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badnewswhatsleft · 2 days ago

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rock sound #312 (nov 2024)

transcript below cut:

ROCK SOUND 25 ICON

FALL OUT BOY

A BAND THAT CAPTURED THE HEARTS, MINDS AND HEADPHONES OF A GENERATION OF KIDS WORLDWIDE, FALL OUT BOY UNDOUBTEDLY CHANGED THE LANDSCAPE OF THE ALTERNATIVE SCENE FOREVER, NEVER AFRAID TO EXPERIMENT, TAKE CHANCES AND MAKE BOLD CHOICES AS THEY PUSHED FORWARD. FOLLOWING A SUMMER SPENT EXPLORING THE 'DAYS OF FALL OUT PAST', PATRICK STUMP AND PETE WENTZ REFLECT ON THEIR PATH FROM POP PUNK, HARDCORE MISFITS TO ALL-CONQUERING, STADIUM-FILLING SONGWRITERS AS THEY ACCEPT THEIR ROCK SOUND 25 ICON AWARD.

WORDS JAMES WILSON-TAYLOR

PHOTOS ELLIOTT INGHAM

Let's begin with your most recent performance which was at When We Were Young festival in Las Vegas. It was such a special weekend, how are you reflecting on that moment?

PATRICK: It's wild, because the band, I think, is going on 23 years now, which really came as a surprise to me. I know it's this thing that old people always say, 'Man, it really goes by so fast', but then it happens to you and you're just taken aback. There were so many times throughout the weekend, every 10 minutes, where I'd turn around and see somebody and be like, 'Holy shit, I haven't seen you in 18 years', or something crazy like that. It was hard not to have a good time. When I was going up to perform with Motion City Soundtrack, which was an exciting thing in itself, I turn around and Bayside is there. And I haven't seen Bayside since we toured with them. God, I don't remember when that was, you know? So there was so much of that. You couldn't help but have a good time.

PETE: I mean, that's an insane festival, right? When they announce it, it looks fake every time. The lineup looks like some kid drew it on their folder at school. For our band, the thing that's a little weird, I think, is that by deciding to change between every album, and then we had the three year break which caused another big time jump, I think that it would be hard for us to focus on one album for that show. We're a band where our fans will debate the best record. So it was amazing that we were able to look backwards and try to build this show that would go through all the eras - nod to Taylor obviously on that one. But it's also an insane idea to take a show that should really be put on for one weekend in a theatre and then try to take it around the world at festivals. The whole time on stage for this particular show production, I'm just like 'Is this thing going to go on time?' Because if the whole thing is working totally flawlessly, it just barely works, you know what I mean? So I give a lot of credit to our crew for doing that, because it's not really a rock show. I know we play rock music and it's a rock festival, but the show itself is not really a rock production, and our crew does a very good job of bending that to fit within the medium.

That show allows you to nod to the past but without falling fully into nostalgia. You are still pushing the band into newer places within it.

PATRICK: That's always been a central thing. We're a weird band, because a lot of bands I know went through a period of rejecting their past, and frankly, I encounter this thing a lot, where people have expected that we stopped interacting with older material. But we always maintained a connection with a lot of the older music. We still close with 'Saturday'. So for us, it was never about letting go of the past. It was about bringing that along with you wherever you go. I'm still the same weird little guy that likes too much music to really pin down. It's just that I've carried that with me through all the different things that I've done and that the band has done. So for us, in terms of going forward and playing new stuff, that's always the thing that's important to me; that there should be new stuff to propel it. I never wanted to be an artist that just gave up on new music and went out and played the hits and collected the check and moved on. It's all got to be creative. That's why I do it. I want to make new music. That's always why I do it. So something like When We Were Young is kind of odd really. It's an odd fit for that, because it's nostalgic, which is not really my vibe all that much. But I found a lot of nostalgia in it. I found a lot of value in looking back and going 'Wow, this was really cool. It was amazing that we did this, that we all did this'. That scene of bands, we're all old now, but it has taken off into such a moment culturally that people can point to.

Let's jump all the way back to the first ever Fall Out Boy show. There is very little evidence of it available online but what are your memories of that performance?

PATRICK: So the very first Fall Out Boy show was at DePaul University in a fancy looking dining hall. I actually applied to DePaul, but I never went there because the band went on tour. I think there were only two or three other bands. One was a band called Stillwell, who were kind of a math rock emo band, and then this heavier, more metallic band. And then we were there, and we had a guitar player, John Flamandan, who I have not seen since that show. He was only in the band for a week or two, and we were still figuring ourselves out. We had three songs and I had never sung before in front of people. I did a talent show at school one time when I was a kid and theatre kind of stuff where you would sing, but it was more in that context. And I was also a kid too. This was the first time ever that I'm the singer for a band and I was fucking terrified. We had a drummer named Ben Rose, really great guy. I haven't seen Ben in a million years, either, but we were still figuring ourselves out. The other thing is that all of us, with me being the exception, were in other bands, and all of our other bands were better than Fall Out Boy was. We were very sloppy and didn't know what we were doing, and so I don't think any of us really took it seriously. But there was a thing that was really funny about it, where even though we kind of thought we sucked, and even though we weren't really focusing on it, we had a lot of fun with each other. We enjoyed trying this other thing, because we were hardcore kids, and we were not the pop punk kids and the pop punk bands in town, that was like 'the thing', and we were not really welcome in that. There was a fun in trying to figure out how to make melodic and pop music when we really didn't have any history with that. It was very obvious that we didn't know what we were doing at the beginning.

So when did it begin to feel like things were finally clicking? When did you find your roles and what you wanted the band to be?

PETE: In regards to the music, I liked Fall Out boy, way before I probably should have. I remember playing the early demos and it giving me a feeling that I hadn't felt with any of the other bands that I had been in. Now, looking back on it, I might have been a tad early on that. Then as far as the roles, I think that they've been carving themselves out over time. We've always allowed ourselves to gravitate to our strengths. Between me and Patrick, we'd probably make one great, atypical rock artist if we were one person. Because our strengths are things that the other doesn't love as much. But I think that what has happened more is it's less of a fight now and there's more trust. We have a trust with each other. There's things that Patrick will play for me or explain to me, and I don't even really need him to explain it, because I trust him. I may not totally understand it, but I trust him as an artist. On the other side of that, it's also very nice to have someone who can veto your idea, you know what I mean? It's nice to have those kind of checks and balances.

PATRICK: I had been in this band called Patterson, and all three of the other guys sang in kind of a gravelly, Hot Water Music vibe. I was not intending to be a singer, but I would try and sing backups and, it wasn't a criticism, but there was this vibe that, while I could do the gravelly thing, my voice was coming through and it didn't fit. It was too pretty and that became a thing I was kind of embarrassed of. So when Fall Out Boy started, I was actively trying to disguise that and mute it and hide behind affectation. Pete would really push me to stretch my vowels because that was in vogue in pop punk at the time. There were all these different ways that we were trying to suppress me, musically, because we were just trying to figure out how to do the things that the bands we liked did. But that wasn't really us, you know? It's really funny, because 'Take This To Your Grave' was recorded in three sections, about six months apart. Over the course of that time, I can hear us figuring it out. I think a really defining moment for me was 'Saturday', because I am not brave, I am not a bold person, and I do not put myself out there. When I was showing the band 'Saturday', we were jamming on the bit after the second chorus, and I was mumbling around, just mucking my way through it, and I did the falsetto thing. I didn't think anyone could hear me over us bashing around in Joe's parents house in this tiny little room. But Pete stopped, and he goes, 'Do that again'. I was so terrified of doing that in front of these guys, because you gotta remember, I was incredibly shy, but also a drummer. I'd never sung in front of anyone before, and now I'm singing in a band and I'm certainly not going to take chances. So I thought the falsetto thing was really not going to happen, but when I did it, there was this really funny thing. Somehow that song clicked, and it opened up this door for us where we do something different than everybody else. We were aiming to be a pop punk or hardcore band, but we found this thing that felt more natural to me.

As you embarked on Warped Tour, simultaneously you were finding this huge level of pop and mainstream success. How was it navigating and finding your way through those two very different spaces?

PATRICK: I used to work at a used record store and what shows up is all the records after their success. So I got really acquainted and really comfortable with and prepared for the idea of musical failure. I just wanted to do it because I enjoyed doing it. But in terms of planning one's life, I was certain that I would, at most, get to put out a record and then have to go to school when it didn't work out. My parents were very cautious. I said to them after 'Take This To Your Grave' came out that I'm gonna see where this goes, because I didn't expect to be on a label and get to tour. I'm gonna give it a semester, and then it will almost certainly fail, and then after it fails, I'll go to school. And then it didn't fail. Warped Tour was very crazy too, I was talking about this at When We Were Young with My Chem. Both of us were these little shit bands that no one cared about when we booked the tour. Then we got to the tour, and all these people were showing up for us, way more than we expected, way more than Warped Tour expected. So Warped Tour was putting both of us on these little side stages, and the stages would collapse because people were so excited. It was this moment that came out of nowhere all of a sudden. Then we go to Island Records, and I had another conversation with my parents, because every band that I had known up to that point, even the biggest bands in town, they would have their big indie record and then they would go to the major label and drop off the face of the planet forever. So I was certain that was going to happen. I told them again, I'm going to put out this record, and then I'll go to school when this fails.

PETE: I think that if you really wanted someone to feel like an alien, you would put them on TRL while they were on Warped Tour. You know what I mean? Because it is just bananas. On our bus, the air conditioning didn't work, so we were basically blowing out heat in the summer, but we were just so happy to be on a bus and so happy to be playing shows. You go from that to, two days later, stepping off the bus to brush your teeth and there's a line of people wanting to watch you brush your teeth. In some ways, it was super cool that it was happening with My Chemical Romance too because it didn't feel as random, right? It feels more meant to be. It feels like something is happening. To be on Warped Tour at that time - and if you weren't there, it would be probably hard to imagine, because it's like if Cirque Du Soleil had none of the acrobatics and ran on Monster energy drink. It was a traveling circus, but for it to reach critical mass while we were there, in some ways, was great, because you're not just sitting at home. In between touring, I would come home and I'd be sitting in my bedroom at my parents house. I would think about mortality and the edge of the whole thing and all these existential thoughts you feel when you're by yourself. But on Warped Tour, you go to the signing, you play laser tag, you go to the radio station. So in some ways, it's like you're in this little boot camp, and you don't really even think about anything too much. I guess it was a little bit of a blur.

Pete, when you introduced 'Bang The Doldrums' at When We Were Young, you encouraged the crowd to 'keep making weird shit'. That could almost be a mantra for the band as a whole. Your weirder moments are the ones that made you. Even a song like 'Dance Dance' has a rhythm section you never would have expected to hear on a rock track at that time.

PETE: You know, I just watched 'Joker 2' and I loved it. I do understand why people wouldn't because it subverts the whole thing. It subverts everything about the first one. That's something I've always really loved, when I watch artists who could keep making the same thing, and instead they make something that's challenging to them or challenging to their audience. Sometimes you miss, sometimes you do a big thing and you miss, and we've definitely done that. But I gotta say, all the things that I've really loved about art and music, and that has enriched my life, is when people take chances. You don't get the invention of anything new without that. To not make weird stuff would feel odd, and I personally would much rather lose and miss doing our own thing. To play it safe and cut yourself off around the edges and sand it down and then miss also, those are the worst misses, because you didn't even go big as yourself. This is where we connect with each other, we connect by our flaws and the little weird neuroses that we have. I rarely look at something and go 'Wow, that safe little idea really moved me'. I guess it happens, but I think about this with something like 'Joker 2' where this director was given the keys and you can just do anything. I think a lot of times somebody would just make an expected follow up but some people turn right when they're supposed to turn left. That's always been interesting on an artistic level, but at the same time, I think you're more likely to miss big when you do that.

PATRICK: Going into 'From Under The Cork Tree', I had this sense that this is my only shot. It has already outperformed what I expected. I don't want to be locked into doing the same thing forever, because I know me. I know I'm not Mr. Pop Punk, that's just one of many things I like. So I would be so bummed if for the rest of my life, I had to impersonate myself from when I was 17 and have to live in that forever. So I consciously wanted to put a lot of weird stuff on that record because I thought it was probably my only moment. 'Sugar, We're Goin Down' was a fairly straight ahead pop punk song but even that was weird for us, because it was slow. I remember being really scared about how slow it was, because it's almost mosh tempo for the whole song, which was not anything we had done up to that point. But in every direction, in every song, I was actively trying to push the boundaries as much as I could. 'Dance, Dance' was one of those ones where I was seeing what I can get away with, because I might never get this chance again. We were on tour with a friend's band, and I remember playing the record for them. I remember specifically playing 'Our Lawyer…' that opens the record, which has that 6/8 time feel, and they kind of look at me, like 'What?'. Then I played 'Dance, Dance', and they're like, 'Hey man, you know, whatever works for you. It's been nice knowing you'. But I just knew that, on the off chance that I ended up still being a musician in my 40s, I wanted to still love the music that we made. I didn't want to ever resent it. It's ironic because people say that bands sell out when they don't make the same thing over and over again. But wait a second. Say that again. Think about that.

That attitude seemed to carry directly into 'Infinity On High'. If you may never end up doing this again then let's make sure we bring in the orchestra while we still can...

PATRICK: That was literally something that I did say to myself this might be the last time, the likelihood is we're going to fail because that's what happens, so this might be the last time that I ever get a chance to have somebody pay for an orchestra and a choir. I always think of The Who when they did 'A Quick One, While He's Away' and there's a part where they go 'cello, cello', because they couldn't afford real cellos, they couldn't afford players. That's what I thought would happen for me in life. So I went in and thought, let's do it all. Let's throw everything at the wall, because there's no chance that it's going to happen again. So many things came together on that record, but I didn't expect it. 'Arms Race' was a very weird song, and I was shocked when management went along with it and had kind of decided that would be the single. I was in disbelief. It did not feel like a single but it worked for us. It was a pretty big song and then 'Thnks Fr Th Mmrs' was easily the big hit off that record. So then we have two hit songs off of an album that I didn't even know would come out at that point. But again, it was very much just about taking the risks and seeing what the hell happened.

As you went on hiatus for a few years, you worked on a number of other creative projects. How did those end up influencing your approach to the band when you returned?

PETE: On the areas of the band where I led, I wanted to be a better leader. When you're younger and you're fighting for your ideas, I don't think that I was the greatest listener. I just wanted to be a better cog in the machine. When you're in a band originally, no one gives you the little band handbook and says 'these are the things you should do', you know? I just wanted to be a better version of who I was in the band.

PATRICK: There's a combination of things. 'Soul Punk' is a weird record. I love that record but I kind of resent that record for so many things. It's my solo record, but it's also not very me in a lot of ways. I had started with a very odd little art rock record, and then I had some personal tragedies happen. My EP that I put out far out sold expectations so then all of a sudden, Island Records goes, 'Oh, we think this could actually be something we want singles for'. I think we had all expected that I would be putting out a smaller indie record but then all of a sudden they were like 'oh, you could be a pop star'. So then I have to retrofit this art rock record into pop star hit music, and also channel personal tragedy through it. I hadn't ever really been a front man - I'd been a singer, but I hadn't really been a front man, and I hadn't really written lyrics, certainly not introspective, personal lyrics. So that whole record is so strange and muted to me. So I went from that album, which also failed so fucking hard - I should have gone to school after that one. But Pete had reached out to me just as a friend, and said 'I know you're in your own thing right now, and I know that you're not the kind of person that is going to be in my fantasy football league, so I'm not going to see you unless we make music. But you're my buddy, and that kind of bums me out that I don't see you at all, so I guess we have to make music'. I thought that was a fairly convincing pitch. It's true, that was what we do when we hang out - we make music. So we reconvene, and going into it, I had all these lessons that really made me understand Pete better, because Pete is the natural front end person. So many of our arguments and frustrations and the things that we didn't see eye to eye on, I grew to understand having now been in the position of the point man that had to make all the decisions for my solo thing. It really flipped my understanding of why he said the things he would say, or why he did things he would do. I remember early on thinking he was so pushy, but then, in retrospect, you realise he was doing it for a reason. There's so many little things that really changed for me doing 'Soul Punk' that were not musical but were more about how you run a band and how you run a business, that made me understand and respect him a lot more.

What are memories of that initial return and, specifically, that tiny first show back at the Metro venue in Chicago?

PETE: Those first shows were definitely magical because I really wasn't sure that we would be on a stage again together. I don't have as many memories of some of our other first things. We were just talking about Warped Tour, I don't have many memories of those because it is almost wasted on you when it's a blur and there's so many things happening. But with this, I really wanted to not take it for granted and wanted to take in all the moments and have snapshots in our own heads of that show. I did a lot of other art during the time when we were off, everybody did, but there's a magic between the four of us and it was nice to know that it was real. When we got on that stage again at the Metro for the first time, there was something that's just a little different. I can't really put my finger on it, but it makes that art that we were making separately different than all the other stuff.

Musically, as you moved forward, everything sounded much bigger, almost ready for arenas and stadiums. Was that a conscious decision on your part?

PETE: Patrick felt like he was bursting with these ideas. It felt like these had been lying in wait, and they were big, and they were out there, and whether he'd saved them for those records, I don't really know. That's what it felt like to me. With 'Save Rock And Roll', we knew we had basically one shot. There were really three options; you'll have this other period in your career, no one will care or this will be the torch that burns the whole thing down. So we wanted to have it be at least on our terms. Then I think with 'American Beauty...' it was slightly different, because we made that record as fast as we could. We were in a pop sphere. Is there a way for a band to be competitive with DJs and rappers in terms of response time? Are we able to be on the scene and have it happen as quickly? I think it kind of made us insane a little bit. With 'American Beauty…', we really realised that we were not going to walk that same path in pop culture and that we would need to 'Trojan horse' our way into the conversation in some way. So we thought these songs could be played in stadiums, that these songs could be end titles. What are other avenues? Because radio didn't want this right now, so what are other avenues to make it to that conversation? Maybe this is just in my head but I thought 'Uma Thurman' could be a sister song to 'Dance, Dance' or maybe even 'Arms Race' where it is weird but it has pop elements to it.

PATRICK: I had a feeling on 'Save Rock And Roll' that it was kind of disjointed. It was a lot of good songs, but they were all over the place. So when we went into 'American Beauty…', I really wanted to make something cohesive. I do think that record is very coherent and very succinct - you either like it or you don't, and that's pretty much it all the way through. By the time we got to 'MANIA', I had done all this production and I'd started to get into scoring. The band had done so many things and taken so many weird chances that I just felt free to do whatever. At that point, no one's going to disown me if I try something really strange so let's see what happens. 'Young And Menace' was a big part of that experiment. People hate that song, and that's okay. It was meant to be challenging, it's obviously not supposed to be a pop song. It's an abrasive song, it should not have been a single. However, I do think that record should have been more like that. Towards the end of the production, there was this scramble of like, 'Oh, fuck, we have no pop music on this and we need to have singles' and things like that. That took over that record and became the last minute push. I think the last half of that record was recorded in the span of two weeks towards the end of the recording to try and pad it with more pop related songs. I look at that record and think it should have all been 'Young And Menace'. That should have been our 'Kid A' or something. It should have really challenged people.

But we have spoken before about how 'Folie à Deux' found its audience much later. It does feel like something similar is already beginning to happen with 'MANIA'...

PETE: I agree with you, and I think that's a great question, because I always thought like that. There's things that you're not there for, but you wish you were there. I always thought about it when we put out 'MANIA', because I don't know if it's for everyone, but this is your moment where you could change the course of history, you know, this could be your next 'Folie à Deux', which is bizarre because they're completely different records. But it also seems, and I think I have this with films and bands and stuff as well, that while one thing ascends, you see people grab onto the thing that other people wouldn't know, right? It's like me talking about 'Joker 2' - why not talk about the first one? That's the one that everybody likes. Maybe it's contrarian, I don't really know. I just purely like it. I'm sure that's what people say about 'Folie à Deux' and 'MANIA' as well. But there's something in the ascent where people begin to diverge, you are able to separate them and go 'Well, maybe this one's just for me and people like me. I like these other ones that other people talk about, but this one speaks to me'. I think over time, as they separate, the more people are able to say that. And then I can say this, because Patrick does music, I think that sometimes he's early on ideas, and time catches up with it a little bit as well. The ideas, and the guest on the record, they all make a little bit more sense as time goes on.

'MANIA' is almost the first of your albums designed for the streaming era. Everything is so different so people could almost pick and choose their own playlist.

PETE: Of course, you can curate it yourself. That's a great point. I think that the other point that you just made me think of is this was the first time where we realised, well, there's not really gatekeepers. The song will raise its hand, just like exactly what you're saying. So we should have probably just had 'The Last Of The Real Ones' be an early single, because that song was the one that people reacted to. But I think that there was still the old way of thinking in terms of picking the song that we think has the best chance, or whatever. But since then, we've just allowed the songs to dictate what path they take. I think that that's brilliant. If I'd had a chance to do that, curate my own record and pick the Metallica songs or whatever,that would be fantastic. So it was truly a learning experience in the way you release art to me.

PATRICK: After 'MANIA', I realised Fall Out Boy can't be the place for me to try everything. It's just not. We've been around for too long. We've been doing things for too long. It can't be my place to throw everything at the wall. There's too much that I've learned from scoring and from production now to put it all into it. So the scoring thing really became even more necessary. I needed it, emotionally. I needed a place to do everything, to have tubas and learn how to write jazz and how to write for the first trumpet. So then going into 'So Much (For) Stardust', it had the effect of making me more excited about rock music again, because I didn't feel the weight of all of this musical experimentation so I could just enjoy writing a rock song. It's funny, because I think it really grew into that towards the end of writing the record. I'd bet you, if we waited another month, it would probably be all more rock, because I had a rediscovered interest in it.

It's interesting you talk about the enjoyment of rock music again because that joy comes through on 'So Much (For) Stardust' in a major way, particularly on something like the title track. When the four of you all hit those closing harmonies together, especially live, that's a moment where everything feels fully cohesive and together and you can really enjoy yourselves. There's still experimental moments on the album but you guys are in a very confident and comfortable space right now and it definitely shows in the music.

PATRICK: Yeah, I think that's a great point. When you talk about experimentation too and comfort, that's really the thing isn't it? This is always a thing that bugged me, because I never liked to jam when I was a kid. I really wanted to learn the part, memorise it and play it. Miles Davis was a side man for 20 years before he started doing his thing. You need to learn the shit out of your music theory and your instrument - you need to learn all the rules before you break them. I always had that mindset. But at this point, we as a band have worked with each other so much that now we can fuck around musically in ways that we didn't used to be able to and it's really exciting. There's just so much I notice now. There are ways that we all play that are really hard to describe. I think if you were to pull any one of the four of us out of it, I would really miss it. I would really miss that. It is this kind of alchemy of the way everyone works together. It's confidence, it's also comfort. It's like there's a home to it that I feel works so well. It's how I'm able to sing the way I sing, or it's how Andy's able to play the way he plays. There's something to it. We unlock stuff for each other.

Before we close, we must mention the other big live moment you had this year. You had played at Download Festival before but taking the headline slot, especially given the history of Donington, must have felt extra special.

PETE: It felt insane. We always have a little bit of nerves about Download, wondering are we heavy enough? To the credit of the fans and the other bands playing, we have always felt so welcomed when we're there. There's very few times where you can look back on a time when... so, if I was a professional baseball player, and I'm throwing a ball against the wall in my parents garage as a kid, I could draw a direct link from the feeling of wanting to do that. I remember watching Metallica videos at Donington and thinking 'I want to be in Metallica at Donington'. That's not exactly how it turned out, but in some ways there is that direct link. On just a personal level, my family came over and got to see the festival. They were wearing the boots and we were in the mud. All this stuff that I would describe to them sounds insane when you tell your family in America - 'It's raining, but people love it'. For them to get to experience that was super special for me as well. We played the biggest production we've ever had and to get to do that there, the whole thing really made my summer.

PATRICK: There's not really words for it. It feels so improbable and so unlikely. Something hit me this last year, this last tour, where I would get out on stage and I'd be like, 'Wait, fucking seriously? People still want to see us and want to hear us?' It feels so strange and surreal. I go home and I'm just some schlubby Dad and I have to take out the compost and I have to remember to run the dishwasher. I live this not very exciting life, and then I get out there at Download and it's all these people. Because I'm naturally kind of shy, for years, I would look down when I played because I was so stressed about what was happening. Confidence and all these have given me a different posture so when I go out there, I can really see it, and it really hits you. Download, like you said, we've done before, but there's something very different about where I am now as a person. So I can really be there. And when you walk out on that stage, it is astounding. It forces you to play better and work harder, because these people waited for us. The show is the audience and your interaction with it. In the same way that the band has this alchemy to it, we can't play a show like that without that audience.

#sir the ''schlubby dad'' in question is getting on stage and GROWLING. people are dying and creaming and dying and cr #time capsule #read the charts #fall out boy #patrick stump #pete wentz #joe trohman #andy hurley

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thewritingrowlet · 11 hours ago

Text

The Heart-lifter, ft. Red Velvet Seulgi

tags: blowjob, anal teasing, first time anal

length: 10k

author's note: This fic was built on an idea sent by an anon, and this is a good opportunity to say that even though you can send ideas (complete with a plot or not), I decide whether I'll write it, and if I do end up writing it, I get to decide the way the plot progresses. I hope that won't discourage people from submitting their ideas.

Seulgi lowers the bill of her cap as she eyes this convenience store for the perfect opportunity for a quick in-and-out snatch.

“Fuck, am I really doing this?” Different versions of this question have been running amuck in her head, and for a good reason, too: Seulgi used to be standing on stage with bright lights shining on her, but ever since her agency folded, she was forced to do things that she normally wouldn’t (i.e. stealing) just so that she can get her hands on most-needed daily essentials.

Seulgi’s heart races: what if she gets caught? What if the police get involved? What if— “Ah, fuck it, I don’t have any other options.” Her good conscience tries so hard to convince her that there are other options, but no matter how much it’s trying to make Seulgi stop, she simply won’t, and as she’s approaching the shop, she puts on a mask and zips up her jacket to conceal herself better.

Once she’s in, she takes a few laps around the shop and takes mental notes of where the desired items are: soju is in the glass fridge at the back, pads and soaps are on the shelves in a nearby aisle, and finally, makeup are on the shelves across in the same aisle. “Do I want snacks as well?” Seulgi tries to estimate the size of the items she wants since they will all need to fit around her body, inside the jacket that’s not too big to begin with. “Maybe I can fit a pack of Oreo or two,” she thinks.

She stands in front of the big fridge, and the way the glass door is showing her reflection makes her question herself once more. Seulgi’s eyes wander off her target and shift towards her feet. “Fuck, mama would be so sad if she knew about this.”

“Excuse me, miss,” a voice snaps her out of her trance, “I want to grab something, so can you please move a little?” Her first instinct is to say sorry and step back, but she manages to stop herself from speaking just in time. There’s a possibility that this woman might recognize her based on hearing her voice, so she simply nods and moves away from the fridge.

Seulgi takes a momentary shelter in an aisle that’s full of instant noodles. Her eyes happen to land on a pack of instant carbonara ramen that she loves. “I used to be able to afford boxes of this thing at once,” she thinks as she holds one in the air. She hears the fridge’s door closing and guesses that the woman is done grabbing whatever. “Alright, let’s not second-guess this.”

With renewed certainty, she makes her way back to the fridge and, without thinking twice, snatches a bottle of soju. After hiding it inside her jacket, she proceeds to go to another aisle to get some sanitary products. Seulgi has half a dozen items hidden underneath her jacket now, and as tempting as it is to get more stuff, she doesn’t want to risk it even further. “That’s it for now.” Seulgi fast-walks towards the exit, and as luck would have it, a bunch of other people are also about to exit, so if the alarms were to trip, no one would be able to point at her directly.

True enough, the shop’s alarms start blaring as soon as she walks out of the door, but she stays calm so that people won’t be too suspicious. Seulgi immediately makes a left turn into an alley, and that is when she starts running, hugging herself tightly as she does to prevent the stolen items from falling out. “C’mon, Kang Seulgi; you can make it home safely.”

“Thank you so much, miss,” you say as you take a cup of hot chocolate and a triangle kimbap from the server. “Of course, sir—come back again soon!” With a smile, you step away from the register and make your way towards the exit.

You take a sip from the paper cup, and your body immediately feels the warmth from the hot chocolate that serves as a salvation on this cold night. “Oh my God, that’s so good.” You set your hot chocolate on the hood of your car so that you can shift your attention to this warm triangle on your other hand.

“Alright, let’s see if their spicy tuna is actually spicy,” you say to yourself as you free the kimbap of its packaging. The taste of the first bite makes you let out a sigh of satisfaction; not only is the tuna filling properly spicy, but it’s also very flavorful. “I’m about to fucking bust from this,” you think.

You pull out your phone and take a picture of the café’s exterior— “Oh, I’m so sorry.” You turn around to see who just hit you. “Are you okay, miss?” You can’t see her face, but she gives you some rapid nods. You’re a little surprised when you see some soaps falling out of her jacket. “Let me grab that for you, miss.”

You bend down and pick up the soaps, but her hands are too busy hugging herself when you’re trying to hand them back. “C-can you put them in my front pockets, please?” You finally hear the woman’s voice. “Sure.” You lift the tabs that are covering her pockets and fill each pocket with a bar of soap.

“Here—" You hear a short static from your earpiece, thus interrupting your speech. “Unit 318, 10-40. 10-20, 102 South Boulevard. 10-21, complainant reports of a theft from the shop they’re working at. 10-12, await further information.” You keep your eyes on the woman as you wait for the rest of the call. “10-35, suspect is a female, wearing a brown jacket and a cap of similar color.”

The call finishes right as the woman begins walking away from you, but you manage to halt her by gripping her shoulder. “Not so fast, miss—wait a moment, please?” You lift the left side of your coat to talk into the radio hidden underneath it. “This is unit 318—10-4, will respond directly to South Boulevard.”

You pull her closer towards your car, and that is when you see that she’s shaking. “Are you cold, miss?” She simply shakes her head to your question, still not making eye contact with you. You’re quite confident that the call was about this woman who’s standing right in front of you, but obviously you can’t just arrest people based on gut feelings alone, so, “Miss, I have some questions for you, so please get in the car.”

With little resistance, the woman enters your car from the back door that you’re opening for her and takes a seat in the back of your police car. Once she’s seated comfortably, you sit on the driver’s seat and lock the doors. “Miss,” your voice is stern as intended, “will you please tell me your business, or do I need to take you back to the station first?” “D-do I not have t-the right to remain silent?” You nod as you turn on your siren. “Well, the station it is.”

You haven’t driven too far from the spot of arrest when the woman cracks. “O-officer,” she calls to you, “I-I give up—look, I-I’ll confess.” You make a quick stop on the side of the road. “Yes?” From the rear-view mirror, you see that the woman lets go of her jacket, and you see the pile of items hidden underneath it.

“I-I took some stuff from a convenience store.” You try to stay focused despite her curves that have been exposed to your eyes. “Those are daily necessities, aren’t they, miss?” She nods. “I-I don’t have money, sir, s-so I took them.” “You’re aware that it’s a crime, aren’t you?” She nods again. “P-please, officer, I-I need these things.” You sigh as you think about—wait, what is there to think about? It’s obvious that she has committed a crime. “Look, let’s get to the station first—we can talk more there.” “No, no, no—officer, please!”

You’re surprised to see that the woman has taken off her cap and mask. “Huh, I’ve seen you somewhere,” you mindlessly comment, “wait, you’re Kang Seulgi—you’re a celebrity, aren’t you?” The woman promptly breaks eye contact. “I-I was, officer; m-my agency went bankrupt.” “So, you had to shoplift to get stuff?” She nods. “I-I’m sorry, I-I should’ve known better.” You palm your forehead, oddly stressed about the fact that a celebrity (formerly, as she claims) has committed theft for such simple items.

“Can you keep a secret, Miss Kang, because I’m about to put my career on the line for you.” You’re a little startled when you feel her wrapping her arms around you from the back seat. “Of course I can, officer; I swear on everything that I’ll keep this between you and me.” You chuckle, and it might have come across as suspicious. “You don’t even know what I’m about to do, do you?” “W-well, that’s true,” she takes a moment to think, “y-you’re not going to rape me, are you, officer?” You’ve never heard something that absurd in your life before, especially in your career in the police force. “No, I’m not—are you out of your mind?”

You turn your head to the side so that you can see her in your peripheral vision. “We’re going to go back to the store and return those items,” you start, “after that, we’re going to go to another store, and I’ll buy you whatever you need.” Seulgi wraps her arms more tightly around you. “Yes, officer—thank you so much!”

You start driving again when Seulgi lets go of the hug. “I’m so fucking cooked,” you think, “can’t believe I’d see a celebrity shoplift.” “Officer,” you hear her say, “c-can I ask what your name is?” You nod. “Kang Hyunwoo, Criminal Investigation,” you briefly introduce yourself, “my family knows me better as Aiden, though; I’m of foreign descent, you see.” “We have the same last name?” You nod again. “That’s how it’s intended for us.”

Before long, you arrive at the store Seulgi stole from. “Wait here, okay?” You don’t wait for an answer and hop out of the car with the stolen goods in your hands. “Excuse me, excuse me,” you say as you make your way towards the front of the line. “Hello, my name is Kang Hyunwoo from the Metropolitan Police,” you introduce yourself to the staff, “I’m not too familiar with your system, but I’m here to return the stolen items.” The staff thanks you for your help and tries giving you a shopping voucher, but you politely decline. “Thank you, but that won’t be necessary,” you say.

You quickly return to your car, and you’re glad to see that Seulgi didn’t drive away with your government-issued car. “You know, officer,” she says, “it was bold of you to leave a criminal alone in a running car—I could’ve driven away.” You chuckle. “I trust you more than I’d like to admit, Seulgi-yah.”

It is when you get in your seat that you realize that you might have been too friendly with her. “Anyway,” you clear your throat, “we still have some business at the station.” Seulgi’s face turns sour. “I-I thought you were going to buy me some stuff?” “Sorry, but that was a bait.” Seulgi gulps to swallow the anxiety that’s stuck in her throat. “C-can you just not let me go?” You shake your head. “I’m afraid not.”

“Daddy, please.”

You immediately turn your head towards her. “What did you just say?” “Please don’t turn me in, daddy,” she puts quite the emphasis on the name, thus making your jaw drop. “What the fuck are you talking about—why are you calling me that?” Seulgi takes off her jacket, thus exposing the tight-fit top that she’s wearing and showing you her perfect curves. “Give me a chance to change your mind, daddy—it’ll be worth your time, I swear.” “You’re not giving up your body to escape the law, are you?” Seulgi leans closer towards you, giving you a peek into her cleavage. “No, daddy; I’m giving up my body for you.”

“Goodness me,” you think. You’re oddly and seriously debating whether you’d turn a blind eye to crime in favor of sleeping with the criminal who happens to be a celebrity. “You’re dangerous, Miss Kang.” Seulgi shakes her head in protest. “Stop talking so formally, daddy; I’m yours for tonight, y’know.” You’re so unfocused that you press the ignition button again and shut off the running car. “Heh, I can tell when a guy is sold on an idea.” With red cheeks, you turn on the car again and immediately start driving. “We’re going to my place, baby.” “Oh, that’s exactly what I want, daddy—you’re going to take me to your place and fuck me until the sun rises again.”

“Wear your cap and jacket again, Seulgi-yah,” you’ve dropped the formality with her, “wouldn’t want to be seen running around with a cop, would you?” Seulgi looks at you blankly, making you confused. “Yes?” She shakes her head. “Nothing.” She puts on her identity concealment instruments as you’ve requested and follows you towards your apartment.

Seulgi quickly lets out a wow as she enters your apartment. “What a nice apartment.” You chuckle. “I’m sure a celebrity like you lives in a better place than this.” “I used to—not anymore, though,” she corrects you. “Fallen from grace, huh?” You say it with your back turned around, so you miss the way Seulgi’s face turns sour when she hears your words, only catching it when you look at her again.

You move to stand in front of her. “Sorry, I didn’t mean to say it like that.” Seulgi shows you a pretty smile. “It’s okay; I got what you meant.” She tries to hug you but gets confused when she doesn’t feel the shape of your body, thus tapping your body to figure out what’s wrong. “There’s some equipment underneath my jacket, baby,” you let the name slip out. Seulgi chuckles. “Yeah, should’ve thought about that first.”

You step away from her so that you can take off your jacket, and when it’s off, Seulgi can see your handgun and a pair of handcuffs that you keep on each side of the shoulder holster. “Ah, so those were in the way,” she says, and you simply nod is response. “Let me sort this out first, and then I’ll come back to you, okay?”

You unload your firearm and put it in the safe along with the magazine after making sure there is no bullet in the chamber. After that, you hang your jacket and holster on the wall hooks behind the bedroom door.

“Alright, so, what now?” You invite Seulgi to sit on the sofa. “You’re here right now because you want to escape the law, and to do that, you want to offer your body to me,” you don’t bother sugarcoating your words. “You don’t have to be so crass, though,” she says in a sad tone. You slowly reach for her knee, placing your hand on it. “I’m sorry; I’ve never been good with words.”

Your heart jumps a little when Seulgi places her hand on yours. “I wish we could talk—y’know, about ourselves.” “I mean, we can,” you say, “I’m off-duty right now, so at the moment, this is your safe space, and you’re safe with me.” She lets out a chuckle. “Didn’t you try to arrest me just minutes ago?” You also let out a chuckle. “Well, that was Officer Kang Hyunwoo from the Metropolitan Police—at this moment, I’m just 32-year-old Kang Hyunwoo.” “Oh, you’re 32? My group’s leader is 33,” she says. You laugh. “I know—I mean, your group was famous.”

Joyfulness disappears from Seulgi’s face, and in turn, it disappears from yours as well. “Unnie would be so disappointed if she heard about this.” “I wish you hadn’t tried all that, and I’m not saying this as a law enforcer.” “What was I supposed to do, though? Should have I just asked someone to buy stuff for me?” “Honestly, I would’ve bought those things for you.”

Your heartrate jumps again when Seulgi puts her head on your shoulder. “Will you date me?” Her question doesn’t help you calm down. “S-sorry?” “I promise I’ll be a good girl for you, oppa,” she pulls out a new endearment for you. You fight the hesitation in your head and wrap an arm around her shoulder. “I have no question that you’re a good girl, but don’t you think you deserve someone better?" “Are you not a good person, oppa?” “I think I’m alright—I’m not perfect, you know.” “We can’t chase perfection in this world, oppa, especially when it comes to falling in love.”

It doesn’t take too much to make up your mind. “So, girlfriend, hey?” Seulgi grins. “I mean, I could be yours if you’d let your guard down and let me enter your heart.” You take a few deep breaths as you get ready to say this sentence that your brain has come up with, and with every second passing, you can feel conviction filling your head rather rapidly.

“I love you.”

You’ve never been so nervous to say such a short sentence before.

“Say it again?”

“I love you, baby—I love you with all my heart.”

Seulgi lifts her head off your shoulder and looks at you in the eyes. “I love you too, oppa, and thank you for the sweet words.”

You hesitantly reach for her chin, hoping that she’ll let you kiss her. “I know what you want, oppa.” She slaps your hand away and comes in quickly for a kiss, and right now, all you can think about is how soft her lips are.

Seulgi finds your hand without looking and guides it towards her tits. “Touch me here,” she softly whispers, and you’re eager to do just that. The cream top she’s wearing is so soft to the touch, and combine that with her perfect-sized tits, it feels like you’re dreaming—never in your life have you ever thought about being able to do this with someone like her.

Having had enough of your lips, Seulgi breaks the tangle. “Oppa,” she calls to you, “promise me this isn’t a one-night thing.” You shake your head, but gesture alone isn’t enough for Seulgi as she demands a verbal answer. “No, baby, it’s not a one-night stand; I want to be with you until you’re sick of me.” She laughs. “I won’t get sick of you ever, oppa, so we’ll stay together forever.” You peck her on the lips. “I like the sound of that, baby.”

Seulgi moves to sit on your lap; her crotch is grinding right against yours but blocked by the pants that each of you are wearing. “You know,” she says, “you’re so fucking hot—so fucking manly.” You laugh internally, because what does she mean you’re “manly.” “You’re so fucking hot too, baby.” “Yeah, oppa?” You’re getting hard as Seulgi grinds her crotch against yours. “Shit, haven’t you looked at yourself in the mirror?” She smirks, satisfied with your answer. “I wonder how you’ll react when I’m naked, oppa.” “Then let’s find out, baby,” you whisper right into her ear.

As horny as you are, you don’t forget to ask for consent if you can take her to the bedroom, and only after she says yes that you lift her by her thighs and make your way there. “Do you sleep with girls often, oppa?” You shake your head. “I haven’t gotten in a relationship in years, actually.” “You must have a huge load for me, huh?” “You know it, baby.”

You take a seat on the edge of the bed with Seulgi on your lap. “Hey, baby,” your tone is relaxed and soft, “look, before we start—” She interrupts you by placing a finger you’re your lips. “I consent, I want to be with you, and I love you.” You chuckle. “Well, that will do the trick.”

Seulgi lets her jacket fall onto the floor, and only now that you can see her curves properly. “My fucking God,” you exclaim, “fuck, I wish I had the words for this.” “I’m not even naked yet.” “Yeah, well, what are you waiting for?” She slaps your chest lightly. “I’m waiting for you to shut up.”

Your jaw drops when Seulgi takes off her top; her tummy looks so firm, her tits that are covered in black tight bra look so soft and full, and her neck looks like the perfect spot for hickeys. “God damn,” you wipe the drool off your lips, “aren’t you God’s most perfect creation.” She slaps you in the chest again. “Normally, I wouldn’t tolerate someone talking about me like that, but you’re my exception tonight.” Your eyes that have been roaming wildly all over her body shift to meet hers. “Just tonight? I thought we wanted to keep seeing each other?” “Well, actually,” she puts up a finger, “whether we can see each other again will depend on your, erm, performance.”

You have Seulgi sit on the bed so that you can undress. “My performance, huh?” You can see a mix of excitement and nervousness in her face. “I’ll show you.” You quickly get rid of your clothes, thus allowing Seulgi to have a look at the excellent physique you’ve maintained for God-knows-how-long. “Goodness me,” she bites her bottom lip sexily, “so that’s what you’ve been hiding from me.”

Seulgi stands closely in front of you and places her hands on your shoulders. “May I?” You express your consent with a nod, and that is when she begins running her hands all over your torso. “Do these girls know that you’re this sexy, because they’re missing out big time.” You chuckle. “I’m the sole reason that I’m not in a relationship—those women out there have nothing to do with it.” “Yeah, yeah, whatever you say.”

Seulgi’s eyes land on your cock. “Oh, speaking of big,” she reaches for the half-erect, half-limp shaft that’s dangling between your legs. “Say, how many girls have you torn in half with this, oppa, hm?” You laugh as your ego inflates. “You’d be the second.” It’s Seulgi’s turn to laugh. “You’re underestimating me if you think that I won’t be able to take you.”

Your heart beats faster when Seulgi kneels in front of you while her hands are still wrapped around your cock. “Oh, this will be a tight fit,” she comments. Before taking you in her mouth, she stretches her mouth first, making these funny expressions as she does. She catches you grinning and hits you on the thigh. “Don’t.” “I don’t know what you’re talking about.” “I know that face—that’s the I-can’t-wait-to-fuck-this-girl face.” You shrug. “I mean, can you blame me?”

Seulgi doesn’t answer your question with words and instead parts her mouth to let your cock in, and the first contact makes your knees weak. “Oh, God, baby,” you’re running out of breath already. You gasp sharply when more of your shaft enters her mouth, and it’s getting really difficult to stay upright. You feel her soft hands on your thighs as she fights her gag reflex to get as much of your length in her mouth as she can.

The gurgling sound that enters your ears when Seulgi removes you from her mouth is nasty but arousing. “D-did you like that, daddy?” You nod feebly. “You want to fuck my face, or no?” You take a few deep breaths to collect yourself. “No, baby; I don’t want to do it rough on our first date.” Seulgi shows you this gorgeous combination of lip and eye smile that you’re seeing for the first time tonight. “That’s sweet of you.”

You pull her onto her feet and invite her to lie in bed with you. “Can I ask how many guys have been rough with you?” “One,” she says. “I hope it wasn’t on your first date.” She smiles a little. “It was, but not on the first round.” You stay silent as your eyes are locked with hers. “What’s wrong, oppa?” The smile on your face is a gentle one. “I just can’t see myself going hard on you, baby; I feel like you deserve soft sex all the time.”

Seulgi rubs your face gently. “That’s sweet, but you have nothing to worry about; I can take whatever you send my way.” “Vanilla is what I’m sending your way tonight, baby.” Seulgi chuckles, and the way it hits your face makes you shiver. “You’re going to make me cry if you keep talking like that.” You place a hand on her cheek and rub it with your thumb. “I swear on everything I have, baby, that you’ll be crying for all the right reasons with me.”

“I’ll hold you to that, my love.”

With a warm heart, you pull her into a kiss, and you wholeheartedly hope that Seulgi can feel the tender love you have for her.

“Take me, love; make me yours,” she whispers softly. You roll over so that you’re on top of her. “Your pants are in the way,” you crack a little joke, and you’re successful in making her laugh. “Do something about it, please—pretty please?” “Oh, you’re pretty, alright.”

You move backwards a bit until her crotch is right in front of your face. “May I?” “Yes, you may.” You unlatch the metal button of her pants and undo the zipper. You then continue to drag her pants down her legs until they’re properly off. Seulgi also cooperates by taking off her panties—that has a wet spot in the center—herself.

You give her pussy a little peck (thus earning a cute little moan) before returning to your previous position on top of her. “Show me how much you love me.” You peck her on the lips once. “Gladly, baby.”

With your cock in one hand, you guide yourself to enter her warm pussy, and Seulgi immediately lets out a long moan because of the first contact. “You make me feel like this is my first time, oppa.” “With me, this is your first time, and I’ll be your last because you’re not leaving me ever.” “Are you that sure about us?” “Yes, baby, so God help me.”

You see that Seulgi’s dams are threatening to burst, so before it does, you distract her by pushing your cock deep into her. “I’ll be the best girlfriend for you, oppa—no one else deserves me like you do.” You silence her with a soft shush. “Let’s focus on us right now, baby.”

Seulgi holds you tightly, locking you in place close to her but still gives you enough space to keep moving your hips. She wants to express how safe and loved she feels in your arms, but her lips are busy moaning. “I know you can’t hear me, but I love you,” her heart says. “I know you can’t hear me, but I want to be with you for a long, long time.” A particularly deep thrust disrupts her train of thoughts, making her hide her face in the crook of your neck. “I love you, Kang Hyunwoo—I love you so much.”

At one point in her life, Seulgi heard that the heart controls the mind, and the mind controls the body. Right now, all her heart wants is to show you just how much she appreciates you—how much she appreciates this new relationship that she’s building with you. Without too much convincing, her mind agrees with the idea and, in turn, signals to her body that she’s highly enjoying this hot sensuality you’re offering her.

“L-love,” she calls to you, “I-I won’t last long.” “That’s fine, baby.” Your deep voice in which your reply is said sends goosebumps all over her body. “I don’t want you to last too long anyway,” she hears you say. “Y-you don’t?” Seulgi feels a sudden peck on her lips. “You finishing early would mean that you could feel my love, and that’s what I’m aiming for right now.”

Seulgi’s moans become more frequent as she inches closer to the checkered line. “Love me, oppa—love me, love me,” she chants into your ears. She gets ecstatic when the pace of your thrusts grows faster. “Yes, just like that, oppa.”

“Can you feel that?”

"Damn right I can.”

“Then give it to me, oppa; I deserve it.”

“Oh, yes, you do.”

Seulgi is the first one to crack, announcing her orgasm with a scream from the top of her lungs. “Oh, what an amazing girl,” you praise her while petting her head gently. “You’re such an amazing girl, aren’t you, baby?” She keeps squirming around in your arms as she rides the high of orgasm, moaning freely as she does.

You keep whispering sweet words as you wait for her to calm down, and finally, after what felt like forever, she’s now able to speak coherently again. “I-I love you,” she’s out of breath now, “I-I want no one else but you.” You spray kisses all over her sweaty face. “I love you more, baby.” Seulgi giggles a little. “Y-you’ll give me your load if you really love me.” “One second, baby; let’s calm down first.”

Soon, Seulgi signals that she’s ready to help you get to the finish line and asks that you resume your thrusts. “Don’t forget to cum inside, love.” Initially, you hesitate, but she repeats the line, and it’s clear that you have no other option. “As you wish, baby.”

Apparently, you were only a few pumps away from orgasm, thus busting deep into her after a handful of them. “Oh, fuck, that’s so warm.” You hit her cheek very, very gently. “No profanity during vanilla, please.” “S-sorry, b-but you’re so warm in me, love.” You kiss her fleetingly. “That’s just how much I love you.”

“The court hereby orders the defendant to pay 200.000 in fine and do 10 hours of community service.” The judge slams her hammer on the round pad repeatedly, thus officially passing the sentence for Seulgi’s crime that thankfully has been deemed as minor after considering the severity of it and her previously clean record. “The officer may escort the defendant out of the courtroom.”

You make your way towards your girlfriend as she stands up and place a hand on her cuffs. “Time to go, miss,” you whisper. Seulgi simply nods and starts walking to wherever you’re taking her.

You see that there’s an empty room on the first floor of the courthouse, so you open the door and enter with Seulgi. You take your hat off and put it on the table while she takes a seat on one of the available chairs. “Love, I can’t pay that,” you can already hear the anxiety and fear in her voice, “shit, had I had money, I wouldn’t have stolen.”

There’s no CCTV in this room, but there are see-through glass panes on the wall to your right, so you can’t touch her no matter how much you want to.

“I have money, baby.” You’re sure that Seulgi understands what you’re talking about.

“B-but I can’t do that.”

“You either take my money or go to jail for failing to pay—the choice is yours.”

It doesn’t take long for Seulgi to make up her mind.

“Erm, I-I’ll take your money; I don’t think I have other options.”

Now that the two of you have come to an agreement, you ask Seulgi to stand up again so that you can take her to the bank to pay her fine. You maintain character from the moment you exit the little meeting room until you’re hidden in the privacy of the police Sonata you’re assigned to.

“So, here’s the game plan, baby,” you start, “I will give you this card, and you’ll withdraw 200.000 and use it to pay the fine.” You don’t see her reaching out a hand, and that is when you remember that her hands are still cuffed behind her back. “Oh, I forgot about that—I’ll let you go when we get to the bank, okay?” Seulgi laughs. “I was starting to think that you had a bondage kink.” You look away to hide your smirk. “Maybe we’ll find out soon.”

After a short drive, you arrive at the bank with Seulgi.

You look at her through the rear-view mirror; with her wrists restrained behind her back, you have unrestricted view of her plump tits that you love so much. “I know you’re looking at my tits, you pervert,” she calls you out and sticks out her tongue in playful mockery. “You know I can’t keep my hands off the cookie jar.”

You get out of the car and open Seulgi’s door—wait, why does she look weak?

“You alright?”

She shakes her head, and you can’t help but scratch your head in confusion.

“I need some vitamin D, and I’m not talking about the substance.”

“Then let’s go in there, pay this God damn fine, and go home, hm?”

“I can’t,” she shifts a little to show you her bound wrists, “daddy is tying me down.”

You pinch her on the thigh.

“Let’s not play around too much right now, Miss Kang.”

After freeing Seulgi from the cuffs, you hand her your card and head inside, and you almost forgot that you can’t be seen holding hands with her while you're in uniform.

“Good afternoon,” Seulgi greets the staff member, “my name is Kang Seulgi, and I’m here to pay a fine.” The staff asks Seulgi about some things to confirm her identity and the sum that needs to be paid, and after everything is verified, Seulgi hands your card to the staff so that the payment can be processed. After a brief moment, “The payment has been verified, and this is your receipt.” From where you’re standing, you notice the way Seulgi’s body relaxes as she takes the receipt and card from the staff. “Thank you.”

Seulgi sighs deeply in relief and offers her wrists to be cuffed again, but at this point, it’s no longer necessary—in fact, it hasn’t been necessary since you left the courthouse, but she doesn’t know that. “You’re free to go, Miss Kang,” you say, back in character. “Oh, really? Is that it?” You nod. “Aside from the community service, you are now a free woman.”

Seulgi asks you to follow her outside, and it appears that she wants to get back in the car for some privacy.

“Love,” she calls to you from the back seat, “thank you for everything, seriously.” You smile gently. “Of course, baby; now promise me that you won’t steal again, okay? Come to me whenever you need anything, and I mean anything.”

Your heart is promptly filled with warmth when she hugs you from behind. “Never thought I’d date a cop, but here I am.” You chuckle. “I bet you thought that you’d end up with some rich guy.” “No,” she denies, “those guys are fake; they probably just want my money or my body.” “I mean, you do have a body that guys would kill just to have a chance to lay with you.” “Yeah, well, they’re not getting me ever—I’m yours now, remember?”

Usually, you have nothing to be excited about or look forward to when you get home after a shift, but now that you have Seulgi living with you full time, you’re always excited to go home, and it is no different today.

The way your heart is beating with excitement has your finger trembling as you enter the passcode to your apartment, and when you open the door, you’re instantly met with your girlfriend who has the beautiful grin and eye smile that you adore so much.

“Welcome home, love!” Seulgi greets you with open arms, and you waste little time to fill the space between them. “How was your day?” You let out a deep sigh to show how tired you are. “It was pretty exhausting, actually; I had to train shooting and worked out after that.” Seulgi turns her head to the side and gestures at the kitchen. “I may have some food for you.”

Seulgi drags you towards the dining table, thus showing you the table that has two bowls of tteokbokki on it. Based on how it’s presented, you estimate that she must’ve cooked this herself. “Oh my, thanks a lot, baby.” She gets on her tippy toes to peck you on the forehead. “Thank you for coming home—your timing was perfect, by the way.” “I’ve heard that before in my life.”

Seulgi pulls back a chair for you to sit on. “Let’s eat quickly, love, and then we’ll talk.” Your heart rate spikes for a moment. “Am I in trouble?” She shrugs. “I don’t know—are you?” “I don’t think so, but maybe I’ve missed something.”

You stare blankly at the bowl in front of you as you try to figure out if you’ve done anything wrong. Currently, there are two things in your head that might be the reason why she’s unhappy: you forgot to buy some eggs and instant noodles that she had asked for yesterday, and on the following morning, you rejected her offer to do a quick one.

Seulgi saves you from drowning in your own thoughts by placing her hands on yours. “Hey, now,” her voice is so soft, “I was just playing, love; you’re not actually in trouble. “I’ll buy you those eggs after this,” you blurt, and the suddenness of it makes your girlfriend burst out laughing. “Oh, don’t worry about them.”

She picks up a piece of tteokbokki with her chopsticks and invites you to do the same, so you do just that. There’s a bit of unease in the back of your mind that leads you to scratching your nape. “Thank you,” are the first words that leave your lips, and those are enough to make Seulgi smile. “You’re welcome, love,” she replies.

Like a cat, you shake your head rather violently to get rid of unnecessary thoughts in your head, and with renewed focus, you’re ready to take a bite of tteokbokki that you already know will blow your socks off. “Oh, I really like this, baby; this is really good,” you praise the fruit of her work. Seulgi blushes a little. “You always say that to everything I cook for you.” “You know how easy it is to please me—give me anything edible and I’ll say it’s good.” “But not eggplant.” “Anything but eggplant, yes.”

Seulgi says she wants to get a shower before going to bed, so after washing dishes with you, she makes her way towards the bathroom. “Join me,” she says as she jogs towards her destination. “Gladly.” You take the chance to undress yourself and put your equipment away while she’s off doing her business in the bathroom.

The door to the bathroom isn’t shut all the way, so you simply push it open, and that is when you see Seulgi standing under the shower, water flowing freely on her curves from top to bottom. After stopping the flow of water, she makes a “come here” gesture at you, and you waste little time to get close to her. “My, aren’t you God’s most perfect creation,” she recites your words from the first meeting. “Is it safe to say that we’re going to completely spend our batteries tonight and wake up late tomorrow?” Seulgi laughs. “You rejected me yesterday, didn’t you, love?” You answer in the form of a nod. “So, this is your chance to make things right with me, and you may start now.”

You take a few steps forward, thus making Seulgi step backwards until she’s pressed against the wall. “Vanilla, baby?” “No, daddy.” The name makes it obvious what she wants from you. “Safe word?” “Teddy.” You reject her choice because it sounds too similar to the kinky name. “Cookie, then.”

After agreeing on the choice of safe word, you quickly lean in for a kiss to kick things off, and as usual, Seulgi places her hands on your shoulders. “Tell me, daddy—what’s in that head of yours?” It’s a habit between the two of you to share each other’s plans before the actual sex to make sure you and her are on the same page. “Tell me your ideas first, baby.” Seulgi puts a finger on her chin. “Hmm, let’s see,” you can see the gears in her head spinning, “what about locking my wrists together, daddy?” You’re immediately sold on the idea. “Let’s do it, then.”

Seulgi gets down on her knees. “First, feed me your cock, daddy.” You hold your cock in one hand. “Choo-choo, the meat train is coming through.” Seulgi, who initially had her mouth open to take your cock, bursts out laughing. “Meat train? Really?” You pout a little. “Just play along, please.” “You’re so funny sometimes, daddy.”

“Only some—oh, God, fuck.”

You let out a profanity when Seulgi suddenly puts your cock in her mouth. “Oh, God, that never gets old.” You try your hardest to breathe at a normal pace as she begins moving her head along your length, and this is where you start regretting your decision to reject her offer to have sex yesterday. “Are you trying to make me pay for saying no, baby?” You grit your teeth in pain when she bites your cock slightly. “I’ll take that as a yes.”

You notice that she’s starting to pick up the pace, so you put a hand on the back of her head to prevent her from hitting the wall. “Relax, baby; you’re going to make me bust if you don’t slow down.” She doesn’t listen to you and keeps the fast pace—at least that’s the case until the tip of your cock hits an odd spot in her throat, thus making her gag. As soon as you pull out of her mouth, Seulgi begins coughing violently. “You’re okay, baby,” you say repeatedly while petting her head softly.

“100 days together and I still can’t take you deep,” she says, seemingly disappointed in herself. “That’s okay; I’m not mad or anything like that,” you assure her, but it appears that she doesn’t want to hear it. “That doesn’t mean that I get to slack off,” she argues. You deny her attempt at taking you in her mouth for the second time by gripping her hair. “No, no, no, let’s have a timeout first.”

You leave Seulgi seated on the bathroom floor to get a towel to dry her body with. “You want to move, don’t you, daddy?” You nod. “You’re my girlfriend, so let me treat you the way you deserve to be treated.” Seulgi rarely blushes, but this is one of those times where she feels like she can’t help it. “Am I lucky to have you, daddy, or are you lucky to have me?” The question sounds like a test, but you still answer properly from the bottom of your heart. “From my perspective, it’s me that’s so lucky to have you. If you think that you’re lucky to have me, then that’s a huge honor for me.”

You sit in the center of the bed with Seulgi still in your arms and are ready to have sex, but it changes when she begins tearing up. “Are you okay, baby?” She fans her face with her hands to get herself together. “Oh, don’t worry; these are tears of joy.” You’re glad that your nails aren’t long because you’re now able to wipe her tears without worrying about scratching her. “I promised you that you’ll be crying for the right reasons, didn’t I, baby?”

“I-I don’t know if I can continue, daddy—I’m sorry,” she’s still unable to stop crying. You chuckle. “Tell me how I’m supposed to be rough with a softie like you, baby, hm?” “Well, y-you’re supposed to be mean and dominant.” “I can’t be mean to you, can I, my love?” The way you say the last two words must’ve triggered something in her heart, because her cries grow louder than before. “Oh, I’m so sorry—look, I’ll get you some ice cream, okay?”

You rush to the kitchen quickly to get a cup of strawberry ice cream for her, and when you return to the bedroom, Seulgi is curled up in the middle of the bed. “Seulgi-yah, my love,” you tap her thigh to get her attention, “do you want some?” “Y-yes.” Once she’s seated, you move to sit behind her and have her lean against your body. “Look at this, baby,” you open the lid for her, “it looks so tasty, don’t you think?” “A-and soft like me,” she adds.

You take a spoonful of ice cream and guide it to her waiting mouth, repeating it a few more times until Seulgi says stop. “You know,” she says, “I remember overhearing a guy talk about how he fantasized about fucking me hard like a cheap slut.” Your brain starts getting filled with anger, because what the fuck kind of fantasy is that. “Really?” She nods. “H-he said he’d tie me down and fuck my ass.” “I don’t mean to prod too much, but have you taken a penis in your ass?” Seulgi shakes her head. “I’m naughty but not that naughty.”

You feed her another spoonful of ice cream as you think about her words. “Can I ask who this guy was and how you overheard him?” “H-he was, erm, a fellow trainee, a-and I happened to be walking past a room he was in when he said it out loud.” You’re very baffled; if he was a fellow trainee, that means that he was around Seulgi’s age, and for someone that young to have that sort of fantasy sounds nasty. “He didn’t debut, did he, because there are many male celebrities from your old label.” Seulgi shakes her head again. “He didn’t make the final debut lineup.” Hearing her answer makes you let out the biggest sigh of relief in your recent memory.

You have a few sentences in your head that you hope will convince Seulgi that you’re not that type of person, but after the first sentence leaves your lips, she won’t let you continue. “I can tell from day one what type of person you are behind your façade.” You scratch your head in confusion. “Am I that easy to read?” She chuckles. “I’ll say that your book was a bit open.”

The ice cream has run out, but thankfully, Seulgi is no longer crying. You put the small wooden spoon in the empty cup and put them on the bedside table. “I hope I helped you feel better,” you say. “I mean, I wasn’t sad necessarily, but you did help a lot.” She moves to sit on your lap after freeing herself from your arms.

“I love you.”

“I love you more.”

Seulgi grins, satisfied with your quick answer. “Are you down to make some promises?” “Let’s do it.”

Seulgi asks you to go first, so you say the first thing that comes up in your head. “Promise me that you won’t leave me when you’ve got back on your feet.” “Excuse me?” You sigh deeply. “You met me when you were in a rough spot, and I sincerely hope that you won’t leave me when… you know, you’re in a better situation—maybe when you get a job or something like that.” She holds your face with her soft hands. “No, I will never do you like that—I’m here right now because of you, love.” “So, you promise?” She nods rapidly to show seriousness, and seeing it warms your heart. “Thank you, baby.”

Seulgi looks away momentarily. “I had something in my head, but you threw me off.” You stay silent to see if she manages to find something for you. “Okay, how about this,” she says, “promise me that you’ll propose to me and make me yours.” Your eyebrows rise involuntarily. “Propose to you? Are you that sure—” “Yes,” she interrupts you before you can finish your sentence. “You’re law enforcement, so what better way is there for us other than to formalize our relationship in the eyes of the law?” The phrasing makes you want to laugh, but your brain manages to stifle you from actually laughing, citing inappropriate timing. With that, your response is, “We’ll work on it, love.”

Seulgi quickly shifts to get on her knees in front of you. “Fuck everyone else; I’m the only one for you, and you’re the only one for me.” You rub her cheek gently. “What are you talking about, love?” Instead of answering your question, she repeats her line. “Love, seriously, what are you talking about?” “My ex,” her answer is a short one. “Why are you thinking about him?” She looks at you dead in the eyes, and you swear there is smoke coming out of her ears. “I’m not—if anything, I wish I could erase him from my memory.”

You don’t know how to react to that aside from saying that he’s completely irrelevant in your and Seulgi’s lives. “Please don’t bring him up again,” you say sternly. “Yes, daddy.” She must be in the same head space as before when the two of you were in the bathroom. “Oh, you’re saying it again, huh?” She palms your limp cock. “You distracted me with that ice cream, but now I’m ready.” You run a thumb on her cheek. “You were literally in tears and said you couldn’t continue—how could I have ignored that?” “Yeah, well, that’s now in the past,” she deflects, “let’s focus on the here and now, daddy.”

Seulgi crawls backwards until your cock is right in front of her eyes. “Oh, you’re so hard already.” “How can I not when my beautiful wife is naked in front of me like this?” She grins. “I’m your wife?” “Yes, you are—also, it’s not like there’s anyone else in this room, is it?” “There’s no one else in this room aside from the two of us, and there’s no one else in my life aside from you, daddy.”

Without breaking eye contact, Seulgi eases your cock into her mouth, wasting little time to start things off. She then grabs your hand and places it on the back of her head. “Ah, of course, how could I forget?” You start petting her head gently. “You like this, don’t you, baby?”

You make sure the praises keep flowing out of your lips without obstruction as your soon-to-be wife moves her head back and forth along your shaft. “God, you’re amazing at this, baby.” Enticed by your words and the pets on the back of her head, Seulgi picks up the pace, thus filling the bedroom with slurps and other sounds that escape her mouth that only add to your arousal. “I’m starting to think that you like my dick more than that ice cream,” you quip.

Before long, Seulgi removes you from her mouth to come up for air. “You know, I’m curious what it’d be like if I could take your whole dick in my mouth.” You take a rough measurement of your cock with your palm and estimate how far your cock would go. “The tip would be in your throat, baby.” She licks her lips, curious about how that would feel like. “Can I try?” You shake your head. “I don’t want to suffocate you with my penis,” you reason.

You invite Seulgi to sit on your lap after closing your thighs, but instead of simply straddling them like you hoped, she puts your cock in her pussy first before actually sitting on your lap, thus forcing the two of you to moan in reflex. “You like that, daddy?” “How can I not when you’re this tight?” Seulgi rewards your good answer with a fleeting kiss. “At what age do you think we’ll stop having sex, daddy?” You shrug. “I don’t know—60, maybe?” “I doubt it; with your physique, you’d be able to fuck me until we’re 80.”

You want to say something else, but your train of thoughts got derailed when Seulgi starts moving her hips. “I-I’ll stay tight for you, daddy, even if we have a lot of children.” “I don’t doubt it,” you’re getting breathy.

Without command, Seulgi picks up the pace to the maximum that she can do, her sexy moans flying out her lips without rest. It is when you take her tits in your hands that her moans get louder. “S-suck them, p-please.” You do as she asks and put one breast in your mouth while stimulating the other with your hand. “Yes, like that, daddy—suck my tits like our future children would.”

It's not fair for you to only stimulate one breast, so you let go of the first one to make room for the other. You keep sucking until you notice that Seulgi slows down. In retaliation, you lightly bite and pinch her nipples. “Oh, God, don’t do that,” she jolts, “l-look, I-I’ll start again.”

Seulgi eventually pushes you away from her plump breasts and falls backwards onto the bed. “I-I’m tired—y-you’ll need to fuck me this time,” she says between heavy pants. You don’t bother waiting for her to calm down, opting to start again right away to ensure maximum stimulation.

Initially, you’re holding Seulgi by her legs as you’re thrusting into her, but as time goes on, you’re starting to fold her legs over her body. “Fuck me, daddy—fuck me nice and fast,” she eggs you on. You fasten your grip on her ankles as you prepare to give her your absolute everything, and not too long after you’ve started, Seulgi is reduced to moans and screams as her eyes are rolling backwards.

All you can think about right now is how wet and tight— “D-daddy,” she snaps you out of your horny trance, “I, I—c-cum, daddy.” You quickly pull out of her pussy and aggressively rub her clit, thus making her scream. “D-daddy,” her orgasm is getting so close, “I-I’m—your fingers, daddy, fuck!” “Cum, baby; cum for daddy,” you urge her.

With an ear-piercing scream, Seulgi explodes, soaking the bed with her juice. Once she’s done squirting, you drag her around and position her until her legs are dangling off the edge of the bed. “You want to be tied?” Seulgi nods slightly. “Then tied you will be.” You grab a pair of handcuffs from your equipment holster and lock her wrists together with them. “Are you ready to go again, though?” She nods again. “Fuck me, papi.” Hearing the new name makes you chuckle. “One day, we’ll sit down and talk about our kinks, okay?”

Seulgi moans when your shaft enters her again and screams when your palm lands on her butt. “You’re fucking naughty, aren’t you?” “Y-yes, officer.” You spank her once more. “That’s inspector to you, Miss Kang—or papi, like you said yourself.”

You fix your hands on her waist as you fuck her tirelessly from behind, her butt cheeks bouncing around as your hips crash into them. You notice that her small, puckered ring keeps peaking at you every now and then, and an idea enters your mind: what if you put a finger in there?

You coat your thumb with spit to prepare it for a brave adventure to a brand-new world that is her asshole. Seulgi jolts when she feels your thumb in the entrance of her forbidden hole. “D-daddy, gently, please,” she begs, but instead of getting an assurance that you’ll indeed be gentle, she gets a spank on the butt instead. “You’re mine, slut.” You feel a tinge of guilt for calling her with such a pejorative name, but you’re half certain that she’ll understand considering the current situation.

Seulgi grits her teeth as her asshole stretches to accommodate your thumb. “How are we feeling?” “G-good—oh, fuck, fuck, fuck!” She begins squirming around when she feels your thumb moving in and out of her asshole. You don’t give her a chance to breathe as you opt to start fucking her again with your thumb still stuck in her ass.

Amidst her endless moans, a thought enters Seulgi’s mind: should she let you fuck her ass?

“Maybe I should.”

“Fuck, it’ll hurt so bad, though.”

“So what? He’ll be the first and last.”

“But he’ll stretch me like crazy.”

“Let him claim you.”

Her conversation with herself ends when she feels that your thumb is no longer lodged in her ass. She gathers her strength to turn her head towards you to look at you. “D-daddy,” her voice is barely heard.

“Yes, baby?” You couldn’t hear what she just said, so you lean forwards and ask her to say it again. “F-fuck my ass, daddy.”

Your eyes widen in shock; did she just ask to be fucked in the ass?

“You’re a virgin there, though, no?” Your answer is some feeble nods. “I-I couldn’t bleed for you, s-so claim my ass a-and make me yours.”

You pull out of her pussy so that you can address this further. “Baby, you know I have no problem with not being your first.” “J-just do it, daddy—l-let me show you exactly h-how much I love you.” “Are you sure?” “Y-yes,” she answers briefly. You ask once more and get the same answer, so you know that her mind is made up. “Safe word?” “C-cookie,” it appears that she hasn’t forgotten it. “Alright, let’s do it, then.”

It is when you’re back in your previous position that you realize you need something to make it hurt less for Seulgi. An idea pops in your head: “Her pussy will be able to coat me,” you think. You plunge into her pussy again and pump a few times until your cock is shiny because of her juice. For extra measure, you also coat your cock with a lot of spit.

“I’m ready, baby—are you?” She nods. “Claim me,” she repeats. “Stop saying it like that,” you protest. “J-just give it to me, please.”

Seulgi gasps when the tip of your cock touches her puckered ring. “Gently, love—I’m begging you,” she begs, changing the callout name for good measure. She inhales sharply when the tip of your cock stretches her virgin ass. “Please be gentle,” her voice starts to crack, and it’s understandable, too; this is her first time after all.

You push forwards into her pussy every odd second to not hurt her even more. Seulgi turns her head towards you, thus showing you the pooling tears in her eyes. “P-please tell me I’m doing well,” she says. “You are, baby; you’re doing so well right now,” you assure her, your hips still. It hurts your heart seeing your beloved woman be in tears like that, but it was her idea to give her ass to you, her beloved man, with whom she wants to have a life with.

“Love, take me.”

Using her urge as fuel, you begin moving your hips back and forth, thus properly and officially taking her anal virginity.

“Does it hurt so bad still?” “Y-yes, b-but it’s fine—t-this is what I want,” Seulgi deflects. You take a few deep breaths to focus your mind on the task. “Alright, I’ll try moving now, okay?”

You maintain this relaxed pace as Seulgi’s muscles adapt to your intrusion, and slowly but surely, moans begin streaming out of her lips. “That’s better, love.” You place your hands on her butt cheeks to caress them. “You’re incredibly tight, baby.” “T-that’s—AH!” A particular thrust makes Seulgi scream. “T-that’s your proof that I-I’m a virgin there.” “I never asked for proof, but thank you, my love.”

Your orgasm approaches at an alarming rate with every thrust of your hips. On one hand, you’re happy, because it means that Seulgi won’t have to suffer for too long. On the other, you’re worried that she’ll be disappointed by your performance tonight. There is one way to make sure, and that is to simply ask. “Love, can I cum?” She nods. “S-sooner than later, please, daddy.” “Brace yourself, baby—feel free to tap out, though.”

After delivering a warning, you pick up the speed, fucking her ass fast like it was her pussy, and Seulgi immediately sinks her face into the bed to muffle her voice. You instinctively spank her, thus forcing another scream from her, but regret it right away. “Fuck, sorry, baby; force of habit,” you say, apologetic.

You can feel the way your cock is throbbing in her ass—orgasm must be very close. “Baby, I’m—” “Do it, daddy—f-fill my ass.” “Alright, okay.”

You leave the entirety of your cock lodged in her ass as you blow semen deep into it, thus officially marking the end of this painful first-time. After you’re done filling her, you retreat out of her ass, and after blinking a few times, her asshole properly closes, locking your cum inside.

You grab the cuffs’ key so that you can unlock them, and after she’s free, you flip Seulgi onto her back and pull her into an embrace. “It hurt, didn’t it, love?” “Y-yes, but I’m yours now.” You put on a gentle smile for her. “Thank you so much, love—I love you.”

You’re back in bed after a long shower with Seulgi, and what’s left for you to do is to take care of her, which consists of several non-skippable steps.

First, you hold her tightly.

Second, you say, “Love, thank you so much, seriously,” to express gratitude and appreciation.

Third, you come in for a kiss—one that is passionate to support your words.

“Don’t leave me now, love.” “How can I leave you when I’m so in love with you?” Seulgi lets out a tiny chuckle. “Are you in love with me or my body?” The question offends you a touch. “Surely you don’t think that low of me.”

Seulgi shuffles around rather wildly. “Are you okay?” She huffs in frustration. “You’re not close enough.” You laugh. “Our skin is literally touching, baby.” “No, not enough.”

Seulgi mounts your lap and puts your semi-hard cock in her pussy. “Oh, there we go.” You tease her by thrusting upwards but earn a slap on the chest in response. “Don’t—I’m already so sore.” “Are we sleeping like this, then?” She nods against your cheek. “If you wake up first tomorrow, feel free to fuck me and cum inside.”

You chuckle. “That’d be a crazy way to start the day.”

#girl group smut #kpop smut #kpop fanfic #kpop fanfiction #male reader #male reader smut #smut #red velvet smut

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hotshotsxyz · 3 days ago

Text

living lies and compromise

(8b spec) (buddie) (879 words) spoilers for 8x08! set a few days after eddie returns from texas and i still managed to make it angsty :) i bet you'll never guess what band i stole the title from

The knock on Buck’s door isn’t entirely unexpected. He doesn’t know what to do with it, though, doesn’t know how to exist in this strange liminal space where Eddie’s back but everything is still different.

A few months ago, Eddie would’ve used his key and walked straight in. A few months ago, Buck would’ve welcomed him with open arms. As it stands, he hesitates. Just for a moment, but—

It’s been a long time since Buck was hesitant with Eddie. He hates it.

He opens the door, and the smile he greets Eddie with feels brittle and fake.

“Hey, man,” Buck says, trying trying trying to make it come out right. He hears it, though—it doesn’t sound the same.

“Hey,” Eddie replies. He hoists a six pack in the air, and if Buck squints he can almost pretend this is exactly what it used to be. That they’re what they used to be.

“Come—come in,” Buck invites. He can’t remember the last time either of them waited for permission like this.

Eddie swallows visibly and steps into the loft for the first time since—god, he’s not actually sure. Right after Halloween, maybe?

“Thanks,” Eddie says. He drops the beer on the counter but makes no move to grab one.

Silence stretches between them. It’s not uncomfortable, necessarily, but it’s also not the kind that falls when everything that needs to be said is out in the open and everything left can wait.

“I thought you’d be happy to see me,” Eddie says finally, achingly quiet.

Buck shakes his head. “I am, of course I’m happy to see you,” he says.

“Please don’t do that.” Eddie’s eyes are wide and sincere, and if Buck’s not careful—

“Eddie,” he says, pleading, “I am, you have no idea.”

“Then why…” He gestures vaguely at the space between them. Why the distance? Why the reticence? Why aren’t they falling together the way they always have?

Buck bites his lip and steps into Eddie’s space to grab a beer for himself. He retreats, but he doesn’t go far.

He pops the cap off and sighs. “You left,” he says simply.

Eddie stumbles back against the counter. “But I came back,” he says. “And I thought you understood.”

Buck offers him a sad little smile. “I did. I do. But—coming back wasn’t the plan.”

“Did you�� not want me to?” Eddie asks, small and a tiny bit incredulous.

“No,” Buck says, watching as Eddie’s disbelief turns to hurt. “I didn’t want you to come back. I needed you to.”

A wounded noise escapes Eddie’s lips. “I did,” he says.

“What about next time?” Buck asks. He wishes he didn’t sound so raw and ragged, but it hardly matters when Eddie’s the one listening.

“What?” He breathes, punched out like a cough.

Buck looks over Eddie’s shoulder, out the window and into the vague glow of night in Los Angeles. He takes a swig of his beer.

“I need you, Eddie, I still—the whole time you were gone it felt like—like I was missing a limb. And I can’t—I can’t keep needing you like this, not if I don’t get to keep you,” Buck admits. “So I just… I have to figure out how to stop. But I can’t do that when you’re here.”

“Don’t,” Eddie says desperately. “Please don’t. I’m here, okay? I’m not going anywhere. You have me.”

“I’m not sure I know how to survive believing that again,” Buck replies.

Eddie takes a step forward, close enough now that Buck can feel his breath ghosting across his skin.

“Look at me?” he asks.

Buck’s never been able to deny him much of anything.

“I kept looking for you. I’d see something funny and I’d turn, because I wanted to see your reaction. The front door would open, and I kept thinking you were going to be the one to walk through it. Hell, every time I went to the grocery store I wanted to call you to make sure everything we needed was on the list.”

“Eddie,” Buck breathes.

His hand drifts toward Buck’s shoulder, just like it always seems to, but this time it doesn’t stop. Eddie reaches until his fingers are resting against Buck’s neck and his thumb is slowly sweeping across his jaw.

“You need me?” he asks.

Buck nods.

“Good,” Eddie says in a rush of air. “Because I need you too, okay? So please don’t stop, please don’t pull away. I’m sorry I didn’t ask you to come with me.”

“I’m sorry I didn’t ask you to stay.”

Eddie’s shoulders slump. He takes the last step forward and pulls Buck into a tight hug.

There’s this thing Buck’s been trying not to look at. It’s been growing in size, taking up more and more of his field of vision since the moment Eddie left for Texas. It’s been fuzzy and hard to discern, difficult to ignore but easy to avoid putting a name to. As he melts into Eddie’s arms, though, everything comes into sharp relief.

It’s need. It’s want. It’s love.

And the thing is, Buck knows how this goes. But what the hell? It’ll be a privilege, getting his heart broken by Eddie Diaz.

He clings a little tighter.

#you know when you have something important to do but you decide to write an angsty little spec fic instead? yeah #buddiefic #buddie fic #911fic #911 fic #911 #buddie #fic #abbie writes #911 spoilers

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paullovescomics · 22 hours ago

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The majority of the US is definitely not walkable. Cities in the northeast are probably most likely to have more walkable sections, because they were fairly developed before cars took over, but the rest of the country is purposefully built around the car. A lot of smaller towns that used to have walkable downtowns tore down most of it to make room for more "modern" uses back in the 1970s.

I grew up in a small city that had a population somewhere around 40,000 when I was in high school. It was one of the top 5, maybe top 3 biggest cities in the state. Most neighborhoods had no sidewalks. The street in front of our house doubled as a section of a major state highway, so there were lots of speeding cars on it. Even with that, as a kid I used to walk a few blocks down to the convenience store to buy comics, but there was no grocery store within walking distance. This was in the 1980s, before all the fear of predators, and my dad also worked in the neighborhood, so my parents weren't too freaked out about me doing this. I severely doubt that any parents living there now are letting their kids walk a mile to the Snak Pak.

Now I live in a city of about 300,000 people. Probably in the top six cities in the state for population. We have buses that run seven days a week, but because the city is so spread out and simply not planned for mass transit or walking, all of the bus routes have to start and end at a central hub. If you live in the Northeast of the city and want to take a bus to the Northwest, you get on the nearest bus (that can involve quite a walk), ride it to the depot downtown, then get on the bus that goes closest to your destination. A trip that is 15 minutes by car is 45 minutes to an hour by bus (and that's just the time on the bus, not walking to and from stops). Earlier this year, my car was in the shop for a while, and the nearest bus stop was two miles away, even though I am in a fairly densely populated area. I'm just a bit on the edge of the city, and there are wealthy neighborhoods around here that have no use for the bus, so the limited transit resources are more needed elsewhere. In many parts of the city, there are no sidewalks, or sidewalks only on one side of the street. The downtown is walkable, but that's only a few blocks, and it's restaurants and coffee shops, not daily needs kind of stuff. And my city is considered progressive!

A few years ago, I lived in a smaller city that borders this one. There was a Dollar Store that was within walking distance, but there were no sidewalks. There were, however, drainage ditches on both sides of the road, and people drove like maniacs, so you did not walk unless you had absolutely no other choice. This is not a uncommon situation.

And all the malls, then the big box stores, killed all the smaller shops that used to be a bit closer long ago. Even the convenience stores are less common, because they've been combined into bigger gas stations with fewer convenience items and more gas pumps, designed for people driving to work, not for people who live in the neighborhood.

A lot of homeowners do not want their neighborhoods to be walkable. Heaven forbid an "undesirable" person might walk down Willowbrook Lane and possibly threaten the resale value of somebody's house. Or a family walking down the street with arms full of groceries might suggest that they can't afford a car, and what would people think?! Public transit is for those overcrowded cities with their teeming poor and rampant crime, not for nice neighborhoods like ours with big lawns that prove we are living right.

Okay, that last paragraph got preachy, but hopefully the point still came across. Americans are rarely able to choose walking as a viable option.

“America IS walkable, you’re all just lazy” my childhood home was an hour from the nearest hospital (by car)

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maruflix · 2 days ago

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YOU ARE SO GORGEOUS (IT MAKES ME SO MAD!)

𝜗𝜚 synopsis: hoshina is unfamiliar with the concept of personal space. unluckily for you, the huge crush you have on your vice captain is the least of your worries when he keeps catching you absolutely losing it. / REQ.

contents: female reader, reader is an officer in the third division, fluff, stoic reader, reader cannot express her feelings, not-so-oblivious hoshina, kissing

word count: 2.0k

When any kind of problem arises, the Third Division knows three things for sure:

Go get Captain Mina Ashiro to solve the problem for you.

If she’s busy with other important stuff, Vice Captain Hoshina Soshiro will do.

Should the Vice Captain be unavailable as well, look for Platoon Leader Y/N instead.

You don’t mind being busy— you’re happy to know that your fellow soldiers look for you in times of need. The thing is, sometimes people look for you to ask you where the Vice Captain is.

... and you hate Hoshina Soshiro.

It might surprise people to know that you’re able to feel emotions as strong as hate. You’re a naturally stoic person after all.

No noise readies you, no words shake you out of yourself, no person makes your emotions fluctuate — but Hoshina Soshiro is the only exception.

When other people would get discouraged to get close to you because of your lack of emotions, Soshiro is always at ease near you, like the two of you have been friends for a long time.

The way he smiles, the way he runs a hand through his hair, the way he stands— he’s so gorgeous it makes you so mad.

Like right now; the sound of blades clashing against each other rings in your ears as you try hard not to gape at the glorious display in front of you.

Kafka, huffing and puffing with sweat all over him as he desperately tries to keep up with his opponent, while Soshiro moves around with grace, delivering blows that seem so elegant and yet is enough to make Kafka stumble around like a puppet.

You watch, unsurprised, when Kafka falls down ungracefully, butt planted on the floor. Soshiro’s mouth starts moving (probably giving him some pointers) but all you can think about is how perfect he looks as a bead of sweat trails down his neck.

“Hey, it’s your turn.” Kikoru elbows you rather hard, making you snap out of your trance. Your face falls in an immediate deadpan as you stand up, passing by a dejected Kafka.

Soshiro smiles at you, seemingly unaffected by his earlier spar. “Oh no, I’m gonna have to open my eyes for this.”

He says it loud enough for everyone to hear and your heart leaps.

The spar lasted longer than the one with Kafka, but it still ended up with you losing. Well, there’s a reason he’s the Vice Captain and you’re the Platoon Leader.

As a competitive person, you should be angry for losing— but how could you, when Soshiro pulls you up and pats you in the back?

“You’re a great fighter. I might hafta to sit down and take a break.”

The poker face you successfully maintained should’ve given you a goddamn Grammy.

Soshiro spots you in the cafetaria and immediately makes a beeline to your table.

“’scuse me, coming through!”

The surprise in your eyes is gone as quickly as it appears. The entire table greets him warmly while you continue to eat. Soshiro smiles, sitting down next to you as Kafka scrambles to get out of his way.

Reno is trying to strike up conversation, but his only focus is on you. You seem so unconcerned about everything. He likes that about you too, but he wishes you’d let down your guard with him. How could he know whether you liked him or not? — not that he’d stop trying to get your attention.

Soshiro eating the rest of his apple while he watches you slurp down the last remains of your soup. Even when you eat, you look absolutely divine.

Just then, a lock of hair falls down your face, hanging dangerously close to your food. He instinctively reaches out to brush it out of your face.

“Whoops, wouldn’t wanna get that in the soup.”

Soshiro is aware of the stares he got from his subordinates, but seeing those beautiful eyes of yours look at him makes it worth it. Shocked, he watches as your eyes flash through different emotions before finally returning to its usual calm state.

“E-excuse me.” You didn’t give him time to speak before standing up and walking away.

“Wait!”

Did he just hear a stutter?

You walk fast, but Soshiro managed to keep a comfortable distance away from you. He lets you put away the tray of food and is about to call your name when you disappear inside the toilet.

He halts, opting to wait for you, resting his back against the wall. Then he hears something weird.

“AARRGGGHH!!!”

Posture immediately straight, his body involuntarily jerks to the sound of the scream, wanting to check out if you’re okay. Because it’s the sound of your scream.

He doesn’t have to, because at that moment the door swings open and you walk out of the toilet.

Red-faced.

He’s still standing in stunned silence when you slap a hand to your mouth and run away.

If Soshiro wasn’t worried before, he’s definitely worried now.

You keep avoiding him throughout the rest of the day. When you cross paths, you would refuse to look at him in the face. You’d only give him a halfhearted salute before fleeing.

The thing that bothers him is how hot and bothered you look. Are you feeling under the weather? Soshiro knows how hardworking you are, so he’s worried that you’re forcing yourself to work even though you’re sick.

“Platoon Leader, come here for a sec.”

You begrudgingly make your way to him, still not looking at him in the eyes. Fidgeting, sweating, and looking very, very bothered.

“Platoon Leader, are you sick?”

“No, sir.”

“Excuse me.” is his only warning before he presses his palm against your forehead.

Surprisingly, your temperature is... normal?

“W-what the-” Flinching, you make a big reaction and jerk away from his hand. Still, your face is calm. “If that’s all, I’ll take my leave.”

Soshiro sighs as you speedwalk away. Temperature aside, he’s 101% sure that you’re sick. After all, why else would your face be so red?

Unless...

You’re dreaming. You’re dreaming. You’re dreaming. Because there is no goddamn way Soshiro just touched your face.

You have no clue where you’re walking. You just wanted to get away from the only person who’s able to make you lose your cool. So you head outside, to the gardens. You pass by Haruichi on the way there.

“Hey, have you seen the Vice Captain around?” He calls out after you, making you want to scream in frustration.

Can people stop making you remember the existence of the drop dead gorgeous Hoshina Soshiro?!

“I don’t know! Maybe China!”

Haruichi looks very confused. You brush past him.

Full of nerves and unsure what to do, you finally sit down on a bench to catch your breath. You can still feel his fingertips on your forehead and see the worried expression in his handsome face.

He’s worried about you. You’re about to bury your head in your hands and squeal when you catch sight of the very same man walking towards you.

Like a cue, the mask is back on. You wanted to pat yourself in the back for how quickly you’re able to gather your composure. You’d rather die than embarrass yourself in front of your crush... although you just did that when you walked out to a surprised Soshiro.

He didn’t hear you scream, did he?

Did he?

You stand up as Soshiro stops next to you. He’s smiling his usual smile, but something is eerie about it. Like he knows a secret.

“Can I test something?”

You blink once. Twice. Then you nod.

“Walk with me.”

You follow him, puzzled.

Suddenly, he loops a hand around your shoulders.

Your heart misses a beat and you nearly stumble, but you catch yourself with sheer willpower. The stoic expression is getting harder to maintain, the smile on your lips itching to blossom.

“What... why?”

There are chills running down your back when you look up at Soshiro. His smile is wider now, like he absolutely knows a secret.

He absolutely knows.

You break free and run for your life.

Soshiro feels kinda guilty now. He didn’t mean to fluster you so much; he just felt so happy and flattered that he actually managed to make you blush.

That’s why he’s making his way to your quarters, hoping to apologize for teasing you too much today. Soshiro has loved you for many months now; he has no problems taking it slow until you’re ready to trust him with all your emotions.

The door is slightly ajar, so he pushes it open quietly, not wanting to alarm you. He’s about to knock on it to signal his presence when he sees the state you’re in.

Facing away from the door, your body is half slumped on the floor and half on the bed. You’re clutching a giant pillow to your face.

“AAARRRRGGGMMMM” Without warning, you scream, the sound drowned out by the pillow you’re burying your head into.

His mouth drops open but it quickly stretches into a smile.

You raise your head, revealing your blushing face, before slamming it down on the pillow again. A string of unintelligible noises follow soon after.

He clears his throat.

You pause mid grumble and the air is still. Slowly raising your head, you turn your head to the door. The two of you lock eyes.

“Vice Captain! Get out!”

Instead of getting out, Soshiro lets himself in and closes the door behind him. He chuckles at your terrified expression, finally seeing an emotion other than complete indifference.

“So you’re really not sick? Just blushin’ around me?”

You gape, looking very offended but unable to counter him.

“Oh, good. I thought my crush was unrequited.”

Your eyes widen.

“Hey, can I kiss ya?”

“Wh-what?!”

“Sorry. You just look so cute right now. Is that a no..?”

Soshiro moves closer, now kneeling down in front of you. A teasing smile is still present on his features. Gently, he strokes his thumb down the right side of your lips. Gauging your reactions.

You didn’t want to give him any, but even a great actress needs her breaks. A shy smile breaks through your cold facade, and Soshiro beams.

“Oh, this is so cute. I must kiss ya now.”

You don’t know where to look, eyes flitting everywhere but him, but you let him lean into you until you can feel his breaths against your skin.

“W-wait,” you gasp meekly. Soshiro’s other hand is around your waist now. “I’ve never kissed anyone before.”

Soshiro shivers in anticipation. “That’s okay,” he whispers and tucks a strand of hair behind your ear, “just follow my lead.” And he presses his lips against yours.

It’s so cute how shy you are, so much so that you’re trembling under his touch. He’s pretty sure he heard a whimper when he tightens his hold on your waist. It takes everything in him to control himself when you tilt your head back, parting your lips a bit further for him.

You don’t know how long time has passed because your head is still in the clouds even after he pulls away. It’s embarrassing how a simple kiss leaves you a mess; your breaths ragged and cheeks flushed.

You, who’s usually so stoic, calm and composed, looking like this under him—

“I want to say that I’ll stop teasing you, but I would be lying.” Soshiro grins when you bury your face in his chest.

You’re sulking a bit now. How dare he make you look like a complete idiot. “Whatever. You won’t get another reaction out of me anyway.”

“Is that a challenge?”

After that, he tries to get your attention every time you’re in the same space as each other. He’ll tease you, praise you, sling an arm around your shoulders, hold your things out of reach, all that just to get a rise out of you.

Of course, everyone knows he’s down bad. He acts like a schoolboy trying to get attention from his crush in all the wrong ways. So now even more people ask you about Soshiro; where he is, what he’s doing, like they’re completely convinced you two are an item.

Well, you are.

But with so many people teasing you about your relationship, it’s getting hard to hide behind a calm face. You smile a lot more often, especially when he’s around. Your reputation as the division’s most calm and composed soldier quickly fades into memory. At least you got yourself a hot boyfriend...?

Oh well. You win some, you lose some.

taglist: @bgyuus, @plsmarrymehioriyo, @o-sachi, @vashyuu, @moon-cakiie, @17020, @eeiternity, @ryescapades

#maru writes...#kaiju no. 8 #kn8 #kaiju no. 8 x reader #kn8 x reader #kaiju no. 8 fluff #kn8 fluff #kn8 hoshina #hoshina soshiro #soshiro hoshina #hoshina soshiro x reader #soshiro hoshina x reader

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madaqueue · 20 hours ago

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EPISODE 3: A TASTE OF HONEY IN DEFEAT

satoru thought he would have no problem winning a bet he proposed, but a month is too long to go without a taste of anything this sweet.

themes/content: smut. edging, handjobs, mean-ish dom!reader, satoru being whiney lmao, premature ejaculation + he cums inside, light bondage (satoru receiving). (wk: 2.1k)

a/n: this is part of @luv-lies no-nut-november collab!!! so excited to have been a part of this, hope you all enjoy >:3

“You know I trust you, but don’t you think the ropes are a bit much?” Satoru giggles as you tighten the final knot around his wrists, shoulders bulging and arms stretched overhead.

“I know you trust me - it’s you I’m worried about, ‘Toru.”

“What, worried I won’t be able to keep my hands off you?” The smirk painting his features veers into a grimace as he winces, straining against the tightening rope.

“No. I’m worried you won’t be able to keep your hands off yourself.”

Pink lips draw into a pout. “Aw c’mon, you know I’ll be good! I’m the one who made this bet in the first place, remember?”

You hum as you tug his hands down, testing the strength of the woven cerulean adorning his skin. The headboard shakes with the movement.

“And yet, you were so willing to break the rules.”

It had been quite a sight, truly - your dear Satoru, splayed across the bed, whimpers and moans falling from his lips like honeyed rain. They landed heavy in your ears, sticky and sweet. When the door creaked open, he made no effort to stop the fervent motions of his fist up and down his cock. He was flushed from head to toe, too lost in his own pleasure to recognize the sound of your footsteps approaching. It was only when your hand rested atop his that he jerked up, clouded eyes turning apologetic.

“I know I wasn’t supposed to, I know, I just couldn’t wait-” he had babbled.

“It’s okay,” you purred, rubbing soothing circles into his skin. “But you knew the deal, remember? I’m the only one allowed to touch you this month, right, Satoru?”

“I know, I know, I’m sorry-”

“And how close you were to cumming, too.”

“I wasn’t going to, I swear-”

You hummed and squeezed his base, earning a gasp. “You know it’s not good to lie, either. Remember, you made this bet, sweetheart. Were you really so willing to throw it all away? To lose?”

“I wasn’t going to lose, I promise, I just needed something-”

He was getting worked up, panicked thoughts racing through his mind. He braced on his forearms to sit up, but with a purposeful push you guided him back onto the sheets.

“It’s okay, my love. If my poor baby is so needy, I’ll take care of you. I’ll give you something.”

His eyes widened when you pulled the ropes from under the bed, eyeing him like your next meal, a starving predator ready to pounce. And here was your prey, so ready for the taking, offering himself to you as a good piece of meat should.

And now, he’s tied up like one, too.

“I wasn’t even going to break the rules,” he whines impatiently.

Sitting back, you admire your work: your strong, determined Satoru spread and waiting. Trailing a finger down his stomach, his skin burns hot in its wake.

“That’s certainly not what it looked like to me.”

“I-”

“Because to me, it looked like you couldn’t handle going even a month without touching this needy little cock of yours.”

He pouts. “I’m not little,” he huffs.

A giggle bubbles from the back of your throat, bouncing past your lips.

“And besides, I can handle it, I swear! I made it almost the whole month, I did, I just-”

Tilting your head, you gaze down at him. “What, got too desperate? Poor Satoru, ‘The Strongest,’ couldn’t even follow the rules of a bet he made?”

Blue flashes against white as he rolls his eyes. One hand ruffles his hair, cooing down at him.

“It’s okay, baby, I’ll make you beg to break this silly little bet of yours.”

“Whatever,” he scoffs, hiding the way pink creeps up his neck and decorates his cheeks, stained like flower petals. He’s soft like them, too.

A light chuckle lands in the air when your palm grazes up his length. He twitches in your hold, warm skin on warm skin.

“H-hah, see?” His mouth hangs open between the words. “Told you I could handle it.”

It’s gentle touches at first, to ease him into it: slow strokes, light fingers. And yet, he’s still wrapping his throat around whimpers.

“Aw baby, I haven’t even done anything yet.”

Your lips curl into a smile, breath hot behind them. The words come out syrupy, dripping in sugar (and Satoru has always had a sweet tooth). His stomach aches in hunger - hunger for your hands, your body, your control. Whatever you plan to do to him, he’ll swallow it whole, bigger and bigger bites until his cheeks swell and all he can taste is you.

The grip around his base tightens, running up and down. Something about your skin is so much softer than his, untainted by the cruelty he lives through, only dirtied by desire. It spreads over his skin, glistening white and sticky.

When whines begin to twist through the silence, his eyelashes fluttering to bat away the impending tears, he doesn’t have to say it - he’s close.

Just as his muscles begin to tense, you rip your hand away.

There’s a choked little cry he lets out, hurt like an animal you spared from death. One that was ready for it, for the warmth and comfort it provided.

“Why’d you stop?” His voice is strained already, a high-pitched draw across his vocal cords. His eyes are sparkling and wet.

A peck to his cheek sends shivers down his spine. “Because you’re not supposed to finish, remember, silly? I’m just helping you hold up your end of the bet, after all.”

A sound like untuned violins, haunting and beautiful all the same, plays from his throat. You giggle at the music.

“C’mon, Toru - you wanted this, remember?”

“I know,” he grumbles, scrunching his nose. “Fine, fine, do whatever you want.”

You smile.

(You would have anyways)

Your gaze falls upon the aquamarine rope, the matching eyes, before trailing back down his steadying chest.

It stutters when your fingers trace up the veins of his cock.

It heaves when you cup a palm around his balls.

You squeeze.

“F-fuck,” he groans, hips lifting off the bed.

There’s a word living at the tip of his tongue, its shape burning into his mouth.

Harder.

Luckily, you know your Satoru - you know what he thinks, feels, wants. And as a lover should, you happily oblige.

The sound he makes is garbled and choked, utter nonsense. It came straight from the depths of his body, a pure animalistic response, one he couldn’t have controlled if he tried.

Already, he’s beginning to tremble in your palm - it’s getting easier to do this, make him shake like a lost leaf floating through the autumn air, held captive by the gusts of your wind. Up and down, he travels with you, because of you.

Again, you pull your hand away.

Again, he whines.

“Noooo,” he mumbles, more to himself than anything. It was automatic, the expression of displeasure, ripped from him with the loss of your warmth on his.

“What’s wrong baby? You want me to stop?” It’s more fun when he has an out, when he could say no and chooses not to. When he wants this just as badly as you. “You know you-”

“No.” It's more breath than sound. “No, please. Keep going.”

And as a lover should, you happily oblige.

Precum drips down his length, covering him in remnants of desire. They cling to his skin like silky webs, woven from devotion and need. Each slick pump of your hand up and down creates more and more and more, a beautiful pearl at his slit forming one moment only to be spread by your circling thumb in the next.

Each time you reach his base, you squeeze. Each time you reach his tip, you twist. In this dance you both twirl and breathe and feel in beat, holding on to one another with sweaty hands and tired muscles.

“Remember, you can give up whenever you want,” you coo, the sweet glue of a trap.

But Satoru doesn’t dare taste, doesn’t dare step inside - he knows better.

(Right?)

“I’m not - fuck - giving up.” He tries to throw you a smile, but it lands at your feet.

Fists clench into each other, nails digging into his palms. You almost feel bad, the way he’s beginning to writhe within the ropes. It must hurt, you think, the texture soft but never soft enough - it’s nothing compared to you. In spite of his anguish, he knows better than to give up this easily. You haven’t even really begun, not yet.

When his eyelashes flutter closed, you know to pull your hand away.

He’s getting more subtle, the only sign of his impending pleasure a soft flicker of white and blue. But you recognize it, of course - his pleasure lives everywhere in him. In the way his breath catches, in the way his skin burns hot, in the way he gets all too loud or all too quiet.

There’s barely a sound this time. Instead, he just frowns, displeasure spreading across his sweet features. His lower lip sticks out, and he stares at you with cloudy eyes.

“I know, baby, I know. But this is what it takes if you want to win.”

The words don’t ease the growing ache in his core, but your voice does. Every vowel blurs the pain, every consonant gives him something to cling to. He’ll climb himself out of insanity on your breath.

Again, you wrap around him and drag him closer to the edge. Unable to pull his gaze away, he stares down it, looming, waiting. The free fall must feel nice, the wind against his skin, for a moment before he hits the ground. But with a firm hand on the back of his head, you just hold him there. It’ll be his choice whether he decides to jump. Or rather, when he decides to jump.

Another choked groan leaks from his lips when you pause. There are no words left for him to say, nothing but the agony of desire. He shakes his head, squeezing his eyes shut as if it’ll make the leap any less tempting.

Hushed whispers, not quite praise, tingle his mind. Little hums of “I know,” or “there, there,” dance from your throat, and he writhes.

Distress always looked so pretty on him. Pretty tears, pretty red cheeks, pretty pouts and pretty cries. Perhaps it’s a curse that he looks like a fallen angel when he weeps - if he looked more grotesque, you wouldn’t feel the urge to bring him back into the jaws of pain.

But he lets you comfort him nonetheless, preen his wings and kiss his tears.

This time, when you stop, he thrashes. His skin burns, crisp like it had been warmed by the sun for too long. Everything is too tight, his hands, his arms, his shoulders, his stomach. They need to be loosened; they need to be released.

“Please.”

It’s so quiet, it’s almost not a word, just little sounds from his tongue.

“What was that, baby? I couldn’t quite hear you.”

Tears stream from glossy eyes when he looks at you. His lips quiver as he speaks.

“Please, I wanna cum. Please.”

The smile spreading across your face is cold and knowing; he looks beautiful as he falls.

“I know you want to, but-”

“I lose.” He’s panting, gasping through the plea. “I lose, I give up, I don’t care, just, please.”

Hot tears melt beneath your thumb as you swipe them away. His mouth hangs open, as though he could swallow the air, hold it inside him and let that ease the aching. But the only thing that can help him now is you, the only thing he can stomach.

“Okay, baby. I’ll take care of you.”

A loose smile flows across his face, easy like gentle waves lapping at the corners of his thoughts. The sentence itself barely makes sense to him at this point, garbled in his lust-clouded mind. But he knows you’ll help him now; he welcomes the push over the edge.

Straddling his lap, you guide him to your entrance. Sticky and hot, he presses into you. Just as his tip enters your warmth, he hurls himself into the wind.

Everything in his body trembles, muscles tightening and contracting out of time. Eyelashes flutter, whimpers dance like petals as he comes undone.

The only thing he can do is twitch inside of you, pearly strings pulsing with each erratic breath.

Finally, he opens his eyes to find you smiling. Warm lips press along his cheeks, dried tears salty on your tongue.

“Well, you certainly lost this time,” you hum, resting your forehead against his; he looks at you like you created the earth itself, your breath in the wind and your heartbeat in the sun. “But there’s always next year, right?”

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ramhaiba · 2 days ago

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𝖫𝗂𝖺𝗋, 𝖫𝗂𝖺𝗋 𝗉𝗍. 2

Pairing- Yandere Rintaro Suna x Reader

Masterlist . . . Part one

"For what it’s worth, princess, if the devil is real. It’s me.”

Contains- Serial Killer! Suna, oral (f receiving), dubcon, semi-public fingering, groping, choking, biting, manhandling, riding overstimulation, marathon sex, mentions of necrophilia/noncon, implied somnophila, baby trapping(?) A/N- sorry for the long wait guys, writer's block can be a bitch

Sleeping with him was the biggest mistake of your life-

No. letting him ‘help’ you was the biggest mistake of your life.

Ever since you two had sex, he’s been sleeping in the same bed as you. You did attempt to persuade him to sleep on the couch once again but he simply responded with

‘We both saw what happens when I sleep on the couch, sweetheart. Besides, sharing the same bed might bring back some of those ‘dear’ memories you lost.” As you predicted, it would be challenging to sneak out of your room at night, especially when Suna’s arm is wrapped around your waist, his chin tucked on your shoulder, and his stern back against your chest.

You thought about lying to him, telling him you’re getting up from bed to use the bathroom but really you’re planning to find his car keys and drive away from this nightmare. But what if you take too long and he gets suspicious? Last time you got lucky when he misunderstood your attempt to steal his car keys.

You hate that you spent the entire week with him, pretending to be in a loving marriage, kissing him sweetly, and sometimes bathing with him. But he hasn’t fucked you since the first time- well with his dick at least.

If he thinks you look too cute in a nightgown- which you always do, he’ll push you down on the bed, scrunching up your silky slip-on onto your breast and shamelessly make out with your cunt, fingers holding your thighs down and apart to keep you from squirming away. He never fails to give you an intense orgasm. You're so addicted to his touch that you don’t know how you’ll be able to cum again once you escape from him...While on the topic of escaping, you’re finding the idea of freedom too difficult to obtain by yourself. You’re gonna need help.

“ So- I remember you mentioned before that we were still friends with twins from high school” You blurted out while having dinner with your ‘fiancé.’

“ Yeah, Osamu and Atsumu. What about them?” Suna asked nonchalantly. “Well, I think you should invite them over. I think it’d be good for me to meet someone from my past” you suggested.

“ It’d be hard to contact them because the service in this place is horrible” Suna claimed, leaning back in his chair. You let out an instant “oh” with a noticeable pout on your lips.

Then you heard Suna sigh, shaking his head in disbelief.

“Okay. There is this part of the house where the service is somewhat usable. But it’s on the roof so I don’t want you following me there. Your body is still sore which makes it difficult for you to stay up there without falling” Suna pointed out.

He’s right. You’ll probably hurt yourself if you try going on that roof. So the idea of stealing his phone to call for help isn’t possible.

“You have no idea how much this means to me. Thank you, Rin” You complimented. “ Yeah well, I gotta keep my wife happy” Suna got up and kissed your forehead before retreating upstairs.

You waited impatiently for Suna to come back down. A sick part of you wishes that he’d accidentally slip off the roof, breaking his neck because then you’d be freed from this nightmare. But he only takes twenty minutes to come back down, placing his phone back into his pocket as he walks towards you.

“So? Did they say yes?” you questioned. “They said they would love to stop by. But I had to make Atsumu promise he wouldn’t bring another hookup over. I better start cooking dinner because those two guys know how to eat- especially Osamu” Suna replied, giving you an endearing pat on the head as he went to prepare for their arrival.

You hadn’t seen any pictures of the twins prior before they arrived, so it was quite intimidating when two muscular tall men stood at your doorstep. The dark-haired one holding a classic bottle of wine. While Atsumu opened his arms to you, giving you an unwelcomed hug.

“There is our Y/n. It’s been too long since we saw ya” The bold twin one cooed, his arms around you tightened.

“You’re one foot in and already flirtin’ with my fiance- don’t you have any shame, Atsumu?” Suna replied, subtly informing you of the difference between the twins.

So if the blonde, somewhat pervy, twin was Atsumu. The other one must be Osamu.

“I ain’t flirting. I was just being friendly to a friend who’s gotten into a terrible- just terrible accident “ Atsumu pouted.

“I decided to tell them your situation. I hope you don’t mind” Suna commented, smiling innocently.

It’s unsettling.

They’re completely lying to you- you’re not friends with them. How are they so eerily confident then? How can these two lie straight to your face and pretend that you’re Suna's fiancé?

Because you’re not. You’re not his fiancé.

Right?

Dinner with them made you even more confused. They’re doing the same thing that Suna did. Reciting old stories about your so-called past together. It’s getting more difficult to distinguish what’s the truth or not. Yet Atsumu’s words manage to slip you back into reality.

“You should really be thanking me. If I set you two up in college- y’all would not be getting married.. at least Suna wouldn’t be” Atsumu teased.

“I thought we started dating in high school?” You spoke up, pointing out Atsumu’s mistake. Rather than Atsumu getting embarrassed for making such an innocent mistake.

Atsumu got nervous.

If you weren’t already so superstitious during dinner, you wouldn’t have noticed how he blinked away, how forced his laughter sounded, and how his brother deadly glared at him.

“Would you pardon us? I think I have to remind Atsumu about some manners” Osamu asked, seeming all friendly while his jawline clenched, a fist under the table.

Suna clicked him, glancing at a nervous Atsumu and then back at Osamu.” Go ahead,” Suna replied.

You were left alone with him once again.

You and you’re fiancé-no he’s not your fiancé. You and your demon.

“You’re lookin’ a bit nervous, sweetheart. Are you feeling okay? Just say the word and I can get these idiots to leave any time” Suna suggested. “No- they don’t need to leave. I just need to go to the bathroom to freshen up. That’s all” Your laughter sounded a bit too forced, sweaty palms pushing you up out of your seat. “Don’t take too long” Suna mumbled, watching you march quickly out of the dining room.

This is your chance.

You can ask- no- you're going to beg the twins to help you because surely, they wouldn’t want to risk being an accomplice for a serial killer.

You followed their distant voices, words too unintelligible to understand. Eventually, you ended up in front of the door connecting the garage to the summer house. Luckily, they left the door slightly ajar, allowing you to hear their conversation clearly.

You were about to walk in before you heard Osamu say

“Are you a fuckin’ idiot, Tsumu? At this point, Suna not gonna let either of us have a turn with her” Osamu argued with his brother.

“Shut up- shut up. I’m a fuckin’ volleyball player not an actor” Atsumu huffed. “Yeah and I own a restaurant but I know how to keep my story straight,” Osamu remarked.

“I don’t even know why Suna cares s’much about keeping up this whole game” Atsumu commented.

“he’s just gonna kill her like the rest.”

Your heart is racing because your last hope of escaping this n nightmare just revealed they could care less about your life- fuck they could be worse than Suna. Instinctually, you step away from the door, wanting to be as far away from them as possible. But that’s when you feel a stern chest against your back, stopping you from backing away. You slowly turn your head and notice Suna behind you, his eyes glued on the view of the twins arguing about whether they’ll still get a ‘turn’ with you after Atsumu’s mishap.

“Rin-“

“Quiet. It’s always amusing to watch the twins argue, right? “ Suna replied, his hand tilting your face to watch the twins, his chin resting on top of your head, forcing you to watch the truth unfold.

“You know he does sadistic shit like this all the time. Just try to have fun with her while she’s still alive” Osamu huffed.

“I didn’t come here to play an actor. I just wanna fuck her before Suna finally cuts her up or whatever sadistic shit he plans to do with her” Atsumu groaned.

“ Yeah, well, there's no way in hell he’s gonna let you have a turn with her if you don’t play along correctly. You’d be lucky if he even lets you fuck her corpse”

Atsumu hummed, his once annoyed attitude slowly disappearing as he looked lost in thought- until he made the comment

“I wouldn’t mind that at all actually.”

You want to stop listening but Suna won’t let you. “Please, just let me go and I won’t- I won’t tell anyone” you muttered, voice cracking. Suna laid his forehead on your shoulder, you could feel his smile on his skin.

“What about our wedding?” he cooed, voice teasing, his hands wrapping around your waist, tips of his fingers sliding under your waistband.

“Rintarou, please- I-I don’t want to die. I’ll do anything just don’t hurt me” you begged.

“I don’t like when you call me by my first name, it makes me feel like I’m in trouble” Suna commented, a soft pout on his lips. This time his hands are traveling further down the inside of your pants until his fingers are tracing over your covered slit. You wish you could fight his touch but you’re too scared to upset him.

“Rin, I don’t wanna pretend anymore. I just wanna go home” You’re starting to cry and he doesn’t need to look at your face to know that tears are pouring out of your eyes.

You act like you’re strong but the second you’re faced with a challenge, you crack like glass. So easy to read. Maybe that’s why he likes you so much.

“You wanna go home? Go ahead and ask the twins for help. But I don’t if they’ll be that compliant” Suna suggested. He’s right. He’s always right.

“I like you. I don’t think I’ve ever been so infatuated with a person like this before. So I’ll give you two choices. You could either go beg the twins to take you away from this ‘hell house’ or

you can become my pretty wife”

You don't want any of that. You want to run far far away. But he’ll catch you like he did the first time and then he might actually kill you.

“So, what will it be, princess?” He repeats, forcing you to break from your silence. That nickname, it always appears when his true colors are shown. You're starting to hate that word because now you associate it with danger.

“How do I know you won’t kill me,” you ask, in the quietest voice, afraid of his answer. He chuckles at your question, raises his head from your shoulder, and smiles.

“Because I'll never get bored of you.”

That’s all it takes. You nod your head, not wanting to hear yourself agree to stay. To be his, forever.

He leans over, lips almost touching yours, narrow eyes with an unwearying stare forcing you to look at him.

“You know how to keep quiet, don’t you Mrs. Suna?”

That’s when his wandering fingers finally slip beneath your panties and you’re reminded that Osamu and Atsumu are right behind the door in front of you. “Rin, not here” you begged, squirming to get out of his grip, only for him to hold you tighter.

“Why not? Atsumu would probably wanna hear, that fuckin’ freak” Suna laughed. Just as you were about to utter an argument, you’re cut short by the painfully slow pumping of Suna’s fingers, thrusting into your cunt. You feel weak.

Instead of telling him to stop, your words cut into a breathy moan and Suna is forced to lean over to your ear.

“ Careful, princess. You don’t want them to hear you.” He whispered a reminder, tongue poking out of his mouth to lick a stripe down your neck, causing you only to tighten around his long thrusting fingers.

“ Try to argue with me but I can feel how wet you are. Maybe you’re the crazy one huh? Or maybe it’s both of us. Guess we're soulmates then” he’s talking more than he usually does. Maybe because he knows you're scared to get caught.

Or maybe he’s drunk on the success of your agreement to your engagement. Doesn’t matter because he’s only getting more confident, pulling down the neckline of your shirt as long as your bra with his other hand, groping the soft skin of your breast all while his thumb is massaging your clit.

Fuck- you’re so close and he’s so fucking hard, forced to grind his painful erection against your back.

You feel pathetic when you're uncontrollably humping his ruthless fingers, chasing your high.

When you hear him chuckle from behind you, most likely realizing your movement- he has no right to sound so fucking sexy.

“Can’t believe you were begging me to stop, aren’t you just the prettiest liar.” He mumbles.

And you’re finishing on his fingers, legs shaking, eyes tearing up, your hands covering your mouth muffling uncontrollable moans.

Suna slowly pulls his hands out of your pants, bringing his drenched fingers into your mouth, disgustedly making you clean his fingers, tasting yourself.

He spins you towards him, leaning over to wipe off your smeared make up, fixing your appearance for you because you are all too stunned by what has just occurred.

Just on time, Atsumu and Osamu are opening the door, both surprised to see you.

“ Holy fuck- how long were you two standing there" Atsumu called out. You both turn around to look at them, Suna wrapping one arm around your shoulder, pulling you to his side.

“We just walked in actually” Suna lied for your sake.

“ Well…Wow! look at the time- “ Atsumu said, checking his watch, pretending to read the time. “It’s getting late, ain’t it? I’m a bit too tired to drive…guess me and Osamu gotta stay over the night” Atsumu whistled.

Holy fuck- Atsumu and Osamu still think they have a chance with you.

You’re beginning to tremble at Suna’s side, fully not trusting him to protect you.

“I’ll call you two an uber,” Suna says blankly.

You could see Atsumu grit his teeth, not knowing why he wasn’t getting rewarded for his ‘efforts.’

“Well- can we at least visit tomorrow” Osamu questioned, trying to hint if they’ll at least have a chance to fuck your dead corpse.

Sick mother fuckers. Just like Suna- maybe even worse.

“Next time we’ll see you is at our wedding” Suna smiled passively aggressively, knowing he just pissed off the twins.

Atsumu is about to open his mouth, most likely attending to spoil the truth because Suna ruined all of his ‘fun.’ But Osamu stops him by gripping the back of Atsumu’s shirt.

“ No need to argue with an old friend. We’ll leave… just call us next time when we’re allowed to come over” Osamu sighed.

Then they proceed to leave. Not without Atsumu forcing you into a hug, his hand dangerous lying on your lower back, a final act of perversion. They leave and you’re left alone with Suna and his narrow eyes are locked on yours.

“Could fuck you here or on the bed. Pick one”

There is no option to deny him. He is going to be your husband after all.

“Bed.”

He’s not even letting you walk there, probably thinking you’ll move too slowly for his liking. So he's picking you up effortlessly because of his muscular arms, delivering you to the bedroom before and tossing you onto the mattress. He’s on top of you in a heartbeat, his hands tugging off your clothes, not caring if you’re telling him to slow down because they’ll rip.

He’ll buy you a new one- fuck he’ll buy you anything you’d want as long as he gets to fuck that tight pussy of yours.

Your heart is slipping at the sound of his belt unbuckling, too nervous to look at the sight of him sliding down any of the clothes covering his hard cock.

“Fuckin’ you raw, yeah? Doesn’t matter anymore since we’ll be married soon” Suna clicks his tongue, holding his heavy cock in his hands, pressing his leaking tip against your hole.

You shake your head frantically, “Don’t please Rin- don’t do that to me” you shuttered.

“ What? Ya afraid you’ll conceive the devil’s reincarnation? For what it’s worth, princess, if the devil is real.

It’s me.”

Without another argument he’s forcing himself into your shameless cunt causing a gasp to slip out of your mouth, not waiting for you to adjust until he’s fucking you into the bed. You’re holding onto everything but him. And he doesn’t like this- it’s not wife behavior is it?

So he leans over and painfully bites into your collarbone, “ hurt me back.” He commands.

And you give him exactly what he wants, slipping your hands under his shirt, digging your nails into his toned back, causing him to only get fuck you harder like it a competition on who can break the quickest.

You’re not holding back your moans- thankful for the lack of people near you, only giving Suna the privilege of hearing them.

Once you orgasm for the second time that night, he’s switching positions and forcing you to take him on his lap, his back resting on the bed frame.

You know what he wants you to do but you’re already so tired, you drowsily shake your head, hoping he’ll stop, and let finally you sleep.

Except all you do is annoy him, hissing under his breath as his hands grip your hips, forcing you to bounce on his cock, overstimulating your insides.

“ Slow down, Rin-“ you asked, knowing he won’t let you stop but at least the idea of slowing down seems possible.

“You wanna go slow, princess? Then you gotta do it yourself” he commented. You hesitate before nodding your head, thinking it’s a better option than letting him fuck you relentlessly.

His hands go behind his head while yours leans over on his thigh, slowly pushing yourself up, sucking in your breath and you sink back down.

Suna whistled at the sight of you fucking yourself on his cock, acting like the perfect wife.

He’s moving the hair out of your face before wrapping his hands around your neck, freaking you out as he lightly squeezes the sides of your neck. The action is causing you to stop your movement.

“Did I tell you to stop?” He asked, tightening the grip around your neck, making it harder to breathe, a growing light-headed.

Your hands are shaking as you’re lifting yourself up and down on his cock. It’s humiliating, knowing you’re getting off because of him- how easily he has control of your body

“Say you’ll stay” he pants, chest heaving, feeling your cunt squeezing on his cock because of his husky voice.

“ Say you’ll stay forever. Can’t ever leave my side, princess. Dont think I can live without this pussy” he asks, face flushed.

“ I’ll stay—Rin” you managed to croak out with the tightness around your neck.

That’s all he needs until he’s leaning over to your torso, hands moving to grip your waist, forcing you to stay still on his cock, cumming deep into your pussy.

You think that’ll be it for tonight until he’s pulling back and kissing you, tongue slipping into your mouth, hands moving to grope your breast again until he’s hard once more.

He’s manhandling you until you’re on your hands and knees. He's behind you, watching your legs shake as he guides his cock back into your stuffed pussy, fucking his leaking cum back into you.

You’re screaming from overstimulation, tears soaking the bed sheet under your eyes, hands gripping onto the bed sheet. You feel like you’re being crushed when he presses his chest against your back, his arms wrapped around your lower stomach, cock bullying your insides.

He’s never this energetic.

And you’re also never this honest, finally admitting to knowing the truth behind this charade. But you tell him you’ll stay isn’t something he believes in.

“ Bet you’re thinking about leavin’ when I’m asleep, yeah?” He huffed against the nape of your neck.

“You’d probably find a way to kill me first though. You’re not dumb enough to think I won’t find you” he uttered, talking to you as if he’s not fucking you into oblivion.

“ Doesn’t matter if m’dead or not. I’ll always be with you- every second til the day you fuckin' die, you'll be thinking about me. dreaming about me. haunted by me. So don’t you dare test me. Just be good and I’ll be good back. I fuck you good as well” he adds, his finger rubbing your swollen clit while his hips are forcing you to the edge, squeezing his cock so hard he can’t pull out to cum- not like he was going to do in the first place.

Suna lifts himself and rolls you to the side, admiring your fucked out expression, how you’re staring at the ceiling, chest heaving as you recover from your intense orgasm.

“ Maybe if fuck a baby into you. You wouldn't be able to leave,”Suna commented, the lack of playfulness in his tone suggested to you that he was actually serious about the idea of knocking you up.

“ I'm not - I not planning on leaving— I won’t do it, Rin. I’m telling the truth” you babbled, crying at the idea of going another round, hands frantically wiping down tears that felt never-ending.

Suna chuckles because for once, he believes you. He leans over and kisses your cheek sweetly.

“I’ll be nice and give you a morning-after pill I got laying around somewhere afterward, yeah? I’ll take care of you, but you gotta take care of me,” he cooed.

You are too cute. So much more innocent than Suna is- never committing the horrendous crimes he’s done. And he thinks you begging him to spare you from sex is so much more exciting than you begging him for your life.

But to you- it feels like you’re begging for the same thing. You’ll die if he fucks you again- that your body is too overstimulated and exhausted.

That doesn’t stop him- nothing will really, from getting hard, thrusting into you again. You don’t know when he stopped fucking you- was it after you passed out the third time? Or did he continue ever after that? When it’s over, you’re half awake, back leaning on his chest, his hand ushering you to take the suggested birth control in his hand. Then slowly tilt the glass of water down your mouth. While you manage to drink the refreshing liquid, you get a glance of the mess between your spread legs, cum shameless dripping out and you wish you never met him.

You’re awake and you don’t feel physically dirty, the evidence of cum wiped off your legs by Suna while you were sleeping.

If he hadn’t marked your body with his teeth and hands, you’d almost pretend last night was nonexistent. Plus the aroma coming from him cooking from the kitchen downstairs only ruins the fantasy even more.

Maybe you’ll run away one day and get away with it. But you can’t say you could ever truly escape, Suna.

Because that would just make you a liar.

taglist @fynn1issshh @kodsuken

#yandere x reader #yandere haikyuu x reader #yandere haikyuu #haikyuu x reader #haikyuu!!#suna rintaro x reader #suna rintarō #suna x reader #yandere smut #yandere suna #suna smut #yandere suna rintaro #yandere suna x reader #suna rintarou

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april-december · 1 day ago

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Okay now I’m having thoughts.

Because I think you’re right there. I’ve been wondering if maybe Rio doesn’t understand Agatha’s grief over losing Nicky, because for her, Nicky isn’t lost. He’s dead, yes, but she /is/ death. There’s been much talk about how Agatha doesn’t want to die, and becomes a ghost in order to avoid facing Nicky in the afterlife and having to admit that perhaps the way she handled his life and certainly the way she acted after his death were, you know, not what he would have wanted. So there’s an indication there that there is some kind of afterlife, and this is strengthened by both the fact that ghosts canonically exist, and the fact that Billy was able to pluck Tommy out of the ether and reincarnate him into another body.

So with the presumption of some kind of afterlife, I think it could be argued that in some ways, Rio didn’t lose Nicky in the same way Agatha did. He’s with her in death, because she is Death. Now, what manner of existence that is, there’s not enough evidence to say, but I think it’s useful to consider when thinking about why Rio doesn’t understand grief.

But then there’s Agatha. We saw how Agatha said that she wanted Rio to stop pursuing her, and that when she eventually died, she didn’t ever want to see Rio again. Agatha is denying Rio that reunion in death. And Rio agrees to abide by Agatha’s wishes.

There was also a deleted bit to that scene, where Agatha effectively tells Rio to retire the form she takes when she wants to pass as mortal; Agatha asks Rio to stop using the face she loved so much.

And then we come to this shot:

(Gif credit to @billykcplan)

Agatha has just died. She’s gone, and per their agreement, Rio isn’t allowed to be with her. And when she looks at Billy, her face is gone. We’ve seen Death’s true form before, but I don’t think we’ve seen her with the red eyes. She’s changed it.

So now Rio knows grief, and as anyone who has been touched by it knows, to know grief is to be changed.

No one in history has had special treatment like you.

#everyone is having SUCH GOOD THOUGHTS #I couldn’t help but add my own #agatha all along #agatha harkness #rio vidal #agathario #nicholas scratch #meta

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aebinspa · 3 days ago

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meant to be

PAIRING: karina x y/n reader

SUMMARY: Your life couldn’t have been worse. You aspired to make a living as a photographer, but instead, you found yourself working in a fast-food restaurant alongside a colleague who rarely offered you any good company. Everything changed when the famous model Karina showed up at your workplace. After a few days, she managed to convince the editorial team to hire you as the photographer for her photoshoot. However, your career faced another threat when Karina pressured you to assist her with a strictly confidential operation.

GENRES: angst, lies, loneliness, we will face suffering in this life, but eventually, things will improve, and we will start over again and again, fluff at the end.

WORD COUNT: 6.9k

AUTHOR'S NOTE: english is not my first language! i'm not cut out for writing long stories. i went crazy countless times while writing this one :)) i added a little bit every day and it made the story more confusing. the next five things I write will be fluff, no more angst for a while + thank you for all the support you have shown for what i wrote. i am extremely grateful and happy that someone was able to appreciate them!

Life didn't end when you lost all your friends because of bad choices, didn't know where to put your hands, or stopped recognizing yourself in what you did and said. Life didn't end when you turned twenty. At least that's what you told yourself every morning to convince yourself to get up, when even what had previously seemed sensible lost all meaning.

In the eyes of your parents and your old friends, you had remained imprinted as a sour girl, difficult to manage but who, beyond some character problems, had always shown herself willing to help. Never to be helped. Perhaps this had a powerful impact. In your daily life, no one asked how you were in the morning. Was it more difficult for others to reach out to you and always receive a refusal or was it more difficult for you now to be alone, without anyone? And yet loneliness had always been so dear to you; a space where you could truly be yourself.

After trying to attend political science university for a few months and failing the first exam, you soon realized that it wasn't for you. The only luck was having met a girl who, between one lesson and another, had introduced you to the world of photography.

In photography, you discover a kind of joy that you could share. Often others would ask you for photos and you, with a big smile, couldn't wait to take one. Of course, everything got complicated when you had to come to terms with reality. There was no longer just photography, you also had to think about earning some money.

That's how you ended up working at a fast food restaurant that was open all day and, with the constant fear of running out of money at any moment, you signed up for all the night shifts. Someone had set you up by telling you that they paid more, but only when your first paycheck arrived did you realize that your dear colleague only wanted to get rid of the difficult shifts.

That night, you and Sunwoo, the beloved colleague who had actually made fun of you a few years earlier, were at the counter of the fast food restaurant busy playing UNO. It was more than rare to see customers at two in the morning.

“UNO!” Sunwoo shouted at the top of his lungs. “Fuck you, asshole! I’m tired and you dare win my favorite card game!” you threw the remaining cards of the deck off the counter. Sunwoo huffed and, with an agile leap, got off the counter and went to retrieve the poor cards that were now lying on the floor that was far too clean for the hygiene standards of the place where you worked. “It’s the only card game you know how to play, Y/n”

It was cold outside. A cold that froze the bones. Your winter uniforms didn’t warm you enough and the heating had suddenly stopped working the day before. Sunwoo didn't let it show, but he hated working more than you did. He had a dream more ambitious than yours and unfortunately, every door was closed in his face. The fast food place where he worked with you was the daily confirmation that failure was a constant in his life. And you were experiencing the same situation first-hand.

Sometimes photography gave you work, but you couldn't eat from it. Small jobs are undoubtedly formative, but not appealing to the taste of those big companies that looked at your disastrous portfolio.

While Sunwoo began to sweep the clean floor, you, lost in your thoughts, froze, feelinglessly staring at the street you looked at every night. Suddenly, you saw a black limousine approaching, and, scared that someone important might be there, you shook Sunwoo’s arm and pointed to the car. His eyes widened as well.

But to your surprise, the first person to step out of the car was a man in a tuxedo who then proceeded to open the back door facing the fast-food restaurant. A girl of medium height came out, wearing a black dress that hugged her body in all the right places. When she was closer to the door, you immediately noticed, illuminated by the decadent lights of the place where you were, that she had heavy makeup on her face that beautifully framed her eyes.

The young raven-haired girl sat on the stool in front of the counter. Sunwoo was still speechless. He could only mutter a shy, unprofessional “Ah, hi,” to which the girl responded with a sweet smile. Her gaze shifted to you and you flinched.

“Can I order?” she reached out to grab the menu Sunwoo had sat on earlier. “I guess so.” “The menu with the fattest, greasiest, biggest sandwich you have, please.” Sunwoo snatched the menu out of her hands and shouted “Right away!”, disappearing into the kitchen and leaving you in front of the girl. Outside, you noticed her date glaring at you.

“Not many customers come by, do they?” “We don’t usually see anyone. That’s why your visit surprised us a lot” The girl laughed in a strangely loud way. Strange, I thought she was more composed. “God, please. We will be more or less the same age, don't be so formal,” she wiped her hands on her dress laughing, and then looked at you ready to shake your hand “I'm Karina. It’s a stage name. I model full-time."

You shook hands with her, apologizing for how cold and greasy it might feel. “Well, I… I work here.” The girl smiled at you. “And do you like working here?” “What?”

Sunwoo came with Karina’s order and placed it before her, avoiding her gaze. When he crossed yours, you noticed that the boy had red cheeks. I whispered something to you but you didn’t understand.

It’s been too long since someone asked you what it was like to live a life you no longer wanted. Your mouth dried up and you were unable to answer. Karina shrugged and began eating the sandwich undisturbed.

With her mouth still full from the bite she had just taken, the model opened up to speak. It was evident she was nothing like the stereotype of a typical model; her authenticity was refreshing. Feeling overwhelmed, you moved two stools away from the client, seeking a bit of distance as you listened, intrigued by her unique charm.

"You took those, didn’t you?" Karina found it difficult to eat that part, but she couldn’t help but examine the few decorations in the fast-food restaurant. "Ah, those pictures," you turned your entire body to look at them. "Yes, I took all of them. They’re from our customers who left a special tip." "Special tip?" Karina asked, intrigued. "Yes, for a change of $4, you receive a Polaroid and agree to have it displayed on this wall. It’s not worth much, though, because I’m required to take two pictures for the price of one."

"They are all very pretty. I know some people." "There are a lot of people passing by. Sometimes they tell you their story, take a picture, and then leave, never to return. It’s almost as if-" "Romantic, yes" Karina finished the sentence for you, to your great surprise.

The silence that was created afterward was strangely comfortable. For someone like you who was always uncomfortable when she met strangers, the situation was quite strange. Karina, on the other hand, seemed completely at ease as she was happily humming and chewing at the same time. When the crow finished eating, she got up from her stool, stretched her arms, and put ten euros on the counter.

"Please don't make me change." "Pardon?" "I would like one of those photos. I'm looking forward to experiencing this too." What enthusiasm!

You took the Polaroid and waited for the young woman to pose before taking the picture. Karina made a big heart with her arms and gave you a wink. She is truly a model… "Are you done?" "Done!"

Karina approached you, then stood behind you and waited for the Polaroid to be ready. When she was ready, the girl screamed full of joy. You smiled unconsciously. "I love it, thank you!" she leaned it delicately on the counter and then turned quickly towards you, continuing to talk. "Let’s take the other one! Let’s do it together. Where is that boy? Boy! Boy! Ehiii!" Sunwoo ran out of the kitchen alarmed. "What- what happened?" "Nothing, Sunwoo" You put your hand on your forehead. "Can you take a picture of us? So we can hang it there." Sunwoo looked for your eyes but you avoided him, unable to explain. At which the boy approached the polaroid and urged you to pose. Karina chose the same place where all the other clients had been, saying she would keep the theme, and invited you to place yourself next to her.

Karina was a little taller than you, maybe a few centimeters, but in your eyes there seemed to be a huge difference. You stood closer to her to form the heart and pretended a smile of convenience to allow Sunwoo to take this photo. The proximity to the model sent a bizarre sensation creeping along your spine. Intrigued, you paused to take a closer look at her. In that moment, when no one else was watching, the radiant smile she had worn so confidently faded entirely from her face. Her eyes, once sparkling with warmth, now seemed overshadowed by a deep, unsettling darkness that only amplified her presence. Without warning, the model turned her gaze toward you, her lips curving into a wide grin that revealed a perfect set of thirty-two gleaming teeth. A chill swept over you, wrapping around your body like an icy blanket, leaving you momentarily breathless and disoriented. What the fuck?

"You did such a great job, girls. It's rare for Y/n!" You woke up from the nightmare of falling and responded to Sunwoo with a raised middle finger. "Oh, she's got quite an attitude. I need to leave," Karina said, finally letting go of you after holding you tightly. That girl was beginning to stir strange feelings in you. "The photo turned out just fine. Let me sign it and put the date on it. Come on!" Sunwoo timidly passed the Polaroid to the girl and watched her do everything she said.

With your arms folded you waited for her comfortable finish. Karina approached the corkboard and put your Polaroid on it. He smiled at her and turned, heading for the exit.

"Y/n!" Hearing your name pronounced by the model, you turned to her with an interrogative look. "Tell me" "See you!" and ran off into the limo, leaving behind a trail of expensive perfume and a cheap Polaroid.

That night passed faster than expected and Sunwoo told you - with attached photos - how this fantastic Karina was one of the most popular models in recent years. Besides being beautiful, she was about to debut in the cinema world. The moon was full and the cold was more bitter than usual. An uncomfortable feeling was in your chest, but you let it pass.

While you were going to work the next day, you took some pictures at the illuminated windows of that night. One of the projects you had since moving to that city was to create a collection of photos showing nightlife, although it was difficult to call it "life", of the traders, workers, or people just going out for fun. But you didn’t have enough prestige and money.

When you arrived at work, you greeted Sunwoo coldly, who returned. You worked hard until three in the morning because, as you well know, on Saturday mornings there were waves of guys full of life coming back from bars where they had only drunk, or from discos in the area. You found it a good opportunity to take some pictures for your photo project.

In no time at all it was six o'clock. The sun was beginning to rise and the first rays of sunshine came through the large windows of the structure. You and Sunwoo were getting ready for the end of the shift, but the boy seemed particularly agitated so you told him to leave before you. You would have waited for the other girl to give her the keys and start the shift after. Sunwoo thanked you and ran away. You knew how much he cared about his passion.

The sound of the door creaking open cut through the stillness of the room, jolting you from your thoughts. You glanced at the clock on the wall, your brow furrowing as you noted it was already twenty minutes past the time your colleague was supposed to arrive. Just as you were about to call out, "You’re lat—" your words caught in your throat. Standing in the doorway was not your expected colleague, but the enigmatic man who had accompanied Karina the night before. He stood there, an air of mystery surrounding him, his presence both intriguing and unsettling as he caught your eye.

"How can I help you?" you asked, even though you were pressed for time and the only one in the room. "I was looking for you. It was lucky that I found you right away," the other person replied. You tightened your grip on the broom you had been pretending to sweep with just moments before. "For what purpose?" you inquired.

The man reached into his pocket and pulled out a crisp white card, sliding it across the table to you. You glanced down to see a neatly printed address alongside the name: Vogue, Karina’s Photoshoot. Confusion washed over you as you looked back up at him. "What does this mean?" you asked. He shifted uneasily, avoiding your gaze. "Miss Karina has requested that you oversee her new photoshoot," he explained, his tone heavy with discomfort. "The previous photographer was let go… rather abruptly. I expect you to be at the studio in two days."

Your hands shook as you faced a big opportunity. You nodded slowly, your mouth half open, unsure what to say. The man smiled and walked away, leaving you stunned. The broom fell from your hands and clattered to the floor. Your knees felt weak, and your mind went blank for a moment. You couldn’t think. You wondered how powerful Karina was and what she wanted from you.

The next day you showed up in the hall of the huge palace, waiting fearlessly for someone to come and call you. You had spent the night before reading and browsing photography books or looking at random palettes that could help you match any clothing you found on Karina.

A tall woman approached you slowly, her expression grim as she pointed to a location on the map she had just tossed at you. What a kindness… You quickly walked toward the meeting place and, upon finding the door, opened it carefully. Inside, a crew of about twenty people turned their curious gazes toward you, along with Karina and her manager.

You slowly approached your collaborators and thanked them timidly for their attention. "We will do everything that needs to be done and we will accomplish it together. All we should do is unite everyone’s ideas and give life to some of the most beautiful photos ever made" Karina, sitting in a velvet chair, put her hand in front of her and laughed candidly.

It didn’t take five hours to create everything that needed to be created. The ideas came from everyone like a river in full flow. Fill a room with artists who are also competitive people and you will get the exact personification of an erupting volcano. You were the Vesuvius and the fashion industry was your Pompeii. The next day you swore to finish the project so that you could go on with the production of the photos.

Karina, who should have been bored at least by having spent the day waiting for others to do their jobs, approached you with a remarkable delicacy and touched your shoulder. "Can you come over there?" Karina pointed to a closet nearby; it was her dressing room. "Uhm, sure" There was no reason to say no. You looked over your shoulder before entering the dressing room with the girl with the brown hair. It was the first time you saw her in a suit and all you could think about was how well she wore anything. It must be nice.

Karina invited you to sit in the two-seater chair with her. Hesitantly, you approached and sat face to face with the girl who flashed a smile revealing thirty-two teeth. "I brought you here because—" You interrupted her before she could finish. "Let’s say you fired the photographer from Vogue so I could come here." "An insignificant detail," she replied.

In Karina's eyes, you saw the same darkness you had observed a few days earlier. It made you hesitant to speak, fearing the words wouldn't come out right. "You must help me," she said. "Why should I?" you asked. Karina rose from her chair and stood in the middle of the room, her expression unreadable as she continued to gaze at you.

"You must. And if you don’t, I’ll take the only real opportunity you’ve got in your miserable life off your hands." "What’s the excuse?" the conversation seemed too much for you, so you immediately put yourself on defense. "You are a beautiful girl, you are good at what you do. I like your photos, I am sincere" "But?"

The frigid air enveloped the room, wrapping around you like an unwelcome shroud, making each breath feel laborious and strained. With every second that passed, a chilling sensation crept through your body, as if the very warmth within you was being siphoned away, leaving you increasingly vulnerable to the oppressive cold.

“You must photograph the emerging actress and model Yuna at a moment that could cause a scandal and ruin her career forever.” “This is fucking crazy,” you jumped up and approached Karina, who didn’t move an inch “I’m leaving, I don’t intend to keep this job and do whatever bullshit you came up with. I knew you were crazy, I understood it immediately"

Karina rolled her eyes, grabbed your arm, and pushed you into the seat. “You’re not going anywhere. I’m capable of destroying your present life and your future life. Be careful what you do. Listen to me and calm down” Karina’s hands were extremely cold but your gaze was even more icy.

“Speak then, cheap model” “It will all be anonymous. Become her friend and her photographer. You have one week. The clock runs out before the day you have to send the completed photoshoot to the Vogue editorial office” “It’s called blackmail” “It’s called seizing opportunities. You won’t get them again”

You looked away for a moment before getting up from your chair and moving back to the center of the room. You walked back and forth, occasionally glancing at Karina.

“They’ll kill me anyway when they realize it’s me” “Don’t worry,” Karina stood up to get closer to you, “We’ll use an external computer and no one will ever know” “A person will be involved, I don’t think I’m capable of it” “She won’t die” Karina had an amused grin on her face.

You thought back to Sunwoo and how he loved what he did like no one else. However, the most selfish part of you had surfaced. You wanted to pursue a career in photography, and you were unconcerned about the people who would be affected by your ambition. You would have done anything to make your dream a reality.

“I’m in” You held out your hand to Karina, surprised by your sudden change of heart. When Karina squeezed your hand you noticed it was as cold as yours. And that perhaps you were more similar than you could have imagined.

You never imagined that the next day you would find yourself taking pictures of the woman who had asked you to ruin the life of another model without remorse. You had discovered that all your collaborators considered Karina a sweet, kind, and always available girl, while in your eyes, every time you looked at her, you felt like you were looking at a monster.

Once the photoshoot was over and, therefore, the work you had to do for Vogue, you walked into the Karaoke where Karina had asked you to meet. The room was insolently small - maybe the girl liked everything smaller - and the nauseating smell made you immediately understand what kind of dump it was.

“Don’t you like it here?” asked Karina, who was cross-legged and munching on some chips, which she offered you and you refused. “It’s pretty disgusting” “It’s okay. We won’t be here long”

Karina took her Gianni Chiarini bag and pulled out three photos. One was of Yuna, the other of a girl you couldn’t identify, and in the last photo, there was you.

“What does that mean?” “Yuna is having an affair with this girl.” Karina touched the face print of the girl whose name you didn’t know with her painted nail and then continued. “In case you didn’t understand, your photo is there because I wanted to let you know that I had you followed a week before I showed up at your place of work by a trusted friend of mine.” “What?” you were visibly shocked. “Don’t worry, honey. I will only use the information I have on you if you don’t cooperate.” A disturbing smile made you doubt her sincerity.

“Why are you so mad at this girl?” “Because she can’t keep what’s hers.” “What does that mean translated…?” Karina huffed and put the photos back in her bag. “We grew up in this industry together. We achieved success together. And then she cheated on me.”

You were stunned. “All this just because he didn't hold your hand throughout the journey of your life? Are you crazy-” “She cheated on me countless times. She told my parents that I’m a lesbian, they haven’t spoken to me since that day. And to top it all off, she stopped me from working for a year, taking away the most important collaboration of my life”

You almost felt sorry, but you didn’t say anything. Her eyes radiated something else. Maybe she too was human and was simply tired.

“Become her new fuck buddy. Treat her well and then you can be sure that you’ll end up finding her making out with someone else. Take as many pictures as you can and you’ll be free forever” “I don’t- Who told you I like women?” “My dear friend” “God, fuck Karina” “Um, maybe this collaboration will lead to something good?”

You looked up in shock and found a rather smiling Karina. “Do you start talking about sex when you're done talking about revenge? You’re crazy.” “I can’t help it if revenge turns me on like crazy.” Karina slowly ran her tongue over her upper lip, while you looked at her with wide eyes.

“Are you really… My god, you do this to everyone?” “Everyone who? You’re probably the last woman in three years that I’ve found truly attractive!” You rested your face on the fist you’d created with your right hand.

“Do you feel lonely?” Karina looked at you intently and nodded, gently moving her head. “Me too. That’s why I’ll help you. I see reflected in your eyes the same sadness that I feel." That's what it was.

“Y/n” “Tell me” “Do a good job” “I’ll try”

Karina finished all the chips that were left on the table, while you looked at her intently and prayed that the day you would meet Yuna would never come.

Unexpectedly, you received a call the next day: a very familiar voice invited you to participate in a graphic project that involved twenty different photographers who would take pictures of Yuna during a typical month of hers at the beach. Fans are certainly crazy to buy this, but it's all for the career, right?

Your first encounter with Yuna was ordinary. Where normal means you were struck by how tall and beautiful she was, even though Karina had gotten you used to it well. Yuna walked over to you and pulled you into a tight hug. “Y/n, right? I saw some photos of your portfolio and I loved them. The way you capture what's around is extremely sincere. Thank you for accepting. I am eternally grateful”

Yuna was warm. You noticed it immediately. Her body temperature had nothing to do with Karina's. Yuna's smile, moreover, really showed a sincere kindness. The photos you took were delicate, beautiful, and… real. But you remembered what Karina had told you and quickly came to your senses.

You spent two days taking photographs for one of the most beloved women in the world - that's what the charts said - and on the last evening, Yuna and her manager dragged all twenty of you to a pub.

Yuna, clearly drunk, stood up on a chair and started screaming. “Thank you! You were amazing! This project will come out amazing. Now let’s get our glasses up, we have to celebrate!” As everyone downed a few glasses of beer, you noticed a familiar face looking sweetly at Yuna. It was her girlfriend. You asked the boy next to you to switch seats and, perhaps nodding his head, he permitted you.

"Hi, I'm Y/n" "Ah, nice to meet you, I'm Haseul! Yuna showed me your photos. They're beautiful, congratulations" How cute, I almost feel sorry for using her like that. "I see you're looking at Yuna with sweet eyes… Is there something underneath?" the little laugh you let out right after should have helped break the tension, but it only made it grow even more. Haseul wiped the sweat on her pants and then spoke to you.

"I love her more than anyone else in the world" Ah. "It must be nice to love someone" You ran a hand uncomfortably behind your neck. "It's nice to have someone by your side. We're almost always together. I only have her. After what Yuna went through last year, she's become even stronger" A strong curiosity grew in you.

"What happened to her?" "Her ex-girlfriend cheated on her, Yuna found out and told her parents to shoot her an arrow that would cause her the same pain" "That's not possible" "Plus Yuna lost a very important job with Saint Laurent. She spent sleepless nights because of Karin-" Haseul quickly covered her face with her hands.

"Karina. Are you sure it was her fault?" "Ask anyone you want. She lied to everyone and messed up half the plans of people here just to go out and cheat on her girlfriend. Everyone hates her. She's just a pretty face in this industry"

Your head started to spin, maybe from drinking too much alcohol. “I’m going to get some fresh air!” “Shall I accompany you?” “It doesn’t matter, thanks.”

Outside, on the side of an empty road, you threw up next to a dumpster. Karina had been lying to you. She was evil, she was crazy, and a total dickhead. Everyone knew it but you. Because you had been a normal person until the week before. You had seen the surface, never what was underneath.

You understood that Karina would treat you like Yuna. You understood that the only solution would be to refuse, but your career was at stake.

Yuna came out and walked over to you. “I’m sorry you found out. I know everything. Karina isn’t the only one who can spy on people without being accused.” “Do you know everything?” “From the stupid meeting at the fast food restaurant to the job opportunities she offered you. Her dear friend, aka her manager, is Shin Yuna here’s dearest friend.”

You looked into her eyes. “I’ll have to… No, hurt you. I don’t want to.” I wanted to, but now I don’t want to anymore. “It doesn’t matter. Do it.” “How could I?” Haseul came closer to the two of you. “You can’t hurt us. When you find someone in life who loves you, life has a whole different meaning.”

The cold suddenly hit you. And, strangely, you thought for a second that those two were crazy. “Yuna would lose her job,” you continued “But I will never lose the people I love. And anyway,” Yuna put her arm around Haseul’s waist, “I won’t be in this industry for long.”

Haseul looked you in the eyes and smiled. “Don’t worry.”

As you made your way home, your eyes caught the massive posters of Karina that adorned the streets yet, beneath your admiration, a swirl of conflicting emotions surged inside you; you couldn't shake the nagging feeling that she was not only a bit unpredictable but also a master of deception. Despite all that, you felt an undeniable urge to kiss her.

The karaoke seemed more rotten than usual. Karina didn’t seem to belong there at all. The last day, the decisive one, had now arrived. You sat down, like the last time, in front of the raven-haired girl.

“Hi, Y/n. I see you well. How are you?” “Better than you can imagine” “My ears only want to hear good news”

You took her usual bag of chips from her hands and started munching on them. “What do you think of your modeling job?” “I hate it” Karina, to your surprise, answered without even thinking for a second. “Why?” “There is no sincerity in what I do. But it is the only job that puts me in contact with hundreds of people a week. It makes me feel less alone”

You put the chips on the table and took out the incriminating photos. “Yuna and Haneul, as you asked me and here I have,” you took out the USB stick, “the murder weapon!” Karina looked at you with wide eyes. “Did you… Do it?” “Your charm won me over, unfortunately, I have to admit it” Even though You were ironic, Karina's cheeks turned pink.

Karina pulled out a computer without making eye contact with you. Then she ordered you to open it. In front of your eyes was a fairly famous site where you were supposed to upload incriminating photos of Yuna and Haseul.

“Y/n. I have to tell you something" As you wrote the description of the photos you would publish immediately after, you signaled Karina to continue.

“Maybe it's because I haven't felt someone's affection for a long time, maybe it's because I can't look at myself in the mirror anymore without crying but…” “After Karina, after” “You said…” “Let me talk”

Seeing Karina so vulnerable and with teary eyes made you feel guilty, but what you wanted to do you would have done without complaining. Karina, however, seemed ready to let go of everything, to take a decisive step.

“Karina, kiss me” “Why should I do that? Are you crazy?” “Last time you seemed intent on doing much more!” you raised your voice. “If I kiss you it’s only because I want to show you how I feel!”

You both were incredibly close. The intensity of the conversation had drawn you from the karaoke sofas, and now you stood face to face, the air feeling thick between you. Karina was the first to make a move. She reached behind your neck, gripped your hair tightly, and swallowed hard. You didn't want to initiate the kiss; you wanted her to take the lead. And that’s exactly what she did. Karina leaned in and pressed her lips against yours, but the kiss was tentative, almost shy. She clearly wanted you to respond, but you held back. The kiss ended before it truly began.

“Why?” she asked, embarrassed. You, in response, checked your phone and went back to finishing the article on the computer. You connected your phone to the computer and transferred the photos.

“What about the USB stick?” “I’ll give it to you as soon as I’m finished”

Five minutes passed before you closed the computer. The die was cast. And so is your life and Karina's. There was no turning back, in any way.

“Y/n?” “Done” “Good…” Karina grabbed a blanket and wrapped it around herself. You did the same.

“Why did you lie to me?” “What are you talking about, Y/n? “Tell me the truth. Haseul and Yuna told me everything. I also spoke to other colleagues. All the same version. You’re a liar, Karina.”

Karina looked back at you with a blank stare. “And what are you?” “That’s not the point.” Karina slammed her fist on the table. “From everything they told you, did you only understand that I’m a liar?” “How can I trust you, Karina?”

Karina hugged the blanket and started biting her nails. "You know when I'm lying. You can feel it. You know when I’m not natural. I understood immediately when we met that there was a different connection between us." “Do you say that to everyone?” “You’re not funny, Y/n!” Karina screamed and threw the bag of chips in your direction, making a mess in the room.

“It’s not funny to make fun of people. You used me.” “I didn’t!” “So what did you do, Karina? How would you call what you did?” “I tried to keep you as close as possible… I don’t have anyone. Yuna wanted to leave me and I had sex with someone else the next day! Our relationship was over.” “People can’t love you if you pretend to be someone else.” “Everyone abandoned me. They abandoned me when I pretended to be the sweet and kind Karina and when I was the real Karina!”

Karina seemed to have reached a point of no return, but you could do nothing but pity her. Now you just had to tell her your truth.

“Karina, listen to me. Yuna got what she got because she moved on and recognized that love can be found anywhere. Her career is worth a thousand times more than a career like yours that was built on pain. Just forget about this life. Start over again." “The only one I have is my manager. I have no ambitions, I have no love. I just wanted someone to feel the way I do.” “We all fight for something, Karina! I fight for photography and you’ve been fighting against yourself for too long!”

Karina seemed to be furious. “You don’t understand. I’ve been alone all my life! The only one who’s close to me is my manag-” “No, he’s Yuna’s informant. When he handed me the ticket for Vogue, I immediately understood that he was not on your side, Karina”

“Karina” “I hate you. Will you stop throwing the truth in my face? I know, damn, I know I’m alone. I've never gotten along well with anyone. But with you, I had a good time. Time never seemed to end. You’ll abandon me too. You all do the same when I show you how I am”

You turned the computer towards her. “Karina, I posted the photos. Look at them. First, breathe and then rationalize” Karina did as you said, too vulnerable to go against you.

When she saw the article with the photo of you she couldn’t say a word. She just asked you, in a weak voice, why you did it. “We can start over, Karina. They already had everything. In their eyes, I saw what was missing in ours. Rise from the ashes Karina or die forever, it would make more sense than continuing to pretend to live in someone else’s body”

You got up from the room, knowing that the news with the photo of you and Karina kissing would do more harm to her than to you. You shut the door behind you. You turned around. Outside you waited for Karina, hoping she would come out so you could comfort her. But that didn’t happen.

The news caused a scandal. The billboards with Karina disappeared, her role as the lead actress in that new movie was deleted and for more than a month, all anyone talked about was that photo. No one recognized your face; next to Karina, you looked quite bad. Yuna called you and guaranteed that your name and work would remain in the photo book. The Vogue photos were never published. You stuck them up, with Sunwoo’s help, in the fast food restaurant.

Sometimes someone stopped to observe them and Sunwoo took care of answering their questions. Very naturally, he said that Karina loved coming to this fast food restaurant - before it disappeared - and that you were her favorite.

Six months had gone by, yet the ache in your chest refused to fade, a constant reminder of the unresolved feelings haunting you. Each night, you lay alone in bed, tears soaking your pillow, knowing that no one would come to comfort you—and that no one would offer her the same kindness. In those haunting hours, you grappled with memories and regrets, feeling the weight of your sorrow pressing down on you like a heavy shroud.

“What a beautiful day! Life has never been so beautiful!” “Sunwoo, it’s just your first role in a stupid TV series” “A stupid TV series that you’ll watch!”

You and Sunwoo had become great workmates again. This time, you were the one who requested more hours, and Sunwoo, despite having found a second job, had decided to work alongside you in each of them.

Sometimes you look at the street illuminated by the street lamps. You hadn't been able to move on. After Yuna’s photobook came out, your name appeared on many other projects. You had started working with many more idols. But there was no one like her.

“Still thinking about it?” “My mind is occupied with her, Sunwoo” “You couldn’t contact her?” “No one has her number and no one has been close to her. At least I know she’s not dead” “Yeah…”

It was four in the morning on a random Thursday when a black car pulled up on the road and parked in front of the fast food restaurant. Sunwoo let out a scream and hid behind the counter. “Is that the police? What have you done, Y/n?” “Stop it, you idiot, and get the emergency number ready. You never know”

But a woman with blonde hair, no makeup, and wearing a sweatshirt that looked very expensive, stepped out of the car. At first, you and Sunwoo couldn’t figure out who she was, you could only guess that she was extremely attractive from the way she walked.

When the first light from the fast food restaurant hit her face, Karina revealed herself to you with a shy smile. “Sunwoo…” she waved at the boy. “And well… Y/n… How are you doing?”

Sunwoo let out another scream. This time you did the same. Then you started to cry, unable to control your emotions. Karina threw herself at you and hugged you with teary eyes. After you both calmed down, Sunwoo fried you two large portions of fries and left the place for a moment, pretending to have received a call.

“Y/n. I look at you…” “Terribly, terribly” “Yes, well. You’ve lost weight” You squeezed her hands tightly. Warm tears fell onto Karina's white hands.

“Sorry” “Stop it, it’s okay. Look at me” Karina took your face in her hands and forced you to look at her. Then she continued to speak. “It had to be this way. I was reborn from the ashes, okay? But I want you to do the same. Let’s help each other. We’ve been alone for too long and…”

Karina stopped to look at the road, her eyes shining. “I missed you. The real you is so annoying, sexy, and cute at the same time. I'm happy to hear you're well."

Karina then looked back at you and looked at the palms of your hands. “Come with me. I'm full of money. Let's run away from here, let's go where no one knows us" "Karina" "It doesn't matter if you tell me now. You destroyed my previous life though! I expect you to pick up the broken pieces and put them back together"

She made you laugh and you thanked fate for having met her. You gave her a sweet kiss on the cheek. Karina looked at you with a raised eyebrow.

“Are you just kissing me back?” “Karina, there’s a time for everything” “You know, Y/n, I have a few things I need to tell you about myself. Did you know that I especially love dark chocolate and hate milk chocolate?”

“Karina,” you stood up from the stool and locked your eyes with his. "Tell me, Y/n" “We have all the time to learn to love each other” “And we have all the time to learn to live”

Sunwoo burst into the fast food restaurant, his eyes glistening with tears of joy. He couldn’t contain his excitement as he shared the incredible news: he had secured a role in a film directed by a renowned filmmaker. The moment was electric, filled with laughter and heartfelt congratulations as you both celebrated his achievement. Before leaving this familiar place, you and Karina decided to capture the memory with a photo at the very spot where your journey had begun. As the camera clicked, you were acutely aware that this moment marked a turning point. You stood there, smiling and cherishing the memory, knowing deep down that you were ready to embrace the future and leave the past behind, resolutely moving forward without looking back.

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