#if you read this wow thanks

[rafeandonlyrafe]

proper thank you

words: 600

warnings: 18+ only!, stepbro!rafe, sending nudes, stepcest, kinda dumb/baby reader???

“carry me up to bed rafey?” you coo at your step brother, fluttering your lashes as your pout turns into a giggle when he sighs, unable to resist your pleading face.

“you're the most annoying little sis ever.” rafe says, calling you the nickname just to tease you as he leans down, scooping you into his arms. he carries you like you weigh nothing, so easily slotting into the good older stepbrother role when your parents married, despite him being only a few months older than you.

“thank you rafey.” you say sweetly as he walks you up the stairs, your arms holding him around the shoulders, head leaned against his broad chest.

“yeah, you gotta give me a better thank you than that.” rafe rolls his eyes as he carries you into your bedroom. only once the door is closed do you press a wet kiss to his cheek as a proper thank you.

rafe plops you down on the bed unceremoniously. “there ya go.” he waves as he walks away, knowing it's not actually goodnight as you let out a whine.

“tuck me in?”

rafe hides his smirk before turning around, putting on his slightly annoyed act like he always does when you ask him.

rafe pulls the fluffy blanket out from under you. it's slightly weighted so it naturally tucks around your body anyways as rafe covers you, but his hands still move slowly, feeling your body as he pushes in the blanket until you're stuck tight underneath it.

“anything else? want me to tell you a bedtime story?” rafe says it as a joke, but with the way your eyes light up, he finds himself sitting on the edge of your bed, recounting three little pigs from memory the best he can.

“alright, you gotta get to bed now.” rafe glances at the clock on your nightstand as the hour hand ticks closer to midnight. “goodnight.”

“goodnight rafey.” you smile softly before letting out a yawn. “ill give you a proper thank you soon.”

rafe isn't sure what you mean until he makes it back to his room, scrolling aimlessly through his phone until a text message appears from you.

he clicks it to open up the image, his eyes widening and dick swelling as he sees you in a silky nightgown, the swell of your breasts clearly visible, nipples poking through the fabric. he recognizes the nightgown from a few days ago, but you clearly got further undressed.

rafes eyes bulge as the next image loads, the same pose, now sans nightgown, tits bare and thighs clenched together to make a delicious looking v that rafe wants to dive into.

a proper thank you ;) reads your text, along with one last image, this time with your legs spread, smile on your face as your cunt is on clear display. you took the marker tool to add to your lower stomach “property of big brother.”

rafe is in your room untucking you from your bed before the clock reaches midnight.

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[astral-herald]

Viktor's (subverted) Aristotelian Tragedy

A common sentiment I’m seeing throughout post-finale Viktor discourse is an understandable concern or distaste for the element of choice lost throughout his story. I know a lot of us – myself included – expected more time spent on his transformation, along with emphasis on the anger/rage/betrayal fueling it. But seeing him allow Singed to “begin the process” in episode 8 reminded me of Arcane’s origins – tragedy. Bear with me for another long analysis :)

Aristotle wrote the following on the tragedy: “A tragedy is the imitation of an action that is serious and also, as having magnitude, complete in itself…with incidents arousing pity and fear, wherewith to accomplish a catharsis of these emotions.” He also emphasized that the true tragic hero couldn’t be perfect, and his downfall into such catharsis-inducing circumstances was reliant on a fatal flaw, oftentimes pride.

Viktor fits this mold, as do many Arcane characters, and it stands to reason that this was intentional since the writing team has reiterated that the show is a tragedy, at its core.

Regarding Viktor’s fatal flaw, I’d argue it’s pride, but it manifests very uniquely. He never makes any grand declarations about his success and doesn’t draw attention to himself in any clear way throughout season one (“Progress Day” comes to mind). Instead, his pride manifests as staunch independence and self-reliance that lead to his downfall; his unwillingness to break his stoic mold arguably led to his use of the Hexcore…so it goes.

Fascinating caveat: Viktor’s pride is a defense mechanism, a necessary tool he built in order to survive and succeed in a hostile environment to people of his station. His self-reliance is increasingly desperate as his illness worsens. He’s cornered by fate but banks on the sanctity of choice at every turn – in season one, Viktor is bound by the conviction that we all have a choice. It’s why he’s so distressed when Jayce makes the wrong one regarding weaponizing Hextech.

“There is always a choice.”

Viktor’s choice to fuse with the Hexcore is the classic Aristotelian fatal flaw moment, the singular incident that opens the flood gates for eventual catharsis. We watch Viktor make an irreparable choice, one that we know to be bad, and endure the repercussions. He then makes the choice to abandon the Hexcore, and end his life, but audiences can’t shake the feeling that those consequences aren’t leaving anytime soon.

So why is Viktor so anti-choice in his final season 2, act 3 form?

Choice is Viktor’s weapon. Pride is what leads him to abusing it. Despite how uncomfortable and depressing it is to watch, Viktor’s slow descent into the Herald is a perfect twist of fate. The Arcane is even so insidious that it meshes with his original intent, to help those suffering in the undercity, while convincing him that their subservience is healing. He becomes responsible for their choices. He knows what’s best because he’s relieving the Gloriously Evolved of their suffering, right? The utopia is for the greater good, yes?

Admittedly, it was really hard watching act 3 Viktor descend fully into his choiceless ethos. But we can still relate it to his tragic flaw – his pride has mushroomed into coldhearted omniscience; not only does he know what’s best for everyone, evolution, but he also has the sense to make the choice for them to supersede their “baser instincts.” The grief we feel upon seeing this perverted, violent version of himself, as far removed from Viktor as possible, is the culmination of Aristotle’s treatise on tragedy. The catharsis is the rock-bottom Machine Herald.

"Choice is false."

But then Arcane decided to basically make Jayvik canon (get out of here, Christian Linke) and destroyed the early drafts of this post. I’m going to rapid-fire this next bit:

Jayce forces Viktor back to life. Viktor has no agency in his season 2 inciting incident. Again, it’s distressing when we mourn his agency, but it remains in accordance with Aristotelian tragedy.

Viktor clings to humanity as long as he possibly can. When Jayce calls out Viktor’s trajectory, alleging that his old partner had died in the Council chamber, whatever is left of Viktor gives way to the Arcane because his last tether has been snapped.

Jayce knows the game – Old Man Jenkins Mage Viktor told him so. Jayce becomes the linchpin in subverting Viktor’s tragedy. He knows what must happen. He understands now.

Machine Herald Viktor is given the chance to undo his fatal flaw, to reverse the catharsis, when he sees Old Man Jenkins Mage Viktor. With Jayce’s help, he takes it.

Given that it’s a version of Viktor who ultimately frees him from himself by empowering Jayce, we can gather that Viktor has liberated himself from his tragedy.

Aristotle’s catharsis is rapidly transformed from something based in release to something healing – Viktor’s tether to humanity returns. He grasps it. The walls of his pride and self-reliance collapse. He accepts Jayce’s help, finally being seen as the full individual he is. Catharsis ensues, for sure, but I don’t think it’s based in the typical tragedy genre.

All this to say, I think Viktor’s arc was, in fact, carefully constructed. He represents the Aristotelian descent into a fatal flaw and that’s very distressing to see unfold, especially since he embodied the tragic hero archetype so well from day one. However, Jayce undoes this narrative and we’re given an incredibly subversive ending that I, personally, never saw coming.

I’m sure that Mage Viktor has a much larger bearing on this analysis than I’m accounting for. But for now, suffice to say that he is Viktor’s way out of the tragedy. TALK ABOUT CHOICE!

This doesn’t erase anyone’s discomfort for Viktor having less and less agency, but I’d like to emphasize the logic and literary precedent behind the story decisions.

PS: here's a quick source I looked at about Aristotelian tragedies. I hope to re-up on Greek tragedies so I can get more specific about the parallels Arcane draws from them.

[poorly-drawn-mdzs]

This one is dedicated to @shirokokuro, who made a lifeguard AU fic to fill the void where there was none.

Read it here! It's great: https://archiveofourown.org/works/51598429

[noodles-and-tea]

you single-handedly got me into sherlock holmes lmao- ive been tryin to find new stuff to watch so i just turn on whatever you post about lol

In my defence, he’s just like me fr

[screampied]

Erm.. Miss Vegas I was reading your works during a lecture a few days ago because and I shit you not, my professor passed my seat and mouthed “Oh Wow! Interesting uh…literature by scream-pie? pied?”

He said it super slow like that too. He chuckled trying to read your username near the top left because it took him a while to understand what it meant. I feel kind of embarrassed though because while he was walking through us and then stopped at me, he got flashed with that cute pink banner of yours, I think it was street racer! Geto one. (SCRUMPTIOUS by the way) Thankfully, he only skimmed the tiny synopsis displayed before I panicked and locked my phone, haha. It was for like seven seconds but felt like an eternity. Well! Never reading smut in public ever again, lol.

Anyways, I’m gonna die now but at least finals are over. Happy holidays :)

[qqueenofhades]

What is "romantasy" and why does it plague me every single time I open up any bookshop website anywhere. WHY.

[obliviouskara]

Honestly supercorp authors are one of the most talented writers i have come across with bc seriously the fics i’ve read recently

[polin-erospsyche]

This post was inspired by a comment from an anon in my ask box. They mentioned that if the Queen hadn’t interrupted Polin's wedding, they could have had a beautiful wedding night (if you’re the anon and you’re reading this, hi! And also, I know this isn't everything, but I'll touch on the rest. Small disclaimer: this got long and I’m sorry).

I agree, that could have happened. But honestly, I'm really glad it didn’t. Don’t get me wrong, I would have loved to see it, but I don’t think it would have been good for them. The intimate scenes we did get tell an overarching story and serve a purpose in the narrative. We’ve been told that these intimate moments are a way for them to communicate, so let’s unpack that.

The first intimate scene is about them discovering each other in a new, intimate way, moving from friendship (which had already started to happen in the carriage) to a lover relationship. This moment is crucial for Penelope's story and character development. From this, she grows in confidence and self-awareness. She expresses this to Colin multiple times, such as when she says, “with the confidence you’ve helped me find this year,” and later, “You’ve taught me to hold my own. You have shown me I’m capable of pleasure beyond imagination.”

From that intimate scene onward, Penelope starts to come into her own power and that includes her sexual power. Colin shows her a level of love and care beyond what she ever thought possible, breaking down the belief system she built around herself. She was ready to sacrifice her dreams of being loved and held for financial stability, a mindset ingrained by Portia. Colin helps her see that this doesn’t have to be the case, chipping away at her long-held beliefs.

Let’s now move to the scene in the alleyway, which links back to anon’s comment. Anon suggests that this is the moment they start repairing their relationship post LW reveal. That following this scene they were in a good enough place to enjoy their wedding night if the Queen hadn’t crashed the party. Yes. And no. 

And oh my god how I’ve longed to discuss this scene but I never quite knew how to approach it. At this point in the show, the narrative is like a tightly wound ball of yarn with so many threads to pull at. So, let’s attempt to pull at them. 

First of all, they’ve entered a whole new playing field. And they’ve entered this playing field while being “the oldest of friends really” so they have ammunition against each other. Pen has hurt Colin by lying (hiding the truth from him time and time again) about her identity. She has let him go on and on about his despise of Lady Whistledown. About his dreams of being an author. These were things he told her in intimacy. Those were things he told his best friend and the person he fell in love with. Not the woman who hides behind her column and has done so much wrong to his family and loved ones. 

There is a separation between the two. For Colin, in that alleyway, there is still just Pen his best friend, Penelope the woman he loves and on the other side of that there is Lady Whistledown, the woman he vowed to destroy. He expresses that when he says “so then you do not need Lady Whistledown anymore”. What he fails to realise at this point, and he cannot be blamed for that, is that Lady Whistledown is an integral part of who Penelope Featherington is as a person. That her alter ego is not just a mask she wears but a crucial aspect of her identity, giving her a sense of power and agency in a world that often limits her as a woman. Something that Pen has slowly come to terms with when she says that she no longer needs to hide behind this alter ego but that does not mean there is no value in it, something that she also explains to him after the Queen has crashed their wedding breakfast. 

Now I say that he cannot be blamed for his refusal of recognizing that they are one and the same because he is still holding onto his misbelief, which is that to be loved and to have a value he must protect what he loves and be useful. Part of that is saving and avenging the people he loves from Whistledown. He has given his word to Eloise, to Marina indirectly, to himself and I’m thinking to Pen silently after what she’s written about herself. He finds himself, due to his misbelief, between a rock and a hard place: “the person he vowed to destroy is, in fact, the person he vowed to protect, and there is no separation between the two” (not me directly quoting myself lol). To this you add all the shame over his writing and his envy of her success and you have a recipe for disaster. 

So essentially, in that alleyway you have Pen who is already well along her character arc and Colin who is still gripping onto his original, unchanged self. This represents a power imbalance. What I love throughout this season, and I might write something about this one day, is that Pen and Colin are never quite on the same level both literally and figuratively. There is always one ahead of the other. This, in the long run, is another recipe for disaster because they are never quite equal. That is UNTIL that butterfly ball when they’ve gone through their character arc respectively. That is the moment they fully come together. They become a unit. They are no longer fighting against each other but with each other and for each other. 

But to arrive to this moment they need to do it separately. They need to be able to work on themselves before they can fully be able to work on their marriage. Genevieve says it well “there is no such thing as true love without first embracing your true self”. For Penelope that is becoming Penelope Bridgerton, an amalgam of the best parts of Whistledown and Penelope Featherington. For Colin that is deconstructing his hero complex and fully believing that he is enough just by being exactly who he is. And that has not happened in that alleyway. Truthfully the surface has barely been scraped in that scene because she essentially shuts down his demons for an instant by saying that she loves him. However, the issues remain. 

So yes, we can speculate all we want. If the Queen had not interrupted their wedding, they might have had a wedding night and they might have had a talk about everything afterward. However, the lack of acceptance of their true selves would have driven them up a wall at the next problem, which was how to handle Cressida.

And I think that is why Polin season is actually so beautiful. It is not just about Polin. It is about marriage and how hard it can get, and how you have to work on yourself to fit around the person you love without sacrificing yourself in the process. It is about choosing each other every day, through the ugly as well as the beautiful, through the hard parts as well as the easy ones. It’s choosing to have faith that you’ll work and figure it out without an assurance that it actually will, but if the love is there, then it just might. That is the story they chose to tell through Penelope and Colin.

First gif made by my bestie @polinsated 💕

[vristrogen]

something about people calling vrisrezi "toxic yuri" always puts me off. i understand the lack of words to really put their dynamic but like you know theyre in a relationship thats largely good for them right. they arent dating because "it sucks but it would be worse without each other" they genuinely really love each other a lot

[sskk-manifesto]

Bungou Stray Dogs: Dead Apple and how “ability users” (opposite to “normal people”) learning to accept themselves through the acceptance of their own abilities is a queer metaphor of acceptance of own's sexual orientation and gender: an essay by me

[dolliecreature]

Okay, still in my brainrot, but let's now talk about music! Here some songs that make me think of some DOL characters:

• Ivory Wraith: Hole Dwelling - Kikuo; It's a dark song about being together in sadness and madness, like the deep secrets of the lake. Creepy vibe, I love it!

• Kylar: An Unhealthy Obsession - The Blake Robinson Synthetic Orchestra; I mean... do I need to explain? Kylar DO sneak, not only a walkie-talkie, but a WHOLEASS CAMERA to our room! And he's very cool for it, I love the little guy.

• Sydney: Angel - Judas Priest; Sydney can be a bit codependent on the PC sometimes, as they're the first person of their age to really listen and welcome him. He sees his lover not only as such, but as his angel too.

• Avery: Groan - Dazey and the Scouts; Avery, when I catch you Avery He is a older man who has a "contract" relationship with a younger orphan person. They both know what the writing on the wall is saying, they just don't want to read it.

• Robin: Feel Better - Penelope Scott; No matter how hard Robin worked or tried to gather money, by his own, he will always end up destroyed by life itself. Is hard to see someone you love being hurt, but saving them is much harder.

• Whitney: Allies or Enemies - The Crane Wives; This clown boy is hard to understand. He hate us 99% of the time, but whenever he's kind, it's so... genuine. Catching feelings is hard, huh, buddy?

Extra: • PC (Rin): Remember My Name - Mitski; "I'm hollow and desperate for love, my identity resides within whom I love. I will desapear one day, will you remember me then?"

Sources: The voices inside my head.

[mintjeru]

it probably wasn't the smartest decision to start an ongoing 1000+ chapter webnovel when i know it'll consume my every waking thought but here we are

open for better quality | no reposts

[a-mongooose]

Why do I always end up posting at completely unreasonable hours? Oh well! Sleep is for the weak <3 The Drew kids have comically large gaps in skill when it comes to artwork. Like Audrey really needs to step up her game <///3 And by popular demand, I have given Bendy his well deserved chocolate. Nothing else happened. No souls were harmed in the process. Trust me bro 

[pearl-the-artist]

(You called for me) Gabriel / Reader Oneshot

Ok please be patient with me on this. I spent over 24 hours in a car on a trip to Russia a few days ago and it made me do something I've never dared to before: write a fanfic. On my humble Samsung notes.

If this isn't a total flop I might make more? I dunno? Maybe hop on ao3?

Criticism and feedback is appreciated ok thank youuu have fun

Another restless night, another hour spent lying in bed, staring blankly at the ceiling above you. The room was shrouded in the comforting night air, more illuminated than usual by the soft glow of the full moon outside.

You look at the clock on your nightstand; precisely midnight. Two hours after your drunken father came home again, letting his pent-up frustrations and anger out on you in a one sided yelling match. Of course, as usual, neither was your mother of any support; only giving you that same disapproving, disdainful glare. You were never really welcome, not even in your own home- your parents biggest mistake lingering around only to weigh them down, and remind them of what they could've had. Or so they've told you, many, many times before. Tonight was no exception.

When the broadcasts first announced the new threat infesting the county, "alternates" they called them, you were, admittedly, both terrified and somewhat relieved. You were never really one to believe in the supernatural, but who knows, your parents were just superstitious enough to maybe fall for their schemes.

The first announcement had been around, what, a year ago now? Not much had really changed admittedly, although the population had begun falling drastically since then.

Your parents had of course used this opportunity to also confiscate your phone, the CRT TV in your room and old little MP3 player gifted to you by a relative, god forbid you let an alternate in to potentially threaten them, your own safety not even really a point for consideration to them.

Living with your parents was already hell, but getting by without your favourite albums and shows? Torture.

So tonight when you lied in bed unable to fall asleep, your mind wandering as usual, it may have wandered a little too far.

You recalled something you overheard your parents talk about. A friend of your dad's, a man of unwavering faith, who had been found dead in his own home a few weeks ago, seemingly in the middle of his usual prayers. Even though his family mentioned having seen an odd, ghostly figure outside their home that night, the doctors seemed to blame the cause of death on a brain hemorrhage.

It made sense, come to think of it. When you first saw the emergency PSA, it explained all kinds of methods to protect yourself from alternate attacks, one of which being avoidance of religion, faith, and philosophy.

So then, the alleged "ghost" that visted that poor man just might've been... Well.

This gave you a bad idea, but you weighed the options available to you.

Either you would die in a similar way as the old man, or... you might just get lucky and bargain with it. Alternatively, nothing happens, and you remain stuck with an unhappy married couple that hates each other as much as they hate you.

It was definitely stupid, but at this point it seemed like you had nothing to lose anyway. You weren't really much of a believer yourself, so you didn't exactly know how to pray, but you gave it your best shot. Sitting up in your bed, hands clasped together with a bowed head and closed eyes, you tried your best to focus.

If there was a god out there, may it hear your pleas. Wordless whispers called for help, begging to be heard, while you did all you could to try to concentrate on any spiritual connections. All the while you knew you may as well be praying to a literal demon.

A few minutes passed as you racked your brain for what to say before you stopped, your hands falling back into your lap.

What the hell were you doing? Yes you hated it here, and you couldn't even run away if you wanted to, but inviting an alternate to your house just like this? It was a death sentence, and not a pretty one, that much was certain.

You shook your head. It probably wouldn't have worked anyway. Right, this was all just some silly superstition, not that different from those "send this to 5 other people or you'll die tonight" chain e-mails. You laughed internally at how silly it was that you even thought this would work to begin with, and, admittedly, felt a brief sense of relief. You decided that you were ready to just go back to sleep, and just as you pulled your blanket up to crawl back underneath it- you almost jumped.

It was a voice, faintly audible outside your window. You didn't even process it until a few seconds after, a barely legible, strained whisper.

"I heard you praying."

You froze. A cold wave shot right to your stomach. Slowly, agonisingly so, you turned around to face your bedroom window.

A tall figure stood outside, its hands clasped together similarly to how you just had a few minutes ago. With long, flowing white robes and silver, wavy locks that reached down to his shoulders, he looked... Ethereal. Not to mention the massive, pure white wings folded neatly behind his back. His head blocked out the full moon, the light creating something almost like a halo around him, making him appear even more angelic.

"Woah."

You couldn't help the little gasp of awe. He seemed to find it amusing, his grin spreading a little too wide for comfort. Admittedly, you almost doubted if he even was an alternate at all. Maybe you'd come out a person of faith yourself, after this.

"Are you... An alternate?"

You whispered hesitantly, quiet enough to try to conceal the trembling in your voice and also not alert your parents sleeping upstairs, though you weren't sure if he actually heard you at all.

He didn't respond for a moment, tempting you to ask again, before that inhuman whisper was heard again.

"You called for me, and now I am here."

Avoiding your question, huh. Suppose he was an elusive sort. You quickly glanced around your room, eyeing the door in particular just in case; you really hoped your parents were asleep.

"May I... Come closer?"

You couldn't even recall the last time you were this polite to someone, though it was your best bet not to piss him off while he was still friendly, if you could even call it that. You had no point of reference, though he wasn't actively trying to harm you, so it was a start.

The angel, his smile unwavering, simply nodded, waving his arm in an invitation to approach.

It took a moment for you to will your body to move from the initial shock, but with slow, careful steps you moved to open the window to properly speak to him, a pleasant cool breeze inviting itself into your room.

"So... What's your name?"

Did alternates have names? Suppose they just took on the name of whoever they were trying to mimic. You leaned onto the window frame, trying to catch a good look at his face; and for the first time in god knows how long you were met with eyes that, albeit a bit creepy and lifeless, looked back into your own with an unfamiliar lack of hostility.

"You may call me Gabriel, child."

Gabriel? That name sounded familiar- Oh! The Saint Gabriel's church at the edge of town. Suppose that made sense, given his angelic appearance, if it wasn't just one morbid coincidence. Your thoughts and scrutinizing stare dragged on for a bit longer than you were aware of, though, as his voice pulled your attention back to him.

"Are you lost, my lamb? I can save you. Let me in. Let me into your mind."

The last bit seemed a bit more... Pushy than the rest, making your stomach feel just a little heavier. You gathered your thoughts anyway, trying to push that feeling aside for now. You did do this for a reason, after all, though now that he was actually here you were starting to second guess things.

Gabriel seemed to take note of your hesitation after a while of you not responding.

"Open your eyes, my lost little one. Look at me. I can grant you anything you wish for. You just need to let me in."

An odd mix of dread and comfort you'd never felt before settled in, and the feeling was almost... Refreshing, in a way. You quickly glanced back up at him, and he was still staring at you, ever so patiently, eerily.

"Uhm... I was just- well, it's probably kind of silly."

No backing out now, not when he was already here. Even if you wanted to, you don't think he'd let you go so easily. As you verbally stumbled over your own thoughts, he simply waited, his unblinking eyes staring into you, gouging out your soul. Or so it felt.

"I just thought... Is it possible for, well... Is there a chance for humans to be able to ally with alternates? Can I join you?"

Surprisingly, that got his smile to falter, if only a little bit. A flicker of emotion you couldn't quite explain showed in his eyes- surprise, perhaps, or consideration.

"What for, my child?"

That uncanny whisper of his never gave away any emotion, monotone and unfeeling, yet not unfriendly. Admittedly, his question made you pause; you hadn't exactly thought of how to explain this to him. You hadn't even expected him to show up at all.

Fidgeting nervously, unsure of whether to tell him the truth or not, you tried to think of what to say. Despite your rationality screaming at you for being an utter moron, you knew you were in too deep at this point.

"I don't think I'm any good to these people at all anymore, I just... don't know what to do anymore. With myself. I have nowhere else to go. And, maybe..."

You weren't sure if you should say it or not, you already let more vulnerability slip than you wanted to. But your spite driven words were quicker than your brain, and man did it feel good to open up for once.

"...maybe for revenge, also."

Gabriel listened to you surprisingly attentively, very interested in your words. At your last statement, he perked up with an almost malicious twist to his grin. Before he could respond, though, you suddenly heard the sound of your parents creaky old bedroom door and footsteps from upstairs. And you could tell by the sound of them that it was your mother. And she was pissed.

For a very panic filled moment you weren't sure what to do, your thoughts racing- instincts called for you to jump into bed and pretend you were asleep like you usually would... but with Gabriel here, you couldn't- and that's when you realized you really only had two real options.

Stay here, and continue living this miserable life, and also deal with the imminent outburst of your mother.

Or go with him, and then... Well, nothing and no one could possibly guarantee what would happen to you then.

"Choose wisely, my dear lamb."

Your dilemma seemed to be rather palpable to the "saviour" as he pulled you out of that mental spiral, and you were rather grateful for it. As much as it made you nauseous with uncertainty and anxiety, you finally snapped out of that paralysis and turned towards the window.

"Please, help me. This is the only favor I'll ever ask of you. I will do anything you want in return, I promise."

You began to plead in an urgent, hissed whisper, practically leaning out of the window, causing him to take a step back.

Desperation and panic shook your words as you glanced back at your bedroom door.

"Get me out of here."

He chuckled, an amused sound mixed with something you couldn't quite explain that made you feel more fuzzy than you'd care to admit.

"Come. Come to me, my child. Step outside."

For the first time tonight hesitation became a foreign concept as you practically leapt out that window. Your bare feet felt the cold gravel beneath, just in time as the door to your room swung open.

The angered yelling of your mother were drowned out by the feeling of suddenly being lifted off the ground, Gabriel taking you up into his arms like your weight was akin to a feather.

He was cold, lifelessly so. And yet the soft silken robes, the way he held you in his arms, and his deceitfully promising whispers were lulling you into a sense of security you hadn't felt in a long, long time.

"A lost little lamb, asking their shepherd for guidance..."

His eerie, yet strangely comforting laugh filled your ears once more over the noise of your mother not yet realizing you weren't in your bed. You're surprised she wasn't hearing him at all. Maybe it was another mind game of his.

"You made the right decision. I knew you would. Such a smart, yet scared little thing you are, are you not?"

You leaned your head against his chest, sighing deeply, beginning to forget what you were ever doubtful about during the start of this whole fiasco. Your weight began to sink into his arms as you relaxed. He held you a little tighter in turn.

"Of course I shall guide you, my child. Come with me; you will be mine. You will be safe."

Just as the furious woman realized to check the opened window, Gabriel vanished as swiftly as he appeared, leaving behind the sight of nothing but an empty garden, peacefully quiet, as if you were never there.

[sommerregenjuniluft]

@jegulus-microfic june 19 — mechanic — 843 words aka motocross enthusiasts to future boyfriends

James hastens to unclip and throw off his helmet. Carelessly, he throws it to the side where it lands with a dull thud in the foliage while he runs over to the person that just slipped off their motocross bike in front of him.

They were racing each other.

He came out of nowhere, appearing on the trail right next to James. As if he’d materialized himself out of thin air. Decked out in all black and bike an atrocious lime yellow-green that doesn’t blend with the background of the forest even if it wanted to.

He’d snaked his way in front of James when their twin paths united again. Two fingers were tipped from his helmet in a mock salute and then he’d accelerate hard and fast, swirling dirt at James’ helmet visor.

And, well. James has never said no to a challenge a day in his life. Especially from such a cheeky opponent. So James had revved his engine and done his best to keep up and find ways to overtake his mysterious challenger.

The thing is, the other guy was fast. Quick and nimble on his bike, winding between trees and seeking out every opportunity to get a good head start. Jumping off hills instead of taking them easier, dangerous maneuvers, snapping branches and leaving behind angry wheel tracks.

And James was chasing. As soon as the trees cleared a little James managed to pull almost level with him. The biker threw multiple looks over his shoulder when he noticed and James’ grin sharpened when he heard a short laugh from his front left. They parted ways when James chose to round a hill instead of going up and over it, slowing down to keep out of the other’s landing range.

But just as quickly James’ smile was gone.

Maybe the ground was muddier than the guy thought or he got too high-spirited. His hind wheel slipped right from underneath him upon hitting the ground again, making him tumble forward with the remaining momentum and his bike sideways.

Now, James skidders down onto his padded knees next to the body laying in the dirt. “Fuck, hey! You okay?”

He gets a groan in response, raspy and breathless.

And then James gets all breathless when the other guy weakly shoves off his own helmet. It’s pale skin contrasting starkly with his all black getup, dark curls tumbling onto his forehead and stormy eyes fluttering up at him.

Oh.

The gorgeous man on the ground grunts vaguely, “Never been better.”

James makes a skeptical noise. “Hey, open your eyes for me again. Can you see clearly?”

Slowly, grey eyes blink open and try focusing on James’ figure kneeling over him. His lips part around a silent gasp once they’re wide open, looking at James intensely. “Um, yeah,” he answers.

James’ mouth tips into a grin. “Hi there.”

“Hi,” the other breathes weakly.

“And your name is?”

“Regulus.”

James hums, “And how many fingers do you see, Regulus?” He holds up 3.

“Three,” Regulus answers dutifully.

James switches his fingers, holding his thumb to his forefinger, the tips of both of them creating a little heart. “And how many now?” James smirks.

Regulus’ wide eyed glance turns into a scowl, lips pouting as he pushes James’ hand away with a grumbling noise. James doesn’t miss the way his cheeks pinken though.

Regulus tries to sit up but he immediately plops back onto his elbows with a groan.

“Don’t be a hero,” James admonishes and pushes him to lay back down.

“How’s my bike?” Regulus wants to know. It’s quiet safe for the sounds of the forest, birds chirping, wind rustling the thicket.

James looks over his shoulder where the lime green atrocious is laying sideways in the leaves. The motor isn’t on anymore but it doesn’t look bent or scratched. “Looks in okay shape,” James replies, turning back to Regulus. He’s looking up at him with an uneasy gleam in his bright eyes. James drives a hand through his hair, licks his lips. Regulus’ eyes follow the motion. ”Easily fixable, I bet,” James reassures, “Probably just some of the electronics impacted.”

Regulus lets his head thump back into the foliage with an unhappy groan.

James grins. “Hey, y’know what? I’ll take you to my mechanic. Guy’s awesome! Funniest person I know and he really knows his bikes.”

James expects Regulus to lighten up and be thankful for the offer but instead he’s met with an almost patronizing smile in return. “Hard pass. I already have a trusted mechanic.”

James narrows his eyes, feeling defensive. “Well, your loss then. Sirius always does a flawless job for a good price. Plus,” he grins again, “His fancy ass espresso machine makes a mean hot chocolate. And he lets me have one every time.” James nods to himself, feeling victorious.

Something flits over grey eyes and then Regulus’ own lips tip onto a smirk. “I know,” he answers and James is properly confused for a few momentps before Regulus goes on. “I bought it for my brother.”

[prolibytherium]

I never touched it but I feel like i only ever hear positive things said about song of achilles.. in (rough strokes at least) what makes it dogshit to you?

Okay it's been a while since I actually read it so some of this might not be spot on accurate. Sorry if at any point I say 'the book never does xyz' and it actually does once or twice but I think my underlying criticisms are accurate

-Patroclus is made into like this soft gentle tender quivering little yaoi boy. In the source text, he's shown as compassionate and moved by the suffering of his own men (and apparently having some medical skill, tending to the wounded in the camp), but very much invested n combat and very, very good at it (pages worth of descriptions of the guys he's killing left and right). In this, the arguably more complex character from this 8th century BC text is flattened into Being A Healer, he doesn't want to go to war he just wants to help people, he only goes because Achilles has to but he doesn't want to fight he's a HEALER he's a gentle lover NOT A FIGHTER who just wants to help he just wants to help everyone around him he HEALS while Achilles is a doomed warrior who is so good at fighting and KILLING its a DICHOTOMY GUYS!!!LIKE THE BEAUTIFUL SUN AND MOON DOOMED LOVERS SO SAD patocluse HEALER . (I Think he's specifically characterized as being BAD at fighting but might be misremembering)

-I don't remember much about Achilles' characterization I think it just makes him less of a jackass while not adding anything of interest and levels out into being mad boring.

-Not getting into the literal millenias old debate whether the mythological characters Achilles and Patroclus were being characterized as some type of lover by the original oral sources of the Iliad or its Homeric writers. We will never know. We don't even know what (if any) culturally accepted conventions of male homosexuality existed in bronze age Greece (we know much more about their descendants). But there are some interesting elements of their characterization in this direction, with how unconventional their relationship is WITHIN the text itself- Patroclus is described as cooking for Achilles and his guests (very specifically a woman/wife's job), Achilles chides Patroclus like a father, but there's also scene where Achilles' mourning of him directly echoes a passage of Hector's wife mourning her husband, Patroclus is explicitly stated to Achilles' elder, and is overall treated as his equal or near-equal, closest confidant and most beloved friend (to the point that pederastic classical Greeks would debate over who was erastes (older authority figure lover) and who was eromenos (adolescent 'beloved')- many took it as a given that this text depicted their present-day cultural norms of homosexual behavior but it existed so Outside of these norms that it had to be debated who was who). Their relationship is non-standard both within the text and to the descendants of the civilization that wrote them.

Basically what I'm saying is this book had opportunities to like, explore the unconventionality of the relationship (being presented here as explicitly lovers), explore the dynamics of why Patroclus wants to do 'women's work' (besides being a tenderhearted softboy), the weird dynamics where they take on paternal roles to each other but also roles of wives, how they feel about being this way, and just kind of Doesn't. Which I guess isn't an intrinsic fault (because it omits much of what I just talked about to begin with). it's just like.... Lame. This book takes jsut abandons everything interesting about the source text in favor of flattening it into bland Doomed Yaoi.

-The conflict that sets off the core story of the Iliad is Achilles and Agamemnon fighting over Briseis, an enslaved Trojan woman taken by Achilles as a war-trophy, Achilles spends most of the story moping because he was dishonored by his 'trophy' being taken. Achilles and Patroclus and everyone else are raping their captives, all the women in the story are either captured Trojans (or in the case of the free women within the walls of Troy, soon to be enslaved, and are slave owners themselves). Slavery as an institution and extreme patriarchal conventions are innate to the text and reflective of the context in which it was developed. You cannot avoid it.

But obviously you can't have your soft yaoi boys doing this, so the author has them capturing women to Protect Them from the other men. Their slaves are UNDER THEIR PROTECTION and VERY SAFE (and they might even Like And Befriend Them but I might be misremembering that. Briseis does though). Our heroes have apparently absorbed none of the ideals of the culture they exist in and the author seems to think "they're gay and aren't sexually attracted to their captives" would translate to them being outright benevolent (also as if wartime sexual violence is just about attraction and not part of a wider spectrum of violent acts to dehumanize and brutalize an accepted 'enemy')

In the source text, Briseis mourns Patroclus as being the kindest to her of her captors, who tried to get her a slightly better outcome by getting her married to Achilles (which probably would be the Least Bad of all possible outcomes for a woman in that situation, becoming a legal wife instead of a slave), and wonders what will happen to her now that he's gone. This is a really really sad, horrible, and compelling dynamic which could be fleshed out in very interesting ways but is instead is tossed entirely aside in favor of them being Besties. Like brother and sister.

All of the above pisses me off so much. If you don't want to engage in the icky parts of ancient/bronze age Greece then don't write a retelling of a story taking place in bronze age Greece. I'm not gonna get mad at children's adaptations of Greek myths or silly fun stories loosely based on them for omitting the rape and slavery but it is SO fundamental to the Iliad. If you're not willing to handle it, either fully omit it or better yet set your Iliad inspired yaoi in an invented swords-and-sandals setting where you can have all your heartbreaking tragic doomed lovers plot beats and not have to clumsily write around the women they're brutalizing.

-The author didn't seem to know what to do with Thetis and she made her just like, Achilles bitch mother who spends most of the story trying to separate our Yaoi Boys (iirc her disguising Achilles as a girl and hiding him on Scyros is made to be more about getting him away from Patroclus than trying to save her son from his prophesied doom in the Trojan War) until she sees how much they loooove each other and I think helps Patroclus' spirit get to the afterlife or something in the end?

-This is more of a personal taste gripe but it has that writing style I loathe where the prose feels less like a story and more like an attempt to string together Deep Beautiful Hard Hitting Poetic Lines that will look great as excerpts on booktok (might predate booktok but same vibe). It's all very Pretty and Haunting and Deep but feels devoid of real substance.

I really like The Iliad and The Odyssey in of themselves. They're fascinating historical texts that give a window into how 8th century BC Greeks told their stories, saw their world, interpreted their ancestors, etc. And genuinely I think these texts have 'good' characters, there's a lot of complexity and humanity to it.

WRT the Iliad- all of the main Achaeans are pretty fascinating, the one singular part where Briseis Gets To Talk and laments her situation is great, Achilles fantasizing that all of the Trojans AND the Achaeans die so he and Patroclus alone can have the glory of conquering Troy (wild), Achilles asking to embrace Patroclus' shade and reaching out for him but it's immaterial (and the shade being sucked back underground with a 'squeak' (the squeak kinda gets me it's disturbing and sad)), Hecuba talking about wanting to tear out Achilles' liver and eat it in a (taboo, exceptioally pointed) expression of rage and grief for his mutilation of her son's corpse, just one tiny line where the enslaved women performing ritual wailing for their dead captors are described as using it as an outlet to 'grieve for their own troubles' is heartrending, etc. A lot of grappling with anger and grief and the inevitability of death, a lot of groundwork laid for characters that could be very interesting when expanded upon in the framework of a conventional novel.

And Song Of Achilles really doesn't do much with all that. I know a lot of my gripes here are kind of just "It's different from the Iliad", I would have thought of it as mostly mediocre and forgettable rather than infuriating if it wasn't a retelling (and I DEFINITELY have strong biases here). But I think the ways in which it is different are less just a product of a retelling (of course there's going to be omissions and differences) and more a complete and utter disinterest in vast majority of its own subject matter, to the book's detriment. I think a retelling has a point when it EXPANDS on the source, or provides a NEW ANGLE to the source. This book doesn't Really do either, it just shaves off the complexity of its source material, renders the characters into a really boring archetype of a gay relationship, and gives very little else. Its content boils down to a middling tragic romance that has been inserted into the hollowed out defleshed skeleton of the Iliad.

Bottom line: I definitely would not be as mad about it if I wasn't familiar with the source material but I think it's fair to expect a retelling to Engage with/expand on its source, and I also think it's weak purely on its own merits. This book was set up to disappoint Me specifically.