#if-music-be-the-food-of-love

[stimiez]

♡ because that's what love is

[deafsignifcantother]

if music be the food of love, chapter one

♥ chapter two! ♥ relationships: aroace Alastor x deaf female reader (queerplatonic) ♥ word count: 2.1k ♥ pinterest board ♥ warnings: reader got hurt by someone they loved before death, reader is shorter than him, bickering, reader loves tea, lonesome reader, alastor invading space ♥ my idea is that reader has a small stereo on her chest that lets out classical music based on her mood. I imagine that it comes from both her chest (softly) and the outside of her manor (loud as fuck).

Your manor is only visible to the town when the lights are on a tall hill and covered in trees. However, even if all the lights were off, people would at least know it's there.

There are two reasons: the tale and the music.

Tale, a story for the newcomers. They speak of a demon who plays music all day, doomed to play music forever. Oh, the music. The music can be heard from even miles away.

It's refined and dainty, and it reeks of misery. The classical music never seems to repeat itself; it goes on and on and on and on. The demons hear you only through your music. When you cry, the violins and cellos grow with a cruel crescendo. When you sleep, the music is soft, almost quiet. Everyone comes to an understanding, assumption, that if the music were to stop, you would be dead.

The demons who try to step closer to your manor will find themselves experiencing unfathomable sorrow and guilt. The sound of your music is the demonic ability you possess, and it's out of your control. Due to the sadness of your death, you are forced into misery in the afterlife. When you were alive, those you loved and devoted yourself to only broke your heart.

Everybody affected by your music feels that grief.

Alastor doesn't understand why people fear your manor. Your love-related pain doesn't affect him at all.

He starts up the hill, moving both on his feet and through the shadows. On his way to your manor, he focuses on the landscape. The landscape is beautiful; the forest below is so dense that the red sky disappears. Personally, he loves the music. He loves tuning in on you and hearing how you're doing. He sparsely gets to visit, so hearing the song of your heart is always so welcoming.

The worst thing to him is how long the damn walk is.

You're in your house, passing through the dining room, when the lights flicker. The people from the nearby town stutter when the usual sad music suddenly becomes upbeat.

Opening the door, you are greeted by Alastor's traditional smile. You're the one that initiates the hug. He gently wraps his hand around you, only for a short time before he pulls away and establishes his distance.

"Long time no see, my dear." He signs, his claws adding a flare to the simple signs. Truthfully, his sign for "my dear" translates directly to "sweetheart," which he's aware of, just putting faith into you understanding what he means.

"I'll start some tea." You sign, turning immediately to the kitchen.

He smiles at the jazz sneaking its way into your music. The people outside know what it means.

Alastor looks around at the new decor; the place is different every time he enters. It's all the things that you enjoyed when you were alive. That's what is most noticeable about you beyond the aura you possess and how stuck you are to the past; you refuse to acknowledge your situation, which is both a curse and a blessing.

From the kitchen counter, you look at him, seeing him behind you, his staff out of his hands.

He leans a bit forward. "I have news! Have you heard of the new buzz, the new project from the princess of hell?"

A small smile forms. "Charlie?" You remember many years ago when she appeared at your door, in tears due to your involuntary magic, begging you to teach her ASL. You politely declined, though you wrote her a long paper about Deaf Culture (often derailing to rant about your opinion on common debates/crazy events). You've never seen her again, but you're confident she's read it.

You continue, "Her projects are... sweet?"

"Sweet and quite peculiar. She believes that demons can be redeemed. How absurd!" His smile grows, his eyes squinting in interest. He knows you're devoted to being good and staying away from violence. He's here to convince you to join her cause.

"Fascinating," you can't help but show your pure astonishment. "She's on our side."

"Oh, how kind you are!"

The tea is ready. You turn entirely away from Alastor, and he lets you. Your thoughts are apparent; he has spent weeks excited about this conversation. He's absolutely fighting the urge to spill out every argument he has; he wants to mention that if you participate, you'll see each other daily. That hasn't even crossed your mind yet.

You pour the tea and take your time, a little nervous to continue the convo. Alastor's eyes remain on your frame, your casual clothing. The last time he saw you, you were dressed up despite spending your days alone.

You hand a cup to him. Neither sign; you stand still, staring at each other and drinking. Both of you already know what the other will try to say next. Your eyes are deep in thought while he is locked on you. The only reason you are doubting being involved with everything yourself is that you know your aura makes others depressed. It is not very good, isolating. On the opposite stance, Alastor always noticed how your music gets positive whenever he's around. He knows (guesses) that in the hotel, with his presence, your saddening demeanor would be no more.

He moves abruptly, you follow, and he sits on a heavily cushioned couch, dipping deeply, which makes him smile. Your soft smile grows—more piano.

"What are your thoughts?" He prompts with one hand. You take a very long sip of your tea before putting it down.

"I wouldn't make them feel comfortable," you explain. "That's all I think about."

"Ever so pessimistic, my dear. You never know unless you come to visit. What do you say?" He grabs his mic and jokingly reaches it to your face, "A simple visit?"

You put a hand to your temple. "My love," you sign without noticing how his lids droop in comfort, "do you really think I would belong?"

He puts his hand to his chin in faux thought. "Of course I do! The princess will approach you with open arms."

You let out a small, broken groan. You're not going to be winning this little debate. Alastor's going to be able to rebuttal everything you say. Knowing that, why is it still so hard to give in?

You put your hands in your lap before returning them to your temples. His smile grows, and the static radiating off him grows ever so prominent, tickling your skin. You look up at him when you notice the change in the air.

The way he looks at you gives away his intentions. He is standing tall in his usual formal way in his seat, but his eyes are ever so casual. He gazes at you more than anything. His smile is still wide and prideful.

You wiggle a finger at him. "Ah."

He squints.

You continue, "You want to see me more, don't you?"

"Who wouldn't?" He plays off, shrugging. "Your captivating presence has every demon in hell dropping their jaws agape."

"Youuuuuu," you smile mischievously, "you want to see me more."

He continues to wave his hands. "Your accusations are futile, go ahead and fill your pretty head with things such as affection," his shoulders bounce as he chuckles, "dreams about how I miss you."

A breathless laugh leaves your lips. Rather than continue the teasing, you let the positive atmosphere linger in the air. You lift your chin with confidence. "Practically admitting it."

"I know what you want me from me." He signs. You smile at how he interpreted it. You don't bother responding. Instead, you give him a sly smile and lift your cup, taking another long sip; his bottom eyelid is twitching.

The last time he saw you, he signed you many compliments and even danced with you to the rhythm of your music. He let you put your hand on his face as he leaned his forehead against yours.

Admittedly, you only started teasing him because you wanted him to tell you that he missed you. Obviously, he did. You didn't expect him to be so stubborn about it.

When you don't respond, he continues. "When I'm here, your heart sings in happiness."

You nod and sign with one hand. "Very true."

"Well, I find the sound lovely."

"Very appreciated."

You watch as he leans back and crosses his legs, lifting and finishing the teacup. You both spend a few seconds without conversation, just looking at each other. In an attempt to hide how flustered you are starting to look, you lean your head back and gulp down the tea to the point where the cup is hiding your face. But you can only keep it in that position for a short time. After finishing the drink, you place it back down, finding that Alastor is already sitting with his fingers intertwined and waiting for you. His eyes sparkle.

"My dear, I missed you very much." And as quickly as the affection comes, it disappears. "I must give the little lady what she wants. There, are you happy?"

"I missed you too, Alastor. Thank you for coming up again."

Sappy, sappy, sappy. Will you agree to return to the hotel with him now?

He straights his bowtie and stands. "My dear, I'm afraid our time here will be cut short; I have a hotel to show you, don't I?"

You stay seated, just eyeing him. Peer pressure, you sigh and try not to roll your eyes. A simple nose exhaling is enough to show him how you feel.

He leans his head to the side. "Is there anything I can do to convince you?"

You finally stand and meet his eyes. His eyes are gorgeous; you love the way he looks at you. He doesn't take his eyes off you when you step close to him. Your hands reach for his overcoat, and you adjust it fruitlessly, only wanting an excuse to touch him.

You smile. "I can cook you something for your long trip back."

"Our."

"Your."

You both lean in, smiles straining.

He tries again. "Our."

"Biscuits, I assume," you turn your heels and motion for him to follow you. The motion you make is beckoning, and when you flick your wrist, he grabs it and pulls you into him. He lets you go to see your response. Your heart is beating out of your chest. You fall for people too easily. His touch is demanding, yet his face is calm, and with how close he is, all you can do is stare up at him. Your feet stumble a bit to adjust to your new stance. He will fight tooth and nail to get you to follow him back; throughout his days, he always wonders what you're doing and your music might sound like. He'll close his eyes and try to imagine the melody in moments of silence at the hotel.

You can't find yourself stepping back. "I'm perfectly okay with where I am." A lie. "Nobody will bother me if I'm out here."

"And nobody will bother you when you're next to me, get it?" After he signs, both of his hands hold your cheeks. He tilts your head back and forth to try and lighten the mood that's getting a little serious.

You try to hold his wrists and pull his hands down, but he fights against you. He lifts your face so he can look at you head-on. The waist bends his body; he curls himself up to you. Your touch falls to his sleeves and then moves to his biceps, your fingers grazing him gently.

The music is fast-paced, like your heart. It sounds almost angelic, a new ethereal sound surrounding it.

"Okay," you fold but then immediately chew on the inside of your lip.

"Perfect!" He presses his forehead to yours quickly before pulling away. He's taking this win. He turns and eyes the room, motioning. "Packing anything?"

With a small sigh of defeat, you place your hands on your temples again. What would you even need? Like a spoiled child, you realize that if you did need something in particular, Alastor would get it for you. You smiled and shook your head to yourself. "I don't think I need anything at all."

"Spectacular!" Another dramatic sign. "Come along then." The fast twirling of his staff blows air onto you when you start to walk behind him, eyeing how his fingers twist. His head turns as he glances at you from the corner of his eye, his head dipping as his smile widens. The static in the air becomes thicker.

You take a deep breath. If you can say 'I told you so' to him, you will be bringing it up until the end of time. He knows that, so it's good that he's confident in himself and his deductions. He'll ensure you won't be leaving and isolating yourself any longer.

[christakisbang]

[aherosoup]

and I can tell you about the little things,

so you don’t think about the big things for a while

[pinkfairiesteaparty]

[in-tenebris-et-in-solitudine]

In Darkness and in Solitude

[yesloulou]

Charles spends winter break in LA 🌴

[ecoharbor]

📍Chiang Rai, Thailand 🇹🇭

[anonymusical]

NYAH! :3

[this-tastes-lemony]

Falsettos Food Theory

Okay so someone asked what this is and I really wanna explain! So the falsettos food theory is that food represents love throughout the Marvin trilogy.

In the show, In Trousers, Marvin is very strict about what kind of food he wants, and he gets very upset when he doesn’t get it imminently or the way he wants. For example, in the song ‘How Marvin Eats his Breakfast” there is the lyric,

“No one looks busy in this kitchen

And my breakfast isn't ready

And my stomach aches.”

This is in reference to that no one at that moment is giving him the love that he wants, and that he aches for it. Later in the song he also says ,

“I don't want miracles from heaven

Just some eggies over spinach over toast

No, I will not apologize!

She should win a prize:

Very best emoting

That girl can't cook”

When he says the first line he doesn’t literally mean he just wants a basic breakfast, he means that he doesn’t want much, he just wants to feel loved. By saving “that girl can’t cook” he doesn’t mean she’s lousy at making food, he means that she doesn’t give him the kind of love that he wants. One of the other ladies says

“maybe she can’t cook, but have you seen her milk a cow?” Implying that sexually she “provides” to Marvin, even if he doesn’t romantically like her (obviously this means nothing, just because they can be sexually active does not mean that it is love).

Another one is in Whizzer Going Down he says,

“he hates my wife

I hate his food”.

He’s saying he hates when Whizzer shows him love because he is not ready to accept the fact that he can be loved and he can love another man.

There are many more references of this in the show In Trousers and if anyone wants to hear them I’ll gladly go into it in another post!!

The ones in Falsettos are even more obvious references to love. In the song Tight Knit Family, Marvin sings,

“We all eat as one

Wife, friend, and son

And I sing out as they cook

I love my tight-knit family

I love the way they cook linguine”

They all eat as one meaning they are all receiving love from one another, even if it isn’t good. The next line being “I sing out as they cook” (singing out meaning to say or shout something loudly, most likely implying the unhealthy relationship he’s in with his family) this line is saying that while they provide him love and what ever he asks, he continues to complain about it.

However, in the next line he says “I love the way they cook linguine” which is a considered normal traditional meal for a lot people. This is showing that he enjoys when they provide him with basic normal love, instead of arguing or disagreeing with him.

Another reference later on in the musical is in the ENTIRETY of the song “This Had Better Come To A Stop”. The first set of unique lyrics though is what I’ll cover.

“Whizzer's supposed to always be here

Making dinner, set to screw

That's what pretty boys should do

Check their hairlines, make the dinner

And love me”

This is saying that Whizzer is supposed to always be at Marvin’s command, loving him and giving himself to Marvin sexually at all times. He mentions making dinner twice in these lyrics, again implying that he doesn’t want Whizzers love unless it’s later in the day once he’s gotten his love from his other family ( breakfast specifically).

Another general reference to food equaling love is Cordelia’s entire character. All she does throughout the show is provide food and such to the characters, this being her giving them constant love. Since Cordelia was giving Marvin so much food (presumably) during the two year gap during intermission, we can assume that her unique and (sometimes) not so great food taught him that he doesn’t always get to choose what to eat, but that he should be greatful someone is cooking for him anyway. I think Cordelia is one of the most amazing characters in the story.

For all of the song “Days Like This” she’s trying to get Whizzer to eat something, meaning she’s trying to share her love with him.

In the song “Jason’s Bar Mitzvah”, Dr. Charlotte says

“She's cooked for some 200 guests

[CORDELIA]

We number not that many

Actually... we're seven”

This shows that she has provided so much love for all of these people, even though there’s only seven. Only a couple lines later, she tries the food Cordelia made, and says that the food “tastes really yummy.” (in the pro shot Trina nods her head to agree).

This is important to me because it shows that Cordelia finally found a way to show/express her love with the rest of the characters, and have them reciprocate it for the first time on stage, showing that they are all at peace and finally love each other.

Just like in trousers there are hundreds of more references in Falsettos so if any of you would like me to go more into it I’d be happy to!

This is all speculation of course, we don’t know if any of this was intentional, buts it’s by far my favorite thing to talk about that’s falsettos related. Hope you enjoyed reading!

[lcselkonusmalar]

🖤

[goldenispunk]

Road trip with your boyfriend Dean <3

[thelailasblog]

[pinkfairiesteaparty]

[in-tenebris-et-in-solitudine]

Everything will be ok.

[yeesiine]