#im not saying mike is a predator he was a kid and he was being pressured into a relationship with her by both his peers and adults

[36beetles]

coming out as a past ml*ven to make this point but

this line is what absolutely ruined them for me

it brought to light the fact that she's never had any agency in her own life or decisions. someone who is just now learning how to know what clothes they like can't really give informed consent. did she even know/understand what kissing was when mike first kissed her? did he have to explain to her what a girlfriend is when he asked her out? was she ever even asked?

[wheelercore]

Mike, Victor, Fred, and Ted: weird murder/killing & PTSD subtext

Now that I have been thinking Too Much about Fred, I am interested in the "holding the mirror up" aspect of it.

We see them intentionally show Fred's reflection on the grandfather clock

Which the camera angle in which this was done reminds me SO MUCH of how they reflected Victor in the bathwater where the spiders were.

Also notice when Victor was arrested it was against the same wall the grandfather clock stands against-it actually might be there within frame on the right but that also might be a doorway- I'm not sure. Looks like its probably a doorway but the clock is somewhere around there.

You also have the fire similarity between Fred's vision and Victors:

The similarity being: murderer

They both feel and intense amount of guilt for what they have done- however both was an accident. Victor, I think, pretty obviously has PTSD and Fred might have also. We'll get to this later.

They also do the same reflection into the grandfather clock with Henry- right as he uses his powers for the first and it immediately cuts to him killing a rabbit.

Also the rainbow being ~~gay~~ but also may I say it might also be a reference to Henrys future killings in the Rainbow Room.

The thing that interests me is why the grandfather clock is associated with 'murderer'? In fact it's what is associated with Henry's powers, which is what he then uses to kill his family and the kids in the rainbow room. We also see the clock presents most of the time as jutting out of trees (Chrissy- reference to Nancy in s1) and walls (Patrick and Max)- which are places we've seen be associated with a breach in the barrier between the UD and RSU. As if the clock is forcing it's way from the UD to the RSU- like we see repeatedly UD beasts do.

So in a sense the symbolism works like this:

Clock -> breaching the barrier between the UD and RSU -> akin to UD monsters -> the UD monsters being a mirror/reflection of humanity's predatory nature -> predator defined as "preys on the weak" -> mentions of various famous killers (Freddy Krueger, Michael Meyers, and Ted Bundy- all in the same episode by the way).

Its especially interesting that Fred is a mix of Mike and Ted:

(Mikes s3 scar and Ted's glasses. Again, all in the same episode.)

Mind you, they make a whole circle of character-murderer references: Victor is compared to Michael Meyers, Eddie (not a murderer but was witness to one and is later accused) is compared to Ted Bundy (both names are short of Edward also), and I believe Vecna/Henry is compared to Freddy Krueger at some point also.

To add to this, the topic of PTSD is also something shared, I believe, between Fred, Victor, Mike, and Ted (and also most likely Henry but I haven't really looked into any specific uses of symbolism, name games, etc etc im lazy).

I believe I saw @aemiron-main mention previously about how it seemed that Victor had gained weight over the course of the Creel sequences given to us. While neither Victor nor Henry, I believe, are inclined to mention how much Victor had been eating once he was triggered by the Vecna visions so we don't necessary see any explicit confirmation of it, to me in a round-about way its supported by Ted's eating habits particularly in s2 and how that ties back to Victor since they're paralleled in this sense.

(Em, you're the resident expert on Victor so feel free to add anything on here related to this if you would like to. I'm sure you have much more coherent things/proof to say about this than I do when it comes to Victor haha).

In Henry's monologue (which is literally just the writers "spelling it out to us" as promised), he mentions eating as one of the distractions, ie just another way of describing coping mechanisms (heavy themes of mental illness/trauma all over the place in s4 as it relates to conformity and the metaphor behind Vecna).

In season 2 we hardly see Ted not eating/drinking (dinner scenes- obviously, doorbell scene with Dustin where he was holding a mug in his hand). Even in the opening scene he's the only person eating pringles (?) in the kitchen with Karen and Holly:

Even in the end of s1 he's apparently fallen asleep while eating out of a large bowl of popcorn.

Multiple times overeating is brought up with Karen angrily commenting that she hopes he's enjoying his chicken after we see her observe twice Ted not backing her up at the dinner table but rather just drinking/chewing (mind you this is all happening while discussion wills disappearance is going on, with the general consensus in the town being that Will was taken by a child abductor/murder- with Ted's See what happens? line being particularly interesting):

and Dustin jokingly putting an excessive amount of pancakes on his plate after Ted sarcastically tells him to "take us for all we're worth".

Hell, even the scene were Ted is holding a random donut in the church in s4- it's overeating/eating when its inappropriate, particularly doing a stressful moment, and again, this was related to the serial killings of Chrissy, Fred, and Patrick and how Eddie was scapegoated for it. Or Ted being the only person eating at Will's funeral, very obvious because he's the only one holding a plate. And these are only instances I remember off the top of my head.

Victor, while, again, we don't see as much of an association with food we do see him repeatedly get triggered over the course of the events shown to us. Victor describes his vecna visions as "living nightmares" which is a callback to Hopper and Joyce's conversation, again, in season 2:

Victors visions, unlike Virginia's, were intentionally very reminiscent of PTSD flashbacks. Victor was being repeatedly triggered all throughout the time of being "haunted" by this "demon".

Switching back around to Mike for a bit, we get the parallel in s4 to the s1 dinner scene, this time with Mike, who, unlike his father, is not eating very much. And Will, from the same vantage point as Karen in the s1 scene and like Karen, notices subtly:

Takes a similar sip of his drink when El storms off, similar to how Ted takes a sip of his drink both times when Nancy and Mike storm off. Honestly it would have been funny if Murray had made chicken risotto.

Regardless to get to my point, these can be signs of traumatic events happening in the past:

(x)

While again, it's hard to tell with Victor, because comparatively we don't see much of him, there are some subtle hints. Talking about being "moody":

Dr. Owens explicitly mentions "changes in personality" as a sign of PTSD to look out for.

There's the clothing parallel between Mike and Ted related to this in again, you guessed it, season 2:

Both are scenes in which they are acting pretty irritable and standoff-ish to someone. Mike being this way towards Max due to the trauma and guilt of watching El "die" at the end of s1, related to death- again like Victor and Fred, however Mike was not culpable although I suppose he may have felt that he had not done enough to save El.

We don't know what's up with Ted, but he was actually strangely in this scene- not hearing the incessant ringing of the doorbell or even noticing Karen out loud ask him to get the door judging from the fact that he says "I'll get it" as if he hadn't heard her. Karen seemed annoyed by this as if this has become a common occurrence in the last year or so. He seemed to have been intensely concentrated or more so distracted, obviously with a drink in his hand.

stranger things writers dot twitter are sooo correct s2 is underrated we love the PTSD season

Notice how both are all dressed up- projecting an image of having yourself together, "perfection", when you're really not. Reminds me of that scene of s1 where Mike is complains the tie is choking him, and Ted tells him that that's how its supposed to be. Symbolizing an excessive amount of control over oneself and ones emotions (choking oneself as symbolized by clothing), which is seen through various habits, e.g. overeating/lack of eating.

Now, last thing that's a bit of a tangent, but going all the way back to this theme of murderers and killing- e.g. Mike's survivor's guilt, the interesting parallel between Holly and Henry catch my attention. Both are described as "explorers". Henry after he looks into the grandfather clock and 'gains' his abilities:

I saw my parents as they truly were. They presented themselves as good, normal people. But like everything else in this world, it was a lie. A terrible lie. They had done terrible things, Eleven. Such awful things.

(Sorry I ran out of image space >.<)

After Holly witnesses the Demogorgon ("predator") almost come out of the wall, again like we see with the grandfather clock which is reflected on Fred (Ted+Mike), Karen describes her as an explorer- which is referenced back to Henry seeing his parents for who they truly were. Holly then also notices the flesh monster from the ferries wheel (UD "predator") but Karen and Ted tell her to ignore it and look at the pretty fireworks. We know Holly was at the pool when Karen was flirting with Billy there, however what "terrible", "awful" thing Ted had done in the past is still unknown.

Shortly after this in s3- Karen, Ted, and Holly become the family unit which is then indirectly described in the church scene as "a lie designed to hide a truth", with Karen and Ted's clothing paralleling Mike and El's from early s3 when they were being an annoyingly fake couple.

While Victors fate is almost obviously reminiscent of Oedipus (the whole eye gouging and all- falling into a fate that was one of his own doing when he accidentally murdered that family during the war)- Mike does also get two moments were he technically "blinds" himself all throughout s4: the sun glasses in the airport and the sensory deprivation glasses at that pizza place- a fate that more closely follows Oedipus: kill your father, become your father, and then marry your mother.

(the last one being a whole nother long post)

Anyways... what exactly happened in 1959?

[smolsammichowo]

FNAF MOVIE SPOILER BUT I WANTED TO TALK ABOUT A THING

So a lot of people found a certain scene while cool it didnt make sense, however I actually realized last night why it made sense / a theory of why i could have made sense

What is the scene I'm referring to? Well, spoiler down below (also another warning its just me also rambling but Im just excited because I think I got it lol )

SO!

The scene I'm refering to is of course the scene where Wiliam Afton gets springtrapped , says "I always come back" & puts the head on while in the process of that all happening ,

A lot of people (including me at first) were confused to why he says "I always come back" and also puts on the head even though that would obviously attach him to the suit more and hurt him more / kill him more. ( though cool as hell scene too ) WELL I realized why that makes sense . It ties back to how he , well, actually does constantly come back to HIS place. The Pizzarea was his place and he has always come back to it for many years. Remember when he was on the call with mike and says "The owner has a sentimental attachment to it, never wanted to destroy it" or something like that. Also, I remember Vanessa saying the bodys of the kids are in the suits too which is kinda why they are still trapped in there as well. And when he was about to murder Mike he was mentioning "I see you have a sister, SHE WILL LOVE IT HERE! " so he KNOWS about how the suits keep the kids trapped there so he KNOWS that him being trapped in that suit and dying in it in that pizzarea has him trapped in there so him saying "I always come back" is him not only him saying that as in from him doing that in the past but now that in his "new body" HE IS GONNA COME BACK. (i mean he kinda does after all in the last scene before the spirit kid shuts the door on him ) But ALSO , as someone who is heavily invested in true crime, I know for a fact murderers and psychopaths LOVE to torment and taunt their victims no matter who and what age they are. They will say some of the most deranged and fuck up stuff that makes absolutely no sense to them just to make them scare them and make them be the predator / stand above them. Remembering the scene & thinking back, he had kind of a TAUNTING LOOK almost on his face as he had the springtrap head before he says I always come back. Its like along side of that its him saying "I may be stuck with you but you all are also STUCK. WITH. ME. "

But TLDR the reason why he says I always come back & puts the suit back on is because the pizzarea is his place, he has come back many many times to that place in the past and him knowing that because his body is stuck in that suit the way it is , his soul is as well meaning he's gonna be back as a possed monster that he always was so he knows that he's gonna be stuck there and him saying "I always come back" especailly directed at Freddy is him taunting his murder victims like a cold blooded psychopath.

[winderlylandchime]

I’m just gonna go ahead and say sorry in advance the man lost his mind with the next ep but 3x04 1/2 ‘He would make great marketing for durex. Remember their covid ads? Funny as shit. Why is she here? Why can’t she take the kid with her to the hospital? I thought i gave Brian permission to hit this fucking kid? Yeah! Eat the chips you little bitch.‘ we got to Mel and Linds picking donors ‘FRESH SPERM?! LINDSAY HE IS 19- What are the-THEY CANT GO TO A SPERM BANK? THEYRE GONNA PICK BETWEEN THEIR FRIENDS?! Girl, what makes you think any of them want a kid at all or better yet with you? There is no way Brian would let that kid get into the ‘vette. JUSTIN! WHY ARE THEY CASUALLY SAYING HEY TO EACH OTHER? oh Justin hates this kid (Mel and Linds pick Mikey) MICHAEL?! THEY ARE PICKING MICHAEL?! MICHAEL?! MIKE? MIKEY?! Because he invited a kid to a comic book store? THAT IS LITERALLY HIS JOB! Thank god the diner doesn’t have more male waiters because she would think someone wants a kid just cause they told her the specials’ ‘WHAT IS WITH THEM MOVING IN SO FAST? I THOUGHT THAT WAS A YOU PEOPLE THING *waves at me*’. ‘Have you noticed that whenever Lindsay and Melly want something from someone they make them a meal? (mikey and Ben are taking a shower and he actually fake gagged) The only shower scenes I like are Brian and Justin’ ‘he’s going through Brian’s stuf- he has a lot of dildos, why am i acting surprised..HE STOLE HIS BRACELET! How dare you, you little shit! BRIAN HE HAS YOUR BRACELET! HE DOES NOT OWE ANY OF YOU ANYTHING ESPECIALLY NOT MONEY! I know I said hit him but this *points to the toilet scene* is WAY fucking better! Do Ethan next!’ He is once again using Shazam to make his playlist even better. ‘Usually when people start doing drugs, they become fun before they ruin their lives, this dude is just hitting the gym? Boring. Oh he’s angry and jealous of Michael isn’t he? Well that’s not healthy’ he is once again using Shazam, this is getting ridiculous. ‘OKAY BRIAN!! Oh damn, I don’t remember him being all 6 packy before. Why is a cop there?’ ‘Why is he surprised that he wont have full rights? Dude, you’re a DONOR! But don’t worry they never hold their word, they force the donors to step up one way or the other. Make sure you have life insurance. THATS WHY THERES SPERM BANKS MELANIE!’ And thee scene is coming up (my cousin thankfully reminded me to record him here bc she knew he’d lose his mind and thank fuck she did. Usually i record him for big moments but i almost forgot here) ‘HE ACCUSED HIM OF WHAT NOW?! *pauses tv* OH FUCK HIM AND FUCK WHOEVER MADE HIM! That is such a horrible and serious accusation to make cause some people, HA, some people..good one (his name), GIRLS! WOMEN! aren’t believed! And boys! Oh don’t even get me started and i know it’s ironic because im yelling at a boy BUT DIFFERENT! WE DONT EVEN GET TO COME FORWARD CAUSE WE SHOULD BE HAPPY WE GOT LAID! And if it was done by a man? Well then we are forced to be quiet because we get mocked since apparently gay is worse than rape. But Brian is gay, so of course he did that and nobody would think otherwise. Because gay means predator in their peanut shaped brain! Meanwhile PRIESTS exist! Or those weird family friends that you have to change outfits for when they come over but nobody calls that out. HOW FUCKING DARE THEY? You know what? FUCK EVERYTHING AND ESPECIALLY FUCK THAT KID! His family better know better, i have no faith in them but they owe him that! Nobody will believe this, he literally hates kids!‘ He then got up and went outside to smoke. I forgot that when the whole Florida gay ban bullshit happened, this man FLEW to florida to protest (we are nowhere near florida) so I should’ve seen this coming tbh. And when he came back inside he just went ‘I do wish they showed him being interrogated because I know for a fact my man was giving sarcasm and anger and funny insults!’ ‘Well look at that, it’s almost as if you shouldn’t move in together after like a week!’

Melanie and Lindsay’s insistence on using known sperm over donor sperm baffles me and must be because for TV reasons because it’s so bananas. LOLing at them making someone a meal… that is so true!

Ben not becoming more interesting with a drug problem IS A MOOD. And true.

His reaction to this storyline is everything. Factually, false accusations are incredibly rare and yes, it’s a double-whammy for boys. The other part of this storyline I hate? Is that Claire is right to believe her kid. So rarely do parents believe their kids and go to the police, when they should. I hate hate hate this storyline with a passion. I get why it happens (Justin still believing in Brian and doing whatever needs to be done to clear his name) but FFS CowLip why why why do you have to create a narrative around a false accusation?

YOUR BROTHER FLEW TO FL TO PROTEST? He gets all the fist-ally’s in the world! I love him.

[rigginsstreet]

If Billy were to go the pure evil route, do you think there’s a better way you’d go about it or like to see it play out? Like how do you feel about fics where Billy is really the tragic type

i feel most of the fics i read where billys like full dick, no redemptive qualities, are smut.... lmfao so. probably not the best scale to judge by 😂

are we talking about billy, as a human, being evil? because thats severely different from him having a better villain/possession arc. 

honestly, at this point, i think the best route to take wouldve been billy lighting everyones ass up for not helping him. and yes, i get that like, max is a kid. what is she supposed to do? or how literally nobody else knows about his abuse, so what are they supposed to do? i get that part of it

but if we’re talking billy going full villain, then fuck logic. just have him be pissed at everyone for not intervening. AND let him kill his actual abusers (neil AND karen). actually from there, have him kill karen first. and then mike and nancy will be like “you killed our mom you bitch!” and billys like “your moms a predator, hate to break it to you, but if you still wanna defend her you an die too i guess. no sweat off my back”. so like we can go that way. i think hes more than earned that. to just slaughter everyone

if youre asking me about him getting a proper villain arc fro the get go and not the lame ass shit the duffers wanted to pull...

you gotta go bigger. and you also cant have him focus on kids way younger than him like thats lame. i mean... dont get me wrong. fuck them kids. im not concerned about them. its just like... a boring narrative. keep the max shit because thats actually grounded in something. of course hes gonna take his anger out on her when hes forced to be her caretaker. thats gonna breed resentment. 

but they shoulda upped the shit with steve by a gazillion. show me REAL bullying. go further than bullying. go full psychopathy lmao. i want this man UNHINGED and INSANE.

i wanna see billy with a knife so bad why wasnt he ever given a knife oh my god. 

and play up how charming he can be. that facade he puts up to get by, to get something out of people. make him SCARY. really show how easily he can slip that mask on and off so that when he does go apeshit and starts cutting up steve in a backalley the audience FEELS something

and like... im not an abuse victim. so i cant say what is and isnt right to show in a tv show depicting one, but for me as a viewer, i wouldnt mind keeping in the neil aspect, really showing how bad it can get, so long as he still gets his comeuppance and when he does no one feels bad about it. 

like i very much understand not wanting to make the abused kid the villain. i will not argue with anyone who doesnt ever want to see that in any capacity. but for me? i very much operate under the idea of anyone is capable of being good or bad. its a roll of the dice how a person is gonna turn out. so i do think there was a way to incorporate billys history and still make him the villain the duffers clearly wanted him to be. its just... you gotta go bigger. this is not a story meant for a minor character. you gotta really commit to it. and they didnt. which was the problem. it just... fell totally and completely flat

i love how i went straight to murder lmfao like this show was ever gonna give us a serial killer kfjbgjksbg

i was thinking bout billy loomis my bad.

for me, a successful villain is one you wanna root for. which in itself will be a controversial take lmao but thats just my personal opinion okay. when theres a villain who im just watching like “i want you dead i want you dead please die”.... i dont know that thats as fun for me. and its not that i necessarily agree with what theyre doing or whatever. its more that like... you can tell a bitch is having a good time lmao whether it be the actor in the role or the character themselves or both. villains gotta be a party. like when billy was whooping and hollering and laughing during the fight? EXACTLY that energy. we needed more of that. the unhinged clapping in the sauna scene? mr dacre kayd understood the ENTIRE assignment 

i want to end this by saying i think billy shouldve held a knife to steves throat and made him bleed. i would like to see. i would also like to see steve holding a knife to billys throat and billys dick getting hard. ive said this before. i will say it again!

oh my god billy straddling steve and carving into his chest ???? imma stop imma stop we get my point by now

[tiffgeorgina]

fuck it black monday soulmate au

this one goes out to brit pricevore and that damn quote rt about hating soulmate aus. also to all the time i wasted in the shower last night thinking about this. brit if you’re reading this i have done my part. 

this fic is sponsored by the hyuna and LE collab that i cannot stop blasting. it’s called blacklist and it kind of invented music

-ok so im starting with mo and dawn because of fucking course i am

-mo spends like four years in prison starting from when he’s 20 or 21 or sum shit. around this time, dawn’s getting her MBA from northwestern. as soon as mo’s out of prison, jammer stakes the jammer group and hands majority ownership over to mo. alright so mo needs some employees he can’t do all this by himself. so he schedules an interview with dawn and meets her and realizes that this is His Soulmate. 

-im not really certain what the exact soulmate au would be for this because frankly i don’t care, i don’t want to get into that rn lol. but it’s something obvious and clear-cut, like seeing color for the first time when you make eye contact with your soulmate or smth. Actually i rly like that idea so im gonna roll with it. Fuck it you see color the first time the first time you touch your soulmate (i’ll get into the general implications of this some more later on, maybe after keith/mike’s part stay tuned xx) i love me some ambiguous soulmate aus but all the relationships in this show are ambiguous enough so i’ll pass in that regard this time. also in this universe, your soulmate isn’t necessarily regarded as your romantic partner for life. some conservatives/evangelists/fundamentalists/traditionalists will consider any marriage/sexual or romantic relationships with people other than your soulmate to be an abomination or w/e, and the 80s were pretty conservative, but they were also pretty weird, so a lot of people give zero fucks and will date/fuck/marry whoever. these people tend to regard soulmates as the most important person in your life, regardless of the nature of your relationship with them. some people’s soulmates are like a parent to them, and could never imagine being romantic/sexual with them. lots of people never meet their soulmates due to distance/death/etc. basically fate is not as all-knowing in this soulmate au as it is in some others. there is more to a long-lasting, successful romantic relationship than just love. back in the 40s or whatever, people would meet their soulmates and marry like two weeks later, never having had sex or a romantic relationship with anybody else, and then two days into the marriage they realize how devastatingly incompatible they are and the relationship crumbles under the strain of resentment and confusion within a year. people in the 80s have started to learn the lessons the people in the 40s never had time to figure out, so most people have some romantic/sexual experience before they meet their soulmate. besides, who wants to wait that long to have sex? not me tf

-ok back to the plot now that we got the background is down. mo and dawn meet and know they’re soulmates. so they get to know each other, but their main focus is work bc they’ve got a lot of work to do if they want to get anywhere. the company is young, dawn’s just out of school, and mo’s just out of prison. there’s a lot of ground to cover and they’re impatient asf to be rich and powerful. 

-the romance sort of happens naturally, given how much time they spend together, and they fall hard. they start dating, and when it’s great, it’s great. but when it’s bad, it’s fucking horrible. they’re both really underdeveloped as people (should i mention that they both literally just entered the workforce lol) and they just. can’t. get. along. 

-they hire some more people, like keith and yassir and wayne, and even they can tell that their relationship just sucks. they fight all the time over petty shit, and their fights always go way too far and never get properly resolved. sure, the sex is good and they want pretty similar futures (lots of money and no kids), but emotionally, in the short term, they are as incompatible as it gets. they have the same argument that they’ve had a gazillion times about promoting dawn to partner, but this time it goes a little too far. the things they say are a little too hurtful, and at this point, the relationship is a little too broken to salvage. they both know that when dawn storms out that night, it’s the last time. she moves out the next day.

-but she can’t really quit, can she? at this point she’s put in like three years of work at this place, and it’s moving up the ranks, and she’s head trader. she’s not taking a pay cut because she’s too immature to work with her ex-who-is-also-her-soulmate. so she sticks around. it’s a little awkward at first, but she and mo just come to an unspoken agreement that they’ll spend less time together and let themselves detach as much as possible, because at this point, a romantic relationship just seems so impossible, so why try? they can be each other’s most important person without being romantic partners, right? of course they can! Yeah, maybe they were just destined to be platonic soulmates. this will definitely work.

-so dawn meets this guy. his name is spencer. they hit it off right away too. of course, they’re much less compatible (in terms of long-term plans and all that, especially regarding having a family) than she and mo ever were, and the chemistry is nowhere near as electric, but at least they can have a conversation about something other than how much they hate the lehman brothers without screaming at each other. despite how much she knows she doesn’t love him like she still does used to love mo, she thinks she can live the rest of her life like this. they get engaged after dating for a year, and then married after a six month engagement period.

-mo stays single for about a decade or so. the most serious relationship he has isn’t even monogamous and it’s like, barely a year. he tells himself that he’s not looking for love, and he’s much happier to just sleep around and count his money and focus on that. everybody he ever talks to knows this is a bald-faced lie. they choose not to bring it up.

-(IM REALIZING HOW SIMILAR THIS IS TO THE CANON BACKSTORY/PLOT OF BLACK MONDAY IM SCREAMING SHGLKSDFHGLKSDRGHLS WHATEVER IM HAVING FUN) so mo and dawn are still working together and their relationship is... getting better. time heals all wounds right? well, not if you keep rubbing salt in the wound by literally working with your ex-who-is-also-your-soulmate and seeing them everyday. they know subconsciously that they could’ve been really fucking great, if only they hadn’t been such idiots in their 20s. but now that chance is gone, and they both just have to accept that. they still get into fights and shit, but it tends to be over much more superficial stuff. of course, people without fifteen years of history don’t get into screaming matches over tiny shit like they do. but that’s the territory of working with your ex-who-is-also-your-soulmate.

-so mo has this stupid fucking idea that he doesn’t even run by dawn before throwing $60 mil on it, because of course he does. so she has no choice but to go with it. they hire this kid, his name is blair, because they need him to pull this off. blair finds out that mo and dawn are soulmates who used to date but don’t anymore, and he’s really not even that surprised. of course, it’s weird to find out that your bosses whom you’re weirdly close to, who seem to hate each other, used to be in love and date and the whole nine yards and all that, but it makes a lot of sense.

-so they go off to the predator’s ball bc even rich people need money sometimes. you know that scene where they’re walking back to their rooms after that wild ass night, and mo’s like “you want to call it, or?” and dawn’s like “would if i could but im married” and then they get into a fight over collateral shares? fuck that scene entirely. let dawn find out about that 30% collateral shit like the next day or some shit idfc. instead, dawn’s just a smidge drunker than she was in canon, or maybe she was thinking more clearly than she has in a while, and she just fuckin goes for it. she kisses him, and of course he kisses her, and they... sleep in the same room that night. lmfao you know what i mean. and so starts this sort of friends/business-partners-with-benefits thing. 

-they are next level awkward when they get back to NYC, and blair and keith notice the fuck out of it. they aren’t exactly on speaking terms, so they don’t bring it up to each other, but fuck if they don’t bitch about to their respective soulmates (which i will get into)

-dawn feels soooo guilty it’s unreal. But she rationalizes the hell out of it. Her relationship with spencer has a textbook dead bedroom (which is actually sort of canon), and she signed up for monogamy, not celibacy. it’s not her first example of fucked up morals for sleeping with somebody other than her husband, anyways; there are worse things she can do (and has done) than cheat. It’s not fair that he gets to have all the sex he wants while she has to suffer in silence. So she keeps hooking up with mo even if it’s the worst thing she could do for her relationship with him (and her relationship with spencer, who doesn’t even know that she’s met her soulmate, let alone that her soulmate is her fuckin business partner [canon divergent, spencer does not find out about her and mo in 1x02])

-mo feels guilty in theory but really he’s just happy to be with dawn again in some way. They’re never in dawn’s apartment, so there’s no chance they can ever be caught ever. This is fine. They are fine.

-as one can expect, they are not fine and spencer notices dawn acting differently. Eventually she has a couple drinks one night and the guilt overwhelms her so she ends up coming clean. Safe to say she and spencer get that divorce.

-around this time, mo is telling blair about the georgina play, and blair is telling him to go fuck himself. Also around this time, tiff is getting kidnapped.

-dawn immediately suspects that mo did some stupid shit when she finds out mo told blair everything. So she goes to find him, only to find him at his lake house, spreading ashes. After he tells her he knows nothing of tiff’s kidnapping and he’s spreading the ashes of a friend, she relaxes and they spend the night together, just talking over all the shit they’ve been through. They don’t have sex that night, but they feel what they used to feel when they were together 15 years ago.

-in the middle of the night, blair calls dawn in a blind panic, talking about how tiff’s parents arranged her kidnapping for the press without telling her. Blair says, “Let’s you and me run the georgina play. That’s right, i know you knew, you’re too smart not to” and dawn says “no.” she doesn’t give excuses or anything, she puts her foot down because she will not let this kid she’s known for barely a year convince her to fuck up the most fulfilling relationship she’s ever had as soon as they get to a good place again. She tells him she’ll run the play with him, but it’s not gonna be against mo. either all three of them are fucked with mo and dawn $60 mil in the hole and blair out of a job, or all three of them can be filthy rich and successful. That’s the deal. Blair says he’ll call her back tomorrow.

-the next morning, mo and dawn are talking on the doorstep, and mo brings up the georgina play and how the kid fuckin hates him now, and there’s no chance of pulling off the play bc he quit. Dawn’s like “yeah, about that… we need to schedule a meeting with him” and mo’s like “what for?” and dawn’s like “i spoke to him last night, his fiancée’s kidnapping was a sham that her parents pulled off and he might be in the right headspace to fuck them over right around now” and mo’s like “holy shit you miracle worker” and they make out and when they walk back into the office, they’re hand in hand. 

-they call blair into the office and they basically just yell at each other for three hours. Keith, yassir, wayne, and ronnie do not know what is going on and frankly they are too afraid to ask. Eventually, they reach an agreement: blair will pull hand over 6% of georgina jeans in exchange for 20% of the jammer group, and another 25% to dawn (after they use blair’s algorithm to grab that last 30% from the lehmans). They shake on it, but none of them leave happy.

-blair’s not exactly happy to fuck over his parents-in-law, and mo isn’t happy to lose majority control of his own company. Dawn lucked out, gaining more power and losing little in the play, but her relationship with both of them is so on-the-rocks that she can’t imagine upholding a business partner relationship with them. This is gonna go so great after blair gets married in *checks watch* like two months.

-so blair gets married and the georgina play is a thing that happens (successfully might i add) and everything is kind of shitty because there are at least two relationships to repair here, and one that’s coming back from the dead. But little by little, they all get to a better place until they’re more or less back at where they were before mo told blair everything and they were all just friends except this time mo and dawn are dating xx

-WHEW and that is that on that. And by that on that i mean that on mo/dawn for this au. Dw im gonna get to blair/tiff and mike/keith and im super excited to write those too but i’ll make sure to put those in a separate post because i don’t think tumblr could handle a +7000 word post lmfao (since this post is nearly 2500 words jesus christ)

-i hoped y’all liked reading this as much as i loved writing it!! Again i love feedback and i read everything y’all say in the tags so please put stuff in the tags bc i love that shit!! Gn xx