#im literally so angry about this

[inkskinned]

one of the things that's the most fucking frustrating for me about arguing with climate change deniers is the sheer fucking scope of how much it matters. sweating in my father's car, thinking about how it's the "hottest summer so far," every summer. and there's this deep, roiling rage that comes over me, every time.

the stakes are wrong, is the thing. that's part of what makes it not an actual debate: the other side isn't coming to the table with anything to fucking lose.

like okay. i am obviously pro gun control. but there is a basic human part of me that can understand and empathize with someone who says, "i'm worried that would lead to the law-abiding citizens being punished while criminals now essentially have a superpower." i don't agree, but i can tell the stakes for them are also very high.

but let's say the science is wrong and i'm wrong and the visible reality is wrong and every climate disaster refugee is wrong. let's say you're right, humans aren't causing it or it's not happening or whatever else. let's just say that, for fun.

so we spend hundreds of millions of dollars making the earth cleaner, and then it turns out we didn't need to do that. oops! we cleaned the earth. our children grow up with skies full of more butterflies and bees. lawns are taken over with rich local biodiversity. we don't cry over our electric bills anymore. and, if you're staunchly capitalist and i need to speak ROI with you - we've created so many jobs in developing sectors and we have exciting new investment opportunities.

i am reminded of kodak, and how they did not make "the switch" to digital photography; how within 20 years kodak was no longer a household brand. do we, as a nation, feel comfortable watching as the world makes "the switch" while we ride the laurels of oil? this boggles me. i have heard so much propaganda about how america cannot "fall behind" other countries, but in this crucial sector - the one that could actually influence our own monopolies - suddenly we turn the other cheek. but maybe you're right! maybe it will collapse like just another silicone valley dream. but isn't that the crux of capitalism? that some economies will peter out eventually?

but let's say you're right, and i'm wrong, and we stopped fracking for no good reason. that they re-seed quarries. that we tear down unused corporate-owned buildings or at least repurpose them for communities. that we make an effort, and that effort doesn't really help. what happens then? what are the stakes. what have we lost, and what have we gained?

sometimes we take our cars through a car wash and then later, it rains. "oh," we laugh to ourselves. we gripe about it over coffee with our coworkers. what a shame! but we are also aware: the car is cleaner. is that what you are worried about? that you'll make the effort but things will resolve naturally? that it will just be "a waste"?

and what i'm right. what if we're already seeing people lose their houses and their lives. what if it is happening everywhere, not just in coastal towns or equatorial countries you don't care about. what if i'm right and you're wrong but you're yelling and rich and powerful. so we ignore all of the bellwethers and all of the indicators and all of the sirens. what if we say - well, if it happens, it's fate.

nevermind. you wouldn't even wear a mask, anyway. i know what happens when you see disaster. you think the disaster will flinch if you just shout louder. that you can toss enough lives into the storm for the storm to recognize your sacrifice and balk. you argue because it feels good to stand up against "the liberals" even when the situation should not be political. you are busy crying for jesus with a bullhorn while i am trying to usher people into a shelter. you've already locked the doors, even on the church.

the stakes are skewed. you think this is some intellectual "debate" to win, some funny banter. you fuel up your huge unmuddied truck and say suck it to every citizen of that shitbird state california. serves them right for voting blue!

and the rest of us are terrified of the entire fucking environment collapsing.

[bunnyboy-juice]

NO MORE ASSOCIATING THINGS WITH FEMMES ONLY BECAUSE THEY ARE PINK!HYPERFEM FEMMES ARE GREAT AND I LOVE YOU CAMPY FEMMES WHO EMBODY PINK BUT ALSO JESUS CHRIST CAN YOU GUYS NOT GO MORE THAN ONE DAY W/O TRYING TO SHOEHORN FEMMES INTO BEING ONLY PINK UWU BABIES. I AM FEMME AS IN GRASS AS IN DIRT AS IN TREE BARK AS IN WEEDS SPROUTING THROUGH THE SIDEWALK CEMENT. FEMME AS IN GENDER NONCONFORMITY AS IN FUCK YOU MY FEMININITY IS WHAT *I* SAY IT IS. FEMME AS IN DEPTH AND DARKNESS AND WARMTH AND TERROR. FEMME AS IN CAVES. FEMME AS IN LIGHTNING. FEMME AS IN AN AMALGAMATION OF TRAITS THAT I HAVE DECIDED ARE FEMININE REGARDLESS OF WHAT SOCIETY SAYS. FUCK IS IT THAT HARD TO UNDERSTAND?!???

[thedisablednaturalist]

literally my boyfriend is my painkiller.

Whenever I'm with him my pain goes down so much I can ignore it. Yea sometimes there's days where nothing helps the pain but at least he's there to take care of me. Most times tho his presence has a drastic effect on my pain levels. Maybe it's cause when he's around I feel less stressed and more safe and secure? Or maybe it's cause he's basically a human-shaped heating pad

[oceanwithouthermoon]

maybe its just me but i cant stand when people are like "it just doesn't sit right with me how teruhashi thought about aiura 🥺" like yes... its not supposed to ??? because her thinking badly of other girls and prioritizing male validation over everything is one of her main flaws ??? can we talk about that WITHOUT making it seem like shes not allowed to have a single actual flaw without suddenly becoming an awful person? nobody can handle complex female characters at all and its so fucking annoying

[feyinvestigations]

Quick Question for Respawn fans-- does this little dude have a name? Or even like. A fanname? Is there a group consensus or is it sort of a "name him yourself" thing?

[throwawayasoiafaccount]

When I see stuff like this I kinda want to bash my head into a wall:

To start off, I’m not sure whether this person was commenting on book or show Cersei, but honestly, it doesn’t even matter because she’s so much more than the ‘ambitious villain’ or the ‘murderous girlboss’ tropes in both the book and show.

(Of course, I do have my issues with the way Cersei was written in the show like most people but this is simply a rant post so I’m not going to go through the differences of Show vs Book Cersei)

Cersei is a female character who was shaped by her environment, who’s insecurities were created by her environment, and she’s a woman who’s idiotic mistakes can be traced back to how her environment shaped her. She’s much more than a murderous girlboss, she’s both a victim of the system and also a beneficiary of it, while also acting as an agent of it to keep the status quo while also desiring what the system denied her.

Cersei is NUANCED and complicated and even now people hate that about her and want her to have been a purely evil woman handcrafted in a vacuum, ignoring the context of her life because readers would rather not engage with Cersei’s victimhood and nuances because that ruins their idea of: She Was The Problem and Always The Problem. (People would rather say that she deserved her walk of shame instead of interacting meaningfully with the theme of systematic gender-based violence that is so prevalent in Cersei’s story. The exploration of patriarchal violence in Show Alicent’s story is done so horribly in comparison.)

And what really pissed me off about these tags is that this person has clearly decided that they don’t care to interact with the nuance of Cersei and are fine with flattening her, and yet they shit on others for not liking Alicent.

Because of the way Alicent is written in this show, she almost always has a ‘woe is me I can do no wrong’ attitude, which of course drives people away from the character (woe is me I deserve to take a child’s eye 🥺). However, what actually annoys me is how she’s made out to be stupid, foolish, ignorant, and inconsistent due to the horrible writing of this show, all of which are deviations from her book characterization. Also, I despise it when people want me to support writing decisions and changes made in adaptations that are downright misogynistic and are meant to attract the male gaze.

But what pisses many people, including myself, off is how the changes made negatively impacted many other characters. Alicent’s terrible characterization is like a black hole that distorts and warps the whole story! It’s annoying af!

So when people like this say: ‘She’s nuanced and people just can’t handle it 🙄;’ I say: No. She’s horribly written and a different character from the book and people have a right to be critical about these changes that stripped a female character of 1) her agency and 2) her intelligence!

And the thing is, there was little reason for the writers to have made all these changes to Alicent’s characterization! In the book she is an interesting character with clear motives and understandable reactions. She’s cunning and ambitious and acts the way a noble lady who became queen would. And despite her clear ambitions and dislike of Rhaenyra, she still makes a comment wondering about who would protect the Princess from Ser Criston, and yet she then takes Cole into her service after his falling out with Rhaenyra. That’s a perfect example of nuance! Show Alicent could never compare to book Alicent’s clear moral values and consistent disregard of said moral values in pursuit of power.

And because of this, Book Alicent isn’t easy to stomach. It’s hard for most people to come to terms with a character like her and it’s even harder for people to feel sympathetic for her at the end when she went mad with grief.

On the other hand, Show Alicent was designed in a way to garner pity, and when the writers felt like her current arc wouldn’t be enough to garner the specific reaction they wanted they would then throw in a time skip and suddenly she’s completely different and yet still Thee victim. She’s designed to be as sympathetic as fucking possible! The camera angles, the background music, and the lighting is set up in a way to make sure you the viewer feels pity or sympathy for her! Cause that’s her role in this series! She’s thee Ultimate Victim!

But too bad for the writers as many people are fed up with this kind of inconsistent writing. Even when the writers created a whole new challenge for Alicent where she’s shitted on by the green council and forced to face the beast she helped to raise, I and many others could never feel any satisfaction as it was clear that once again Alicent was being made to be Thee Ultimate Victim who was just led astray by the patriarchy and was a victim of it and was only just realizing it so don’t you pity her don’t you feel sad for her and now she’s trying to do the right thing so pls pls pls pity her 🥺~ So it shouldn’t be surprising that many people are annoyed by these eNLiGhtEnEd changes that have led to a complete deviation from the source material.

To summarize: Cersei is an excellent fucking character who’s by no means easy to stomach, and because she’s not easy to stomach she’s often reduced to annoying ass tropes by dumbasses who are reading above their comprehension level. But when you actually try to understand her, you can easily see why she turned out the way she did and you can feel sympathy for her while understanding that she’s both victim and perpetrator! On the other hand, Show Alicent is a mess and HOTD is trying to make her serve a different narrative role than she did in the books so ofc people are going to be unhappy with the changes as book readers are once again faced with the annoying reality that the writers don’t give a fuck about the source material.

[margueritestjusts]

what pisses me off the most about the jekyll and hyde musical is that robert louis stevenson explicitly said to NOT make the inner conflict about sex but meanwhile frank wildhorn was like "lol bozo" and made it about jekyll/hyde choosing between a virgin and a whore like HUH.

[mohavegecko]

never understood why jack had a portrait of moxxi up in his casino. the place went under after BL2, and at that point they hadnt been together for years. and its not like what they had together was particularly happy or long lasting, either. they were together for maybe a month before breaking up pre-TPS, and thats not even mentioning what happens between them during the game itself, so... maybe its a trophy? it doesnt feel like one when theres also one of angel. but its all i really got because presumably hes been in a much happier relationship with nisha for years, even though the portrait does feel too sentimental for a woman hes hated for the past Forever. speaking of nisha, there's no portrait of her or his wives. which is doubly weird because surely theyd be here too if moxxi is. idk, moxxi and angel are just a strange pair to have it just be them. by themselves is fine, moxxi alone is easily a trophy. and imo its just weird for a portrait of angel to be in the casino in the first place. some secret siren, huh? but together? idk. it gives mixed messages.

[steakout-05]

i might get some hate for this depending on where this post goes but i think lesboys are so valid and the discourse about them is so ridiculous. like you guys shouldn't have to deal with all that and it frustrates me that people throw hissy fits over an identity that literally does not affect them at all.

"but men cant be lesbians-" wrong. butch lesbians and trans men have a really closely connected history with each other that practically intersects and you should really do some research on that before you make blanket statements, not to mention that gender and sexuality is weird and wobbly and fluid and a very personal experience. it means a different thing to each person. being a man can be something completely different and saying stuff like this ignores people like demiboys, demigirls, genderfluid and genderflux people etc. these people will really preach "demolish the gender binary!! love is love!!" until someone's relationship with gender and sexuality is a little too freaky for them to handle and be challenged by lmaoo

"ohhh but what about the cishet men who say they're lesbians to prey on women-" YEAH WHAT ABOUT THEM????? THIS AIN'T ABOUT THEM BRO!!!!! this argument also REEKS of terfy "trans women are just predatory men!!!111!!1" rhetoric and it grosses me out. yeah some men are gross and do try to pull this but that does not negate someone's entire identity completely just because of a few bad actors, you know that right? actual black and white behaviour.

queer discourse is silly and i don't know why it's a thing. just let people exist. it isn't that hard. we have worse things to worry about than whether someone calls themselves a lesboy or not. i think we need to unplug our ears and yank our heads out of the sand and remember that the queer community is what it is because of our unique and amazing diversity. arguing over labels like school children isn't gonna help that. damn.

[daipeanutsaiban]

Hello! Um I know it's been a few months since you said people could ask you more questions on your tgaa thoughts, but I was hoping to ask about your baskerzieks and genshinxwife ones. Like how they met, or what their last in person convos went like before each couple separated/died, etc, bc I really adore your Lady B & Mrs. Asougi designs! They deserved first names 😭

Also I'd love to hear your genklint/ville thoughts too if you care to share those!

ALSO I wanted to say you're 100% correct that if Kazuma & Klint ever actually met good ending au Kazuma would think he's the most annoying person alive. It's funny if genklint is platonic or romantic too, it's like Herlock Sholmes is right there and instead Kazuma thinks his dad's bf (best friend OR boyfriend lol) is significantly worse. Something something hating your parallel

Anyway no pressure, and sorry if you aren't looking to answer more questions at this time!

HI i love to yap and to yap about dgs especially so you're good haha <3 i'm the kind of person who needs to be asked tbh bc i tend to be self conscious/doubt myself so questions are always super appreciated 🥹💗 this post got LONG so i'm going to put it under a break to spare anyone who's just here for art or trying to look at memes during their lunch break

TL;DR: klint and primrose were engaged as kids but it was broken off upon his parents' death, it was renewed when he earned prestige as a prosecutor; their last conversation was when primrose forced him to confess his crimes to her but she'd started having doubts months ago; in my favorite hc, gkv never pursued one another beyond dropping hints here and there but because i am bisexual i also want them to have fun; genshin and yukari met by chance as teens and genshin had to convince his father to let them marry each other after finding out she was pregnant; he could never say his last words to her because writing about the professor's identity could've endangered her and kazuma.

first of all thank you so much, it makes me so happy when people enjoy my designs and characterizations for lady baskerville and mrs asougi!! for clarity, i'll be calling them by the names i gave them in this post, primrose and yukari respectively.

klint and primrose's engagement was decided by their parents and they met as children- i think they were probably feeling awkward around each other for a while since children don't really care about such things (right..?) and primrose actually chose to spend her time reading when her father would take her to visit, and she might've even been more interested in talking/playing with barok because there wouldn't be the daunting idea of an engagement looming on the horizon lol. eventually, she and klint do grow closer and come to consider each other friends thanks to him putting in a lot of effort to make her feel welcome and also have more fun (she finds him boring- i characterize klint as having been a very serious and dutiful child, though he does play with and dote on his brother).

when the van zieks parents die in my hc, losing their life in a fire specifically, primrose's father chooses to cancel their engagement because he doubts klint can suitably provide for his daughter- a cruel but logical decision as klint is just fourteen years old with no backing or achievements. as an aside, the fire is declared to be an unfortunate accident but klint silently believes it was premeditated- this incident contributes to him considering prosecution as a career. out of care for his brother, he never brings up this idea to barok.

still, primrose is a very clever child who's acutely aware that her father's doting is a form of control (such as making her wear beautiful, white clothes to easily find out if she's been sneaking out, which i think i talked about before), and she insists on meeting klint either at his estate or in the city while they both (and occasionally barok) wear disguises/common clothes. the latter option allows them to meet people outside of their social caste, and to develop a sympathy for them from an early age which also contributes to klint's growing bitterness towards other nobles. throughout his struggle to be taken seriously by these men in spite of his age, primrose continuously encourages him and even spies on her father's meetings with other gentlemen to then report to him, and this continues in their adult life with her reporting rumors and "gossip" from other ladies about their own husbands (with perhaps dire consequences in the long run, haha...)

primrose has ambitions of her own, though, many of which are philanthropic in nature and stem from guilt at being born in a wealthy household to a father who does not care about people other than his own. they are difficult to achieve as an unmarried woman (or even as a woman in general), as her father would never greenlight her ideas, and as such she becomes enraged with klint when he allows the engagement to be dispelled due to believing she would ultimately "be happier with someone else" when it would effectively condemn any ounce of freedom she could have. from primrose's perspective, klint is the only candidate for marriage because he actually respects her and understands her as a person.

their engagement was eventually reinstated following klint's multiple achievements, chiefly when he made a name for himself as an extremely prolific prosecutor and primrose's father couldn't really object to it (ha) anymore. when i researched, i learned that men in the victorian era would commonly get married in their thirties once their careers were established, and i especially like that for this couple because it means that genshin could've attended their wedding. (it's also amusing to picture klint pitching him as the best man while primrose is firmly in barok's camp and they have a silly spat about that, haha. but ngl i prefer genshin as their best man because it was tradition that the best man would drive the married couple to their month long honeymoon directly after the ceremony so. he could stay behind a little while if you catch my meaning. teehee)

on the topic of genklintville, my ultimate preference/personal "canon" is that they never outright acted upon their romantic or sexual interests in one another although the tension was clearly there. but like any bisexual on the internet, i like to indulge a little bit, as shown in my previous paragraph hehe. i like to imagine a kind of kinship between genshin and primrose as they are interested in similar literature and share a similar sense of humor as well (chiefly teasing klint- in a deadpan manner for genshin). klint and primrose tend to dote on genshin in a way they think is discreet, because they can sense his loneliness at being apart from his family even though he generally doesn't voice it, but as we all know genshin isn't a fool and it leaves him quite flustered haha. genshin also relates to klint in the way that they are both heirs to something "greater than them" (the asogi clan/the van zieks heritage) and sometimes yearn to break away from it which might contribute to why genshin left for london if the first place. i'd like to add that if i draw genklint without primrose present, it's taking place with her knowledge and consent, though them being pushed to cheating due to increasing stress or suchlike circumstances is an interesting angle- it's just not something i see myself making at present. though now saying that has made me think about the ways it could be fun to explore the way klint's lying and gaslighting keeps piling up, so what's one more lie? so i'd be interested in reading a story that would attest to his guilt from committing the act and his gaslighting towards not only his wife but also to himself, hmm. the best way that i can put it is that if i'm to explore gk without the v, she must be a relevant character because i'm not about to discard a canon female love interest to focus solely on the yaoi lmao.

now for genshin and yukari, or genyu for short as i like to call it in my head (lol)... there's a lot to cover here too 😵‍💫 some of this, particularly the stuff concerning ayame, is still undecided on but i thought the more context the better!

to understand their dynamic, it feels important to state/repeat my headcanons about the asogi clan aka genshin's immediate family beyond her and kazuma, which were mentioned here. but to summarize, they are very patriarchal, strict, and the type to suppress their emotions. genshin is his father's illegitimate child, and his real mother is... hm, well, she won't ever appear in my art because it's suitable for her character, but she's a high ranking courtesan, aka "oiran", and therefore pregnancy/being a mother could bring shame to her and likely ruin her livelihood, because they are meant to project the image of being unattainable both in appearance.. and price. her disappearing for some months to a year wouldn't be all that suspicious as few men can even afford to meet her.

because the oiran brings the House where she works good money, they help her cover up her pregnancy and her son's existence by sending him to live with his father as soon as possible. once, genshin tries to visit his mother, but he is turned away. in short, his first experience was to be abandoned by someone who was supposed to love him. i think this backstory also serves to give reason to his name (written with the kanji 'shadow' and 'truth') because he is a truth meant to be hidden by the government. if you think about his father giving him that name, it becomes quite sad and implies shame for bringing his son into the world. i think it would also justify the personality i like for him, which is more reserved and serious than how i portray the rest of the visiting trio (with a boisterous but ambitious seishiro and a downtrodden but shy and earnest yuujin), and with a greater disposition for being suspicious... which is naturally a good thing for a detective.

genshin's father's wife lost her life to an illness some years prior to genshin integrating into the asogi clan, which is why he sought comfort from the oiran. to avoid unsavory rumors and to preserve both women's reputation, syoma (genshin's father) forbids his son from venturing outside of the house - paralleling primrose's childhood, which they could bond over later in life - until he turns a certain age. he's the dark sheep of the clan, to make it short. it's by sneaking out as a child that he meets seishiro, and then yukari who is accompanying ayame.

as an aside, i want to add that while syoma holds misogynistic beliefs, he still feels a sense of responsibility so he does eventually pay off the oiran's debt in the end- not that she's particularly grateful since he led her on and made her promise not to abort his child without ever planning to marry her. not a great guy, but def a fun character to write. those are things genshin deduces in his teenage years, and he swears to never become like his father.

as for yukari, her family history is also nebulous, and i don't know if i even want to establish her circumstances before meeting ayame and genshin because i like the meta irony of those details remaining unknown to us just as they were unknown to those around her outside of how she is tied to other people. ayame's friend, genshin's wife, kazuma's mother- never her own person. she reaches a breaking point during genshin's absence, but i won't go into detail about that for now because it's part of a long project of mine. what i can say about her is that she does housework for ayame's family in exchange for room and board, but she's not categorized as a servant because ayame cherishes her, a privilege that makes her feel awkward at times.

genshin fell for her due to her frank and joyful approach to life which was so different from the outlook he was raised on, and she piqued his curiosity with her unusual and often "silly", but free, behavior. he has the utmost respect for her, which is why as much as i like gkv and think it could work in a modern au with yukari's inclusion/approval + rapid methods of communication, i think realistically genshin wouldn't have the heart to start anything with someone else when she is waiting for his every letter so far away. he wouldn't be able to read the expression on her face, and she could easily lie about being okay with it.

in this wikipedia article about marriage in japan in the edo period (1600-1868), it reads: "Members of the household were expected to subordinate all their own interests to that of the [household], with respect for an ideal of filial piety and social hierarchy. [...] Marriages were duly arranged by the head of the household, who represented it publicly and was legally responsible for its members, and any preference by either principal in a marital arrangement was considered improper."

you might've guessed where i'm going with this, but genshin's father had already chosen a wife for him, and that person was ayame, who is from a 'good' family. obviously that marriage didn't go through with yukari becoming pregnant at 18 or 19 (!!), and syoma capitulated to genshin's request that he be given permission to marry his girlfriend which only further strained his relationship with his father further. as for ayame, she was fortunate that the man she was interested in was studying medicine, and therefore struggled less for her family to accept yuujin as her husband. but for yukari, although she knows genshin doesn't love ayame, there's always that nagging feeling that she was the "wrong" choice. after all, she has to witness the interactions between genshin and his family every day, and her presence is often the source of tension. her only rock after ayame's death and genshin's departure is her son, who starts rejecting spending time with her as he grows older because, well, he's a teenager (something i want to expand on in that project i mentioned).

in yukari's case, she was never able to read her husband's last words as even writing about the professor's identity could endanger hers and kazuma's lives, but perhaps genshin had promised he would briefly return at the half-way point of his stay overseas and then ended up having to break that promise by choosing to investigate the professor killings before eventually losing his life. yukari's feelings of helplessness were confirmed as the truth in her eyes then.

as for primrose and klint's last conversation, it's been sitting in my wips for a while LOL. i def think she had her suspicions, and when she finally gathered her courage to confront him, he broke down and told her the truth. i've revised this comic and especially its dialogue so many times that i don't even know if i like it anymore, please pray for me 😅

It's funny if genklint is platonic or romantic too, it's like Herlock Sholmes is right there and instead Kazuma thinks his dad's bf (best friend OR boyfriend lol) is significantly worse.

this made me laugh LMAO honestly kazuma would be so petty about it meanwhile i feel like he'd get along super well with the man's own wife 😂 i also think that as an adult kazuma would admire his father less and even be a bit of a tsundere lol, but yeah in a No One Dies/Good Ending AU(tm) he'd probably resent genshin a little for leaving him and his mother, whose struggles he witnessed firsthand for ten years. hell, maybe he does resent him in the current circumstances even if it's not the dominant emotion when it comes to his father, it of course being grief... still. lord van zieks get your paws off my dad!! 🙄💢 also if genshin starts reciprocating the attention kazuma might start killing LOL

...this answer is now well over 2000 words and i still feel like i'm leaving things out i feel CRAZY omg. autism diagnosis unnecessary atp lmfao.

also just found this in my #yukanotes i should've just copy pasted all this augh. i love yukari very much she is extremely dear to me. 😊💗

thanks again for your questions I'M SORRY IT'S SO LONG....... i DO love to yap 🥹🥹💗

[tategaminu]

They both have shown a lot to have similar comical taste, which makes the scene when nobody laughs at Callum's joke about Zubeia eating people even more sad because Rayla would have 100% fist bump him as well

On a brighter note‚ imagine that after the war and years together Rayla fully adopts all of Callum’s humour so she says and does a lot of dumb things in which Runaan just reacts like "the humans have ruined you" (just in denial she was always a loser like this and The Silvergroove just didn't allow her cringe humour to grow further)

[jaybirdscoffee]

I REALLY NEED YALL WHO HAVE ALREADY SEEN TF ONE TO TAG YOUR SHIT WITH SPOILERS. PLEASE. OH MY FUCKING GOD.

[checkadii]

mfs do anything but finish their wips . like startign another, for example

[criticalbeauregard]

i've seen a lot of gif sets showing vex's "i don't accept this" with imogen's and while that is a very powerful image i think it is also Very important to me that it be known that imogen is not the vex of this situation and that she is the keyleth

[perilegs]

my sweet little baby man is no longer with us

[chikinan]

I think my frustration with being unable to properly maintain a basic routine is kind of peaking and I'm about to go into breakdown territory. May be offline for a few days.