#in a series that puts so much weight on what is known and what isn't

[overexciteddragon]

I need to fucking talk about this scene BADLY

The fact that DunMeshi actually depicts starving dwarves as ripped muscular anime boys is, to me, absolutely incredible. I can't stress how often fat people starving are depicted as either skin and bones or ✨️beautiful and healthy✨️ (the latter being a body shape that they are encouraged to maintain), it's straight up a trope in so much media for skinny people to be depicted as fat in the past as if it's some "dirty secret", or for fat people to be depicted as unhealthy/ugly until they starve themselves enough to become "attractive", and on top of that the depiction of the Dehydrated Adonis Protagonist has become more and more present in our day-to-day media

Meanwhile, it's becoming more widely known that this isn't how bodies work at all; that fat isn't inherently unhealthy and that ripped bodies aren't just impossible to maintain but often quite dangerous. All of that put together, the depiction of more actors and characters that are fat, chubby, large, etc and not used as comedic relief has been so, so important to really hammer home that lean, dehydrated muscular bodies aren't necessarily something to aim for

But especially, dwarves being shown to have the same physical features as these ripped muscly characters (lean, bulging muscles, sharp cheekbones, defined pecs and neck muscles, etc) when they're starved, and that being depicted negatively is such a huge deal. This is also coming from the same anime in which one of its male protagonists is the epitome of the hero-- an athletic tall man in a shining knight's armour with a big shiny sword-- and he isn't shredded, he's got a tummy, he's got soft arms, he's clearly strong and muscular but it's all protected by a healthy layer of body fat

I'm never gonna shut up about how Dungeon Meshi has been such an incredible vehicle of body diversity with neither insidious fatphobia/queerphobia/racism nor performative (and frankly harmful) allyship behind it. I'm excited for how many young people (and older too!) will be made to slowly but surely question their internalized and ingrained fatphobia or general medical misunderstandings about weight as they watch/read this series. These are such important details and not enough media addresses them in such subtle but clear ways.

Bless Ryoko Kui but also bless Trigger for not doing what a lot of studios do (thinning characters and lightening their skin colours)

[fushiglow]

Gojo cares a lot, actually

Perspective and empathy in Jujutsu Kaisen

Once again, I see accusations that Gojo only cared about people in relation to their strength. I can't believe that 236 and 261 haven't put this idea to bed already, but let's go over it again for the class. Here are some thoughts on the importance of perspective and empathy in JJK. Spoilers for chapter 266 ahead!

In 236, Gojo tells Geto he loves everyone. This single line, direct from the man's mouth, should be enough. However, moments later, Nanami says, "You never cared about protecting people". So why do some readers only take one of these perspectives at face value?

Perspective matters in JJK. Often, characters and even the narrator state things that are only true from their perspective in a given moment. What you choose to believe says more about you than it does about them — an idea I explored in my analysis of 236.

This is particularly important when it comes to Gojo and Megumi, because the moment they meet is the only (?) scene in the whole of JJK that we get to see from two perspectives.

The second time, the reader understands the emotional weight of it for Gojo — but Megumi doesn't. He's kept in the dark, so of course he thinks about their meeting in different terms.

Once again, whose perspective are we going to take at face value? From Megumi's point of view, he wasn't offered a choice. From Gojo's point of view, he extended to a child the little agency available to him.

Offering a choice is something Gojo does consistently throughout JJK — pick your hell. It's one of the ways he shows care for others that goes unrecognised, so it's ironic that readers and characters alike misinterpret it for a lack of empathy. However, this is no coincidence.

For much of the series, Gege keeps Gojo at a narrative distance from the reader. Most of what we know about Gojo comes from what other characters tell us, and our view of him is therefore coloured by their perspective.

However, while Gojo laments the distance between himself and others, he fails to recognise that he's the one maintaining it — and not because of his strength or his technique. He has admirable goals, but he chooses to work towards them alone.

There are many occasions where characters reach for Gojo, but he refuses to let them past his metaphorical Infinity out of a sense of duty and perhaps misplaced belief that he alone can or should bear this heavy burden.

All of Gojo's actions are about preserving the humanity of others at the expense of his own. That's precisely why he chooses to become the "monster" alone. In this way, Gojo is flawed but he isn't uncaring. Again, it's a matter of perspective.

Gojo sees strength as the solution because it's all he's ever known. However, recognising the strength of others doesn't mean that's all he sees — because Gojo knows that dehumanisation acutely. What's more, 261 also suggests he thinks of "strength" in different terms to others.

When they meet, Gojo tells Megumi not to get left behind. However, he later says he was "left behind" when Geto defected. We know Gojo's physical strength eclipsed Geto's, yet Gojo only refers to himself as "the strongest" alone after Geto dies.

Before that point, there's nothing in the text to suggest that Gojo ever stopped thinking of the pair of them as "the strongest" — as a unit, as a duo. This suggests that strength, for Gojo, is something much more intangible, much more sympathetic, and much more human too.

What do the strongest characters in JJK all have in common? Indomitable will, courage in their convictions, an overwhelming sense of self. Looking at strength through this lens shines a new light on Gojo's goal of raising "strong" allies.

When he forces a third option in Shibuya, Gojo proves that strength doesn't have to come at the expense of compassion. In the later chapters of the Shinjuku Showdown arc, Yuta, Yuji, and the rest of Gojo's allies reinforce that idea ten times over, and I have every belief that Megumi will soon do the same.

To suggest Gojo only saved Megumi for his technique is unfair when he has consistently proven himself committed to protecting the futures of others, even "weak" non-sorcerers who have nothing to offer him. Once again, it's all a matter of perspective.

Gojo's way of caring is still caring, even if it doesn't look familiar to you. His only flaw was closing himself off from others and choosing to care from afar. However, just like Gojo never stopped reaching for Geto after he left, Gojo's allies never stopped reaching for him.

There's a phrase we use to describe looking at things from another perspective: putting yourself in someone else's shoes. I think it's very telling that Gojo's allies have taken that literally — Yuta by stepping into his skin, and Yuji by standing in his place in 266.

TL;DR: Gojo cares a lot, actually. If Gojo talking about his innermost feelings can't make you empathise, and the students he supposedly "doesn't care about" recognising his burdens can't make you empathise?

Well, that says far more about you than it does about him.

Come read my fics about this!

In His Shadow explores the ways Gojo keeps his distance from Megumi, who isn't equipped with the tools he needs to reach him but finds his own ways to show he cares, born from ten years of history together.

Rivers Crossed, Mountains Scaled explores Gojo and Megumi's relationship through the vehicle of SatoSugu — why Gojo took him in, whether Gojo really gave him a choice, how Gojo sees him.

Hope you enjoyed the post! I love you, Gege Akutami ♥️

[moonsandmobilityaids-inactive]

An Accidental Kiss

Pairings: Pre-poly!marauders x disabled!reader Summary: Remus kisses you in his sleep. And it breaks your heart. Warnings: Angst Series Masterlist

The day after a full moon is always quiet.

Remus is here, as usual. He’s always here after the full moon, lying next to you in your bed, tired and bruised. The stairs to the boys’ dormitory are too much for him after a night of transformation, so your bed has become his refuge—comfortable and familiar. You offered it to him months ago, and it’s been this way ever since. Even when you’re feeling rough yourself, there’s no question of changing the arrangement.

Having him close is reassuring, his chest rising and falling with a steady rhythm that speaks of peaceful slumber. You’ve always found comfort in Remus's presence, even more so now. Despite everything he goes through, he seems calm in these moments, recuperating from the previous night's ordeal.

Your eyelids flutter closed once more, willing the darkness to still your thoughts and lure you back into slumber's embrace. But it is a cruel tease, the promise of rest remaining just out of reach as your body rebels against the tranquility you crave.

Every nerve ending feels alive, crackling with an energy that radiates from deep within. Heat unfurls beneath your skin, chasing away the cool touch of the sheets against your bare flesh. It's a warmth that should be comforting, yet its intensity sets your senses on edge.

A soft brush against your lips makes you freeze. A kiss—so light it could be mistaken for a ghost's caress, yet laden with an emotional weight that sinks into your very bones.

Remus.

You hold your breath, the world narrowing to this single point of contact. Your heart races in your chest, not from fear but from something unidentifiable, something that stirs deep within you at his unconscious intimacy.

His breath is warm against your skin, and his body relaxes further into your embrace, the lines of his face softening in sleep. You can't move, can't breathe, can't think beyond the sensation of his lips on yours and the sudden rush of heat that floods through you.

It must be a mistake, you tell yourself, trying to make sense of this unexpected tenderness. He probably thinks you're James or Sirius—he's been known to confuse them in moments like these, when pain blurs the edges of reality.

Your heart clenches, a sharp twist of something halfway between relief and regret. Relief because you love him—you love all three of them—and it hurts less to think he's reaching out to one of them, even if by mistake. Regret because you wish, however foolishly, that you could truly belong to their circle, but you've seen the way they knit together, a perfect trio, and you've come to understand that there will always be a space where you don't quite fit.

"Remus," you murmur, your voice thick with caution and an emotion you dare not name. "I think you're mistaken. It's... it's only me."

His breath hitches, a soft sound that barely reaches your ears, but he doesn't pull away. Instead, he leans into you, and his lips find yours again, not in a dream-addled mistake, but with a deliberate intent that steals your breath away. His hand shifts to your side, the touch tentative yet anchoring, as if even in sleep, he seeks solace in your presence.

You should push him away, put an end to this before it crosses a line neither of you can uncross.

But you don't. Not yet.

"Remus," you breathe, the name a plea on your lips. But the rest of your protest dies in your throat as his kiss deepens, his mouth moving against yours with a hunger that you’re sure isn’t meant for you.

"Isn't... cheating..." he mumbles, the words slurred by sleep and something else—something softer that aches to believe them. "Not with you."

And just like that, your heart shatters once more.

You want to tell him he's wrong, that he doesn't understand the gravity of what he's suggesting—that this isn't real, that he's simply lost in the throes of post-transformation fatigue. But the words die on your tongue, silenced by the weight of his body against yours, the warmth of his breath on your skin.

So instead, you draw him close, savouring the bittersweet intimacy of this moment despite the ache it etches into your heart. You allow yourself this small piece of him, knowing full well it will never truly be enough. You let his lips brush against yours in the depths of sleep, a kiss that's not a kiss at all.

The world feels as if it might crumble beneath you, as if the very ground has turned to quicksand. Your heart pounds against your ribcage, each beat echoing the words he cannot say when awake.

Then, just when you think you can't bear it any longer, Remus murmurs something else, his voice barely more than a breath against your skin. But the words are unmistakable, carving themselves into the fabric of your being.

"'m in love with you."

"No," you whisper, the word a tremor in the darkness. "No, Remus... You're dreaming." Your voice cracks with the strain of denial, but there is no strength left in you to argue, to fight against the possibility that those words hold.

You watch him, the lines of his face deepened by exhaustion and pain, and wait for some sign that he heard you. His eyes flicker open, glazed and distant, but there's something there—some spark of awareness that wasn't there before.

And then, as quickly as it appeared, it's gone. His eyes close once more, shutting out the world and any possibility of communication between you. It's as if that brief moment of connection never happened. And maybe it didn’t.

Maybe it was just your imagination, a hopeful fantasy born from the need to feel something other than despair. Perhaps it was simply the result of your heart's desperate longing, a potent cocktail of love, anguish, and the irrational desire to be part of something so pure, so beautiful, so utterly beyond your reach.

Your hand trembles as it rises to your lips, tracing the path his had taken, and the ache in your chest deepens into something that threatens to consume you whole.

"It didn't happen," you whisper to the void, to the empty air, to the remnants of yourself scattered across the floor. "It didn't happen."

The words are a lifeline, thrown out in desperate hope, each syllable a battle against the truth. You can't let it be real because if it is, you're not sure you'll survive intact. You'll lose yourself in this, in him, in them, and you can't let that happen.

You turn your face away, pressing into the cool fabric of the pillowcase, focusing on the rise and fall of your own breath. The thrumming of your pulse is deafening, drowning out everything but the memory of his touch, the warmth that still lingers on your skin.

You know that when Remus wakes, he'll believe the kiss was nothing more than a dream—a fleeting moment of tenderness born from the depths of unconsciousness. And you'll let him think that. You'll hold your tongue and lock away the memory, because the alternative is too much to bear.

Because you have to.

The thought of voicing your feelings only to have them shattered by rejection is a pain you can't afford. To hear him say that he doesn't love you back would be a blow far crueler than any curse or hex.

And no one could survive that. Not even you.

[happyhauntt]

garnet & silver — nikolai lantsov.

series masterlist | writing masterlist | askbox

─── requested: "⇴ person b is putting their necklace on person a, and stares at them for a hot minute after it's put on. then person b starts leaning into person a and pressing kisses onto their neck. with nikolai & anya" from this prompt list. ─── pairing: nikolai lantsov & anya kamenev (original character.) ─── warnings & notes: the fluffiest fluff. thank you so much for requesting this, it was so fun to write!!! ─── word count: 0.9k.

     Nikolai had sidled up behind her with a lazy smile curling at his lips, and she'd known it was him before looking in the mirror, known it from the way her skin had prickled at the mere proximity of him.

     He'd come to a stop just a hair away from her, and she cannot stop herself now, reacting entirely on instinct as she takes that half-step backward into his embrace. Every place where he's touching her scorches like brand, even through her clothes.

     When he produces the necklace from a pocket inside his coat, Anya watches their reflection in the floor-length mirror, her head tilting a little as a confused divot appears between her brows. His hands are warm and calloused against her skin. The tips of his fingers linger a moment longer than necessary once he's secured the clasp at the back of her neck, and the weight of the necklace rests comfortably in the hollow of Anya's throat.

     She leans back against his chest, into the security of him as he winds his free arm tight around her waist. Nikolai's other hand remains resting near the curve of her neck, tracing abstract shapes along the column of her throat in a way that makes her shiver.

     "You know I'm not one to complain about receiving gifts," Anya murmurs, a smile toying at her lips, "but what's the occasion?"

     Nikolai gives a playful sigh, trailing his finger along the chain until it brushes gently against Anya's collarbone. "Do I need an occasion to give presents to the woman I love?"

     "No," Anya admits. "But I suspect you've got one."

     The sliver of orange garnet nestled at her throat is small, no larger than her thumbnail, and wrapped in threads of silver wire. Anya reaches up to cup Nikolai's hand, entangling their fingers together as their hands settle on her shoulder.

     Their eyes meet in the mirror, and though their relationship isn't new, though it has been so long since they were children running ragged through the palace halls, so long since they were adolescents in the army bearing the weight of each other's secrets, Anya's stomach still erupts in a flurry of butterflies.

     He has eyes that could swallow her whole. Eyes like a forest, of oak trees mottled with moss and autumn leaves blanketing summer-green grass, and every part of her wants to wander into those woods and disappear forever.

    "I bought the stone from a marketplace on the Wandering Isle years ago." Nikolai's voice is rough when he finally speaks, and his grip on Anya's waist tightens. Heat blossoms beneath the press of his fingers and settles low in Anya's belly. "Back when I first left you, when Sturmhond was still a figment of my imagination and I hadn't found my sea legs yet."

     Anya smiles, soft at the edges. Sometimes she wishes she'd gone with him when he asked, wishes she'd been there to watch him grow from boy to man, but neither of them would be the same people now if she had.

     Though Anya regrets ━ Saints, she is full to the brim with regret, the kind that will spill all over the floor instead of blood if she cuts herself open, little more than a mess of regret bound up in human skin ━ she cannot ever quite bring herself to regret that.

     "I can't explain why, but when I saw it, I thought of you." He leans down and presses featherlight kisses against Anya's neck, one after another. "I was out in the world and free for the first time in my life, but I missed you as if someone had stolen my heart out of my chest, and when I saw it, all I could think of was you. So I bought it and I kept it in my pocket, right by my heart, so I knew you'd be with me in some small way."

     Nikolai is handsome and suave and brilliant, but there are some parts of him that she knows are reserved just for her.

     That sleepy groan first thing in the morning, the one that rumbles out of his throat when he rolls over and buries his face into Anya's collarbone, grumbling something about five more minutes against her skin.

     The gentle brush of his thumb over the inside of her wrist when they're in public, and they're trapped in an absolutely mindnumbing conversation about trade policy, and she knows he can feel the light flutter of her pulse and he starts to smirk, just slightly, because nobody else can make her heart race like that.

     And this, now. The way his eyes are soft and hungry all at once, and the line of open-mouthed kisses dips lower. When he pauses and hums, right against Anya's pulse point, the brush of his lips is just enough to make her tremble.

      "Why are you giving it to me if it's so important to you?" Her words slip out on a breathless whisper.

     She feels his lips as they bend into a grin. "You're with me now. I'm here, and you're here, and there's not a force in this world that could compel me to leave you again. You're stuck with me, I'm afraid."

     "What a dreadful prospect."

     She squeaks as he spins her in his grip a moment later, and then they're pressed chest-to-chest, and he's kissing her, swallowing the laughter as it spills past her lips, and Anya swears that not even the Saints could drag her away from Nikolai again.

     Not while she's still breathing.

[mimpinightmare]

"SUPA STRIKAS DISCUSSIONS/ ANALYSIS/ HEADCANONS" IN COMING!!! (PART 2) [Oh yeah, This will become a series]

TOPIC: Diego's Potential Coming Back As A Recurring Antagonist In The Show (Discussions)

I feel like the Supa Strikas fandom will not remember who he is, SO HERE I AM, REMINDING YOU HIS EXISTENCE! >:D

When I was re-watching "Rookie Season", this guy (for some reason-) have always stand out to me, that ideas and potential character arcs for Diego has been overflowing in my brain for the past months- SO, HERE IS WHAT IDEAS AND ARCS I COME UP WITH FOR THIS GUY:

If Season 8 (or Rookie Season 2) ever come out, I've always feel like Diego should come back as an antagonist for Skarra and Shakes.

When the show introduced him, we were shown of him greeting Shakes and Skarra, (even knowing their names), despite both of them have no idea who Diego is. Then he introduce himself to them and reveals he knows them by RESEARCHING HIS COMPETITORS- This is, of course, not a "101 in how to write character motivation tropes" but, THAT RIGHT THERE IS SUCH A COMMON TROPE FOR VILLIANS TO DO- (like I said, this isn't a case for all characters who do this) This just show us that, Diego, is ABSOLUTELY READY for his opponents coming in his way.

There's are also moments where he'll do anything to win (or this case, to have the spot in Supa Strikas.) There's a scene where Diego is the last person to arrive to the Try-Outs and slickly, snitch on the Deadly Duo for checking out the Trophy Room. There's also a scene where in the "Training Test", he wasn't doing great in it that, the way for him to win, is to cheat his way, by sabotaging Shakes by holding down the weights.

And when he got eliminated, he (sarcastically) said he was honored to participate, then goes through a hissy fit that he didn't win, to the point, broke a window- THE MAN HAS GRUDGES AND AN EGO, PERFECT FOR A VILLIAN!

So, after all that, I thought if he DID COME BACK, he should join a super league team (that is not Invincible United or Supa Strikas). I suggest Bark FC. (I SWEAR IS "PROBABLY" NOT BECAUSE HE WEARS PURPLE-)

Now, I know people are probably disagreeing me for putting him in Barka FC (which is fine, we don't need to agree on everything) because Barka FC is well known to be clean and honest with it's tactics, and extremely friendly with other Super League Teams and Players, and pretty much that reputation is thanks to Riano. But, hear me out, THAT'S THE POINT! Diego is shown to be the very opposite of Barka FC is known for, snitching, cheating, being immature after he lose to something. There so much shenanigan interactions potential if he becomes a Barka FC player.

I imagine if he were a new rookie in the team, everyone in Barka would be really nice to him and welcome Diego (he is glad tho). But then, his true colors reveal, every time they lose, he'll go on a hissy fit and say nasty things towards the opponents (even to Teams playing and winning fair and square). Sometimes, he would snitch or accidently spread false rumors because he heard it somewhere, on other players (even his own team). HECK, in Rookie Season, he has really good social skills, so him being a two-face person in the team will make interesting interactions. He would be really friendly to his opponents first, then after Barka FC wins he would give such a handback compliments to them. Imagine Barka FC have to apologies every time Diego do something wrong. Pretty much his Team does not like him (but doesn't show it to Diego's face because, unlike him, their mature people). Actually, I wouldn't be surprise if the guy turn out to be one of the most disliked players in his Team, AND in the Super League-

I kinda headcanon Diego and Riano almost being the same age (Diego being 2 years young than Riano). So, the idea how these two interacting will be SUPER distressing and chaotic. Riano trying his best guiding Diego's way to becoming a "less" dislikable person. Teaching him how to be patient, how to not be a stuck-up, and so far, trying to be the best role model he could be to Diego. Unfortunately, Diego see this as an insult, for thinking there's something wrong with his character to be fix. Riano would be seen, being tired and giving annoyed expressions when dealing with Diego. (Also, I like the Idea, if this takes place after Season 7, Riano would call Shakes up, and let out all his troubles about Diego to Shakes. I also like the idea that, the entire Barka Fc Team would go to a bar or hangout somewhere Diego is out of sight, and cheer each other up after meddling with him-)

Also, had an idea that the Barka FC Players TRY THEIR DAMN HARDEST to convince the Barka FC Higher Ups to let go of Diego from their Team, since he's unbearable to work with and ruining Barka Fc's image. The Higher Ups decline because Diego has really great skills in football and is a great asset for the Team to win. (the players groan everyday, waking up knowing they have to babysit Diego-)

Now, one of his arcs I thought for him, is becoming an antagonist for Shakes and Skarra. I imagine, either in Season 8 or Rookie Season 2, a scene where Skarra and Shakes bump into each other and start their bickering rivalry. And then out of nowhere, Diego pops in, interrupting their rivalry, and give a speech about his motivations, revealing that he will get revenge on Skarra and Shakes for taking his place in the Try-Outs for Supa Strikas, and promise them living hell when they meet him. (I know it wouldn't make sense if Diego had a grudge on Skarra, because Shakes is the one who got in. But I feel like Skarra would still be on Diego's list because he was eliminated, before Skarra and Shakes.) (Also, I want more Skarra and Shakes interactions in the show-)

And after all the monologue speech from him, Skarra and Shakes just looks at him in confusion and asked, "Who are you?" "Do we know you?", like a call back to Rookie Season 1. Diego would be shocked, and upset of them for not remembering him at all- And explain who he is and introducing himself (again) to them. (They still don't remember-) This will give Diego more motivation to take revenge on them.

Shakes and Skarra would brush him off and leaves, underestimate Diego capabilities as a person. Then in the future, Skarra and Shakes would be in complicated situations together, have to solve it together, and will reveal, Diego is the one behind it (and they will take him down together). They will have to now knowledge Diego as a threat and (unfortunately for their sake) have to look out for one another.

I know, and i mean, I KNOW, some people in the Supa Strikas community, want for Shakes and Skarra to interact more and DESPRATE some continuation on their relationship getting better. SO WHY NOT DO THAT, IN A WAY, BY GIVING THEM BOTH, THE DEADLY DUO, A COMMON THREAT TO SOLVE??? DIEGO! :D AND ABSOLUTELY KNOW, somewhere, out there, if Season 8 were to happen, people want to see Skarra's Redemption Arc, so this is one of the way I can think of that would do it! After dealing with Diego sometimes, both of them will slowly open up and bond. Rivalry slowly turns into Friendship again. And Skarra, even though is hard for him, will tell Shakes how he feels. (Less sad and aggressive than in "Food for Thought S7E11" of course-)

I also like the idea of Diego, despite him, probably, have a grudge against Supa Strikas for not picking him, is STILL A FAN OF SUPA STRIKAS-

He would scoff of merely thinking and talking about them in one scene, but in the next one, he is impressed and spats out information about what makes Supa Strikas great. And then realizes what he's doing and nonchalantly says "I mean, their still a bad team tho..." or something similar to that.

It will be a running joke in some episodes, to the point, his Team DEFINITELY knows he still loves Supa Strikas, and a massive Nerd for them. (I even envision one of the players gifting Diego a Special Edition Supa Strikas Jersey and was super excited about it, but then he immediately snaps out of his fanboying-ness, and cuts to him saying "I-I mean, It's a fine Jersey...", but then continues of him saying something like, "Would be a shame if that gift will go to waste...", then takes the shirt in a speed of light, close the door, wears the jersey, and reveals his room is full of Supa Strikas merchandise-)

I know this is a dedicated post for Diego, But may I give some potential ideas for Raj :

Half of me is torn between 2 ideas:

1. Raj and Diego would be on the same team.

2. Raj would be in a different team, and he would join Sa Ming FC. (I've always wanted some Sa Ming screen time for so long, even though they never have dialogue and not important in the show, to the point, the creators unfortunately forgot they exist- So why not bring them back, with RAJ as a NEW ROOKIE?!?! Like COME ON, I absolutely love his design, I just wish in the future, if there if more Supa Strikas seasons coming, we will see him again) (Also need more Asian Representation in the Show, so Sa Ming FC, which represents Thailand, and Raj together, united, is the Asian Solidarity I must have and need!!!)

Shout out to @strika-archyvez for conforming Sa Mings FC's Origins being from and representing Thailand, in their post, under the comments!

There's also some cool facts about their lead player. :D You should totally read up about it here:

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A post shared by StrikaArchyvez (@strika_archyvez)

Here's some few ideas I thought for Diego's and Raj's Relationship with each other:

Raj would be the only one who tolerates Diego's behavior and would become "Side Friends" with him in the Super League. Raj would be Diego's moral compass (that Diego tries to ignore), and try to snap senses into him for what he's doing. Diego would think Raj is a nuisance, but secretly likes his company, since his team, nor other players, wouldn't want to hangout with him because of his behavior.

They would meet by random chance, and alot of chaotic shenanigans happens that Raj tries to stop it. I also like the idea Raj would bring Diego to go drink tea, or any beverages, in any shop, to make Diego avoid doing anything scheming for his own good. (Shakes and Skarra should thank him for that in those situations-)

I'm not sure to give him a Redemption Arc or make him stay as a villain. In one hand, I like the Idea he will get better by meeting good people in his life that confronts his behavior (by being BRUTALLY HONEST with him) and confronting Skarra and Shakes about his whole ordeal. But in the other hand, all his trickery and plans I made in my head, are kinda unredeemable for him, and I'm fine with the idea of this man living in the past and refusing to let go of the grudges that Skarra and Shakes wasn't even at fault for.

Either why, I'm fine with either of them. He's a character who has GREAT PONTENTIAL and hope the creators see that.

(This scene in "Trial And Terror, Rookie Season Episode 3" of him really confused me, like I really thought in a way he still controlling the train, but he didn't know it doesn't work, since everything is under control like Coach said, then have bunch of Blammo Bars after "controlling" the train. NOPE. He was eating Blammo Bars and his pain away because he's miserable he didn't get into Supa Strikas- )

BOY, THIS TOOK LONGGGG THAN I THOUGHT- I just want to share ideas of Potential villain Diego for a while now. Unfortunately, not a lot of content around him (don't blame the fandom, he's only a side character in one episode in Rookie Season-). So I guess, I'll be one of those people~

The only stuff I saw, that is remotely Diego content wise, is this lovely art by @matchanxious , where he's older and he's plays for Sultans FC. If this were to happened, I WOULD LOVE HIM TO INTREACT WITH ZOOM ZAHIR (NEED MORE CONTENT OF ZAHIR-) and Duvall too, I guess-

Would Imagine him being super dedicated towards Sheikh, like giving strategies, doing schemes for him with Duvall, and getting any chance to talk to him, but Sheik would get annoyed and try to avoid him- AGAIN DIEGO HAS SO MUCH PONTENTIAL!!!

There's also an old headcanon back in 2021 (I think???) I saw, from also @matchanxious , hers truly:

"Diego would be a Conservative"

AND I THOUGHT IT WAS HILARIOUS AND SOMEHOW, SO IN CHARCTER WITH DIEGO THAT I HAD TO SHARE IT- 😭

This is @matchanxious beautiful artwork of Diego! Please show her artwork some love!!! :

Again, we're at the end! Thank you for reading this if you reach it at the end! Very much appreciated!

And guess what? I actually will be working on 2 analysis post towards two characters from Supa Strikas, by suggestion! :D They will take a little while to do since, again.... COLLEGE! So be patience when I come back with those analysis. And probably more art and edits coming!

Thank you again for reading!!!

- MimpiNightmare

[danganronpasurvivoraskblog]

Dangancember 2024 - Danganronpa Top 24 Class Trials - Number 11: Danganronpa Another 2 Case 1 {BEST CASE FROM SDRA2}

//It's usually never a good sign for a mystery game when the best case in your entire game's run is the first one. It's truly a sign that the rest of what's to come really doesn't reach the bar that the initial case set.

//It's even more of a bad sign when on a ranking that takes into account every trial in the series...NONE of them from this particular game manage to breach the Top 10.

//Yeah, I didn't even keep this a secret, but SDRA2 hands down has the least interesting and least engaging trials and mysteries, and it's for a variety of reasons. But it's important to remember that the primary reason for why it doesn't isn't because the cases are bad.

//It's primarily because none of them succeed in reaching the heights of the original series, or the trials and themes of its prequel. Despite how much SDRA2 branches out, it's riddled with issues that really set it down.

//And unfortunately, even as the best case in the game, Case 1 still gets this high on the list not out of greatness or what it aspires to reach, but out of...decency...more than anything.

//As I said previously, despite the fact that SDRA2's final trial manages to avoid most of the issues that are common throughout the finale's of these games, it still unfortunately fell victim to them, which is what pushed it down from being the standout trial of SDRA2. And as it stands, the first trial on the twisted island still then turns out to be the overall achiever.

//The interesting thing is that the reason why A2-6 got as high as this is because of the way it handles and resolves all the stakes that the rest of SDRA2 spent a lot of time putting focus on and dwelling over. The reason why A2-1 on the other hand gets the highest is because of how well it SETS them.

//To be honest, without spoiling what Number 10 on this list is, it was quite difficult to decide which between it, and this trial would manage to breach the Top 10. It'll make more sense when we actually cover it tomorrow, but the main reason is because this trial and that one share quite a bit in common.

//When it comes to opening cases in a Danganronpa game, A2-1 manages to get this high, higher than any other trial in SDRA2, because it's the only one that successfully manages to hit all the important story beats and tones that the better opening trials of the games SHOULD have.

//And again, you will see when we get to tomorrow's analysis just how similar they are, but what clear points and aspects made it take the victory over this trial.

//Before I go into the actual case, trial, and mystery itself though, I want to talk about one major thing with this trial that raises its stakes incredibly high compared to every other opening trial in the series except maybe for V3's. We obviously all know it now, and it's a widely recognized twist.

//To this day, no other Fanganronpa has been able to top the first big plot twist of the game. I have seen some that have tried, but they ultimately have failed.

//Simply the fact that the MASTERMIND is KNOWN and is PART of the trial!

//Obviously, he's not the culprit, as easy as that might be, but the reason why this aspect of SDRA2 is so infamous is because...it deserves to be. It's an INSANE gambit, and...one that doesn't really pull off for the first few chapters, but one that MASSIVELY pays off later.

//And yes, I know that it technically happens in the prologue, but the weight of it is carried through all of the first chapter, and into the trial. What do you want me to say about Mikado's Mastermind reveal that hasn't been said already?

//Danganronpa has never been great when it comes to hinting at who could be the Mastermind behind everything. It's like the series thrives on blindsiding you but forgets that twists work best when there's some setup.

//Junko’s big gambit, where she swaps places with Mukuro and lets her sister take the fall, is honestly clever...on paper. But then she disappears from the narrative like your car keys when you're late for work. There’s nary a whisper about her until Chapter 5, and by then, it’s like the game is shouting, "Surprise!" without actually planting enough breadcrumbs.

//Imagine if there’d been subtle hints that Mukuro’s death wasn’t what it seemed, like a weird comment, a loose thread, or anything of that caliber. Then maybe, just maybe, the moment Junko reappears wouldn’t feel like a plot twist straight out of a soap opera.

//DR2’s Mastermind twist with AI Junko is a lot better executed, leveraging DR1’s already established factors and plot points, taking advantage of the virtual world setting, and cranking up the absurdity to eleven. But then Izuru pops up just completely out of nowhere for the first time in this chapter, like that one coworker who shows up only for cake on someone’s last day.

//This enigmatic Hope Cultivation Plan is suddenly crucial, and Izuru himself becomes a convoluted justification for Hajime’s Reserve Course connection to the killing game. Sure, it’s a twist, but it’s also like trying to do algebra with no setup. You can figure it out, but you’re left wondering why no one bothered to explain anything beforehand.

//I barely count Izuru as a Mastermind anyway, but I still have to acknowledge his role here. Then we get to Another 1’s Utsuro, who is…marginally better than Izuru in terms of buildup, but it still feels like someone tossed his name into the story five minutes before the reveal.

//"Oh, yeah, this guy? Totally important. He also has this busted power that we didn't bring up before. Didn’t you notice?" No, game. No, I did not.

//And then there’s Tsumugi. She’s physically present for the entire game, but emotionally? Spiritually? This girl is on vacation. The only breadcrumbs leading to her being the Mastermind are obscure references to past games that most players wouldn’t notice unless they were studying the lore like it’s for finals.

//When her true role is revealed, you don’t gasp. You laugh, because there’s no way this human equivalent of lukewarm oatmeal was orchestrating anything. Her reveal is so anticlimactic it’s like discovering the person behind the curtain is your introverted cousin who forgot to bring snacks to the family reunion.

//But do you want to know what really pisses me off about all these lackluster villain reveals?

//Hyper Danganronpa H2O exists and somehow does this better.

//HYPER! DANGANRONPA! H2O! Does this better!

//The fangan everyone loves to hate; he game universally dismissed as "meh," actually sets up its Mastermind better than the canon games.

//For some brief context, HDRH2O's mastermind is Oliver Feng, who in the end turns out to be more of a pawn for his mother and the leader of Fang, Emilia, but was an integral part to the Killing Game and keeping it running for the duration.

//If you bother to spend time with Oliver, pay attention to his dialogue, or notice his oddly specific backstory, you’ll find little nuggets that make the final reveal feel earned. Sure, it’s not Shakespeare, but compared to the canon games? It’s somehow way more impactful and emotional.

//Of course, the hands down best Mastermind reveal of the lot is Akane Taira, but we've already been over that and will go over it again when we get to the final trial of DRA. Let’s just spill the beans about Mikado for now, shall we?

//LINUJ throws tradition out the window and just reveals the Mastermind right at the beginning of the game. No buildup, no fake-outs, just outs him immediately. But he still manages to keep his game running because he displays his absolutely insane degree of power of everyone, and establishes himself as an unstoppable force, namely by killing one of the key cast members of the original game.

//Rei obviously turns out to be alive later, but it doesn't hurt the standing of the twist.

//Bold move, right? It’s like starting a murder mystery by telling everyone who the killer is, then daring them to still enjoy the ride.

//And honestly? It works. The reveal is so unexpected, it flips the entire formula on its head. Mikado’s conduct in the early chapters might not scream "evil genius", more like "eccentric nerd at a LARP convention," but the sheer audacity of the twist sets SDRA2 apart.

//Instead of waiting until Chapter 6 to reveal the mastermind and cramming all their screen time into an hour, Mikado gets to lurk around, causing drama and tension the entire game. It’s a gutsy choice, and while the rest of the game doesn’t always hit the same high notes, this opening move is one heck of a power play.

//The next point I want to make with this trial is the characters involved in it, to which the key thing first of all is the victim.

//Yuri Kagarin is one of my least favourite characters in the Another series, and...I feel like I shouldn't really need to explain what is wrong with this man. As a character, he's like an unholy amalgamation of some of Danganronpa's most controversial characters.

//He has the suaveness and degeneracy of Teruteru, the crazy psychology of Nagito, and the rampant unscrupulous misandry of Tenko, all squished together, and...let's just say that doesn't make a healthy person.

//Which...unfortunately made him quite possibly the most obvious first death in the entire series.

//Aside from the fact that the three characters I just listed die in very horrible ways, it's also because you know that he's not going to be the rival or antag character because you already have both Mikado and Syobai who had slotted into the role immediately, so the only way out for him for the foreseeable future is to be the blackened or the victim of the first chapter, of which, he turned out to be the former.

//However, I would argue that even Tenko is a much deeper character than Yuri, and that says all you need to know really. Tenko is so one-note compared to most mainline Danganronpa characters, and it's really hard to like her unless you actually look at her other traits BESIDES the rampant sexism.

//What makes Tenko so interesting is that despite her beliefs and view of the male/female dynamic, there are elements of logic to her, despite the fact that she falls more squarely on the "belief" side of V3's Logic Vs Belief dynamic. The fact that she tried to infiltrate the student council, as well as how she ultimately realized that trying to dispose of Angie wouldn't solve anything, and would just upset Himiko.

//Yuri on the other hand...is not nearly as logical, despite his very apparent intelligence. But he's still interesting, especially because his dedication to females can't necessarily be chalked up to "my mind says no, but my dick says yes."

//Yuri is not a pervert. He's just...delusional. While I don't like him, and he's probably my least favourite character in SDRA2 besides only Nikei, I still have to acknowledge that what LINUJ made him out to be was...a methodical madman of a character.

//Yuri does not simply "love women," he, and I quote, "dedicated his life to women." And even though he's around for only one chapter, he's still a character that's very important to pay attention to.

//Wow, I'm REALLY overanalysing fucking Yuri Kagarin, aren't I? I've become one of THOSE people, haven't I?

//Alright, well...fuck it, I guess...

//Yuri is the kind of character who wears his eccentricities on his sleeve, and perhaps also on a flashing neon sign above his head. From the moment he enters the scene, he makes no effort to hide his unabashed adoration for the "fairer sex," to the point where he refers to Sora, a virtual stranger, with pet names during their free time events.

//This is a man who flirts with the fervor of someone auditioning for The Bachelor, but with a peculiar chivalry that tempers his otherwise suggestive remarks. For instance, when Sora questions his motives after he invites her to his dorm, he reassures her that he would never touch a woman without her permission. It’s like he read "How to Be a Gentleman for Dummies" but skipped a few chapters.

//As for men, Yuri’s disdain for them borders on theatrical. He dismisses them as "scum," compares them to pebbles on the street, and claims their mere existence gives him headaches.

//Despite, you know, being a man himself, and not even ignoring that fact.

//You almost expect him to hiss and clutch his pearls whenever a male character enters the room. His double standard is on full display when he refuses to share information with Nikei but spills the beans to Emma without hesitation. It’s no wonder the female cast quickly grows tired of him, with Setsuka, who is typically friendly to everyone, being no exception.

//Despite his aversion to men and his questionable social skills, Yuri isn’t entirely devoid of redeeming qualities. For one, he’s surprisingly pragmatic about being kidnapped, describing himself as a "veteran" of such situations (which begs more questions than it answers). Instead of panicking, he adopts a "make the best of it" attitude, which is almost admirable.

//His long-standing dream of being remembered as a savior by a woman, revealed to be genuine thanks to Kokoro’s emotional detection, adds an oddly tragic layer to his character. He seems prepared to sacrifice himself to achieve this dream, suggesting a deep-seated willingness to place others’ well-being above his own, even if it’s rooted in a peculiar and arguably unhealthy worldview.

//And I wish that some kind of Omake could delve deeper into what made him this way. Although overall, I am glad that Yuri did die here and now so we didn't have to put up with his bullshit through the rest of the game.

//One thing that LINUJ does do that I appreciate a lot is that even when he makes some of the most dogshit or nasty human beings ever, he doesn't keep them around for more than a little while. Even Nikei, who I've said in the past I despise, is tolerable for most of the game before he goes all egomaniacal after his VOID reveal in Chapter 4.

//Speaking of VOID reveals, we will get to that in just a moment, but first, I want to quickly jump in and say that WOW this investigation and trial is GOOD!

//This is by far the most complex opening case of all the one's featured on this list, but it commits to it spectacularly.

//Let's talk about a few points that stood out for me. There are quite a few cool things about this case, but these are the notable ones that kind of make and break this trial for me.

//Starting with one that I kind of already went over, but I'll go into more detail in how it affects the trial is the fact that Mikado is actively PART of what's going on, even though we know he's the one behind the Killing Game itself.

//Which makes this like inviting the wolf to dinner and having him politely help with the dishes.

//Ah cool, I even have a CG for it...

//Despite everyone treating him like public enemy number one, Mikado pulls his weight in the discussion, offering genuine insights and guidance. For me, this creates a fascinating tension, and makes the twist itself pay off in this trial. While his help is invaluable, his status as the mastermind makes everyone, including you, question his motives. There's no guarantee that he's being sincere, or if is this all part of a larger manipulation.

//Mikado’s cooperation not only sets a unique tone for the trial but also makes it clear that in this game, nothing will be as simple as it seems.

//And this is reinforced with who the killer ACTUALLY turns out to be, but...again...that's probably the best part of the trial, so I'll save that for last.

//The second point is how Kokoro Mitsume’s Ultimate Psychologist abilities add an entirely new dynamic to the trial, because she enters the courtroom already knowing the killer’s identity, thanks to her borderline mind-reading skills.

//In short, she reveals that she knows who the killer is based on their facial expressions after she asked them all the same question at the beginning of the trial, which is something that hasn't ever happened before to my knowledge. The only time a non-blackened went into a trial knowing who the killer was immediately was Fuyuhiko, because he was there when it all happened, and technically Tsumugi because of her cheap shot.

//Despite Kokoro being subtle enough throughout this trial, this flips the typical formula on its head. Usually, everyone is equally in the dark, fumbling their way toward the truth, but Kokoro’s quiet confidence and refusal to immediately reveal the killer add suspense, making you wonder when and how she’ll drop the bombshell. It’s like having Sherlock Holmes in the room but with a maddening poker face.

//Which is another reason why I'm so disappointed with her as a character, because I do get that this ability is overpowered, but I WISH that Kokoro had stayed around for more of the game. It might have given me more of a reason to care about her true villainous side that's revealed later.

//This is also the first chance we get to see how Syobai, as our clearly established rival character, acts in the trials and...well...it's certainly DIFFERENT.

//While most rival characters in the series seize control of trials with the swagger of a peacock, i.e. Byakuya’s arrogance, Nagito’s chaos, Kokichi’s antics, and Tsurugi's...Tsurugi-ing...Syobai is the polar opposite.

//He barely participates, and when he does, it’s to sow even more confusion by handing Sora FALSE EVIDENCE.

//Introducing a fake Truth Bullet is a wild departure from the series norm and completely throws off the usual rhythm of deductive gameplay.

//Syobai also chastises others for not taking the trial seriously, all while refusing to lift a finger himself. He’s like the world’s laziest coach yelling from the sidelines. Frustrating, hypocritical, but undeniably entertaining.

//Also, I don't know if I really said this before, but this is by far one of the most entertaining murder traps in the series; at least among the first cases. It's like murder via Rube Goldberg machine.

//The creativity behind Yuri’s murder is equal parts horrifying and ingenious. The killer hoists him to the top of a bell tower using hooks in his ankles and then drops him to his death. A gruesome spectacle in its own right. But it gets even better. The setup doubles as a makeshift zipline for the killer to escape unnoticed, using Yuri’s body as a counterweight.

//It’s a grimly efficient plan that leaves players marveling at the killer’s resourcefulness while trying not to wince at the vivid imagery.

//However...this is also where I kind of want to start talking about what my key problem is with this case...

//To prevent myself from talking in circles, its the fact that this crime was a lot more complicated than it probably NEEDED to be. And quite a lot of it is waffling and ending up at an incorrect conclusion before the killer is ultimately outed.

//Now, it's important to remember that ALL of the first trials in the series DO this. However, all of them do so for a very clear reason:

DR1's first trial had everyone immediately suspect Makoto before the truth around Sayaka's trap, and the fact that Leon didn't understand the subtle problems with Makoto's room, began to come to light. But for most of it, he and Toko corner and berate Makoto to no end, not giving him a chance to speak up for himself before Kyoko ultimately helps him.

The entire first half of DR2's trial is exploring evidence, then pinpointing Nagito as the killer, which turns out to be wrong, and he intentionally leads everyone on. As Hiyoko even points out, by the time the trial phase ends, they aren't any closer to figuring out that Teruteru is the murderer.

V3's trial is dragged out as much as it is because that was Kaede's whole plan. She explores every out to try and find the Mastermind, and only reverts back to standard form and lets herself be outed for her crimes when blame starts to be pinned on Shuichi.

A lot of DRA's trial is trying to find a way to prove the girls are innocent, even though the body is in an area that only they can get to, and drags on for so long because Mitch is a Bitch, and this comes back to bite him massively in the end.

//In the case of this trial, the way it's dragged out is the killer attempts to frame Yoruko by knocking her out and planting her at the crime scene is a clever misdirection...

//...Until you remember Yuri’s obsessive devotion to women.

//As a man who would literally let a woman kill him without resistance, which by the way, he said so himself, framing Yoruko backfires hilariously. Instead of incriminating her, it makes the whole scenario feel absurdly implausible.

//On the one hand, this adds a layer of humor to the trial while also giving Yoruko a chance to prove her subtle importance to the narrative as a character, but on the other...it doesn't feel like the most well-thought out red herring.

//Especially since the killer literally LEAVES ANAESTHETIC at the crime scene, proving that he must have used it SOMEHOW! Yeah, they used it on Yuri first and foremost, but they could've also used it on Yoruko.

//In-universe, maybe its more complex than it appears, but at the same time, if you've played literally any of these games, you already know that there's some bull-fuckery going on.

//As one last little note about this trial, Kanade Otonokoji plays a surprisingly understated role in this trial, which in hindsight is a good move.

//She doesn’t dominate the discussion or reveal her manipulative tendencies outright, but there are subtle hints of her intelligence and sadistic nature lurking beneath her innocent façade.

//This restrained performance makes her eventual unraveling in later cases all the more shocking. For now, she’s content to play the helpful team member, but the cracks in her mask are there for those paying close attention.

//I mean, none of us can argue that her not leading the discussion the whole way through is a plus, because that is what severely brings down A2-2 and A2-3.

//With that being said though, it doesn't really destroy my opinion of the trial, or of the murder method. This is still one of my favourite murder schemes in the series because of the harmony of complexity on paper, simplicity in practice.

//The first trial of SDRA2 is a chaotic cocktail of subversions, creative murder mechanics, and character-driven intrigue. Each element feels fresh, unpredictable, and undeniably engaging, making this opening case a standout moment in the franchise.

//But of course, one thing you might have noticed is that I have forgone mentioning one very critical detail throughout this analysis that is sort of kind of important, and it's mainly because I wanted to save this point as the last thing I covered, because it's one of my favourite parts of the trial:

//The Culprit.

//I don't think I talk about this character enough, but not only is he one of my favourite characters in SDRA2, he's easily my favourite killer, AND my favourite member of VOID for a variety of reasons.

//Hajime Makunouchi is an INSANELY compelling character, and by far one of the most underrated characters in this game.

//At first glance, Makunouchi seems like your friendly neighborhood gym coach. Laidback, health-conscious, and always ready for a chat about wellness. His budding bromance with Shinji, complete with morning exercises, is the kind of wholesome interaction that feels out of place in a killing game, and initially, I really thought that he might be the Chapter 2 killer because of how similar his connection with Shinji was to Taka's connection with Mondo.

//But Hajime isn’t just your average health guru. He has a passive-aggressive edge, quietly resenting those who neglect their well-being.

//It’s almost ironic, then, that the man advocating for self-improvement becomes the first killer, using his physical prowess to orchestrate Yuri’s elaborate demise. And I want to talk about his reasons for doing it a little bit, even though we're all familiar with it.

//If there's one point of commonality between the first-case killers of the DR series, it's that even if there is a sense of nobility in their actions (Teruteru and Kaede being the key examples) their motivations ultimately all boil down to them acting in their own best interests.

//For Mitch in the previous game, it was pure selfishness with a distinct lack of layers to it. But for Makunouchi, there are some very interesting layers to it.

//Hajime's motivation to murder Yuri was not just for HIS benefit, and it wasn't done out of spite, or any particular distaste towards Yuri. He was just an easy target...and Makunouchi is a member of VOID.

//For context, VOID is first brought up by Mikado in the prologue just before his reveal as the Mastermind. He claims its an organization that he runs, but it only props up in one easily-missed line of dialogue.

//It all comes crashing back here when Makunouchi reveals that he is a MEMBER of this organization, and that the OTHER members are also hiding among the main cast of the game.

//As you know, VOID turned out to be one of the most disappointing group of villains I've ever had the displeasure of dealing with.

//HOOOWEEEVERR. As a design, a function, and a concept in a Danganronpa game, they are SO FUCKING COOL!

//And Makunouchi alone sells them as a group. Not only is he the best member OF them, but his reveal of his true identity and motive is AMAZING! It somehow raises the stakes EVEN HIGHER than Mikado's reveal of the Mastermind did!

//And with a few minor exceptions, it's actually a fairly original concept as far as Dangans n' Fangans go.

//In the classic Danganronpa formula, the mastermind usually operates solo or with a few cronies in the background, namely Junko and the Ultimate Despair, but for the most part, Junko's a lone wolf when it comes to the killing games. She even kills off her OWN support (Mukuro) immediately, and outs her backup support (Sakura) personally later down the line.

//Mikado and VOID’s setup flips this on its head. By revealing there are four additional traitors working among the participants, SDRA2 transforms from a whodunit murder mystery into a high-stakes game of Mafia/Werewolf.

//Now, every player isn’t just looking over their shoulder for potential killers; they’re wondering who’s secretly pulling strings for Mikado.

//Hajime’s confession didn’t just expose him. It broke the trust between everyone else. In the original Danganronpa games, trust is always a fragile thing, but here, it’s obliterated.

//With the knowledge that nearly 20% of the cast is actively working against them, every smile becomes suspect, every friendly interaction a potential ploy. The game went from a deathmatch to a psychological warfare simulator, and watching the characters struggle to maintain alliances or even basic conversations while knowing they might be talking to a VOID operative added a level of tension that few fan games, or even official titles, have managed to replicate.

//When SDRA2 was releasing chapter by chapter, the VOID twist ignited a storm of fan theories that rivaled Game of Thrones Reddit discussions. People debated endlessly about who could be VOID and why they would join Mikado, and theories ranged from the plausible to the downright absurd, because of course, everything’s canon until it’s not.

//The uncertainty surrounding VOID was a masterstroke because it didn’t just engage the characters. It turned the audience into detectives. Every piece of dialogue, every facial expression, every random aside was scrutinized for potential VOID subtext.

//For a game that was being released chapter by chapter instead of all at once, this was an INGENIOUS move on LINUJ's part.

//Makunouchi’s revelation also underscored just how bleak the situation was. In the original series, you at least had the comfort of knowing most of the cast were victims of circumstance. Here, SDRA2 threw that out the window.

//The idea that four other participants chose to align themselves with Mikado added a layer of existential dread. It’s one thing to fight against a singular antagonist, but knowing your friends might willingly be helping them? That’s enough to make even the strongest bonds crumble. Mikado’s genius wasn’t just in the killing game itself; it was in weaponizing human relationships and trust.

//The VOID twist elevated SDRA2 by introducing a more complex narrative structure and forcing characters and players alike to grapple with themes of loyalty, deception, and moral ambiguity.

//It's not just about solving murders anymore. It's about unraveling a web of conspiracies while trying not to get caught in it yourself. And let’s be honest: the twist gave the fandom so much to talk about.

//But putting that aside, it's not just the moment itself that makes Makunouchi my favourite villain in this game.

//Once Makunouchi is exposed as Yuri’s killer, his personality does a complete 180, flipping faster than a pancake on a hot griddle, as most twist villains in this series tend to do.

//At first, he’s shockingly chill about the whole murder thing, and justifies his actions as being part of a grander conspiracy for a good cause, and...there's some truth to this. But when his execution is brought up, the chill evaporates. He flies into a rage, threatening to expose Void’s secrets if Mikado doesn’t let him go, as though threatening the mastermind would somehow work.

//Spoiler alert: it doesn’t.

//But what really sold me on him is what we find out about him AFTER the fact.

//Via Void Theater of all things.

//Not only does Makunouchi have an incredibly engaging backstory and life prior to this game that really define what sort of person he presents himself as in SDRA2's Killing Game, but his time in the Void Theatre is where the layers of his character start to peel back.

//His cocky, self-assured exterior crumbles, revealing a man somewhat haunted by his actions. He begins to show genuine remorse for killing Yuri, realizing how far he and the rest of Void have strayed from their humanity in search of their ultimate goal.

//His claims about genuinely enjoying the time spent with his fellow participants feel surprisingly earnest in hindsight, adding a tragic edge to his story. Hajime wanted to be better, but his role in Void and the circumstances of the game made that impossible. In a way, he’s a victim of his own aspirations. A man who sought improvement but ended up losing himself along the way.

//By the end, he’s made peace with his fate, even finding the strength to reconcile with Nikei and Emma. He even makes one last request to hear one of Emma's god-awful puns. It’s a bittersweet moment that shows how far he's come, from health nut to killer to a man seeking redemption that he may never really get.

//He's just...such a good and underappreciated character in this game, and besides...a certain someone...who one could argue barely even counts, he is EASILY the best first-killer in the series. Especially in the way he defies the preconcieved ideas that LINUJ advocates through his work.

//Hajime Makunouchi is proof that people, by nature, are multi-faceted, capable of both terrible deeds and sincere growth. And hey, if nothing else, his arc proves one thing: just because someone’s good at cardio doesn’t mean they’re not running from their problems.

//But yeah, that's really it. The only reason why SDRA2 Case 1 fails to make the top 10 is that it's just not as good a mystery as the trials that come after it, but what it DOES do right, it knocks out of the park. 10/10 no notes.

//This trial is one of the best fan-made cases ever, simply because it perfectly encapsulates what Danganronpa is all about.

[3liza]

the Jason Genova/Del Rey Misfits story (ongoing) hasn't really gotten outside of bodybuilding YouTube despite several attempts (aborted Netflix show etc) but I think beyond it being a typical "being famous on YouTube usually fucks people up" situation theres a b-plot about the medical abuse of disabled people.

I found out recently that Genova is on monthly injections of long-acting haloperidol, a truly brutal first-generation antipsychotic that causes uncontrollable appetite and weight gain, neurodegeneration, akathisia and dystonia (this was prescribed to him on top of an active tourettes diagnosis which seems unlikely to have made it better). now despite his level of cognitive disability, Genova is a bad person to whatever level of "bad" a person can be blamed when he's got to be around 50 IQ, and level 2 autism, and I certainly dont like him, so this isn't a defense of his behavior. autistic people can be taught empathy and consideration if anyone bothers. so i think his mother absolutely fucked this kid up. but whatever doctor put this kid on monthly haloperidol is either 90 years old or incompetent or both because the only thing that will do for someone like Jason is make him sleepy (and thus easier to control) . people who take antipsychotics typically are constantly fighting brain fog and usually seek out stimulants to stay awake, just like Jason does.

so the antipsychotic weight gain and compulsive eating of junk food (I've personally experienced this with seroquel and it isn't something you can control even with full cognitive function. I used to get up in the middle of the night to eat sugar out of the bag) was being treated as laziness and lack of discipline by the Misfits and the fanbase the entire time. this is normal in bodybuilding, it's part of the culture. it was a cornerstone of the "plot" tension, Jason's "inability to commit" to weight training and cutting. none of his supposed professional coaches or trainers ever address this or consider what piling pre workout into a disabled kid on psychoactive drugs was going to do, and while it's possible they were never informed of his medical history they absolutely should have asked, and with Jason's known reputation as a compulsive liar , they should have double checked until they got a straight answer. Jason's mother enabled Jason to drive by himself, and of course he got into a half dozen serious accidents, injuring himself and god knows who else. this is mostly treated as a joke in the series. and that's kind of a different issue, how the boomer attitude towards disability of just ignoring it as much as possible and pretending the disabled person is average causes just as many bad outcomes as low expectations. Jason many times angrily denies being autistic, or minimizes it as barely diagnosable, when five seconds looking at him shows anyone with any familiarity with autism and other developmental disorders that the only reason he isn't in a care setting is that his mother is in denial and his friends don't have the background to see how bad it is.

it's clear that everyone involved is aware that Jason is "slow" but it's also clear that all the competent adults consider severe disability to be shameful and most of them seem genuinely unaware of the fact that Jason isn't just kind of a goofball who needs a good talking-to, he's developmentally delayed, cognitively struggling at all times to follow basic social interactions and conversations, is borderline illiterate, and has no impulse control. he's also constantly stimming both voluntarily and involuntarily in a way that interferes with his dexterity. he shouldn't have internet access or a smart phone, he shouldn't be allowed or enabled to use preworkout and especially not steroids and research chemicals.

and over the years he is documented, he degenerates badly in a predictable way, becoming more and more incoherent and impulsive. it's basically a moneymaking franchise centered on a profoundly sick man who is being medicated in a way that causes more monetizable outbursts and brain damage leading to compounding eccentricity, which is fairly common in bodybuilding even with participants who start out with average function and ability.

so what the fuck. I don't have a conclusion for this other than the level of dysfunction is impressive, and the amount of the exploitation that does genuinely appear to be occurring ignorant of the full extent of Jason's handicap. Jason really reminds me of the boyfriend I just kicked out, who wasn't nearly as disabled but had many of the same issues, just less severe. and people around him (also a white man) just assume he's a little goofy, and that his expressions of confusion or inappropriate comments are intentional jokes and not times when the masking isn't fully working.

[tirsynni]

While I'm aware that LoZ: HW isn't a canon game, I think it adds some interesting details and implications to the overall series, so I'm keeping it. One point is what causes the Heroes to be born and awaken and their role as sacrificial lamb. Another point is how it's more evidence -- with BotW further proving the point -- of why it's not a good thing that the legend of the Hero is known and how that being known affects the Princesses, which affects everything else.

Beginning of HW, Link is a trainee. Based on the rest of the games, I'm guessing he's around 17 (honestly, maybe even younger, as this is a fantasy setting and he's not a soldier or knight but a trainee). He was not supposed to be on the battlefield at all but, in true Link fashion, threw himself into the fray, anyway. When Volga was about to kill him and Impa, Link's triforce was revealed and he protected himself and Impa from Volga's flames, saving them.

In other games, that probably would have led to Link being pulled aside by Impa and given a different role, one more centered on Princess Zelda and the Big Bad. In this game, it's completely different. In this game, the Hero and all of its implications are known. It's a main part of the story, after all. That's why Cia wants Link: because he possesses the Spirit of the Hero. That's why he elevated overnight from a trainee to a high-ranking leadership position. There is no anonymous savior here like the other games: in this one, the spotlight is clearly on the Hero.

This happens in BotW, too, with the opposite reaction in many ways. In BotW and HW, both Links are no long just LINK. They are now the Hero, with all the responsibilities thereof. I would argue that they're both objectified, albeit in different ways. HW!Link is elevated in many ways. He's put in a leadership that he can't be qualified for, but it's okay: the Hero surely knows what he's doing! Surely he can lead these people into battle! BotW!Link is a weapon. The king treats him as part of the decor when he talks to Zelda. In different ways, they're no longer people: they're things. Amazing things, yes, but still things.

The Zeldas react differently, too. In BotW, Zelda is very much outside the norm and the pressure s high on her. She despises Link because it appears like the Hero title and its responsibility occurred easily and naturally while her title isn't as smooth. (That and how that goes is easily another bit of meta for later, especially if you toss in WW.) The weight of the legends is overwhelming and almost crushes them both.

In contrast, HW!Zelda doesn't have that same weight but is very aware of the myths and legends. She was more than ready to don the Sheik costume like the Princess Zelda of old. She stares at her Hero with bright, adoring eyes, and it's easy to wonder if she sees "Link" or if she sees the "Hero." The myths aren't a burden to her. She's already confident and deadly and doesn't seem to have the weight of legacy on her. If anything, she seems to glory in it.

There are several hints in the game that OBVIOUSLY the Hero belongs with the Princess. Not Link. The Hero. It would be interesting to think that while those ties made BotW!Zelda hate her Link, those same ties gave HW!Zelda a parallel to Cia. She knew the myths. The Hero was always paired with the Princess of Destiny. Now that Cia was defeated and Ganon struck down again, the Hero is obviously all hers. Destiny and all. They defeated the Evil together, just like in the stories, so obviously this was how the story ends.

Right?

[fogsrollingin]

You’ve Got a Fire in Your Belly by I_want_to_believe. Spideypool, Mature, 40k words. Summary: After a particularly cold night, Peter Parker finds himself seeking a warm meal from the local soup kitchen. He is shocked to find that the person serving him is none other than his patrol buddy, Deadpool. But why is Deadpool here and what does he want from an unmasked Peter Parker? Also known as: The One Where Peter is Homeless. https://archiveofourown.org/works/24160567 The Peter whump was fantastic in this, and the hurt/comfort and cuddles from Wade matched so well. The angst and identity reveal suspense was played into their romance so well. Excellent story full of sustained oxytocin hits. Added to my favorite Spideypool fics

I Like Birds by chinashopbull. Spideypool, 200k words, Explicit. Summary: Deadpool does a better job understanding Spider-Man's strengths and limitations as an autistic super than pretty much anyone else does. This doesn't stop Peter from getting involved with a cult while investigting a series of suicide bombers. He's just that much of a disaster, autistic or not. I play fast and loose with canon but try to stay true to (what I perceive to be) the spirit of the characters. https://archiveofourown.org/works/14697780 First, just want to say the Avengers portrayed as more gray and untrustworthy than their press would have you believe is a favorite take of mine and I loved to see it here. Most importantly though: autistic!Peter is such a compelling character. The author merged Peter's powers with his autism to craft some emotional punches that I did not see coming which I adored. Peter's stress response to go sticky without releasing, and also wanting to be a weighted blanket for Wade. SO GOOD. The inclusion of sign language was the best too; just the whole idea that Wade and Peter have put the effort in to understand each other better than anyone 🥰🥰🥰 Homeless!Peter exists in this story, which is always harrowing to read (in the best way). I'm ace so I skimmed it but I'm pretty sure the author totally delivered on smokin' hot powerplay-y sex scenes. As with pretty much all the stories I love and recommend, a fantastic calm + happy ending with everything and everyone coming together well.

this is the life by jilliancares. Spideypool, Explicit, 38k. Summary: An up-and-coming masked hero is revealed to be a serial killer, and the public is terrified. Everyone's demanding that Spider-Man reveal his identity for their own safety, and as if that isn't enough, Deadpool is hired to make sure it happens. Peter's stressed enough as it is with work and rent and school and a new super villain cropping up — he just doesn't have time for this. He especially doesn't have time for Deadpool accosting Peter Parker, wanting Spider-Man's photographer to help track down the elusive hero. Or: Everything seems to be going wrong all at once. It's a miracle Peter hasn't had a breakdown. https://archiveofourown.org/works/35860972 Excellent identity reveal angst fic. I also loved how scary and intelligent Deadpool was depicted, how Peter wasn't underestimating him ever. The author made the identity reveal build up so much that it was so fun to read the actual scene. So happy to have read this fic 🥰

For more of my spideypool fics, x 🥂

[amoirsetpacis]

empatheorem event info;; vash the stampede

* if you are interested in swapping with vash you need to be comfortable with possibly writing themes surrounding human experimentation, torture, self-harm, etc. ty to xav for the template ♡

physical:

vash is 6'8'' and the bodily equivalent to a wacky flailing arm inflatable tube man; all long limbs and runner's muscles. he's still pretty thin, but he's gained a bit of weight during his stay here. he is accustomed to folding in on himself to fit in most spaces, so if your character is not used to that and they are anywhere non-accommodating, they are likely to bonk their forehead a lot.

your reflexes will be so fast. like a nervous cheetah.

despite looking on the leaner side, vash is inhumanly strong. he's very good at keeping it under wraps and controlling what he does, so if your character isn't used to that there may be some consequences.

his senses are very sensitive! you'll probably become a bit overwhelmed by what he considers a normal amount of sensory input.

guy is covered in scars, skin grafts, and metal bits holding him together. his left arm is missing. there are many places where the nerves are dead.

because of the combination of the amount of strain he's put on his body and lack of taking care of it, as well as being at what is basically the 'end of his battery life' with regards to what is keeping him alive, vash suffers from a lot of chronic pain. the severity differs from day to day, but typically there is almost always somewhere on him that at least sort of hurts.

weapons + abilities:

vash's abilities and weapons are currently all unlocked. you can find a list of them [ here ].

one of the abilities it being able to telepathically communicate with his brother knives, though this does not extend to their stampede equivalents. discussions with beetle or the mun of whichever character knives may swap with should be considered.

it should be noted that it takes vash well over a century to gain complete control over his abilities as a capital P Plant. Even at the end of the series, he is shown to not be 100% in control of some aspects of it. Before having the level of control he currently does, each use of his abilities had been triggered against his will, and their use had been catastrophic. Characters that try to tap into this power will most likely not have the ability to control it to the same degree.

on that note, as stated before, he is near the end of his 'battery life', which is why his hair is black. any unchecked use of his abilities will kill him. honestly i dont really mind if you do this, just give me a heads up first, lol.

vash is an extreme deadeye. as stated before, his reflexes are incredibly fast. he's shown time and time again to be able to shoot a moving bullet out of the air. do with this what you will.

his signature gun, as stated in the above list, as a Colt .45 top-loading revolver. he also has a gun hidden in his prosthetic left arm.

mannerisms:

tone changes a lot depending on the situation, but he typically speaks a bit lazily, dropping the ends of words.

often picks at the cuticles of his flesh hand out of nervous habit.

also rests his hand on the back of his head a lot out of nervous habit.

almost constantly fidgeting or shifting his weight around or moving unless he is completely comfortable.

enormous sweet tooth.

loves kids and is perceived as incredibly bully-able by most.

almost always concentrating on his movement and sound; he has the ability to either make himself silent but often deliberately makes himself known to appear more friendly. it comes second nature to him most of the time, and he doesn't have to really think about it. however the second he actually stops thinking about it he very much does trip over his own two feet.

almost always wearing his sunglasses

almost constantly overly-aware of how he might come off as non-human and does a lot to try and make sure it's undetectable.

over dramatic. screams a lot. also an absolute fucking yapper.

memories:

vash gets a lot of nightmares and ptsd episodes from various sources; losing his mother, being experimented on by his brother, his body being forcefully taken over against his will on multiple accounts, wolfwood dying, etc. i can give more information as needed.

memories of himself and knives as children aboard the space fleet, SEEDS.

memories of his time post-series which are-- hazy, often. tw for self harming and alcoholic tendencies here, should be discussed in dms first.

memories of wandering the desert with his brother after the collective crash of the SEEDS fleet, along with the memories leading up to and surrounding knives cutting off vash's arm.

memories of the various times in which he's been tortured are also up for grabs. these can be discussed at greater length in dms.

memories about his recent wedding and honeymoon are off limits, but just about any of his other spirale memories are free game.

vash has a lot of shit to unpack, so please feel free to message me with anything else you're curious about! i can go full corkboard-with-yarn for you so fast

other:

lives in a two-story house with wolfwood and their cat in fibonacci.

he usually walks everywhere because he's dogshit at driving but he does have a motorcycle given to him by the Stars

their house has a big garden and the house itself is full of plants as well. these and the cat are his children. please be so nice to them

same as zach, the event rules already talk about this sort of thing but please dont be weird about vash's body or his relationship with wolfwood. vash is still working a lot on unpacking a lot of self-hate and also it's just not cool in general.

icons:

sharing icons is totally okay! however i have. uh. well over 2000 of them, and tend to only edit them as needed. i can link you to a g/oogle dr/ive which i will keep updating, since this event has kind of kicked my ass into actually working on them lmao. i just ask that you dont share them or use them outside of the event.

please dm me either here or on discord if you're interested!

[artobotsrollout]

ROASTING REVIEWING KNOCKOFF TRANSFORMERS

Part 1

So it's no secret that I enjoy collecting TF figures. My collection isn't massive but I like to collect my favourite characters! Hasbro figures (at least the first series released at the start of a continuity is. I can't speak to some of the later releases) are usually p decent quality.

Decent faces. Thought out weight distribution so even characters like TfP Starscream can stand. Smooth joints. Basically an all around decent toy.

Of course with any piece of media there are the knockoffs.

Let's get into the first one

DINOSAUR Battle $4

Montoy

I saw these and thought they were cute right? "ooh a bunch of mini transformable dinosaurs"

However, the moment I look a little closer I already found things that bug me.

Review under Readmore

* Please be aware that this entire post is meant to be jokey. I'm not actually angry about any of these things. I'm exaggerating for emphasis and humour. *

The pictures of the dinosaurs to the left of each toy are not the same colours as the actual toys in the packaging. It's possible maybe the colours are random but from what I could see all the packages had the same colours??

Another issue... Maybe it's not as big of a deal to most people but as a paleo-nerd it really bugs me. So they label which dinosaurs they are right?? Well...

CRYPTOCLIOUS IS A PLESIOSAUR (Think long necked swimming dinosaur. Think Loch Ness monster) which if you look at the figure

IT HAS FREAKING FEET

A better name would be diplodocus or brachiosaurus OR Yknow what I'd even accept the outdated term Brontosaurus for this guy. At least it's the long necked land living dinosaur and not the water dwelling sea reptile.

I FEEL LIKE to have put down Cryptocleus you had to google it. So if you had to google you'd have seen that cryptoclious has FREAKING FLIPPERS.

I don't usually get upset about dinosaur mistakes bc like... I don't want to be that person who yells at people for not knowing dinosaurs / extinct creatures. Lord know I have gaps in my own knowledge. It's more just baffling to me that they picked a species that isn't even a dinosaur like the toy is. And it's such a weirdly weirdly specific and not well known species too.

I haven't even opened them yet and for some reason?? I expected every dinosaur to transform but apparently they are just meant to combine?? Into a wholeass dude? And that's it?

Anyways here they are

Despite my misgivings and the definitely cheap plastic used some of the designs are p cute.

Only the tip of the wings flap apparently 😂 the rest of the wing is permanently out oof.

Poor T-Rex. This is as high on his body as his head goes. He is doomed to forever fall flat on his face. 😔 Truly tragic

I appreciate the stegosaurus having constant finger guns 😂

The joints are not great. Some are okay while others are kinda tough to move. The pieces come off too easily as well.

Time to make it into a man.

....

........

...........

How the Frick is this a man?!?

This is so goofy looking help 😂

Amazing.

Now I'm gonna leave the joking mode and be serious for the conclusion.

These are not great quality but they have cute designs. The designs are fun if a bit odd at some parts. Cheap plastic and not super well thought out toy. Then again I didn't expect much for $4CAD

If you're someone who likes painting toys then these could be fun to use as a base.

I don't have children and haven't worked very much with children so take what I say with a grain of salt. For a child who is delicate with their toys and old enough to not eat everything it's not terrible. Could be cute in a gift bag from a birthday party. Wouldn't recommend for young children. There's a lot of easily removable small parts that could be consumed and be a choking hazard. Not to mention idk how toxic the material is. Also wouldn't recommend for children who play very roughly with their toys. Parts will go missing easily and some of the parts are thin and feel like it wouldn't take very much to break them.

The Combiner mode is kinda pathetic so if you are getting the toy, get it for the cute robot dinosaurs and not for the robot they turn into.

[svynakee]

Netflix Avatar: Trading Sexism for Racism?

There's been a controversial article that may or may not be media ragebait from Variety about the upcoming live action Avatar: The Last Airbender adaptation.

From the headline the tone is already established and fans have made their displeasure known. My post won't be about that. It's going to be focused on a segment of the article that isn't a part of the current conversation, as far as I've seen.

Sokka’s sexism won’t be the only difference “Avatar” fans see in Netflix’s “The Last Airbender.” Showrunner Albert Kim previously said the show does not begin the same way the animated series does. The live-action series will also show the genocide of the Airbender people and the rise of the Fire Nation, which was only alluded to in the animated series.

A major change from the original to the Netflix adaptation is that we will see the genocide of the Air Nomads on-screen. This is what the Air Nomads look like.

Like all the cultures present in the Avatar world, they are based on a real counterpart: Buddhist monks. Within the show, the genocide of the Air Nomads was shown through imagery like this.

Empty, ruined temples. Aang's sad memories, his guilt and sorrow. His loneliness as the last member of his culture. We never saw the active killing of the Air Nomads by the Fire Nation, but we felt the weight of their loss.

Here's another quote from the article by Sokka's actor:

“There’s more weight with realism in every way,” Ousley said, which prompted Kiawentiio to reveal: “I feel like we also took out the element of how sexist [Sokka] was. I feel like there were a lot of moments in the original show that were iffy.” 

There's more realism in the live action.

Here's the question I, as someone from a culture and family where Buddhism is alive and strong, want to pose to Zack Sharf (author of the article) and Albert Kim.

Why do you feel the need to remove Sokka's sexism from your show, but also the need to add the violent slaughter of people who look like my religious leaders.

I'm not a devout Buddhist. I'll laugh along to Saint Young Men and slapstick comedy Tang Sanzang. I don't get offended when enemies with Buddhist imagery get killed in videogames (which often come from countries where Buddhism is a major religion). But you can't say that Sokka's sexism, which was a part of his character development and never condoned, is too problematic for your show then add gratuitous violence towards people who look like Buddhist monks for what, realism? To establish tone? That's fucked up. It isn't necessary and I would have accepted it if you didn't then turn around and tell me, a woman, that sexism is too much for my faint heart.

The British have plundered Buddhist temples across the world. The West puts Buddha's head in their fish tanks and gardens. Communities have been forcibly converted to Christianity by settlers. The harms of colonisation towards followers of Buddhism is as real as sexism.

...

I'm seeing rumours that the truth of Sokka's sexism getting cut out is due to the limited run time of the Netflix adaptation compared to the original. if so, fucking admit it. Or maybe save some of your precious minutes by removing the bit where the Air Nomads are getting roasted alive.

[destinyc1020]

I do think Tom changes his look a bit more than some of the other known male actors like Paul or Timmy. They do ofc change but Tom does is more often I think. But I agree, I never understand this fandom obsessiveness with his appearance. Like you are following an actor, what do you expect and the hell you’re complaining for?! Maybe go follow someone else if it bother you this much lol (I’m mainly talking about those that threw tantrums during tcr filming).

You think Tom changes his look more than other actors? 🤔 Cuz most of the time when Tom has changed his look, it's usually in prep for a role. He buzz cut his hair for Cherry, he cut his hair to play Todd Hewitt in CW, he grew his hair long to film the lengthy series TCR, he bulked up for the Spiderman Franchise and Uncharted, he lost weight for Cherry, he tried to grow some facial hair for the Current War lol, he grew his hair a bit to play in TDATT, etc. That's why I'm always baffled when people say that Tom's career isn't "versatile" lol, when he's probably one of most diverse and versatile actors in his age bracket today! He's done so many DIFFERENT roles that have caused him to look so different. We all knew he wasn't gonna keep the long Danny hair for TCR lol 😅🤣 LBR... Most of us weren't shocked at all when he cut his hair as soon as filming wrapped lol. Timmy usually keeps his hair floppy long, but I also don't think he's done any films where he's played someone in war and had to buzz cut his hair. Has he?? 🤔 And he's never played a superhero, or an "action" star in a popcorn flick, so he hasn't really had to "bulk up" for his roles. Although, I will say that I think he DID put on a little bit of muscle for "Dune: Part 2", cuz he's looking bigger than he used to look in the past lol 😅

Either way, I think both he and Paul have varying looks sometimes over the years.

Paul Mescal's looks don't fluctuate as much (true lol), but he has changed his looks slightly to play various characters as well...

I just think you think that Tom changes his looks often because he's usually doing it based on the roles that he plays. If his filmography wasn't as diverse and he weren't playing such diverse characters, I don't think you would see such a strong variation in his look either.

[hagatha-christie]

September books, though at this point these posts are purely just for me

The bad:

Old Possum's Book of Practical Cats by TS Eliot - shocking amount of racial slurs for a children's book

Sovietistan by Erika Fatland - technically didn't finish this one. It's a shame because it was SO interesting and I enjoyed reading about Central Asia bc I know nothing, but Fatland is so rude about every single local she comes into contact with. Constant descriptions of bad teeth, people's weight, how nasty the food was, and how backwards the attitudes were. I get it's kind of a strange/unique region but it was gross to me that her narration, apart from when she discussed history of the region, was very much "wow look how weird and exotic these people are! I'm so glad I live in Norway where it's CLEAN and people aren't WEIRD." Only made it through the Turkmenistan and Kazakhstan chapters which is a shame bc this could've been great if she was just not an asshole!!!!

The okay:

Uncharted by Alli Temple - was truly expecting nothing from this Kindle Unlimited pirate adventure-romance series with a stock image cover but it was actually not bad? Fun, pulp-y plot and I finished it in about 5 hours

Cleat Cute by Meryl Wilsner - a serviceable romcom about two soccer players who fall in love. I read Wilsner's other books (one was fine and one I hated) so I feel like saying this is my favorite isn't saying much, but it was cute.

The Lost Spells by Robert MacFarlane - the draw here isn't so much the poems (but they're fine!), it's the beautiful watercolors

The good/great:

spellbook for the sabbath queen by Elisheva Fox - a really beautiful but sparse poetry collection that has stuff about identity and environment and difficult familial relationships and sexuality and Judaism. This is her first collection and it definitely feels like one, but not in a bad way. I'll def keep an eye out for more of her stuff

Ararat by Christopher Golden - a recommendation from a friend and it had some GNARLY kills but was another book that was very much My Shit. Also had a great ending

American Journal: Fifty Poems For Our Time, edited by Tracy K. Smith - a really great poetry collection especially if you're just getting into poetry and are looking for new poets. There's enough variety that there's something for everyone in there!

When I Grow Up I Want to Be a List of Further Possibilities by Chen Chen - these poems were so fucking weird that i was immediately in love. Idk what else to say other than "strange and lovely"

Rouge by Mona Awad - speaking of strange! If you're into skincare this is especially fun, I'm glad I got a facial BEFORE reading this because otherwise I would have been mildly unsettled. I love that thing Awad does when the character starts to lose it and the narration goes off the rails

Bestiary by Donika Kelly - I mean this in the best possible way, what the FUCK. "You grow. You are large./You are a 19th century poem." but also "I have never known a field as wild/as your heart." Hey Donika what if I throw up everywhere

He Who Drowned the World by Shelley Parker-Chan - some great characters and also a couple of plot points that were so upsetting i started laughing and then had to put the book down for the night because it was the most tragic possible thing to happen. (almost) every single character in this book is a total asshole and I love them all!!!!!!!! Maybe not technically "great" but one of those books that felt like it was written just for me.

The House on Mango Street by Sandra Cisneros - an all time favorite I reread because I was sad. Sandra Cisneros is one of those writers that makes me feel incredibly seen and I was having a bad day so I read this in one sitting and it helped a little

[90shaladriel]

My son just watched the Star Wars OT for the first time and some observations.

Ok this is a bit of cross-fandom random thoughts, but I wanted to put somewhere.

I'm a child of the 80s-90s. I grew up with Star Wars, was legitimately obsessed with it from ages 3-7 me and my brothers endlessly rewatched the Original trilogy (or just 'Star Wars' as it was known then) on VHS tapes in those years. I remember being so excited for the theatrical re-releases and later the prequels.

My son (4) doesn't watch a lot of non-educational TV or movies, partly we don't show him much, but also he tends to be easily frightened by any tension or scary villains. Probably the scariest movie he had watched before this was Cars 2 (which was weirdly violent!) I also thought that maybe the violence would be something he wasn't really prepared for, none of his books or TV shows really shows graphic deaths. The worst thing he's seen are clips from TV News about the war in Ukraine which isn't often.

Last year I picked up some old children's books from my parents, and I had a stack of books that were the Star Wars read along books (that used to come with a small vinyl record) for the OT and a Star Wars ABC books. I would occasionally read these books at bedtime and my son gradually became enthusiastic about them, so we would get other Star Wars books from the library, most of those were either Prequel-era or even now Sequel-era stuff which he seemed to like and get. I think what's important is that going into actually watching the films he had been "spoiled" somewhat on the basic storylines and characters, like he knew Anakin Skywalker became Darth Vader, but honestly I think at his age he doesn't follow stories that well, so knowing all the characters and places upfront probably helped him enjoy it more I think?

So I thought with this I would just sort of give some observations about my son's experience and also my own re-watching the films for the first time in years. I had the Blu-ray Special Editions that were released maybe 5-6 years ago?

A New Hope

On rewatch this is by far my favorite, it's funny, gritty, action packed. It is pretty violent, dead bodies seen in the first firefight on the ship, Vader force choking people, Owen and Beru's burnt corpses, but overall this didn't seem to be harmful to my son, we did talk a bit about it being a war and that people were 'hurt'. He seemed most affected by the death of Obi-wan, and kept asking where he went. My son seemed to like Luke and R2-D2. I will say a lot of the audio was kind of uneven on this edition, I had trouble hearing dialog and my son can't read subtitles so I was explaining stuff and then the action or score would be super loud.

I think that the special edition CGI additions are the weakest in the trilogy, particularly the ones on Tatooine. IMO they don't add much and look fairly cheesy by today's standards. To be fair a lot of the Cantina alien costumes also don't look the best now in HD resolution.

Sadly one of the areas I feel suffers the most now is the continuity with all the Prequels and series. Like the way Obi-wan talks about the past makes it sound like 30-40+ years ago when it was really more like 18 and, now with the Kenobi show, things like him meeting Darth Vader was <10 years ago. I'm only 40 and events 10 years ago feels like nothing. So Vader's line "I sense something; a presence I've not felt since..." just feels like doesn't carry the weight it should. The Jedi shouldn't be an "ancient religion" they were still be hunted down in recent years and Han would have been alive when the Jedi were fighting in the Clone Wars I would think? I kind of think George Lucas backed the franchise into a corner a bit by setting the Prequels too close to the beginning of the OT, I get why to somewhat explain Luke and Leia's ages. I dunno, I would have rather ret-conned them to be mid-20s or something.

Empire Strikes Back

Very enjoyable still. Son liked the Hoth battle scenes, loves AT-ATs. Kind of less interested in some of the Dagobah planet and Yoda scenes. He didn't understand at all what was happening in the Dark side cave which was pretty scary for him, eventually the explanation that stuck was "It was a robot Darth Vader, not the real Darth Vader" that Luke killed. He had little or no commentary on the Han-Leia romance, something I remember feeling cringey about it as a boy that thought girls were like the enemy, he doesn't seem to care, but doesn't like it either as far as I can tell. My son was shocked when Vader cut off Luke's hand, because the Read Along picture books sanitize this as "Vader slashed Luke's lightsaber away" or something more PG. These are violent movies!

I don't remember as much additional scenes or CGI in this one, the old models of Star Destroyers and Rebel ships looked amazingly good I thought, I think Executor and generally imperial navy scenes overall are so good still. I think they added a few shots of the Falcon flying around Cloud City and maybe the snow monster scene looked a bit cheesy now?

Something that struck me on this rewatch in particular was how good the lightsaber duel between Vader and Luke was. I always remembered it as Luke losing pretty badly. Which is true, but he seriously held is own for most of the fight, counterattacking even getting a few glancing blows on Vader. The fight was way more intense than I remember it being and super fun to watch especially with how later jedi duels in the prequel movies get a lot of praise. This really held up in my opinion.

Which is impressive with what we now know Vader to be, like the greatest Jedi warrior ever. Again some continuity stuff bothers me more about the prequels, especially in Kenobi the Darth Vader vs Third Sister fight where in the how Vader could basically force block her lightsaber, and she was pretty much fully trained in the force. Similarly the hallway scene in Rogue One he can toss people around, it's hard to imagine Luke being able to compete with him at all. I kind of prefer the OT Vader without the prequels, strong with the force yes, but not superhuman powerful.

One nitpick though. Several times The Falcon is being chased by TIE fighters, why didn't Han or Leia go back and use the turret cannons to shoot them down like in ANH Death Star escape?

Return of the Jedi

Confession, growing up this was always my favorite Star Wars movie. On rewatch for me it kind of felt the weakest of the three. I guess you have to be an adult to kind of see it?

My son seemed to get a bit bored at parts. I think the Jabba Palace scenes were a bit more subdued and slow-paced than I remember, and so was a few of the middle scenes with Yoda or Luke's revelation to Leia, very quiet and somber, but definitely nothing like what we saw in ANH or ESB in terms of action-pacing.

My son thought ewoks were kind of silly and funny, but doesn't seem like to make an impression on him since we watched, unlike the AT-ATs or some of the human characters. He was afraid of the emperor, on some level I think he "got" the dynamics between Luke and Vader as it's clear Vader is his dad and Vader used to be a good guy (Anakin) in contrast to the truly evil Emperor so that all seemed to work well for him. I have to say, as a Dad now myself the final fight scenes and what Vader did hit way more deeply than anytime I've watched before, definitely teared up a bit. One question I got from him which I struggled to answer was "What does it mean to turn to the dark-side?" I'm not really sure I have a good answer other than "be tricked to do bad things" which is as good as I could explain it to his level. I guess that is a pretty abstract and fictional concept for a 4 year old.

Overall I loved the Luke - Vader rematch, again, Vader seems to be slowing down with age or wear and tear when compared to even Rogue One or ESB but Luke is getting stronger. Since Luke is the only Jedi left at the time, it was never clear how strong he was supposed to be, also being physically a small guy he doesn't seem as impressive a hero but more of an underdog in the saga, yet he took on Vader 1 on 1 and defeated him, so maybe the Force is stronger with him than I used to give him credit for? The fight was good, emotionally intense, I almost wish the actual lightsaber battle was a little longer.

One new takeaway that never really struck me before was that the ultimate climax to STAR WARS was the hero throwing away his weapon and choosing Non-Violence and ultimately being saved by (a father's) Love. That's kind of a radical notion for the 2020s let alone the 1980s. Props to George Lucas for that unconventional twist there. I almost feel like this doesn't get talked about enough compared to other aspects of Lucas' philosophy or themes in the films.

The Battle of Endor still is one of the best space battles I've ever seen. I do think the Battle of Scarif in Rogue One is probably on-par with it, but for the 1980s it's so impressive what they were able to achieve with the technology then. Also my favorite minor character of the series is Admiral Ackbar. I'm glad my son enjoyed him as well (also I felt his costume held up better in HD than the ANH alien rubber mask costumes). I wish he had his own spin-off show or movie tbh.

Overall Thoughts

I was so happy to finally be able to share this treasured part of my childhood with my son, and he seemed to take as much enjoyment from them as I did. He still asks to read the books at bedtime and we have been trying to branch out and get more Star Wars books about the Prequels and Sequels. As far as toys goes, he likes LEGO in general so we've got him a couple of Star Wars LEGO sets. It's a far cry from the collection of action figures and space ships I had in the mid-80s, but he enjoys it.

Next Star Wars to Show Him

I think that I would like to show him some of the Prequels next. Those were never my favorites, but maybe they will appeal to him at his age? The prequels were released when I was in HS/College and already had a lot of head-canon for what I thought would be in them from the EU and other sources. Maybe the Clone Wars animated show would be appropriate? I've never actually seen it myself so don't know if it's good for him to watch, maybe it's more for older kids?

I think Rogue One is also a natural fit with the Original Trilogy, but that's probably a bit too dark/adult for him right now I think. I do wonder if there are any good sanitized kids picture books about it though 😂

[hetalia-club]

Matchup anon here! I've waited for so long for this turn! Portugal vs Spain. Frankly surprised more people are giving Spain the vote, considering Portugal's feats against him, both in-series and historically. But frankly, I think Portugal's a real mystery in terms of true physical strenght, even moreso than Switzerland. We know he looks superficially the same as Spain in terms of bodytype in the manga, but the truth is... We never saw him naked. Or at least we never had a look over how many abs he has. We never had a fanservice-y picture of him made by Hima aside from that messy panel where he's dressed in a roman outfit, but even that was hard to tell when the clothes end and the abs begun. Frankly sad Hima never invested in drawing him in a waiter outfit, since that's when we can get a good look at a characters bodytype. It's fair to assume he has a body similar to Spain's, and a lot of people headcanon him having even more abs than Spain. I think this is a leftover from that proto-Port sketch were he was drawn similar to Greece, but that's not exactly canon, so... Long story short, Port's bodytype is a real mystery. Fans headcanon him as muscular, or at least toned, but beneath his clothes he may even be England's bodytype, we don't know. I'm even surprised he made it in the heavyweights' list due to how much we don't know about him in that aspect, aside from the fact that he's even shorter than England (one centimeter, but still).

As for pure fighting skills, can understand why Spain is being more popular with voters. He's known to be very scary when drunk, and he actually has good on-screen feats in terms of strenght. But Portugal actually has implied feats against him. Port has been mentioned by Hima as being one of the people who beat Spain up along with Ned and England (although that's very old information). England also trained Port in the arts of fighting, and Port has fought with Spain so many times that he probably isn't fazed by anything Spain does. That was what I meant in the last ask about their relationship being important here, even knowing it shouldn't be a factor in these matchups. It's less about Spain backing down and more about Port being so petty and knowledgeable about Spain that I find it hard to believe that he doesn't know the most effective ways to bring Spain down in combat. And this is not even mentioning Hima talking about how he views Port as a "final boss" kind of character. I especulated a lot for this fight, but with how little we actually know about Port's pure fighting skills, it had to be done. And the scale tips for Port more than it does for Spain, at least to me.

Anyways, long story short, Portugal wins to me, but unlike certain other matchups, which were just full of bias, I can understand why someone would give Spain the vote, considering his on-screen feats. This ask was so long I'm gonna need a separate ask for Finland vs Poland. More inclined to vote for Finn, but I'm going to research more on Poland's feats before voting definitely.

You’re right in saying Portugal was a wild card. I put him in heavy weight because it’s said he and Spain are very similar. It’s true they don’t say uns strength or anything but they don’t say there not either. Based on that I put him in heavy weight. But I really don’t know much about him so I did vote for Spain because what I know about spain historical he’s not someone you want to mess with. I know Portugal is the same in that. But I also don’t know much about just the character himself. I’m sure Portugal stans could convince me other wise it wasn’t a confident vote or anything I just went with my initial gut.