV so we're very much in his head... which is kind of a mess.

Major tags: trans izuku, autistic izuku, massive simp kacchan, comedy of errors, miscommunication, light angst.

Pro hero Deku has PR crisis after PR crisis and now the whole world knows about his Dynamight thirst blog and he’s newly insecure about his bottom surgery. And for some reason, Kacchan won’t stop asking him (him!!) to join him for a photoshoot, as if Deku’s stupid ugly face won’t ruin everything again. Still, he can’t say no to Kacchan… 

In Another Life by hollyandvice (44k, M, canon consistent)

Major tags: Parallel universes, grief/mourning, angst with a happy ending.

While fighting a villain, Kacchan disappears. Turns out, the villain has a parallel universe swapping quirk, and he was aiming to swap number one hero Deku for a quirkless civilian. Except, the only world the villain could find where Deku isn’t a hero is one where Kacchan is dead — so when Katsuki took the blow, no one swapped with him, and now no one knows how to get him back. Meanwhile, Katsuki discovers a dystopian world where half his friends are dead or injured — not to mention this world’s Deku, who is all sorts of broken up over meeting an adult Kacchan. Will he be able to fix the problems with this world before he gets home? And which world will he choose to stay in?

last days of war by antisora (44k, M, AU)

Major tags: Pacific Rim AU, Sci-Fi/Dystopian, angst with a happy ending, hurt/comfort, misunderstandings.

Note: I've never watched pacific rim and had no issues with understanding what was going on. Author said there were lots of references, but you don't need existing knowledge to enjoy this.

All Izuku’s ever wanted is to save the world with his best friend… but his life doesn’t seem to be headed in that direction, especially when he doesn’t make it through the physical entrance exam for the best Jaeger pilot training school, UA. But after seeing him ace a Kaiju simulation, the world’s greatest ranger, All Might, intervenes, and Izuku is able to enrol at UA after all. Unsurprisingly, Kacchan’s there too — and their drift compatibility is through the roof. Much to Izuku’s dismay, even piloting a Jaeger together isn’t enough to regain their close friendship as children. Will almost dying (twice) be enough for them to finally be truly honest with each other?

The Time Between Our Lives by Fitzrovia (36k (56k inc. sequels), E, switching, canon divergent and AU)

Major tags: Hurt/comfort, angst w a happy ending.

Deku and Kacchan are sent back in time by a villain’s quirk and end up in an abandoned temple, quirkless. In order to escape — and return to their old lives — they must rake the gravel in the garden into a design that shows the beauty of all life. It takes a very, very long time.

Spacewalk by SamIsNotLegend (35k, M, AU)

CW: Major character death

Major tags: Sci-Fi/Horror, angst w a happy ending, grief/mourning.

Astronauts Izuku and Katsuki are set to co-lead the first manned mission to Jupiter… but a year and a half before launch, Izuku is hit by a car and dies. Katsuki has to lead the mission — their mission — alone, and sure enough, everything goes wrong. And keeps going wrong… until it starts going right. 

and a bonus totally-not-a-longfic-but-it-slaps:

Vertigo by Cyhyr (15k, T, canon adjacent)

Major tags: hanahaki, angst with a happy ending.

Pro hero Deku has hanahaki. He makes a plan to run away and just... die (when it gets too severe to keep working), but he didn’t account for Kacchan. 

[girlfishes]

I think that there is a compelling biological argument that men are naturally aggressive.

This will be me yapping for way too long, but hear me out.

In many sexually dimorphic species, the males live a very short life. Think of bugs, like spiders and wasps. When males are born, they inseminate eggs and then die, or eaten, or exiled. To keep them involved any longer is a waste of resources that could be used on the females to create more offspring. Male bugs live a harsh life, because they are barely necessary except in their limited reproductive role.

Bugs are r-selective species, which means that their reproductive cycles prioritize producing as many offspring as possible with the expectation that most will die before they reach maturity. And the limiting factor in that equation is the number of females, which means that more males are created than are necessary in a 50-50 split.

As life forms become more complex, species become k-selective. This means that the energy in reproduction is put into creating few good-quality offspring. The mothers spend more time with their children, gestate them inside their bodies in the case of mammals, and stay with them until they reach maturity. It takes much longer for a k-selective species to reach sexual maturity, and males in such species are no longer anatomically inferior like they are as bugs.

The primary interest of the individual male is to make sure that his genes are passed on. But this isn’t so easy. I’m going to speak in terms of bears from now on. One male bear can impregnate 50 female bears, and those female bears will no longer be fertile for some time. Bears won’t just pair off monogamously, so male bears face steep competition. They kill each other and they kill each other’s cubs in competition to the limited females who can pass on their genes.

Now what does this have to do with humans? Well, we’ve established that in order to survive and personally reproduce, a male of any species is fighting an uphill battle due to the limited number of females and the female need to not waste precious resources on them. Both of these stem from the different reproductive roles inherent in sexual dimorphism seen across species. The males who succeed in reproducing will have necessarily been stronger and more aggressive. Basic survival of the fittest method will tell you that whatever causes these traits will be passed down.

Humans are the same. The bodies of women are largely organized around the production of large gametes and the gestation and feeding of offspring. The male body is organized around the production of small gametes. Males have been selective bread over millions of years to compete with other men and ensure that women cannot siphon resources away from them. This manifest in higher muscle mass, larger stature, and yes, high testosterone.

For thousands of years human males have forced themselves to remain relevant by crippling the lives and freedoms of women by the disabling nature of pregnancy and their superior strength. They also wage this battle psychologically, which is unique to human beings.

It is important to note that I can argue these points and still acknowledge that men do have the ability to think, feel, and reflect on their actions. If they so chose, they could turn their backs on this troubled past and start a new way of society which values individuals for their minds instead of their bodies.

This is not a fatalist dooming of all future men to forever stick to this pattern. The aggressive actions of men are borne from a deep insecurity that women do not need them. Because we don’t. But the thing is, human beings are capable of valuing each other for more than our reproductive roles or capabilities. Men need to not let their maleness define how they relate to women and each other, but let their humanity guide how they treat other humans. Only then can we leave this all behind.

If you read all of this, thanks for bearing with me.

[kwisatzworld]

Perhaps it is precisely Valentino’s precociousnes—reflected in his high-pitched voice, almost feminine face, and slender frame—that has captivated, or even unsettled, a society growing older, where people remain apprentices well into their thirties. The boy—almost a child—who began to dominate nearly ten years ago, quickly surpassing the painfully slow maturation process that was far too sluggish for him, had an almost Mozart-like effect: doubly scandalous in an era and a country of Salieris, where rigid hierarchies, faded codes, and youth are made to age before their time.

Rossi’s biographical speed—becoming a global star before he even turned twenty—evokes the pace of past generations, rich with youthful stars like James Dean, Hendrix, or Jim Morrison, whose lives flared up like shooting stars. Valentino is indeed drawn to this: he loves Morrison, fascinated by the energetic, voracious, and dangerous rush toward one’s destiny, in the classic canon of an audacious and overwhelming existentialism (which, in his case, overwhelms mostly others).

In a recent interview, as if offering a counterbalance, Rossi described himself as very patient, someone who takes his time with important decisions—reflective and cautious. This self-assessment seems particularly relevant to his future as a driver, especially given his strong interest in transitioning to F1 and Ferrari, which on paper would mark a prestigious step forward in a racer’s career. And yet, he seems hesitant, perhaps pulling back for once, as if sensing that the hyper-professionalism of F1 would promote him to adulthood in an irreversible way, tearing him away from his anarchic, provincial roots.

For Valentino, the real charm seems to be in winning and earning beyond measure while still remaining, at heart, a kid—one of the few young champions in the gerontocratic West, a boy king who can look down on everyone without having to wear a tie.

Briatore’s recent snub—essentially saying, “let him stay a child on two wheels, this is a world for serious people”—gave unconscious voice to the fear that the old have of the young. Even Alonso, the youngest world champion in F1 history, seems like Valentino’s grandfather when standing next to him. It’s not about age, but symbols. Right now, F1 simply cannot represent even a fraction of the brash, untamed youthfulness that Valentino embodies on the stage of show business.

[unionizedwizard]

tumblr user unionizedwizard certified #1 shadowbringers + g'raha overthinker reporting for duty

i HAVE been thinking about sphene being the exarch's foil. because it is a very obvious case to the point they had to pick him up from SHARLAYAN as an emergency Relevant Character and also allowed him to come with us to living memory (you know it's about to get serious when they let him go anywhere with the wol)

so, obviously. both sphene and g'raha (as the exarch) were thrust into a horrific nightmarish situation where they were put in charge of a entire city/state facing an umbral calamity. both care deeply about the people they're trying to protect - their people. both have undergone (willingly or not) heretofore unknown scientific operations that irreversibly changed them, using cutting-edge technology, making them immortal and fusing them with an immensely powerful reservoir of aetheric energy, all in the name of duty and preserving hope for the future; both have become a symbol rather than a person. the alexandrians needed their queen, whose mere presence stopped them from succumbing to despair; the people from novrandt forced the exarch into a similar position (even though he kept repeating he would not stand for becoming a king of any sort); himself, on behalf of the ironworks & the entirety of the post-8th umbral calamity survivors, was willing to sacrifice himself to bring back the wol - because (and this is the really important part) of the wol's status as a symbol of hope and resilience. everyone here, the wol included, is dehumanized and worshiped and used for their good, self-sacrificial qualities, as well as their unyielding willpower.

sphene's memories were altered, muddled, to an extent that nobody really understands. the scientists who managed to create the endless are all gone, the average alexandrian forgot everything and everyone they've ever known, she herself knows she's not the "original" sphene but a copy - yet she doesn't seem to mourn this loss, and indeed i don't know to which extent she conceives of it as a loss, or a violation of her bodily autonomy (which it was! she never asked to be brought back, especially not this way, which would be a more than traumatic experience for ANYONE to go through!). in the same way, the exarch's memories encompass several timelines and realities, and he spent an entire century having to hide his identity, not being able to mention his own name, much less his purpose or homeland - i'd say this self-erasure is more than comparable with sphene's experience. not to mention that both sphene and the exarch were forced into "passive", static roles - i don't know how sphene felt about this because this is the tragedy of her character, that we don't know (and she herself doesn't know) the first thing about her, as an individual with preferences and feelings and memories.

also, this all adds up with g'raha's role in the deltascape part of ultima thule - the omicrons being, as AI mechanical soldiers, the missing link between sphene and himself. there's a pattern here, interrogating the relationship between mind, body, memory, duty, freedom and personal agency & autonomy, etc. the endless in general and sphene in particular are more than reminiscent of the omicrons on this point.

all of this to say: thinking about g'raha's gondola speech, i did not think he was talking about the scions, or even the wol. i see how this is a possible (and likely) interpretation to have, but i must confess i was surprised when i saw that this is what most people had understood. to me he was talking about the people from the First, and also the people from the 8th umbral calamity timeline, especially those with whom he'd worked for, presumably, months at a time. so many people who died after the Flood (we tend to forget that he arrived right after the Flood, in the immediate aftermath), not just because of the sin eaters but also because of the sudden and catastrophic environmental changes; all the people who could never adapt to the eternal light and, presumably, went mad (it's a real thing in real life even though night does come back eventually, so i imagine it must have been that but a lot worse in novrandt). all the people who died due to lack of medicine, because all the medicinal plants and recipes disappeared in the blink of an eye, not to mention the healers themselves; all the diseases and epidemics and interpersonal violence that arose as a consequence of the severe famine and lack of basic resources that plagued what was left of the star. and the unfathomable loss and trauma of losing millenia of culture and civilization and knowledge and biodiversity and entire families, entire tribes, cities, countries, being annihilated. g'raha has lived through this for a century, combined with the post-8th umbral calamity state of the Source. we know how much he cares for the people of the crystarium, and we only see the crystarium as a fully-developed, beautiful, and harmonious city-state; we haven't seen the century of work and planning and emergency managing and unfathomable grief and pain that went into it. in the same way, we see alexandria (and living memory) as they are now, but only glimpse a few moments of utter chaos during the alexandria dungeon.

so i'm just thinking of g'raha, seeing living memory, and being the only one among the party who truly understands. who can truly relate to sphene, and understand her. he's the only one present who has personally been through not one but two calamities, and had to deal with them on a day-to-day basis (while readying a completely crazy long-term plan). how many people that he knew, loved, wanted to protect... died of "preventable" causes during the century he was on the First, while himself was immortal - so that he could keep doing his duty, doing everything he could to save them eventually? all this happened in a manner which was truly unfair, and unfathomably evil, and - possibly the worst part - he knew this was still "the better path" (as he put it himself while trying to summon the wol). the survivor's guilt that both he and sphene must be dealing with is simply impossible to really understand, i think. we've seen the crystarium. of course he'd wish for all these unfortunate souls to endure and finally know peace and happiness. and of course, he didn't have a Living Memory, but of course he couldn't help but wonder how he'd have reacted in this situation.

and i do wish we could have had him interact with sphene, actually. it made sense that she was wuk lamat's foil and all, but i think it would have been interesting..........

[sunnyaalisse]

Wanna know how to manage anxiety effectively? (I'm a psychologist) Formulate your anxious thoughts in a form of "What Will I Do if X happens?" and then answer as best as you can. You will find that there are 4 main types of situations your anxiety might be asking about: 1) nonsensical, unlikely, useless (WWID if I get kidnapped by a UFO?) 2) rational, predictable (WWID if I get a bad grade?) 3) rational, unpredictable (WWID if I go to a new job and something bad happens?) 4) unpredictable and uncontrolled (WWID if I get attacked on my way home?) Here's how to deal with each type: 1) unlikely, useless, nonsensical? answer it like the person who's asking you this question is a 13 year old child who's trying to annoy you. "that would suck, Timmy, but it sure would make a cool story that I would tell to anybody who would listen if I survived" 2) rational, predictable? make a date with this question. find time to sit down and legitimately think of a plan on what you're going to do. "I'll go talk to the teacher, ask what I can do to improve my grade, then I'll talk to my friends and ask them to explain the topic to me, then I'll talk to my parents and explain the situation if they're interested in hearing about it" 3) rational, unpredictable? you don't have to answer it in a detailed way, just decide on the first few things you will realistically do in any sort of distressful situation. "I'll call my friend and tell them about my situation, then I'll buy myself some ice-cream and figure out my next steps with the help of relevant people, google and determination." 4) uncontrolled? plan for what happens after the part you can't control, once you're in charge again. "I'll call the police, I know where the nearest hospital is, I have my friend's numbers memorised so I'll call them, either way I'll deal with whatever happens once I'm in control" anxiety related to the events that already happened (I said "you too" to the waiter who said "have a good meal") truly means to ask about either the consequences (what if now they think I'm dumb?) or the repeating of the situation (what if I do it again?). you can still reformulate these questions the same way: "WWID if they treat me like I'm stupid next time I'm there?" and "WWID if I say the same thing again, how can I make it charming?" or "WWID to avoid repeating the same situation again, what can I say instead?" anxiety is a mechanism that means to fill the gaps in a person's perception of their future, it seeks clarity, stability, normalcy and control. It doesn't need to clarify IF the situation will happen, it needs to clarify how the situation will be DEALT WITH if it does happen. unanswered "what will I do if..." questions tend to become a broken record because the need for clarity is not fulfilled. more often than not if the needs for clarity and normalcy are fulfilled, anxiety lets up. even questions like "WWID if I die?" can be answered: "if there's an afterlife I'll try to punch god" or "I'll ask if they have soda here" or "if there's no afterlife I'll do nothing, but the world will go on without me, complex, busy and beautiful" also, since anxiety can be caused by physical factors like exhaustion and overuse of caffeine, dealing with these factors could be very helpful. this type of anxiety doesn't come from the mind, it comes from the body, so grilling yourself with questions won't help in this case. rest, nourishment and sleep will do a lot of good though.

[jaynovz]

I'm watching 1.7 and the break in Flint's voice when Gates is questioning him in the stable and he's like "I'm trying to answer the question" is devastating. The facial acting that Toby is doing here is like, he does great body language here and the trembling voice and nervous swallowing and darting eyes, you can see him trying to stave off some kind of extreme anxiety attack. Because. Like. God the flashbacks he must be having to London and Hennessey and Alfred Hamilton. Anyway, what he is saying just gets more and more desperate throughout the exchange, but legit he is trying to level with Gates the only way that he can in this moment. There is no version of Flint right now who could tell the whole truth, bc of his background, bc of the trauma, bc of what happened last time he trusted someone like that. So when we see what appears to be a mental BREAK, and he tells Gates his vision of sequestering a portion of the Urca gold for the future of Nassau and their men, that's him trying to explain his motivation the best way he can.

And the worst part is, he just sounds crazy and meglomaniacal and Machiavellian and DERANGED. It's exactly the wrong thing to say to Gates at that moment, they have already broken apart, it's too little too late, it's ten years too late!! Gates is hearing a lying maniac being conniving and cold and awful about Billy. But tbh, when I hear Flint say "He fell. Why? What do you think happened?" I just hear someone that WE KNOW doesn't know in his heart of hearts WHAT HE DID, WHAT HAPPENED, and he just... it would be easier if someone just told him.

I know we joke about Flint being full of SHIT, and he is in MUCH of the show, he does SO MUCH LYING. But this entire exchange doesn't feel like that. It feels like he's cracking and reaching and grasping and trying. And he has no earthly idea what path he would even take to get Gates back on side.

Gates says, "This is what we do. You orate and you dissemble and I look the other way..."

And the saddest fucking part, the most tragic of the tragedy is that HE'S NOT WRONG. That is what they do!! and it's. It's over! It's too much!

But poor fucking Captain, he just... He doesn't know how else to be.

And with regard to SilverFlint, and their arc... I've been thinking this go round about why it's different from Flint's relationship with Miranda or with Gates or with anyone...

And, well... It really is just a case of finding deep understanding from a person you never expected, isn't it?

At first it is extremely begrudging, because he doesn't have another choice, unwilling allies due to strife. But eventually it does becomes voluntary.

At its core, I think the reason that relationship is different, is because that becomes clear to Flint over time, and then he is able to offer up all the sides of himself to be further collated and understood.

And then faster than the speed of fucking light we get to 3.10 and 4.9: "You asked me where I began, and I felt that you were entitled to an answer. To the truth." and "I cannot do it without you." Silver says, "We might be friends by then" and by fuckin god they ARE. "As my partner as my friend" and "You know of me all I can bear to be known. All that is relevant to be known. That is to say, you know my genuine friendship and loyalty." So, what I've been circling is... sitting down in the woods and just telling Silver everything that happened in London is exactly what he can't do with Gates in 1.7 :////

[ineffable-endearments]

The Crow Road by Iain Banks

I finished The Crow Road and had a little time to think about it. I'll put my thoughts under a Keep Reading in case anyone is trying to avoid spoilers.

As I speculated before, I think it's likely that The Crow Road is more related to Good Omens in philosophy than in plot. I mean, it's not that the plots necessarily have nothing in common, and we could be very surprised in the end of course, but now that I've read the whole book, its philosophical commonalities with GO are both apparent and kind of inspiring. Also, if I were a writer, I'd be more interested in dropping hints about what themes are important than telegraphing my whole plot ahead of time.

So here, I will describe the book and point out themes that I believe may reappear in Good Omens 3.

This is a long post. If you read it, make a cup of [beverage of choice].

Update on 4/20/2024: I made a second post: The Crow Road and Good Omens: Further-Out Thoughts

Below are mentions of suicide, death/murder, and sexual acts.

The Crow Road centers around a character named Prentice McHoan, a university student in Scotland who starts to sort out his complicated relationship with his complicated family as he explores the mystery of his uncle Rory's disappearance. Although the book is mostly from Prentice's perspective, the narration jumps around in time with the McHoan family. There are quite a lot of important characters to keep track of; the bare-bones summary I put below doesn't even include some of the important ones. I wanted to make the summary even shorter and simpler than this, but the truth is that this book is not short or simple, and if I made the summary any simpler, it might be downright misleading.

There are at least three major cultural aspects of The Crow Road that I am inexperienced with: the overall culture in the 1950s-1980s (I was born in 1988, so of course wasn't here for the relevant decades), the international experience of the Gulf War (again, born in 1988), and the history and culture of Scotland itself (I'm USAmerican with only reading as a source). As a result, I'm sure there are important dimensions to the book that I've missed. If someone has a different perspective taking some of these things into account, I'd love to know about it.

Also, keep in mind, there is a great deal of descriptive writing in this book. There are a lot of pages about the geography of Scotland, and about Prentice as a kid, and about Prentice's father and uncles hanging out together in their youth, and about various family incidents, and about Prentice spending time with his brothers and friends. At first, these passages seem to just make things more confusing, and in my head, I accused them of being "filler." But they definitely serve a purpose. They're a way of showing and not telling the characters' attitudes and relationships to each other. More importantly, because we get to actually live these experiences with the characters, they are what give all the plot points below their deeper emotional impacts. In other words, the everyday experiences give the plot its deeper meaning. They resonate with one of the core themes in the novel: that our experiences in life, rather than any supposed existence after death, are what matters.

The Crow Road's story is like this:

Prentice is rather directionless in life, and he seems to have trouble investing any energy in his own future as he moons over his unrequited feelings for an idealized young woman named Verity. Soon, Verity ends up in a romance with Prentice's brother, Lewis, and Prentice feels that Lewis "stole" her from him. Prentice has also become estranged from his father, Kenneth, over spirituality. Prentice believes there has to be something more after death because he feels it would be incredibly unfair if people didn't get anything other than this one life; Kenneth is not only a passionate atheist, but is offended by the notion of an afterlife.

Prentice's uncle Hamish, Kenneth's brother, has always been religious, although his religion involves a number of bizarre and offbeat ideas of his own, with inspiration from more traditional Christian notions. Prentice is not really sure about this ideology, but he's willing to talk to Hamish about it and even participates during Hamish's prayers, whereas Kenneth is openly scornful of Hamish's beliefs. Hamish interprets this as Prentice being on "his side."

Prentice has a few opportunities to go back and talk to his father, and is begged to do so by his mom, Mary, with whom his relationship is still good. Mary doesn't want either of the men to give up their inner ideas about the universe; she just wants them to agree to disagree and move on as a family. Prentice says he will visit, but he just keeps putting it off and off and off.

Prentice acquires a folder containing some of his missing uncle Rory's notes in the process of hooking up with Rory's former girlfriend, Janice Rae, who seems to have taken a shine to Prentice because he reminds her of Rory. Using the contents of the folder, Prentice wants to piece together the great literary work that Rory left unfinished, which Rory titled Crow Road; however, it becomes apparent that Rory didn't turn his concepts into anything substantial and only had a bunch of disconnected notes and ideas. He hadn't even decided whether Crow Road would be a novel, a play, or something else. The few bits of Rory's poetry for Crow Road read are bleak and depressing.

Prentice also spends a lot of time with a young woman named Ash. They've been good friends since childhood and seem to have a somewhat flirtatious dynamic now, but they aren't in a romantic relationship; mostly, they drink and hang out together. Ash tells Prentice bluntly to get his life back on track when she finds out he's failing at school, avoiding his family, and engaging in shoplifting. She is a voice of reason, and when Prentice insists to her that he's just a failure, she reminds him that actually, he's just a kid.

Prentice's efforts to figure out Rory's story or location stagnate, and he continues to fail at school and avoid his father. He then receives word that Kenneth was killed while debating faith with Hamish. In fact, Kenneth dies after a fall from a church lightning rod, which he was climbing in an act of defiance against Hamish's philosophy when it was struck by lightning; Hamish is convinced that Kenneth had incurred God's wrath. Ash is there for support when Prentice finds out about the death.

With Ash's help, Prentice returns to his hometown again to help manage Kenneth's affairs. Prentice speaks with a very shaken Hamish, who is handling Kenneth's death with extreme drama and making it all about his own feelings. Hamish tells Prentice that Kenneth was jealous that Prentice shared more in common with Hamish's faith than with Kenneth's lack of faith. However, this isn't really true, and as he contemplates his father's death, Prentice begins to internalize one of the last things Hamish reported that Kenneth had argued: "All the gods are false. Faith itself is idolatry."

As the chapters go on, Prentice is compelled by some of the meaningful items related to Rory that he discovers in his father's belongings. He gains a renewed sense of purpose trying to solve the mystery of where Rory went and what happened to him. Among the interesting items are an ancient computer disk of Rory's that Prentice can't access with any equipment he can find; Ash uses her connections in the US and Canada to find a computer expert who can finally open the files on it. This takes quite a while, since the disk has to be mailed and Ash's connection is investigating the disk only in his free time.

Prentice also discovers that his feelings for Verity have changed. He no longer feels angry with Lewis for "stealing her." At first, Prentice's narration describes this as his feelings "cooling" as a result of the trauma of losing his father, but interestingly, this soon means Prentice gets to know Verity as a sister-in-law without getting caught up in jealous romantic feelings. Verity gets along well with the family, and Prentice is actually happy to discover that she and Lewis have a baby on the way. Prentice's relationship with Lewis improves greatly as well, partly because he is no longer jealous and partly because he realizes he does not want to lose Lewis, too.

Ash's connection who was looking at Rory's computer disk comes through and sends the printed contents of the files to Prentice. The files reveal to him that Rory likely knew Prentice's uncle, Fergus, murdered his wife by unbuckling her seat belt and crashing their car. Rory had written out a fictional version of events and considered using it in Crow Road. I'm not clear on exactly how certain Rory was about Fergus's crime, or whether Rory would have intentionally reported Ferg, or whether Rory even had enough proof to publicly accuse Ferg of murder, but people would likely have connected the dots in Rory's work and become suspicious of Ferg. For this reason, Prentice believes Ferg murdered Rory as well.

Prentice confronts Ferg. He doesn't get a confession and leaves Ferg's home with no concrete proof of anything; Ferg denies it all. But Prentice is soon physically assaulted in the night, and it seems Ferg was almost certainly the culprit, because he hadn't been home that same night, and he had injuries (probably from being fought off) the next day. A day or two later, Ferg's body is found unconscious in the cockpit of a plane, which crashes into the ocean. It's uncertain whether this was a suicide, but Prentice suspects it was. Rory's body is then soon recovered from the bottom of a waterway near Prentice's home, where Ferg had sunk it years ago.

As the mysteries are solved, Prentice realizes his feelings for Ash are romantic love. However, it's too late, he thinks, because Ash is about to take a job in Canada, where she may or may not stay. Prentice also hesitates to approach her because he's embarrassed about his previous behavior, venting all his angst about Verity and his father. He isn't sure she would even want to be in a relationship with him after that. But the very night before Ash leaves, she kisses Prentice on the cheek, which leads to a deeper kiss. They finally connect, have sex, and confess their mutual feelings. Ash still goes to her job in Canada, but says she'll come back when Prentice is done with his studies that summer.

The relationship's future is somewhat uncertain because something could come up while Ash is in Canada, but Prentice is hopeful. The book ends with Prentice getting ready to graduate with his grades on track as a history scholar, fully renouncing his belief in an afterlife while he acknowledges the inherent importance of our experiences in our lives now, and enjoying his time with Lewis and Verity and his other family members.

What's the point of all these hundreds of pages?

Well, look at all of the above; there's definitely more than one point. But the main point I took away is that we get this one life, with our loved ones in this world here and now, and this is where we make our meanings. There is no other meaning, but that doesn't mean there's no meaning at all. It means the meaning is here.

It's not death that gives life its meaning. It's the things we do while alive that give life its deeper meaning.

The Crow Road is described (on Wikipedia) as a Bildungsroman, a story focusing on the moral and philosophical growth and change of its main character as they transition from childhood to adulthood ("coming-of-age novel" is a similar term that is interchangeable, but more vague and not necessarily focused on morality/philosophy). And, indeed, all of the plots ultimately tie into Prentice's changed philosophy.

After his argument with Kenneth, Prentice feels childish and humiliated, and as a result, he refuses to go back home, which leads to a spiral of shame and depression. Kenneth dies and Prentice realizes it's too late to repair the relationship, which also leads him to realize it's what we do in life that matters, and that therefore, his father's argument was correct after all.

At the end of the novel, Prentice outright describes his new philosophy. However, I can't recall one specific passage where Prentice describes the process of how he changed his mind (if anyone else can remember something I missed, do let me know). There is, however, a moment when his narration indicates that Hamish seems less disturbed by his own part in the incident that led to Kenneth's death and more disturbed by the notion that his beliefs might actually be true: there might actually be an angry, vengeful God. In other words, Hamish's philosophy is selfish at its core.

My interpretation is that when his father died, Prentice realized three things: how utterly self-serving Hamish's devout faith is, how Kenneth's untimely death proves the importance of working things out now rather than in an imaginary afterlife, and how much profound meaning Kenneth had left behind despite having no faith at all. After these realizations, a determined belief in an afterlife no longer makes our lives here more profound like Prentice once thought it did.

Also, it's worth noting that this incident changes Prentice's idea of partnership, too. He loses interest in this distant, idealized woman he's been after. In love as in the rest of life, Prentice lets go of his ideals, and in doing so, he makes room for true meaning, both in a sincere familial, platonic connection with Verity and a sincere intimate, romantic connection with Ash.

But what about the sex scene?!

Yes, indeed, at the tail end of the story, Prentice and Ash have sex and admit they want to be in a relationship together. Prentice's narration describes them sleeping together and having intercourse not just once, but many times, including some slow and relaxed couplings during which they flex the muscles in their private parts to spell out "I.L.Y." and "I.L.Y.T." to each other in Morse code. This is relevant because earlier, they had been surprised and delighted to discover that they both knew Morse code; it isn't a detail that came from nowhere.

I didn't get the impression that this scene was trying to be especially titillating to the reader. It was mostly just a list of stuff the characters did together. I felt the point was that they were still anxious about being emotionally honest, a little desperate to convey their feelings without having to speak them out loud, and awkward in a way that made it obvious that their primary concern was the feelings, not the sexual performance. They cared about each other, but they weren't trying to be impressive or put on a show; contrast this with previous scenes where Prentice would act like a clown in front of Ash to diffuse his own anxiety. I've always thought that being able to have awkward sex and still enjoy it is a good sign.

Okay, so what does this all have to do with Good Omens?

Here's where I have to get especially interpretive. I'm doing my best, but of course, not everyone reading this will have the same perspective on Good Omens, the Final Fifteen especially. I believe similar themes are going to resonate between The Crow Road and Good Omens regardless of our particular interpretations of the characters' behavior and motivations, but I suppose it could hit differently for some people.

The TL;DR: I see similar themes between The Crow Road and Good Omens in:

The importance of mortal life on Earth

Meaning (or purpose) as something that we create as we live, not something that is handed to us by a supreme being

Sincere connection and love/passion (for people, causes, arts, life's work, etc) as a type of meaning/purpose

Relationships as reflections of philosophy

The dual nature of humanity

Life on Earth as the important part of existence is a core theme in Good Omens, and has been since the very beginning. We all already know Adam chose to preserve the world as it already is because he figured this out, and we all already know Aziraphale and Crowley have been shaped for the better by their experiences on Earth. But Good Omens isn't done with this theme by a long shot. I think this is the most important thematic commonality Good Omens will have with The Crow Road. Closely related is the notion that we create our meanings as we live, rather than having them handed to us. Isn't this, in a way, what Aziraphale struggles with in A Companion to Owls? He's been given this meaning, this identity, that doesn't fit him. But does he have anything else to be? Not yet.

Partnerships as a parallel to the characters' philosophical development also resonates as a commonality that The Crow Road may have with Good Omens. Prentice's obsession with Verity goes away when he starts to embrace the importance of life on Earth and makes room for his sincere relationship with Ash. Note their names: "Verity" is truth, an ideal Prentice's father instills in him; "Ashley" means "dweller in the ash tree meadow" in Anglo-Saxon, according to Wikipedia, and "ash" is one of the things people return to after death. Prentice literally trades his high ideals for life on Earth. We see in Aziraphale a similar tug-o'-war between Heaven's distant ideals and Crowley's Earthly pleasures, so I can see a similar process potentially playing out for him.

I don't particularly recall a ton of thematic exploration of free will in The Crow Road. However, there is a glimmer of something there: Prentice feels excessively controlled by Kenneth's desire to pass down his beliefs, and part of the reason Prentice is so resistant to change is simply his frustration with feeling censored and not being taken seriously. As the reader, I do get the feeling that while Prentice is immature, Kenneth made major mistakes in handling their conflict, too. And Kenneth's mistakes come from trying to dictate Prentice's thoughts. There is likely some crossover with Good Omens in the sense that I'm pretty sure both stories are going to take the position that people need to be allowed to make mistakes, and to do things that one perceives as mistakes, without getting written off as "stupid" or "bad" or otherwise "unworthy."

Suffice it to say that the human characters in Good Omens will also certainly play into these themes, but it's hard to write about them when we don't know much about them except that one of them is almost certainly the reincarnation of Jesus. This also makes me suspect perhaps the human cast will be 100% entirely all-new, or mostly new, symbolic of how Aziraphale and Crowley have immersed themselves in the ever-evolving, ever-changing world of life on Earth. Alternatively, if we encounter human characters again from Season 1 or 2, perhaps the ways they've grown and changed will be highlighted. For example, even in real-world time, Adam and Warlock have already, as of the time I'm writing this, gone through at least one entire life stage (from 11 in 2019 to 16 in 2024). They'll be legal adults in a couple of years, and if there's a significant time skip, they could be much older. If characters from Season 1 do reappear and themes from The Crow Road are prominent, I would expect either some key scenes highlighting contrasts and changes from their younger selves or for stagnation and growth to be a central part of their plot.

The more I write, the more I just interpret everything in circles. Hopefully this post has at least given you a decent idea of what The Crow Road is like and how it may relate to Good Omens.

I'll end this post with a quotation that feels relevant:

Telling us straight or through his stories, my father taught us that there was, generally, a fire at the core of things, and that change was the only constant, and that we – like everybody else – were both the most important people in the universe, and utterly without significance, depending, and that individuals mattered before their institutions, and that people were people, much the same everywhere, and when they appeared to do things that were stupid or evil, often you hadn’t been told the whole story, but that sometimes people did behave badly, usually because some idea had taken hold of them and given them an excuse to regard other people as expendable (or bad), and that was part of who we were too, as a species, and it wasn’t always possible to know that you were right and they were wrong, but the important thing was to keep trying to find out, and always to face the truth. Because truth mattered. Iain Banks, The Crow Road