#im still 100% in it

[irlpretear]

100 trans/genderqueer musicians

Bands

Against Me! (rock, folk punk) (x)

The Oozes (punk) (x)

The Hirs Collective (metal, grindcore) (x)

GEL (hardcore punk) (x)

Urn (hardcore punk) (x)

The Black Dresses (noise pop, hardcore hyperpop) (x)

Party Ghost (rock) (x)

Lagrimas (hardcore punk, scream punk) (x)

Doll Skin (rock) (x)

Dazey and the Scouts (rock, indie) (x)

G.L.O.S.S. (hardcore punk) (x)

Dog Park Dissidents (punk rock) (x)

She/Her/hers (rock) (x)

Deli Girls (hardcore electronic) (x)

Dream Nails (punk rock) (x)

Sarah and the Safe Word (rock, dark cabaret) (x)

Pinkie Promise (punk rock) (x)

B. Fraser (emo) (x)

Newgrounds Death Rugby (emo) (x)

Scowl (hardcore punk) (x)

Feminazgul (black metal) (x)

Sports Bra (dream pop, light rock) (x)

Club Sofa (indie pop) (x)

The Cost ov Living (grindcore, harsh noise) (x)

Kuromy (punk) (x)

The Sonder Bombs (indie, pop) (x)

Lidocaine (rock) (x)

I'm letting unseen forces take the wheel (cybergrind) (x)

Gum Disease (punk) (x)

Cam Girl (rock, trash rock) (x)

Gully Boys (grunge pop) (x)

Arcadia Grey (sparkle punk) (x)

Schmekel (folk punk) (x)

Destructo Disk (punk rock) (x)

User Unauthorized (hardcore punk) (x)

The Spook School (indie pop) (x)

Pinkshift (emo) (x)

Glass Beach (emo) (x)

Butch Baby (light rock) (x)

VIAL (indie punk) (x)

Sister Wife Sex Strike (folk punk) (x)

homewrecker. (metal, hardcore punk) (x)

Mega Mango (indie rock) (x)

Keep For Cheap (prarie rock) (x)

Steam Powered Giraffe (cabaret, steampunk) (x)

Thotcrime (grindcore, cybergrind) (x)

Whirlybird (indie pop) (x)

Kampsport (hardcore punk) (x)

Um Jennifer? (alt-rock, punk) (x)

Scarlet Demore (alt-rock) (x)

HappyHappy (folk, folk-punk) (x)

Queen Zee (punk) (x)

Grumpy Plum (slop pop) (x)

Cheap Perfume (punk) (x)

Pollyanna (power-pop, rock) (x)

Ballista (metalcore) (x)

Faetooth (fairy doom, metal) (x)

Lacerated (death metal) (x)

Fortuna Malvada (hardcore punk) (x)

Peach Rings (bedroom power-pop) (x)

Solo Artists

Laura Jane Grace (rock, folk punk) (x)

Left at London (pop) (x)

ZAND (pop, ugly pop) (x)

Ada Rook (hardcore electronic) (x)

Ms. White (pop) (x)

Rett Madison (indie, folk) (x)

Murder Person for Hire (folk) (x)

Backxwash (rap, industrial hip hop) (x)

LustSickPuppy (electronic, rap) (x)

Babylungs (electronic, rap) (x)

Human Kitten (folk punk) (x)

Harley Poe (folk punk) (x)

Ewy (emo, folk punk) (x)

Averstaskta (instrumental) (x)

Andie Schoen (indie) (x)

Elliot Lee (dark pop, electronic rock) (x)

Urias (hip hop, ballroom) (x)

Twink Obliterator* (cybergrind) (x)

Rio Romeo (cabaret punk, indie) (x)

Knife Girl (art pop, indie) (x)

Alexander James Adams (folk) (x)

Starmaxx (pop) (x)

Sofya Wang (pop, alt-R&B) (x)

Boy Jr (indie/alt pop) (x)

Medusa (revenge pop, hip-hop) (x)

Mal Blum (singer-songwriter, folk) (x)

Gina Young (riot grrrl) (x)

Petra Fiyd (indie pop) (x)

awfultune (bedroom pop) (x)

Quinn Hills (alternative pop) (x)

Femtanyl (electronic) (x)

Vivivivivi (electronic, glitchcore) (x)

Lilac Boy (glitchcore) (x)

Rosie Tucker (indie rock) (x)

Ryan Cassata (singer-songwriter) (x)

Pain Chain (noise, synth) (x)

In Love With A Ghost (electronic, lo-fi) (x)

Alice Longyu Gao (hyperpop) (x)

Prophetic Nightmares (ambient synthwave) (x)

Saint Wellesley (indie folk) (x)

[crumb-crumblet-s-crumbington]

i redesigned the transformers one cast in the style of transformers animated!

[silverlombaxwitch]

Everything's fleeting, isn't it

[worm-on-my-way]

do drugs kids :)

[delicourse]

i miss them a little if im gonna be honest

[kruinka]

didnt die im just really normal about this guy rn

[hinamie]

big fan of panels where they look like they wld beat me up

[ninthwonderoftheworld]

Dream is such a lame ass white boy, and I love him for that

[aulerean]

gem's angler fish? pretty cool.

[collophora]

Do yourself a favor and go read the entire fanfic work of @fanfoolishness

(In order: Under sun and shade, Blind Side, and Breathless (patching up is one of my fav too, I just had no cool sketch idea for it)

[sabertoothwalrus]

so I’ve been gaining a lot of insight into the animation industry recently, especially in regards to pitching & the creation of new shows. There’s a few ways to go about it.

First, there’s pitching to a studio. When you pitch, it has to be SHORT and CONCISE. You may write a lovingly detailed pitch bible that perfectly breaks down episodes and characterizations, and it might barely even get read. First impressions, first impressions, first impressions!

Most peoples’ first projects don’t get picked up. I’ve heard a few stories from directors that said they tried pitching a story they’d had for years, which got rejected, to then spend a week or even several hours in their car coming up with a new idea, only for that to get greenlit.

But that’s not the end of it. Just because a show gets greenlit, doesn’t mean it will ever get finished. There’s lots of things that can happen. Sometimes, unexpected major world events (like… a global pandemic) can cause projects to get chopped. Sometimes, a CEO change or studio merge means a single person can decide a project “no longer fits with the company’s brand.” Sometimes, the one producer that was rooting for your project gets laid off, and no one else cares enough, so it gets shelved. Sometimes, a streaming service decides to create an animation department, and then they decide they don’t want it anymore. Sometimes, the studio will be simultaneously be developing another project that was too similar to yours and they just didn’t think to tell you until they decide yours is the one with less potential.

On top of that, almost everyone in the industry is saying that “studios just don’t pick up original content anymore.” Studios want something they can franchise, something that will bring in money. New content is risky. Established fanbases are safer.

However! Studios can still be a very good thing. They can be unionized. They can provide better benefits and resources. They can have connections and infrastructure and a larger volume of workers. At a studio, you can divide the labor and produce more in less time. Longer episodes, longer seasons, more consistency in quality.

But this comes with all of the disadvantages of having more in the kitchen.

The alternative is indie animation.

With indie animation, you have total freedom. Full artistic control. It doesn’t even matter if your idea sucks ass, because there’s no one to tell you you can’t make it. You could make it anyway, and you can make it whatever you wanted.

The thing is, making animation is hard. In my production class last semester, the average maximum animation one person could make in that timeframe was 30-60 seconds, and that’s not even counting background design, sound design, or cleanup/color. To make a 5 minute animated short, you should probably have at least 5 people.

And it is CRUCIAL you have a production manager. Ideally someone who’s not already doing art for the project. Most projects without a production manager will fall apart pretty quickly. Once the adrenaline and impulse-fueled motivation wears off, you need someone to hold you accountable and enforce deadlines and proper time management.

Speaking of time, that’s also hard to get. The more people you have, the more likely schedules won’t line up. Most people will have school, or other jobs.

And it costs MONEY!!!!!! You either have everyone work for free and volunteer their time & energy, or you establish a business as a proper indie studio, with people who may or may not have experience on how to handle paying someone else’s salary. And the money has to come from somewhere, so you have to rely on crowdfunding like patreon or kickstarter. (This, by the way, is why I could never fault an indie animation for releasing merch with their pilot.)

And like, maybe you wanna do a series, and all your friends agree to volunteer their labor and time to make the first episode, but it was unanimously not sustainable. Deciding not to produce a second episode until you can raise enough money is not being suddenly greedy, it’s attempting to compensate people rather than expecting them to be continuously taken advantage of.

You have to consider your output as well. There are some outliers like Worthikids, who afaik does all his animation himself, and afaik can work on it full-time thanks to his patreon subscribers. And he still has only produced a total of 30 minutes of animation (for Big Top Burger specifically) in the past 4 years. This is an IMPRESSIVE feat and this is with using a lot of 3D as part of his pipeline!!

Indie animation also has the complication of being more accessible for fandoms. When you’re posting your Official Canon Content on youtube, it doesn’t look a lot different than the fandom-created video essay in the sidebar next to it. What’s canon vs what’s fanon becomes less distinguishable. The boundaries are blurrier. When the creator is just some guy you follow on twitter, it’s easier to prod them for info regarding ships and theories and word-of-god confirmation. They don’t have a PR team or entire international tv networks to appeal to. And this is when creators get frustrated that their fans snowball and turn their creation into something they don’t recognize (and no longer enjoy) anymore.

So it’s tricky.

Thankfully, the threshold to learn animation is fairly low nowadays!! There are TONS of resources online to learn it on your own without forking over a couple hundred thousand to a private art college. There are conventions and discord servers and events where you can network, if you know where to look.

I know it can seem discouraging in the face of capitalism, but I think that’s all the more reason why it’s so important to BE DETERMINED about animation!! We’re already starting to see the beginning of an indie animation boom, and I think it’s a testament to humanity’s desire to tell stories and create art. Even if there’s no financial gain, we do whatever it takes to tell our stories anyway.

[bigolialragu]

they have something weird going on

[ac4zusa]

cringetober day 4!! - fursuit/fursona

idk if mascot costumes count as fursuits but fuck it we ball (i'm rlly bad at drawing furries T_T)

[bunnieswithknives]

(nature au) you said that while dale dislikes dev using a cane in the house he doesn’t really care too much, but what if dev used a cane in public? i can’t imagine dale would be okay with that at all. he’d be pissed, like confiscate the cane kind of pissed

Originally the gag here was just going to be Dev clinging onto his dads arm for dear life while he shivers like a chihuahua but he is just. So small.. I couldnt get it to look reasonable

Bonus:

[kaisumisucreations]

a dubious @shkika beast and a perfectly mentally sound oupy

+ unshaded and sketch under the cut because they looked nice

[taiga-pine]

they are so in love they look stupid