#in between the original show ending

[isagrimorie]

Criminal Minds Evolution 17x02 - Contagion | 17x03 - Homesick

People use covert/spy techniques and Emily Prentiss immediately notices. Parts 1, 2, 3 (Don't con a conman -- don't use covert tactics around a former spy)

[rainofthetwilight]

need people to look at this tweet because oh my god, FINALLY someone said it

[bonkalore]

Just some sibling interactions I long for in general with them with Jayce's big demon form that I had on paper from a while ago. Was when I was first settling his bigger form design.

The innate big brother urge: to be a menace.

[un-pearable]

as true as the jokes about “everyone wants to rewrite ninjago” are i feel like smthn people forget when complaining about the inconsistencies of the show is that…. it wasn’t planned? it’s not like most other animated shows lately - it didn’t start with a deeply fleshed out world or a meticulously designed pitch bible with grandiose plans for a long-term story or character arcs. the ninja don’t originally get their powers from heredity because they weren’t hereditary powers yet. the magic system doesn’t make sense bc they literally just made it up as they went! they go back and forth on stuff like whether non-elementals can learn spinjitzu bc it’s a collaborative piece of media made by people with vastly different levels of control over the story, the animation, the sets, etc. that varied over the course of the series. it’s totally understandable and exciting to see so many people reworking the early stuff with the lore and logic later seasons introduced but i personally feel that… if you’re doing that. you need to understand why the show is like that instead of writing it off as being bad and shitty. it was working with what it had. it’s only what it is now because of that awkward troubleshooting phase, not in spite of it

[ruvviks]

Following the chilling conclusion of All That's Left's first season, Mac and Layla and their friends find themselves scattered across a divided Los Angeles a year after their successful return to town. Matrix Corp has taken control— "With humanity's best interest in mind"— but with our protagonists' knowledge of Opportunity's destruction and Houston's unexpected fall, they know better than to trust the corporation and its near military-sized security force. Closed district gates separate them from one another and a new threat lurks just outside the city's walls— but resistance is on the rise, and it is only a matter of time before truth comes out. [SEASON ONE HERE]

taglist (opt in/out)

@shellibisshe, @florbelles, @ncytiri, @roseeway, @stars-of-the-heart;

@lestatlioncunt, @katsigian, @radioactiveshitstorm, @estevnys, @adelaidedrubman;

@celticwoman, @rindemption, @carlosoliveiraa, @noirapocalypto, @dickytwister;

@killerspinal, @euryalex, @ri-a-rose, @velocitic, @thedeadthree;

@kanos, @swordcoasts, @ordinarymaine, @claudiawolf, @strafethesesinners

[deadsince1973]

Poll Below

So, I saw someone say yesterday that "most people skim watch Chinese dramas", and that honestly blew my mind. If it has subtitles, I have to watch it and focus on it.

But then several thoughts occurred to me. You see, right now, my friend and I are watching The Longest Promise and The Screen Foxes. To us, The Longest Promise is painfully slow. We thought it was a little slower than most Chinese dramas, but most Chinese dramas are a little bit slow, and The Longest Promise actually feels much slower to us because we hate the main character and, like, half the story decisions so much, we thought. (Sorry, no offense to Longest Promise fans.) We thought that if we actually liked the main character and were invested in her story, the way the show dilly-dallied on every one of her scenes - having her say the same things over and over again, showing a dozen different angles on some magical moment in her life, having her express feelings about something that happened in a previous episode that she had made very clear at the time - would be enjoyable. Meanwhile, before we started The Screen Foxes, I read three different reviews that said the plot moved lightning-fast, bounced all over the place, and didn't make any sense. And ... none of that is true (so far). The plot moves at a normal pace. A thing happens, and then, something else happens as a consequence. There ARE several different interconnected story threads, and we do bounce back and forth between them, but it all makes sense. And last night, it hit me that maybe The Longest Promise is so slow because you're supposed to "skim watch" it. Certainly, if you dip in and out, you can follow the plot very easily. Scenes are long enough that it's hard to miss a whole one if you're checking back in frequently, repetitive enough that you can understand the point of the scene even if you miss three-quarters of it, and the same points are repeated in multiple scenes, so there are very few details you can miss even if you don't watch it too closely. (Plus, the plot is predictable enough that it's easy to follow.) Meanwhile, because The Screen Foxes doesn't dawdle on any points, if you're not actually sitting down and watching, it must seem chaotic and nonsensical. Why are they fighting this green monster now? Wasn't the show about painting a minute ago? The green monster is being used by a Taoist to body-guard a rich family. The Taoist is actually the one who made the family rich. Why? That's the mystery we need to find out. In the meantime, this family used its wealth to cheat in the painting contest from the last episode, so fighting their body guard is advancing that painting plotline too. But if you looked away from the screen during the two minutes where they were explaining all that, then yeah, it would be super confusing why this show just went from a painting contest to a demon fight.

If Chinese dramas are MEANT to be watched in the background, and that's the reason so many of them are so long and slow, then, honestly, my whole worldview has been changed.

So, TLDR: I have to know now: DO most people actually "skim watch" Chinese dramas????

[imissthembutitwasntadisaster]

stories where you think they're going to be a tragedy right up until the end and then they're not are soooo sexy *glances over to see if the Arcane writers are listening*

[cancerian-woman]

https://www.tumblr.com/cancerian-woman/743951767695474688/it-would-be-nice-if-klope-had-as-many-scenes-and?source=share

yeah and I say this as someone who doesn’t even like Hayley, it’s weird that they barely mentioned her but emphasised her relationship with Klaus. Hope barely even knew Klaus, out of the two of her parents, she spent more time with Hayley, so the emphasis on her being “her father’s daughter” was always so weird to me. Like yeah, she’s the daughter of the OG hybrid, but Hayley was more of a parent to her than Klaus was.

people say that Phoebe Tonkin bought the rights to Hayley, but be so fucking fr. Why would she do that. Does she even have the money for that? Why would she do that, be fr. Julie just didn’t know what to do with Hope.

Wake it up lmao 😂.

Like I said in my tags. TO prioritized Hayley’s relationship and parenting with Hope. While never making those similar connections with the Mikaelson’s (besides Freya..). Now I’m not blaming Hayley or Freya but the writing.The writers bent over backwards to break TVDU’s rules and yet… Hope does not know her family well.

Klaus should’ve had time where he got to raise Hope. Do I think he would’ve made terrible choices? Yes. Should it still happened? Yeah. Klaus season 2 was at his best when it came to wanting to protect and love Hope tbh.

Phoebe did not buy the rights to Hayley. I think people were confused because Danielle said Phoebe did not consent for her images to be used. Julie and the other writers are petty like that. I assumed whatever issue they had it’s been resolved as Phoebe and Julie been at cons together. I believe Phoebe was supposed to make a guest appearance? Somebody correct me lol.

Hayley is a saint (yes she does fucked up and manipulative shit)next to Klaus. Everyone’s reasonings for being afraid of Hope was because of Klaus not Hayley. The writers didn’t know what to do with Hope and was just recycling former storylines. Hayley did deserve more credit though.

[nightlycomet]

Having gone through the original Urusei Yatsura anime twice in full and currently nearing the end of my third rewatch (just going through the episodes I like this time... which is admittedly still most of it lol), I thought it'd be fun to put together a chart on how I'd personally categorize the evolution and different parts of the show.

This is by no means supposed to be an "objective and definitive" categorization or anything. I just wanted to list out in broad strokes how I see the show based on what I've observed and what I feel from it.

[peridots-pixiwolf]

[Start ID. Two drawings of Hollow Knight OCs in the City of Tears. The first depicts Solper and Caramel, an owlfly and carpenter bee respectively, just before they duel in midair, from a vantage point behind Caramel's shoulder. They're a fair distance from the ground, which is composed of a scattering of large cobblestone islands, partially submerged by a dark sea. They both seem rather enthused, fighting for fun—Caramel has her mantis claw held out to the side and other fist raised, while Solper's sabre is poised beside his head, his other limbs akimbo. The entire drawing and particularly the background are indigo-toned, drenched and shining under perpetual rain.

The second shows Molini, Hawksbeard and Dandy, a millipede, grasshopper and a moth. Molini contentedly sits as the other two use her as a bench, circled around a fire as they've just finished boiling tea, the kettle is propped up on Dandy's nail and settled between two poles taken from Solper and Caramel's battleground. The background is dark enough to appear fully blank, though a handful of lumaflies and the light of a hidden central fire shine upon the three bugs. Hawksbeard is chatting, the others listen, all three holding cups from which pale steam rises in clouds. While the firelight is particularly bright, the tone of the drawing is warm, in both color and feeling. End ID]

March 30 was the first time I'd interacted with @hollypies (feat. their Dandy), and April 5th my earliest memory of @original-character-chaos (feat. his Solper). So I offer a two-weeks-late first-anniversary drawing to my mutuals :]

[justforthoughts]

Justice is weak and empty.

One cannot win against villains with justice alone.

If merciless justice exists, I'm willing to yield to it.

Even villains long to live in a peaceful world.

However, since that's impossible, I've taken up a new hobby.

Getting rid of garbage.

If I don't do that, people will die, buried underneath the garbage.

There's one last thing I'd like to say from a villain's perspective.

Evil is prevalent and vehement.

- Vincenzo Cassano (Episode 20)

I AM IN LOVE WITH THIS SHOW.

If it hasn't been apparent enough, I adore this show. From the first episode to the last, everything works for me. The casting. The cinematography. The dialogues. The ost. Every single thing hits right. It includes almost all of the tropes I like. The humour is just right for me. And same goes for the dark scenes. I cannot coherently explain how much I love this show. And I've watched plenty of dramas but this will probably remain the best drama I've ever watched. I also love the parallels the show draws. And I also love that it didn't end the usual way and left Vin to be the amazing villain he is and HCY to be the badass lawyer she is. Hands down, the best drama I've ever watched.

AHHHHHH.

Vincenzo (2021) Part Four

Part One

Part Two

Part Three

[mariocki]

Alfred Burke puts on his best policing face as Parisian detective Inspector Maron, in Overseas Press Club - Exclusive!: The Billion Franc Mystery (1.6, ABPC, 1957)

[carmineline]

me: *does not stop complaining about the aos movies*

also me:

[dredshirtroberts]

it is not slacking off to write or create it is not slacking off to do things that are fun i am not slacking off or procrastinating right now i'm allowed to do things i enjoy doing for fun including playing games and writing and such

[deadsince1973]

As the year comes to a close, let's all take a moment to appreciate 2023's greatest pranksters: whichever marketing people it was that decided that the show about a woman falling in love with the Moon Supreme would be called Love Between Fairy and Devil, and the show about a woman falling in love with the Devil God would be called Till the End of the Moon. -_-

[the-obnoxious-sibling]

in the end, i find i like the writing around tsubomi.

from the start, very little of her interior thoughts are shared with us. that feels pretty standard—if we know how the love interest feels the whole time, where's the drama?—but it makes her a bit inscrutable. what's her deal? what's she really like? we don't know.

then we learn that takenaka (who doesn't like when someone's thoughts and words differ a lot) has a crush on her. and shigeo likes her because she's genuine. because with tsubomi what you see is what you get!

and so it turns out that sharing her inner thoughts with us would be redundant. except for moments where social pressures demand white lies, tsubomi says what she thinks.