#im tired. of so much

[roses-and-tears]

.

[hinamie]

I'm always pushing you away from me / but you come back with gravity / and when I call, you come home

[xxplastic-cubexx]

[right to left]

STILL thinking about drunk chess actually

stupid as hell bonus:

[gunstellations]

encounter (1/?)

next page

cont. of unfamiliar side

[secretly-a-trekkie]

usghsduhfiaofh

[megueggu]

pet her! for @pup_hime ✨

[linoyes]

LEE KNOW + DLC VIDEO MAKING FILM

[poorlydrawnmcyt]

send me a character from any franchise and i’ll make a fuckass crossover like this with grian

[tzarrz]

i listen to fog lake too much

[ethan-acfan]

Merlin getting injured while saving Camelot again (getting stabbed or shot, etc). But he hides it so Arthur won't ask questions, and he has to just grin through the pain until one of his stitches gets undone and he doesn't realize and passes out in Arthur's room. So Arthur comes back from training to find Merlin crumpled into a ball shivering and covered in blood.

[fioreose]

[adoresia]

Rin would never admit it, but every time he saw you moving around the kitchen with your hair messy, wearing one his hoodies you were all he could focus on. He sat at the table, chin propped in his hand, teal eyes trailing your every movement, engrossed in whatever it was you were doing, It didn’t really matter what; his eyes were always drawn to you. The quiet hum of a song on your lips and the way you swayed slightly as you cut vegetables had him completely entranced. It distracted him so much so, he did not realise when you turned — catching him in the act.

“Am I really that nice to look at?” you teased, a gentle smile pulling at your lips.

His body stiffened, eyes darting to the spice rack behind you in a weak attempt to cover it up. “What are you talking about?” Your lips curled into a knowing smirk as you turned back to your work. “Im pretty sure you know what I’m talking about.” Rin huffed, crossing his arms and leaning back, feigning indifference. But his resolve was as fragile as glass, and soon enough, his gaze wandered back to you. When you turned and caught him again, he couldn’t look away in time. “Rin,” you teased, stepping closer, “you’re really bad at this.” He scoffed, shifting in his seat. “At what?”

“At pretending you don’t like looking at me.”

Your words hit him square in the chest, and for a moment, he didn’t respond. He just averted his gaze with a grumble. “You’re imagining things.” You laughed and walked away, leaving him sitting there, eyes glued to your figure once again. But, could you really blame him? You were the one person he enjoyed looking at, and if you weren’t so stubborn he could probably do it all day.

[hinamie]

bunch of portraits

[archivebottles]

Happy birthday to the most special girl in the universe!! Wanted to try something ambitious and ended up with the biggest comic I've done to date

[hattiestgal]

If you don't mind my asking, how do you go about drawing fat? :3

JUST THE EXCUSE I WAS LOOKING FOR

So, for me personally, a lot of the time when I draw fat characters, I'm not looking to specifically capture the specifics of fat as much as the feel of fat. Bulkier, rounder shapes in the right places that has a feeling of weight to em! A lot of that is intuition and simplification at this point, but it all works on the same frame as just any ol' person. Like take this-

For example. This is the basis for any body shape, not just the more average one that it may imply. Sure- it can be that average body shape:

But also a fat one too!

And a big part of that is knowing where fat usually tends to bunch up on the body, so lets take a look piece by piece! (Please keep in mind this is very simplified, and not completely precise in some parts)

THE FACE: Cheeks (in purple) and especially the chin (in light blue) are the places where a lot of the fat is gonna wanna gather and round out on your face! Additionally, theres a small pocket of fat beneath the cranium on the backside of your head. It's small, but it is there. I believe fat can build up elsewhere like the bridge of your nose and forehead, but generally speaking, you're gonna have a whole lot more buildup in other places first.

THE TORSO: A lot of the fat built up on the torso is gonna be sent to your tummy. More cushioning for vital organs, mostly out of the way, it just makes sense. Additionally, the lower backs fat builds up and joins with a patch of fat on your sides that forms what is typically referred to as the love handles to make that double belly look. Along with this, the immediate next target for the torso is the breasts, followed by the upper back!

THE ARMS: For this limb, a VERY notable amount of the fat present builds up on the tricep and bicep areas, lessening once you get towards the flexor and extensor areas. You can almost think of the arm as a sort of triangular shape, wide side starting from the shoulder and tapering towards the hand, which itself mostly builds up fat around the back of the hand and the fingers. The shoulders themselves don't build up too much fat unless you got a lot

THE LEGS: And finally, you can think of the legs having pretty similar curves to what you're probably already used to thinking. The front of the thighs getting a big buildup, along with the back of the calves, the other parts being flatter in turn. As far as the feet go- similarly to the hands, the top of the feet, along with the heels get most of the buildup, as fat on your soles would impede mobility. The glute, hip and crotch area will also especially build up fat, lending to the same triangular shape that you can see in the arm!

A big thing to note with fat is that it tends to taper off towards joints. Your knees, elbows, shoulders, hips, and all the other places are gonna have significantly less fat so that you remain mobile and flexible, as that's important!

Now that we have an idea of where fat builds up on the body, you might have something that looks kinda like this

Which yes, does demonstrate a solid understanding of the places fat builds up, lacks the weight you're probably trying to convey, which brings us to out next point! Fat is well... heavy! Gravity is what gives fat much of it's shape, especially as you tread towards larger and larger bodies.

This is demonstrated really well on the arms especially-

Those big ol' bits of fat'll really start to sag when left hanging, and they will squish like hell if they run into something. I like to think of these bits of fat as big ol' ovals that squash and stretch depending on if there's an obstacle in their way or not

These are the important shapes to remember when it comes to the weightiness of fat! If you take all of this into mind, you should be getting something a lot closer to that shape you've been after!

Oh, and always remember that fat bodies come in all variety of shapes and sizes! Play around with a whole lot, and seek out all the resources you can! it'll really lend to your knowledge when it comes to this kinda stuff!

And as I always recommend when it comes to learning art- look at what your favorite artists do with fat bodies. See what you really like about the fat bodies they draw and try to replicate it in your own work, I promise you it's one of the most helpful things ever.

This is like the most basic of basics when it comes to drawing fat bodies though. If there's any additional thing about fat bodies, or maybe you want clarification on something, don't be afraid to ask! If there's enough to cover, I'll make an addition to this post!

[connorsok]

before I played Disco Elysium, I thought Harry du Bois was a co-worker in the precinct you work at and, reading about him being such a fucked up guy, I was literally planning on avoiding him as much as possible in my playthrough... colour me surprised when I found the badge and found out the main character's name