#im in a good moment at work right now im developping this project which has a lot of potential

[aspeckof-stardust]

.

[glassiskies]

no bc im thinking about it and I don't see any season 3 where aziraphale and crowley are separated for more than an episode at most.

I was listening to David Tennant's podcast episode with Neil Gaiman (released Oct 2020) and Neil started talking about something secret he is working on that is, in hindsight, so obviously about good omens.

The exact quote:

"There's a project that I can't talk about right now that I'm writing with somebody I can't identify right now- this is a terrible way of going into a thing- where we'd been working on it for months and months, and we've been building everything up, but we didn't know how it ended. And, finally, we were in the same physical space, actually having a conversation that wasn't on the phone, and all of the sudden we had the ending. And having the ending, knowing beat by beat just what the emotional ending of the thing was, opened up the entire thing like a door. Because we had the plot, and we'd had the plot for a while, and we just weren't sure why we should care. Everything turned, and I immediately knew what the opening scene had to be. And what's lovely is nothing sort of really changes in the plot, but it now allows us to go, okay, that's important, that thing that we didn't know was gonna be important, that's important. It gives us a feeling of, or at least it gives me a feeling of bubbly excitement. Which means that anybody I can take on this journey is going to get to that place and be just as excited as I was."

(And then he immediately cites an example where he was writing Good Omens LOL. The signs were all there!)

ANYWAY, I think it's so interesting that the emotional beat of Aziraphale and Crowley being separated was not figured out until well into the writing process. It leads me to think that Aziraphale was never promoted in the unwritten sequel, right? So if they're following the plot of this unwritten sequel closely, I don't see how Aziraphale and Crowley could be separated for longer than an episode. We only have six episodes, and Season 3 has more plot beats to hit than Season 2 did.

It also makes me think about how Aziraphale leaving for Heaven really is just meant to be more of an emotional moment to plant the seeds for development in him and Crowley's relationship. I mean, obviously it is, but I don't know much significance it'll actually have in the plot of Season 3? If that makes sense? This is just me throwing out thoughts here, feel free to add anything!!

[mojaves]

shooting star, comet, milky way, see no evil

also your description is cute

OHEHheheegrghgd ok im gonna do this for andrew my new favourite squeaky toy

🙈 SEE-NO-EVIL - whats a side of your oc that they don't want to show other people?

ohrhfddghj great start!! great start. he used to be the head of the special programs branch at arasaka [: basically, overseeing projects that primarily experimented on people in one way or another, and lead to SO many deaths and a whole lot of misery for anyone who didn't get outright killed by the experiments. he started working at arasaka when he was barely even 20, and became the head of the branch not long after - which is a LOT of power to give to a guy who's basically a kid in the corporate world, and has never had anyone tell him no before. and arasaka didnt do that either, they actively encouraged him to do whatever he wanted, as long as it would push their technology forward and get them more money. and he absolutely let that get to his head. who wouldnt in that situation!! he also just so Desperately wanted his family to be proud of him, to be better than his siblings, better than his cousins by any means necessary. he did a Lot of things that he's not proud of. he used to be an absolute asshole. self-centered self-absorbed corpo bastard man who was only in it for himself. and he doesnt want people to see him like that ever again. if they do, thats fair. he cant change that. he knows what he's done. it's far too late to apologise for it. but if he can present himself in literally any other way, a more positive light - a man who is actively trying to change, he would much rather people see that side of him. and not the monster he was once. So badly.

🌌 MILKY WAY - what was the inspiration behind your oc? what was the first thing you decided about them?

another fun one!! there wasn't really any inspiration really??? i just needed a guy for part of seb's story - the reason he almost died and got thrown out of arasaka. and up until very VERY recently thats all he was, asshole who beat seb within an inch of his life for no clear reason - which lead to the countless problems seb has had since, and the reason why he has a cyber jaw and prosthetic leg. but over like. the past week or so?? he has been through a lot of developments so ^ that incident is a lot more grey now rather than just good and bad. don't even worry about it.

🌠 SHOOTING STAR - if they could make any wish with no repercussions, what wish would they make?

above all else he just wants to be happy. but would also feel like wishing for that would be 'too selfish'. so, he would much rather wish to undo all the damage and death and pain he caused when he worked at arasaka. wish to have never worked there in the first place, to have never listened to his family, leave them behind, do his own thing, pursue a career he's actually interested in. learn what it's like to no longer be a sheltered rich kid who buys whatever he wants with his father's credit card.

☄️ COMET - what do people assume about them? are they right?

it depends on the time frame, because back at arasaka, the assumptions about him being a cold heartless asshole would kind of be right??? like. 80% right. he has very much let all of that consume him, but somewhere under all of that, it's just a sad pathetic guy who's trying his best to prove himself to anyone who will listen. he's weak. he's letting people walk all over him. without the money and status, he's powerless. he doesn't want to be there - the horrible personality is a front to not let people close to him. the mask will slip occasionally, and people will get to see him for how he really is.

after that, people really would just assume he's a depressed alcoholic who may or may not be barely clinging onto sanity and onto life at any given moment. at that point they'd be right. unfortunately he is unlucky enough for death to avoid him at every possible turn, so he has to live with the consequences of his actions. what he does with that though?? hehe. well. [: dont worry about it.

[cisthehuman]

Cis Ramble # 1: Staring Something and Being Creative

I am Cis, yahoo yahoo

welcome to my area, welcome to my place of being on this corner of the internet.

i decided to make this place my little home where I post art, post some developments for my creative projects, and post loose (very loose) and generic points of my life. I don't want to be too detailed as I don't care to share the big details, those are for me lol

i'll do my best to have some sort of good grammar, but no promises LOL i naturally type like this.

The point of these rambles is to consolidate some of my Feelings and Emotions and put them somewhere. These might happen daily or they may be few and in between. Either way, these will be a stream of consciousness to empty out my brain.

Starting something is pretty weird. I like the idea of starting something, but the follow through is a bit tough. I used to fall through all of my plans until I finally started using a planner and that really helped. Color coding tasks, crossing them off my list, choosing a new color for my to-do lists...made me feel so accomplished and blissful.

Luckily that works great for my professional life, my creative life. not so much. well maybe i should give myself some credit. I was able to finally make this post because i wrote it down in my planner and I am eager to feel the dopamine of crossing it off my list LOL

So we'll see how this goes, my little rambles.

Creatively, i have been in both a dry spell and deep in the creative zone. My mind has been buzzing with several ideas and concepts, so much so that my output is kaput. The break came rather suddenly--i finally got in the groove of my job and as it is creative and technical in nature, my brain got tired really quickly.

What was great is that i got to flex my creative side on my part time job, the bad thing was I couldn't flex it for my own projects.

in the down time of wracking my brain to make something, i started playing games. luckily totk came out, but then i got hooked onto buying games on steam.

I'm not gonna say how much I spent thanks to the summer sale....but im pretty sure its up in the $200s, which is more than what i usually spend on my splurge days.

im quite a fan of narrative games, whether they are emotional or solving a mystery, following narrative and being warped into that world is so fulfilling for me.

I've played maybe 10 games so far, and with each new game the experience has been so nice. I feel like each world i enter is like getting hugged by the creators. Sometimes you have those great hugs from people or in emotional moments and you can feel what they want to say. That's what some of the games have been like for me.

LOL maybe this shows im touchstarved. who knows. but the games have been a delight.

i might make some posts about them, i might not.

today though, i finally feel compelled to work on some of my world building for my projects. mostly through music though. it is a step in the right direction.

I kinda want to play another game now lol so i'll end things here.

if you read all this, thanks for reading. i'll see you on the next one.

[headheartbellarke]

HOME | Charlie Gillespie

Requested by anon:  "Hi! If request are open can you do a charlie imagine where him and the reader (she/her) met on a project a while back and have been friends for a while, but the reader kinda had a crappy home life so she gets overwhelmed by charlies family being so loving and perfect and she basically breaks down and feels like she doesn’t fit in and isn’t good enough for him? please and thank you so much, ur writing is amazing!!!"

PAIRING(s): Charlie Gillespie x fem! reader

WARNING(s): mentions of abuse, trauma, anxiety, angst, fluff

WORDS: 2,036

SUMMARY: charlie takes co-star and girlfriend y/n home for christmas but that leads to self doubt in her (im so bad at these) [note: this takes place in 2021]

    As Charlie pulls out the key from the ignition, I sigh, wringing my hands nervously. He unbuckles his seatbelt and faces me, giving me a bright, happy smile.

  “My family is so excited to meet you.” He says, reaching forward to tuck a strand of hair behind my ear.

  “What if they hate me?” I whisper.

  My boyfriend, Charlie, and I first met on the set of Charmed – we were both in the first episode, but I left it after that due to scheduling conflicts with my other show, Chilling Adventures of Sabrina. I had been a part of CAOS since its first episode – I played the role of Sabrina’s cousin, Sarah Spellman.

  Back then, we were just friends. After I left Charmed, we would text and call each other occasionally. Whenever we were in the same city, we would meet up – but that was hard considering we both had quite different lives. So, we didn’t think of each other as more than friends – sure I thought that he was attractive, but that’s it.

  But, in 2020, after CAOS was cancelled, I got a call from the casting director of Julie and The Phantoms: she was the one who had previously cast me in CAOS, and she believed that I’d be perfect for the role of Julie’s British cousin who joins her school after her parents relocate to LA – I also play Reggie’s love interest.

  I texted Charlie immediately after my manager finalized all the details for the new role. He had been excited and when shooting started in 2021, we were pretty inseparable.

  After a few weeks, I had developed a major crush on him ad the rest of the cast had also picked up on that. They were also convinced that Charlie liked me (which I didn’t believe at that time but later found out that it was, indeed, true) and they used to tease us about it all the time. Finally, a couple weeks before production ended, he asked me out on a date and it’s been really, really great so far.

  We’ve been dating for about nine months now and honestly, he’s the best thing that’s ever happened to me. He’s my home – all my life I’ve always felt lost, but I feel like I truly belong with him.

  Now, he laughs. “Baby. I promise you – they already love you. My mother’s been bugging me to bring you home ever since we started dating, and you’ve already met Megan, and she loves you.”

  “If you say so.” I say, still not convinced.

  He grins and we get out of his car and face his childhood home. I take a deep breath, shaking off my nerves. He knocks three times on the front door, and it opens immediately after.

  A petite, blonde woman steps out, with a wide smile on her face. She opens her arms as Charlie yells, “Mamacita!”

  “Mon chéri. Ça fait trop longtemps!”

  “Je vous ai manqué!”

  I have absolutely no idea what they are saying, but the scene in front of me is so heart-warming. Charlie’s mother is genuinely happy to see her son – one can tell by the way she’s holding him, almost like he’s a little child. Charlie is quite a couple inches taller than her, but he’s nestled his face into her shoulder.

  I can’t stop a grin from breaking out on my face. It’s honestly rather lovely. But I also feel a slight pang in my heart knowing that no one ever greets me like this when I go home.

  They separate from each other and she squeezes his shoulders, looking at him with so much love that I have to look away. I have never seen a mother look at their child like that, with such intense love. That’s dumb, I know. Mothers are supposed to love their children. But all my mother ever looks at me with is disappointment, anger, disgust, and – you get it.

  She notices me next and claps her hands. “You must be Y/N!”

  “Hi, Mrs. Gillespie. It’s so nice to meet you!” I extend a hand toward her.

  “Aw, come here! You’re gorgeous.”

  She pulls me in for a hug too, and for a moment I’m engulfed by the smell of white musk and the feeling of warmth.

  We pull apart and I smile at her, genuinely. All my anxiety has washed away.

  “My son is always talking about you, about how pretty you are and –”

  “Let’s go inside!” Charlie quickly cuts her off, eyes widened as I laugh.

  “But I wanna know what he says!”

  Mrs Gillespie winks at me as Charlie turns scarlet. “I’ll tell you when he’s gone.”

***

    Another roar of laughter erupts around the dinner table.

  Honestly, I’ve never seen a family like this – a family so connected, so loving. All of Charlie’s siblings – from his three older brothers to his little sister are here for Christmas Eve, and all of them are teasing each other, telling childhood stories, and just having the best time. I was, too. That was until I suddenly realized how I don’t fit in here.

  Everyone here grew up completely different than I did. When I was young, about two years old – my dad left my mom and I for another woman. I haven’t seen him since – although, he sends me a postcard and some money on holidays and birthdays. He’s travelling around the world with his new wife and is apparently ‘happier than he’s ever been.’

  The reason he left is because kids ‘freak’ him out and he isn’t ‘ready’ for that kind of responsibility. I mean, it wasn’t like he was fifteen when he had me: he was twenty-seven, and already married to my mother for about two years then.

  Naturally, my mother blames me for her divorce. I was born out of an accidental pregnancy, so my mother made sure to remind me every day that I was unwanted, and my birth was what ‘pushed’ him to leave us. Every single day, my mother told me that I shouldn’t have been born, that I was a mistake, that I was worthless, unlovable and so, so many more horrible things. She used to drink like crazy, and if I accidentally faced her in that state, she would sometimes hit me.

  Years and years of abuse and all that childhood trauma led me to develop a fear of abandonment, trust issues, intimacy issues, anxiety, and depression. Throughout school, I had been closed off, unable to form relationships and friendships with other people. I had feared anything and everything – I couldn’t even maintain eye contact with people.

  Of course, when I auditioned for CAOS and moved away to LA, away from that toxic environment, I got help and turned my life around. (My mother was incredibly happy to see me go since she had married another guy and now has a family with him – so I was the only thing left that reminded her of my father.) I learnt to accept, prioritize, and love myself – but I’m still working on that, of course.

  But, I know, deep down, no matter how well I am, or how happy I am – there will always be a part of me that’s broken. I’ve grown to accept that, accept the fact that I’ll always carry the trauma with me.

  But Charlie doesn’t. He’s lived a good life, and he deserves someone who can give him their everything – and that’s not me.

  As much as I hate to say it, I’m not good enough for him.

  He senses a change in my demeanour and squeezes my hand under the table. I give him a weak smile.

***

    “Y/N/N, what’s wrong?”

  I look up at my boyfriend. He has a look of concern on his face as he takes a seat next to me on the couch.

  I sigh into the quiet. Everyone has fallen asleep, except Charlie and I – we are seated in his living room in front of the fireplace.

  “Nothing. I’m just really tired.”

  “That’s not true, Y/N. You were fine throughout dinner – oh my god, it’s the ice cream, isn’t it?”

  “What?”

  “The pistachio ice cream that Maman made. It was weirdly bitter, eh? It’s okay, you can tell me.”

  I purse my lips. “No, Charlie. The ice cream was great.”

  “Are you sure? You’ve been down since desert.”

  “It’s not the ice cream, babe.”

  “Okay, then, what is it?”

  He looks at me expectantly, and I can sense that he’s feeling anxious.

  “I just – I realized that I don’t fit in.”

  He furrows his brows, but before he can say anything, I start speaking again. “Charlie, you have such a loving and perfect family. And you know how I grew up. What I went through. So, you know that I’m not used to this. I’m not – I’ve never seen love like this in a family, you know. And I don’t fit in here! While your mother was being so nice to me, I kept wondering when she’s going to scream at me. Or when your father was genuinely interested in me, I kept thinking that maybe he’s trying to find a way to get rid of me. It’s just – it’s just the way I grew up, and I’ll always be like this, Char. Your family is so nice, and it shocks me, honestly. And I think that maybe it’s better if you date someone who grew up the way you did, someone who’s like you. Because I have been broken my whole life, and I don’t think that I can give you everything that you need. I don’t think I’m good enough for you. You’re the best person that I’ve ever met, and I think you should be with someone who’s worthy of you.”

  I whisper the last part, and feel a teardrop fall into the space between my collarbones. I look down because I’m too afraid of what he might say.

  I hear him breathe out heavily and I feel him take my hands in his.

  “Don’t you ever say that.”

  “But it’s true –”

  “Y/N. Don’t you dare doubt yourself. You are good enough. No, you’re perfect. You’re the strongest woman I know. I completely understand why you feel what you’re feeling right now.”

  He scoots closer to me and cups my cheeks in his hands. “And it’s okay. It’s okay to feel that way. It’s okay to feel shocked. That doesn’t make you a bad person, nor does it make you not good enough. In fact, it makes all the stronger – you went through so much as a kid, and still, you have space in your heart for me. You know, I never doubt the fact that you love me, ever. Because you always make me feel special, make me feel good about myself and always make sure that I’m happy. You always go out of your way to take care of me, and you always make me feel at home. I don’t want anyone other than you. I love you so much and I never, ever wanna lose you.”

  I think I’m fully crying now, as Charlie continues, “It’s okay to feel that way. Take your time. But I’m never leaving you. You’re my person, and you’ll always fit in with me, baby. Always.”

  “Charlie…”

  I look at him properly, and I can see the pain in his eyes as a tear traces along the curve of his cheek. He sniffs, saying, “I’m sorry. I just can’t imagine being with anyone other than you.”

  “Why are you so good to me?” I whisper, my throat still tight from the emotions.

  “Because you deserve someone good, and I can only hope that I’m good for you.”

  I wrap my arms around his neck and bury my face in his shoulder as a sob escapes my body. “I’m so sorry, baby. So, so sorry.” I keep whispering that, while he rubs my back, saying ‘it’s okay.’

  “I love you so much, Charlie. Honestly, thanks for being so good to me. You have no idea what you mean to me.”

  I can feel him smile as he says, “I think I have a pretty good idea, yeah.”

***

jatp requests are open <3

[marichat-verse]

Mist Memories

Leo Valdez x reader for his birthday ahhhh (even though it's angsty) with a platonic/developing jason x reader cameo at the end (lmao im sorry i couldn't help myself 😭)

Based on this picture I found in pinterest + also [kinda] based on traitor by olivia rodrigo and omg i really recommend u guys listen to this edit because it reminds me so much of this fic that's been stuck in my head for MONTHS also kind of a run away with me prologue lol

Your POV

I nervously made my way across the forest until I reached a limestone cliff. I knocked on the iron door, not really expecting to get an answer.

My boyfriend has been shutting himself in Bunker 9 for the past few weeks. I stood there counting up to seven before knocking again. I knocked again two more times, until he answered in the middle of my last knock.

He removed his goggles and winced as sunlight hit his eyes. He'd grown thinner and paler, making the dark circles in his eyes more pronounced.

"Oh, Leo..." I reached out to brush a few strands of hair away from his face, but he moved away.

"What are you doing here?" He said in a monotone voice.

I moved to walk inside the Bunker, brushing off his hesitation to let me in. "I'm your partner, remember? And I'm really concerned because you're shutting yourself out lately. You know everyone's starting to worry about you. Percy asked me to check on you because you missed pegasus riding with him. Oh, and I'm pretty sure Jason's coming back from Camp Jupiter soon. I was hoping you and Annabeth could be with Piper while Percy and I hung out with Jason because it's been a little awkward since their breakup. Plus Piper wanted to tell you something—"

"Please," he said forcefully causing me to stop and look at him. "Just... Get out."

Normally, he'd shut himself from the world for a few days to work on an important project or because he was feeling really sad and he needed space. But this was getting out of hand. He had never locked me out of his life when I offered to help him. He was never this mean when he asked for space. I was not having this attitude of his.

"Okay, Leo. I tried to play nice. What is so important that you blow off all your friends for nearly a month that you can't even tell your partner, or maybe say hi to your best friend who's coming back from the other side of the country?"

He didn't say anything. He pursed his lips and avoided eye contact. I scanned he room for any signs.

It was messier than usual with all the crumpled paper scattered on the floor, especially on his desk. He could have been drawing up new plans. Something in my gut told me that something wasn't right. There were no new unfinished projects, indicating that he wasn't starting a new invention. Harley's helicopter lay on his bench in the same state it was weeks ago. Huh, not even his siblings could enter the Bunker.

I turned and Leo was already changing Festus' oil. I took this moment of distraction to pick up a few pieces of crumpled paper on the floor and on his desk. I had to process the words a bit longer—too long that Leo took notice. Damn dyslexia.

I heard footsteps speed up behind me, but it was too late. I read enough and got the gist of what he had been trying to do these past few weeks.

"What the hell do you think you're doing?" He yelled at me. Small embers started to erupt between his curls.

I laughed dryly. "So this is what you've been up to?"

His fists tightened, further crumpling the paper in his hands. His eyes flashed with anger, despair and confusion.

I sighed and focused my eyes on his desk, not daring to look at him any longer. Under some pieces of paper were old photographs of him and Piper from Wilderness School. Yup, those definitely were the mist memories she had with Jason. I read the latest draft he'd been writing:

Dear Piper,

Remember the mist memories from boarding school with Jason? They were real, but they were with me.

I miss you. I miss when it was just us. I miss the night on the roof.

Yours truly,

Leo Valdez

I tried to keep my voice from cracking. "How long?"

I heard him sigh. "Three weeks."

I balled my fists. Tears started to fall and smudge the ink. I wiped them away as fast as they came.

"How?"

"In a dream," his tone softened now. "Hera came to me in a dream and told me to check an old drawer in Bunker 9. I found the photos and the memories came rushing back."

"How long were you dating back then?"

"Two weeks."

"Were you ever going to tell me?"

Silence; then a deep breath.

"No."

I shook my head in disbelief. "Why?"

"Because I knew you'd get upset like—"

"I meant why would you throw away months of our relationship for a couple of weeks of your relationship with her? And without even bothering to tell me? Gods damn it, Leo. We've been together since you've first arrived at camp. And what about those promises you made when we were sailing to Greece? You've been keeping these feelings away from me and you've been lying to me, making me believe that there's still something between us and—"

"Oh, calm down," he said with an annoyed expression and tone, which only infuriated me more, "it's not like I did anything were her yet! I didn't kiss her or tell her how I truly felt for her! She just got out of a relationship with Jason around the same time I had that dream. I had to figure out how to talk to her about it. I've been alone in this Bunker for three. Fucking. Weeks. I didn't cheat on you."

"Oh, and that makes everything better?" I countered. "Being in a relationship isn't about not cheating, Leo. It's about being honest and communicating with each other."

"Oh, like you've been communicating with me? After the war, you take go back to Manhattan for school, and you take a job. I haven't seen you much during the holidays because work has been keeping you in the city. And you won't tell me what you even do for a living!"

I took in a deep breath. "I told you I needed to have a life outside of camp! I needed to know first that I could handle myself in the mortal world as a normal human being. I needed this demigod part of my life to be separate as much as possible! I've been in two wars, Leo. I needed time to myself, too. And I was about to tell you guys in a few more days. But I guess now, I'm glad I've kept you out of that part of my life. At least I have an escape from all of this. And now, especially from you."

I took another deep breath and walked to the door, about to let myself out. I turned back again, both our tear-stained eyes meeting each other.

"If it makes you feel any better," I said softly, "I would've hated the idea of us breaking up. But if you really love her, if you really feel like you have this special connection to her and she makes you happy, then I won't get in your way. You could at least have had the decency to talk to me so we could have left on a good note."

He looked at me with wide eyes, clearly regretting his actions. I sighed and looked around the Bunker, possibly for the last time. Lots of memories were definitely created in this room; all just as grand and meaningful as the inventions they made here. But just like some of Hephaestus' contraptions, some of them were flawed and dumped in his scrapyard, no matter how much potential it could have had.

"Goodbye, Leo."

I sat on a rock on the beach that gave me a beautiful view of Long Island Sound. To my left, the sun started to set, casting an orange filter on everything. My heart broke, remembering how everything glowed orange in the Bunker. Leo always left the fires burning when he was working. The sunlight twinkling against the sea reminded me of how small bits of flame peaked through his hair earlier. I remembered how mad he was at me. Or maybe he was mostly mad at himself.

"Hey."

I jumped when someone sat—or rather, landed—beside me. I turned and smiled, seeing one of my good friends back at camp.

"Hey, you're back," I said weakly. "How long have you been here?"

He smiled at me, although he could maybe sense that something was wrong. "Half an hour, maybe? I saw Annabeth making plans to expand camp to have a city. She made me do an aerial inspection and I told her I'll get back to her tonight. That's when I saw you."

"Mhmm," I mumbled, not really knowing what to say. It was silent for a few minutes before I spoke up again, knowing he was just waiting for me to open up.

"I broke up with Leo."

His head quickly turned to me. I guess he wasn't expecting it to be that bad. "What?"

"Oh yeah," I laughed dryly. "Turns out the mist memories Piper had in Wilderness School with you? They were real. But not with you."

His eyes widened. "Oh... With Leo."

"He locked himself in the Bunker for weeks trying to write a letter. It was heartbreaking. Like, truly heartbreaking. He wanted to tell her how much he missed her and how much he missed them. Then he said how much he missed that night with her under the stars and... It hurt. Like hell."

"Oh," he said. "I guess Piper didn't tell me everything then."

"She knew all along?"

He shook his head. "Maybe not everything, but she told me she's been confused about her feelings lately and she'd been having visions or dreams of possible old memories that were messing with her head."

"I'm sorry about you and Piper," I said.

"Don't be," he said. "I understand her. It did hurt, though. But I think I can get over it some day. We're still awkward around each other, but at least we left on a good note."

I scoffed. "Leo couldn't even give me a good ending to our relationship."

"Hey," he said as he put a hand on my shoulder. "You're a great person, y/n. You've done so much, especially for him. It's his loss that he was stupid enough to let go of you."

"I know that."

"Do you really?"

"I do!" I said. "I'm a great person and I know that. But that doesn't mean what he did doesn't hurt me."

"I know," he said. "You'll find someone who'll treat you like the queen that you are. You're a great person, and I'm not just saying this to cheer you up. I truly think you're amazing."

I smiled at him. "Thanks, Jason. And you'll find someone great, too. Maybe not as great as me but, then again, who is?"

We both let out a laugh. The conch sounded in the distance, signaling dinner. I moved to stand up before hearing Jason speak up again.

"Hey, do you maybe want to just grab a couple of plates and eat out here?"

I smiled. "Yeah. That sounds good. I don't really want everyone else hounding me about the breakup right now."

I don't know how long it was going to take me to get over Leo. We really did gave something special. It was cruel how the universe gave me something so good, to make me have hope that something was finally going right, then have it yanked away from my arms just as suddenly as it came.

He never cheated on me, but that didn't mean he didn't betray every promise we made to each other. I should have known it was too good to be true. Life has always played cruel jokes on me.

Then again, who's to say that things won't turn out for the better, right?

•••

Tagging: @drvrslcense @bubblybubbubs @dreamerball @quteez @aesthetxcimagines @chasingpj @beingleft @wadewilsonsgreatestfriend

[bluemoonpunch]

I just discovered your website and fell in love with your readings! I love how you give your insights and your approach to the reading. One thing I want to ask is does the group energy reading represent the energy of the group at the time of the reading, or just the energy as the group exists? This is mostly towards the Stray Kids group reading. I'm curious, because as a fan watching them from afar, I think there has been a dynamic shift among them. (1/2)

(2/2)This is not me asking you to do another reading for them though, and I also believe it's not the time yet. They are still in the middle of a shift that is not yet ripened. They are going to join a survival show with big exposure this year too, so they might drastically change as a group after that. On a totally unrelated note though, I let out the ugliest wheeze as you refer to page of wands as the Signature Jungkook' Card.

📕 Referencing:

Stray Kids Group Energy Analysis Part 1 (2018)

Stray Kids Group Energy Analysis Part 2 (2021)

A: Yes, any reading I do should be looked at as more of a "snapshot" of the state of things there at the moment of doing the reading, which is why I always provide the date that the reading was performed as well as when the reading was posted as I can sometimes do bigger readings a week or so in advance. I've done two different group energy readings for Stray Kids and there is a noticeable change between them, but, for example, before the first group reading for them I posted, I had done the reading a couple of times before that and got a lot of negativity which didn't really change that much between those first couple of readings.

It's good to keep in mind that with group energy readings, I look at what the individuals project into the group, which is sometimes a lot different from the general energetic projection of the individuals separate from the group. I then look at how those projections mix together, how they interact with each other, which can vary between conscious level interaction and energetic interaction. Then, after all that, I look at the overall projection, the general ~vibe~ of the group as a whole, how they function as a unit, what they are able to produce physically or energetically through the group projection. It can be quite complex and fluid, but there are many factors to take into consideration, so just because some things seem different doesn't always mean that things have changed in terms of their energetic balance and connection.

Of course, major changes in career or how things are done superficially in relation to their work and routine, as well as any dynamic changes with members leaving or even changes in contracts, can alter the energetic projection of the individuals and change up the overall balance of the group. So, for sure, in the future, I'll probably look into them again if there's a demand for it, but yeah, they do need some time to settle into new things before anything would come up as being different.

XXXX

Q: thank you for the reading!! I'm glad that there has been progress for them personally, that was good to see. I've been getting that vibe from them and it seemed like taehyung's core was no longer split so I'm glad that it actually isn't. I hope that even with the not-so-good energy that they'll be okay. the end of the reading had me feeling kind of 😔 it would make sense if it has something to do with any kind of enlistment. im hoping it's not disbandment. im aware it could happen but it'll still hurt lol i just want them to be happy either way =( but thanks again -Anonymous @ BMP Tumblr

📕 Referencing:

BTS OT7 2021/2022 Outlook Reading

A: Yeah, the reading was a bit of a bummer toward the end, but overall things were relatively balanced for them as individuals on a more personal level. However, I do think we're seeing a lot of that general tension now with how a lot of fans are responding to the new music, specifically their last three releases. I'm sure that's stirring up some debate and conversation behind the scenes both with the group and the company overall. So, it seems like one of those things where work-life can be a bit stressful going forward, but personal work and personal life for them can be relatively smooth and enjoyable, which can be more rewarding in the long run.

XXXX

Q: oh wow, I did not expect ur 2022 outlook to hit me that hard lol, I was hoping for something more positive for BTS but on the other hand they have been doing all this for over a decade so it's natural for it to finally come to close. still feeling emotional tho hahah -Anonymous @ BMP Tumblr

A: Same, honestly. 😥 But yeah, it tends to be a natural progression for a lot of artists that get that big, almost as if their careers grow past them and they just ride the wave the rest of the way. Still, a fascinating thing to watch play out over the years, definitely something to appreciate and be proud of.

XXXX

Q: love love love your dream and georgenotfound reading! I agree dream's reading is especially interesting, and an individual analysis on either of them would be amazing!! -Anonymous @ BMP Tumblr

Q: This might sound crazy but I read your tarot reading on DNF and remembered you mentioning Cecil? I'm watching their geoguessr stream happening live rn and just saw them go past a sign that said Cecil. I thought that was a funny coincidence -Anonymous @ BMP Tumblr

Q: Hi! All of your readings are so well written and I loved your reading you did on Dream and George and I was wondering if you could do a reading on Dream. You mentioned maybe doing one. -@glimmercherr

📕 Referencing:

How do GeorgeNotFound and Dream connect?

A: Yes, most likely I'll be doing an Elemental Alignment reading for Dream at some point and maybe I'll include some stuff about his birth chart as he has some underlying cosmic imprinting that I think is really interesting. And yeah, coincidences like that are my favorite, just the little things that pop up that seem to tie things together in a funny way, lol. I'm sure there's always some underlying meaning to it somehow.

XXXX

Can you do a mini reading on jimin and jungkook? Whether it’s more equal now? Idk maybe because I am a Pisces I have been able to read other people’s vibes (I call them ) better I am no expert but I feel jimin thinks of jungkook as like an individual grown-up but still would always see himself as a protector kinda like powder siblings too? Also because this doesn’t show up consciously Like they always seem like equal and above sand all in behind the scenes too? Can you explain or clarify if I am right? -Anonymous @ BMP Tumblr

A: Yes, things are definitely more equal now. There's a very interesting progression for them that plays out energetically and even as deeply as on a soul level, lining up with their personal development and separation from the Soul Body. Of course, with Jimin being older and having had known Kook for so long, I have no doubt that no matter what, some part of him would always feel protective of Kook, the only difference is that Kook is in a headspace now where he can be protective back, be more of an equal support for Jimin right back. And, I agree, behind the scenes when they're not performing and not "in character," they can definitely display more of that equalizing push and pull, more so reflecting their energetic connection on a conscious and physical level, which tends to show a very strong soul bond that is being supported on both sides.

If you haven't already, I recommend reading these readings in order as they can really display that development between them over the past few years:

Relationship Reading for Park Jimin and Jeon Jungkook P1 (2018)

Relationship Reading for Park Jimin and Jeon Jungkook P2 (2020)

The Internal Alignment of Park Jimin (2020)

How do Jimin and Kook connect? (2021)

[peachcitt]

I've seen a lot of people saying that rot was BAD, what is your opinion?

OH IM SO GLAD YOU ASKED

like most people (im sure) after finishing rise of the titans, after wiping up my tears i went to the rot tag to see maybe some gifs or something. you know, make myself cry a little more. instead, i found a bunch of people saying how much they hated the ending, how it was as terrible as some of the worst big finale bombs (endgame, game of thrones, etc) and uh. im not saying the ending is perfect, but it is DEFINITELY not as disastrous as what people are making it out to be, in my opinion. i thoroughly enjoyed the movie, actually, and i thought it was an effective way to end the tales of arcadia.

warning: rise of the titans spoilers, as well as general tales of arcadia spoilers

were there some things i didn't like? yeah!

the major things i didn't like align with a lot of what i see other people saying:

the weird mpreg plotline with steve. it just felt so strange and out of place, and it was used as a tactic to remove eli and steve from the major action, which i don't like.

and the 'ninth configuration' thing that, once again, excluded eli and steve. i didn't see a reason why they shouldn't have been there, seeing as they have contributed to trollhunting since nearly the start of all of the tales of arcadia. multiples of three are clean and smooth, i get it, but at the expense of two characters that were so lovingly developed in trollhunters and 3below?? yikes

with that being said, though, i don't agree with what a lot of people are saying about the time travel at the end. obviously, they bring up some good points - by changing the timeline so drastically, there's no way for jim to ensure that they'll be able to succeed or if the arcane order will even act in the same way. it's a big 'if' and it is worth thinking about

but people have been saying that the ending is out of jim's character and negates his arc, and i have to say. that's not true.

if you've been following my blog since july 1st, you'll know that ive spent the past twenty one days rewatching the entire tales of arcadia series at a steady pace, and within that time, i've paid a whole lot of attention to jim's arc as a character and how the finale of trollhunters left me feeling as if something just wasn't clicking right. his arc wasn't finished.

because all throughout trollhunters, jim is constantly having to prove his worth - and most of the time, the way he's proving his worth is by sacrificing himself. he takes all the blame when anything goes wrong, and on some level, jim never truly learns the lesson from season one of trollhunters that he's enough as a hero because he has his friends to back him up. like, yeah, he relies on them a bit more after that, but in the end, he still stands in the bathroom alone, separated from all his allies, and shoulders the burden of turning into a troll alone. and he leaves arcadia, the city he was fighting so hard to protect, and he leaves his best friend, the one that has been with him since the beginning.

then we get wizards, where jim lets himself be corrupted to save his friends. and then, because of that sacrifice, he ends up hurting all of them. i believe this fact - that he willingly corrupted himself, separated himself from his allies, and ended up hurting the people he loved - shook jim's foundation as a hero, which is why he can't believe he's the trollhunter without the amulet. the amulet was the physical manifestation of what it meant to be a hero to him, but it was destroyed when he was corrupted - it was destroyed when he hurt his friends.

that's how we see him in rise of the titans; he's still struggling with his identity as a hero because he doesn't have the amulet or the unshakable foundation he previously had of his heroism. literally everyone is looking for him to be the leader and make the huge, world-saving-or-destroying decisions, but he can't shoulder that huge burden knowing he could hurt everyone. and then, just to add fuel to the fire, it's his plan that causes people to die or be permanently separated from the group. and he can't even get the sword out of the stone! why? because he himself doesn't see himself as worthy - how can you think of yourself as worthy when you just got two of your allies killed and two more gone, presumably for forever?

but this is the moment it finally clicks for jim. he looks around at his allies, and he sees them reflected in the amulet. he's not alone, he doesn't have to be worthy just by himself, he has an entire group of people who have fought by his side time and time again that, even despite all the mistakes and missteps he's made, are still by his side.

and what makes the amulet work, in the final fight, is his firm determination to see this fight through, no matter if he has the armor or not. he's terrified, he's probably going to die - but it's that bravery despite the fear that makes him a hero, a trollhunter, amulet or not. and he knows that now - he's had to face it before, in the unbecoming episode, but it's different now. in the unbecoming episode, he was truly alone when he decided to face the fight. and he's alone here in rise of the titans - but not for long! because almost immediately after jim comes to terms with his place as a hero again, toby comes along, and he doesn't finish this fight alone!! he finishes this fight with another trollhunter, who doesn't have an amulet!!

jim deciding to rewind time to back before the events of trollhunters is a bold choice, but it tracks with a theme in wizards - merlin told douxie that what set him apart as a master wizard was his belief that every life was valuable and worthy of being saved. this theme is repeated in the new amulet in rise of the guardians; it's for the glory of all, not just for one person.

and jim deciding to have toby become the trollhunter finally marks the completion of jim's arc. instead of shouldering the burden alone, which is inevitably what would've happened if jim had rewound time, kept all of his memories, and accepted the amulet again, jim is choosing to accept allies into his life sooner. instead of being the trollhunter, jim is letting himself be a trollhunter, alongside all the other trollhunters.

of course, there's some things in this alternate timeline i don't like; mainly that no one stepped in to stop steve from bullying eli. that, to me, was the most out of character, and i can only assume jim didn't step in because he's leaving room for that fight to be toby's; competing against steve was a large jumpstart to jim feeling like he could be strong enough to bear the mantle, and maybe jim was just trying leave it up to toby to establish that on his own. still, i didn't like it.

and, of course, there are people lamenting the fact that none of the heroes of arcadia know each other or that they might not have the same relationships, but i immediately thought of the time loop episode in 3below. in that episode, the trollhunters team and the gang from 3below meet and become friends and ultimately lose the memory of that friendship from that day. however, in that episode, blinky says that true friendship would last against the test of time; if they were meant to be together, then they would be. and guess what? even though none of them remember that happening, they all still became friends. it was meant to be.

i think a lot of anxieties about the changed timeline are because people loved the events of trollhunters so much that they a) don't want to see anything changed and/or b) are trying to project the events of trollhunters onto the new timeline and are upset when they don't fit. toby won't be the same kind of hero that jim is, though - he never has been. inevitably, the story will be different, and that's scary. that was the risk jim took, though, and jim has always trusted in toby, so why shouldn't we?

to me, tales of arcadia has never been about clean endings that make you feel entirely good. they've always left me with a tang of bitter along with the sweet, and i think that's the point. tales of arcadia has always battled with hard questions and difficult endings, and i don't see rise of the titans being any different from that.

like i said before, i don't think rise of the titans is perfect. but you can hate it as much as you want; i still really think it did a good job with the story it was trying to tell. i mean, ending with the idea that all lives are important and worth saving, no matter the risk? that heroism inherently means being part of a collective that you trust and believe in? that through time and space, you will always be able to find and connect with the people you love? that's powerful.

im climbing off my soapbox now, but basically tl;dr: rise of the titans was a good finale, despite it's imperfections, and i think that's all i can ask for.

also if you don't like toby as the trollhunter just because you don't like him breaking out of the 'funny sidekick' archetype you can die by my blade

[antiloreolympus]

7 Anti LO Asks

1. ok, tell me if im wrong here, but i physically cannot find lo hades attractive because he just looks like a tumblr sexy man version of snow miser from those old stop animated christmas movies. like theyre literally the same 😭

2. I absolutely hate how everyone is making Persephone to be this bubbly little girl who is way too nice, and in LO’s case it’s the worst. Sure Persephone is associated with spring, but spring isn’t only flowers and happiness. Spring brings aprils rain, burning sun, in some places it’s hunting season, and animals which were hibernating wake up and go and hunt other animals and you know, kill them and eat them. Spring is uncontrollable weather, one moment it’s warm a couple of minutes later it’s cold again. Today is sunny tomorrow there’s a storm. Associating Persephone only with the good parts of spring makes her a weak and one dimensional character, especially since she is also knows as queen of the underworld. Spring brings as much death as it brings life. It is not a cutesy season and associating Persephone with it and just making it this cartoonish is a dumb move. In some panels Hades talks about how there were some moments where spring seemed much more wild and uncontrollable, since Persephone was the one doing the work. Why can’t we see that in LO? If Persephone is spring why isn’t she wild and uncontrollable as well? This part of Persephone should have been written from the beginning, instead of seeing a little melancholic girl who can’t say no to people.

3. LO could have beee more creative with the modern timeline tbh. Poseidon could have been like a Steve Irwin type with a sea-life tv show. Zeus could have been a fantasy version of a Prime Minister. Hera could be a socialite. Apollo could have been the leader of a band (the muses are his background sisters/musicians), i could go on. LO just went "uh, they all have vague businesses and cell phones" and that's it. Oh also they video tapes, you know a thing no one has used since 1997.

4. I just remembered that in a chapter when Hades and Persephone were talking, Hades told her how she seemed sad at the olympus party? And it doesn’t really make sense bc why would she be sad? She got the freedom she wanted, she’s going to a party without her overbearing mother, she’s with a friend? And since she’s so friendly and bubbly wouldn’t she be able to make friends straight away? She knew Artemis, Hera and i’m guessing Hestia and Athena must have been there as well. Was it so hard for her to just move around and see who she knew? And then we have creepy Hades who is like “you seemed sad, like me, at that party 🥰🥰” like??? Just bc you are sad and don’t like your life why the hell do you think other people are too?

5. I don’t understand why every sheltered character (usually if not always female) is always like “uwu I’m innocent and don’t know about the bad things in the world! I act shy at first but in reality I’m open and extroverted!” I mean some people who were sheltered are like that and and there’s nothing wrong with it but it’s never deconstructed or seen as creepy in stories like LO (i.e. naive young person x powerful older person power imbalance) why can’t we have a “I struggle to properly communicate informally with people my age and it affects me deeply, I’m cold and distant but I feel lonely at the same time, I’m outcasted for my interests because I‘ve been closed off from the world” type? A story about them developing relationships and getting some character development whilst still being introverted would be interesting, but I guess when you have female characters like that they can’t be sympathetic /s

6. I think Rachel shot herself in the foot when it comes to Persephone's act of wrath and the stans are basically fixing her mistake in their mind. If stans really wanted to pull the "she's a god, gods just do those kinds of things nbd"-card, Rachel should've actually made it no big deal. Instead, she put in place that gods cannot just kill mortals willy-nilly. Eros was going to be reprimanded for his Heartbreak Act of Wrath, but basically got saved by Zeus' General Horniness because, well... Zeus I guess? 🤷‍♀️ But the rules are there. If it's not okay for Eros, why would it be okay for Persephone? I low-key hate that I'm agreeing with Zeus the hypocrite here, but he is right: Hades (and the stans) are biased.

7. I'm only partially sarcastic when I say that I am low-key jealous of Rachel. I don't think I would be getting away with such an inconsistent art style- and I do mean in every way possible, she literally admitted on Twitter and I quote: "my drawing style is inconsistent, but I think that's part of the charm? Being flexible is what allows me to stay engaged with projects I've been doing for years now".

Don't get me wrong, there's an art style improving over time, heck there is a creator realizing a certain art style just doesn't work well on the long run and -TELLING THEIR FANS- it will change from the pilot chapter on, but then there's.... whatever Rachel is doing. Seeing how much the crew of Steven Universe got shat on for having inconsistencies while two animation studios were working on it just makes me wonder why Rachel doesn't seem to get that bs from her stans. At least Steven Universe has character sheets....

[aclosetfan]

8

And Np

(ask game)

haha dude you’re like my new best friend now lmao thanks so much for being interested enough to ask about my dumb ideas!

Eight is titled “Artistic Aspirations” which isn’t a creative title at all. It’s another multi-chapter, no powers au, blues fic!! Personally, I think it's too safe and boring to write. The story spans a few years; I’ve shortened the outline to make it readable, but it still ended up being too long, sorry.

Background on the girls at the start of the story:

Bubbles is 21 and a broke, struggling artist finishing/right out of undergrad. Lives in Cityville. she’s on the verge of having to crawl home to her family with her tail between her legs

BC is 23 and finishing her physical therapy program in Townsville. Still lives with the Professor, but she practically lives full time at her boyfriend's place. She’s semi-neurotic about her relationship, not because it’s unstable, but b/c she thinks it’s too good to be true. Butch, for what it’s worth, doesn’t blink an eye—just a chill dude in this one. VERY into BC.

Blossom is 25 and starting her law career. Lives on the East Coast, working for a successful firm. Would like to move back home at one point, but she hasn’t really had the “right” reason to.

Plot (under the cut!)

It opens with Bubbles at a diner waiting for her sisters at their regular booth. Life isn’t all rainbows and sunshine like she had hoped. At the diner, Buttercup announces that she and her long-term boyfriend are finally engaged! Bubbles has met Butch plenty of time as well as Brick, Butch’s older brother, but she has yet to meet his youngest brother. In fact, Bubbles doesn’t even know his name. Butch just affectionately refers to him as “my dumbass little brother,” which Brick (a defense lawyer here in Townsville) wholeheartedly agrees with. Butch has also said “he’s into all that artsy stuff like you. Draws and shit.”

Until they finally meet at the wedding

He wasn’t there for the wedding rehearsal because his flight was delayed—he was somewhere “fancy” according to Butch b/c of some “art thing, idk, he’ll be here.” “He better be!” Cries HIM, who is one of Butch’s dads, but Bubbles doesn’t really know how exactly b/c everyone is adamant that HIM and Mojo (their other eccentric father) have never once been in a relationship

So when Bubs finally meets the brother she’s walking down the aisle with, she—a person who has an undergrad degree in art (haven’t decided what kind yet lol)—is like WAIT BOOMER JOJO THE BOOMER JOJO?!?! He’s like, “lol sup” and she loses her mind because Butch’s dumbass little brother doesn’t just “draw and shit,” he’s actually an art world prodigy, who despite being very young and very alive, is considered very renowned in major art circles.

(Not Banksy per se, but he’s like one of those Bad Boy artists that would make other artists roll their eyes) (also a man of many projects but doesn’t have the follow-through for a lot of them—which if he wasn’t so good at the stuff he actually finishes, would bite him in the ass; he’s flaky, gets bored easily).

Bubbles is amazed she hasn’t made the connection between the brothers and Boomer just laughs.

There’s, quite predictably, an instant connection between the blues. Butch, who cares for his sister-in-law, is like “Bubs don’t date my brother. He’s not mature enough to be dating anyone.” And Bubbles doesn’t listen!! Because she’s desperate for love and this could also mean she’s finally getting her big break!! Their relationship is really intense and Boomer does end up getting her a nice cushy job at some indie gaming company that he’s dipping his toes in. But just a quick as the flame is lit, it goes out. Boomer gets bored, Bubbles’ art isn’t being taken seriously, and she ends up getting fired for creative differences. Fired and despondent, she gets her break-up text from Boomer the next day. The day after that, he’s dating a model.

Absolutely crushed, Bubbles packs up her bags, leaves his apartment, and moves back in with the Professor. Butch and Buttercup (and Brick—but he’s at work) are ready to kick ass. Bubbles though would rather forget about it and holes up in her childhood bedroom. Eventually, BC gets her out of the room, brings her to Butch and her’s home, and is like “listen I know you’re heartbroken, but ima need you to do something for me—“ and Bubbles is like omg srsly?? Right now?? And BC is like “I need a mural on that wall, something cutesy, ya kno a stork or something?” And Bubbles is about to snap but then, she's like WAIT A STORK!!! And a new baby on the way really brings Bubbles out of her stupor—it gets her painting again. (Bubbles is full of love and you can’t tell me she doesn’t love babies)

So the mural is a hit at the baby shower and Robin (longtime best friend, also pregnant), is like Bubbles please paint me one, and her partner Princess is like MONEY IS NO OBJECT IF ROBIN WANTS IT SHE GETS IT. And then, subsequently, Robin’s (and Princess’s) mural takes off in the rich, white lady community, and soon enough Bubbles is being commissioned for more than just Baby Murals. Princess goes around bragging that she was the one who “discovered her,” and becomes Bubbles' “business agent.”

Basically, Bubbles is on the rise. As opposed to Boomer, who is on the fall. He’s hit an art block. It’s really bad. His melancholy is really bad. Very much plays the “woe is me" card. Hasn’t been back to Townsville in a while, so when his nephew (who he’s met briefly over facetime lol) turns one, he decides to fly in for his birthday.

Plans to mope and bum off his brothers for a bit, but is shocked to see Bubbles, who he then realizes he shouldn’t be so shocked to see. Has a ream “this was a mistake, she’ll make scene” moment, but Bubbles greets him as if nothing between them had ever happened (LIKE A QUEEN). Boomer takes this personally. Then Boomer meets Princess, who gloats about Bubbles, and then, looks at the award-winning boy and goes, “so anyway, who are you again?”

This pisses Boomer off even more and then, over the course of the week he stays with the greens, this anger builds up. He eventually takes it out on Bubbles, like, “you wouldn’t be who you are without me.”

[cue that one blinking gif] Bubbles goes off. Boomer storms off. Romance is in the air.

Jk

[well I guess the reds are hitting it off, but that’s c-plot and who cares]

Princess isn’t privy to this growing resentment and only sees an Opportunity™. She reaches out to Boomer’s agent. Then, she reaches out to a museum, and is like “I’ve got the most BITCHING exhibit for you.” Then, she tells Bubbles about the gig she booked for her.

Bubbles and Boomer are like no way am I doing a collab with them. Boomer’s agent is like “chief ima be real with you, it’s this or nothing.” Princess looks at Bubbles and tells her to suck it up. So, they end up working together, which means Boomer is back in Townsville.

Cue lovers to enemies to friends back to lovers speedrun. Hello yes.

Because they’re forced to collaborate, because Bubbles is more confident, and because Boomer has been knocked down a peg or two, they actually (finally) get to know each other on a personal level. And being closer to family helps Boomer, in some ways, mature. It’s a whole connecting back to your roots “ive grown and im better now” character development for Boomer.

Ends ambiguous ;) but it's happy.

[gossip-girl-of-middleearth]

Um hi, so this might be a little weird but do you mind if i rant about something real quick? I usually wouldn't but i'm kinda stressed out rn and this blog is already full of chaos (in the best way of course)

Ok heres the thing: for my entire life i have been a very intense daydreamer but lately it has been driving me crazy! Not in the particulary bad way tho i love my ocs and thinking about them and their world but there is so much shit going on!! Basically i'm stuck creating a world with several separate realms (that is the most fitting word i can think of) which are all PHISICLY connected (in a way) but have developed differently in culture, tradition and all that but its people have interacted because of that one time that one bitch fucked shit up bad. I favorise one of the realms cause it's the original one and sort of where all the important shit goes down. It was easier while it was on its own, not that i think adding the other ones was a bad idea (they actually add the diversity i needed) i just have too many stories in my head! There are also my original creatures which all need more cultural developing. Then i remember the characters speak some kinds of languages. What is a timelane? I just dont know. And there is this big main story whose characters have been with me my entire fucking life and i love them so so much but. But. There is no conherent plot whatsoever. It changes all the fucking time, idk where im going and its annoying. Then there are stories with actual conherent plot that i don't pay enough attention too beacuse im biased. Now i kinda fear i'll forget something important from all the different ages, characters lives, legends and so on. And yes i know i should write this shit down but there is just too much idk where to start. Plus there is this weird feeling that my writing is not good enough and that i won't be able to accurately portray the characters i love so dearly. Which is silly of course, i know i should just practise and that writing takes time but it is what it is.

All right i hope that wasn't too strange. About all the seriuos problems in my life i can talk to friends or family but I just needed to talk to someone about these stories since they are such a big part of my life noone knows about (and if they do they know just a fraction i was willing to share at the moment). Anyway, feel free to ignore this but it really made me feel better.

Have a lovely day/night! 💛

I'm so sorry this was such a long rant!

P.s. english isn't my native laguage so forgive if the grammer and spelling are questionable its 1 am and im tired

You seem stressed, my friend. Now please excuse my shitty formatting, for I am on laptop and feel like a cat trying its best to play the piano but can't because I have stubby little paws.

It seems to me that you're making things way harder for yourself than necessary! It can be tricky when people like Tolkien are our inspiration, because we hold both him and his work on a hard to reach pedestal (as we should, he's a god). But, we need to remember; we're not Tolkien, and we'll never be Tolkien. Literally. None of us will ever be as clever or good as him. He's one of those writers that comes around every few centuries.

Now, with that hard to swallow pill out of the way, I offer you a new one - a chill pill!

Relax, my friend. The whole point of writing is to explore ourselves and who we are in a safe and controlled environment. We should be happy when creating, not drained and frustrated.

You don't want to build resentment towards a project simply because you're overdoing it and yourself (trust me, been there done that).

I'd suggest finding one small part of your world and starting there. Whether it be the flora, fauna, language or characters - start small and build your way up!

[duelofthefatesmp3]

i DO actually wanna know how youd make kotor 3 !!!!!

this ask has been sitting on my inbox for so long on PURPOSE! i wanted some time to re read the revan book + watch some swtor gameplays so i could give a concrete answer about why the book and swtor arent satisfactory and what i would do instead (im not like. a storytelling god so i this is just my PERSONAL idea). under the cut!

to begin with, what's wrong with revan the book and swtor, mai?

i am very fond of swtor i think it was such a nice idea to have an "open" world game set in star wars old republic time. but ultimately, it was not a good conclusion to revan and meetra's storyline! now, i don't really know what happened in the development of the third kotor game (if there ever was a plan for one) but it's clear they dropped the ball on that and decided to start a whole different project. i don't think we can blame disney for that one, because it was announced on 2008, launched in 2011, and disney had just bought star wars that year. so who knows.

the thing is that it's painfully evident that a bunch of the story that was gonna be in the third game, ended up in the book + misc parts of swtor. much of the book feels like a gameplay.

now, it was clear when the book was planned that they wanted to keep revan's story open so when the game came out, they could have a cool Revan storyline so he could make a cool villain appearence and draw in some of that kotor nostalgia. which ehhhhhh. uh. i don't really think did any favors for revan's character. he didn't have a satisfactory arc (I'm not saying "a happy ending" because good arcs aren't always happy) but at least some closure?

revan went through many big events in his life. we didnt need to keep his ass in stasis for his fun villain moments 300 years later. we already had what we wanted from him: jedi turned sith turned jedi again to defeat a terrible threat. that was it we could have let it there and it would have been cool! but then they decided to drag and drag his story just to leave him right where he was before. he just suffered a little more in the in-between.

you could say he finally redeemed himself of all of his crimes this way, but wasn't that the whole purpose of the first kotor game (and would have been the purpose of the 3rd?)

swtor does not centre revan in his own narrative. he's a side character for the player to experience. and look, i get it, we've had a different protag on each game, why not have another one in this one. well, because the protagonist has no personal relationship with revan. meetra was one of his closest friends, and fought with him. there is a connection that can be exploited. but the swtor protagonist is just some guy 300 years in the future who happens to stumble into revan and his life. not even his descendants get to fully interact with revan.

also, there is the fact that revan is not the centre of the game itself, only of a particular storyline. and it's weird, because swtor could have happened without revan's involvement.

ms. meetra surik, ms. bastila shan, women of the world I'm sorry

so it's no news that star wars is misogynistic as fuck right. cause it is.

so you decide to make your gender neutral protagonist a guy. then you decide to make your other gender neutral protagonist a woman. cool. now let's guess who gets underdeveloped, turned into a plot device without reason, and promptly fridged in the most unceremoniously fashion just to fullfil some manpain moments. which one do you think got that treatment.

i know the revan book is supposed to be about revan, but why make meetra go through a whole arc just to undermine her character and turn her into the faithful servant of the guy? she leaves everything behind for him, sacrifices herself for him, hell not even dead is she not serving the guy. and she was the second game’s protagonist! she beat up a bunch of powerful people and now she’s just meh, there? she had so many interesting ways to interact with revan (meeting kreia, revan’s first master, encountering another force consuming entity, etc.)

meetra went through a whole arc about dealing with the guilt of doing something horrible and having the consequences of it cut her from the force. we see her broken, then slowly come back to the world and reconnect herself with the force, then stop running and face the consequences of her role in the war. thats such a cool character with tons of potential! and nothing happened!

then we got bastila who is. a whole deal. so you make her go through a “promising jedi who defeated revan, to questioning reluctant companion, to fell into the dark side, to was redeemed thanks to her bond to revan, who helped her come back because he’d been through the same experience” arc, and then you decide to push her to the side to have a baby?? which is... its clear that the writer didnt know what to do with her (or with the other characters outside of canderous) so hey, lets get her to marry revan and have a baby.

my ideal kotor 3

to preface, im not a game developer, so some of my choices could be stunted by what a kotor rpg can do lol. of course, it would follow the same mechanics and have the same format as the first two, because consistency!

the fun way to start the game, would be from scourge’s perspective. we get to play as a sith! i’d even say you get to change scourge’s name and gender and looks (i know sith have different looks)

in scourge’s storyline, we get from his arrival to normound kaas, to his talks with nissyris, to his missions working for her. in some of these, we can make scourge lean into the dark or the light side! fun! plus we get some exposition with dialogue options. it all continues untill we get to nissirys story about the emperor. we get a fucked up cutscene of his childhood and then BOOM when its over, we see revan waking up from a nightmare and their pov starts.

ok, as for revan’s story, since we’d have to pick it up from where kotor ended, i’d have a little cutscene of revan back into the ebon hawk, with bastila, and them telling the crew to take them to courascant. then cut to a council meeting where revan and bastila get scolded in private, then rewarded by the republic. i would also like to see some revan mournink malak’s death mayhaps. since he was their childhood friend and all.

i would 100% scrape the marriage and two years passed part. as the book said, the council had no use for revan aside from the legend(tm), so why would they stay in courascant. revan was very alienated from the jedi at that point, despite being back in the “light side”

then like, to revan asking around for meetra and other jedi from the mandalorian wars, we can cash in that atris cameo, then revan starts to have these visions about the sith emperor, and maybe we could get a playable dream sequence about revan’s fight with mandalore the ultimate (I KNOW I WOULD LIKE TO SEE IT.) and we get the whole exposition to mandalore telling revan that the sith are behind it all. i believe we should get a bunch of these flashback/dream sequences of revan’s past doing shit. cut to revan burying the mask in a planet, then back to the present. we see a bunch of mission and juhani scenes trying to reach him, but he keeps pushing them away. revan and bastila meet canderous, travel to the ice planet, meet clan ordo (god i love clan ordo) you get the whole quest, you decide weather to spare veela or not, maybe you get a cheeky mandalorian companion (force sensitive mando oh?) and leave canderous behind.

we can visit like, a couple more planets searching for clues maybe, etc. then when reaching nathema, you are forced to go alone as revan, get to explore nathema a bit (raiding ancient location yay) nathema as a location can be so fun because you can have it weaken you hp bar and also you cant use the force (which, in game is pretty cool)

then we get to scourge and nyssiris arriving to the planet, they fight but since theres two of them and revan doesn’t have the force, they beat the shit out of them, and while running away, they get in a fight with bastila and the companions in the ebon hawk (ebon hawk shooting game my hated). bastila manages to get a glimpse of revan’s thoughts before they take them away. but the ebon is so ruined it takes bastila, t3 and the mandalorian a while to fix it, and they get stuck into the unknown regions for a while. the ebon hawk is left in an outer rim planet with t3 fixing it, bastila and the mandalorian run back to the jedi council, only to get caught in the middle of the jedi civil war. we can have bastila choosing to hide in courascant and trying to make sense of what she saw, reading texts about the sith empire, trying to plot a course to where they took revan (more atris! but shes pissed at her now)

cutscene to meetra’s pov, leaving malachor v behind, getting calls from everyone at the hawk (atton my beloved) but just as she’s leaving she gets a force message from revan, calling for her to find him and sending visions of normound kaas. then, through her force bond with visas, she tells her not to go because they’re gay and in love and whatnot.

then boom, she gets intercepted by bastila’s ship, with the mandalore and the other mandalorian (yes i do love having a bunch of mandos on board) and they go on their way to find revan.

now i want there to be an underlying message of “we can’t take our friends with us because we have to do this ALONE we’re powerful JEDI we don’t need our FRIENDS.” meetra gets asked if she wants to bring any friends and she’s like “no. we have to do this alone.” along the game you get constantly contacted by other game characters, you get the chance to talk to them or ignore them.

so, we get back to nathema, and meetra has a whole “holy shit this is just like darth nihilus but ten times worse. but i beat darth nihilus. i can do this!” then she finds peace in this place without the force, we get a whole speech about how the odds arent against them, they find a way to normound kaas, and get going.

in normound kaas i thought about them getting a whole mission about how to infiltrate the citadel, only to get helped by scourge. he joins the party, we get a little flashback of all the years he spent trying to make revan remember and they storm the citadel. we get to fight the dark council members, fun! then we get to free revan and the game switches povs. bastila hands the mask to revan and he has a cool “yes im revan im pretty cool” then a nice heartfelt yet rushed reunion with everyone.

then have a small CONVERSATION WITH MEETRA where she talks about the sith triumvirate she defeated and revan is impressed with her and is like “we are the last hope of the jedi, we’ve learned to walk between light and dark, we’ve done horrors but we can still make things right, our experience has made us more powerful etc.

then they fight the imperial guard, ALL OF THEM, meetra revan and scourge make it into the throne room, they all fight the emperor. meetra shows the emperor that she has seen the void, she has cut herself from the force, and she’s not afraid of him, revan supports her, talks about redemption and hope  and NOW.

NOW. how the alternate endings could go:

if you decide to take scourge through the light side, he manages to form a forcebond with meetra and revan since they’ve both teached something about the duality of the force, they get 100% stronger, but its still not enough. UNTIL. a bunch of ships (jedi and mandalorian, even non republic ships) arrive to dormound kaas, the gangs from each game storm the room and together they make the emperor and his guard a bunch of punching bags. they beat him! (unknow to them, this was a backup body because the emperor can do weird shit like that, and has only debilitated his plan, but he’ll come back dont worry). then they fly back to the republic, to tell the chancellor about the sith threat, and preparations for the war begin. meetra and revan get to live happily ever after for a while, then they die away from the jedi or the sith (waaah im thinking about them helping canderous rebuild the mandalorians, and them doing it since they killed so many mandos in the war)

BECAUSE IN THE END KOTOR IS ABOUT LEARNING TO PROCESS TRAUMA AND RECOGNIZE YOUR MISTAKES AND LIVE WITH THE GUILT WHILST TRYING TO FIX THE MISTAKES YOU MADE ALONG THE WAY. AND ALSO TO HEAL FROM TRAUMA YOU NEED A SUPPORT SYSTEM SO EVEN THOUGH IT MAKES SENSE TO YOU YOU SHOULDNT PUSH PEOPLE WHO LOVE YOU AWAY. AND THINGS AREN’T BLACK AND WHITE ITS COMPLICATED SO YOU DONT END UP BACK ON SQUARE ONE YOURE A CHANGED PERSON.

or

if you decide to dark side scourge further, he betrays revan and meetra, they all die, and the emperor unleashes his angry lightning or whatever on everyone + a bunch of visions of all the enemies of past mocking them, and their loved ones suffering. and since you’ve had that “im not calling my friends bullshit” no one comes, you die there, and the emperor is only stalled for a few years. swtor ensues. scourge becomes the emperor’s hand.

now you could of course bring revan and meetra up in swtor, but maybe only as force ghost guides, or have some of the other characters of the game have relevance (visas tries to heal the miraluka planet 2021)

WELL THAT WAS A LOT OF WORDS. HOPE THIS IS SATISFYING ENOUGH

[legends-live-in-memories]

I Have Too Many Opinions. ep. 1

lmao. i got encouragement to post my opinions on fandom things and now i want to make a miniseries doing just that. so here i am. doing just that.

im putting it under the cut cuz this was 4 whole pages including the disclaimer. yes i put a disclaimer and i explain why.

Anyways, here is the first piece in what inevitably will become fandom info dump, this time on thomas astruc’s writing on miraculous ladybug. but only some of my opinions cuz we would be here all day otherwise.

So… a disclaimer before I begin… 

I do not hate Miraculous: Tales of Ladybug and Chat Noir (yes i'm using their government name). I am quite a fan of the show actually despite its faults. I am also older than the intended audience but was obviously younger when the show first aired which is how my interest was piqued (the fact that its been 6 years and only 3 seasons says more about the show than me being a fan for that amount of time but also i never want to rush content creators cuz they're doing their best) and due to my age, there will be inherent bias in my approach of what i'm about to say as there is in EVERY opinion. The fact that it is an opinion should imply the presence of bias but most people tend to lack the critical thinking skills required to draw that conclusion ANYWAYS…

If I did hate the show I would not have this blog nor would I be even writing this because i tend to not give more than 2 seconds of thought to things i actively dislike (some of yall should give this a try) and i'm allowed to like things that are designed for an audience that i was originally a part of but grew out of. (I don't suddenly stop liking things because I'm older despite what many younger fans seem to believe about older audiences. I also don't need to be ‘allowed’ to do anything cuz i wasn't asking for permission anyways.)

This will not be character bashing, astruc bashing nor fandom bashing cuz, again, that would imply i hate any of those elements and if i did, i would not dedicate brainpower to them. Analyses and criticisms of media are fun and engaging and required if you wish to produce good enjoyable content. Now most of this should be already assumed and self-explanatory but people on the internet like to play morality roulette roll dice on purity culture and I rather have documentation that I am in fact not bullying fictional 14 year olds or a grown man. But alas, people get trigger happy whenever someone has less than 1000000% positive opinions on something they like and will throw out words they can't define (gaslight, baiting, toxic, problematic, gatekeep etc) in an attempt to defend their blind devotion, 

which is not needed, if you like something you never have to defend it, even if i don't like it. If you respond to anything I post saying you disagree with me, I will not argue with you. I won't debate back and forth and try to convince you that the things you like are wrong. Unless you are being absolutely tone deaf to what i'm saying, you wont get a negative reaction from me. So don't try to fish for a fight. Please. I got metaphorical hands for days and I'm mean, you don't want me hurting your feelings on the internet. Do yourself the favour. Difference of opinion is how we get diversification in media and is inherently a good thing. Now that that's out of the way, please don't ever let me have to say that again. I beg.

Now onto the fun stuff

I didn't know what I wanted as a first topic so my trusty internet friend @moonlitceleste suggested astruc’s writing… 

AND BOI do i got some opinions on ole tommy boi. Again I don't hate the dude. In fact, he has worked on a few shows that had defined my childhood, including but not limited to W.I.T.C.H. (all eps available on youtube for those interested, 2 seasons, general fun time all around).

So I don't think he’s scum of the earth but I do think his approach to writing mlb specifically has more misses than hits.

The first big miss is that he has no idea how to write 14 year old girls. At all. Almost every girl he has ever written feels like some terrible archetype built entirely for marketability and childish projection and pubescent self-insert (kind of). He has never been a 14 year old girl. I have. In fact when the show first aired, I WAS around the (assumed) age of the mlb characters. The behaviour he passes off as quirky or awkward or just the character’s genuine personality tend to perpetuate harmful stereotypes of teen girls found in the media and are never actually addressed as harmful. they just get swept under the rug. Marinette’s exuberant collage of teen heart throb model boi Adrien Agreste and her very painful almost fan worship she has of him (which flip flops like a paper sandal in the rain) being portrayed as a cute school girl crush uwu, Chloe being the y7 Regina George, Alya being the token best friend of colour with her ‘sassy’ personality (i want y'all to imagine me eyerolling so hard i bust a vessel in my eye), Kagami being the very damaging Perfect Asian Child stereotype. And before y'all get on your dusty soap box and defend going on about “BUT IT'S FOR CHILDREN”,,,, know this.

 i don’t give a solid fuck. 

Not one. 

Children arent stupid. Children are always going to remember the richy bitchy blonde who bullies the art kid, and the big kid, and the shy kid, and the non white kids, and was only nice to her equally rich white friend who she probably had a crush on or was only ever civil to her equally white lapdog. They're going to remember the half asian girl who was never allowed to actually be asian or the only black girl who existed solely as a soundboard for enabling bad habits or chastising the main character for the same habits she enables in the first place (boi aint THAT a topic for later). Like do i really need to explain that alya chastising marinette for taking max’s spot in gamer just to play with adrien rings absolutely hollow when she actively encourages her to sabotage the contest she’s in just so Kagami doesn't win?? Like I don't have to explain that right?? Again kids arent stupid and its quite something that Mari gets chastised for proving herself the best video game player regardless of her intentions just cuz it comes at the expense of max’s feelings/ego but is actively encouraged to sabotage not only kagami but herself by extension cuz kagami is ‘competition.’ Adrien is not a trophy to be won. And no I don't expect 14 yrs old to be perfect and to always make good decisions but these decisions are never addressed as being bad decisions. they get swept under the rug cuz those decisions were necessary for the ‘plot’ but astruc can barely keep characterization consistent and his characters suffer for it and it's the same children you preach are watching it that suffer as well. Cuz guess what? I KNOW 14 yr olds aren't like that cuz i've been there done that (this is the last time i'm saying that i promise) so I know astruc is just metaphorically throwing darts to figure out who says and does what without consideration for pre established personalities to drive the stalemate plot along. The same kids you say are watching this don't know that that's not how preteens work and will absorb and internalize those dynamics like baking soda and vinegar. Cata-fucking-strophically. 

And I haven't even gotten to the boys yet. Which honestly doesn't require much explanation anyways cuz they suffer the same fate as the girls. Tired archetypes with nothing to give them life. Nino falls into Adrien’s person of colour token best friend who dates the female lead’s person of colour token best friend so they can have cute double dates uwu. Except the plot goes nowhere and we have no inclination of romantic development beyond moments that only act to actively convince me to anti ship the lovesquare (i don't want to do that so i self indulge in fanon that actually cares about the characters and plot. may i interest you in True Sight on AO3?). Max is the residential nerd but it doesn't matter (cuz he and everyone are dumbed down for the sake of ‘plot’), kim is the sports jock (which interestingly subverts the asian comedic relief stereotype but only barely) and luka is cute older guy ™ that wears black nail polish and is in a band. The point of all this is to say there is no depth in the characters. It's especially blatantly obvious with the characters astruc doesn't like (chloe). Again, it being a show for kids is not an excuse to be absolved of putting effort into the characters you make.

This is one of the biggest misses astruc has. I haven't even gone into all the nuances of this particular miss. And i havent gone into how that works against him in the plot either. Mostly because the plot itself hasn't gone anywhere and partially because I wanted to go into the plot (or lack thereof) separately as its own miss. 

AND BOI is it a miss. 

SO home boy astruc wanted to reap the benefits of a serial show with ‘engaging’ plot without putting in any of the work to make a linear storyline and relying on the episodic format for, again, marketability. You can't have the best of both worlds, you are not Avatar: The Last Airbender. Which btw has a lot less episodes and a desired end goal that didn't involve top dollar. Legend of Korra did but that's not the point and it had its failings with that too. I challenge you, tell me how many episodes actually contribute towards a plot point or introduce new thematic elements to the show? Can you name them? I can and I'm going to include the plot points that moved the story in some direction if only temporarily. Yes only temporarily for some of these and i will explain later. (if you're in the server you already saw this list *wink*)

25/26. Origins- self explanatory, the beginning of the story, 

24. Volpina- introduction of the grimoire and Master Fu (kind of) and no, Lila is not a plot point,

28. The Collector- proper introduction of Master Fu,

37. Sapotis- introduction of Rena Rouge,

41. Syren- introduction of new aquatic power ups,

44. Anansi- introduction of Carapace,

47. Frozer- introduction of new ice power ups,

48/49. Style Queen- introduction of Queen Bee,

51/52. Heroes’ Day- introduction of Mayura and mass akumatization,

66. Startrain- introduction of Pegasus,

67. Kwami Buster- Marinette wears multiple miraculouses,

68. Feast- backstory as to how the miraculouses were lost,

69. Ikari Gozen- introduction of Ryuko,

70. Timetagger- introduction of Bunnyx,

71. Party Crasher- introduction of Roi Singe and Viperion,

73. Chat Blanc- alternate timeline that essentially means nothing but got a reaction out of fans anyways (myself included)

 77/78. Love Eater/Battle of Miraculous- Marinette becomes guardian and other heroes lose their miraculous,

New York Special- other heroes exist and there is an American miraculous box,

That's 21 episodes. 21 out of a heaping 78 plus 2 specials. Everything else was just your typical akuma of the day episode and everything that happened outside that had no lasting consequences on the plot thanks to the miraculous status quo. Was it entertaining to watch Lila stir the plot of the class dynamic? Hell yeah. Too bad it meant nothing by the end of the episode cuz we were struck with miraculous status quo. She literally doesn't appear again until Heroes Day. that is from episodes 25 all the way to 51, she means nothing and yet she is treated with the severity of a b-villain/rival thing. She means nothing by the end of Volpina if I'm being honest. She is only relevant for 20 mins of episode time she’s in then it's back to magic status quo that undoes any shift in dynamics and relationships. It's like Spongebob who can't get his driver’s license. The worst part is I actually like Lila and I wish the story treated her with the seriousness we as an audience are expected to treat her with. Despite being painfully inconsequential by the end of each of the 3?? 4?? episodes she’s in, it's entertaining to watch a character create drama just because. 

Too bad it means nothing.

Astruc is constantly building up suspense to something ‘important’ only for it to not deliver and fans are constantly having the rug pulled out from under us. Oblivio teased us with a reveal only that gets undone cuz memory akuma. Chat Blanc teased us with romantic development but that gets undone cuz time travel bullshit. Feast introduced more miraculous lore and the history of the guardians but that means nothing by the next episode or ever (i'm not including any reference to the season 4 trailer cuz i've been around the block a few times and im familiar with this lil dancy dance). Heroes Day teased us with a possible future team of heroes but that gets undone in Battle of Miraculous cuz ????? why?? (here's why; astruc was having a jolly ole time letting us know how irredeemable Chloe is at the expense of shooting his own stagnant plot in the foot. Again, discussion for later.)

Too bad anything that slightly swerves off course from the akuma of the day gets undone or ignored. Too bad nothing has any lasting consequence. I mean, if anything did, the episodes would have had a consistent order and release schedule so im not scrambling to watch the leaked ep in Portuguese or something while the french dub is two episodes behind while the english version hasnt even been dubbed. I really wonder how he plans to conclude the show when he’s so afraid to step out of the corner he painted himself in.

Again, not going into nuances. If you want you can ask for more specifics (i doubt anyone would) but this is really just a slightly detailed general overview of my opinions on astruc’s writing. 

I was going to include another miss in his approach to this show but imma save that for another time. 

How’s that for a ‘first’ post?

[irkenheretic]

Q R S (fic asks)

Q: Do you have any discarded scenes/storylines/projects?

oh my god, okay there's a LOT of these lmao

there was this one razr-type thing i was gonna do that sorta paralleled lethal inspection from futurama? that never ended up happening. i have a couple oneshots that i never ended up writing (a dark take on "tall!zim," a trope i dont like, and a dark take on those fics that have zim in a romance with skoodge but skoodge is nice and zim is Bad and needs to be Fixed) but i think i Will write those at some point lest my friends come for my head

with my au... ive worked on it for exactly two years now! the second anniversary was a couple days ago, how the time flies~ but with all that time, a LOT of things changed

first, the name from annexed to anarchisma, obviously. second, all my friends know and are exasperated by all the constant rewrites of chapter 1 of fic 1, i think for like over a year all ive been doing is rewriting this one specific thing lmfao

the biggest change was that i made it so that instead of smeethood friends, red and purple met each other as tallests. i did this so they could have secrets for Plot Reasons and also red's utter isolation as a smeet was the main reason why he ended up so traumatized so him having an irl friend wouldve seriously fucked up that isolation. (he had zim, but he was an online friend and due to the shitty internet on red's home planet, they didn't talk as often as red needed to.) but this also like, fucked up the entire timeline so i have to redo it. the main change was instead of bouncing off a canon character, red has to basically carry the first fic by himself. like, theres an oc, but im worried about his ability to carry a fic

speaking of that oc (his name is carl,) he was originally supposed to kill himself. no, really! for like a year i didnt develop him too much lest i get attached to him and now.... poof! he lives! and now im not sure what to do with him since yk... he was supposed to die? but now he's alive. so what the fuck does he do in the story? where does he go?? what do i do with this stupid dumbass prick??

also in terms of ocs, theres an oc named Q that's supposed to be zim's love interest in this one fic, but i cant... characterize them well. which... they're a sona. i guess im worried that if i give them too much to do, they'll be seen as a stupid mary sue? but then as it stands right now, they have way too little to do and theres no reason an audience should be invested in what happens to them, which is bad since for like 2 fics theyre a deteruagonist.... including a pretty funny sequence with purple honestly. so i need to get over myself and characterize this cunt, like, now

also around december the control brains in anarchisma underwent a HUGE overhaul and with that, the entire plot, so there was that as a big change, but all this is pretty spoilery territory since it comes WAY later in the story than carl and Q

R: Are there any writers (fanfic or otherwise) you consider an influence?

listing every single piece of media that ive consumed to get a better feel for specifically anarchisma would take way too fucking long so im just gonna list some fanfics that do something really well and what that thing is

im not gonna bother with getting links because this is taking so long to do as-is ;A;

so first ersatz, its really good with situational ooc and making it seem extremely believable whats going on, and i love it so much that mirforn, a drug in that fic, is actually in anarchisma as an anti-withdrawl drug ^^; in short supply is in that same vein, situational ooc and just really good characterization and prose. drifters au is good for characterization of specifically zim and the tallest together, and the febuwhump stuff (which isnt drifters but yk) has a lot of those "softer" moments that i like and want to emulate. harder better faster taller i love for the worldbuilding around it and the prose itself, a funny thing i noticed is that it has a few similarities to anarchisma- theyre not carbon copies of each other but they are kinda similar down to the moth-themed original species with a name that starts with an F and ends with an -ie, so i do look to it for inspiration but not too much since i dont want to inadvertently copy it, yk? also yes canvas is a ref for red's addiction problems specifically. what of it. i dont go back and refer to it as often but that was the foundation on which all the Addiction Headcanons were built on. firewall is a ref for specifically the computer and his dynamic with zim, its hard to have a character be a caretaker/parental figure to an adult character without it feeling infantilizing or unnecessary so firewall is kinda my bleuprint, eeeven tho that part in anarchisma is pretty minor. btw i dont get inspiration from these fics just for anarchisma, they inspire my other stuff too!

S: Any fandom tropes you can’t resist?

oh i am an absolute SUCKER for "zim finds out the truth" plots, my ffn favorites are filled with 'em i think! also i fuckin love either enemies/rivals to lovers rapr or old bitchy gay couple rapr that shit is SO good. also anything razr like theres so little i cant afford to be picky with it just Give It To Me Give It To Me NOW!! i also like the idea of rebellion fics but i dont like the execution of most of them so myeh!! i also really like post-florpus stuff surrounding the tallest specifically? like... what was it like in the florpus hole? when did they pop out? how were they affected? i also reAlly like explorations on defect stuff that stuff is just so interesting to me

[pedros-mustache-main]

when your love reaches me (iii)

summary: 1978 is decidedly not 2020. nor is your life ever the same when you meet a guitarist, curly haired, soft spoken, and true.

word count: 7.5k

warnings: angst, language, yearning for a man in his 70s (c’est la vie, i guess), over-describing a moment i’m very passionate about (sorry, not sorry! ten points to the person who can tell me what moment it is LOL)

a/n: wow—this gif? yeah, match made in heaven. thank you all so much for indulging me in this mini-series. i really am very proud of this silly little thing & i’m sad that it’s over because i enjoyed writing it so much. thank you to @im-an-adult-ish​ & @deacyblues​ for helping me work out the rough spots in this one. would love to hear everyone’s thoughts because i’m very ~emotional~ about this mini-series!! xoxo.

part i, part ii

in this final chapter: you must adjust because it’s not in your cards to be with him, is it?

you run your hands down your face, feel the ring on your finger catch along the end of your nose, and sigh. two months—two months without him. two months to adjust to world you once knew but happily left behind. two months to gather the pieces of the life which cruelly slipped through your fingers like water. 

each day is the same. you rise early and take your coffee on the postage stamp terrace outside your flat. you watch the sun climb higher in the sky with each passing moment and let the warmth of your drink soothe the ache in your soul. you wash your breakfast dishes, mumble a good morning to rachel when she exits her bedroom to make her way to the shower, and dress for the day. you walk to campus if you have a class or take the underground to the museum if you have a shift. you come home, eat dinner, go to bed. repeat.

if rachel notices a change in you, she doesn’t say anything. in her mind, no time has passed between the morning where she asked you to come to the pub and the same evening you tumbled into the flat, drenched and sobbing. 

but you—you’ve lost a year of your life. there’s no getting it back, and the only thing that proves it really truly happened is the ring on your middle finger, the necklace hanging by your heart, and the undeveloped rolls of film in your bedside table.

there are few words to describe the unbearable pain in your chest. anything and everything reminds you of brian: the whisper of the breeze in the autumn-heavy trees; the feeling of your warmest cardigan around your shoulders; the sound of someone laughing in the museum.

but there’s more:

the scent of cigarette smoke reminds you of roger. the sight of two friends ribbing one another in a grocery store reminds you of crystal. a colorful jacket makes you think of freddie, a whispered snide remark takes you back to john, and two girls giggling reminds you of giddy moments with anna.

around every corner you turn there’s a memory you cannot avoid, and it hurts—desperately, keenly, deeply.

so you push it all away and soldier on, quiet and downtrodden. it’s easier that way. maybe, if you forget, you can move on and make it through life without him.

six months after you’ve left brian behind, you’re approached by your boss at the museum with an opportunity you’d only ever dreamed of: the chance to create and prepare your own exhibit. 

monica is firm when she offers you the south wing to reshape as your own. “blow this out of the water, [y/n], and there will be a job as assistant curator waiting for you after graduation. i want something fresh and exciting. think you can manage?”

you agree without hesitation.

for the first time in a long time, you can’t help but smile to yourself. this is your chance to put everything you’ve learned to good use, to put something tangible in your portfolio, to make a name for yourself. 

you’re buzzing with excitement and have to practically hold rachel hostage as you spout your myriad of thoughts and ideas. she’s your sounding board, even if she doesn’t want to be, but she’s honest where it counts most, and you’re grateful for that.

she glances over the kitchen table, laden with open magazines, cutout photos, and history books. her brow puckers. “this is... really boring, [y/n],” she says with a cringe, looking up with her blue eyes and freckled face.

your shoulder droop. “that’s it? that’s all you have to say?”

she shrugs and reaches for a photo, inspecting it with a critical gaze. “i mean, ancient textiles might be interesting to you and maybe five other people, but it isn’t exactly blowing me out of the water.”

dropping to the seat across the table, you huff. “well, we’re a photography museum, rachel. it’s not like i can whip up a few outfits and put them on mannequins.”

“excuse me, but fashion design is just as artistic as curating a museum—if not more so.” she sighs and puts the photo of a thirteenth century chinese table linen on the table. “there must be something else you’re interested in? something that other people will like just as much?”

you don’t mean to, but you let your eyes trail to the camera sitting on on the tv stand. you’d left it there after your return, uncertain where to put it. sometimes you catch a glimpse of it out of the corner of your eye and then you remember the tubes of film in your bedroom, undeveloped and unseen. 

rachel follows your gaze. “you know, you never told me where you got that.”

“it was a gift.”

“oh really? from who?”

you’re slow to answer. the truth sits on the tip of your tongue—the man i love, the man i was going to marry—but you bite it back. “my great-aunt. she left it to me... in her will.”

you aren’t sure what compels you to retrieve the six rolls of film from your bedroom, but you do. the tubes feel heavy in your palm and clang against the table as you put them down. rachel looks at them then back at you, waiting.

“she gave me these, too.”

“i didn’t know you had a great-aunt.”

“we weren’t close.”

“obviously you were close enough to get these things.” rachel lifts one of the tubes, turning it over in her palm. “wonder what the pictures are.”

“i’m not sure,” you lie. “maybe they could make an exhibit.”

“i think you’d have to develop them first then make that decision.” she rises from the table and shrugs on her coat. “i’ve got a date, so don’t wait up. and try not to let this consume you too much? you’ve been down and out lately. i think the work will do you good, but don’t let it take over, yeah?”

you nod and wish her well on her date. she leaves the flat in a flourish, leaves you to the tubes of film and the growing curiosity in your stomach.

you really should get them developed. if not for an exhibit, then for yourself. an entire year of your life is in those tubes, and you deserve to see the photos you’d taken to preserve that time.

it’s been six months. you’ve purposefully distanced yourself from anything and everything related to queen, be it a simple news story, a song on the radio, or any of roger or brian’s social media posts. it hurts to see them, to know that they’re so close yet so far away, that they have no idea what became of you all those years ago in japan.

still, it’s been six months. developing the film might be your first step toward a sense of closure. you don’t want to stay in your rut forever. though you’re comfortable with the idea that brian might be your great love and you’ll never find another, you know you can’t stay as you are, sullen and despondent. it’s like a break-up, really. you’re sad, heartbroken over the loss, but you know it’s time to step out of the hurt and into something different.

before you can stop yourself, you grab the rolls of film, your purse, and your jacket, and you head for the nearest photo shop.

a few hours later, you return with a heavy packet of freshly-printed photographs and a usb drive full of digital scans. there’s over two hundred photos to sort through, and you’ve yet to see one. 

flipping on the light to your living room, you sit down beside the coffee table, a glass of wine at your side, the table cleared of any lingering books or empty teacups. before you open the packet of photos, you open your laptop and type your search into the search bar. if you’re going to quell your curiosity tonight, you might as well quell all of it, and you’re dying to know what happened after you left. 

a simple internet search confirms what you already know: your presence within the group on the jazz tour did not alter any significant events. freddie still passed away, john still retired. a further search yields at least one previously nonexistent queen song written by brian may: “into thin air.” it was released in the album following jazz. you can’t bring yourself to listen to it, not yet. a deeper search unearths an interview brian gave a year or so after you left. the interview was published in a magazine editorial covering of each of queen’s band members and their lives when not on tour or recording. after freddie’s bit, there’s a photograph of brian at the top of a new page. he’s smiling, but he looks weary and he mentions you only once: “i was engaged for awhile, but that ended in an unfortunate circumstance, so to answer your question: no, i’m not looking for love. not right now, anyway.”

you close the laptop and lean back against the sofa. the ring on your finger feels heavy. your eyes fill with unshed tears, and you decide the photos can wait to be seen until tomorrow.

the packet of photos ends up sitting on the coffee table for two weeks before you invite your co-worker, shamik, over for wine and cheese and museum gossip. shamik is kind, a first-generation immigrant from india with personality to spare and an exuberance for all things american. he claims it’s his greatest curse that his parents brought him to britain as a baby instead of america, and it’s something he can never forgive them for. you’ve only interacted with shamik at work, but when you mention your exhibit project, he’s eager to offer his help. with no new ideas outside ancient textiles, you’re willing to take whatever advice or ideas he has.

sitting beside him on the couch, you spread your collection of papers and pictures on the table to explain your vision. he listens dutifully, nodding along, his eyes scanning the 3-d projection you’ve made of what the exhibit might look like once completed. when you’ve finished your spiel, he sets his wine glass down and nods to the packet of unopened photographs on the edge of the table.

“what’s that?”

you frown, shaking your head at the sudden turn in conversation. “sorry?”

he reaches for the manilla envelope. “oh, it’s hefty! what’s in here?”

you sigh and take the packet from his hands. it feels solid in your lap, like a brick. “photos from my great-aunt.”

he points to the sealed flap. “it’s unopened.”

“i haven’t gotten the chance to look through it yet.” setting the packet to the side, you raise your eyebrows. “well, what do you think? about the exhibit?”

“honestly? it’s dull. monica won’t be impressed.”

you throw yourself back against the couch with a groan. “what the hell,” you whisper. “i’ve got no ideas then.”

you know ancient textile photography would not be the most enticing exhibit, but it’s been an interest of yours for some time and would be easy enough to complete. shamik and rachel’s reactions do not bode well, you have to admit. having a job as an assistant curator right out of the gate would be beyond marvelous, and you desperately don’t want to screw it up with a boring first exhibit.

“let’s have a look at these pictures from your aunt!” before you can stop him, shamik reaches across your lap for the photo packet and rips open the top. “maybe that will spark some ideas?”

you lean forward, blush already rising to your cheeks as he pulls out the first picture. “oh no, shamik, i don’t know if—”

“holy shit!”

you shut your eyes, wincing.

“that’s fucking freddie mercury!” shamik grabs your shoulder, his fingers digging into your flesh. “did you know about this, [y/n]? that’s your aunt with freddie mercury!”

forcing your eyes open, you look at the photo trembling between his fingers. it’s a picture of you sitting beside freddie on the tour bus. (you think john took the photo in an effort to get you to stop taking photos of him when he was asleep while roger and crystal placed as many items on his head as they could before he fully awoke.) your head is against freddie’s shoulder, your eyes droopy with sleep. a lump rises in your throat, and all you can do is shake your head in feigned disbelief as shamik continues to shuffle through the photos.

“oh my god, your aunt was a groupie,” he cries, passing you another photo.

“i guess—” you clear your throat. “i guess she was.”

“you know”—shamik sets the pile of photos down and spreads them across the table, obscuring your vision of an ancient textiles display—“this would make a great exhibit.”

“shamik—” your voice is a warning, a sudden surge of anger rising in your chest, but he continues.

“no, really, [y/n]! there are so many photos here that tell such a cutesy little story. i mean, come on? freddie and this cat?” he lifts the photo in question. “it’s stuff people have never seen before from a totally different side of queen. it’s a fucking goldmine!” 

“absolutely not,” you say. “i will not put my aunt’s personal affairs on display.”

“think of monica, [y/n]! think of the job!”

“no, shamik!” you stand from the table and drop your plates in the kitchen sink with a resolute clatter. “i barely knew my aunt, but i know enough to gather that her time with queen was private. she didn’t say anything about it until she died. that’s got to mean something, and i don’t want to air it all out for everyone to see and speculate and gossip about just for my own personal gain.”

you’re shouting, fists clenched at your sides, by the time you finish. shamik just stares at you, his face blank and unreadable. he glances down at a photo. 

“she looks a lot like you,” he says, his voice even.

you huff and take the wine glasses from the table. “we’ve got strong family genes. now, please, i’d appreciate it if you just drop the whole queen thing. we can find some other idea.”

you gather the photos, shove them back in the folder, and toss the envelope in the nearest drawer you can find. the drawer slams shut, and you leave the photos there to gather dust.

you mull over shamik’s idea of an exhibit based on your photos for a month before you finally relent. monica’s riding your ass daily with questions about your progress. you need to get something down on paper for her to give to the contractors, so you begrudgingly type out a response to her most recent email:

monica,

i’ve landed on an exhibit topic at last. took me long enough, right? 

i’ve recently come into possession of a series of photographs taken by my late great-aunt. turns out she was a groupie with the band queen in the ‘70s. my exhibit will be centered around those photos. i’m thinking the exhibit will be titled “queen: unfiltered.” do with that what you will. :)

monica, much to your dismay, loves the idea and sends you right to work on gathering and laying out your vision while she begins the necessary promotion.

it hurts at first—looking at all the photos you took, remembering the way you felt so unearthly happy during that year. you cry each time you sit down to sort out the best of the pictures. the ones which capture a moment of levity amongst the band or are particularly well-shot go in a pile on the left. the ones which didn’t develop well or are too intimate for you to ever consider putting on display go in a pile on the right. your bedroom floor is a mess of drafted captions written on slips of printer paper, photographs with notes scrawled along the back, and used tissues. more than anything, you wish you could step into the world behind those photographs. you want to be back there—with him, with them—until you grow old and gray. knowing you can’t, that you won’t ever see him again, tears you apart inside.

but it helps. the exhibit forces you to acknowledge the time you spent with brian, with queen. instead of leaving the photos in a drawer, they confront you everyday as you sit down to work, and everyday it gets a little bit easier to face your past. as the tears subside, you find yourself laughing whenever you find a new photo of roger’s antics. your heart doesn’t clench as much when you run across another photo of you and brian. you can smile now when you look at his face. he really was so handsome...

you go so far as to frame your favorite photograph of your time together and place it on your dresser. he’s got his arms wrapped around you from behind, his chin settled on the top of your head. you’re laughing, your hands folded on his arms, legs crossed as you tilt to the side. he’s making a face, his tongue stuck out at the camera, and every time you pass by the picture, you can’t help but chuckle.

you love him still. you’ll love him always.

with three weeks before the opening of the exhibit, the stress is starting to get the better of you. you’ve bitten your nails down to the quick, there’s heavy bags under your eyes from lack of sleep, and you can’t remember the last time you consumed something other than coffee. despite the stress, you feel lighter. working through the photos, laying them out in order, writing the captions, pouring over the faces of the ones you love so dearly—it’s all helped ease the burden in your heart. for the first time in a long time, you slip out of bed in the mornings with a newfound sense of energy and purpose.

life will go on. just as you did when you fell into the past, you will find a new future.

arms laden with exhibit proposals and mock-ups, you brush into your local coffee shop—pretty bird—intent on getting some real work done on choosing the final photographs before you send them off to be printed. you order your usual and take a seat by the front. the air which wafts through the open window at your side is warm with spring and rebirth, and you breathe deep, cracking open the lid of your laptop. you manage to pick a total of twelve of the seventy-six needed photographs before you’re interrupted.

“whatcha workin’ on?” matthew, barista extraordinaire and casual acquaintance, sits down on the bench across from you. he has his own cup of cold brew poised between his lips, and the piercing in his eyebrow wiggles as he moves his brow up and down.

“an exhibit for the museum,” you say, pausing to roll your tight shoulders. “it’s my first.”

“do tell!”

you explain, briefly, how to came to acquire your dead aunt’s photographs and the general theme of the showcase. he nods in approval then snaps as if he’s remembered something.

“hold on. stay right there. i’ll be right back.” he puts his coffee down, scoots off of the bench, and darts to the back of the coffee shop. you wait and listen to the sound of the birds twittering outside before he returns with a framed picture in hand. “i just learned about this,” he says, taking his seat again. “this building used to be a disco back in the 70s.” he hands you the frame and points to a collection of people in the middle of a disco bar. “that’s queen. they came here once and somebody had the smarts to take a picture.”

your hands shake around the photograph, eyes darting from one corner of the picture to another. 

matthew keeps talking. “the place was called climax. can you believe that? the 70s were fuckin’ wild, mate.”

you nod, lips parted, and skim your fingers over the incredibly tall and recognizable form of brian in the center of the photo. you can see your shoulder, jammed between freddie and crystal, but the rest of your body is obscured. you lift your eyes from the frame and glance around the coffee shop, at the exposed metal beams and vaulted ceilings, at the disco ball still hanging in the center of the room.

makes sense now. why the building had felt so eerily familiar back then.

handing matthew the picture frame, you sit back in your chair. “wonder if my aunt ever came,” you say.

“maybe? sounds like she was in pretty tight. you know who you could ask?” you shake your head, uncertain of matthew’s question. “chris taylor. he was a roadie back then. he’s a regular here. comes in at least twice at week.”

you can’t stop the hand that flies to your mouth in surprise. you try to smother your gasp with a cough, but matthew still stares at you like you’ve sprouted another head. 

“you okay?” he asks warily.

nodding, you take a sip of your drink. “yeah, yeah, sorry! wrong pipe.”

“so, do you want to meet him and ask about your aunt?”

everything in you screams to say no. it’s too dangerous. you will surely break the moment you see him. crystal became your lifeline apart from brian during that year. he was your brother, your partner in crime, the one who kept you grounded when things got too wild. just knowing that he’s frequented the same coffee shop as you for the last six months brings tears to your eyes. you could have run into him. hell, you might’ve already. still, you aren’t sure if you’d be able to make it through a proper meeting without spilling your guts and apologizing for the way you left.

“[y/n]?” matthew pulls you from your thoughts. “what do you think?”

you hesitate before shrugging. you speak before you can stop yourself, before the rational and reasonable part of you can take over. god, you need this. if it’s your only opportunity for true closure, you’ll take it. “if he’s up to it then... sure.”

matthew grins. “come in tomorrow. i’ll introduce you!”

that night you toss and turn. you’re plagued with anxiety. will crystal recognize you? if he does, what will he say? will he be angry? what if he tells brian and then—

your bedside alarm goes off just as you fall asleep. it’s a struggle to drag yourself out of bed, but you must. there’s closure somewhere around the corner, and if you just move your ass, you’ll find it. you have one class this morning then your meeting with crystal. you’re jittery by the time you leave class, but you chalk that up to drinking two cups of coffee before leaving your flat and one in class. 

it’s drizzling as you make your way to the coffee shop. you hasten your steps, head bent against the rain and fingers curled around the strap of your bag. when you enter the shop, it’s nearly empty aside from a few lonesome students studying in far off corners. you can hear the faint thrill of music over the loudspeakers, but the blood that’s rushing to your ears blocks out most of the melody.

crystal’s already here, leaning against the counter, in conversation with matthew.

you stop in your tracks. he’s bald now, slightly pudgier with age, but he looks every bit as devilish as you remember.

you swallow past the fear in your throat and the anxiety in your veins and step forward. you voice wobbles when you speak. “matthew?” you direct your entrance to your friend because if you come right out and say crystal’s name, you will surely fall over in a puddle of emotion.

“there you are!” matthew jumps over the counter in one easy leap and lands to the floor beside you. he drapes his arm around your shoulders and motions to crystal. “[y/n], i’d like you to meet chris taylor. chris, this is [y/n], the girl i was telling you about.”

crystal’s staring at you through his blue-tinted glasses like he’s seen a ghost. his jaw has gone slack, his mouth opening and closing as he tries to formulate a sentence. 

you shove your hand into the space between you. “nice to meet you, mr. taylor.”

looking between matthew and yourself, he gathers himself, clearing his throat, and shakes your hand. “you too.”

“should we sit?” you motion to the same table you occupied the day before. “i can buy you a coffee for your troubles.”

he shakes his head and lifts his cup. “already got mine.”

“all right, well...” you glance at matthew.

“do you want your regular?” he asks.

“yes, please.”

“comin’ right up.”

crystal follows you to the table and sits down, his movements slow. for a moment, you sit in silence and allow his eyes to roam your face. you can’t tell if he knows it’s you or if he thinks it’s just a coincidence. you want to reach out and take the hand he rubs across the bridge of his nose, but you fold your fingers in your lap.

“thank you for agreeing to talk with me,” you finally say.

“you aunt,” he starts.

“yes, my aunt.” you pull a photograph out of your bag. it’s one of the few you took with crystal all those years ago. he’s got you in a headlock, his opposite fist grinding into the top of your skull. you slide the picture across the table. “you knew her?”

crystal lifts the photo, inspects it, before putting it down. he sighs, shaking his head. “i loved that woman. broke my heart when she left.” his gaze lifts from the table. “you look like her, have her name too.”

you look away, out the window at the side. there’s bird fluttering in a puddle on the sidewalk, and you watch it for a moment before turning back to him. “i think my mother loved her a great deal. i didn’t get the chance to know her, though. we only just found these pictures recently.”

his eyes narrow. “i mean, you really look like her.”

you force a smile. “thank you. that’s kind of you.” shifting, you tap your finger on the table. “i know her leaving wasn’t exactly...” you struggle to find the proper word, but he jumps to assist.

“natural?”

“well, i was going to say easy, but—”

“she fuckin’ disappeared! excuse my language.” huffing, he drops back against his chair. “one minute she was there, the next minute she was gone. i swear, i’ve never seen anyone skip town that fast.”

“she didn’t say anything about leaving?”

“why would she? she was engaged! she had no reason to leave that i know of.”

“was she happy?”

“hell yes. her and brian—i’ve never seen two people more fit for one another. brian just about lost his mind trying to find her, but it was like she never existed. strangest thing.” he pauses to take a sip of his coffee, looking askance, before his eyes whiz back to yours. “oh my fucking god.” 

you look up, fear sparking in your belly. “what?”

“[y/n]?”

you blink. your head feels dizzy with the way he’s looking at you, like he’s about to jump across the table and throttle you or hug you so tight your insides might squeeze out of your body.

“fuck,” he breathes. “it is you.”

“i don’t know know what you’re—”

“don’t play dumb with me!” he leans across the table and lowers his voice. “i was the one who got you that phony passport, remember? i always wondered why i couldn’t find your credentials. had to lie my way through it until i got the damn thing. you’re lucky everything was so lax in the 70s.” he shakes his head. “how’d you do it?”

there’s part of you that wants to deny, deny, deny.

but it’s crystal. you can’t lie to him any more than you already have.

“i had no choice in the matter,” you say plainly. “one minute i was here, the next minute i was there, and the next minute i was here again.”

his jaw works back and forth as he processes the information. “does brian know?”

“no—and i’d like to keep it that way.”

“i thought we might lose him after you left.”

you twist the ring on your finger. “if i’d had the choice, i would have stayed. i hope you know that.”

crystal nods. “yeah, i do.” he holds your gaze then motions to your bag. “so, this exhibit matthew told me about. you’re publishing all those photos you took?”

“yes. there are some pictures i’ve saved for myself, but my boss, monica, she got permission from the record label to go ahead with the others. it opens in three weeks.”

“i’ll be there if i can. i’d like to see those pictures.”

you smile, your first earnest smile of the day. “you feature many times.”

he ducks his head like an embarrassed schoolboy. “we were thick as thieves, weren’t we?”

“you and roger were thicker, but i’d like to think i had a part to play some of the time.”

he lifts his head and heaves a heavy sigh. “you know, when i said i loved you, i meant it. not in the way brian did. you were like a kid sister to me. i cared for you a great deal.”

before you can stop yourself, you slip your hand across the table to grasp his worn fingers. his shoulders shake on another sigh, and he lifts his opposite hand to wipe at his eyes beneath his glasses. 

“oh, crystal. i’m so sorry,” you whisper. it hurts to see him cry, to know that you’re the cause behind his pain. 

he waves your apology away, sniffing hard. “i’m just glad to know you’re okay. we thought you might’ve gotten picked up or—” he shakes his head and pats your hand over his, meeting your eyes. “you’re okay, though. that’s what matters.”

“will you really come to my exhibit?”

“anything for you, kid.” he thumbs the underside of your chin with a lopsided grin. “even after all this time, i’m putty in your hands.”

you grin and hand him a business card, which he tucks in the folds of his wallet. rising from his seat, he opens his arms and you practically trip into his hug. he holds you tight for the briefest of moments before pulling back. he pats your cheek.

“i’ll see you in three weeks, yeah? if i stay any longer i’ll end up a sobbin’ mess on the floor.”

you nod. “yeah. and, crystal?” he turns at the door. “don’t tell brian. please.”

he leaves without another word.

the day of the exhibit opening you are equal parts thrilled and a nervous wreck. everyone’s here—your family, rachel, shamik, even matthew. you haven’t seen crystal amidst the crowd mingling in the lobby, but you trust him to show. he’s always been reliable, and you doubt he’ll fail you now.

monica squeezes your shoulder as she passes you by in the staff hallway. “it looks wonderful, [y/n]. consider yourself hired,” she says and hands you a keycard. “i’m going to give you a piece of advice i got when i completed my first exhibit: go have a moment by yourself. look at your work, be proud of it. you deserve it.”

with trembling fingers and a racing heart, you make your way down the corridor to the south exhibit hall. due to a celebratory lunch with rachel the day before, you hadn’t gotten the chance to see the room in its final state. in retrospect, you’re thankful for the chance to see it for the first time alone. at least this way, if you cry, no one will have to know.

the door beeps as it unlocks, and you slip inside the room. you descend the handful of stairs which lead into the showroom floor and suck in a deep breath. 

before entering the exhibit, there’s a wall to the side with a simple explanation written in a white font:

queen: unfiltered — this exhibit preserves and presents never-before-seen images of the popular band, queen, through the eyes of an unnamed woman who spent a year traveling the world on queen’s jazz album tour. her images are intimate yet distinctive and offer a personal glimpse into the lives of one of britain’s most well-known bands. 

at the far end of the room hang four banners spanning floor to ceiling. the banners wave gently in the air blowing throughout the room, illuminated from lights on the ceiling and floor. each banner hosts an oversized photo of one of the band’s members in an image that best captures their personality. it took you hours to find the right photo for each man, but you stand by your choice for each one.

there’s john on the far left, head bent as he strums the bass across his knee. his lips are pursed in thought, a line of concentration on his brow.

there’s freddie next to him. he stands in a spanish alley way, cradling a stray cat in his arms. he looks serenely on at the camera, a rare moment of simplicity.

there’s brian sat in an overstuffed armchair, his gangly legs crossed, a book open on his lap. he has the corner of his thumb in his mouth, and if you squint you can see the edge of his tongue.

there’s roger on the far right. he’s smiling at the camera, his eyes bright with mischief and joy. there’s a party hat snug on the crown of his head, pulling the skin of his forehead taut.

on opposite sides of the room, two parallel rows of twelve photos hang in neat order. you decided to have every photograph in the exhibit printed in black-and-white and, in all, you painstakingly picked the forty-eight photos featured in their simple white frames. you walk along the wall, hands clasped at your waist, eyes running over the memories you hold so dear.

the afternoon crystal taught you ride a bike in barcelona: you’re sat on the handlebars after a hard fall, mouth open in a squeal of delight as crystal whips toward the camera.

roger and john tossing an apple back and forth in an ottawa grocery store: john’s smile is broad, the apple caught on film midair.

brian sitting on the floor of your hotel suite: there’s a tray of sushi at his feet, and he’s smiling at you, his hair wet from a shower.

freddie playing the piano in the airport in yugoslavia: he’d been so excited to see one, his shoes had slipped on the slick floor as he ran to it. he’d played dramatically, conducting those around him in a horrible rendition of “god save the queen.”

your eyes sting with tears as you glance about the room. you’re proud of your work. it looks good, professional and elegant, but more than that, you’re proud of yourself for the work you’ve done in mending your broken heart. though you will never live the life you’d once dreamed of, you will always have the memories—and that’s got to count for something.

when the double-doors open and monica ushers the first of the patrons in, you slip into the closest bathroom to wipe at the makeup smudged under your eyes. you’re happy, truly so, and you want to celebrate—celebrate both of your lives as they finally come together.

the room is crowded when you reenter, conversation and gentle laughter mingling in the air. you accept a tight hug from rachel when you see her and the congratulations of your parents. you can’t stop smiling, and you’re sure your face will hurt come morning, but it doesn’t really matter, does it?

your parents float away, hand in hand, and you find yourself alone in the center of the room, watching in awe as people you’ve never met look at your photos, at your memories, and nod in appreciation. your chest swells with an emotion you can’t place.

“i think this calls for a congratulations. you’ve outdone yourself, dove.”

you whirl on your heel, lip caught between your teeth in a poorly-concealed smile. “you came.”

crystal grins. the tie of his suit is rumbled and askew, and you reach out to straighten it. old habits die hard. “i said i would.”

“what do you think?”

“i think it’s fantastic. the lads would be proud.”

“maybe.” you shrug. “guess we’ll never know.”

“are you really so intent on staying hidden forever?”

you nod. “yes. it took everything in me to even talk to you. i don’t want to ruin their lives again by popping back up, especially because i’m not exactly old, am i?”

crystal laughs, shaking his head. “you must think you’re hot stuff if a simple hello could ruin a life.” his laughter fades into a simple smile. “now, i know you’re going to hate me and i’m willing to take that, but i did tell a certain someone about the exhibit.”

you can feel the blood drain from your face. “crystal, you didn’t.”

he winces. “i might’ve.”

you slap his arm and curl your fingers into his bicep. “you bastard!”

he holds up his hands in defense, decent enough to plaster a look of contrition on his face. “look, i didn’t tell him the context or what tipped me off. i just told him there was a new exhibit about queen and he was eager to come see. that’s all!”

you swallow hard, uncertain how to respond. “i—” your head twists back and forth in utter confusion. “i don’t know what to do.”

crystal’s face softens, and he nudges your shoulder. “go talk to him. he deserves that much, doesn’t he?”

you can’t argue with that.

giving crystal’s arm a grateful squeeze, your legs shake beneath you as you turn and see him—brian—across the room.

you don’t know how you didn’t see him before. even now, forty years later, he’s still unmistakeable: still tall, still gangly, but his hair has gone white and his strides are slower. the overwhelming urge to tear across the room and curl yourself around his back nearly overpowers you, but you shove it down and manage to cross the floor in slow, even steps. you keep your eyes glued to his back, your hands twitching at your sides. when you reach him and catch a faint whiff of his cologne, the same he wore all those years ago, you have to push back the tears that rise unbidden to your eyes.

you tap his shoulder. “dr. may?”

he circles around, as does his wife anita, her arm snug in his elbow.

brian blinks hard, his brow furrowed in confusion. for a moment, you let him stare at you as you stare right back. his eyes are the same. you’d thought they’d be different, but they aren’t. the realization stuns you silent.

anita glances between you both before smiling sweetly. “good evening, sweetheart,” she says, and her voice is so kind you can’t even summon the slightest bit of jealousy. “i’m afraid i didn’t catch your name.”

“oh, i’m sorry!” you laugh and find that smiling at anita isn’t hard. “my name’s [y/n] [y/l/n]. i created the exhibit. i thought i might come and introduce myself.”

“oh, how lovely!” anita claps her hands together. “what you’ve done is so beautiful, [y/n]. it’s nearly brought a tear to my eye.”

“that’s very kind of you, ma’am.”

“brian likes it too. don’t you, brian?”

he still can’t seem to formulate any sort of response. he’s frozen in place, and your heart lurches for him. to see the woman he’d once asked to marry him, the one so cruelly ripped away, while standing next to his wife... precisely why you never wanted to meddle in his current affairs.

finally, he seems to collect himself. he sucks in a deep breath and nods in agreement. “yes, i do. very much.”

“that means a lot,” you say, easing your smile back into place. “thank you.”

“i’ll leave you two to talk to for a moment. i see crystal hovering in the corner over there, and i’m sure you both have many questions for one another.” anita presses her hand on your arm as she passes. “lovely job, dear.”

she leaves, and you’re left alone with the greatest love of your life.

you wait for him to speak.

“you’re... alive?” it’s a question, not a statement.

“yes.”

“you’re the same age?”

“yes.”

“how did—” he shakes his head. “i don’t understand.”

“neither do i.”

his chin quivers slightly, and he looks away. “i thought you’d been taken or decided to—”

you dare to touch his arm. a spark jolts through your fingers at the slightest touch, but you hold firm. “nothing happened,” you explain. “other than nature righting her mistake.”

“i think—i think i need to sit down.”

“yes, of course. my office is down the hall. it’s quiet there.”

he nods and leans against your arm as you lead him down the hall. in the silence of your dimly lit office, he collapses to the loveseat beneath the window and drops his face to his hands. you hesitate in the doorway until he looks up. tears shimmer in his eyes, and you swallow hard, your smile wavering around the edges.

he stands then, crosses the floor, and cradles your face in his hands. “my god,” he breathes. “it really is you.”

with a laugh, you hold his wrists. “in the flesh.”

“how long’s it been?” his thumb works over your cheekbone and, though you know he should stop, you can’t bring yourself to step away from his touch.

“about seven months.”

he snorts. “try forty years.”

“you seem like you did well for yourself, though.”

he shrugs. “i suppose.”

“you’re happy?”

there’s a heavy pause before he says, “yes.”

“that’s all i want to hear.”

slipping out of his grasp, you put a modicum of space between you both. the air is thick with emotion, and your heart beats wildly against your chest. the love you thought you’d put to bed flares at the mere sight of him, even after all this time.

you drift your finger through the sand of your tabletop zen garden. “i told crystal not to tell you about me,” you admit.

“he didn’t—not in so many words.”

“i know. i’m glad he said something, though.” you pause, meet his gaze. “it’s so good to see you, bri.”

quiet falls over the room as he stares at you. you don’t squirm. you’re comfortable under his gaze, always have been.

“i hope you know i never stop looking,” he says. “even after anita, i kept trying to find you. just to know.”

“and i hope you know that i would do it all again in a heartbeat if it meant i got to be with you even for a time.”

your phone vibrates on the desk, skidding across your oversized calendar. you reach for the phone and flip it over before slipping it in the purse hung over your desk chair.

“i’ve got to go,” you admit, crossing to his side. “i’ve actually got a date.”

to your surprise, his eyes crinkle with amusement. “i’m happy to hear it.” he lifts a hand and smooths back the hair from the side of your face. he looks at you with all the love he did forty years ago, and you wish you could take a picture to remember forever. 

but then you remember: you have dozens of photos at home, and it doesn’t seem too hard to let him go now. not after the work you’ve put into mending your heart. you can face this, face saying goodbye for good. you have to, for his sake and your own.

rising to your tiptoes, you place a hand on his shoulder and kiss the corner of his mouth—one last touch, for you both. you wind your arm around his neck and whisper in his ear, “i love you, brian may. i always will.”

he squeezes you hard against his body, sucking in a ragged breath. “i love you too, [y/n].”

dropping back to your heels, you huff a breath and smile wide. “well, i’d better go.”

“yes, you’d better. don’t keep the lad waiting.”

you bite the inside of your cheek, your hand lingering on his. “okay, well... goodbye, brian.”

he smiles, and it’s the loveliest sight you’ve ever seen. he brushes you cheek with the back of his hand, whispering, “see you later, love.”

dipping out the back of the museum, you walk down the street, purse slung over your shoulders. you think you’ll be able to sleep well for the first time in a long time tonight. 

you hope he can, too.

~*~*~*

taglist: @bhmay​ @grigorlee​ @teenagepeterpan​ @just-my-sickly-pride​ @perriwiinkle​ @ubernoxa​ @anunknownnebula​ @coincidence-ithinknots-blog​ @captvinswaan​ @ineloqueent​

[my-happy-little-bean]

Blossom

pairings: logan/patton (logicality) (because im trash) words: 2776 warnings: swearing, panic attack, implied toxic parental relationship, mention of an implied suicide attempt, fighting summary: 

blos·som /ˈbläsəm/

verb - to produce flowers or masses of flowers. - to develop in a promising way

Or: the five times Logan couldn’t see the flowers, and the one time he did.

a/n- hello! i hope you are all doing well during this strange quaran-time! i present to you, my first non-golden slumbers flower-related fic (still logicality tho,,, y'all can rip that pairing out of my dead, cold hands :pp). i had a really strange dream last night that had something to do with this concept and hey, you know what i do with dreams :p

i hope you enjoy it ^v^

read on ao3~

---------

dedicated to the one bit of starlight that always remembers to water my garden 

~*~

1. 

Logan was halfway up the porch stairs when Patton mentioned the flowers for the first time. 

“I’m telling you, Lo!” Patton followed Logan into their new house, carrying boxes behind him. “They were little yellow daffodils, just sprouting behind you as you walked! It was so pretty!” 

“Patton, it takes twelve to fifteen weeks for daffodils to bloom after chilling,” Logan said pointedly, setting his own boxes down by an old, tattered couch in the living room. “Besides, even if there were some growing, I would be more concerned that there is something prompting growth underneath our house.”

Patton giggled, putting his boxes down beside Logan’s. He wrapped his arms around Logan’s waist from the back, going on the tips of his toes to kiss the back of his neck. 

“Our home,” he murmured in Logan’s skin. Logan smiled. 

“Yes,” he said, looking around at their surroundings. “It is...a start.”

“It’ll be more than that soon enough!” Patton chirped, taking Logan’s hand and spinning himself underneath it with a squeal. Logan couldn’t help smile, moving his arm more purposefully to properly spin Patton around until he was standing right in front of him. 

“I’m so happy,” Patton said with a sigh and that lopsided smile; the smile that proved to Logan that he could at least feel love. 

“I am happy that you are happy, dear.” He pressed his forehead against Patton’s and kissed his nose lightly. “Now, we must continue on, or we will be late to the neighbourhood barbeque Janene invited us to.”

“Janene?”

“Our neighbour, remember?” 

Patton made a small ‘ah’ noise and nodded enthusiastically, already skipping past Logan to grab some more boxes outside. 

As he watched him go, Logan sighed; he could definitely love. He could love with all of the love the world had to offer him, for as long as they were offering. He could love the softest, most gentle creature he knew; one who moved with such grace and one whose mind and heart and soul was overwhelmingly admirable.

Yes, he could love him. 

And he loved him. 

- 

“Logan! There’s pink roses on our roof!”

---------

2.

According to Janene, the whole neighbourhood could see the flowers. 

It was a special kind of phenomenon that no one outside the small town of Khloris ever noticed. But if you had a house on its terrain, you apparently had flowers growing underneath your feet. Upon mentioning Patton’s observations at the neighbourhood barbeque, Janene had explained the rumours that it was the land’s way of “observing” or “understanding” its habitants. Whatever that meant.

Logan found it borderline infuriating that no one had pursued further research on the matter; that people just walked around their neighbourhoods, complimenting each others’ seemingly magical gardens.

What was even more infuriating was that everyone just...accepted it. Embraced it, even. As if it was normal to hallucinate flowers growing on vines across your windows.

He was still unable to see these flowers, if they even existed. And while he wasn’t keen on keeping a sense of distrust between himself and his partner (he would have stopped playing along if Patton shared his same view) he couldn’t help but remain skeptical. 

(He would never admit it to Patton, but the reason he had purchased that rather expensive machine off of Amazon was so he could test the contents of the air in certain areas of the town. It didn’t prove anything abnormal, but it was an interesting experiment. 

He read his findings out loud to Patton one night, and Patton listened to every word.

And when Logan left for work the next morning, Patton complimented the chrysanthemums trailing behind him.)

Still, he didn’t have much choice other than to embrace the absurdity floating in their town. Besides, it was mostly harmless. And, more often than not, it served as the backdrop to some of the most joyful moments they had. 

- 

“Why, yellow!” Patton exclaimed as he greeted Logan on the steps to their house. “Someone has an extra poppy in their step today, huh?”

“First of all, I believe you mean ‘hello’; the standard greeting which is first exchanged between individuals seeing each other,” Logan hummed. Then, he leaned over to kiss Patton’s cheek. “Second of all...hello, dearest.”

“Hiya!” Patton giggled. Logan watched as the spot he kissed flushed a soft shade of pink. “How was work?”

Logan couldn’t help but smile. “It was...very satisfactory.”

“Very satisfactory?” Patton rocked back and forth on the heels of his feet, immediately ecstatic. “Not just satisfactory?”

“Mhm.”

“Ooh that and the yellow poppies behind you! You must have good news!” Patton beamed. “Come, come sit with me! Tell me all about your very satisfactory day!”

Usually, Logan would politely decline, telling him that he had to first shower and prepare dinner as he always did after work. And it was almost second-nature to ignore the ever-growing amount of flower observations from Patton. 

But he couldn’t help but oblige upon seeing Patton rush over to their small, wooden porch swing, nearly knocking into his ball of yarn and newest knitting project. That and he did have good news. Very good news, in fact. 

“Tell me about your day first,” Logan insisted as he sat down beside him, setting his briefcase at his feet. “I would rather celebrate a mutual achievement than selfishly intrude with my singular one.”

“Intrude?” Patton nudged him lightly. “Well, you’re not being int-rude if you do! So don’t worry about that kind of intrusion-confusion you’re on about, mister!”

“...did you eat the cookies Janene sent us?”

“Several.”   

Logan shook his head. “She puts too much chocolate in those, you know. And those pastries surpass the recommended amount of sugar one should digest in a day.”

“I know! ”

Logan couldn’t help but laugh at how starry-eyed his Patton looked. Patton gently rocked the swing back and forth, then lifted his legs to sit cross-legged on the cushions once it gained enough momentum. 

“Anyway, my day was alright!” Patton chirped. “Had a breakthrough with a client today! It’s been a slow couple of weeks, but I think things are looking up!” 

“That is fantastic news, Patton.” Logan leaned his head against Patton’s shoulder, placing a hand on his thigh and smiling. “You’re doing an exceptional job.”

“Aw, Lo!” Patton giggled again. “You’re gonna make me grow peonies everywhere.”

Second-nature. Logan just chuckled.

“Now! We must celebrate you!” Patton lifted Logan’s head off his shoulder and held his hands into his own. “Tell me everything!”

A pause. Logan felt as if he too was holding his breath.

“Well, do you recall that promotion I recently inquired about at my work?”

Patton’s eyes widened. 

“Shut up.”

Logan broke into a wide grin, finally exhaling as he nodded. Patton squealed, practically lunging at Logan to give him a tight hug.

“Shut up shut up shut uppp!!!”

“Do you...actually want me to–”

“No!” Patton gasped, pulling back to hold Logan in front of him by his shoulders. His grin almost hurt to look at. “Never ever ever shut up!”

“Then why did you–”

“I’m excited, you goofball!” Patton brushed the hair out of Logan’s eyes with a small giggle. “Besides, if I’m shushing anything, it’s the guilty feeling in your head that I can hear from a mile away.

(Fuck. He could love him forever.)

“Be proud of yourself, silly.” Patton wrapped Logan into another hug. Despite being shaken around so much, Logan couldn’t help but laugh. “Gosh, you deserve this so so much– I’m so proud of you.”

Logan’s breath hitched. 

“You…” 

Patton drew himself back ever-so-slightly, leaving a mere inch between him and Logan. He smiled. 

“I’m always proud of you, Logan.” He kissed Logan’s nose, sending a rush of warmth throughout his entire being. 

He then looked down at the spaces between each wooden plank of the porch and smiled. 

“Peonies,” he whispered, resting his forehead against Logan’s. “I’m happy too, Lo. So so so happy.”

---------

3.

“Patton, take a deep breath.”

“He–” Patton gasped, wrapping his arms around himself– “how– I can’t–”

“Patton.” Logan took the phone out of Patton’s hand and held them, squeezing gently. “Patton, let’s sit down, please–”

“Don’t touch me!“ Patton sobbed, pulling his hands back and covering his mouth. Tears rolled down his cheeks and over his hands. He began backing away from Logan. “It’s– I’m a– I’m–”

“Patton–”

“Fuck,” Patton choked out, stumbling past Logan and heading in the direction of their backyard. “I can’t– I need–”

Logan just nodded, carefully catching up to him and clearing out as much clutter as he could so Patton wouldn’t get hurt. He slid open their backyard door for Patton to rush through. 

The cool, evening air hit Logan almost sharply, and he hoped that Patton could feel the same thing. He watched from a hesitant distance as Patton fell to his knees on their grass, folding into himself like a ball and clutching at each strand. 

(He doesn’t need you to make this worse.  "You don’t know how to feel, after all.”)

 “Hey,” Logan finally said. He walked over to the grass and sat a comfortable distance away from Patton. “Is this enough space?”

Patton didn’t lift his head, but he nodded. Logan sighed. 

“...What happens outside your workplace is not your responsibility.”

Patton let out a huge sob; one that felt like it echoed through the whole neighbourhood. 

Fuck. Logan cleared his throat.

“Tell me about the flowers,” he blurted out. Patton lifted his head slightly. 

“The–”

“The flowers,” Logan said again, even less sure of himself. “Tell me what they...what they look like to you right now.”

Patton let out a scratchy laugh. “You don’t believe in the stupid flowers.”

Logan’s heart broke. 

(He didn’t, but he believed in him.)

“Tell me about them anyway,” he said insistently. “I assume they are in our presence, no?”

Patton sighed and, after seemingly deliberating his offer, sat up; his hands firmly gripping the grass they were sitting on. He looked around him, all spacey in that way that used to scare Logan. (It still does, but he at least knows enough about it that it’s not as worrisome.)

Finally, he spoke up. 

“I– I see marigolds,” he whispered. “And– and yellow carnations.”

Logan closed his eyes in thought for a second and then opened them with a sigh. 

“My dear,” he whispered, scooting a bit closer to him. “It is normal to feel grief and disappointment. Those are common reactions to a tragic occurrence such as this. I am so deeply sorry that you have to experience this because you do not deserve this, my starlight.”

Patton curled even more into himself.

“But what is important is that he is still here,” Logan continued. “And I am going to be here to assist you with whatever you need in order for you to cope during this difficult time.”

He watched as Patton took a deep breath; the first one in hours. When he exhaled, he felt as if the air around him grew still and less frigid. 

“I already know with absolute certainty that I will witness you lift yourself up when we make it through this; stronger than you were ever before.” He moved closer to him again. “You did not fail, no – we are simply just trying again.”

A beat of silence. Patton sniffled. “T-There’s purple hyacinths now.”

Logan sadly smiled. A common one with Patton.

“You do not have to apologize.” He patted the space next to him. “I’m here. And so are you.”

Patton sobbed a bit more, but eventually smiled through his tears and curled up in Logan’s lap. Logan held Patton and leaned over to press a kiss in his hair. 

“I got you,” he murmured in his curls. He felt Patton settle into his lap, the tenseness in his shoulders loosening. He ran his hands through his hair, kissing it again and again every few seconds. 

“Forever?” He heard Patton mumble. He smiled. 

“And a little bit after that,” he whispered back. 

And they sat there for a while, underneath the starry skies above them, in what Logan assumed was a sea of yellow and purple flowers. Though, he was never really sure.

- 

Later on, Patton asked him how he knew what each flower meant. And Logan, who would never admit to researching floriography (or to any accomplishment at all), just said it was a coincidence.

---------

4.

Patton rarely got mad; but when he did, Logan could only assume there were petunias everywhere.

“You–”

“Patton, please, not today–”

“NO!” His voice bounced off the walls and hit Logan in the chest. He shut up immediately. “Just...please– please tell me you’re joking.”

Logan averted his glance. “...I had to speak with them.”

“With your parents?! “ Patton screamed. “Who– who haven’t even bothered to call you in the last, what, five years?! “

“Patton, I–”

“You promised you’d never talk to them again,” Patton hissed. “I thought we agreed that– that it’d be wrong to. Because they were miserable people– people who– who made you miserable.”

He stung more than any thorn ever could. Logan tried to imagine some growing through the floors, as if trying to sympathize with what he could be experiencing. Of course he was angry. What Logan did was stupid. And he didn’t even mention the outcome…

“They’re my parents, Patton,” he said instead. He tried to plant his feet to the floor firmly, but Patton’s pacing made him shrivel up where he stood. 

“They are not your parents,” Patton snapped. His breathing was sharp and quick. “Parents–  parents don’t just tell their kid that they don’t have the capacity to feel– parents don’t kick their kid out of their fucking house and– and abandon them and leave them to be fixed by someone else.”

Logan’s breath hitched. 

“I…” He tried not to let it hurt him, but seeing Patton also wince at his own words made him feel somewhat validated in his pain. Still, he stood his ground. 

“I did not ask you to fix me,” Logan whispered, just as sharply; as if to get him back. 

Stupid.

“Logan.” Patton’s voice was even more troubling when it was quiet. “How could you...”

“It’s true.” (Why was he still talking?!) “I didn’t need you to–”

But he never finished. 

Because that’s all it took for Patton to leave.

-

5.

Patton found Logan outside in their backyard, surrounded by roses.

Roses of every colour; yellow, pink, blue, black, and white. The grass underneath his feet was bright green– in fact, everything around him was bright. 

“L-Logan, what–”

And that was when he saw the ring.

“Patton.” It came out as a loud, choked sob. 

Patton took a shaky step towards Logan, who shakily got on one knee.

“What are you…”

To his surprise, Logan laughed. 

“We– we were never really good at appropriate timing, were we?” 

Patton covered his mouth with wide eyes.

“I called my parents,” Logan began shakily, “because I wanted to tell them that I was going to marry you.”

Patton’s breath hitched. 

“You were right,” he continued, wiping his eyes. “Parents don’t do any of the things you had mentioned a-and I know I broke that promise we made out of good intent but…” He sighed. “But they are my parents. And I wanted them to be part of this moment.”

He closed his eyes, almost shamefully.

“Ultimately, it was out of spite, wasn’t it?” He laughed quietly. “In the end, I just wanted to prove to them that I could.”

“C-Could what?”

Logan stood up from his place and smiled. “That I could feel.”

A wide grin spread across Patton’s face.

“Oh, Logan…” He sobbed, rushing over to hold Logan’s hands. He giggled as Logan’s glasses fogged up from him crying, and he reached over to take them off, opting to rest them lopsided on his head. Logan laughed again through his tears. 

“Patton,” he whispered, looking up in his eyes. “I feel everything with you. I– I feel perfect, unadulterated happiness and love when I am with you. I feel joy, I feel peace, I feel...I feel things that I didn’t even know exist– ”

He held Patton’s hands and took a deep breath.

“I feel everything for– for you.” Logan rested his forehead against Patton’s and broke into laughter as their tears fell to the ground. “I want to feel everything with you– the ups, the downs, everything– for the rest of my life.”

---------

1.

And as Patton kissed him, Logan watched as a rainbow of colours blossomed around their home.