#im still happy with everything i made
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star-ts-farts · 4 months ago
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My Artfights in
Characters listed in chronological order
-"Pigeon": Spy
-Pokemon oc: Eden: lilaccoffin
-Midsommer: KAZUZUKADI
-Glitz: wumppernuggets
-Duke Jr / Dee: xxheyjude
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hinamie · 2 months ago
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in spite of everything, I had fun <3
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weky-woof · 8 months ago
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A bit random but I made this 3D still life in blender over these past few days!! it's broken me out of artblock n i wanna do more work in this style 😎
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foolsocracy · 7 months ago
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I can't help but notice you haven't posted any angst in a while and I'm suspicious
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whipped this one up just for u anon
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chrisbangs · 1 year ago
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231003 ♡ Happy Birthday Bang Chan!
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sciderman · 4 months ago
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You mentioned Hugh and Nicole and sex scene in movie and I am shameless so I RAN to look it up and about coughed up a lung
LET'S TAKE A REAL LONG LOOK AND GUESS WHICH ONE IT LIKELY IS EVERYONE
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they fuck canonically in all these movies.
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canonkiller · 10 months ago
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celebratory valkas also
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heartorbit · 5 months ago
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WAOT WERE U THE ONE TSUKASA COSPLAYER AT MIKUEXPO GIVING OUT MIKU STICKERS TO THE PJSK FANS
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THATS ME!!!!! i didn't mean to just give them to pjsk fans help but i severely underestimated how many i should've made and cut out .. so i just ended up giving them to cosplayers or people who said hi to me .... T_T
THERE'S ALSO THIS SUPER CUTE BRACELET SOMEBODY RAN UP TO ME AND GAVE ME AND I TREASURE IT SO I NEED TO ADD IT TO THE POST AND SHOW IT OFF .. WAH!!!! ITS SO CUTE LOOK!!!!!!
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#again WAS NOT MY BIRTHDAY. MIKUEXPO TORONTO FELL ON TSUKASAS BIRTHDAY IN JAPAN TIME. SORRY TO EVERYONE WHO SAID HAPPY BIRTHDAY TO ME.#i love your icon cause i saw a garf miku cosplayer at mikuexpo toronto too IT WAS SO AWESOME#i saw snother tsukasa cosplayer in hid school outfit and they had cute star glasses i Need some.#in the future n for cons i think i'll just order stickers to hand out .. cutting them out by hand was so much .....#especially when i did the whole pjsk cast. 10 or so of each of them. my best friend helped and it still took like 2 hours#<- I DID THAT FOR ANIME NORTH I MEAN i think i forgot to post about it here. anyways#i dont plan on tabling at cons or snything cause i just like attending them so much. but#In the future i think i'll just pay to get Nice little prints or stickers made and shipped to me to hand out ...#Sorry they arent actual stickers they're just laminated with tape i did them the night before while crunching for the con the week after.#alliellama#ask#sorry to go on but mikuexpo really was such a good time#when we first got there i was in the merch line w my friends and skmeone came up and said can you do the tsukasa laugh right here right now#but everything we said echo and i was like T_T no im shy ...#and then 2 hours later i heard there was a saki cosplayer there and started running around the venue shouting SAKI. SAKIII. SAKI.#WE FOUND HER IT TOOK ME LIKE 20 MINS which is impressive because there were a lot of people. by god.#it was so fun. we had such a good time i could go on. everyone was so FREAKING NICE. AND GAVE SO MANY FREEBIES. AND COMPLIMENTS.#but i literally only had like ..30 mikus. to hand out. i felt SO BAD. CONSERVING THEM.
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milkbreadtoast · 11 months ago
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o yeah btw i liked these guys from the latest crk update..... detective gays.... macaroni and cheese....🤭
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am-i-tho · 3 months ago
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hi! first (finished) digital drawing and im exaustheeed
really fun to use colors finally since im not used to coloring traditionally bc im afraid of ruining it lol
not my best but still quite proud for pulling it off
(you can actually see me messing around with a bunch of brushes mid drawing💀)
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natsmagi · 6 days ago
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adding onto my last rant from a while ago a little bit, it is fascinating how many people in this fandom completely miss the point of tsumugis character and misconstrue what hes actually about which, ironically, is just what eichi did. and its done in such a similar fashion too, such as making assumptions about his motives, his family relationship, and missing the point in why he chooses to look the way he does. and, time and time again, eichi has been proven to be WRONG about tsumugi. he misunderstood him deeply, and now its eichi whos stuck mourning the past while tsumugi has long since moved on, not the other way around, as tsumugi is on the path of getting his happy ending. and i dont get why people keep trying to take this positivity from him
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(s. element epilogue 2)
#sorry for harping on this stuff alot it just genuinely sucks seeing a character you love be so widely misunderstood#especially when if you really think about it#tsumugi is about as blunt and honest as they come#you dont always need to read deeper into a character. you dont always need to psychoanalyze every part of them#you dont need to reason everything#sometimes people just Are Some Kind Of Way#and eichi failed to understand that and made the wrong assumption about tsumugi#and i feel like this fandom keeps doing the same thing#because he can do and say unconventional things#and when he makes jokes he sounds super alarming or like an utter freak#its frustrating when people continuously doubt tsumugis words when he speaks so earnestly about his life#hes honest to a fault. he has no reason to lie#you can argue that “ohhh tsumugi just doesnt realize how fucked up he is!” and like Yea sure theres an element of that#but ive always read the point of his character to be him overcoming these hardships#because he cares so fucking deeply about every single person around him#and he never assumes malice. because he is such a genuinely kind hearted guy#and what makes tsumugi so interesting is that he can kind of SUCK at getting that across#because no matter what people never understand his actions or intents because of how weirdly he acts#and neither does this fandom!!!!!!!!!!!!!!!!!!!!#natsume and tsumugi are built on being opposites. if natsume is a known liar surely we can put two and two together?#theres alot more that can be said on this topic and ive been meaning to for a while but honestly i just dont have the energy or brainpower#also i dont want this to read like im yucking anyones yum. its just frustrating as someone who is very mentally ill about these characters#he has clearly endured traumas too like im not ignoring that. its super obvious. but his character is about love and growth#you can go through literal HELL and be on the brink of SUICIDE and still end up a happy loving and forgiving person#and i think thats what his character is about#nat rambles#nats enst posting
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blueskittlesart · 1 year ago
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any thoughts on how once again zelda was robbed of her agency because her "father figure" didn't listen to her? even if rauru was kinder to her than her father. and that she had sonia who was patient and loving for a little while before she died (just like her mother). i know rauru apologizes for his hubris but still, i wish we saw zelda be upset about it. and even if zelda was such a big part of the quest she still literally sacrificed her humanity once again because of someone else's mistake- because rauru literally didn't listen to the girl from the future that warned you that shit was going to go down. o know nintendo just loves putting zelda inside crystals and stones but i wish we got something better. even if it was her decision to become a dragon... did she have any other choice? it really just feels like they robbed her of agency again just like botw and the games before
i've been trying to figure out how to answer this one. because there are two ways i could analyze this plot point, either from a writer's perspective or an in-story perspective, but neither of those lead to me fully agreeing with your interpretation? I think there's definitely something to be said about zelda consistently being pushed aside in these games, but. well. ok let's get into it ig
from a writer's perspective, I do honestly have quite a bit of sympathy for the zelda devs as they attempt to navigate the modern political landscape with these games. The cyclical lore, though canonized relatively recently, holds them to a standard of consistency in their games in terms of certain key elements. one of those key elements is that there has to be a princess, and that princess must somehow be the main macguffin of the game. The player must chase her, and the end goal of the game must be to reunite the player and the princess. In 1986 this was an incredibly easy sell. women didn't need to be characters. players were content with saving a 2-dimensional princess whose only purpose was to tell them "good job!" at the end. but as society advances, that princess becomes a much more difficult character to write while adhering to the established overarching canon. (as a side note: i don't necessarily believe that the writers SHOULD be held to the standards of that canon. I think deviating from it in certain areas would be a good change of pace. but i also recognize that deviations from the formula are widely hated by the loz playerbase and that they're trying to make money off these games, so we're working under the established rule that the formula must be at least loosely adhered to.) Modern fans want a princess who is a person, who has agency and makes decisions and struggles in the same way the hero does. but modern fans ALSO want a game that follows the established rules of the canon. so we need a princess who is a real character but who can ALSO serve as a macguffin within the narrative, something that is inherently somewhat objectifying.
the two games that i think do the best job writing a princess with agency are skyward sword and botw (based on your ask, our opinions differ there lol. hear me out) in both games, we have a framing event which seperates zelda and link, but in both games, that separation was ZELDA'S CHOICE. skyward sword zelda runs away from link out of fear of hurting him. botw zelda chooses to return to the castle alone to allow link the time he needs to heal. sksw kinda fumbled later on by having ghirahim kidnap her anyway, but. i said BEST not PERFECT. botw zelda I think is the better example because, with the context of the memories, she's arguably MORE of a character than link is. we see her struggles, her breakdowns, her imperfection, specifically we see her struggle with her lack of agency within the context of the game itself. when she steps in front of link in the final memory, and when she chooses to return to the castle, those are some of the first choices we see her make almost completely free of outside influence; a RECLAMATION of her agency (within the narrative) after years of having it stripped from her. from an objective viewer's standpoint, this writing decision still means she is absent from 90% of the game and that she has little control over her actions for the duration of the player's journey. however I think this is just about the best they could have done to create a princess with agency and a real character arc while still keeping the macguffin formula intact--you're not really SAVING zelda in botw. SHE is the one that is saving YOU; when you wake up on the plateau with no memories, too weak to fight bokoblins, let alone calamity ganon. the reason you are allowed to train and heal in early-game botw is because SHE is in the castle holding ganon back, protecting YOU. When you enter the final fight, you're not rescuing zelda, you're relieving her of her duty. taking over the work she's been doing for the past hundred years. in the final hour, you both work in tandem to defeat ganon. while this isn't a PERFECT example of a female character with agency and narrative weight, i think it's a pretty good one, especially in the context of save-the-princess games like loz.
as for totk, you put a lot of emphasis on rauru not believing zelda and taking action immediately, which, again, from an objective standpoint, i understand. but even when we're writing characters with social implications in mind, those character's actions still need to... make sense. Rauru was a king ruling over what he believed to be a perfectly peaceful kingdom. zelda literally fell out of the sky, landed in front of him, claimed to be his long-lost granddaughter, and then told him that some random ruler of a fringe faction in the desert was going to murder him and he had to get the jump on it by killing him first. the ruler which this girl is trying to convince rauru to wage an unprompted war on has the power to disguise himself as other people. no one in their right mind would immediately take the girl at her word. war is not something any leader should jump into without proper research and consideration, and to rauru's credit, he DIDN'T ever outright dismiss zelda. he believed her when she said she was from the future, he allowed her to work with him and he took her warnings as seriously as he could without any further proof. but he could not wage an unprompted war on ganondorf. that's just genuinely not practical, especially for a king who values peace among his people as much as rauru seems to. as soon as ganondorf DID attack, giving rauru confirmation that zelda's accounts of the future were real, he began making preparations to confront him. remember that zelda didn't KNOW that rauru and sonia were going to be casualties of the war--she didn't make the connection between rauru's arm in the future and rauru the king until AFTER sonia's death, when rauru made the decision to attack ganondorf directly. I think the imprisoning war and the casualties of it were less an issue of zelda being denied agency and more an issue of no one, including zelda, having full context for the events as they were unfolding. if zelda had KNOWN that sonia and rauru were going to die from the beginning and was still unable to prevent it that would be a different issue, but she didn't. none of them did.
I think another thing worth pointing out with rauru and his death irt zelda is that rauru is clearly written specifically as a foil to rhoam. this is evident in how he treats both zelda and link, with a constant kindness and understanding which is clearly opposite to rhoam's dismissiveness and disappointment. consider rhoam's death and the circumstances surrounding it. He died because, in zelda's eyes, she was unable to do her duty; the one thing he constantly berated her for. Rhoam's death solidified zelda's belief that she was a failure, a belief which she KNEW rhoam held as well. his death was doubly traumatic to her because she knew he died believing it was her fault. Now contrast that to the circumstances surrounding rauru's death. Rauru CHOSE to die despite zelda's warnings, because he wanted zelda and his kingdom to live. rauru's death was not agency-stripping for zelda; in fact, it functioned almost as an admission that he believed her capable of continuing to live in his place. With him gone, the fate of the kingdom fell to her and the sages. he KNEW that he would die and still went into that battle confidently, trusting zelda to make the right decisions once he was gone. where rhoam believed zelda incapable of doing ANYTHING without link, rauru trusted zelda COMPLETELY with the fate of his kingdom. several details in totk confirm that when rauru died there was no plan for zelda to draconify, that all happened after rauru was gone. it was HER plan, the plan which rauru trusted her to come up with once he was gone. and I think it's also worth noting that zelda's sacrifice with the draconification parallels rauru's!! Rauru gives up his life trusting the sages and his people to be able to continue his work in his place. Zelda gives up her physical form trusting link and the sages in the future to be able to figure out what to do and find her. these games in general have this recurring theme but totk specifically is all about love and trust and reliance on others. zelda relies on link, link relies on zelda, they both rely on the champions and the sages and rauru and sonia and they all rely each other. reliance on others isn't lack of agency, it's a constant choice they make, and that choice is the thing which allows them to triumph.
The draconification itself is something i view similarly to zelda's sacrifice in botw--a choice she makes which, symbolically & within the confines of the narrative, is a demonstration of her reclaimed agency and places her at the center of the narrative, but which ALSO removes her from much of the player's experience and robs her of any overt presence or decisionmaking within the gameplay. again, I think this is a solution to the macguffin-with-agency dilemma, and it's probably one of the better solutions they could have come up with. Would I have liked to see a game where zelda is more present within the actual gameplay? yes, but I also understand that at this point the writers aren't quite willing to deviate that much from their formula. the alternative within the confines of this story would be to let zelda DIE in the past, removing her from gameplay ENTIRELY, which is an infinitely worse option in my opinion. draconification allowed her to be present, centered the narrative around her, and allowed the writers to reiterate the game's theme of trust and teamwork when she assists the player in the final battle, which i think was a REALLY great choice, narratively speaking.
In any case, I don't think it's right to say that zelda was completely robbed of her agency in botw and totk. Agency doesn't always mean that she's unburdened and constantly present, it means she's given the freedom to make her own choices and that her choices are realistically written with HER in mind, not just the male characters around her, and I think botw/totk do a pretty good job of writing her and her choices realistically and with nuance.
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mymp3 · 11 months ago
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HAPPY NEW YEARS EVERYONE!
LETS GO INTO 2024 WITH A SMILE!!!
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a-very-sparkly-nerd · 4 months ago
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the taste of your lips is my idea of luxury
On the night of Callum’s eighteenth birthday, the first one he's had with Rayla, she has some birthday kisses to make up for (sixty-six, to be exact).
Surprise! I didn't know this was gonna happen lol, it just did. Only a LITTLE bit late, like an hour past midnight, so... happy late birthday, Callum? It's fine, you get to make out with Rayla. Enjoy!
Rayla pressed her back against the door as she closed it, smiling at Callum now that they were finally alone. “Well. Happy eighteenth, Mister Mage. All grown up.”
“Yeah, now us being together isn't considered pedophilia,” Callum laughed, pulling her into him by the waist and kissing her sound. He was only partly joking about that; other human nobles still biased against Xadia raised a fuss about anything they could, and the fact that Rayla was eighteen and Callum only seventeen had been a prime weapon, going so far as to claim she was preying on him. (And if their pillows were always warm and socks always soggy, then, well, Callum and his Aunt Janai knew absolutely nothing about that)
Rayla gladly reciprocated, holding his upper arms as she melted into him. A beat later, just as Callum was about to dare to slip his tongue into her mouth, she whispered, “Hold on. Go to the bed.”
Flushing bright red at the words, at what was left unsaid, Callum brought a giggling Rayla with him by both her hips and lips, stumbling over his own feet in his excitement to plop them down on the bed.
Rayla grinned, gripping his forearm and leaning in close. “Calm down! I haven't even told you what your present is.”
She'd been elusive about it all night, tossing him overexaggerated winks, blowing kisses he always caught and returned, dipping her gaze into a wine glass as she smirked. “Tell me?” he whined.
Rayla settled herself between his legs, pushing his hair back as he looked down at her adoringly. She was his whole world, and now that she was sure of it, she could use it to get anything she wanted out of him.
She was merciful now, though, granting him a press of her lips to his forehead even as her eyes went half-lidded and sparkly. “Well, I have birthday kisses to make up for…”
Rayla ghosted her lips over his cheek, marking a trail from just below his ear to his jaw, nose tracing his jawline as Callum gasped and clutched at her waist. It wasn't like this was new; they'd had sex before, after all, but every moment with Rayla, intimate or not, sent him spiraling back to a fumbly fourteen-year-old, awestruck and enamored and caught up in wanting to do everything right by her because she was everything.
So of course Callum gulped even as the prospect admittedly thrilled him. Kisses were kisses, and kisses reigned supreme. Especially Rayla kisses.
He knew, of course, that she was teasing him about the “making up for” bit, but the way she said it wasn't exactly spectacular.
So Callum gripped her wrist as it drifted to cup his face, making eye contact with her startled, hazy ones. “Rayla, you don't owe me anything. Especially- especially not kisses, or anything like that. I- I just really love you, and you don't have to kiss me for me to know, and-”
Rayla sighed, pulling closer to his lap. Her eyes dropped to his lips, likely thinking of shutting him up that way, but restrained herself to tell him, “Callum, I love you, too. And I want to kiss you. Really bad. Okay? I wouldn't do something like that just because I thought I owed you.”
Callum let himself nod, knowing there were boundaries Rayla had set for herself that she'd never cross, no matter how frustrated with herself or how self-destructive she was. “Okay.”
“Do you believe me?” Rayla asked gently, cupping his face in her palm this time and finally, finally shifting onto his lap.
Despite the fog quickly swarming his consciousness, rational thought, Callum smiled through it and squeezed her thighs. “I believe you. And love you and trust you.”
Rayla's fingers splayed across his face, his ears between her index and middle finger, pushing him back against the headboard. “Good. Now, let’s see… Fifteen plus sixteen plus seventeen plus eighteen… What's that? Like, seventy?”
Callum ran the numbers through his head even as his mouth got dry. “Sixty-six.”
Sixty-six Rayla kisses. By the gods, he was going to explode.
Read more on AO3!
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dervampireprince · 10 months ago
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when you read your own than/ares fic and remember how much you love ares unexpectedly being soft and insecure and he's afraid of hurting than, whereas than's just been staring at ares arms all day and can't stop thinking about getting fisted and how full he'd feel and asks ares and ares is so concerned that he's going to hurt thanatos but they prepare thanatos well and he takes ares fist and ares just watching in awe that someone trusts him this much to want and have his hands that have wrought so much inside of them. so yeah just those thoughts going around in my head while I'm sick.
[dni minors, dni blogs that have no 18+ age listed in their bio]
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solei-eclipse · 3 months ago
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okay. hello guys. my bad for not responding to stuff or being as active recently, had a lot of work to be done and other stuff to focus on that took a lot of my time. I wanted to make more art, but I unfortunately had to put that energy into other things (which got to the point where I could not put them off any longer and had to stay working on it). I know I missed a lot of stuff and I'm sorry for it
#unfortunately there are moments where i am forced back into reality#and i remember that i cannot actually spend my life creating and hiding away forever!!! crazy#honestly a lot of it has also been the fact that i am just tired everytime i get home#and my health issues that have been steadily building up#they're really catching up on me and ive been having to visit the clinic more than im happy with#theres just a constant sense of fatigue nowadays#also uh#admittedly my interesting in Alien Stage has been waning#not replaced by any other media in particular. just started focusing on irl life stuff more often#which is why i barely post on shakingparadigm anymore/dont really post anything of substance#its really mostly this alnst oc thing that makes me want to stay because i genuinely enjoy and adore what we've created here#im pretty invested in this even though im not as invested in the source material anymore#not to say i dont like alnst anymore! i still do. i just don't dedicate all my attention to it anymore#which is for the best actually. because admittedly the things and time i have sacrificed for alnst did create a few consequences#sometimes i forget how bad a hyperfixation can fuck me up#again I'm really sorry for everything I've missed#and for being late to apris birthday#and the solauri round#and more#amazing stuff that you guys have made#me bones just dont work like they used to i fear. please give me time#im.sorry again#sorry this post might seem kind of depressing#just dont mind it if you want#thanks for your time#misc#rant#(?)#vent
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