#impossible challenge: draw characters consistently

[aldoodles]

More messy Leviathan scribbles because I’m still trying to determine how I want to draw Sharp’s face

[weirdglassthing]

ouaw doodle dump!!

[chocostrwberry]

Secrets

[mochiiniko]

rd art dump featuring some old stuff that i just forgot to post lol

[appledappledally]

Potential Rise of the Dragon Star spoilers (sketches)

they DID get to see the seashine actually

tagging on request @authorjessowen. how dare you end shadow sun like that, to author jail you go for 1,000 years

[agropuff]

im gonna frow up

[phoenixisobsessed]

92 as mtmte Tarn?

Punches you ❤️ (Original post: here)

This one was both fun and dreadful to do, but sleeping on it helped. xD I love Tarn as a character so much and- yup, this is him.

Comic artist draw character designs consistently challenge: impossible also. I ngl use fanart as reference more and more BHSBH

Anyway, back to exams. Hopefully more tomorrow!

[cheapsweets]

The Recondite Haesorog

My response to this week’s BestiaryPosting challenge from @maniculum

Now, I actually have a suspicion what this creature might be - I wasn't deliberately trying to work it out, but when I was throwing around concepts for the drawing, something clicked... If it is what I think it is, it's at the same time a really cool description, with some bits which are wildly out... I didn't pursue that particular line of thinking with my piece this week, but I'm going to be interested to see what this one turns out to be :D

Jinhao shark fountain pen with a fine, hooded nib, with Monteverde Raven Noir ink, over initial pencil sketch. I'm going to do some experimenting with the brush pen and the fude-nib in future pictures again; I appreciate the consistency of the lines that this pen is giving me, but I suspect those other pens would give a little more character to the lines.

As an aside, I'd genuinely encourage anyone looking at these challenges to give it a try; its given me a bit of focus to get back into something I used to enjoy, without too much pressure (both in terms of the time and also this mostly being about fun!)

As ever, reasoning under the cut…

"Ethiopia is the home of a creature called the Haesorog, as large as an ox, with the footprints of an ibis, branching horns, the head of a stag, the colouring of a bear and the same thick coat."

Okay! For such a short description, we've actually got a fairly good amount of detail. Of course, some of it doesn't really make sense together - bird feet with horns and a bear's thick coat? What could be going on here?

I figured that, rather than trying to work out something realistic, I'd actually treat the description at face value as much as possible. As such, we have an ox-sized, deer-headed creature with long, bird legs and feet, covered in shaggy hair! I actually tried to put a bit of deer anatomy into the legs, but they were primarily referenced from ibis photos - I'd set myself on that particular pose, but it was impossible to find a front-facing picture of an ibis with its leg raised (not perfect, but turned out better than I was fearing!)

The horns gave me cause for thought - horns don't tend to branch, but they're very distinct from antlers (antlers being bone, and shed yearly, while horns are covered in a keratin sheath which is not generally shed). In the end, and given the description of it having a deer's head, I went with antlers, specifically taking inspiration from the wapiti (American/Asian elk) and red deer for the grand, branching antlers rather than palmate antlers of the fallow deer I'm most familiar with. I did give them a little texture, as a nod to the horn though.

Charles Knight's Animal drawing was really useful here - the short essays in that book made me consider more carefully some aspects that I wouldn't have just looking at the drawings, including things like ear position, and the general vibe of the animals I was referencing.

Still experimenting with plants and trees for the background - some came out better than others, but I've learned a few more things from this about what does and doesn't work well!

I'm now kinda wishing I'd drawn a fuzzy horned dinosaur for this, but I'm still happy with the directionI went 😅🦖

"It is said that the Haesorog changes its appearance when it is afraid and, when it hides itself, takes on the likeness of whatever is near — a white stone or a green bush or whatever other shape it prefers."

Well, this is cool; an ox-sized animal that is also a master of disguise. You can see my nod to this in the background where a hunting party (plus dog) are walking straight past a Haesorog disguised as a tree...

I did a little look into medieval costume (and dog breeds) from Ethiopia; I know that this is a bit of a catchall term for Sub-Saharan Africa, but it gave me a place to start. Turns out that the figures were too tiny to put in any detail of the clothing (or to make the Ethiopian Highland Dog) distinct, but the history there is fascinating (including Ethiopian delegates to Florence in 1441 being frustrated about the Europeans constantly referring to their kind as 'Prester John' 😆

This seeming magical power of disguise also gave me a couple of extra influences in the style - the forest god from Princess Mononoke, and the goats from that film and from the Nausicaä manga. Not sure how much it came across!

[augment-techs]

fanfic writer questions:

23. What’s a trope, AU, or concept you’ve never written, but would like to?

25. What other websites or resources do you use most often when you write?

26. Would you rather write a fic that had no dialogue or one that was only dialogue?

27. How long did it take to write [insert fic]? Describe the process.

36. Do you visualize what you read/write?

38. Did any of your fics get surprisingly popular (whatever that means to you)? Which ones? Why do you think they were so successful?

39. Is any aspect of your writing process inspired by other writers or people? If so, who?

23. *stares into the middle distance* ...If we're being honest, most of the AUs and tropes I've ever wanted to write, I've written. Finding one that I haven't sunken my grabby little fingers into already is a challenge. About the only one I can think of is the Groundhog Day or Wish Baby AU, and that's because they go on for such a long time. 25. TVTropes, Wikipedia, Youtube analysis videos by way of websites. I generally use actual paper books for everything else. 26. This is a bit of a cheat because I've already done both, but no dialogue is preferable to all dialogue because I HATE THAT. I am not a script writer and it REALLY shows. 27. You're supposed to insert the fic title for this question, honey. But if we're speaking in generalities, it can take me anywhere from several hours to several weeks to write a piece. 36. Oh yes I visualize, and often. Perhaps not very well, because I'm more on the verbal spectrum than feeling, but it works about the same. 38. I've answered this, but might as well add on: My 'okay, but What If...?' SDMI series is constantly and consistently on the up and up in terms of numbers of popularity. One of the reasons most recently is because that fucking 'Velma' series is burning hot garbage, but throughout my writing them, I think the thing that draws most people to them is my complete unwillingness to focus solely on the Scooby Gang. These one-shots always focus on the background characters that don't get very much screen time, but everyone loves or loves to hate in equal turns. Also one Dear Evan Hansen/Be More Chill Canon Re-Write crossover and one Kuroshitsuji anime series ending re-write are intensely popular even years later, but that was just because I put my foot down and kept it down about my views on What Could Have Been. 39. To quote Neil Gaiman, "Writers live in houses other people built." It is impossible to be a writer and not be inspired by one or more other writers, directors, artists, actors, and living things out in the world. But, in a pinch, my current inspirations come from dirgewithoutmusic @ AO3 and aletterinthenameofsanity @ AO3 due to their abilities towards AU and one-shot writing technique, and my current aesthetic comes from Oz Perkins and a few French films in their original languages from the 90s and early aughts.

[timedyne]

draw your own characters consistently challenge - IMPOSSIBLE

anyway, just a lil thing about the splatsville catalogue, hagfish is trying their best not to scare the students but its hard not to when you’re an alternate

if you cant read my handwriting (fair), the text is under the cut

It was front page news for weeks. It was impossible to ignore.

“Idol duo Off The Hook Missing - Alternate Involvement Suspected”

Most teachers at school don’t even teach anymore -- they just leave the news on and watch the disappearances and deaths rise.

...except for Professor

One day I asked them why they weren’t worried about the Alternates like the rest of my teachers.

The looked at me confused for a second, then replied...

“Don’t worry about it, Eve. You’ll understand perfectly soon.”

...whatever THAT means.

[krishnacars218]

The Zerg Rush: An Imaginative Impetus in the Realm of Workmanship

Workmanship, the all inclusive language of articulation, has consistently developed all through mankind's set of experiences, mirroring the steadily changing scene of culture, society, and innovation. From the stunning magnum opuses of the Renaissance to the intriguing establishments of contemporary craftsmen, inventiveness exceeds all logical limitations. In the domain of imaginative motivation, startling impacts can rise up out of the most impossible sources. One such impact is the "Zerg Rush," a term beginning from the universe of computer games however tracking down its direction into the vocabulary of workmanship as an impetus for development and inventiveness. In this investigation of workmanship and its assorted impacts, we dig into the idea of the Zerg Rush and its effect on the inventive strategy.

Craftsmanship as an Impression of Humankind:

Workmanship fills in as a mirror to society, catching the embodiment of human encounters, feelings, and desires. It incorporates a wide range of mediums, including painting, mold, writing, music, execution, and computerized media, each offering a one of a kind road for articulation. From the beginning of time, craftsmanship plays had a crucial impact in molding social characters, testing cultural standards, and igniting unrests.

Craftsmen, driven by a significant longing to convey and interface, utilize their imagination to investigate complex subjects, incite thought, and bring out feeling. Whether through authenticity, deliberation, or conceptualism, craftsmanship rises above etymological obstructions, social partitions, and worldly limitations, cultivating a feeling of solidarity and compassion among different crowds.

The Rise of the Zerg Rush:

Beginning from the domain of computer games, the expression "Zerg Rush" acquired prominence in the continuous technique game StarCraft, where players controlling the Zerg group utilize amassing strategies to overpower their adversaries with sheer numbers and constant animosity. The term has since risen above its gaming starting points to saturate mainstream society, filling in as an illustration for fast and facilitated activity in different settings.

In the realm of workmanship, the idea of the Zerg Rush encapsulates a feeling of suddenness, overflow, and force — an imaginative ethos that resounds with specialists trying to break liberated from shows and investigate new boondocks of articulation. Specialists draw motivation from the tireless energy and dauntlessness of the Zerg Rush, embracing the turmoil of the innovative strategy and releasing their creative mind with uninhibited enthusiasm.

Embracing Mayhem: The Zerg Rush Mindset in Imaginative Articulation:

The Zerg Rush mindset urges specialists to embrace mayhem as an impetus for development and imagination. Like the tenacious development of the Zerg crowd, craftsmen explore the material, the stage, or the computerized space with a need to get moving and reason, impelled by a determined quest for imaginative investigation. They shun compulsiveness and embrace defect as basic components of the imaginative excursion, tracking down excellence in the surprising and the crude.

The Zerg Rush mindset commends suddenness, trial and error, and joint effort, enabling specialists to push past their usual ranges of familiarity and investigate new roads of articulation. It underlines the significance of facing challenges, testing shows, and embracing disappointment as a chance for development and disclosure. Craftsmen draw motivation from the disorder of the innovative approach, tracking down freedom without any limitations and rules.

Coordinated effort and Local area:

Similarly as players in a multiplayer game direction their endeavors to execute an effective Zerg Rush, specialists frequently team up with companions, guides, and crowds to understand their dreams. The Zerg Rush mindset cultivates a feeling of brotherhood and common perspective inside the creative local area, where people meet up to intensify their effect and investigate new boondocks of articulation.

Cooperation empowers craftsmen to use their aggregate assets, pool assets, and push the limits of innovativeness. Whether through joint presentations, interdisciplinary tasks, or imaginative assemblages, specialists find strength in solidarity, manufacturing associations that rise above individual limits and advancing the aggregate woven artwork of human articulation.

Conclusion:

Workmanship is a demonstration of the unfathomable capability of the human creative mind — an excursion of investigation, revelation, and self-articulation. The idea of the Zerg Rush offers an exceptional focal point through which to investigate the elements of inventiveness, coordinated effort, and development inside the creative circle. As craftsmen explore the intricacies of the innovative approach, they draw motivation from the confusion of the Zerg Rush, tracking down freedom in suddenness, joint effort, and the persistent quest for articulation. In the steadily developing scene of workmanship and imagination, the zergrush fills in as an update that motivation exceeds all rational limitations and that genuine development thrives in conditions where shows are tested, limits are pushed, and imagination rules.

[orangeoutreach1]

Link Building Agencies

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Orange Outreach's Origins:

Orange Outreach began operations with the goal of revolutionizing online marketing. Since then, the company has grown into a major force, providing creative and moral link-building solutions that make a difference in a challenging industry.

Deciphering the Orange Method:

Orange Outreach takes great satisfaction in using a tailored and methodical approach to link building. As opposed to offering one-size-fits-all solutions, the agency works directly with customers to comprehend their particular requirements, target market, and industry intricacies. This methodical approach guarantees that every link-building effort is customized to match the unique goals of the customer.

Building Ethical and High-Quality Links:

Orange Outreach's dedication to moral link-building is one of its defining characteristics. So that it could be able to achieve the reward of one of the top best link building agencies in USA . The agency avoids using black-hat strategies that can damage its customers' online reputations by closely adhering to industry standard practices and search engine guidelines. In addition to attesting to the agency's moral character, this dedication to moral principles guarantees its clients steady, long-term success.

Entire Link Building Solutions:

Orange Outreach provides a wide range of services for creating links, such as:

01. Content Marketing and Outreach: Using relevant, high-quality content to draw in credible links from other websites.

02. Guest posting services: Publish quality content on websites targeted to particular niches in order to establish brand credibility and obtain useful backlinks.

03. Link Audit & Cleanup: To keep your link profile tidy and search engine friendly, find and fix any potentially dangerous backlinks.

04. Analysing competitors' link-building tactics will help you create a more focused and efficient strategy.

Verified Outcomes & Customer Success Stories:

The success of Orange Outreach's clients determines its level of success. With happy clients spanning multiple industries, the agency's outstanding portfolio shows off significant gains in search engine ranks, organic traffic, and overall online visibility.

Keeping Up in the Virtual Race:

Orange Outreach consistently refines its techniques in order to stay ahead of the curve in a field as dynamic as digital marketing. The company makes research and development investments and stays up to date on industry trends and algorithm modifications in order to deliver innovative link-building solutions that stand the test of time.

Conclusion:

Link building becomes an essential component of the digital marketing mix as companies learn to negotiate the complexity of the online environment. Orange Outreach is a leader in the link-building industry because of its dedication to quality, moral behaviour and client focused strategy. Orange Outreach is a dependable partner in attaining sustainable growth and success for companies looking to rise in the search engine rankings and establish a strong online presence.

[mindrole]

lately im properly keeping off my wrist, ive never had an injury (at least not from strain, ive hurt it def though, i got launched off a treadmill once when i was a kid) but i fear it, so i'm being vigilant. i'm fine tho. but its really boring cuz i usually doodle to fall asleep...

but i was thinking like, cell series character designs are really great, i think there's a wonderful uniqueness to them in the design philosophy, but

isn't everyone so difficult to draw....?!?!!! usually i feel like... after the first few times i don't need to pull up a reference anymore, but with the characters in this series no matter how many times, i still look up refs, btw did you know shinano has two tone hair? it's not a shadow.

shinano in fact is up there in difficulty... i think balancing his facial proportions is difficult... he should be so cutes and so adorables but he's not like, karen or izu. the hair is also kind of a challenge, namely his hair after he got a haircut.

the character i think is easiest to draw is ryuu. definitely. i've seen people say hatsutori is deceptively difficult to draw. i agree... even though i feel like by some miracle i understood how to draw him much better than others, he's REALLY hard!!!

the funny thing is, recently the last ryuu i draw, i said "i looked at a ref for once"? well its cause i usually ref my own art. usually it's fine. for ryuu who is easy for me to parse it's usually fine, but i realized recently the bangs were wrong the entire time, so i wanted to try being on model at least once (whether or not i apply it correctly next time is a big "maybe"). also i always draw the bunny ears too short, but that's usually something i am very conscious of (because it is a moe point that i hate that i neglect. MOE IS KING)

of course you'd think... well you draw miwa almost every day... you must be proficient in that? the answer is NO. in fact, he's the only character i am pulling up a picture from the actual game to draw almost every time. CONSISTENTLY. dita's look is easy enough to understand i guess, but the usual look, what's with those bangs?!?!?!!! WHY? i draw his bangs too long, but honestly that's not something i'm interested in rectifying. if anything, i've literally never seen anyone draw him 1:1 to the one picture we have, i feel like everyone struggles. genuinely have not seen any two artists draw him the same. so i am not worried about trying to be "on model". it's his fault for having such a weird wig in the first place. i mean, look, im gonna put it under a readmore and i genuinely want to know if you guys think it's fucked or not. i think it is. usually i have like, the one canon picture we have right, and then 3 of my drawings to ref how i did it, it's a struggle every time. but he's too funny. a character who haunts the interlude and doesn't have a single line in it, only ever talked in the one com report. so i keep drawing him because there's so many jokes to make at his expense. it's very cursed. i think having this blog made me a little obsessed.

for the dita look like i said in another post there's a lot of inconsistencies so i just take what i like. though for the most part i follow the design in the interlude. there's not much to comment about, aside from how i'm wondering where his ahoge is actually placed on his head. i just decide on the fly because i can't tell. it's not consistent between appearances. i won't talk about the scarf i'll start foaming at the mouth im not kidding

not even going into the characters i find near impossible like theodore. i'll cry. i'll be here all day. haruki is hard to draw too...

anyway, here's your serving of miwa's fucked up wig that haunt my nightmares every day because i hate drawing this hair so much:

i hope he DIES in com for this, is he stupid?

i hope everyone finds out he's 60+ years old and he has to hold a press conference apologizing for lying about being a recent ex-teenager

[anya-vc-3438-aod]

Week 9- IMAGINATIVE HISTORY

We learnt how imaginative history is a beneficial instrument in evoking ideas, generating new concepts and conveying enthralling stories. Our first submission was based on research and facts. We had to research on at least 3 historical events from Sri Lankan history and list down the facts, historical figures, the location and time period. After this we sketched out the visuals for one story based on how we imagined the elements to fit into each category. Here is my research and sketches, which is quite messy;

Accordingly, an intriguing assignment we did was a flip book animation based on an amusing piece of history. After researching on countless humorous stories, I settled on one I felt would not only be entertaining but best suited for a flip book animation. My chosen piece of history takes us back to the opium war, in which the Chinese set monkeys on fire and launched them at British ships in an attempt to cause chaos. The most challenging part of this animation was drawing the images consistently as well as drawing many pages if you want a smoother and longer animation. Unfortunately, due to time constraints I couldn't draw as many pages as I would have liked. This was a time-consuming task, yet it was pleasing to see the outcome. First I did a few rough sketches, and then my final attempt;

We also had an amazing session with Shanka. The main focus of Shanaka’s workshop was about how to tell a “Good Story”. I learnt about the vital elements that are required to make a story captivating and memorable to its readers. Firstly, one needs to give your story strong dramatic content, whilst varying rhythm and structure throughout your prose so as to engage the audience. Furthermore, I learnt that one must create believable, memorable characters, that the audience will connect with; for an example Shanaka used character The Joker as an example and in turn stressed the importance of having character arcs too. Other valid facets include the pitch, film form, and film content of a story. It is important to make the important story sections effective and deepen your plot with subplots. Every line of dialogue should count, have a purpose. Additionally, creating a great story should have immersive settings; to put the readers right in the heart of the scene, in its world. It is not just characters that should have personality, but places too. Besides giving place personality, it requires something out of the ordinary to make it truly fascinating, as well as enriching it with detail. An element that was greatly highlighted was creating conflict and tensions in a story. When we think of conflict, we often assume its violence but that is not the case. Shanaka challenged us to give an example of any story (movie, book etc.) that doesn’t have any conflict. Most of us realized that that question was impossible to answer as all stories have to have a conflict, even something as childish as Telly tubbies (which entered the conversation as a possible answer). Next, we were taught the importance of crating beguiling beginnings; and we watched various opening scenes of movies like The Matrix and Jurassic Park, to better understand this notion. Simultaneously, a knockout ending it vital too. A good story ending resolves the primary conflict, rises in tension before giving the reader release, isn’t so tidy that it’s predictable or a cop out, and uses words that convey the sense of an ending. Finally, we learnt about the three-act structure, which is a model used in narrative fiction that divides a story into three parts (or acts), often called the Setup, the Confrontation, and the Resolution. Act one contains the exposition, the inciting incident and the first plot point. Act two illuminates the rising action, midpoint and the second plot point of the story, while act three brings out the pre-climax, climax and the denouncement. Lastly, we learnt the importance of research in creating compelling stories. He taught us the different possibilities of analyzing the story and varying perspectives it can take. For an example in the Lahore attack we were advised to look into the deeper stories of the bus driver and attackers. All in all, it was a thought-provoking session.

In closing our final submission, we had to choose between a flipbook animation, a graphic novel, or a comic strip. I opted for a comic strip. as you may have noticed already, ballet has been a recurrent them in many of my submissions. we were allowed to choose any story from world or Sri Lankan history, so I chose something important to the ballet history. my comic revolves around the life of Misty Copeland, who made ballet history as the first African American Female Principal Dancer with the prestigious American Ballet Theatre. I did a few very rough sketches.

and finally, my comic strip

[geekpress]

The Curious Case of Dark Web Links: A Comprehensive Guide

In today's digital age, the internet is a vast, interconnected space where information flows freely, but not all corners of the web are accessible or visible to the average user. The "Dark Web" is one such enigmatic realm that has piqued the curiosity of many. In this comprehensive guide, we delve into the mysterious world of dark web links, shedding light on what it is, how it works, and its implications.

What Is the Dark Web?

The Dark Web is a hidden part of the internet that cannot be accessed through conventional search engines like Google or Bing. It exists on overlay networks that require specific software and configurations, the most common of which is Tor (The Onion Router). This anonymity-focused network allows users to access websites with .onion domain extensions, which are not indexed by traditional search engines.

Unveiling the Onion: How Tor Works

The Tor Network

The Tor network, often dubbed the "Onion Router," is the gateway to the Dark Web. It functions as a series of volunteer-operated servers that bounce internet traffic through multiple relays to conceal a user's identity. Each layer of encryption peeled back is akin to unmasking an onion, hence the name.

Anonymity and Privacy

One of the main draws of the Dark Web is the enhanced anonymity it offers. Users can access websites without revealing their IP addresses, making it difficult for anyone to trace their online activities. While this privacy feature is crucial for legitimate purposes, it has also led to the Dark Web's association with illicit activities.

Navigating the Dark Web

.Onion Domains

Websites on the Dark Web use .onion domain extensions instead of traditional .com or .org. These addresses are generated randomly and typically consist of a string of letters, numbers, and special characters. They are nearly impossible to guess or memorize, adding an extra layer of security.

Dark Web Search Engines

Contrary to popular belief, there are search engines designed specifically for the Dark Web. These search engines allow users to discover hidden websites, services, and content. Notable examples include DuckDuckGo and notEvil.

The Dual Nature of the Dark Web

Legitimate Use Cases

While the Dark Web is infamous for hosting illegal marketplaces, it also serves legitimate purposes. For instance, activists and journalists use it to communicate securely in repressive regimes, and it can provide a platform for whistleblowers to share sensitive information without fear of exposure.

Illicit Activities

The Dark Web's shadowy reputation is not unfounded. It has gained notoriety as a hub for illegal transactions, including the sale of drugs, weapons, and stolen data. Additionally, it hosts forums for cybercriminals to exchange knowledge and trade in illicit goods.

Staying Safe on the Dark Web

If you decide to explore the Dark Web, it's crucial to prioritize your safety. Here are some tips:

1. Use a VPN

Virtual Private Networks (VPNs) can add an extra layer of anonymity by hiding your true IP address. This reduces the risk of exposure while browsing the Dark Web.

2. Keep Your Software Updated

Maintain your anonymity by keeping the Tor browser and your operating system up to date to patch any potential vulnerabilities.

3. Be Wary of Scams

The Dark Web is rife with scams, so exercise caution when making transactions or engaging with others. Trustworthy sources can be challenging to identify.

4. Avoid Illegal Activities

Engaging in any illegal activities on the Dark Web is not only unethical but also carries legal consequences. Always act within the bounds of the law.

Conclusion

The Dark Web remains a fascinating, complex, and enigmatic part of the internet. It offers both opportunities and dangers, making it essential to tread carefully when exploring its depths. While it's important to respect its legitimate uses, one must always remember that the shadows of the Dark Web can hide illicit activities. As the saying goes, "With great power comes great responsibility."

[souplovingwerewolf]

I just forced my friends to watch this last night and we turned it into a try not to laugh challenge. We all failed multiple times. It's just.... everything about it is so... I'm sorry I NEED to talk about it. Because honestly, this movie deserves an analysis and I have much to say. Spoiler warning I guess

The thing about this movie is that the premise is actually... pretty good. Like, The idea of a movie about an artist who struggles to find her place in the world and with feeling like her passion/career isnt a "real career" and might become obsolete is really nice, since it's relatable to a lot of artists nowadays. And having part of the movie take place in a Harold and the Purple crayon type "drawing reality" world is a genuinely cool concept, and allows for there to be a lot of wacky and creative character and background design choices. And having Paige start out as a bit of a bad person, but learning through hardship and experiences to be a better person is awesome. Even the concept of the twist villain and his motivation is cool. Having the villain be a disillusioned art teacher who just wants people to respect his, and others, passion but is going about it the wrong way is cool! and while most of the dialogue is absolutely buttcheeks, there are rare moments where it's actually decent. There is real potential here!

But my god, I don't think I have ever seen a premise executed this badly. It's almost impressive. People like to call bad movies "fever dreams" but I've never seen a movie genuinely feel like a fever dream than this movie did. Literally everything is wrong with it.

First off, every single concept that could potentially be cool is mentioned for literally one minute and then dropped for the entirety of the movie. They bring up like 10 different major plot points and then immediately abandon them, never to be seen again. Like Paige's sister gets introduced and she's like a bad guy who's working for a big evil corporation that wants to feed drawings to AI and profit off them. Is she seen for more than 5 minutes? No. Do we ever hear about that corporation again? No. And then at one point they just randomly mention that anyone who stays in the drawing dimension for too long becomes a drawing. They mention this ONCE and it's never brought up again. Never. And this is a consistent theme throughout the movie! This movie feels like it's directed towards goldfish or mosquitos or something else that can't remember things for more than 3 seconds.

Also, the few plot points that DO stick around have the most poorly explained and inconsistent lore I have ever seen. Like the concept of the pencil of intelligence and the power of drawings is incredibly confusing. Was it the pencil that held the power? Or the drawing dimension? Or the drawings themselves? Absolutely nothing about how anything works makes any sense.

Also, the pacing. Oh God, the pacing. This movie seems to be allergic to building any kind of tension or a consistent plot. Every scene slowly fades out into a black screen (yes, I'm serious) after 5 minutes, and when it returns the characters are doing something completely different, or there are suddenly different characters shown. Coupled with them throwing random topics in like they'd been a major plot point the whole time, this makes feeling any kind of connection to the characters and the adventure impossible, because every scene feels like an out of context clip. Like, there's a scene of Paige and one of her friends having a bonding moment and opening up to each other that, in any other movie, would feel like a pivotal moment for their bond and characters, but we barely hear the friend talk, and they basically NEVER interact before this scene in any meaningful way, so it has no impact.

Oh and the Constant, CONSTANT flashbacks. Now, you can do a movie that switches between flashbacks and the present well, but the issue here is that it's very hard to tell what's a flashback and what isn't, since not only are the scenes completely random and unrelated anyway, some of the flashbacks are from things that happen FIVE SECONDS before the previous scene, which just makes it feel like the creator put the scenes in the wrong order.

This movie feels like it's trying to speed run the plot, and yet it's still an hour long, mostly because a lot of scenes just have character saying the most drawn out, repetitive dialogue ever, or straight up repeating THE SAME voice lines. Half the time I felt like I was being lectured by my mom and she was making sure I got the point for the 10th time.

The animation is also just lackluster, lacks any kind of life, and keeps repeating frames, the humor feels like if you asked a 12 year old to prompt chatGPT to write a "Gen Z joke", and even though the creator claims he was developing this for 6 years, one of the first jokes in the movie is an Ohio joke, which would have made no sense even 3 years ago.

Oh yeah I almost forgot. The most powerful and plot significant character (besides Paige) is a self insert of the creator that is literally his PROFILE PIC. And he just looks weird as hell throughout the whole movie because he's this blue child with an ice cream sandwich on his head and brightly colored clothes that for some reason has this deep man's voice. Like yes, I get it that he's a drawing in this dimension and he can look like whatever he wants and that's the point, but it doesn't change how bizarre it is to see someone's profile pic as the main character in this movie. Also I'm sorry but his design is ridiculous. It works as a PFP because that's just a still image and is kinda supposed to look weird and distinctive but I could not take this little ice cream boy seriously at all.

The whole movie is just an absolute mess. That being said, I really enjoyed watching it just for the sake of laughing my ass off, and I'd recommend you watch it too. It's funny as shit.

PLEASE watch the whole beatboxing puppy movie im BEGGING. its SO bad its called Our Drawings Princess Movie its free on youtube pleeeeease its so bad. me and my friend watched it we need a fandom for this movie