#in a very demeaning way

[datafii]

i fuckin hate white men

[panrao]

Spoilers, it's dysphoria

[loserifer]

i survived another week under capitalism's thumb. w me. anyway, here's some Tension >:)

Page 5/?

First | Previous | Next

reblogs are appreciated!!! 🕺🕺🕺

[sympathytea]

You ever think about how in episode 1 of pvp civ its established with the 1v1 that saves Evbo's life that dropping your sword on the ground is enough to kill you and even counts as a win for Evbo how he never unequips his sword from his main hand and uses his offhand for eating, using other tools and placing blocks You ever think about how this detail is never brought up as an option for Evbo during the multiple times he asked someone to kill him or had to die for something to progress or otherwise You ever think about how he immediately chooses the option where he will get frankly, painfully maimed by someone he is close with and how nobody hesitates or brings up that he could drop the sword on the ground and seems to take the idea of being brutally killed too well for someone like him? Why would someone actively go for the worst option every single time when the better option is simple and doesn't involve suffering? Does he feel like he has to be suffering?

[prolibytherium]

I see people complain that their immersion is broken when a book set in a historical period uses general contemporary slang/swear words/informal terms ('lads', 'guys', etc) etc and it's just like. You do realize that every language in every era was 'modern' to its users and had at least some vulgarity and slang right? Writing in vaguely 'old timey' speech solely on the basis that it took place a long time ago does not add any realism and if anything kind of detracts from it imo.

Like if you're writing a story in english + in a way that's legible to contemporary english language readers that takes place any time/anywhere that people did not speak contemporary english, you're already 'translating'. I feel like this 'translation' is made more complete by including at least Some vulgarity, informal speech, etc where the core underlying concepts and uses of these words are applicable to the setting. It makes the characters more human, not distanced from the reader by artificially antiquating them with a language that is exclusively hyper-formal and neutered in scope.

[obsessive-dumpling]

I have been waiting with bated breath but the end is nigh so it's time to get our final predictions in folks.

.

.

.

And I don't know.... I've had SO many predictions throughout this entire series and here we are, at end game, and I have no clue. Because Horikoshi is so talented at turning things where I least expect. Don't believe me?

Did you see "Kacchan of the Bakugos" live on world wide television happening?

Did you see "cutest girl in the world" happening?

Did you see "spend the rest of our lives together" happening?

(Spoiler Alert: There are so. many. more!)

Like we anticipated a lot of things as a fandom but then he would also smack us in the face with scenes straight out of our favorite fanfics. And why? Why did he do that? Why did he REUSE the line from School Briefs about Katsuki's relationship with girls in the final chapters of the manga? He didn't have to do that. He didn't have to do any of this!

Those were choices. Choices he actively made. Choices Shonen Jump let be published. Choices Bones is now animating. And it's because of those choices and that follow through that I'm so unsure now.

This all feels too pointed... Too intentional for there to not be a final bkdk scene/ending. So why the hesitation in predicting a bkdk ending?

Because. This ending isn't about the fandom. This ending isn't about "who's ship wins". And if you think that's all that's on the line here, then I'm sorry. I'm truly sorry, cause you missed it. You missed the point of this series and what bkdk as a canon couple would actually mean in the real world 2024.

MHA is one of the top animes in the world. Check the numbers. Not Japan. Not American. The world! Do you understand what it would mean to have a canon gay couple as leads in a mainstream Shonen anime? How many people that would reach?

Representation in media matters. Representation in MAINSTREAM media MATTERS. God, I could do a whole seminar on this topic but the point HERE being: a canon gay superhero couple in a top Shonen anime would have a massive effect on a global scale. And how many need to see that? How many people could that help? How many people could it change?

And though Horikoshi has shown a heavy leaning towards a bkdk end game, that doesn't mean he has to, or even can, follow through on it. Unfortunately, it's not up to JUST him. Shonen Jump could tank it. Bones could tank it! Do you get it yet? It's going to take A LOT for this to happen. And frankly my heart is having a hard time with it...

Because we've seen creators fight this fight before. The Legend of Korra. SheRa. Both always intended to have queer leads. But had to fight TOOTH AND NAIL with everything they had just to get a final closing scene.

We've also seen queer baiters. So many have pointed out the similarities to how Naruto felt. And because of the nature of the series' mangaka, we will never know what the truth is on that matter.

We've felt shunted by the system. We've felt laughed at for having hope to see a love like ours up on that screen.

But now we have hope again. And there /is/ a chance. There is a really real chance right now- that we could actually get it...

And that makes my chest tight.

[nonasemporium]

points at how john interacts with, talks about, and even resurrected g1deon

points at how john engages with augustine in comparison to both g1deon and mercy (will get more into in just a second)

points at how ianthe sought power in her relationship to john by shifting to a more masculine presentation, when before she had a relatively feminine presentation

points at how john seems to take some extra joy out of both shaping alecto into the appearance of a white woman and also how he seems to feel a very specific facet of power in how he engages with mercy, who is also presumably a white woman

points at the concept that if pyrrha WAS a white woman there's a very specific exchange in how john perceives and engages with her relationship to g1deon

points at how cavaliers are repeatedly referred to, in some way, as largely darker in skin-tone than the necromancers AND how they're constantly described with/compared to beasts in some sense

points at how john is fixated on the roman empire and also catholocism

points at actual catholicism (and the history it has with race and colorism)

now.

is it hard to see how colorism is also a possible read into his character

[rawliverandgoronspice]

I think we may have integrated a little too hard the idea that being aroace is the "easy mode" of queerness, and so contextualized all acephobic experiences as "not that bad" inherently rather than taking a hard look at them and what they can look like

[triglycercule]

thinking about mtt literally physically dragging eachother down and being restrained to eachother because theyre genuinely that fucking ass for eachother but then it means i'd have to decide which of them to humiliate by putting a collar on them. and i can't choose. if they dont all equally suffer than whats the point man 🙁🙁🙁

[anglerflsh]

neurodivergency moment on my part

[dragonanne]

Tagged by @secretwriterstudentjaune

1) Three non-romantic duos: Hmmm...brotps I adore would be Jack and Daniel (SG-1), Sam and Daniel (SG-1), and Lune and Matsen (Jade Torch -- is it cheating to use my own book??? xD) If that's cheating, then Sam and Frodo (LotR).

2) A ship that might surprise others: I kinda ship Link x Mipha from BOTW. I like Zelda x Link too, but something about Link x Mipha is just so sweet and tragic. I like that they knew each other for a lot longer than Zelda and Link knew each other.

Let's be real. I don't have a lot of crazy ships. Although, in SG-1, I do ship Vala x Tomin (but I also like Vala x Daniel).

3) Last Song: Shackleton by Adam Young

4) Last Film: My parents and I watched Hitched for the Holidays last night. Very funny romcom with Joey Lawrence. It's a Hallmark movie from 2012, so just before they all got so unbelievably cookie cutter/copy+paste with their plots.

5) Currently reading: Operation Grendel by Daniel Schwabauer

6) Currently watching: The X-Files. I'm nearing the end of season 1. I've never seen it before, and I'm loving it!

7) Currently consuming: Coffee

8) currently craving: idk. I don't have a strong craving for anything right now.

Tagging @aceofstars16 @quiescentdragon @ryeillustrates @accidental-spice @jenniferbrincho (if any of y'all have already done it or already been tagged, my bad--my memory stinks 😅)

[arthur-lesters-right-arm]

You remind me of when I was talking to a friend and he said that it was a safe space then IMMEDIATELY put me in the friend jail group chat.

That's because it's entirely true. If you confess something a little too Strange and Unusual in my church I'm skipping right over the Calling The Cops On You part. I'm just straight up Calling For Divine Intervention (My glock in which I've named Divine Intervention)

[sporesgalaxy]

[lonesomedreamer]

another thing that’s wild about SNW is the way it treats Spock, the franchise’s most beloved and iconic character by far. it’s not just the weak writing (Ethan does a great job, and it’s obvious that he loves Spock—but there are times when even his best efforts can’t save the script).* it’s that almost none of the SNW characters themselves seem to like or respect Spock.

I’ve already pointed it out how often Spock is mocked and belittled by his fellow officers for just doing his (essential!) job as the science officer; that judgment and harsh treatment extends to his own fiancée (while in-character for her, T'Pring’s attitude is often portrayed as reasonable by the narrative). even Christine, Spock’s biggest supporter and the most understanding/sympathetic of his colleagues, ultimately shuts him down when he does his best to be emotionally supportive!

sure, there were plenty of times when the og Spock was teased—or even insulted—by his friends. Uhura sings about him in an early episode, but he’s obviously in on the joke, because he’s smiling and playing lyre while she sings. when Kirk does it, the audience can tell that it’s coming from a place of love. when Bones does it (whether or not you think he’s actually being racist or not), Spock can and does give as good as he gets—it’s mutual. and when someone else is judgmental towards Spock, their behavior is almost always called out by other characters (Bones included!) (“leave any bigotry in your quarters, there’s no room for it on the Bridge.” / “he has no heart.” “his heart is different!”)

an entire TOS movie is dedicated to the idea of Spock being so valued by his friends that all six of them would put their careers and lives on the line without hesitation just for the chance to bring him back from the dead! there are also plenty of other instances in the show itself when his friends refuse to give him up for dead (“shut up, Spock! we’re rescuing you!” etc.) though Spock’s linguistic precision and technobabble are sources of humor, they’re not usually used a reason to ridicule him.

contrast that to SNW, in which Christine has to beg two of his fellow Bridge officers, Ortegas and Uhura, to accompany her when she begs the inter-dimensional aliens to fix Spock’s broken genome, because she’s the only one on the Enterprise who seems to care that he’s been altered. his fellow officers also regularly make snarky comments like “plan on marrying that debris field, Spock?” and “can’t you just say ‘two moons’?” etc., as Spock is making scientific observations in his capacity as the science officer and even confront him (“are you just some heartless, pointy-eared computer?”) in traumatic/dangerous moments. and to make matters worse, the SNW writers rarely if ever allow Spock to clap back in this scenes the way he so often did in TOS.

I understand that SNW’s Spock is younger, less experienced, and less sure of himself. he’s a lieutenant, not the first officer. nonetheless, he’s the butt of so many jokes and looked down on/judged harshly by so many other characters that I can’t help but wonder if the writers have a similarly low opinion of him.

*to be clear, I don’t think that exploring the possibility of a romance with Christine Chapel is an example of the show or writers disrespecting Spock—but the way they’ve handled his relationships with both T’Pring and Christine (the fact that both of them are “love interests” at all, actually) evidence of their apparent disregard for and misunderstanding of his character, imo.

[impossible-rat-babies]

.

[ihopethisendswell]

TPITT is kinda in a weird state right now but that isn't stopping me from being Sillay.

Personality/ role swap between Lyric and Damien bc that would be very amusing.

Lyric

Used to be a very confident kid until his mother died, effectively crushing his dreams.

Pretty much quit trying to become a hero like his mom and essentially became a shut in.

His self sabotaging tendencies are kinda worse here, avoiding contacting Damien for so long, and only ever talked to him just to break their friendship off

Possibly still has his magic, as his dreams of being a hero was dashed and he pretty much locked himself in his room.

Was pretty much forced to go to college by his very concerned dad.

Too afraid to confront his past mistakes, would rather avoid them like the plague or let them haunt him as a form of "justice" without really trying to fix anything.

Basically a shell of his old self, someone very quiet and distant, not very strong willed and meek.

Doesn't want to confront Damien, causing him to run away more and more from the guy. This obviously causes more issues.

Missed Damien dearly. Regrets ever cutting their friendship off but don't think he's worthy of trying to fix it.

Damien

Similar to Lyric, used to be a shy but sweet kid, but that changed as Lyric pretty much cut off their friendship.

Was always a target of bullying, even with lyric there to get people off his back. When lyric pretty much shut himself in from the world, it got worse.

Lyric leaving him and the bullying getting worse, Damien decided to simply become something to fear than another target. And for him, it worked. His size, strength and demeanor all helped in people backing off. This did mean he got into fights. Many fights. But the point was that he wasn't getting as hurt as he was before.

Despite everything, he still decided to become a hero. Out of spite lol. It was once Lyrics dream to become a hero like his mom, and now Damien aims to make that goal his. Plus to spite anyone else who said he couldn't.

Where Swap! Lyric became more meek and secluded, Damien was more confident and aggressive, at least on the outside. I still think he gets anxious but it's covered up by a scowl, a confident smirk or his more confrontational attitude.

He's still a big softie!!!!! He just doesn't show it bc he fears getting abandoned again and getting hurt the way he was before. But I think it's hard for Damien to not be a sweetheart, it slips through time to time. He isn't exactly a jerk btw, I just think he keeps his emotional distance with his outwardly aggressiveness.

Is NOT happy to see Lyric again. Even less happy that he's avoiding him. To say he's bitter about what has happened is an understatement.

Yes, he missed Lyric so fucking much, but he's not gonna just admit that now is he.