#im sorry to rant on your ask

[blueskittlesart]

*sigh* thoughts on Nintendo's botw/totk timeline shenanigans and tomfoolery?

tbh. my maybe-unpopular opinion is that the timeline is only important when a game's place on the timeline seriously informs the way their narrative progresses. the problem is that before botw we almost NEVER got games where it didn't matter. it matters for skyward sword because it's the beginning, and it matters for tp/ww/alttp (and their respective sequels) because the choices the hero of time makes explicitly inform the narrative of those games in one way or another. it matters which timeline we're in for those games because these cycles we're seeing are close enough to oot's cycle that they're still feeling the effects of his choices. botw, however, takes place at minimum 10 thousand years after oot, so its place on the timeline actually functionally means nothing. botw is completely divorced from the hero of time & his story, so what he does is a nonissue in the context of botw link and zelda's story. thus, which timeline botw happens in is a nonissue. honestly I kind of liked the idea that it happened in all of them. i think there's a cool idea of inevitability that can be played with there. but the point is that the timeline exists to enhance and fill in the lore of games that need it, and botw/totk don't really need it because the devs finally realized they could make a game without the hero of time in it.

[ratatatastic]

vanha kauppahalli date but the dessert edition aka the more enjoyable edition if not because sasha has a sweet tooth so we can like these foods freely

sasha in the midst of eating merengue and almost choking to death because he thinks any comment out of maffhews mouth is funny maffhew sweetheart we have to think about the effect we have on the people around us for a single second here

[moonpaw]

[dayurno]

so sick and tired of people writing fics about jeremy treating kevin like shit over kevin leaving jean at the nest like that is either 1) in character 2) something jean would appreciate or 3) fair. do you even bother to read the books you’re writing fanfic about or is the urge to create cheap angst so overwhelming you can’t see past the tropes you write for every other fictional pairing you like? the idea that jean would appreciate jeremy going out of his way to poke old wounds in his and kevin’s relationship when jean himself does not even like for jeremy to joke about kevin near him is absurd, and that’s without mentioning the fact that jeremy is not so clueless as to think he has any idea of what the nest was like, or why kevin felt he had to leave the way he did. if you need something to make your ship more interesting thinking beyond your flat interpretation of it is a lovely start, but don’t use kevin’s name and storyline if you’re just going to butcher it for the sake of a milquetoast sob fest the characters involved in would not even appreciate

[themyscirah]

Complaining abt Suicide Squad yet again but the fact that they have Waller exposing the alien community to space racist attacks and talking abt how she got to her position through deceit and being a terrible person and stuff is just. Ahsfiwueh JUST SAY YOU DONT KNOW WALLER.

Anyways literally the 3rd mission of the Squad ever (and the first framed as smth Waller picked and not orders from above) was the Squad discrediting and stopping a rogue vigilante who was only arresting POC and funneling white people into white supremacy groups (of which he was the most prominent member) in SUICIDE SQUAD #4. and it's explicitly framed as this mission being personal for Waller that she's hiding from the government bc its illegal like. Guys. Please why are we having her incite (space bc comics) racist attacks now

Also the whole "Amanda got her position through deceit and being a terrible person" NO. she KEPT her position through being shitty and playing complicated political games!!! She wasn't always that way like there is a difference and it is IMPORTANT ppl PLEASEEEE. In Secret Origins #14 we learn Amanda's backstory and she used to be a normal, caring person! Like even after she entered into working in government and politics she wasn't automatically morally bankrupt like please people. She was originally given control of the Squad by Reagan (*sigh* 80s comics...) to distract and get rid of her because she was so successful at pushing progressive social policy in Congress. Acting like she's this static pillar of evil is such a waste of her character and so fucking uninteresting and disrespectful to her arc it drives me MAD.

Like I am NOT saying Waller is all sunshine and rainbows, she fucking SUCKS (said w love <3) but like there's a human being there. It's a progression, she has a character arc like please, DC, please!!! They've fucked up Waller so bad and made her so opaque and uninteresting she can't even be the protagonist of her own story for fucks sake!

Like I don't know how many times I have to scream it until DC hears me or remembers but WALLER IS THE MAIN CHARACTER OF SUICIDE SQUAD. ITS HER BOOK. yet right now she's a cutout to be used as the villain wherever the writers please. Even in her book we get none of her perspective really displayed, no exploration of her thoughts with any kind of understanding of the role she traditionally has played and was made to play in the story.

[massiveladycat]

with all due respect for proshippers, which is none, you disgust me. you're so obsessed with shipping incest it's like you think the only thing that makes a good plot is siblings swapping spit. i wouldn't trust you with human decency. and let's talk about that teacher x student romance, that's just sad, bro. like, seriously, do you not know the difference between romance and actual fucked up shit? you're the kind of person who thinks a minor x adult relationship is just "forbidden love" when it's really just a predator grooming their victim. you actively sexualize things that have happened to real people, things that have traumatized people and things that have changed their lives. you actively justify sexualizing children, sexualizing rape, sexualizing non-con. you're disgusting and i would be disappointed if i could ever birth a child like you. go get a life that doesn't revolve around supporting abusive dynamics and predatory behavior. nobody wants to be associated with you. just remember, while you're out here being a proshipper, the rest of us are actually respecting people who know the meaning of consent and respect. it doesn't MATTER if you think fiction has no effect on real life. it's so horrible that you think your pedophilia fanfics and abusive ships have no impact on anyone. do you know how many people you will hurt by going out there, writing some fanfic that tells them that everything that happened to them was okay and right? that there's a group of people that think what happened to them was hot? that if they put their story out there, there's a chance that you may sexualize them or justify their abuser? that they should've enjoyed it? fuck you. fuck every proshipper that tries to justify themselves with 'whimsy' or 'just fun.' fuck you.

[turnipoddity]

have you watched tusk (2014)?? its... interesting! ☺️

yes. and let me tell you something… this is just my personal… opinion… VERY subjective taste here yall…

I FUCKING LOVE body horror. I LOVE EM. but i like it if they are more… natural? Like from within your body, not like, through surgery. I mean cool and i do watch them still but i prefer body horror that comes within your body, it feels more scarier to me 🧎‍♀️

I watched tusks blindly and i literally FELT GIDDY LIKE WOOO this man gonna turn into a walrus im gonna see some fucked up shit but oh… through surgery…

[moeblob]

You know, when I kept getting asked "so you didn't ever have severe pains before now?" in the hospital and I kept replying "I have a high pain tolerance" I meant it. However, there is only so much pain my tiny 4'9" body can hold... (aka I am sweating and in agony bc I'm getting told to use LESS severe pain meds so I don't rely on them too much and it is AWFUL)

[quillkiller]

One thing i find so interesting about feminism today is it’s like you can’t even say women are victims anymore. you say women are abused by men and people scream their heads off about how men can be victims and suddenly without anyone realizing the narrative shifted and now women are not allowed to be the oppressed minority anymore bc everyone will try to explain it away. it’s all white women tears or rich women etc. so people act like you’re Insane for saying maybe we should look out for celebrity women lol

!!!!!!!! ive been saying

it’s so fucking depressing!!! it’s like the whole amber heard thing all over again. people see it trending on tiktok that now we’re all supposed to hate her so that’s what im gonna do Lol 😝😝 without even reading up on the case and forming YOUR OWN OPINION ???? like what are we DOING !!!!! and like especially with these people who came crawling back saying like wahhh i take it all back i was just following the hype / i support amber heard now 😞 IDGAF !!!!! like you actively joined a movement that literally bullied a victim to domestic abuse. all because you couldn’t take the time to read up on the whole thing and form your own opinion ?? yall were THAT ready bully and laugh and point your fingers at a woman .. yall are not seeing heaven .

and like people just. do that. and it’s the same thing with the chappel roan situation. people aren’t paying real attention to what she’s saying and then there’s a whole hive of people ganging up on her and people get on that shit without even forming their own opinion on the matter. YALL JUST HATE WOMEN !!! how do you guys not SEE THIS PATTERN !!! a woman (celebrity) is celebrated for a while until it reaches some sort of peak and then everyone is turning on her all at once ???? it happens ALWAYS??? and it is not fucking lost on me that both amber heard and chappel roan are queer women lmao. like yeah people hate on other female celebrities too but not to this fucking degree

[theokusgallery]

I wonder what's their relationship with their siblings. (referring to Nick and Sunny)

Also...Will there be Mari, Aubrey, Kel, and Hero?... I wonder if you're going to add them or not (hhshjsjs I'm getting a little bit *too* curious)

Interesting question ! I was literally continuing a WIP about Nick and Statice's (Nick's sister) realtionship as I saw this ask, lol. (No link with the picture above, I just drew that one for fun). I was also just talking about them extensively in Tosteur's server, sooooo...

Statice and Nick love each other very much. They grew up constantly around one another, and since their parents weren't always around, they always had to stick with each other and play with each other... They basically only had each other for most of their childhood. So they stick together.

Now, I can't remember if I've ever talked about it here, but Arsenic wasn't really liked by other people as a kid (and that hasn't really changed). He's weird, he's queer, he's mean (socially incompetent), etc etc. Statice, on the other hand, is a lot more normal than he is. They're identical twins, so they were in the same grade growing up, and when they made friends, it was usually together. But every friend they made always, consistently preferred Statice to Nick.

That's not to say Statice doesn't have her fair share of "weirdness", but when it came from her as opposed to Nick, kids around them didn't mind it as much. Like, sure, Nick was into boys, and that was weird and creepy and embarrassing to other kids, but... not only does Statice also like guys, she's trans. Weirdly enough, Nick was ostracised for being queer a lot more than Statice was.

Nick and Statice are very, very close. They spent 99% of their time together, growing up, shared a room, went to the same schools, in the same classes, they still go to the same university (though they don't study the same thing). They share a lot of things and know each other very well. But they have... unaddressed issues and built up resentment on Nick's part, and judgement on Statice's part. S o it's not exactly perfect.

I feel like it's important to note that Statice is the one and only person that Nick doesn't have an unhealthy power dynamic with. She's quite literally the only person that Nick is an okay guy around.

(She's also Sunny's best friend, so you can imagine how that goes when Sunny and Nick get together -- while Statice disapproves of it very much because she knows exactly how much of a creepy piece of shit Nick is :)...)

--Sunny and his sister Mari were also very close growing up. After growing up, though, they kind of drifted apart as Mari moved away for college and Sunny started seeing flaws in her that he... hadn't really wanted to see before, because he idealized her as a kid. They talk sometimes, and they still love each other, and they have an okay relationship, but they're not nearly as close as Nick and Statice are. Sunny kind of gets jealous of them for that sometimes.

I'm not actually sure if i want to add Kel or Hero or Aubrey to the story or not. There's a third friend in Sinny and Statice's friend group that's essential to the storyline, and I'm not opposed to making them Kel or Aubrey, but I haven't thought about them too much, so I don't know yet. Might make 'em an OC. I was hesitating on making Sunny's sibling an OC as well, but the characterization/role I was planning for them ended up being taken by Statice (who I actually care about and think about a lot), so I don't mind it being Mari. Hero is in the story by virtue of being Mari's boyfriend in every universe (/ref), but he has no role or purpose. Imagine he's standing in the background if you so wish

[kaidanalenkosprmanager]

THE BEST OF SHENKO 1/?

The end of the world has a way of reminding you of all the things you forgot to say do. Mass Effect: Legendary Edition (2021)

[rxttenfish]

Asking because I’m extremely curious about this, how did MonProm’s writing get different over time? I remember you saying that the lore and characters feel different, and that it's missing sincere character interactions, too. I know almost nothing about the lore and I’ve only seen a few people mention the characters, so I’d be interested in a rundown of what aspects you think got worse in the series

I wouldn’t mind a very long response since I’m not that active in the fandom, I need to catch up on what happened

sorry for taking so long to answer this! i kinda waffled on it for a long bit, mainly because i started doubting myself again, and whether or not this was me simply overreacting or being tinted by nostalgia or simply being extremely picky and choosy in what i like (the last of which is true, i seldom get into fandoms at all for this reason and stay away from most popular media, but i wasn't sure if it applied here). i've posted about it already, but i'm in the middle of a psychotic episode where i can't feel a lot of pleasure to begin with + most things i do experience ending up solidly in the "very bad" category, so as you can imagine, i really didn't want to mislead and check that i was actually in objective reality.

as it is, this is also when a lot more screenshots started to be posted in the monster prom tag, and that helped me bridge the gap back into returning to the games themselves and feel like i was making a more accurate judgement. if you're one of those people who have been posting screenshots, i sincerely thank you, and i appreciated seeing you in the tag greatly.

for those not in the know — i've been in the monster prom fandom since it first released, prior to even the first additional ending to be added (the "Punch the sun" ending, and i recall the minor fandom drama that happened at that time due to it). my impression of monster prom is very much influenced by this, as what got me into the first game was the fact that the characters genuinely seemed to care for each other and were friends with each other (not merely tolerating each other's presences nor dressing it up, they sincerely thought of each other as friends and were open about that fact), on top of the wide variety of small details and statements that, if taken at face value, could create compounding complexity in the lives of each and every character and had wider implications for their lives.

no, they were not necessarily explored nor even necessarily "real", with so many conflicting events and statements, but i liked this too, because it meant a wider flexibility in what you could imagine, helping to create a more tailored experience for everyone who thought about these characters. this was what i liked about the early fandom too. what was baseline "canon" was so vague and minimal that you could have wildly different interpretations of the same characters' histories and relationships with each other. you would have radically different perspectives on what the world itself looked like, what it was like, that there wasn't really any wrong answers so long as their personalities remained the same. this is where you got the old headcanon of polly and liam being childhood friends who knew each other as humans, or that the world of monster prom was post-apocalypse where humanity itself had gone extinct or only existed in tiny pockets, or my personal headcanon that both monster and human society existed right next to each other and had minimal crossover for petty cultural reasons. this was also prior zoe-as-ro, and there were wildly different interpretations of zoe's personality, with most going for a far more disquieting creepy-cute than the deep nerd we got.

this is why you get stuff like the timeloop theory, where everyone is repeating the same weeks leading up to prom over and over, and are perhaps vaguely aware of it but broadly unconcerned. this is also why it felt like the joke that, the characters were still in high school but were all fully legal adults with most in their 20's, best landed, because it was absurd and strange and didn't quite make sense, but the world itself was inherently absurd and semi-malleable to begin with. realistically, i felt like everyone understood it was making fun of the trope of having adults play teenagers in american sitcoms and wildly casting outside the age range, but for more in-universe explanations it wasn't any different from the way that you would have a large, dramatic ending in which everything changed, but then you'd restart and everyone would be right back at the beginning with nothing different, or even having conflicting events in the same run. it was a dream-logic that fit with the tropes and, thus, diagetically made sense.

to be clear, i don't mind canon having a set, well, canon on which it refers back to itself. i don't mind expanding that or including more things which are set in stone. but there was a perceivable shift in how the games handled this over time, becoming a lot more... bitter, it felt, towards all of these different branching ideas and concepts that, yeah, the people making them knew wouldn't necessarily be "canon" because "canon" already liked to contradict itself so much. most people weren't even sold on any one idea, and there was a much greater sense of enjoying and appreciating all the varying ideas people would come up with even if you personally didn't share them. making the characters be out of character was the real crime, because then it didn't diagetically make sense in the same way, didn't wholly fit.

(again, this is not to say fanon didn't happen and characters weren't smoothed down into a simplified personality that fit these varying fan-interpretations instead of the game itself. certainly damien love/lust was just as bad as it had ever been, and everyone loved to mangle his character into a more stereotypical "bad boy with a heart of hold" all the time. but it certainly felt less set-in-stone about it than it does now, with any deviation from the norm being considered strange and odd and even broadly shunned from the wider fandom.)

all of this is setup for establishing what the writing, lore, and characters felt like in the earlier days. the characters were the strongest part, with their relationships to each other being equally as important. the lore played it fast and loose and was far less interested in setting anything in concrete because that wasn't the important part. the lore wasn't the important part, which was what made it all the more intoxicating to think about, all the more fun to play with.

montrip is easily the biggest offender when it comes to setting everything in all-or-nothing terms and demanding absolutism from the world. broadly i blame the hitchhiker conversations for the worst of it, but i think ultimately the way they handled the entire premise of the game is where this problem stems from. it's not really an exploration in the same sense that you might explore the first game, discovering different perspectives and different people with different relationships to each other. it's an exploration in the sense of a sequel that over-explains the monster, that takes the most boring option out of all those that were possible and floating around and settles on something that was blatant, obvious, typically rejected not because of how novel it is but how trite and par for the course it is in the rest of the genre.

yeah, okay. humans know nothing about monsters and there's a "monster dimension" that exists separately from the human dimension. there's no crossover between the two of them. of course there's a big grand-scale fight between the eldritch powers that zoe used to be a part of, from which not only are slayers the main organization against them, but also the merkingdom has some horse in this race too. it's an urge to make things so universal in explaining them, in revealing connecting threads which unite everything that's ever happened in here, that makes the worldbuilding and lore immediately much more boring than it ever was before.

and it didn't have to be this way! nothing in the first game contradicts any of this too explicitly (see the above, the first game loves to contradict itself), and i would even be happy if this was basically canon but never stated or confirmed to be the big overarching everything going on underneath it all. i believe you should probably know these things about any world that you create and have them in the back of your mind. the difference is that you can know these things and keep them in mind, even focusing on things where its very relevant, and still not reveal them. this is why you have lore bibles, after all. every horror writer knows exactly how their monster works and the full underlying reason for everything that happens, but that doesn't mean the audience will see it or possess this same information too, and leaving it intentionally obscure will make far better stories.

which, this is bad enough, but it wouldn't be the breaking point for me if this was all there was.

but the worst thing of all has to be the slow decay of the very same characters that sold me on this world, this lore, this game in the first place. monster prom is nothing without the characters in it. it's a dating sim, it has nothing but characters to get you to play, and liking these characters are the entire reason anyone would pick up monster prom in the first place.

and the first game pulls this off extremely well. it's all in the tagline: be your worst self. they are, indeed, all terrible people. yes, even that character that you just thought of right now. they all have points in the game where they commit atrocities, where they kill or hurt people, where they do inexcusable things that could not be ignored in a more serious setting.

but that's the point. i think there's something very powerful in creating a character who not only do you love and love their personality and the way they interact with the world, but who also are inapologetically terrible, and to have the humor and the charisma be so good that you don't get bogged down in the "this is awful". likewise, it never feels the urge to really go out of its way to justify what's going on. this is not to say theres no discussion of if someone "deserved it", but usually there's still the sense that the joke is on them, that this is still an extreme reaction specifically for comedy and not necessarily something that can be justified. you can have damien set leonard on fire and have it feel earned, without prompting the needed reaction of what it's actually like to watch someone burn to death.

this is what sets the prank masterz ending apart from the rest of the game, and really establishes it as the first real "bad ending". because nothing that you do or happens in the prank masterz ending is any different from anything else that happens in any other run. you summon evil beings from other dimensions as a throwaway gag on how visiting one location raises your stats. you kill other people and damn them to terrible fates. you watch as body horror happens. the only difference is that, in the prank masterz ending, the laugh track doesn't play.

the rest of the game and the writing echoes this philosophy, this careful interplay of tropes that keeps everything tongue in cheek and yet sincere enough to make sure emotional beats still land when they're needed. the characters feel true to themselves and their own emotions, even when the world is extreme and excessive, when everything else runs on comedy logic.

this is also what i noticed failing first as time went on.

like i said, fanon has always existed and there's always been very specific ideas as to what characters are like in the same way fanon always flattens down characters into the same tropes over and over. scott is stupid and innocent and doesn't know what sex is. damien is violent and hot and too cool for anyone else. miranda is the idiot girl character. repeat over and over and over until you get sick of it.

but it's been an issue as time has crept on that canon has started to approach fanon and began to merge with it. now, scott is so innocent that he can't even curse. polly starts being mean to her friends and saying things that would be very hurtful to hear. the merkingdom isn't really super evil and fucked up, it's just miranda that's like that. they become simpler, easier to digest, streamlined for social media posts and mass-sharing. they become less and less subversions of existing tropes and moreso just another example of them, something else to add to the collection, not their own individual stories.

even further from this, what more complex traits they had are now stated and not shown. polly is stated to be smart and clever in a way that her party girl persona doesn't imply and to be sincerely rather down to earth with the people she cares about, but we seldom ever see this anymore unless its the game specifically trying to make a point about it, in which case it won't let her do anything that implies cleverness and moreso will just outline it in the narration. vera is stated to care for people in a very genuine and heartfelt way, but seldom will get a chance to do so, and every opportunity for her to do so to their faces is missed while she will just outright state it later. it does not feel consistent, it does not feel like any of these are intended reads of their actions. it feels like the devs have something they want to do but no idea on how to actually do so. and forget it if you want these traits to manifest in small ways that show up in unrelated moments and scenes.

the dialogue becomes harder and harder to tell between each speaker, if you are just looking at what's said and not at the pictures attached to it. the characters' distinct voices have been eroded away, so that they speak more and more like each other, relaying the same terms and ideas in the same words. perspective becomes a suggestion, instead of a must.

this is something that started back in monster camp too, as all of the endings in that game felt ultimately the same as every other ending. it's very hard to place or define the full reason why, why there feels like there's no emotional stakes nor investment, why everything feels moreso like selecting different coats of paint and trying to find all the different ending pictures rather than being interested in exploring the characters as characters.

stranger yet, the series that started with the tagline of "be your worst self" has experienced a kind of... softening, for lack of a better word? what i mentioned about being able to handle the balance between terrible people who do terrible things and the light tone of the game starts to change, as abruptly the same characters who were down with violent murder in the first game start to lose their nerve, acting more and more on more typical morality. it's one of those things that feels like it's starting to damage the tone, as abruptly it's not as absurd as it used to be, demands less suspension of disbelief which could buffer and support the rest of the setting on it. there's even a part in one of the endings in montrip which involves current-polly and current-scott looking back on their monprom selves and reacting in horror at how violent and careless their pranks are, in a way that fundamentally felt like it was undercutting and disparaging all the things that felt fun and made monprom what it was.

which is odd, really, because more and more i feel like the characters in these games like each other less and less. the friendships and genuine enjoyment of each others company that brought me to this game in the first place has gone. now they don't mention each other as much, don't care for each other's feelings and reactions as much, aren't as willing to support each other. they are more and more found on their own, relied on their own, seem to seek out contact and interaction with their own friends less and less. it feels like they're all separating out into their own worlds, but also feels like they wouldn't willingly want to interact with each other if they weren't already forced together by some other outside contrivance.

if anything, i'd compare it to every other dating sim out there, where you, the player, are the most important person in these characters' lives, and they only feel ambivalent or antagonistic towards every other character. which, again, is not why i picked up monster prom or why i liked it so much in the first place.

and it's because of this that it feels like the current state of the series has to focus on its increasingly weak worldbuilding and lore, trying to form a more serious foundation without character relationships being so tightly bound together, without the characters themselves being more developed and rich, without an aspect of absurd humor to rely on.

more and more i've noticed monprom has to rely on referencing other series to make itself funny and create humor, which, again, it's always done. it was just easier to ignore back then, if you didn't know what was being referenced, because there was always more going on in the exact same scene to bolster it and give context clues as to the setup and punchline at play. it feels like the current games are much more dependent on you knowing pop culture references in order to have any fun with it, and i'm someone who, again, is very picky in what i like or what i'll seek out. i'm not interested in a stream of references about other things that i would much rather be doing than playing through a game that feels like it hates that i like it at all, when i could, again, just be engaging with the thing that takes itself seriously and knows what it wants.

[sunsetsandsunshine]

AHHHHH HI FINNIE FIN 🥹🫶🏾💝💗💝💘💕💖‼️‼️‼️

Thank you so much for this ask…I actually REALLY needed a hug rn…this week has been stressful 😬…

Again, really appreciate it. I promise to DM you when life isn’t so…hectic ☺️🩷!!! I kinda just need to figure myself out rn

💖🙌🏾‼️

[iwritenarrativesandstuff]

really wish my one friend would quit flirting with me. and trying to goad me into hanging out more. and assigning us fictional characters that are oh-so-coincidently either couples or with romantic tension. and then interrupting our gameplay to ask me repeatedly if I think they’re “like us” (which they rarely are…). and matching my icon on discord without asking (again, usually by insinuating a couple connection). and giving me random things I do not want and did not ask to receive (and then forcing me to take them???).

[felignis]

i think chappell roan enforcing her boundaries to creepo parasocial fans is so fucking awesome and based and she should be allowed to do whatever she wants forever

[luna-loveboop]

I NEVER KNEW YOU MADE ART!!! ITS SO FRICKEN GOOD I LOVE IT SMM!!!!!!!! >v<

You’re very talented and I love all of your creations smm!!!!!!!!

Djsjdjfkkfkkf thank you so much Sleepy!

Yeah I hid it from yall. I was scared to try and post art on here, but I do a lot of art!

I'm ok at traditional 2-d stuff with painting and drawing, and I can do a sick egg carving. I'm great at a lot of 3-d art- I'll have to engrave glass to post here one day that'd be fun. I do calligraphy/ink painting like that comic I did, and textile crafts (anything with fabric, wool, or yarn).

Egg art is hardcore tho. A bunch of master egg carvers are like old dudes because it's an ancient and respected art, but sixteen year old me insisted on getting chickens, realised we had too many eggs, that egg carving existed and I could carve them, and never looked back lmao. It's been some years of developing the skill along with the other arts I do, and it's really fun.

Like!! Holding an eggshell that could break at any moment, with a drill going fifty thousand rotations per minute, and carving on it with it is very satisfying! ...when it doesn't break. Which it almost never does for me by now. Also egg artists can easily get poisoned by the egg dust for weeks (and I have) if we're not careful. It's dangerous and fast and dainty and pretty.

Egg carving is rad as hell

:)