#ignore how fucked his hand looks

[partypoopur]

crenshaw punch / ill throw rocks at you - 2005 remaster

[vinestaff]

me and that fucking subspace that i hate

raw version without the pixelated jazzy filters and stuff :3

[triglycercule]

i love that the murder time trio all have dangerous little greetings. horror has his little hand drill thing. killer puts a knife up his sleeve and then does a little switcharoo. dust INSTINCTIVELY shoots whoever he sees with a bone. no greeting whatsoever. so just imagine how things go on a first meeting or whatever. immediately horror and killer have to dodge bones from dust and horror's like hey wtf man. mildly irritated but he just met these guys so he's willing to forgive. he's not gonna lose his cool in front of these two random ass guys even though one just tried to kill him. killer just has that dumbass smile on his face like always (but he was intrigued when dust did that. like who tries to kill someone on first sight?? he's curious now :3)

and then theyre all just standing together and staring for a moment and horror sticks out his hand. killer takes the bait but then he just points a knife to horror's stolen eye once he realizes that he got duped and his other hand is now currently being drilled into. dust didn't shake either of their hands because he could see the drill and tell that killer had something off about him in general. but he does give a tiny smile when he sees the state that the two r in rn with the drill and knife. it's an eensy bit funny in his eyes

least violent mtt interaction

[dol-dee]

🥇Winners of "Worst Couple in Town" competition<33🥇 Foxglove (pc) belongs to @getinthefuckingcarkitten

[mylove-thresher]

I’m still so very mad but my pookies (you guys) deserve drawings

[gayalanwake]

fanfic doodles :D

[tekitothemagpie]

How Stain thought All Might would kill him :

How Toshinori killed him :

Idea from @loadingbnhas tags and a post I think.

[wonho-ssi]

[featherymainffins]

Trying to remember where I first encountered humanity as a horror to see if this has a root the same way you can trace literally all of my thirst for fictional characters back to WITCH, but ngl I genuinely cannot remember anything like that.

[daisyachain]

Restorative or Transformative?: Homoerotic Subtext, The Closet, and Ciphers in Pop Culture. The nature of commercial art is that it’s sometimes bad and inconsistent. Notably it’s also misogynistic. One way in which audiences try to reconcile massive plot holes or gaps in character motivation is by reading secrets or hidden information into a plot.

Commonly, male characters are interpreted as closeted gay or bisexual to reconcile the absence of women from commercial narratives with the generally stunted and poorly-written male characters that form the focus on said texts. This reading has become especially common among a non-heterosexual milieu. Rather than transforming the original text into some radically different new form, this closeted interpretation seeks to make the original text stand on its own as a story rather than a Swiss cheese of dumb writing decisions.

This interpretation only works for a specific type of pop, usually genre fiction. Any story in which tortured male leads eschew women in favour of male-male bonds (because female characters are constantly killed off, written sparsely, or written out, because the production team keeps casting their male buddies, because actors demand to keep having scenes with their bros, whatever) can become a sounder structure if you put one of them in a closet.

The gay interpretation is the natural consequence of shoddy misogynistic writing from ventures like Supernatural, Naruto, all the biggest hits. It’s also the natural consequence of more benignly misogynistic writing like The Adventures of Sherlock Holmes or The Lord of the Rings, where women aren’t necessarily rejected but are simply absent from the worlds of the protagonists. When the emotional crux of the story falls on male-male interactions, this reads as romantic because society at large priorities (definitively heterosexual) romance as the pinnacle of human connection. Two forces are in conflict, the primacy of heterosexuality (read as: romance) and the primacy of men.

Anyway. All that is to say that the typical gay or bisexual reading of male characters in pop fiction comes from a very real place. But, in some places, that’s the default interpretation. Angst, insecurity, secrets, double lives, fatigue, disappointment, restrained passion, stunted personal growth, anyone living in the closet can tell you that it impacts and defines your whole life to know that you live in a way fundamentally incompatible with The Proper Way that life is structured around down to tax law and superstore prices (which assume a heterosexual nuclear family unit). Characters in fiction also tend to have personal problems because that makes them interesting and tasty.

If you’ve grown up on stories with the specific type of misogyny that can be papered over with a closeted interpretation of the male leads, carrying this interpretation over to any male character will make sense more often than not. Even a bit of angst or insecurity? Well of course that makes sense if a character is closeted.

Except that’s hurt a normal part of fiction, and sometimes the closeted interpretation takes away from the point of a character. If a male character is on another axis of marginalization, the closeted interpretation imposed by the slash reading community downplays or trivializes the effects of that marginalization in the plot by overwriting it with another type of marginalization. Alternately, sometimes a character’s heterosexuality is a part of the story. There are some sorts of critiques or investigations of misogyny or masculinity that don’t work if the character has an ‘opt out’ of the cisheteropatriarchal perspective. Not that gay/bisexual men aren’t except from misogyny, but misogyny masculinity and heterosexuality are so tightly linked that it sort of defeats the point if you interpret that character outside of heterosexuality.

All that is to say—the closet interpretation is a quick and easy spice to apply to the weaker parts of action-adventure genre fiction to make it taste better. It draws from a large enough sample of art that it’s pretty widely applicable. Because of that, it’s part of some people’s [my] default interpretation package just because the semi-dull macho show at least gets less dull if you imagine there’s a reason for there to be no girls besides simple hatred. That then forms its own problem where the interpretation that works with your average genre work gets then blanket-applied to all genre works and obscures the places where the closet interpretation doesn’t fix the work, and actually makes it less interesting.

[bumpscosity]

anyways here's my boy scott free from when i was like 13. at the time i knew abt the whole tad strange theory thing but i hadn't seen The Design yet so the parallels are weird coincidences

[icefire149]

.

[quietwingsinthesky]

can’t stop thinking about Marie reviving Kevin. does anyone ever manage to open the gates of Heaven again. does anyone even bother to tell Linda if they do. does Kevin lose more and more of himself as the years go on, and she’s forced to lose her son a second time. Linda carrying around a warded box with Kevin’s final tether in it so that he can’t accidentally hurt anyone, never knowing if it’s safe to release him from this world, if he won’t be worse trapped in the veil with no one to hold on to at all. one way or another, to love your child is to cage them.

(which is not to say that it’s her fault or even that she could have done anything differently. this is an impossible situation. this is something neither of them ever should have been forced to go through. her son is dead, and nothing can ever change that, and the best she can hope for is to hope that she can send him to heaven before she gets killed, too. because once an acquaintance of the winchesters, always a target for people who have a grudge against them. linda goes through. a lot. in the next few years. family is hell and all.)

the way this shakes out in my head is as a hunt. someone is using a ghost to kill people, and it becomes clear, very quickly, that this ghost is kevin. that someone stole him from linda. and the worst part is that kevin has been a spirit for years now and the magic keeping him under control is strong enough that he can barely tell what’s happening. to him, he’s lashing out to protect his mom, even though she’s not there and he’s just being used. it’s a horrifying fate. and “the only way to save him is to put him down, it’s mercy,” except they still don’t know if that’ll send him to Heaven or Hell or further into the Veil or worse.

and I am thinking about marie finding this little box, open because Kevin is being forced to attack the Winchesters, maybe even his mom, as they try to save him, and marie pulling out the ring his ghost is tied to, and marie, who listened so closely to Linda talking about her son, so proud of him and so torn apart by grief. I’m imagining this takes place early on, before Lucifer has had a chance to get to the twins, so all the family Marie has is the Winchesters, and Castiel, and Jack, and none of them are really her parents. Dean is hot-and-cold unable to connect, and Sam tries so hard to take care of the twins but can barely look them in the eyes most days, and Castiel prepared for a baby and got something else entirely, and Jack is. Well. Jack is someone she cannot imagine outliving, cannot conceive of a world without.

And so what I’m saying is that she’s holding that ring, and she’s supposed to destroy it, and she can’t. She can’t. Kevin’s spirit is here, and if she can fix it- if she can fix it. Jack elsewhere suddenly gulping down breaths because his heart is racing too fast and his power is being dragged from him into his sister’s hands, and realizing that this is how Marie felt when he brought back Castiel. She didn’t complain, so he grins and bears it. It is an awful, exhausting thing.

But Kevin lives. With all his memories of being a ghost, of losing himself, of being used as a weapon. He’s alive. He shouldn’t be, but he shouldn’t have died either. There’s a girl looking at him, who is his height and younger than him by more than a decade and needs this to have been a Good Thing she did.

at least he gets to hug his mom again.

[tenok]

.

[therevengeoffrankenstein]

i love defending pete wentz against the mania haters who call him the music industry's mr krabs bc he sucks in other ways.

[loderlied]

shadowheart sticks with and tries to be there for zeke for quite a while during his old/new obsession with gortash in act 3, but i think deep down she knows that she lost him to gortash’s iron grip immediately on the evening after the coronation festivities—when gortash and zeke are having their first chess game after zeke’s disappearance. she tries to convince herself that the zeke she came to love is still there, but the absolute terror mixed with insane reverence and bloodlust in zeke’s flushed and utterly focused face tell her that the man she thought she loved was merely an incomplete shell of himself.