#ill also live without these

[beebeedibapbeediboop]

The forest king and the postwoman

[casualavocados]

…It's nice. You're so noisy. […] Actually, it'd be better if we died together. That way, neither of us would have to suffer the pain of losing the other, right? Shut up.

KISEKI: DEAR TO ME Ep. 13

[fantaorange]

practicing lining drawings without hating it and also sort of practicing expressions

[pettyprocrastination]

whoever this beloved anon was I am so touched by your kindness! You definitely didn’t have to do this but I am so happy you enjoy this idea and I will happily expand upon it for you!

this is just a collection of word vomit bullet points for the time being but I will happily answer any and all questions about this pair!!

warnings: violence, angst, child death (Sarah Miller), foul language, the same warnings that apply to tlou, reader is Sarah's mom and described as having similar features to her. 

So the general Idea is that you and Joel are happily married before the outbreak. 

You had been Sarah's mother, his high school sweetheart he got pregnant when neither of you were old enough to have any reaction to the pregnancy test other than a fucking panic attack in one another’s arms. but you made it work 

you both worked but made time for one another and your sweet girl, going to museums every other weekend and joel insisting on swooping you off for a date every now and then 

nothing special. He knows you’re more of a diner gal than anything too fancy that makes you both feel out of place. 

On his birthday in 2003, you had planned to tell him that you were pregnant again. But the memories of your own fears of motherhood from all those years ago begin to swirl through your head again and you get cold feel. deciding to tell him the morning after

it is his birthday afterall, you want to focus on him. 

but when you’re woken up in the middle of the night because tommy needs to get bailed out, Joel kisses you sweetly one last time before promising he’ll be back and you can’t shake the feeling that something bad is happening. 

its you that shakes sarah awake that night. shouting at her to put on her shoes when she’s still rubbing the sleep from her eyes because you’ve been listening to the radio for the past two hours, calling joel again and again and again praying for him to fucking pick up but to no avail. 

Sarah, bless your little girl’s bleeding heart is the one who insists you check on the adler’s against your better suspicions and when you find the eldest looming over her daughter, blood and sinew dripping from her mouth, you grab your daughter hand and burst into a full sprint until something slams into your back and sends you tumbling onto their front lawn

its how joel finds you, struggling to keep the once sweet old woman, whose now nothing more than dead eyes and gnashing teeth straining to snap at your pulse point as you push against her while sarah shrieks before your husband runs forward and cracks her skull with a wrench. 

there’s hardly a moment of pause, just enough for him to pull you up and into his arms before he’s ushering you both into the car with an urgency. 

when the truck crashes, you get separated from them. Perhaps at Tommy’s side when the flames rise and create a wall, separating you from your husband, or maybe pulled into the mob of chaos when trying to escape from those already infected-

all joel knows is that you promise you’ll find him: just get sarah to safety and you’ll meet him at the river

Poor thing is already so frightened, held in her father’s arms with tears streaming down her face insisting they can’t leave you they just can’t but her father kisses her forehead and reassures her its going to be okay 

“we just need to be brave, okay babygirl? Your mama’s real tough, she’s gonna be alright.” 

he isn’t sure if he’s saying it to his daughter or himself. 

but when he comes to the river you aren’t there. Only a soldier who points a gun at the scared little girl in his arms and then he loses everything

its when the light is gone from his daughter’s eyes that he realizes. His voice cracked and raw from sobbing that he looks around to see his brother with drawn in shoulders and tears in his eyes but his wife is nowhere to be found. 

Tommy says you got lost in the chaos. Everything was so loud, so sudden that he turned around and suddenly you weren’t there. 

Joel wants to go back but its Tommy that stops him, that dulls the red in his vision to a sad faded pink because his brother points at the orange horizon not too far from them, so much of the city is already in flames. 

“We’re gonna find her, but not there.” 

So Joel searches. for the first year spent in the world post-outbreak its all he did. 

He became a smuggler because of it. 

Information came at a price and he needed to be able to fucking pay it, whether it be in blood or ration cards. He was willing to do anything to find you or any thin thread that lead your way. 

But it’s Tommy that asks him to give up. Not in those words of course. 

The youngest Miller knows better than to say something so cruel that would make his brother, the only person he has in this world turn on him. 

But his voice is worried when he asks him one night in Boston when he hasn’t even had the chance to wash the blood from his knuckles 

“You think she would have wanted this for you?” 

the fight that followed his words was brutal. Vicious insults and scarred fists slamming against each brother until they're both too tired and bloody to continue. Each leaning against a wall for support and Tommy’s wavering voice breaking the silence. 

“I don’t know where she is, Joel. But I do know you're gonna get yourself killed if you keep lookin’ for her.” 

All he can do is nod. 

It’s a few days later when he meets Tess. Who has heard plenty of stories about the elder miller’s brutality and wants him to put that muscle to good use for some extra profit. 

It begins his new life. One that empty and cold but one he can live. 

Until of course, Ellie comes along. The sweet and incredibly opinionated girl that makes him become something akin to the man he thought died twenty years ago. 

its when he’s traveling with Ellie, that it happens. When a warm familiarity has settled between the two because so much blood and pain has been shared he can’t help but see her as something close, something bright even though all he can force himself to utter in her reference is “cargo” 

when theyre traveling through the woods as Ellie chatters away, probing his memory about a movie that may or may not have existed thirty years ago because her descriptions of the plot are incredibly odd he hears a voice shout for them to stop and finds himself staring at a man- no, a boy- pointing a gun at them. 

Ellie stills, but Joel can see enough to know that from the lanky figure and dimpled face that he’s young. Maybe twenty, twenty-two at the oldest, but his eyes dart from Joel to Ellie with a pinprick of fear that allows Joel the time to charge forward and slam him to the ground before wrestling the gun from his hands. 

He has enough to time to tuck it under the stranger’s chin before he hears the sound of the safety being turned off and finds himself looking up and seeing a gun just inches from his face. 

Joel’s head whips around when Ellie’s voice calls out his name in fear, he turns to see another stranger holding her a gun point, shoulders drawn back and a shadow cast over their face by the had obstructing their identity. 

“You hurt one of mine, I hurt one of yours. That a fair deal?” 

Its takes him a moment to recognize you. It’s been so long since he’s heard your voice, the sweet tease when you would poke at him each time he woke up late despite the fact that you reminded him to set his alarm the night before, the times you’d chide him with a harsh “Joel Miller!” whispered in public anytime he was able to grab you a bit too passionately to be appropriate in public but the laughter in your voice let him know you were never truly mad at him. You didn’t know how to be. 

But that sweetness is buried under a cold rasp that cuts through the air as you point a rifle at the scared little girl in front of you.

“You think I won’t?” You’re older now, skin covered in scars from a life he didn’t know you got the chance to live and your eyes are cold as they regard your husband. “Put the gun down and get the fuck off of him, I won’t repeat myself.” 

Joel mumbles your name in awe. The woman he loved, the woman he mourned the one he fought so hard to find stands before him like some sort of hallucination and suddenly the world feels like its spinning until you bark orders at him again. 

“You’ve got five seconds Joel, make a fucking choice before I make it for you.” 

He looks down and realizes the boy under him, the one with the bleeding nose and snarling face has your eyes and his dimples. 

“One.” 

The one above him has Sarah’s hair. Soft brown curls that shine under the sun. 

“Two”

Wait. No, they both do.

“Three.” 

Twins. Jesus fucking Christ you had twins. 

“Four.” 

Joel holds the rifle up above his head and the one boy standing snatches it from his grasp, tossing it to the ground and kicking it far from his reach. He slowly stands, allowing your son- dear god your son- to scramble to his feet. 

Your voice softens just for a moment. “You okay, Duke?” 

Blood stains the bottom half of his face from where Joel slammed his fist into the boy’s nose just moments before, but he nods nonetheless. 

Now, they both stand on one side of you and he can see the resemblance clear as day the same way he would whenever Sarah was by your side.

When you order him to hand over his bag, he does so without question before telling Ellie to do the same. 

She watches him with wide eyes, her hands still up in the air but gaping at her companion as if he had grown a second head. 

“Joel!” “Just do it, alright?”

He doesn’t miss the way you watch their interaction with narrowed eyes until she tosses her bag to you and you slowly lower your gun. 

“Now, you want to tell me what the fuck you think you’re doin’ at my home?” 

[thyandrawrites]

It's all about Nagi living alone in a tiny one bedroom, one bathroom apartment with zero personality and Reo having a whole floor for himself but still living surrounded by tacky-expensive home decor with no apparent traces of his actual personality, either. It's all about how Nagi's parents haven't visited him in 2 years nor taken an interest in his life since, while Reo's are content to live floors apart from their teenage son, only taking an interest in what value he can bring to Mikage Corp but being otherwise uninvolved in / dismissive of his actual life. It's all about them being surrounded by people and still not knowing how to form a meaningful connection with another person before meeting each other. It's all about them being so starved for genuine human warmth to combat their bone-deep loneliness that they both treasure memories of tiny, inconsequential moments where they were spending time with their parents. Something something it's this line,

and how it describes them both despite being said about Reo. It's them being awkward 17-year-olds who had never before had an equal who would just respect them as they are and unconditionally look their way. In this essay I will-

[indiangp]

Catalan GP 2024- Sprint Race (click for better quality)

[ganondoodle]

so with echoes of wisdom .. i havent watched any of the trailers beyond the very first one and the thumbnails/screenshots and what others have said about it-

but with the world inside the rift being called "Welt des Nichts" aka "world of nothing/void" in german ('still' in english, for some reason) and demises title in french being "avatar of nothing" ... yeah my anxiety is shooting through the roof again

(hopefully you can be a little more forgiving for me being anxious/weird about it bc demise is my blorbo)

i had similar worries with totk, that werent proven true thankfully, but the darn book is making it all worse again with all those weird lore things the game doesnt even so much as hint at AND potential retcons- im in for a really rough time huh, not just stress in real life (more in tags.. its alot) but now about my specific hyperfixation from two things even (AND artblock still..)

weird as it may sound, i dont want demise to get more lore, partly bc i dont believe theyd do anything with him that i would like (given their track record) but much more importantly- the fact that he has this little lore about him is precisely one of the reasons why i fell in love with him, i tend to like characters that are neglected by the narrative, and his story being both so flat and already done meant i can be very creative with what i come up with for him without necessarily contradicting anything in canon (which is ... or was a big point of how i wrote destiny's story and lore, working with canon in a way that reframes it all without straight up ignoring it ... but i suppose i urgently need to let go of that and accept i spend alot of time working things that will go to waste :( ) AND not having to worry that there will be more stuff with him that would massively change not only what im writing but also potentially how i feel about him since the game he was briefly in was the oldest chronologically and ended with his death- i didnt expect them to mess with anything that far back and thought theyd just go forward and leave the timeline behind and wouldnt mess with it again, given how botw seemed to be a sort of 'fresh start' that seemingly regarded the past as the past that needs to rest and that the timeline was finally no longer a discussion if everythings unified through botw and one thing going forward

but i suppose i was very wrong with that .__.

right now the only thing that motivates me still is the left over determination and spite to work on my zelda comic, since i have never gotten this far and really want to get something done for once, but i cant lie that im feeling like i should pause all work on it too to wait and see waht the book and the new game will do .. either to determine if i still have the will to keep working on it after those things are out (my love for tloz has been taking alot of hits lately ..) or if i have to change stuff (mostly bc of my lore problem trying to not ignore it ..)

[lesbiradshaw]

every day i wake up and remember steve quite literally asked bucky to kill him. like he actually told bucky to finish it because he was with him until the end. he acknowledged it was the end. he stopped fighting back for the first time in his life. he finally threw the shield down after years of doubting his purpose as captain america because he didn’t want to have to hurt bucky. he begged bucky to not make him have to fight him at all because he couldn’t let people die but as soon as he’d saved everyone else he gave up on himself and was planning on going down on the helicarrier with bucky. he freed bucky from being trapped under the wreckage even though he knew bucky was still going to try and kill him. he decided he’d rather let himself die at bucky’s hands than live in a world where bucky didn’t remember him. like. what the hell.

[skunkes]

im not going to lie to u i hate change and have always been incapable of having goals on where to live within my own state much less a completely different one but 26 years of this horrible weather that only gets worse has me semi considering moving out of texas. Somewhat.

[dominote]

i think light yagami is "socially adept" in terms of being able to reason out relatively well what to say and do to come off as a harmless and good and polite young man who is likeable to be around. however i do not think "socially adept" (or "neurotypical") typically comes with having to preface every other normal-passing action and statement with a minor crisis of "ah shit. quick, what would i say/do in response to this if i was light yagami, a normal and nice and respectable young man?"

everyone likes to talk about him talking about kira in third person but can we acknowledge that he also talks about LIGHT in third person. i'm not adding manga panels at 3:57am but y'all know exactly which ones i mean

[storywestistrash]

i am actually so tired of the way westerners treat eastern europeans

[twentyfivemiceinatrenchcoat]

thinking abt kenny and his anti-neet agenda

[spookythesillyfella]

" Losing battle of loss "

[fitzrove]

Bad dark joke but I feel like cultural representations of crown prince rudolf and the extreme overemphasis/influence of 1888-1889 in discussions of him are kind of like the internet meme thing with blobfish. Like that's his sad corpse you're parading around and showing to people,,,,,

[mokagachas]

As someone who knows nothing about Oberon but loves your art: where do I start if I want to understand your love for the man?

oh man. oh jeez ( wheezing ) haha okay. uhm. erhm. i didnt expect to get this far uhm ( shaking )

so here's the problem: oberon is from lostbelt 6, a chapter in hit gacha game fate/grand order. you can play f/go if you want and chug along to lb6 - which is unfortunately a chapter 6~ years into the game's main story. but i cannot with any sort of conscious recommend a gacha game to people.

so playing the game is one option. option two is checking out atlas academy database, a website that has all of fgo's stories and such conveniently catalogued! click 'main story' on the top of the page and it'll give you just, well, the main story.

if you want to watch the stories themselves - which at least for lostbelt 6 i highly recommend because the OST is amazing - there's also this commentary free LP on youtube that i've linked to people!

that being said that is still a lot of words to get to lostbelt 6, so- if you don't want to read everything pre-lostbelt 6, i recommend going to the typemoon wiki and reading the summary on each story pre lostbelt 6 ( so, up to lostbelt 5.5 ). just click on the link in each chart and you can find a detailed beat-by-beat summary of each chapter.

i've been told that, in all honesty, that lostbelt 6 is still enjoyable and easy to understand without full context for the outside story beats. it certainly reads like a fairly self-contained story outside a few things needed to understand why some characters are here in the first place, so i've been considering writing up a summary on just those key points / the premise to the lostbelts so that people can read that and then jump right into lostbelt 6 and love oberon...

hopefully this was helpful in any sense of the word heehe ... if you need clarification with anything feel free to send another ask !!!

lets all love oberon!!! lets all think about oberon!!!!!!

[dam-mar]

not me spontaneously crying to a tiktok with the half return audio because all i could think about was how the lawn is fucking dead since roran is mortal but eragon will endure