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attemptsonherlifepdf · 3 years

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bojack horseman and bo burnham: the art of acting like you’re acting and the comedy of misery

at the core of bojack horseman, raphael bob-waksberg’s 2014 comedy, is a story about the relationship between performance and depression. the protagonist of this renowned tragicomedy is best described as a sympathetic villain; he is shown to clearly be in the wrong across various events of the show, and is explicitly referred to as a bad person, but the audience is granted deep access to his personal struggles, resulting in some portions of the audience finding themselves on bojack’s side. the duality of his character is complex, but can be broken down into some core components, that all stem from the impacts of stardom and performance. the standup comedy of bo burnham arguably echoes this sentiment in real time. having been a performer from a young age, burnham creates work that serves as a satirical commentary on the life of entertainers. he uses original songs to explore the reliance upon and resentment for his performative nature both onstage and within his personal life. both the comedian and the netflix show are widely understood to be thinly veiling their critiques of the entertainment industry behind a particular brand of witty and absurd humour.

both bojack and burnham’s content openly criticises their audiences and explicitly states the manufactured nature of the narrative the audience is fed. in the fifth season of bojack horseman, the show satirises itself by having bojack star in a police procedural drama, parts of which are actively written by other characters to reflect events of bojack’s life. the titular character he plays, philbert, is the epitome of selfish male angst, and an example of what bob-waksberg’s show could have been; another story about a sad and angry man whose guilt supposedly makes up for the people he has hurt. according to bojack, philbert teaches us ‘we’re all terrible, so we’re all okay’, an interpretation that is harshly disputed by diane: ‘that’s not the point of philbert, for guys to watch it and feel okay. i dont want you, or anyone else, justifying their shitty behaviour because of the show.’ this moment is a direct reaction to some of the online reception bojack horseman has received. various circles of the show’s fanbase have found themselves relating to the protagonist to the point of defending his untoward behaviour, a response not intentioned by the show’s creators. this is not the only example of bob-waksberg’s ability to make his work self-evaluative. in season six’s exposure of bojack and sarah lynn’s problematic relationship, characters question their sexual encounter from the first season. the writers use this as a way of examining their own choices, and the harmful tropes they played into when using this exploitative sexual encounter as a gag. this self-evaluative quality is what sets bojack apart as a show that assesses the performance it participates in, much like the comedy of bo burnham.

bo burnham is known for directly addressing his audience, particularly in terms of discouraging idolisation and parasocial relationships. some examples of this manifest as responses to hecklers rather than a planned bit in the show, for instance:

heckler: i love you!

bo: no you don’t

heckler: i love the IDEA of you!

bo: stop participating!

he actively addresses the issues posed by being an entertainer, and encourages the audience to understand and recognise that his onstage persona is just that: an exaggerated persona. not once does burnham claim to be fully authentic onstage, and even moments of authenticity we see in his latest special, inside, are staged. we make the assumption that having the physical setting of a stage stripped away grants us a more personal look at the entertainer’s life, but he makes it clear that even in his own home we still see the aspects he has carefully constructed rather than the full truth. arguably though, parts of the show really are authentic; in his monologue during make happy, bo deconstructs his own show in a way that is similar to bojack horseman’s later seasons, admitting that all he knows is performing and thus making a show about the more mundane and relatable aspects of life would feel ‘incredibly disingenuous.’ in his attempts to separate himself from this onstage persona he actually manages to blur the lines between what is acting and what is now part of his nature as a result of his job. this notion is echoed in bojack horseman as bojack’s attention seeking nature is attributed to his years acting in front of a camera every day.

bo suggests that the era of social media has created a space in which children’s identities mimic that of an entertainer like himself, describing the phenomenon as ‘performer and audience melded together.’ in this observation he criticises the phenomenon. bo attempts to force the audience to recognise the ways in which their lives are becoming shaped by the presence of an audience and to some extent uses his own life as a warning tale against this. he points out the way in which the ‘tortured artist trope’ means that your cries for help or roundabout attempts of addressing mature themes such as substance abuse, mental illness and trauma become part of that on stage persona and therefore become part of the joke. both bo and bojack address these topics in more discrete manners earlier in their careers, but this eventually becomes expected, and thus they are forced to explicitly detail their struggles with these topics in order to be taken seriously. even then, portions of the audience are inclined to see it as part of the persona or as something that fuels the creators creativity and thus does not need to be addressed as a legitimate issue. the emphasis on creating a character or persona promotes the commodification of mental illness: any struggle must be made into a song or a joke or a bit, must be turned into part of the act in order to have value. this actually serves to delegitimise these emotions and create a disconnect between the feeling and the person, as it becomes near impossible to exist without feeling as though you are acting. even when an artist’s cries for help become blatant, they continue to go ignored because now they serve the purpose of creating content that criticises the industry they stem from. online audiences can be seen as treating bo burnham and his insightful work as existing to demonstrate the negative effects entertaining can have, and because this insight is useful or thought-provoking to audiences, he is almost demanded to keep entertaining and creating. in response to this demand, his work becomes more meta and his messages become clearer, and the more obvious his messages, the more people he reaches. this increases audience demands and traps entertainers in a cycle fraught with internal conflict.

during bojack’s second season, bojack’s date asks him, ‘come on, do that bojack thing where you make a big deal and everyone laughs, but at the same time we relate, because you're saying the things polite society won't.’ this moment exemplifies how aspects of his genuine personality have now become a part of his persona and this is demanded of him in genuine and serious situations, undermining the validity of his emotional reactions. he immediately makes a rude comment to the waitress at the restaurant they’re in and satisfies his date by performing that character he has set himself out to be. some circles of the fan base have argued that bojack is written as a depiction of somebody with borderline personality disorder, offering a psychoanalytical lens through which to view this notion of performance. a defining symptom of borderline personality disorder is a fluctuating sense of self; having grown up on camera, being demanded to perform to others as young as six years old, bojack’s sense of self will have been primarily dictated by the need to act. whether this acting is for the sake of comedy, or as a representation of masking his mental illness, when they need to act is taken away bojack entirely loses his sense of self and relapses into his addictions: ‘i felt like a xerox of a xerox of a person.’ burnham’s depictions of depression run along a similar vein; in his new special he poses the idea that his comedy no longer serves the same personal purpose it once did for him. he questions ‘shit should I be joking at a time like this?’ and satirises the idea that arts have enough value to change or impact the current global issues that we are facing. burnham’s ‘possible ending song’ to his latest special, he asks ‘does anybody want to joke when no-one’s laughing in the background? so this is how it is.’ implicit in this question is the idea that when the audience is taken away and there is nobody to perform his pain to, he is left with his pain. instead of being able to turn his musings and thoughts into a product to sell to the public, he is forced to just think about them in isolation and actually face them, an abrupt and distressing experience.

the value of performance and art is questioned by both bojack and burnham, particularly during the later years of their respective content. burnham’s infamous song, art is dead, appears to be a direct response to the question ‘what is the worth of art?’ he posits that performing is the result of a need for attention (‘my drug’s attention, i am an addict, but i get paid to indulge in my habit’) and repeatedly jokes throughout his career that the entertainment industry receives more respect that it deserves (‘i’m the same as you, im still doing a job or a service, i’m just massively overpaid’). his revelations regarding the inherent desire for attention that runs through all entertainers is frequently satirised in bojack horseman. bojack is comically, hyperbolically attention hungry and self-obsessed, and the show has a running gag in which he uses phrases along the lines of ‘hello, why is nobody paying attention to me, the famous movie star, instead of these other boring people.’ his constant attempts to direct the focus of others towards himself result in bojack feeling like ‘everybody loves you, but nobody likes you.’ his peers buy into his act and adore the comical, exaggerated, laughable aspects of his character, but find very little room to respond to him on a genuinely personal level because of this. interestingly, bojack appears to enjoy catering to his audience and the instant gratification it produces, whereas bo burnham becomes increasingly candid about his mixed feeling towards his audience. ‘i wanna please you, but i wanna stay true to myself, i wanna give you the night out that you deserve, but i wanna say what i think and not care what you think about it.’ he admits to catering to what audiences want from him, but resents both the audience and himself in the process as it reveals to himself which parts of his character are solely for the sake of people watching him.

within bojack horseman, this concept is applicable not only to the protagonist, but to the various forms of performer demonstrated in the plot. towards the show’s end, sarah lynn asks ‘what does being authentic have to do with anything?’ to which herb kazzaz responds, ‘when i finally stopped hiding behind a facade i could be at peace.’ this highlights the fact that because entertainers are demanded to continue the facade, they do not receive the opportunity to find ‘peace.’ this sentiment is scattered throughout the show, through a musical motif, the song ‘don’t stop dancing.’ the song stems from a life lesson bojack imparted to sarah lynn at a young age, and becomes more frequently used as the show progresses and bojack’s situation worsens.

sarah lynn is also used to explore the value of entertainers; in the show’s penultimate episode, she directly compares her work as a pop icon to the charity work of herb, arguing that if she suffered in order to produce her work. it has to mean something. she lists the struggles she faced when on tour: ‘i gave my whole life...my manager leaked my nudes to get more tour dates added, my mom pointed out every carb i ate, it was hell. but it gave millions of fans a show they will never forget and that has to mean something.’ implicit in this notion is the idea that entertainment is the epitome of self-sacrifice. there is a surplus of mentally ill individuals within the industry, largely due to the nature of the industry itself, but some may argue that the cultural grip the industry has, and the vast amounts of respect and money it generates annually, gives the suffering of these prolific individuals meaning.

the juxtaposing responses entertainers feel towards their audiences manifest as two forms of desperation: the desperation to be an individual who is held accountable, and the desperation to be loved and validated. we see both bojack and bo depict how they oscillate between ‘this is all a lie’ and ‘my affection for my audience is genuine’, or between ‘do not become infatuated with me im a character’ and ‘please fucking love my character i do not know how to be loved on a personal level.’ bojack explicitly asks diane to write a slam piece on him and ‘hold him accountable’, similar to bo’s song ‘problematic’ in which the hook includes the phrase ‘isn’t anybody gonna hold me accountable?’ for his insensitive jokes as a late teenager. their self-awareness is what enables their self-evaluative qualities, but self-awareness is its own issue. bojack grapples with a narcissistic view of his own recognition of his behaviour before settling on a more nuanced, albeit depressing take. originally he makes the assumption that in recognising the negative aspects of himself, he is superior to those who behave similarly: ‘but i know im a piece of shit. that makes me better than all the pieces of shit that don’t know theyre pieces of shit.’ eventually, during his time at rehab he is forced to reconcile with the fact that self awareness does not, to put it bluntly, make you the superior asshole, it just makes you the more miserable one. the show does, however, make a point to recognise how the entertainment industry protects ‘pieces of shit’, prioritising their productive value over how much they deserve to be held accountable, demonstrated using characters like hank hippopoalus. the show itself obviously stems from the entertainment industry, as it is a form of media produced by netflix, one of the most popular streaming platforms available. bojack horseman and bo burnham represent the small corner of the industry that is reflective enough to showcase the damage it inflicts. this is powerful in terms of education and awareness, and urges audiences to question their own motives and versions of performance, but the reflection alone is not powerful enough to help the artists in question. burnham’s candid conversations surrounding his mental health continue to reveal a plethora of issues somewhat caused or sustained by the nature of his career. within bojack horseman, bojack is only able to stop hurting other characters when those characters construct a situation that forces him to face consequence, his introspection alone is not enough. while bojack ends on a message of hope, suggesting to the audience that reverting back to the status quo is not the only acceptable way for events to end, it leaves stinging lessons and social commentary with the audience regarding the unnatural and damaging narrative that performers live through. on a similar but markedly different note, bo burnham’s work and personal progression is playing out in real time, and not in a way that is as raw and genuine as it appears. each bit is planned, even the most vulnerable moments that appear unplanned and painful. his latest special is not entirely devoid of hope, but does translate to audiences as a somewhat exaggerated look around the era of social media and the development of performance, using himself as an example.

the absurdist humour that often acts as a vehicle for poignant statements or emotionally provocative questions is very specific to each media creator. bob-waksberg’s use of puns, tongue twisters and entirely ridiculous circumstances served to simultaneously characterise his points as an expected part of the show’s style of humour, similar to bojack’s emotional instability, but also to make them appear gut-punching in comparison to the humour. burnham’s work is similar in that poignant but blunt statements are often sandwiched between absurd and exaggerated jokes, making them stand out via contrast but not giving the audience too much time to dwell upon them as they are said. performance art is second nature to entertainers, and is presented a an issue that is infiltrating the general population via social media rather than solely affecting the ‘elites’. bojack horseman and bo burnham present the duality of artists simultaneously attempting to level the playing field and increase their chances of survival in the industry, and encourage audiences to know that everyone is bluffing and you’ll never have the right cards anyway.

i.k.b

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tinyravenfeathers · 2 years

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Ceremony! By TinyRavenFeathers, your celebrant and ministeroni

Dearly beloved, who are all descended from pirates, we are gathered here today (while wearing colanders on our heads to prove our faith) to join chronicoverachiever and hug-them-trees in the semi-realistic and 45% holy bonds of matrimony under the auspices of Great Big Meatballs Itself, the Flying Spaghetti Monster, may Its Noodly Appendages never whither in vain.

Chronic and Hug, you have come here today of your own free will and, in the presence of your narwhals and space coconuts, have declared your love of Charlie Cox and commitment to this ongoing joke that is now, like, a month old.

As you know in the Pastafarian religion, there’s a beer volcano in heaven. And you know who else likes a beer volcano? Matt Murdock! You cannot tell me that Josie's beer wouldn't make an awesome Beer Volcano! And Matt Murdock, who is played by Charlie Cox and coincidentally, was the subject of a gif I added to a comment about keeping one’s temper that…and here’s where it gets weird! caused these two awesome people to plan this trading of pasta-rings or at least of pixels, would definitely approve. If that’s not pirate-y enough for you, chomp on this: Beer Volcano Matt Murdock. Bam. You see what I’m cooking here? It’s like the Flying Spaghetti Monster dripped marinara all over this!

And that’s what tumblr and Pastafarianism is all about! It’s the pure serotonin that happens when mutuals get on the same wavelength and keep a bit going for about 100 posts. I don't know if it's actually been 100, I wasn't keeping track. Do you think I type like this all the time? No! No one else will read this, especially that dude from 20 years ago that I had a crush on who insinuated he'd like to read my fanfic and I really hope he doesn't, because it's a mess. There's no way it's going to make a good impression on him. Seriously, just an absolutely directionless three-legged dog of me trying to find myself as a writer. I'm just writing it to make myself happy.

It limps along but you know the thing about dogs? They never feel sorry for themselves. We see a three-legged dog and go 'awwww, poor puppy!' and the dog is like 'hey, I'm still moving and doing my thing, everything's copasetic!' And likewise, no one else has to read my stupid and ill-conceived double-derived drivel. It's mary-sue-esque, half-insert fluff and smut (and thanks for the encouragement in that area @jenksel ! You will be my downfall. Much love!) that probably tells people way too much about me and I'm constantly 20 minutes from nuking my entire online presence from orbit. Kill it with fire!

And hey, speaking of killing things with fire, I really do want to go to Burning Man, where apparently there's a metric ton of skinny people throwing an art show and being wacky in the desert. That's enough for anyone who's ever enjoyed a sammich to eventually have an existential crisis. They ought to fly the Samaritans out there just for moral support and occasional free rub-downs with SPF 80+. And now please notice that this nefarious plan will put elderly British people in the middle of the Nevada desert; if the juxtaposition of Burner culture and Colonizer culture is not comedic gold waiting to happen, I'll eat my stylish pirate hat. I'm hoping for Are You Being Served? but with sunburn.

Seriously though, deserts are dangerous on all levels for humans, which is why most of ancient humanity spent a ton of energy on leaving the freaking desert.

But one thing my extensive research about Burning Man has turned up: You are responsible for your well-being. Eat the strawberries if a tiger is coming for you, babes. Write the words, dance in the moonlight, drink the mead, crush on the person you might have had a chance with, or the ones that will never know your name. Take responsibility for your own happiness. Whatever you decide to do, the Flying Spaghetti Monster hopes you will maximize your well-being and the well-being of all sentient beings, on this, your 45% of a special day and every day.

Thus, by the powers vested in me by the interwebs, webber-netters, Charlie Cox although he doesn’t know it, Matt Murdock who knows it even less, AskANinja, and the Flying Spaghetti Monster Itself, I now pronounce you person and other person and maybe Charlie Cox even though he's already married and Catholic to boot, we won't hold that against him. You may now trade pasta-rings if you got them, pixels if you don’t. The shoes and Cadbury eggs are for everybody.

Rock on. R'Amen!

-----

@chronicoverachiever @hug-them-trees

I'm scheduling this for as early as possible on August 13th so it will appear first thing on your dash. Right now it's 11 PM on the 12th for me, so I'm going to bed!

Much love,

Tiny

#moon wedding #wedding #cadbury #charlie cox #matt murdock #flying spaghetti monster #note to self #this is the most awesome thing Ive ever done #it doesnt make a #but yet it does #and here we are #love you guys #gals #whatever you are #cadbury eggs 4 lyfe

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btssavedmylifeblr · 3 years

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Hey!

Bee I’m coming to you for an advice since I’m in so much distress and I just feel your words will be so comforting. You’ve that ability to just speak comfort.

So I’ve been ARMY since January 2021. It’s exactly my anniversary today (the 21th) and I love that journey with these amazing people. I’ve learnt and grown so much with them and their wisdom. I’ve also had great memories with ARMYS on Twitter and overran a memorable experience.

But now.. especially since my universe era, everything has become uglier and more dull because of ARMYS. In the beginning i was ONLY stanning BTS and I never questioned the way ARMYS spoke so ill about other idols or belittled their fandoms, I just thought it was ARMYS reciprocating the treatment. So I started branching out and listening to other boy and girl groups and I’m so happy because I didn’t want to one day just be that person that writes off other talented groups just because of BTS.

And since then, it’s like my colored glasses were off and I saw how insufferable and toxic a lot of ARMYS are. Always belittling other’s achievements, milestones and calling everyone that even tries to reach bts’s unachievable records a “flop”. It has gotten viscous. And whenever I try to reason with people on stan Twitter that this is not right nor a good look for BTS, they call me “a multi hoe” or just anti bts. It’s so ridiculous. I can wholeheartedly say, ARMYS are some of the most toxic people I’ve ever come across. And now I get why many just dislike or don’t even try to stan BTS because of their entitled fans. Ofc THeres the good and intelligent ones, but these are often silenced. And don’t even let me start of that “bts paved the way” bullshit because the last time I remembered, BTS didn’t pave shit. In fact that made it harder for other groups to ever reach their level and I don’t see that as paving, because paving essentially means making things easier and BTS made it the total opposite and that’s just facts.

I’m so lost. I don’t wanna say I dislike bts because of these instances but it’s making it hard for me to be on Twitter and getting my blod pressure high every hour because of these dumb arguments online. It’s not good for me nor for BTS.

Am I’m overreacting or do I have right to feel suffocated by these things? I think it’s also because there’s never a break... I’m constantly getting bombarded by it, but also feel guilty if I’m not up to date on every detail or content BTS posts. So I’m so torn.

Should I leave TWITTER? Should I leave this fandom... not bts but just not associate with ARMYS? I feel I want more and I enjoy the good times but I’ve also reached a point where I’m mentally tired and distressed😭

Ah, yes, come into the arms of an old ARMY soul and let me comfort you. Becoming an ARMY goes through all the same stages as falling in love. First there's the curiosity, then the thrill of learning all you can about them and finding they are perfect for you, then the honeymoon period where they become your whole world, and then eventually, you begin to see them for who they really are, all the good and and all the bad. And you have to decide if the real relationship is worth keeping in your life or not. I'll post some tips below for how to rekindle the spark, but only you can decide if your life is better for their presence in it or not.

Bee's Guidelines for Keeping Your Fandom Space Enjoyable

1. The only thing you can control is your own emotions

Things you cannot control: what people say on the internet, what other ARMY do or say, other people's emotional reactions, what BTS will do or feel or think about something

Things you can control: your own actions, most of your exposure to people or content that is upsetting

It does no good to "reason with people on stan twitter". Because you cannot control how other people will think or feel about something, especially people that you don't have a pre-existing relationship. It will just lead to you pour lots of energy into things that will stress you out and not cause any meaningful change. Block or mute things that make you want to argue. When you engage with content, even content that makes you mad, all the social media algorithms will adapt to show you more of it. So by trying to argue against it, you end up promoting it/bringing in more of the stuff that will upset you.

2. If it doesn't spark joy, get rid of it

I do not automatically follow-back on Twitter. I only follow people I have already interacted with positively in some way. As I'm scrolling and find myself having a strong emotional response to something, like anger or fear, I will either unfollow or mute the poster (even if I agree with them!). I mute friends sometimes, not out of any animosity toward them, but just because I don't have the stamina to continually be upset every time I go to my safe and happy place.

3. You are not obligated to anyone but yourself

You don't owe anyone anything. You are a part of this fandom because it brings you joy. Fandom will always expand to fill whatever amount of free-time you are willing to give it, so there is no way to possibly keep up with all of it. Take breaks as you need to. Things that seem urgent and important today on ARMY Twitter are usually gone by the next day. Just ride the wave and dip in and out as you are able and find enjoyable.

It sounds to me that at a minimum, you need to give yourself some space to think. Maybe just try turning off the social media for a day or two and see how you feel. Good luck!

#i am both old #and have been here for many years #so I hope this is helpful #ask bee

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moon-kissed-witch · 3 years

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Will you tell the Dr Phil story?

Due to the nature of this show, I'm sure you can assume that this involves a messy situation. In this case it involved mental illness. I'm going to do my best to avoid being graphic about it, which the show didn't because they care about shock value, but I see no reason for excessive descriptions of gore.

Okay so the episode was about an internet "celebrity." I knew her. Like she lived in the same area as me, and even though I never saw her in person I had her on both Facebook and Snapchat, we had friends, blah blah blah.

The reason she was on the show was because she was popular for showing and talking about her self harm. At first it was just positivity, like "Hey, this is my body, I don't have to hide it or be ashamed of it just because I have scars." And that was cool and positive. But it blew up and the attention that came with it enabled her problem and made it so, so much worse.

Not only did she start talking more and more graphically about her issues, but she began doing live streams with open, gaping wounds, drinking vodka straight from the bottle every ten minutes, talking about how many stitches she had at the moment, and just completely changing the narrative around the subject. She wasn't being praised for accepting herself, she was being praised for publicly destroying herself. The worse she got, the more fans she had telling her they loved her. It would make anyone worse, not just her. Positive social re-enforcement is a hell of a thing to fight when humans are by nature social creatures.

So, here's where I come in. Like I said, I sort of knew her. I talked to her a few times, but the few times I did talk to her were alarming to say the least. When I mentioned that I also had struggled with self harm, she immediately asked me to show her my scars. Which, as someone who spent a lot of time in inpatient wards, it can be validating to see other people who struggle with the same visible problem you do. (I had a roommate who I'm still friends with who asked to touch my scars and I let her, it never felt violating or uncomfortable, it never felt bad, we were just talking about what we'd been through)

The thing here is that the conversation sounded like a competition. Every time. She talked a lot about how many times she was in the hospital and what she did and how her mom was a nurse so she gave her stitches and mopped up her blood. I don't want to say it sounded like bragging exactly, but I will say that she definitely sounded like an addict, which she was, but not one that was looking to recover.

(She's doing much better now and I'm very proud of her. When people are addicted to anything, whether that's a behavioral addiction or a chemical one, it radically alters their behavior and I don't think it's fair to judge her character as a person based on this. But regardless, it wasn't healthy for anyone involved.)

Now, this wasn't mentioned on the show because it wasn't deemed relevant, but one time I was in the cardiac unit because of a suicide attempt and the first thing she did was tell me that what I did wouldn't actually kill me. Which, regardless of if it's true (in this case it wasn't. I won't list methods of suicide but the damage done was serious enough to land me sedated on a ventilator, in the operating room, and then the icu. It was a literal near death experience, bright light and out of body and all that bullshit. So yeah I'm still bitter about that comment but moving on), is never acceptable to say to someone who attempted suicide. Ever.

So at that point, I was furious and just done. Personally, that is. I decided I would no longer interact with someone who was going to seemingly minimize the pain I was in and the harm I was causing to myself. She was still online doing her thing.

Eventually there was an online petition to get her removed from social media, which didn't happen but it did get enough controversial attention to land her on the show. I ended up talking to the woman who started the petition about my experience with her personally, as well as my concern for her because of how clearly she was spiraling and how she was being cheered on for it. She thought it was significant enough to ask me if someone from the show could contact me and I said yes. I told them the whole thing but they only chose to relay part of it, which is fine. It wasn't about me, it was about her and her health.

After the show her online presence diminished significantly, which is probably for the better, but she said that the show only brought on bullying and was bad for her health. I have mixed feelings on my involvement. I don't like that she was bullied and publicly humiliated, and that I indirectly contributed to that. It also gave me insight as to how the people on this show are treated, because I could tell by her reactions that none of this was what she'd anticipated. But if it did help her recover in any way, then that's positive. I'm not close enough to her to know, but I do feel bad about how horribly she was bullied following her appearance.

Edit: PLEASE do not look for this if you are triggered my images of scars or self harm. Half the videos that are suggested aren't even the episode, but videos of people's own, potentially very triggering, scars and sometimes cuts. Addictive behaviors are often extremely competitive in the mind of addicts, even recovered ones. Part of that can be due to personality but part of it is that we live in a society where if you're not the sickest, people are under the impression that you don't need help. This is not true. Please keep yourself safe.

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gstqaobc · 3 years

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CBC THE ROYAL FASCINATOR

Friday, April 09, 2021

Hello, royal watchers and all those intrigued by what’s going on inside the House of Windsor. This is your biweekly dose of royal news and analysis. Reading this online? Sign up here to get this delivered to your inbox.

Janet DavisonRoyal Expert

Prince Philip’s life of duty

(Adrian Dennis/Getty Images)

For so many years, Prince Philip was at Queen Elizabeth’s side — or walking just behind — deeply devoted in his duty as consort to the woman who is now the longest-reigning monarch in British history.

But the Duke of Edinburgh, who died this morning aged 99 at Windsor Castle, was seen by many as having his own role in helping an institution steeped in tradition try to find its way toward the future.

Much of that began nearly 70 years ago, after the former sailor who gave up a successful naval career saw his wife ascend the throne.

“What Prince Philip did was help modernize the monarchy in the 1950s,” Michael Jackson, president of the Institute for the Study of the Crown in Canada, said in an interview this morning.

“It was still a very tradition-bound institution…. We can credit Prince Philip, with the Queen’s full support, of course, with modernizing [its] finances, protocols, how Buckingham Palace was run … its outreach to the Commonwealth.”

Philip pushed to have Elizabeth’s coronation televised in 1953, an idea she did not wholeheartedly welcome at first.

“He was the modern person,” John Fraser, author of The Secret of the Crown: Canada’s Affair with Royalty, said in an interview this morning. “He was in touch with real people, non-royal people, and so he always had the instinct to reach out. He understood both the dark side of the media presence as well as the necessity of it.”

Fraser credits Philip’s profoundly unsettled early years, after he was “born in poverty and insecurity,” with how he looked toward the future of the Royal Family, and the monarchy.

“I do think those early years were the single biggest factor in his life and how he approached life,” said Fraser. “I think he never assumed things would last forever because he didn’t make any assumptions like that, and I think he certainly assumed the monarchy wouldn’t survive if it didn’t reach out more to the constituency that it had to serve.”

Fraser met Philip, and recalled him as a man who would revel in asking questions and challenging others.

“He was — charming is not the word I would use — but he was an invigorating person to speak to.”

Jackson, who was Saskatchewan’s chief of protocol from 1980 until 2005, met Philip during four visits to the province — three with the Queen and one on his own — and remembered a man with “a great sense of humour.”

“Sometimes people found him a bit abrasive, a bit abrupt, but that’s the way he was,” said Jackson.

“He was a straight shooter and he complemented the Queen beautifully because the Queen is a very soft-spoken, more laid-back person. Prince Philip really spoke his mind and occasionally made jokes and … put everyone at ease. I found him very refreshing, good to work with.”

With Philip’s death, there is an inevitable sadness for the Queen, and inevitable concern for how she will cope with the passing of her husband of more than 73 years.

Both Fraser and Jackson say the Queen will carry on, with Jackson noting “That’s the way she is. She’s a very strong person” with a deep religious faith that will sustain her.

“She’ll do her duty,” said Fraser. “And I think that’s the big lesson of him. He did his duty.”

For a full obituary of Prince Philip, click here.

For photos from Prince Philip's royal career, click here.

Family dysfunction

When Philip Mountbatten married Princess Elizabeth in 1947, the family he was joining was in marked contrast to the fractured one he had known in his youth. His parents' marriage broke down and offered him nothing like the nuclear family arrangement (mom, dad and two kids) that Elizabeth had known throughout her childhood. "In marrying the Queen, [Philip] gained that sort of stable home life that he didn't have when he was younger," royal author and historian Carolyn Harris has said in an interview. Philip's parents were Prince Andrew of Greece and Princess Alice of Battenberg, a great-granddaughter of Queen Victoria. Philip was born a prince of both Greece and Denmark on June 10, 1921, on the dining room table at Mon Repos, a villa that was the summer home for the Greek royals on the island of Corfu. He was the last of five children — his four older siblings were all girls. At the time, he was sixth in line to the Greek throne. But life in Greece didn't last long. His father, a professional soldier, was exiled from Greece in 1922 as his uncle, King Constantine I, was forced to abdicate. Philip's family fled, with the story being that Philip was nestled into an orange box as the family was evacuated from Greece on a Royal Navy ship. They eventually made their way to Paris. Philip's childhood took a "dysfunctional turn," author Sally Bedell Smith wrote in her book, Elizabeth The Queen, when he was sent by his parents at the age of eight to England for boarding school. The family eventually broke down. Philip's mother, who was born deaf, was ill periodically, diagnosed with schizophrenia and spent time in a sanitarium in Switzerland. His father went off with his mistress to Monte Carlo, where he died in 1944. Philip was left to be brought up in the U.K. by his mother's family, shuffled among various relatives and boarding schools throughout his youth. He didn't see or have any word from his mother between the summer of 1932 and the spring of 1937. "It's simply what happened," Philip said matter-of-factly in an excerpt from a book by Philip Eade, Young Prince Philip, Turbulent Early Years, published in the Telegraph. "The family broke up. My mother was ill, my sisters were married, my father was in the south of France. I just had to get on with it. You do. One does." As life went on, there really was no father to guide, consult or do anything else a father can do for his child. Several other close relatives died in his early years, including his favourite sister, Cecile, and her family in a plane crash in 1937. The following year, the 2nd Marquess of Milford Haven, his uncle and guardian, died of bone cancer. That left the marquess's younger brother, Louis Mountbatten, to bring up Philip. His family ties also extended into Germany. Three of his sisters were married to German princes involved in the Nazi party. Cecile and her husband, Don, had just joined the Nazi party before they died. Those family alliances had a visible repercussion when Philip and Elizabeth were married in 1947. "His sisters were not invited to the wedding as they were married to German princes who had been involved in the Nazi party during World War Two," Harris said. Philip's mother, Princess Alice, however, was at the wedding, and in her later years, came to live at Buckingham Palace. Alice had her own moment in the cultural conscience in 2019, as an episode during the third season of the Netflix drama, The Crown, focused on her. "She's just the most extraordinary character," Crown creator Peter Morgan told Vanity Fair. She set up charities for Greek refugees and later established a nursing order of Greek Orthodox nuns. During the Second World War, while her son was serving with the Royal Navy and her German sons-in-law fought for the Nazis, she was hiding Jews in Athens. As much as there was the distance between Philip and his mother in his younger years, there was a closeness later. Alice came to live at Buckingham Palace in 1967. Alice died at the palace in 1969 and was interred in the royal crypt at Windsor Castle. In 1988, her remains were transferred, as she had wished, to the church of St. Mary Magdalene in east Jerusalem. In a 1994 visit to the Yad Vashem Holocaust memorial in Jerusalem, Philip planted a tree in his mother's honour and visited her gravesite. "I suspect that it never occurred to her that her action was in any way special," Philip said during his visit. "She was a person with deep religious faith and she would have considered it to be a totally human action to fellow human beings in distress."

No stranger to Canada

(Frank Gunn/The Canadian Press)

Prince Philip's last visit to Canada was a short one in 2013 — on his own, without the Queen — to present a ceremonial flag to the Royal Canadian Regiment's 3rd Battalion. It came as something of a surprise. Philip had experienced a few health scares in the 18 months prior. So overseas travel was not necessarily a given for the Duke of Edinburgh at the time. But given Philip's feisty personality, dedication to his role and some of the interests he showed over the years, his return to Canada — he made more than 70 visits or stopovers between 1950 and 2013 — may not really have been a complete surprise. The 2013 trip was billed as a private working visit and was only a few days long. But while he was here, he was finally able to pick up the insignias he had been awarded as companion of the Order of Canada and commander of the Order of Military Merit from David Johnston, then Canada's governor general.

To read more about Philip’s time in Canada, click here.

Royally quotable

“He is someone who doesn't take easily to compliments but he has, quite simply, been my strength and stay all these years, and I, and his whole family, and this and many other countries, owe him a debt greater than he would ever claim, or we shall ever know.”

— Queen Elizabeth, publicly acknowledging Prince Philip’s importance to her during a speech on the occasion of their 50th wedding anniversary in 1997.

To read more on what Philip meant to the Queen, click here.

Remembering Prince Philip

Royal Fascinator readers are welcome to share their thoughts on the passing of Prince Philip, and any memories they may have of meeting him over the years. We’ll include some in the next edition of the newsletter.

I’m always happy to hear from you. Send your ideas, comments, feedback and notes to

[email protected]

. Problems with the newsletter? Please let me know about any typos, errors or glitches.

GSTQAOBC 🇨🇦🇬🇧🇦🇺🇳🇿

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catboymingi · 4 years

Text

and the damsel in distress - veninder chap. 2

navi/masterlist

story masterlist

pairing: mingi x reader

genre: angst, fluff; eventual best friends to lovers

word count: 7.2k

warnings: language, insecurities, past trauma mention, somewhat suicidal thoughts (very briefly, one sentence)

a/n: after ages of exams where i focused on smaller writings i finally am updating... this chapter is a ride but it is the ride i decided to take

yo var det mig / der’ dummet sig? - was it me / that messed up?

when you woke up and unlocked your phone you immediately wished you hadn’t woken up, ever. you had more than a hundred messages from various chats, and while you wished you could just ignore them forever you knew that you’d have to deal with it tomorrow latest, and you’d rather do it without an audience. so you had no choice to reply, opening the private messages first and telling all your friends that you’d reply in the group chat, before you opened that one.

[y/n]: sry for that. forgot my wallet, had no way to get home in time

[y/n]: nothing happened tho

the reply came almost immediately, as if they’d just waited for you to come online.

[saranghoe]: u literally didnt even try 2 call dibs n now ur staying the night?? seems suspicious

[model contract when???]: yeah literally!

[y/n]: as i said, better than sleeping on the street

[model contract when???]: just dont go near them again. ever

[y/n]: fine

[y/n]: deal

you hated the idea, but you knew that if you didn’t agree your life would be a living hell. and that was definitely not something you wanted, knowing how they’d made life hell for other people and knowing that there was no way anyone could protect you from that. so, the next thing you did was click on ‘hyung hate club’, not even bothering to read the messages before leaving the group. you didn’t like this, but it was better this way. as much as you liked the boys, you liked being able to go to uni in peace more, and you knew that would be impossible if you so much as breathed in their direction from now on. you sighed, putting your phone down and laying back onto your bed again, wanting some peace for yourself, but you weren’t granted that. less than a minute after you’d laid down your phone buzzed, once, twice, thrice. knowing that you wouldn’t be able to relax until you knew what was up you sat back up, checking your phone to see messages from an unknown number. curious, you clicked on the notification.

[unknown]: y/n???

[unknown]: im mingi

[unknown]: whats wrong??

you weren’t sure whether to be happy he messaged or scream into your pillow. in some way it was nice he cared, but that also meant it would be harder to avoid the boys. and that meant that, no matter how hard you tried, your friends would have a reason to be upset.

[y/n]: why?

[unknown]: you left the gc?

[unknown]: what happened

[y/n]: nothing dw, im all good

he saw the message but didn’t reply right away, which made you think that maybe he’d accept your reply. but then you saw him typing again, and a message you didn’t expect at all appeared on your screen.

[unknown]: did i mess up

[y/n]: wdym

you genuinely had no idea what he meant, or rather, how he could’ve got the idea that he’d messed up in any way. he’d been nothing but kind to you, there was not a single thing he could possibly have messed up on. but when a new message popped up you knew he was genuinely worrying about it, and you felt bad for not being able to tell him the real reason why you left the group chat, why you had to avoid them.

[unknown]: like did i do something wrong

[y/n]: not at all

[y/n]: its not abt you dw

you hoped he’d leave it be with that, but of course not. he wanted to know what was wrong, he wanted to know why you suddenly didn’t seem to want to talk to him, or any of them for that matter, anymore.

[unknown]: then what is it

and while you were thinking of a good excuse, mingi seemed to have caught on to what exactly the problem was, as was made apparent by his next message.

[unknown]: its your friends isnt it

there was no way you could reply to that decently, so you didn’t, staring at the screen in frustration with your friends and him and mainly yourself. you wanted to say something, you really did, but you had no idea what. tell him you were sorry? tell him to leave you alone? tell him that sometimes life just sucked and you had to deal with it? none of that would’ve been a good reply, and in all honesty you also didn’t want to have to deal with the emotional turmoil it would inevitably bring.

you didn’t notice that you’d spaced out and your phone had locked itself until it buzzed in your hand again, another message from the unknown number you now knew to be mingi. it just read ‘got it’ and you felt awful, scared that you’d hurt or upset one of the only people in forever that had shown genuine care for you. but of course you’d had to mess it up.

the next day came and you still felt bad, somewhat fearful as well. your friend group’s chat had returned to the usual topics, but you still weren’t sure how they’d react to you when they saw you again. you were hellbent on acting as usual, hoping that if you acted like nothing happened they would as well, and it was somewhat successful, getting weird stares every now and then, but no more comments than usual. you wouldn’t let yourself relax just yet, but this was a good sign, at least.

but then came lunch. you tried to act casual, not wanting to let on to the fact that you were horrified that one of the boys would shout out for you at any moment. your eyes darted around aimlessly, mainly looking for a certain giant sporting bright red hair, simply because he was easiest to spot out of the group you’d spent saturday night with. when you still hadn’t spotted him when you sat down to eat with your friends your shoulders relaxed, but it had been a mistake to think that they’d forgotten about you.

you hadn’t noticed that yunho was on his way towards you until he was standing right there, having moved surprisingly inconspicuously for someone his height. but there he was, staring down at you with an expression you couldn’t judge. you tried to avoid his eyes, feeling so incredibly guilty for ignoring him when he and his friends had been your saviour when you needed one, but you couldn’t help it. even now you could feel your friends’ angry stares on you, when you hadn’t even acknowledged the boy’s presence.

“y/n”, yunho suddenly spoke up. you couldn’t help but look up at him at that, knowing it was a mistake, but your head moved by itself. and he noticed, a small smile appearing on his face now. he nodded his head as a sign that he wanted to talk to you with a little more privacy, and you knew that if you didn’t go with him he’d try to sort whatever he wanted to sort here, in front of your friends, which would be way worse than leaving with him for maybe two minutes and returning, convincing them that you told him never to come up to you again. so you got up, but before you could actually go to a more private area he picked you up and threw you over his shoulder. you hit his back in a desperate attempt to let you down, but deep down you knew that your punches wouldn’t affect him in any way. so you gave up, hanging like a sack of potatoes, feeling everyone’s curious stares on you.

he first let you down at their table, hongjoong scolding him that a less dramatic approach would’ve done the job as well. wooyoung and yeosang were laughing while the others looked at you curiously, and you were still deciding whether or not to kill yunho right there.

that decision was made for you when mingi spoke up.

“you told me you’d see me at lunch.” you couldn’t quite decipher his tone, whether he was angry or disappointed or hurt, but you knew it wasn’t a positive emotion you heard in his voice. you hated that you were the reason for his upset, but you also hated that your decision about how to deal with the dilemma you were in had been made for you, by people that knew nothing about your situation. you weren’t them, you didn’t have a support system, you didn’t have the option to choose who you were friends with, you didn’t have any of the things that were a given for everyone else. you had to take what you got and make do with it, and they’d just made that significantly harder for you.

“i told you i couldn’t”, you replied, your own voice a mixture of sadness and anger. you wanted to be able to, really, but it wasn’t something you could change. and the fact that he’d seen how your friends had reacted to you doing something they didn’t like and still didn’t stop this, maybe even actively encouraged this, made you angry, even though maybe it shouldn’t. he hadn’t had any ill intentions, but that didn’t really matter to you when you knew he wouldn’t be affected at all by whatever happened as a reaction to this. that he - they - had started a battle you’d have to fight.

no one said anything to that and you thought the conversation was over, that they’d realised that you wouldn’t be able to join their friend group or talk to them at all unless necessary, so you turned around, managing to take a single step before someone grabbed your wrist. you turned around again in surprise and saw that it was seonghwa, whom you’d assumed to be kind and soft-spoken, definitely not the kind to do this. but here you were, being kept from leaving by his hand around your wrist. it was mingi who spoke, though.

“they’re not being nice to you. you deserve better.” and you knew, you knew all that, you knew everything he could tell you to convince you that they weren’t the right friends for you, but that didn’t change anything. and you’d had enough hurt, enough mistreatment in your life to want to avoid it at all costs now. if that meant giving up a bit of your happiness but getting to keep your peace of mind that was a price you were more than willing to pay. but the boy looking at you with softness in his eyes didn’t seem to be willing to have you pay that price.

“sit down.” seonghwa had let go of your arm now, moving a little so that you’d fit next to him. it wasn’t an order, more of a suggestion, but you were too tired, too exhausted to potentially risk a discussion you might not be able to win, so you just complied, resting your head in your palms. and because of that the boys at first didn’t even notice that you didn’t have your food, or any of your things, since it didn’t seem like you wanted to eat anyway.

it was san that noticed, already having finished inhaling his meal when you hadn’t even started yours. the surprise at that was what made him realise that there was no meal for you to finish.

“yunho!”, he suddenly yelled out, making everyone’s heads snap up, even yours. “you forgot y/n’s things when you kidnapped her!” at that realisation, panic made its way onto your face. you had no idea what state your things would be in by the time you’d reach them. your phone, your wallet, all your notes were in your bag, and you’d just left it with your friends that without a doubt were plotting how to ruin your life by now. you jolted up and towards the table they’d been sitting at, but when you saw they’d already left your panic only increased. your bag was still there, carelessly kicked underneath the table when you’d been sitting with the others, but you had no idea what the insides would look like. you probably looked like a maniac all but ripping it open, fumbling with the zipper with shaking hands and ransacking your bag to make sure you still had everything you needed, checking your wallet and phone to see just how fucked you were. everything was still in order, though; it seemed like they’d forgotten about your bag, in part thanks to you having kicked it out of sight thoughtlessly. you almost cried at the relief, and mingi, who’d followed you after your sudden exit to make sure you were okay, wasn’t really sure what to do. he kneeled down next to where you were still crouching on the floor, staring at your bag and its content as if it were the most beautiful thing you’d ever seen, and just looked at you, waiting for you to realise he was there as well.

when after a while (was it seconds? minutes? it felt too long for mingi) you still seemed to not have noticed his presence he carefully tapped your leg, making sure his hand was visible before he actually touched you. you seemed so spaced out that he was pretty certain any sudden touch or noise would scare you to no end. but even though he was so careful not to be too sudden your head still shot up with a force that made him fear you’d break your neck; you’d half expected one of your friends to be the one touching you, so your anxious reaction was at least in part caused by that. but when you saw that it was only him you relaxed a little, though your heartbeat still would not return to normal.

“you okay?”, he asked you once it seemed like you wouldn’t drop dead from shock or kill him if he said anything, worry apparent in his voice, and you could understand him, really - this wasn’t a regular reaction to forgetting your bag with your friends. but you didn’t have regular friends either, so it evened out.

“i guess.” you grabbed your bag and got up, wanting nothing more than to get out of that awkward situation, and the tall boy followed suit.

“wanna join us for the rest of lunch?” he expected you to say no. you knew that you should say no. and a look at where you’d sat at the table confirmed that you didn’t even have anything to eat anymore - they’d probably thrown it away as soon as you left. so there was no reason to go, there was no reason to make yourself even more of a target. but maybe that was why you ended up saying yes. you’d already become a target, so now you might as well spend time with them, you didn’t really have anything to lose anymore. and the smile he gave you when you agreed to join them made you think that it’d maybe be worth it, even.

the others looked at you in surprise when you returned to their table, mingi having a triumphant look on his face. they didn’t say anything, though, scared of putting you off and causing another somewhat-freak out like the one earlier. of course, to them it didn’t make sense, they had no idea just what your friends could do. they’d never been their victim, and they’d never been around to see what their victims had to deal with. but you knew. and the thought of it almost sent you into a panic attack, so you let yourself fall onto the bench (a loud ‘thud’ could be heard, so you really hadn’t been gentle with yourself) and put your head on the table, ignoring how greasy it probably was, your focus being on stopping your breath from speeding up before it was too late. you couldn’t see the looks they gave each other, but you could imagine them. you were a mess, a scared, traumatised mess, and that less than 48 hours after first having met them. you honestly wouldn’t be surprised if they told you to go sit somewhere else, or got up and left themselves. but they were still there when you lifted your head again, looking at you worriedly, but without judgment.

mingi was the first to speak, having put the pieces together by now.

“they’re that bad?” you knew whom he meant. he’d seen the message, he’d been the one to figure out they didn’t want you to talk to them, he’d seen the way you’d rummaged your bag, so it wasn’t hard for him to figure out what, or rather whom, you were scared of. yet he couldn’t imagine why you were that scared of people supposed to be your friends.

“worse.” you tried to mask your fear with a bitter tone, but it didn’t exactly work. the boys didn’t exactly know how to react to that, trying desperately to come up with a way to lighten the mood.

“you have eight bodyguards now.” you weren’t the only one surprised when it was jongho that spoke up, but the others were quick to agree, telling you that the girls had to get past them first. ‘mainly jongho, to be fair’, as wooyoung elaborated. and while you still weren’t feeling good about it, you were feeling better now, the fearful expression replaced by a smile. san, not wanting to waste that chance, asked you if he could re-add you to ‘hyung hate club’, and you couldn’t resist the puppy eyes he gave you, so you agreed. as soon as he did so mingi got his phone out, resending the message he’d sent when he’d brought you home. ‘pyjama party this weekend n y/ns still coming’. your reply was an emoji rolling its eyes, but the smile hadn’t left your face. then you saved his number, asking the others to send a message with their name so you could know who was who.

“they’ll never shut up”, hongjoong informed you casually as he sent his name, and while you knew he was telling you, indirectly, that from this moment on you would never be able to have a moment of peace and quiet and no notifications you were happy about this fact, because it meant that at least you wouldn’t be lonely.

“i have my ways.” you grinned at him as you said that, then you went to save all the numbers in your phone. doing so brought your attention to the time, and you noticed that it was time to leave for class, your happy expression immediately disappearing as you realised that they wouldn’t be around to protect you during class. And class was the place you couldn’t escape from; you needed the credits, and part of you also didn’t want to have to give up on something that always brought you joy just because you had to fear you wouldn’t be left alone.

“i need to go.” your expression didn’t go unnoticed, and seonghwa and yeosang, who had this period off, told you they’d be right there if something happened, you just had to send a message. they also insisted on bringing you to your class, and while you did feel a little like a child that needs their parents to bring them everywhere because they’re scared by themselves you also really appreciated it. so you took off with your two bodyguards, waving at the others as they left for their own classes.

“it’ll be fine”, yeosang said after a couple hundred metres during which neither of you had said anything, and you looked at him with doubt apparent in your eyes.

“it will”, seonghwa stated, a lot more sure about it than you were. “and if not, you know we’ll be right there.” that only did little to reassure you, but you had no choice either way.

you reached your classroom way too fast, and you could feel your breath speed up as soon as you walked towards the door, hesitating. maybe you should just drop out of uni and become a shepherd in a secluded village somewhere in a strange country in europe. maybe that was a better plan. but the choice was made for you as one of your now ex-friends waved towards you, a cheery expression on her face that would have fooled you, had you not seen that same expression on her face countless times before, knowing that it meant nothing but danger. but it was too late to turn around now, so all you could do was pretend you didn’t know what you were about to face.

“hey!” your tone was at least as fake as her expression as you greeted her back. then you went to your seat, and for the first half of class things actually went okay. you were tense, you were stressed, you were scared, but nothing happened. but then the teacher told you that it was time to do group work now, and things went downhill. you were grouped by how you were seating, which included you, one of the girls, and two classmates you barely ever talked to, whose names you didn’t even know, but whom you had nothing against, at least. but they would soon have something against you.

as you were working, one of them had her laptop out to take notes and prepare a presentation, as was the task. and that gave your ex-friend an idea. it was an expensive laptop, and you, as always, had a cup of water on the table, fairly close to the middle so it wouldn’t be able to drop by itself. it wouldn’t have to drop by itself, though. first, the girl next to you dropped her pen and kicked it over to the other two, pretending to have done so in an attempt to retrieve it and be able to pick it up.

“i’m sorry, i dropped my pen! can you maybe pick it up, i can’t reach it.” an apologetic smile was sent their way, as if to say ‘sorry for the hassle’. both girls opposite you ducked at the same time, trying to see where the pen was and who would be able to pick it up more easily. that was what she’d planned, though; as soon as they were no longer able to see you, she spilled your water. over the laptop that was still on the table. and as if that wasn’t enough, she got up, yelling your name loudly, asking you why you’d done that. everyone was looking at you by now, and the girl whose laptop had been sacrificed quickly tried to dry it off with her sleeve, asking for tissues, trying to save it. no use, it seemed like it had broken right away. and everyone thought it was you. that you’d broken the laptop on purpose.

“she was writing her thesis, y/n! i knew you were jealous, but i didn’t think you’d go that far!” you just stared at the scene around you wide-eyed, not even fully realising that this was real. by now even the teacher had come to look at what exactly was going on, and your lack of self defense was a seemingly obvious sign of you actually being the culprit.

“i think you should leave the class now. and you will have to replace the laptop.” all you could do was stare at who used to be your friend, unable to believe that she would do this to you. you hadn’t even actually done anything, and you’d been friends with these girls for almost a year now, yet she’d had no hesitation to ruin not only your reputation but also you financially. she was fully aware that you were barely scraping by. she was fully aware that you would never be able to replace the laptop. she knew all that. and she still did it, just because you’d dared to talk to someone they’d called dibs on. you couldn’t believe it.

you didn’t really remember how you’d left the class, and were surprised to find that you’d remembered to pack all your things back into your bag, that you hadn’t forgotten anything. you’d just left, going who even knew where, dropping on the floor when your legs didn’t want to carry you anymore, and starting to cry. and you stayed there, crying, losing all feeling for how much time had passed. this had been your last class of the day, so you had nowhere to be, and you didn’t want to be anywhere, either. you wanted to vanish. you wanted to die, in all honesty. if it continued like this your only choice was dropping out, basically having wasted the past year and all the work and money you’d put into your studies.

you were so caught up in your crying that you hadn’t noticed your phone buzzing with message after message, first paying attention to it when someone called you. it was seonghwa, who’d been there to pick you up after class only to see that you weren’t there. you didn’t feel like picking up, so you pressed the red button through your tears. he tried again, with the same result, and first when your phone started buzzing continuously with new messages you took a look at the group chat. now you found out why they were calling you - they’d tried to get you after class, but you weren’t there, and now you’d neither read their messages nor picked up their calls, so they all were quite worried at this point. you felt sorry about that, so you decided to send a message saying ‘sorry for worrying you’, but you couldn’t bring yourself to say that you were fine. it seemed like any sign of you being alive was already a success, though, lots of relieved messages flooding the chat. you hoped that maybe they wouldn’t ask what happened, but of course they did.

[hongjoong]: what happened?

[y/n]: i dont want to talk abt it

the chat was quiet after that, no one really knowing what to say. but, again, mingi sent you a private message.

[mingi]: where are you???

you didn’t want to explain anything and you didn’t want to pretend you were fine, so you just sent him your location, his ‘ill be right there’ coming just a few seconds after you’d sent your message. you were somewhat relieved that you wouldn’t have to be alone right now, but you also dreaded having to explain what happened. for now, though, you should probably focus on looking a little more like a person and a little less like you’d just spent the past hour crying. even though you had it didn’t have to be obvious like that, so you tried to clean off the streaks of ruined makeup on your cheeks, using your phone as a makeshift mirror. once you were done you tilted your head to see if there was anything you’d missed, but it was okay. it wasn’t good, but it was the best you could do right now. then, you waited.

you’d put in your headphones after roughly two minutes of waiting, way too nervous at every single sound that surrounded you, but that also made you miss mingi shouting your name once he’d arrived, and the sudden appearance of his large frame in your field of vision did surprise you quite some, flinching visibly before you took out your headphones and looked up at him, trying to smile but failing miserably. and he immediately caught on, sitting down next to where you were sitting on the floor and looking at you silently for a moment.

“do you want a hug?” he didn’t know what else to offer, but he wanted to let you know that he was there for you, and you willingly accepted the offer. he wrapped his arms around you then, pulling you a little closer so you could rest your head on his shoulder, and then you continued to sit in silence. it was strangely comforting, having someone there for you even when they had no idea what you were even upset about, offering you their presence and leaving the choice of whether or not you wanted to tell to you. you didn’t want to have to leave this situation, the safety you felt when embraced by mingi, who was much taller than you and who made you feel like, even just by virtue of his height, he could protect you. but you had to, you knew you did, you couldn’t spend all day wherever you were now.

“we should go home.” mingi hummed in response, removing his arms from where they were wrapped around you, and the two of you got up. he looked at you hesitantly - you could tell he wanted to say or ask something, so you cocked your head, encouraging him this way to tell you whatever was on his mind.

“they’re all worried, so i was wondering… i told them i’m going to meet you, but i think they’d feel better if they could see for themselves that you’re in one piece.” you nodded, both as a sign of understanding and to show that it was fine with you to meet them before you went home. he nodded as well, slowly starting to walk and somewhat unsure if you’d actually follow him, but you did.

you walked in silence until you reached the train station, where he bought the ticket for you again. you looked at him, about to protest, but when he told you it was his treat again you just nodded, not having the energy to argue and also glad that you could save the money seeing how very soon you’d need every single won. after that, you were silent again, sitting next to each other with your head on his shoulder, which you’d have been embarrassed and shy about if you weren’t so exhausted. you were exhausted, though, and it took all your energy to not fall asleep on him - but at least you succeeded with that, your eyes still somewhat open when he told you you had to get off at the next stop. you sat up, then, immediately missing the warmth and comfort of him so close to you. the boys made you feel weirdly safe, and you couldn’t tell why it was - maybe it was just the unusual feeling of having friends that cared about you even when you had nothing to offer, but no matter what it was, it was nice.

another thing that was nice was that mingi didn’t make you talk, didn’t even try. he’d talk, but he didn’t mind if you didn’t reply. he’d just resume his story, letting you know that he wasn’t ignoring you but that he didn’t expect anything from you. and with this behaviour you slowly started to feel better, feeling ready to tell what had happened by the point you reached the boys’ place.

“mingi?” it seemed like they’d been waiting for him to come home, shouting his name as soon as he’d closed the door behind you.

“and y/n!”, he replied, entering the living room with you in tow. you were somewhat surprised to find them all already gathered there, but mingi didn’t seem to be. he just plopped down on the couch, patting the space next to him to signal you to sit down as well. so you did, staring at your hands as soon as you’d sat down, unsure how to start. and they were unsure as well, unsure if they should ask you or wait until you started talking by yourself.

“i…”, you started, but then stopped again. this was hard.

“i’m sorry for not taking your calls”, was how you decided on starting. “i just- i couldn’t. everything was so much.” and even though you hadn’t even started actually explaining yet a small sob already escaped from your lips, and you hid your face in shame. you looked up again though when you felt a hand on your knee, giving it a reassuring squeeze, and looked at the boy attached to the hand - mingi. he looked at you with soft, encouraging eyes, and you took a few slow breaths before you started talking again.

“they hate me. in class, one of them spilled water on my classmate’s laptop and broke it, and then she said it was me, that i did it because i was jealous of that classmate’s good grades.” you tried very hard to stay calm while telling, not wanting to break down crying before you even finished explaining why you’d ignored them, why you’d run away from class without telling anyone where you were.

“and everyone believed her because no one saw and she doesn’t have a reason to do it but the way she framed it i do, and now the girl is so angry because she was writing her thesis and i think it’s gone now and also the laptop is broken and i have to replace it and i just… i can’t afford that and i don’t know what to do and- ouch!” mingi’s hand had remained on your knee while you spoke, but the more you elaborated the tighter his grip got, seemingly without him noticing, because when he heard you yelp he immediately took away his hand and apologised profoundly for having hurt you.

“i’m just so fucking angry that she’d do that”, he explained. “you literally haven’t done anything!” and he wasn’t the only angry one, either, all the boys visibly fuming.

“but i can’t do anything about it”, you said, sounding defeated, “but i’m so scared that i’ll be kicked out of the course because i need it for my degree and if i get kicked out due to gross misbehaviour, even when it wasn’t actually me, i’ll lose my scholarship and then i won’t be able to continue studying and i won’t have a degree either and no one will hire me and i’ll end up homeless and in debt and… and…” you were unable to continue, your sobs having completely taken over at this point. you felt pathetic for breaking down like this, but your entire future was on the line just because you’d chosen to pick your friends yourself rather than waiting for approval. it was unfair, and it was horrible, and it reinforced the belief in you that if you didn’t do what others told you to do, the consequences would be horrible.

mingi wrapped his arm around your shoulder, pulling you into his chest - it seemed like out of the eight boys he was the one who’d taken on the role of your protector now, always taking care of you like this, ever since you first met. the others were there as well, of course, but they were more of a silent support as mingi actually pulled you in, and it was okay that way. it worked that way, his deep voice and careful touch being able to calm you down enough that you were able to breathe somewhat regularly again.

“i want to go home now”, you said once the worst was over. you were still sniffling, but you didn’t care. you wanted to go back to your bed, you wanted to hug the teddy bear that you’d owned since you were born, you wanted the comfort of your own home. being here with them was nice, and it had helped you calm down, but your own home, your own bed, was still something different. and it seemed like they could understand that wish to be in a familiar environment, because they just nodded.

“i’ll bring you.” the way he’d said it it didn’t sound like you had a choice, but it was okay. the tall boy had been there for you all afternoon, and he (and the others too, really) would probably feel better if he knew you were home safe and sound. you hummed in response which he correctly interpreted as your okay, because he got up with you and followed you to the door where you stopped to say goodbye and thank them for listening. then you left, the red-haired giant following suit silently.

the train station wasn’t far away, as you knew by now, and the two of you walked next to each other in silence. once there, he paid for your ticket again without a second thought, and while you did feel guilty about it you also were glad he did so. your head rested on his shoulder again during the train ride, something you didn’t even think about anymore; being close to him felt natural, maybe due to the fact that there’d been a lot of good reasons to be close to him in the roughly three days you’d known each other, maybe because he didn’t seem to register it as something noteworthy either.

you didn’t talk during the trip, the first time either of you said anything being when you told him, once you’d gotten off the train, that you were glad he’d brought you, and tried to say goodbye to him unsuccessfully because he told you he’d walk you home unless you’d report him for stalking if he did so. you shook your head, smiling slightly, and started walking. it was once more him who kept the (so far nonexistent) conversation alive, commenting on anything with a child-like wonder in his voice. it sounded like he’d never seen a tree before, or a street, or a house - everything seemed to surprise and somewhat excite him, and in all honesty you thought it was sweet. he managed to distract until you reached your apartment this way, but he noticed the way you tensed up as you unlocked the door. a day ago he’d have thought your fear was an overreaction, and maybe its intensity was, but after what had happened today he was fairly certain it was justified.

“do you want me to go in first?”, he asked as you wouldn’t even fully open the door, obviously scared of what would expect you. you nodded and moved to the side, giving him the option to slip inside. and a couple seconds later he was in front of you again, opening the door widely and telling you that everything was okay. first then did you relax even slightly, entering with careful steps as if you were expecting to jump out of the shadows and murder you. mingi was right, your apartment was fine, but you weren’t. you hated this, hated that you didn’t even feel safe in your own home, and that there was nothing you could do about that.

mingi soon caught on to the fact that even though everything was fine you didn’t seem relaxed at all, looking around like a rabbit expecting the fox to jump out any moment and devour it. and it was your scared expression that made the words leave his mouth before he could stop himself.

“do you want me to stay the night?” you looked at him surprised, both at his words and at the fact that he was still there - you’d forgotten about him in your worry.

“you don’t have to.” you didn’t want to be even more of a bother. you didn’t want him to get annoyed at your scaredy cat-behaviour.

“but do you want me to?”

“you don’t have anything here.” really, you were just trying to come up with excuses for not directly answering his question, because the answer would have been a ‘yes’. yes, you did want him to stay the night, but you didn’t want him to do so because he felt like he had to.

“that’s fine. it’s just a night, and i only have late classes tomorrow. do you want me to?”

you couldn’t stand to look at him as you nodded, feeling weak and vulnerable and like a burden, but he just said ‘okay’, then got out his phone and started typing.

“i’m just letting them know”, he explained when he saw your questioning expression, and you nodded again. you felt slow, tired, and you just wanted to sleep. and yet once more he seemed to know exactly what you were thinking.

“you should go to bed”, he told you softly, “i’ll be right here.”

“you need sleep too!” it was first then you realised that you couldn’t offer him the luxury of choosing his bed for the night, that you couldn’t even offer him the luxury of having anything bigger than a single-person bed. but he didn’t seem to care, nodding.

“just get ready. i’ll wait.” and because you were way too tired to argue about anything at all, you just grabbed your pyjamas from your bed and left for the bathroom to get changed. you got into your pyjamas and wiped the worst stains off your face with a wet washcloth, but didn’t have the energy for anything else. this would have to do for today.

mingi was waiting for you on the floor when you got back, jacket, shirt and shoes huddled together next to him. maybe usually you’d have been a little flushed at him being shirtless, but in this moment all that mattered was getting into bed and sleeping. so you crawled underneath your blanket, moving as close to the wall as possible so he’d be able to still comfortably fit in next to you. he joined, pulling the blanket to cover both of you, and as soon as he’d done so you told him goodnight, him replying with a ‘goodnight’ of his own. he was fairly certain you’d fall asleep right away by how exhausted you seemed, but he found himself surprised when after roughly half an hour you were still tossing and turning.

“you okay?” he didn’t know if this was normal for you or something to be worried about, but he wanted to be sure you weren’t suffering silently just because you didn’t want to bother him.

“tell me something nice”, was what you replied instead of answering his question.

“what do you want to hear?”

“i don’t care. something happy.”

he thought for a moment before he started telling you about his seventh birthday, trying to remember as many details as possible so he’d have something to tell until you’d fallen asleep. his low, calm voice calmed your anxious heartbeat a little, and you stopped shifting so much. you did, however, scoot closer to him subconsciously, your back soon pressed against his chest as you sought out his comforting presence, his warmth. he wasn’t sure if you’d done it on purpose, so he didn’t immediately wrap his arm around you, softly putting his fingertips onto your waist first to wait for your reaction, to see if you’d shy away from his touch. but you did the opposite, grabbing his hand and pressing it close to your chest as if it was a lifeline keeping you from drowning. he just resumed his story, not commenting on it, and you were glad he didn’t. and cuddled up like that his deep, steady voice managed to lull you to sleep.

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lady-divine-writes · 5 years

Text

Jealousy

Aziraphale is used to people stopping by his shop to flirt with his (sleeping) husband, so he doesn’t let it bother him. But when the shoe is on the other foot, Crowley doesn’t take it as well. (2213 words)

A peculiar thing happens in Aziraphale's shop on August 13th at precisely two in the afternoon.

A man comes in looking for a book.

That’s not the peculiar part.

People attempt to buy books at Aziraphale’s shop all the time. They’re mostly unsuccessful, but the opportunity is theoretically there.

The peculiar part comes when this man - a statuesque, ruggedly-handsome man in a finely tailored, tan suit, aubergine shirt, and silk tie; a man who looked like he would be equally as comfortable touring the Savannah on holiday as he would be making corporate decisions in a board room – flirts with Aziraphale.

Aziraphale can be oblivious to those things, but the only people who seem to have eyes for him anyway are older women, mainly widows and divorcees, not searching for an exciting good-looker for their next relationship, but a reliable, stable, respectful man that they can talk to about books and music; who will take them to fancy restaurants on Friday nights and play Canasta with them on the weekends. A nice, non-threatening man who likes to garden and do crossword puzzles and cuddle, who won’t make too many demands on them physically. And even then, by the time Aziraphale figures them out, the women in question have already gotten bored and gone, leaving Aziraphale secretly grateful that he didn’t have to part with another one of his precious first editions.

Flirting happens to Crowley all the time. That Aziraphale notices. Women and men alike wander in off the streets to gawk at him. He’s a demon. He appeals to the baser instincts of mortals and that draws them to him. But he also happens to be stunning (in Aziraphale’s opinion, at least).

Aziraphale sees himself as having the appeal of an old couch – quaint and comfortable, familiar, convenient when you need a place to rest your bum but not the sort of thing you’d get excited over if the doorbell rang and you saw it sitting on your front stoop.

But the man who comes in, with his Rolex watch and his hundred dollar haircut, doesn’t so much as even make eye contact with Crowley.

He only has eyes for Aziraphale.

“Hello,” he says in a voice so smooth it slips through his lips and into Aziraphale’s ears without him needing to breathe too hard. “My name’s Ryan. I called earlier about purchasing a first edition of The Velveteen Rabbit? You said you had a copy?”

“Oh,” Aziraphale says with a startled gulp, but he doesn’t know why. He’s not sure why the tone of this man’s voice makes him swallow like that. Or why the way he looks at him makes the apples of his cheeks and the tips of his ears go pink. “Yes. Yes, I do. Excuse me for not fetching it prior to your arrival. I wasn’t sure you were serious about picking it up.”

“Yes, I am. It’s very important to me. I’ve been looking for one everywhere.”

“Then you’re in luck!” Aziraphale rises off his stool with a hop. “Because I do indeed have one.” He strolls through the rows of shelves, hunting down the copy Adam had so conveniently magicked up for him after the Apoca-no-go. He hums while he walks, suddenly in a chipper mood as he scans the spines in the children’s section.

As happens quite a bit when Aziraphale’s in the stacks, he gets the feeling that he’s not alone. And he’s not. There’s a general presence that seems to haunt his shop, one that he hasn’t sorted out yet. And, of course, there’s his husband, napping on a chair off to one corner that gets neither too much shade nor sun. Aziraphale peeks over his shoulder, curious if his husband may have woken up and decided to slither behind him, but it’s not him.

It’s Ryan.

And Aziraphale smiles bashfully to himself.

“You know, many people would simply download a book like this,” Aziraphale says when he finds what he’s searching for. “I’ve heard you can find it online for free.”

“True, but reading a book online doesn’t compare to holding it in your hands. And a first edition has probably been held by many people, read to many children, and just generally loved to pieces. Kind of like the velveteen rabbit. Wouldn’t you agree?”

From behind the stacks, Aziraphale sees Crowley peek out, glaring over the rims of his Valentino shades. The angel’s eyes brighten at the sight of him. He’s about to summon him over, but he blinks, and his husband disappears in the quarter-second it takes for his eyes to open again.

“Yes, I would definitely agree.”

“Of course, it may not necessarily be that way with every book. You have to make a connection with it.” Ryan takes the book from Aziraphale, two of his fingers brushing the back of Aziraphale’s hand when he does. “They’re kind of like people that way. After a while, you develop a relationship with it. It becomes important to you. And you never want to part with it.”

“Oh, that’s … that’s beautiful,” Aziraphale says. “I don’t think I’ve ever heard it described that way before, but it’s true. I feel that way about all my favorite books. I do hope your little one feels the same way about this one.”

“Oh, I’m not married.” Ryan flashes his vacant ring finger along with a brilliant smile. “Don’t have any children. I’m sorry to say that this book is simply a gift from me to my inner child. It’s the key to something I’ve been missing, something that I’m hoping to get back.”

“That’s charming. I hope whatever it is that you’ve lost, you find it again.”

“I do as well.”

They talk as Aziraphale rings him up – about books, about music, about the trinkets Aziraphale keeps around the shop and the history behind each one. They briefly talk about Ryan’s job as CFO of a brand new startup that’s skyrocketed within the past year, but they mostly talk about Aziraphale’s shop and his passion for the written word. No other customers come in, or if they do, Aziraphale doesn’t notice. He pulls Ryan up a chair and offers him a cup of tea, hoping Crowley will eventually join them, but he doesn’t go looking for him. Crowley seems to relish his eight hour naps in Aziraphale’s shop.

Far be it for Aziraphale to interrupt him.

As the day drips on, Aziraphale starts to notice the change in the quality of the light as shadows lengthen across the floor. He glances over at the clock on the wall to see if his suspicions are correct, and he gasps.

“Oh, my dear! It’s five o’clock! I didn’t notice the time! Oh, I do hope you aren’t late for anything!”

“Not at all. It was my day off. And I can’t imagine a lovelier way to have spent it than sitting here, talking to you.”

“That’s very kind of you to say.”

“I’m just curious,” Ryan says, gathering up his book in the brown paper bag Aziraphale supplies him, “what are your hours? I didn’t see them posted on the door. It would be nice to know, just in case my inner child convinces me to buy another book from my past.”

“This store is mainly a pet project of mine, so my hours are a little, shall we say, erratic ...”

“That’s adorable,” Ryan says.

“B-but …” Aziraphale stutters at the interruption “… I should be here tomorrow. Offhand I can’t think of any reason why I won’t be.”

“Excellent!” Ryan smiles, distinctly pleased as he squirrels his purchase behind him. “Then I’ll be back tomorrow. 2:30. Nice snake, by the way,” he says, pointing to a spot behind Aziraphale’s head. “Is it real?”

“Quite.” Aziraphale peeks over his shoulder, relieved to see that Crowley hadn’t slipped out of the bookshop and driven off without his noticing, but worried since he only transforms into a snake when he’s agitated.

And from the way he flicks his tongue, eyes wide, shifting uneasily in place, Aziraphale can tell he’s highly agitated.

That makes him dangerous.

“Constrictor?”

“Uh, no …” Aziraphale walks Ryan to the door, eager to close up shop and get things with his husband ironed out. “Red-bellied black snake.”

The smile on Ryan’s face drops straight to his knees. “Aren’t those venomous?”

“Only if they bite you. Thank you so much for stopping by. See you tomorrow. Mind how you go.” Aziraphale practically tosses the poor man out onto the sidewalk but he has no way of explaining to him that it’s for his own good. Aziraphale barely has the locks thrown when he feels the snake rise up behind him, transforming into the human form of his demon husband.

“Ssso, isss thisss going to be a thing now?”

Aziraphale sighs. He loves his husband. He truly does. But he can be so temperamental sometimes, even for a demon. “Why whatever do you mean?”

“Men dropping by your ssshop and making eyesss at you? Eating up all your time?”

“One man.” Aziraphale chuckles. “And my dear, people stop by every day simply to throw themselves at you. Do I bat an eye?”

“But I don’t care about them. None of them make my voice go all quivery like that man made yours.”

“I do admit that maybe I got a little carried away,” Aziraphale confesses, putting a hand to his flushed cheek. “See, I’m not use to getting that sort of attention. It was nice for the moment, but I don’t think it’s something I could handle every day.”

“Yeah? And why’s that?”

“Because I’m afraid I’m not very good around people. I prefer the company of my books and my music … and my ill-tempered husband.”

“But that’s the kind of bloke you fancy, right?” Crowley presses. “Someone who talks to you about books and music, and dresses in expensive clothes …”

“You dress in the most expensive clothes I’ve ever seen!” Aziraphale points out with an incredulous laugh.

“You know what I mean!” Crowley says, gesturing with a frustrated hand. “His clothes have … ffffwwwpppp … colors in them!”

“I see. Yes, I guess that does make a difference.”

“I knew it.”

“Ugh! Listen to me, you stupid old snake!” Aziraphale loops his arms around Crowley’s neck, forcing his eyes on him. “The bloke I fancy, as you so eloquently put it, is the one who’s known me my entire existence. Who drinks with me and goes out to lunch with me. Who fights beside me and stays with me, even when I call him ridiculous. Who comes back even when he threatens to run away.” Crowley’s eyes drop to his feet, unable to look at his angel while he’s being reminded of his less-than-stellar attempt to persuade Aziraphale to abandon Earth and join him out in the stars … which ended with his saying he’d go off on his own and never think about him again. “I don’t care if we don’t talk about books. It’s enough that you sit beside me while I read and hold my hand. That’s all I’ve ever wanted. Why in the world would you think I’d want someone else when I have the best possible person for me already?”

“’dunno.” Crowley shrugs. “All we do is hang out here lately. I think, maybe, I was afraid you might be getting bored with me. That tying yourself down to a domesssticated demon might not be what you signed up for.”

“Bored with you?” Aziraphale snorts. “After 6000 years, you think I’d get bored with you now? You seem to forget that during the decades we weren’t together, my time was spent here. You were the one jet-setting around the world. By rights, I think you should be getting bored with me. With my life.”

“Oh, no,” Crowley says, sliding closer. “You, my darling, could never get boring.”

Aziraphale raises a skeptical brow. “You forget, I’m much better at detecting sarcasm now than I was 6000 years ago.”

“That wasn’t sarcasm.” Crowley snakes his arms around his husband’s waist. “I can’t think of any place I’d rather be than here, wasting my days with you.”

“Thank you. I appreciate that. But maybe it is time we take a vacation.”

“Yesss,” Crowley hisses happily. “Go to all the old haunts, relive the glory days.”

Aziraphale rolls his eyes. “Otherwise known as last month.”

“You pick first. We’ll go anywhere you want to go. We can pack up my Bentley and leave tonight.”

“Well, tomorrow night.”

Crowley grimaces. “Why tomorrow night?”

“Ryan said he’d be back at 2:30 tomorrow and ...”

Crowley grabs Aziraphale’s collar and (carefully) pushes him up against the nearest wall. He presses him there with his body, tries his hardest to be intimidating, but it doesn’t dim Aziraphale’s grin a single degree.

It never does.

“Not … funny … angel.”

“No?” Aziraphale’s gaze drifts to his husband’s lips the way it always seems to when Crowley has him in this position.

“No,” Crowley says, accepting the invitation of those baby blues and kissing his angel softly. “Not one little bit.”

“You can tell me all about it when we hit the road,” Aziraphale says. “And we’d better make it quick. We’re burning daylight.”

***Notes: Let me guys know if you want to see a part 2 where Crowley actually meets our dear Mr. Ryan XD

#good omens #ineffable husbands #aziraphale x crowley #crowley x aziraphale #frankie writes

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axelmcsm · 4 years

Note

I love my mom and we've been reconnecting over the past year, it's great. Anyway you can't convince anyone you have self esteem or confidence if you're begging for reblogs on every single post and are literally saying it's crushing that people are liking instead of reblogging your work. Accept that people are supporting your art even if they don't reblog it, and use that as fuel instead of feeling entitled to people's attention, because that will only ever make you feel like shit

okay you know what no actually because you seem to think you’re entitled to my attention every time i wake up from a nap so ill give it to you

do you know how art works. do you know how art is spread on the internet specifically tumblr. i don’t think you do because on tumblr people usually lock or private their likes- effectively hiding them from everyone. likes, even if everyone’s likes were always public, effectively do nothing because they aren’t loud and don’t put the work right in front of you. artists need exposure to get their work out there so they can be seen.

reblogs do a multitude of things. they spread the work of the artist and also you have the option to leave a nice comment in the tags; both things can really boost an artists morale and motivation to work. some artists take commissions and getting reblogs on their work could get them more comms, effectively getting them more money to do things they need and maybe eventually do things they want. a reblog holds more possibility for an artist than a like- its not even like reblogging is hard, either. press two buttons and you’re done!

if it doesn’t “fit the blog” then you can make a reblog blog for art you like to use for inspiration when you have art block or something similar! it’s a wonderful idea and i’ve done it myself.

i think you’ve been misinterpreting my posts. if me wanting to possibly get more attention for work ive been slaving over for my entire life and have built myself and my online presence around, you can leave. simple as that. choose not to see my posts if they bother you that much that you send me essay asks calling me a beggar and telling me i don’t have self esteem.

i may be horribly mentally ill and maybe you’re taking advantage of that by talking shit, but i assure you i have plenty of self esteem and maybe more to go around. im pretty full of myself, actually. apparently you aren’t because you’re hiding behind anon instead of coming to my face and saying this. you know what you’re saying is rude/disrespectful, and you don’t want to face the backlash, is that right? i don’t think i’m the one with low self esteem here.

anyway please do not come into my inbox and call me a beggar. i am a young trans man working to try and get money to get surgery and hormones later in the future, and i’ve never spoken about it before due to it being my personal buisness. the art world is hard to get by in and i need to be as loud as possible to even get by slightly.

i do worry for your mental health, since apparently you need to punch down at children to feel better. i hope you have a good night.

#hallow.asks

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novadreii · 3 years

Text

tw for bullying

my bullying experience in school was wild. i just remembered this one experience and felt the need to get it out the way i remember it, because kids can be so cruel.

in my case, it was mainly the popular girls who despised me so entirely that it was a bit concerning that that much hate could come out of these 10 y.o girls’ bodies. at first, i couldn’t figure out what it was about me. i wasn’t popular with boys, they would occasionally tease but mostly ignored me. i think i was just kind of meek and solitary and easily made myself a target by doing things like reading under my desk during class and at recess. add to that braces and being tall and lanky like slenderman for my age and i didn’t stand a chance.

i always made the wrong assumption that just because i was nice to others that they would do the same to me. but doing weird nerd shit alone like combing the dusty bookcases during free time instead of socializing ostracized me.

humans are social creatures. people who are fine when left to their own devices make them feel uneasy in a primal way that they can’t articulate. but oh man, they act on it.

the worst of it was a group of popular kids--mostly girls and a few boys--tricked me by inviting me to play hide and seek with them during recess. i think i was 11 or 12. i remember feeling shy but really pleased that they’d asked, and wondered if maybe i’d make some friends. it’s not that i didn’t want any, but i felt the hesitation of my classmates when it came to me and was unsure where i stood with them.

well, they made it really clear. i was hiding behind a tree (what i thought was a good hiding place) when i heard some giggling and whispering about 20 feet back on the other side of tree. then i heard, “okay, one, two, three...NOVA SUUUUUUCCCCCKKSSSSS!!!!!!!!!!!!!!!!!!!!!” in a chorus by all the popular kids, shouted at the top of their lungs with hateful glee for what felt like forever.

i just froze there, crouched behind the tree. the echo rang out across the whole yard and dissolved into laughter once they were finished. i think they expected me to just come out from behind the tree and storm off. but i was just rooted to the spot. it was the first time i can remember being hurt by a perceived betrayal, and one that i couldn’t understand. i’d never done anything to any of those people.

eventually one girl, her name was stephanie (who went on to become one of my best friends for the remainder of elementary and high school) came over to me still crouching in place like an idiot. i was crying, obviously, and she was the only one who had any remorse, or at least showed any. she was one of the alphas, a beautiful greek girl with long black hair.

“oh nova,” i distinctly remember her saying. “don’t cry. i’m really sorry. come on.” and she took me by the hand and led me inside, back to the classroom to my teacher who was working. when she saw how much i was crying she immediately came over and stephanie told her the whole story, ratting herself out in the process.

i can’t really remember what the fallout was or if anyone got in trouble. i was so mortified that i was in a haze for the rest of the school year which wasn’t long.

but over that summer stephanie made a real effort to be my friend, inviting me to her house and herself over to mine lol. the following fall, she effectively made me part of the popular girl group. and the girls, once they got to know me, accepted me i think partly because they liked my sense of humour. and i learned to not be so standoffish all the time.

i don’t really have any ill feelings towards this memory anymore. it was obviously really painful at the time, but for me, the lesson remains the same even today: people can be horrible, but not everyone is. i do my best to seek out the people who aren’t and to not be one myself. it’s all we can do.

once i got to high school, the braces came off and i got boobs and an eating disorder. this allowed me entry into the second most popular clique and therefore to escape the worst of the bullying. by that time, i recognized the importance of banding together with people socially to avoid being a target. i was never a full alpha, but they permitted me to be in their presence and they laughed at my jokes. i was kind of their bard and i was fine with it. i managed to get one or two boyfriends, and we would just hold hands awkwardly at recess and make out in movie theatres, which boosted my social status further.

once i reached university, i had finally solidified a friend group that felt real and not purely for display. a couple of childhood friends that i had reconnected with got along with well with a coworker that had become a really good friend, and the four of us were basically family.

of course, about 6 years ago when my depression got bad, i fucked it up and haven’t spoken to them since. i keep thinking about reaching out to them--i know they would be thrilled to hear from me. but idk. i’m overthinking it and hurting my own feelings, you know the drill.

my friend group these days is a few people from tumblr, online games and a few coworkers from old jobs that have stuck around.

i feel like i’m in a good place socially but do miss my old friends too. i hope i can get over my fear of rejection and just talk to them this year.

but yeah bullying sucks and while i definitely don’t see myself as a victim anymore, the social hesitancy it’s created in me is so real and annoying to get over. if i ever had a kid we’d sit down and have a looooooooong discussion about the importance of not treating people like shit.

#personal

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palamig · 4 years

Text

#junkterrorbill

TW: politics, police brutality

I have been absent from this website for a very long time, and a lot of devastation has happened since then. I hope everyone is doing well, and I hope all of your families are safe. As much as I’d like to be concerned about Covid, the events unfolding in my country prevent me from doing so.

I’m a Filipino, born and raised in the Philippines. I lived in the countryside before moving to Manila for college and eventually law school. I’m on my last year as a law student, hence my absence. I’m taking the bar examination next year (supposedly this year, but due to Covid, the Supreme Court moved the exam date to next year.)

I’d like to say I’m passionate about my (future) profession. Learning the law has been nothing but enlightening to me in many ways. But things right now are making me question why we’re learning the law, when the people expected to uphold it are the same ones breaking, insulting, and abusing it.

If you don’t already know, the Philippine Congress has passed the Anti-Terrorism Bill—a bill that will supposedly crack down on the (almost non-existent) terrorist problem in my country. The President certified this bill as urgent, and now it only needs his signature before passing into law.

The law gives this “Anti Terrorism Council”, headed by our President and some of his closest cabinet officials, the authority to determine who is a “terrorist.” If you are suspected of being a “terrorist”, you can be arrested anywhere without a warrant, and then jailed for 2 weeks or more, without being allowed to contact anyone since the police confiscate your phones immediately upon arrest. Under our law, the police can only detain you for 3 days, after which they have to bring you to a judge. If you’re detained for longer than that, they have to pay you 500,000 pesos (or around $10,000) per day you’re illegally detained. Under the Anti Terrorism Bill, you can be detained for as long as the police want, without the police having to pay you damages if you’re detained longer than what’s legal.

Under the law, a “terrorist” has a vague meaning: you’re a member of a non-government organization (women’s groups, organizations lead by indigenous people, etc.) that’s known for voicing out your opinions against government policies, or even if you’re just a regular person who has said anything that the government feels will “destabilize” them. They can tag you as a terrorist, tap into your phones and computers, track you down, and throw you into jail. Worst case scenario, they can shoot you on the spot in the name of “self defense.” For regular people (who aren’t public officers), that’s 12 years to life imprisonment). All that, legal, under this law.

The senators who are “defending” this law, are telling us that we just have to trust the law enforcement authorities.

But the thing is, we don’t trust our police. At all.

The Duterte administration has been notorious for red tagging. The police have been accusing innocent people of being drug pushers, and without the benefit of a court trial, shooting them dead, like wild animals, under the name of this administration. Thousands have been killed in Duterte’s infamous “war on drugs” if you’ve heard it. An author from the New York Times wrote a Pulitzer Prize-winning article back in 2016 about the “collateral damage” of our country’s inhumane drug policy. Most of the victims of police brutality are people from the slums, members of the urban poor, who are barely even being paid minimum wage. Because they’re defenseless, they’re the easy and the usual targets of both this administration, and the people who support it. The worst part is, there are people out there actually happy that thousands have been killed. To them, our country feels “safer.” (All thanks mainly to our President’s propaganda).

Just recently, a few police officers killed a retired war veteran, Winston Ragos, who they claimed was violating quarantine protocols (”violation of quarantine protocols” is their trendy new reason to justify arresting and abusing people). The killed him and claimed they did it out of self defense, even though it was five armed men against one. More importantly, Winston Ragos was mentally ill. He developed PTSD when he served the army.

We’ve started protesting against this bill both online and physically. This morning, police raided one of our universities (University of the Philippines-Cebu) and arrested students who were peacefully protesting. Police said they were violating quarantine protocols, but couldn’t really explain what part of our COVID law they violated. What the President’s “troll army” has been trying to circulate is that these student protesters are members of the New Philippine Army, a group of communist insurgents which the government has, since the beginning of time, been using as a reason to justify military presence and abuse. They used the imaginary threat of communist insurgency as a reason to declare martial law back in 1972, and they’re using it again to abuse their power and abuse the people.

I’d like to add that the Philippine National Police are notorious for planting evidence. But a lot of these cases are not being reported. Based on 800+ reports submitted to the UN High Commission On Human Rights, they found that policemen had been planting the same guns in different crime scenes back when they were still implementing the “war on drugs.” But because police officers are almost immune in my country (except perhaps one or two who are sacrificed to save the agency’s face), no one (at least, not in the government) said a thing about it. The rumor back then was that the police were given a quota of kills and get bonuses if they meet the quota. Animalistic. I know some high ranking officials from the national police and from the army who’ve resigned because they did not like the violent way Duterte is leading his men.

I’m scared. We’re all scared. There is virtually no one in this government we can trust. Not in the Duterte or his cabinet, in Congress, or even in our Supreme Court (a handful of the new justices were appointed by this President). In the government, the voices of the opposition are few and far in between, drowned by the majority who are allies of the President. In the past few years, the government has made a spectacle of silencing and humiliating those who speak out about his human rights abuses.

We’ve reached the point where people actually celebrate when others are killed, humiliated, or when they voice out against injustice. They rejoiced when the government forced one of our biggest TV companies to shut down, putting thousands of people out of work at a time they need to be working and earning money. They bullied and made fun of the actors who spoke out against the shutdown. Reason for the shutdown? Simply because the TV company refused to air Duterte’s campaign ad, and chose instead to air the anti-Duterte campaign ad of an opposition senator which exposed Duterte’s misogny (he always makes rape jokes and even admitted to the media that he molested his helper when he was young) and violent tendencies. Now, they’re rejoicing at the sight of student protestors getting arrested, protesters who are disappearing without a trace.

I’m sorry this has gotten long and complicated. So many things have happened and I can’t put them all into words, let alone in one post. And I haven’t even started talking about the fuckery that is this country’s response to the pandemic. And the even bigger fuckery that is our justice system. Philippine politics has always been dirty, but at these times, they’re at its dirtiest. They’re blatantly bending our laws to serve their own personal interests.

For the longest time, I’ve always believed in humanity. I always tried to see the good in people, no matter how naive it sounds. But this administration, this President, has brought out the ugliest, darkest sides of humanity – and people continue to defend and glorify him.

I hope everyone is doing well and staying safe from the virus. We’re doing the best we can to defend our rights and to save our country. Please have my country in your thoughts.

#philippines #politics #police brutality #philippine politics

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