#im totally not dumb

[ded-inside-anonymous]

When I was a little kid I was fantastic at misunderstanding things. To be fair, I am still great at misunderstanding things. Anyway here is a story of how I thought Killer Whales (Orca Dolphins) had two sets of eyes.

To preface, I believe what I was actually told was, 'killer whales have white eye spots so that predators attack those spots and not their real eyes.'

However, what my mushy child brain took from that is, 'oh my gosh, killer whales have eyes under the white eye spots! If their real eyes get damaged, the white eye spots fall off and then they can use their back up eyes!'

I fully believed this until I was eighteen. The only reason I realized this was not true was because I got halfway through explaining this to someone and thought, 'huh, this is kinda weird, I should probably Google it to fact check myself.'

Anyways welcome to Misunderstandings of Avia's Small Brain.

[xxplastic-cubexx]

[right to left]

STILL thinking about drunk chess actually

stupid as hell bonus:

[sabbathbloodysabbeth]

Sorry, but I just had a thought and I’m exhausted and don’t know if I’m going to write anymore tonight.

Just Steve holding a slight grudge against Nancy after she pretty much calls his love bullshit in the bathroom. He feels lead on, he’s slightly bitter but he knows how to be discreetly passive if he needs to be. But thing is he doesn’t have the energy in him to be passive. If this had been before the monsters, and someone who he thought was the love of his life did what Nancy did and proceeded to end up dating the guy who she said not to worry about within days after getting into a fight, he would have probably done something stupid. Probably would have ruined her locker with mean words or something like that.

He wasn’t sure what he would do, he was exhausted and couldn’t think of what used to come easy to him. Or maybe he’s grown to realize how immature that was, how it didn’t even seem all that fun to do to someone. Just thinking back to spray painting slut on the theater makes his gut twist uncomfortably. Once, he used to be the one to climb up there and spray something even worst. Now the thought made him want to throw up.

And maybe the grudge he is holding against Nancy isn’t really a grudge. Maybe he has matured to realized that the grudge he held was within himself for how fast he had fallen. For how stupid he was for thinking the girl would ever end up with him. He should have seen the signs. How she defended Jonathan even after he took non consensual photos of him and her about to have sex. Which he still felt disgusted by, his skin still crawled uncomfortably around the little creep whenever he was close by.

Though when the time comes, he realizes he was holding a grudge against Nancy. When he falls harder for someone new he realizes within minutes that something was different about this one. Instead of smacking him in the shoulder and scolding him for staring to long, Eddie would pull his hair in front of his face with bright eyes. Would do something dramatic to snap Steve out of the trance he was in. Like lick his face instead of kissing him.

That was the other thing Steve discovered. In the moments where it was just the two of them, it seemed like every other minute time would stop and Eddie would be in the same bubble as him. Lost in the same spell that Steve had tumbled into, needing to kiss the other just as much as they needed oxygen to breathe.

Nancy rarely had those moments with Steve, and they had stopped right around the time she started hanging out with Jonathan.

And Steve does hold a grudge, for how she stayed with him longer than what she had to.

Eddie made him feel in love and loved. Whenever Steve watched the other man he could barely keep his hands to himself and the best part was Eddie didn’t care. Steve could bite off Eddie’s remaining nipple and the man would still let Steve do whatever he wanted to him. Nancy never trusted Steve and never earned Steve’s trust the way Eddie did within one week of knowing each other.

Eddie was the moon and Nancy had been the sun for Steve. The sun burnt his skin and left him blistered while the moon wrapped his arms around him and rocked him to sleep every night. While Steve worried about when the sun would explode, he never had to worry about the moon disappearing for to long. It always came back, no matter what happened. Even if Steve had been an asshole.

God was Steve in love. This was it for him. And maybe at one point he had loved Nancy just as much as he did Eddie.

But now, as each day passes he only finds himself falling more in love with Eddie Munson.

He slowly comes to the conclusion that his love was and will never be bullshit.

And when he finally sits down to talk to Nancy about it, he finally gets it off his chest. What had been bugging him for almost years before falling for Eddie.

“Nancy, we were bullshit. But my love, it was all real. Maybe not as strong as it is for Ed’s but I know that if … everything wasn’t such bullshit I could have gotten there.” Steve says softly to Nancy. Shortly after she confessed she still had feelings for him. He seen this conversation coming from a mile away, especially with how many one sided sparks happened between the two of them while running for their life’s on spring break.

And as he stands up, leaving her in her own shock. Letting her process that he was with Eddie, a man. He can’t help but feel proud of himself.

He didn’t intentionally hold this grudge, but he felt as if he got back at her the healthiest way he could. By maturing and moving on. And looking down at Nancy, he could tell that she needed time to do the same. Not to be with another man or date in general, but to just grow as a person. But that was no longer his problem. His problem was currently running up the steps of the trailer with what seemed to be a moving snake.

“Hey Stevie! Look what I found.”

Steve was in love, and it wasn’t bullshit.

[not-another-robin]

Hey can everybody turn around and not look at my blog real quick. Thanks

IM GONNA THROW UP

BRUCE TIMM IN IN YOUR FUCKING WALLS

FAT ALFRED WIN FATHER ALFRED FAIL!!!!!!!!

[plague-of-rats]

"The beauty of an Angel scourned"

Gabriel says happy pride month (incoming pride piece of papa's special boy)

[vind3miat0r]

listening to Vincent's playlist isnt enough i need to become Lovely somehow

[machabre]

alt versions ↓

[devotion-disorder]

May I ask what do you use to draw and what pens do you use? Your art is truly beautiful and id like to know how to improve my own art, if you have any tips that is.

first of all THANKMK YOU and I use clip studio paint, these are what i use the most!

i hope this isn't too messy to read LOL

as for art tips, here are some bits and tips just based on my experience (sorry ive got a lot to say)

An artist I really look up to once said becoming good at art is learning to systemize your processes - i didn't really understand it at first but now i think nothing captures it more succinctly than this

Experiment!!! don't worry about "not sticking to your style"; experimenting IS how you will develop a style by finding what you like and don't like

This is gonna sound cliche but don’t be discouraged if you are not satisfied with your art; it means you are improving and you have critical vision just that your art muscles hadnt caught up

Draw as much as you can! I've been doing digital art for ~5-6 years but for almost 4 of those years i was just moping around and drawing about once a month - to this day i still regret wasting so much time 😭😭

Adding on to that, find something that will motivate you to draw as much as you can/ gives you confidence. for me it was actively participating in fandoms and having supportive friends; drawing consistently won't be as useful if you are not actively aiming to become better

that said everyone’s learning process with art is unique and honestly i still have a long long way to go myself LOL hope this helps!!!!good luck n have fun!!!!!!!

[venomous-qwille]

Dear 5+ asks I have had since last saturday which I wont be answering individually cause I don't want to put a target on your back:

Don't send me messages asking about GITM updates without reading my bajillion posts/ANs on the subject.

'not trying to be rude' - well you are being rude, actually, friend. receiving these messages doesnt make me feel good. In fact, it makes me feel very bad. If you spent half the effort it takes to write an ask actually reading the information I have already given people, rather than demanding a personalised answer, then we would all be a lot happier.

Another reminder, a bit louder for people in the back:

My chapters are now 12-15k words each for gitm, because of this I am now following a 3 weekly update schedule. I work full time and write for hours every evening. If that is not good enough for you, you can kindly fuck off.

peace & love, and all that

[breadandblankets]

Bruce, trying to be supportive: hey Duke how was your weekend?

Duke: pretty good, Izzy and I went to the movies, i passed the Bar exam, Damian and i went to the park, I did some homework

Bruce: run that middle part by me again?

Duke: Damian and I went to the park?

Bruce: Before that

Duke: Ohh, yeah i passed the Bar exam

Bruce: why? youre in high school?

Duke: yeah just seemed like fun, and i didn't want to do my homework

Bruce: thats fair, i was a hell of a procrastinator back in the day

[oceanwithouthermoon]

ive come to realise that i dont actually hate kubokai, i just hate the way people write them

[buggitino]

more headcanons about sebastian solace from the hit game pressure roblox

back on my bullshit and i promise i only talk about The Situation a little bit

☆ his third arm is more sensitive than the other two (i'm thinking that either the USHD doctors fucked something up during the operation OR it grew in wrong, nerve endings closer to the epidermis and whatnot, something like that)

☆ just hates being touched in general, he’d rather initiate that contact (need an update where he gently —> not very gently shakes expendables off (depending on whether and how much they’ve annoyed/flashbanged him) when they climb him) ☆☆ part of this is due to trauma, he cant trust anyone to touch him without hurting him ☆☆ the other part is that he’s got that fucking dawg in him (i’ll get to this in a second)

☆ unlike what his new voice lines are starting to suggest about his character (i’m not gonna talk about zerum again because i think everyone knows what's happening at this point and ive already thrown in my two cents) he does NOT hate the expendables. literally his first line upon meeting him in his shop has him calling himself your friend (as strained of a connection as it may be, he could very easily not offer items, not share documentation/info, and just take the expendables data and hoard anything he picks up to make it harder for them to get to the crystal) (like yes, it's a mutually beneficial relationship but if sebastian didn't care about or sympathize with the expendables to some extent, it wouldn't be). i really do think he just has a short fuse (i'm not going to bring up trauma again, however-) and says things he doesn't mean (e.g. “they deserved it. and frankly so do the rest of you.” (im coping with the mischaracterization of these new lines leave me alone)) as a means of protecting himself and pushing the expendables further away (both physically and emotionally)

☆ he’ll act like a brat once they’re done, but he lets younger expendables sleep in his shop (he cares about them but would never in a million years let them know that) ☆☆ if a younger one comes in with a bunch of adult expendables, he’ll treat them all the same but will secretly slip the younger one some extra batteries, gauze, something unnoticeable (he feels especially responsible for the younger male expendables cause they remind him of his little brother)

☆ sometimes he thinks he can hear his family's voices on the radio, just under all the static, calling out for him like a search party would. he used to cry over this but he almost got caught once by an expendable coming into the shop so he does his best to tune it out. it’s hard. guilt pulls at his stomach every time he hears a clip of his family, begging for him to come home, to respond, something, anything, and he ignores it.

☆ autism (cause i said so) - i'm including this one for the sole reason that he does the dinosaur thing with his third arm and generally keeps his hands clasped together in the secret dinosaur position (he just like me fr) ☆☆ hates bright lights (the only light he uses/allows in his shop is the one he emits) (its a very soft/warm hue as opposed to the bright fluorescents throughout the rest of the facility) (not to bring up the flash beacon, obviously nobody likes getting flashbanged and he's got angler eyes but sTILL)

☆ he used to hate eating fish (pre-op) and now he’s pissed cause it’s all he has available and the DNA changes made it so fish is the yummiest tastiest thing in the world (i like imagining him actively fighting the urge to eat whatever fish he’s cooked in one bite cause he refuses to acknowledge that he's changed on a level that isn't physical/appearance-based)

☆ calls grown adults “kiddo” (even the ones that are older than him) ☆☆ he gets a certain kind of joy from seeing the 40/50/60 year old expendables try to figure out just how old he is after they get called “kiddo”. it’s extra fun for him when they’ve clearly already heard the rumors and/or gotten a glimpse of his file

☆ the ring is just an accessory, a bracelet on the floor or in a locker he found and liked. assumed nobody was gonna claim it and kept it (shoutout to @/lotus.eaterr on tik tok for this one!!!!)

[harbingersecho]

grif's surgery but just a little more... obvious?

I actually rly rly ADORE frankengrif but I don't have an in-show reason why he'd have extensive long-term allogeneic skingrafts on his face 😔

[greenerteacups]

oooh please someday tell us what you think of GOT

oh, no, it's my fatal weakness! it's [checks notes] literally just the bare modicum of temptation! okay you got me.

SO. in order to tell what's wrong with game of thrones you kind of have to have read the books, because the books are the reason the show goes off the rails. i actually blame the showrunners relatively little in proportion to GRRM for how bad the show was (which I'm not gonna rehash here because if you're interested in GOT in any capacity you've already seen that horse flogged to death). people debate when GOT "got bad" in terms of writing, but regardless of when you think it dropped off, everyone agrees the quality declined sharply in season 8, and to a certain extent, season 7. these are the seasons that are more or less entirely spun from whole cloth, because season 7 marks the beginning of what will, if we ever see it, be the Winds of Winter storyline. it's the first part that isn't based on a book by George R.R. Martin. it's said that he gave the showrunners plot outlines, but we don't know how detailed they were, or how much the writers diverged from the blueprint — and honestly, considering the cumulative changes made to the story by that point, some stark divergence would have been required. (there's a reason for this. i'll get there in a sec.)

so far, i'm not saying anything all that original. a lot of people recognized how bad the show got as soon as they ran out of Book to adapt. (I think it's kind of weird that they agreed to make a show about an unfinished series in the first place — did GRRM figure that this was his one shot at a really good HBO adaptation, and forego misgivings about his ability to write two full books in however many years it took to adapt? did he think they would wait for him? did he not care that the series would eventually spoil his magnum opus, which he's spent the last three decades of his life writing? perplexing.) but the more interesting question is why the show got bad once it ran out of Book, because in my mind, that's not a given. a lot of great shows depart from the books they were based on. fanfiction does exactly that, all the time! if you have good writers who understand the characters they're working with, departure means a different story, not a worse one. now, the natural reply would be to say that the writers of GOT just aren't good, or at least aren't good at the things that make for great television, and that's why they needed the books as a structure, but I don't think that's true or fair, either. books and television are very different things. the pacing of a book is totally different from the pacing of a television show, and even an episodic book like ASOIAF is going to need a lot of work before it's remotely watchable as a series. bad writers cannot make great series of television, regardless of how good their source material is. sure, they didn't invent the characters of tyrion lannister and daenerys targaryen, but they sure as hell understood story structure well enough to write a damn compelling season of TV about them!

so but then: what gives? i actually do think it's a problem with the books! the show starts out as very faithful to the early books (namely, A Game of Thrones and A Clash of Kings) to the point that most plotlines are copied beat-for-beat. the story is constructed a little differently, and it's definitely condensed, but the meat is still there. and not surprisingly, the early books in ASOIAF are very tightly written. for how long they are, you wouldn't expect it, but on every page of those books, the plot is racing. you can practically watch george trying to beat the fucking clock. and he does! useful context here is that he originally thought GOT was going to be a trilogy, and so the scope of most threads in the first book or two would have been much smaller. it also helps that the first three books are in some respects self-contained stories. the first book is a mystery, the second and third are espionage and war dramas — and they're kept tight in order to serve those respective plots.

the trouble begins with A Feast for Crows, and arguably A Storm of Swords, because GRRM starts multiplying plotlines and treating the series as a story, rather than each individual book. he also massively underestimated the number of pages it would take him to get through certain plot beats — an assumption whose foundation is unclear, because from a reader's standpoint, there is a fucke tonne of shit in Feast and Dance that's spurious. I'm not talking about Brienne's Riverlands storyline (which I adore thematically but speaking honestly should have been its own novella, not a part of Feast proper). I'm talking about whole chapters where Tyrion is sitting on his ass in the river, just talking to people. (will I eat crow about this if these pay off in hugely satisfying ways in Winds or Dream? oh, totally. my brothers, i will gorge myself on sweet sweet corvid. i will wear a dunce cap in the square, and gleefully, if these turn out to not have been wastes of time. the fact that i am writing this means i am willing to stake a non-negligible amount of pride on the prediction that that will not happen). I'm talking about scenes where the characters stare at each other and talk idly about things that have already happened while the author describes things we already have seen in excruciating detail. i'm talking about threads that, while forgivable in a different novel, are unforgivable in this one, because you are neglecting your main characters and their story. and don't tell me you think that a day-by-day account tyrion's river cruise is necessary to telling his story, because in the count of monte cristo, the main guy disappears for nine years and comes hurtling back into the story as a vengeful aristocrat! and while time jumps like that don't work for everything, they certainly do work if what you're talking about isn't a major story thread!

now put aside whether or not all these meandering, unconcluded threads are enjoyable to read (as, in fairness, they often are!). think about them as if you're a tv showrunner. these bad boys are your worst nightmare. because while you know the author put them in for a reason, you haven't read the conclusion to the arc, so you don't know what that reason is. and even if the author tells you in broad strokes how things are going to end for any particular character (and this is a big "if," because GRRM's whole style is that he lets plots "develop as he goes," so I'm not actually convinced that he does have endings written out for most major characters), that still doesn't help you get them from point A (meandering storyline) to point B (actual conclusion). oh, and by the way, you have under a year to write this full season of television, while GRRM has been thinking about how to end the books for at least 10. all of this means you have to basically call an audible on whether or not certain arcs are going to pay off, and, if they are, whether they make for good television, and hence are worth writing. and you have to do that for every. single. unfinished. story. in the books.

here's an example: in the books, Quentin Martell goes on a quest to marry Daenerys and gain a dragon. many chapters are spent detailing this quest. spoiler alert: he fails, and he gets charbroiled by dragons. GRRM includes this plot to set up the actions of House Martell in Winds, but the problem is that we don't know what House Martell does in Winds, because (see above) the book DNE. So, although we can reliably bet that the showrunners understand (1) Daenerys is coming to Westeros with her 3 fantasy nukes, and (2) at some point they're gonna have to deal with the invasion of frozombies from Canada, that DOESN'T mean they necessarily know exactly what's going to happen to Dorne, or House Martell. i mean, fuck! we don't even know if Martin knows what's going to happen to Dorne or House Martell, because he's said he's the kind of writer who doesn't set shit out beforehand! so for every "Cersei defaults on millions of dragons in loans from the notorious Bank of Nobody Fucks With Us, assumes this will have no repercussions for her reign or Westerosi politics in general" plotline — which might as well have a big glaring THIS WILL BE IMPORTANT stamp on top of the chapter heading — you have Arianne Martell trying to do a coup/parent trap switcheroo with Myrcella, or Euron the Goffick Antichrist, or Faegon Targaryen and JonCon preparing a Blackfyre restoration, or anything else that might pan out — but might not! And while that uncertainty about what's important to the "overall story" might be a realistic way of depicting human beings in a world ruled by chance and not Destiny, it makes for much better reading than viewing, because Game of Thrones as a fantasy television series was based on the first three books, which are much more traditional "there is a plot and main characters and you can generally tell who they are" kind of book. I see Feast and Dance as a kind of soft reboot for the series in this respect, because they recenter the story around a much larger cast and cast a much broader net in terms of which characters "deserve" narrative attention.

but if you're making a season of television, you can't do that, because you've already set up the basic premise and pacing of your story, and you can't suddenly pivot into a long-form tone poem about the horrors of war. so you have to cut something. but what are you gonna cut? bear in mind that you can't just Forget About Dorne, or the Iron Islands, or the Vale, or the North, or pretty much any region of the story, because it's all interconnected, but to fit in everything from the books would require pacing of the sort that no reasonable audience would ever tolerate. and bear in mind that the later books sprout a lot more of these baby-plots that could go somewhere, but also might end up being secondary or tertiary to the "main story," which, at the end of the day, is about dragons and ice zombies and the rot at the heart of the feudal power system glorified in classical fantasy. that's the story that you as the showrunner absolutely must give them an end to, and that's the story that should be your priority 1.

so you do a hack and slash job, and you mortar over whatever you cut out with storylines that you cook up yourself, but you can't go too far afield, because you still need all the characters more or less in place for the final showdown. so you pinch here and push credulity there, and you do your best to put the characters in more or less the same place they would have been if you kept the original, but on a shorter timeframe. and is it as good as the first seasons? of course not! because the material that you have is not suited to TV like the first seasons are. and not only that, but you are now working with source material that is actively fighting your attempt to constrain a linear and well-paced narrative on it. the text that you're working with changed structure when you weren't looking, and now you have to find some way to shanghai this new sprawling behemoth of a Thing into a television show. oh, and by the way, don't think that the (living) author of the source material will be any help with this, because even though he's got years of experience working in television writing, he doesn't actually know how all of these threads will tie together, which is possibly the reason that the next book has taken over 8 years (now 13 and counting) to write. oh and also, your showrunners are sick of this (in fairness, very difficult) job and they want to go write for star wars instead, so they've refused the extra time the studio offered them for pre-production and pushed through a bunch of first-draft scripts, creating a crunch culture of the type that spawns entirely avoidable mistakes, like, say, some poor set designer leaving a starbucks cup in frame.

anyway, that's what I think went wrong with game of thrones.

[silly-lil-scribbles]

“draw me like on of your french girls” overused, what does that even mean, boring, typical

“draw me like one of your blorbos” fun, new, exciting, provokes thought (such as: what would i look like at my absolute lowest and most morally dubious point), potential for conflict (babe why would you want to see me dying of blood loss), intriguing

[mintypsii]

sanuso runaway AU - where Usopp leaves syrup village after his mom dies to look for his dad and ends up at the germa kingdom, growing up with Sanji as the doctor's lab assistant

That's basically the gist of it, there's a LOTT more but I just wanted to share some of the art I made for it (came up with it with a friend of mine)

In short -> sogeking is usopp's clone (the kids aren't aware of this) and was created to help germafied sanji on missions (sanji's scores began to improve after he met usopp so judge decided to keep him for more infiltration or espionage based tasks, hence "stealth black" since he's considered weaker than his siblings)

reiju's here too :) she and sanji have a bit of a rocky relationship (it gets better!!) but she's besties with usopp and hangs out with him at the lab to make ,, various concoctions

I'll make another post with more art and info later (I HAVE A LOTTT) so i'll tag em with (#op runaway au) hehe ,, feel free to send asks about it too!!

EDIT: HE FINALLY GOT A TUMBLR @arttlars !!!!!!! blame him for all of this