#if you have trouble visualizing the background

[heretodefyfate]

ngl, Zeight layout confuse me

[queenhunter102]

Damaging Government Property.

I don't know if you have seen the Video on TikTok where the wife had gotten in trouble for 'Damaging Government Property', I.E., she had given her husband a visible hickey, but I sure did. Blurb: Imagine you had just crawled your way into bed, it being the first night with  them being gone on a mission

You had barely climbed into your bed, flopping onto your front, your head hitting the pillow.

RING

RING

Simon 'Ghost' Riley You wonder who could be phoning you at such a dumbass hour; when you check your phone, it says private number, and you sigh, picking it up; it's Price at the other end.

“The Riley Residence” "This is Captain John Price"

You pull back from your phone looking at the number before you put it back to your ear.

"Yeah? Hi John"

"Don't 'Hi John' me, I can't believe that I must talk to YOU of all people, but Don’t Damage Government Property”.

That was all that was said before John hung up the phone, you stared at the phone wondering what that was about, before putting it back on your nightstand and falling asleep cuddling Simon's pillow.

A week later

You are sitting on the very few calls you can get with Simon when you remember the strange call from John.

"Hey Si, I got a question for you," you say, picking at an imaginary lint off the blanket that covered you.

"What's that, babe" came back the gruff reply, the sounds of a base in the background.

"John phoned me like a week ago and told me not to 'Damage Government Property' " you say, the word's damage Government Property sounded unsure and uneven.

There was silence on the line "What?" Said Simon.

You sighed "Yeah, I think he phoned the wrong person, could you talk to him about it”.

"Babe, what time did he phone you?" Simon asked.

"I don't know, like two in the morning" You could practically hear Simon's eye twitch.

"I'm going to kill him for disturbing you at a fucking dumb hour," Simon said as he hung up. Johnny 'Soap' McTavish You lift your phone but are not quite ready to sleep yet. The phone call read as private, and you are confused. You know Johnny won't be allowed to call you yet, but you pick up the call anyway. "Hello, you're calling Soap’s spouse," you say, sounding annoyed; you hear Ghost's tired sigh on the other end. "It's Lieutenant Simon, I know he's your boyfriend--" He said. "Fiancée, you know this, Si. You were there," you say, annoyed that he had addressed you and Johnny wrong. Ghost sighed this time, trying not to bark at you. "Until you and he share the same last name, I don't care," he said, practically growling in your ear. "My point is, I saw that stupid mark you left," He says, sounding annoyed; you scrunch your face in confusion. "What mark?" You say, sounding confused This time, he growled, "The Hickey, you know, the big bruise you gave him." Your face made an awed face, and now that you knew what he was talking about, you sighed into the phone. "I was careful; I made sure." At least you were confident. You knew better than to leave anything visual. "Yeah, well, guess what? We can see it, so do me a favour and don't Damage Government Property." A week later

Your phone began buzzing, it was Johnny. “Johnny! Is everything ok?” you asked, sounding a little worried it wasn’t often that he called you when he was out on a mission. “Yeah, yeah, everything’s fine, Doll. I just found out that Simon phoned you, getting you into trouble for marking me. Honestly, I had my shirt off, and you’re the one in trouble,” he said, sounding pouty. He had gotten you in trouble for something that wasn’t your fault. Captain John Price

You sat in the Rattan Swing on the back porch, looking out to your back garden, your fingers tracing over the letters that John had sent you. You knew it was cheesy, but it made you feel special that he took the time to sit and write to you. Your phone sat off your side as you rested your head on the bars. Your phone began vibrating shaking you out of your fantasy, picking up your phone, answer the call without looking at the caller ID. “Well done, you’ve reached Captain Price. What can I do for you?” you say, your eyes still on the letters. All you heard was heavy breathing before John spoke, “I can’t believe they’re making me get you into trouble for this.” You pulled your phone away from your ear, looked at the number, and found it said ‘Private.’ “John? What’s happening is everything alright?” You ask sitting the letters to the right side of your knee, sitting up on the swing.

“Yeah, yeah, it’s just-” He sighs before he speaks again. “Honey, you know before I left…we uh-you-know”, You smile, thinking of when you were lazing around the house, “Yeah? What of it, John?” “You gave me a hickey, and it was seen by one of my Commanding officers, and I need to give you the talk about ‘Damaging Government Property’,” he said, sighing. Well…Don’t damage government property,” he said, hanging up. You rolled your eyes. This was going to be a very long month. A week later “I can’t believe they made me give my own god damned spouse into trouble”, John exhaled. You laughed into the phone. “I know, it’s all you’re talking about in your letters”, you say, as you flicked through the most recent ones, “You still keep those?” he asks, and you smile. “Always.” Alejandro Vargas

You were repeatedly pushing furniture around your shared living room when your phone went off. When you finally reached your phone, you could barely catch the call. “Hello? You’ve reached the annoyed Vargas,” you say, leaning against the couch that was taking up half of the room. “Yeah, it’s me, John. I get you and Alejandro have fun and like to play a little hot and heavy, but not where the rest of us can see it,” John says, sounding a little annoyed. You tilt your head back. “John, I don’t know what you’re on about,” you say. “The Hickey, the one that is a deep purple; it's visible, so here’s the tagline: Don’t damage government property,” he says, huffing as he hangs up the phone. You pull your phone away from your ear as you finally read through your notifications, all from Alejandro, warning you not to pick up any private calls. A week later “I can’t believe you picked up the call,” Alejandro said, annoyed; you giggled into the phone. “He would have kept calling if I didn’t, you know how your captain is” you say, as you lifted the TV onto the TV stand, “Yeah, Yeah, He's a dog with a bone, You better not be re-arranging our flat.” You paused, turning to your phone. “No, never” Kyle Garrick You groaned as you rolled over onto your front, your phone insistently buzzing on the side table; you grumbled as you sat up blindingly, hitting your phone “Hel-lo?” you mumbled. “Hello, it’s John Price”, came the voice over the phone; you made a muffled noise “John? Ky’s Captain?” you answered, your eyes still bleary, trying to adjust to the darkness. “Yes, It’s his captain. I’m calling to discuss the hickey you gave Kyle,” he said, sounding frustrated; your face pinches as you lean over and flick on the light, it blinding you slightly, “Hickey? I didn’t-” you paused as your brain started to wake further “Oh yeah? No, I remember, the night-” you mumbled half out of it. “Ah, Ah, Ah, I don’t want to know, nor do I care. Just don’t damage government property,” he said before he hung up. “I can’t believe I’ve had to make a to all the boys,” he grumbled before the call cut out. A week later “He said what?” Kyle laughed, and you flipped your phone over onto your other shoulder. Yeah, apparently, you’re not the only one,” you said, laughing, as you pulled out the cookies from the oven, the tray clinking on the table. “Oooo, are you making your famous cookies?” came a different voice over the phone, and you rolled your eyes as you hit the speaker. “Yes, Johnny, they are the cookies.”

(If you want to be a part of my tag list, check HERE for specifics)

Taglist: cringeycookies, dneicjefx Remember: leaving a like, re-blogging, and commenting helps in this world and encourages more.

See you around, my little loves.

Kissess.

[canmom]

Animation Night 189: Nonphotorealistic

There is a funny trend in animation-related terminology to define things by what they aren't. Animation is any technique for creating film that isn't live action. Limited animation is any style of 2D animation that doesn't follow the conventions of Disney's 'full animation' on 1s and 2s - a category that includes a wildly diverse range of approaches and techniques, as this wonderful history by Animation Obsessive describes.

In 3DCG circles, there is a similar term: nonphotorealistic. Which describes, naturally, anything that isn't trying to look like a photograph of a real scene. There has been a real boom in this of late, and just like the other terms, it really doesn't narrow it down very much. Other terms like 'hybrid animation' add a bit more hints.

Of course, if you've been anywhere near animation in the last few years, you'll probably know another term: 'Spiderverse style'.

There is no denying that Spider-Man: Into the Spiderverse (2018) by Sony Pictures Animation was an absolute landmark for animation. (I wrote about it way back on AN21, focusing more on the cultural angle.) The ludicrously stylish film pretty much set the direction for animation in the 2020s - making a bunch of money and awards and thus finally throwing open the door to 3DCG animation that doesn't look like the style set by Pixar/Dreamworks in the 2000s. Its sequel, Across the Spiderverse (2023), was even more ambitious and successful (despite a troubled production involving a lot of needless crunch). We'll be showing that soon in a Spiderverse double bill so look forward to it!

So perhaps not surprising that when people see the use of graphical styles, 2D elements, limited framerates and the like in 3DCG these days, Spiderverse comes to mind. In its wake have come various films and series that apply these and related techniques: 3DCG animation is more varied than ever, and it's cool.

It isn't really a style, tho.

Here I'm indebted to youtuber Camwing who has made a nice video overview breaking down the animation of recent movies in this vaguely defined paradigm. Among them we have The Mitchells vs the Machines (2021, also Sony), Puss in Boots: The Last Wish (2022, Dreamworks), and Teenage Mutant Ninja Turtles: Mutant Mayhem (2023, animated at the French/Canadian studio Mikros animation), and of course over on Netflix you got the wildly popular League of Legends spinoff series Arcane (2021, Fortiche Productions), and the romance film Entergalactic (2022, DNEG), tying in with an album of the same name.

None of these films has exactly the same style, but they all pull from a related bag of tricks. The core techniques are animating on reduced framerates for a 'snappy', high-clarity feeling, the combination of 2D and 3D elements in some fashion, and taking inspiration from traditional media such as paintings or comic books.

For example, Arcane and Entergalactic both use the trick of 2D backgrounds/projecting paintings onto 3D geometry, inhabited by 3D characters with a stylised shader. Arcane is dripping with 2D visual effects. Puss in Boots drops the framerate during its action scenes - the opposite of the old paradigm of full animation, where fast actions would get more frames. Spiderverse draws 2D expressions onto its 3D models to push them further, and is full of all kinds of colourful stylised rendering - screentone effects, kirby dots, outlines, the works.

It's tempting to link this to 2D-in-3D animation, and certainly many of these films apply this technique - this is the major niche where Blender has found its way into industry pipelines. But using 2D isn't mandatory to count here. For example, TMNT Mutant Mayhem has an incredibly striking storybook-painting style, accomplished largely by clever shader work and a strong sense of graphic design. Genndy Tartakovsky's canned 2014 Popeye project was planning to use a ton of 2D-style posing and squash-and-stretch, accomplished largely with rigged 3D models. There are many paths to take!

And mind you, I haven't even covered one of the biggest angles here. Search for nonphotorealistic 3DCG on Youtube and what you'll probably find most is information about cel-shading - aka 'anime style'. This has also advanced considerably in the last few years, with the techniques pioneered by Arc System Works in Guilty Gear such as editing the normals of characters for more precise control over shading, and minute adjustments to break up the mechanical feeling of 3D, becoming widely copied in both games and films. (And particularly, animated porn.)

Vtubers in particular have really run with this technique, generally speaking using cel-shaded models with edited normals, inverted eyes, etc. etc. to try and get the feeling of an anime character come to life. [You can see a lot of these state of the art techniques if you download Pixiv's free VRoid Studio software and import the model into Blender using the VRM plugin.]

Naturally this kind of cel-shaded approach has found a particular home in Japan. In anime, the biggest champions of it are certainly Studio Orange, whose hybrid approach involves planning out shots with 2D animation before matching them with the rigs. We've covered their adaptation of Houseki no Kuni in great detail on Animation Night 97; their Trigun reboot was perhaps even more popular. But cel-shaded techniques, 3D previs and the like have also made their way into big films like Eva 3.0+1.0 (AN66).

Although this type of rendering aims to recreate the look and feel of 2D animation as much as possible, it always ends up being something new: character models that would be too complex to draw, an ease to 3D movements and camerawork that would be challenging in 2D, and generally a new hybrid style. This is good! 2D animation is already very good at being 2D animation - it's fascinating to see what 3DCG becomes with that inspiration.

So with that brief overview, where does that take us tonight?

I'm not quite ready to do a Spiderverse double bill tonight, so instead the plan is to check out a couple of recent American franchise films that are taking on the new suite of techniques. I've mentioned them up above, but let me introduce them more fully here.

Puss in Boots: The Last Wish is a sequel to a fairly unpopular spinoff about a side character of the Shrek franchise (AN75). Not, on its face, very promising - which is why it is all the more striking that I was told on all sorts of sides that I must watch this movie. I'm finally going to make good on that.

The title character is a kind of feline musketeer type, now facing the end of his swashbuckling career as he's lost 8 of his 9 lives. Not wanting to hang up his hat, he goes on a quest to restore them. What makes it stand out its the action scenes, which go all in on the anime-influenced, extreme perspective and lighting, limited framerate style that we're discussing above. Apparently it looks sick as shit.

Teenage Mutant Ninja Turtles: Mutant Mayhem is a fresh reboot of the venerable TMNT franchise, which pretty much describes itself in the title: four turtles (named after Renaissance painters, of course!) live in a sewer as ninjas, led by their aging master who is a rat. Starting as a comic book, it became one of the iconic toyline-driven TV shows of the 80s - but it's still going! Indeed, Turtles has been on a roll of late (at least going by animator scuttlebutt), with Australian studio Flying Bark Productions turning a lot of heads with their neo-Kanada School style (and for really stretching the definition of 'storyboard').

This new film takes a different approach to the bombastic action of Rise. It focuses on a new origin story for the turtles, telling a kind of coming of age story - but what makes it unique is the animation style and cinematography. Cinéma vérité is not a phrase you really expect to be associated with ninja turtles, but the film seems to really go all out in a way you wouldn't really expect from a franchise movie, shooting the young turtles in a handheld style and focus heavily on character. Marcel Reinhard's shader work, allowing the animators to isolate lights to specific objects and characters and introducing graphical elements of cross-hatching, stippling, etc. etc. to the lighting, gives it a uniquely painting-like feeling, augmented by a lot of 2D creativity in lighting and effects.

Turtles has never really been my thing, but this film looks unique enough that I really want to see it - and I hear it's a good film too.

So that's our bill for tonight! Puss and Turtles. Let's see what the big studios have been cooking of late...

Animation Night 189 will be starting around 10pm UK time (roughly three hours hence) and carrying on til about 2-3am same! We'll be on twitch.tv/canmom as usual. Hope to see you there!

[the-rini-rush]

Dear Ryuuni, I am pleased to announce that you have the official invitation to…

The Golden Frost Festival!

Event Summary !

Ryuuni has gotten a highly coveted invitation to an event thats only hosted every ten years! Because of NRC's... interesting actions with it's invites... so it hasn't received an invite in almost a century! not even a single student!

so Ryuuni was confused to see the peculiar letter in the mail, but to hear that they got one.. everyone at NRC was suddenly very interested and nice to their 14yr old enrolled student. :D

Invitation states that Ryuuni can take 4 people! (2 canon + 2 ocs)

the invited oc guests will be chosen by a raffle!

The festival happens when the smaller fairies of nature gather and make a big deal out of the switching of hot summer to cool fall and eventually winter! they all gather to watch their queen cast the weather! (because the royals always cast the weather, this event doesn’t happen often because of safety reasons)

all accompanied by stunning visuals, music, food, and games!

Canon Characters!

-- Ryuuni

-- Jamil (you can make it, or don't its ok)

-- Jack (DRAWN BY @skriblee-ksk)

Background for the Cards! + concepts/outfit info

(yes this event was inspired by EAH)

having trouble? figure out the general aesthetics through this video! (certain parts have nothing to do with the festival, so i suggest skipping to 5mins in)

Competing Inviters !

💌 Rose by @blood-red-bumblebee

💌 Flori by @bunniehunn

💌 Blanche by @screamintoad

💌 Sally by @babyghoul138

💌 Hopper by @theolivetree123

💌 Joseph by @readsrandomstuff67

💌 Yumi by @gimmeurmoneyagh

💌 Jewel by @jewelulu

💌 Delilah by @slumberingrose-fandom

💌 Yuyu by @anonymousplant

💌 Rolene + Flori by @cheerleaderman

💌 Anchor by @venaue

💌 Yumi by @twisted-wonderland-memories

💌 teddy by @yuus-sentient-teddy

reblogs are apprecited!

SUBMIT BY 9/15/24

you don’t need to submit art! edits or fics are fine too!

just remember to tag me and hashtag it as #golden-frost-fest 😎(no emoji, but yes dashes)

it’d be great if you all spread the word 😁 by tagging or reblogging <3

[webslingingslasher]

is trouble ever frat!peter’s lock screen? Either before or after the whole situationship thing or secretly during both eras? If so, what picture?

yes! relationship!peter does it proudly, situationship!peter is a bit more stealth. iphones have a wallpaper feature where if you hold the screen down you can swap between photos and i imagine that’s how it is.

peter went home for a week and really missed you and went through his photos and he saw that picture he snapped of you at a party. the background is blurred, proof that the liquor was flowing heavily. you’ve got a smile that shows off almost every tooth and a vice grip on a liter of rum. he doesn’t know why, but he made it his wallpaper for the week and would pick up his phone every five minutes just to look at it.

relationship!peter has a picture of the both of you. something he looks at and is reminded of what he has and how much he truly loves you. it was from a double date night you both had a few months into being official, your friend pressured peter for the photo, he rolled his eyes and gave in. he’s glad he did. it’s his favorite.

you’re wrapped around him in a side hug, peters got a grip on your shoulder. he’s laughing at something your friends date said, he’s wearing the grin you tell him you love. but the reason he has such adornment for the photo is because of the way you’re looking at him.

your eyes are bright and shining, your smile matches his, not because you found anything funny, but because peter’s joy was contagious for you. each time he looks at it he feels warmth radiate, a visual reminder of how much you love him.

—

(you know i had to add a bonus of trouble finding peter’s wallpaper!! -situationship!peter obv)

‘just sit here and look pretty, i’ll be thirty minutes tops.’

peter had pulled you away from date night with the promise of stopping at his chapter meeting. he had negotiated the first hour, trent, the chapter president, wouldn’t break on the last thirty minutes and demanded peter be there. or else.

you wouldn’t mind but peter didn’t tell you until last minute and now you’re sitting down at an empty table at the library while they fill up a rented room across from you.

‘it’ll be longer than that and you know it.’

‘you’ll be fine. give me a kiss.’ you meet him with one, you grumble down at your phone. ‘my phones about to die, what am i supposed to do?’

peter feigns shock, ‘oh no!’ he looks around, ‘i hope you’ll find something to do in this big, empty library. it might be hard.’

your eyes narrow, you hate his sarcasm. ‘the library doesn’t have instagram reels, peter. how am i supposed to entertain myself while you’re talking numbers and business?’

there’s a miniature battle of silence, you win when peter groans and hands over his phone from his back pocket. ‘here. use mine.’ you reach forward, peter’s giving you unbridled access to his phone, you’d be dumb to say no.

‘nuh uh. you promise me right now you won’t fuck up my algorithm, i spent months perfecting it.’ you make grabby hands, ‘promise.’

the sleek, black screen is in your hold in seconds. your thumbs fly over the screen, you’re in and on instagram in a second. peter looks back once more, ‘thirty minutes.’ you nod, the first video already playing, you wish you could send it to peter. you send it to yourself to send back to him when you’re at a full charge.

ten minutes and you need a refresher, wandering around towards the bathroom you grab a water from a vending machine. cracking the cap, your left thumb pressed into peter’s home screen and his wallpaper separated, another photo right next to it.

you can recognize the edge, you swipe and feel your heart melt into a puddle. it’s you and only you. smiling and posing just for peter. he snapped the pic and saved it, he even went one step further and put it as his screensaver. a backup one, but something tells you he doesn’t want you knowing it exists.

you can keep a secret.

you can’t stop smiling at his phone and the short videos playing aren’t even that funny. you perk at a kiss on the top of your head. ‘told you i’d only be thirty minutes… what? why are you looking at me like that?’

‘no reason. it was very nice of you to offer me your phone, thank you.’

another kiss, you can’t wait til you get him alone. you might be the only one in on the secret, but he was going to be treated very nicely for it.

‘no problem, trouble. what’s mine is yours.’ your heart thumps louder. ‘and now,’ peter gently pulls you up with him, you’re along for the ride.

‘i owe you dessert, let’s go.’ you don’t walk with him, you stay until his hand tugs yours, peter looks back at you confused. ‘i wanna have dessert at yours.’

peter pouts, ‘tarrent polished off the ice cream.’

‘i know.’ peter knows that tone, now he’s standing straighter and acting casually. ‘oh? alright, yeah, let’s go home.’

[camberdraws]

I really like your art! Do you have any tips for drawing environments?

Ahhhh thank you so much!

I did some thinking before answering this ask... a lot of general drawing advice absolutely applies to creating backgrounds (such as using references, keeping perspective in mind, etc). But the #1 tool that especially helps me with environments is creating thumbnails!

I depend massively on the thumbnail process, especially for environments. I use them to resolve almost every major detail before painting the real thing! It makes it so much easier to experiment with colors, values, etc. and figure out the important stuff in your image. You want to keep them very blobby and sketchy so you aren't afraid to make big changes!

The thumbnail shown above for my shaymin drawing leaves very few questions about what the final should look like. It only took around an hour to create, and the time it saved me from making any mistakes is massive! This is especially helpful as someone who has immense trouble visualizing color schemes and has struggled numerous times trying to make color work after finishing lineart without a good thumbnail.

The more complex an environment, the more I suggest a thumbnail. Some of my recent zine pieces would have been impossible for me to complete without a detailed sketch to guide me.

Another big piece of advice, mentioned above, is USING REFERENCES! I think this is especially helpful for creating interesting and detailed backgrounds. Doing research on objects/props/scenes will enrich your drawing and make it more engaging to the viewer!

Here is an example of the reference I gathered for my lurantis+gloom drawing. I brainstormed different plants/items I thought would be fun to include with grass-type pokemon, and threw them together in a PureRef file! (I highly recommend using PureRef, it's an excellent software for making reference boards). Generally speaking, it's difficult for humans to conjure up exactly how a watering can/gardening tool/fence/flower might look like down to super specific details, so obtaining reference to fill in those gaps is essential.

Finally, advice that applies very broadly to all types of drawings: do lots of studies! Starting last year I have done 50 environment/scene studies, and they have been extremely helpful for improving my general skill and ability to compose backrounds! I can't recommend this enough to all artists!

And that's about it! I think it's easy for artists to be intimidated by drawing backgrounds, but it can be so much fun! Take it slow, do research, and create thumbnails for your drawing. And don't forget to do studies, they are good for you!

[nobodysuspectsthebutterfly]

Thoughts about the supposed direction Rhaena's storyline is going in Hotd and the apparent Nettles erasure? Disappointing but... I can sort of see where they could take it? Idk... looking at grrm's posts in hindsight kinda makes me even more disappointed if he is as well (he just can't get his adaptations right atp but idk)

Well. Pre-ep7, we're still pending any Rhaena-Sheepstealer bonding, but I'm basically 😑🫠 about the rumors. (I dislike borrowing trouble, I'm not even sure how many of the rumors are true -- actually I'm pretty sure many of these supposed "leaks" are straight up lies -- and yet. Still *disgruntled meh* and *"we're all fine-everyone's fine here" dread*.) Rhaena is one of my more beloved F&B characters (it's the Sansa parallels, I can't help myself), and Nettles has been a super fave since TPATQ and TWOIAF. (Particularly TWOIAF, since the Burned Men fire-witch reveal; heck, I think my little dollmaker is still one of the few fanarts of Nettles in the mountains.)

I mean, sure, I understand that Rhaena's book storyline during the Dance, where she's offpage from basically the start of the war until nearly the end of it, socializing in the Vale and waiting for her egg to hatch, would be difficult to adapt in an action-oriented visuals-oriented television show. (Like Rhaenyra this season sure isn't just catatonically crying from Luke's death until Jace's.) And I'm glad Rhaena's getting more to do, and I'm glad it's directly addressing her feeling slighted and ignored by her family since she doesn't have a dragon. However...

I do not want Rhaena merged into one character with Nettles! I do not want Rhaena to have Sheepstealer and not her hope-for-the-future (doomed hope, and yet) baby dragon Morning, that hatched for her. Also note how pink Morning, worn as a fashion accessory, so suited Rhaena's coquette personality vs her sporty, adventurous twin sister... I mean, I've said before, I understand adaptations can be different, this still wouldn't make HOTD even close to a "loose adaptation".* But I do not want this adaptation to lose Rhaena's personality that I loved.

Or for that matter, to lose Nettles's character, and her importance to the themes and worldbuilding of ASOIAF. (See also.) And her importance to the plot -- but god knows, they're doing all sorts of things with Daemon and Rhaenyra on this show, toxic romance or what have you, who knows if once Daemon reaches his emotional breakthrough or whatever at Harrenhal this season, if they want to backslide him into a cheating plot in S3 while Daemon is again stuck in a castle for months.** Nevertheless, I'd be deeply disappointed to lose scenes like "as well as her dragon, the girl had taken to riding Daemon", or the last morning in Maidenpool scene... and um, you can't really fit Rhaena in there, or if you did, it would certainly put the lie to the ship denialists' "he just treated her like a father, platonically bathing naked together!" (Also the pretty blatant fake S3 leaks including one where Rhaenyra decides Rhaena has betrayed her... are pretty blatantly fake, sorry.)

And then there would be the frankly racist erasure of the one book black character. "Oh but the show made the Velaryons black, so it's not erasing, it's adding more!" No, sorry. (1) I was and am all for adding more racial diversity to the show and especially to Valyrians, but face it, when you take the book's secondary character Velaryons, two who get killed off early and are portrayed as lesser to the "true" Daemon/Rhaenyra marriage, and make them black, you've already done a lot of hinky damage there. (2) What, it's that hard to write three distinct black girls with very different personalities and one from an incredibly different background? I don't see Addam and Alyn getting merged. I don't see Aemond and Daeron getting merged. I don't see Hugh and Ulf getting merged. But I'm not really one to speak here, for this particular discussion I'd point you to @ride-thedragon and @venusintheblindspots-blog and @chrkrose, among others, they have many many posts on this subject in far greater detail and better argued than mine.

OK, so. I still have hope that Nettles -- even if not cast for this season (sorry y'all, that extra is an extra) -- may appear next season, and all this worry will turn out to be a tempest in a teapot. Per last report from the HOTD panel at SDCC, the rumor of Rhaena and Sheepstealer definitely doesn't happen in ep 7, though, yes, there's one episode after. And if it does happen... I'll be strongly disappointed. Deeply, deeply disappointed, and probably far more suspicious of future adaptational changes. But, for me at least, it's not a dealbreaker like GOT S5 was.*** I won't be happy at all about the storyline, but I would like to think the show will remain high quality re themes and character and all. Time will tell, though. Time will definitely tell.

As for GRRM, when his complaints seem to be "wild dragons shouldn't be in the Vale" and "the heraldry with four legs is wrong", well, I struggle to see that he's that disappointed in the adaptational changes. Believe me, I am well used to reading between the lines re GRRM and adaptations, something like the fact that he's not visiting the HOTD writers' room when he's in the UK is nothing. Catch me if at Worldcon or his Oxford lecture in August, GRRM again says that he could write a whole novel about Nettles, or if actually says something about non-Valyrian dragonriders, ok?

*I was just reading up on The Beast (2023) vs Henry James's “The Beast in the Jungle”. lol HOTD doesn't compare. Don't even think it, man.

**You know, this reminds me of how the Dance in F&B is not paced very well for individual characters, they keep going offscreen for months at a time. From shortly after Rhaenyra's crowning to the Fall of KL, Daemon just sits at Harrenhal and occasionally ventures out into the riverlands. From shortly after the Fall of KL until the Battle Above the Gods Eye, Daemon just... sits at Maidenpool and occasionally ventures out into the riverlands (with Nettles). Yeah, obviously a show would need to write more for him to do, he's a main character.

***Thank god HOTD isn't the sort of exploitative shitshow that GOT was. All y'all thinking it was a better adaptation because of your nostalgia goggles (and/or shitty memory) need to actually reread the books (especially AFFC/ADWD) and then submit yourself to the real-world misogynist and homophobic nonsense of S5-6 again, ugh.

[shepherds-of-haven]

Happy New Year, everyone! I thought it would be fun to do a little retrospective on the game's progress over the last year... Shepherds of Haven has grown so much from the little demo I posted in January 2018, and it continues to steadily build and flourish in so many different and exciting ways! Here's a look at just some of the things we accomplished in 2023!

I added 143,151 words to the game (2.5 main chapters, 8 new character interludes) in 2023: the equivalent of writing the longest Lord of the Rings book in one year! We also broke our huge 1 million word milestone—without including code—meaning Shepherds of Haven is now officially twice as long as War and Peace, and almost as long as the entire 7-book Harry Potter series... and all in a single game!

A lot goes into game creation behind the scenes, including the coordination and creation of visual assets for the game—like character cards, codex entries, maps, portraits, and backgrounds—fun stuff for the fans (like the MC info template we created), and songs for the official soundtrack. As the game creeps slowly and determinedly towards its initial completion, that also means learning new things as a solo developer to prepare for the future, like learning to build an official website, researching business and tax practices, and beginning to think about how to conduct testing, publishing, and marketing down the road. Much of what I enumerate here hasn't been made public yet and will continue to cook in the background for a while, but I'm very proud of the work I've gotten done this year and will be excited to unveil more in the future!

And of course, for even more Shepherds of Haven content, I've added and completed even more stories for our little library on Patreon (which also has sizable word count at this point): The Bridge of Bones (a Trouble and Riel murder mystery), O Happy Dagger (a dark adventure featuring Briony, Chase, and Red), and The Hunt (a wild tale involving Tallys, Halek, Shery, and new kinds of spirits, fey magic, and Elves) were all serial stories completed in 2023, while Some Kind of Virus is a cyberpunk zombie apocalypse AU that will continue to be updated with new chapters monthly.

A full list of the Shepherd short stories and serial novellas (with links) can be viewed here!

I hope you enjoyed this session of Shepherds of Haven Wrapped! Honestly, this doesn't actually cover everything I've been working on, but some things can't be packaged and listed out neatly, or otherwise won't seem very interesting to anyone else but me! 😂 As we inch through Chapter 9 and get more interludes done (only a few more main chapters to go), I'm hopeful that I'll also be able to find time to work on my next novel, but we'll see if the Shepherds schedule ends up ramping up or settling down as we work steadily towards finishing the main story!

One important thing before wrapping up is to acknowledge your guys' role in this wonderful, wild journey. I want to express my heartfelt gratitude to each and every one of you for your invaluable contributions to the development of Shepherds of Haven. Whether you took the time to share links to the game, supported its growth on Discord or Patreon, left encouraging messages or asked interesting questions, reported bugs, or showcased your remarkable works of fanfiction or fanart, I am sincerely thankful for the unwavering support from this amazing community! Your collective efforts have played a pivotal role in shaping the world of the game into what it is today. Words cannot adequately convey my gratitude for your support, and I am truly blessed to have such a passionate community surrounding this project.

As we step into 2024, I am filled with anticipation for the developments awaiting Shepherds of Haven. Big things are on the horizon, and I am so excited to share these experiences with you! Thank you for being an integral part of this journey, and here's to the continued growth of our shared little world. Cheers to 2024—may it be a year filled with creativity, adventure, and joy! 🎊

[toastofthetrashfire]

Space and Framing in Episode 5 of DFF

Non is introduced through a reflection. This represents both his future disappearance or death, but also his outsider status. He's on the outside, the other side of the door, only a reflection.

Non's isolation is visually made clear as we see two contrasting hallways. The left is where Por and Jin come from. In the background you can see students milling about, life and people. On the right, Non is alone. Meanwhile Jin stands at the threshold about to cross over into Non's space.

Por goes too, but he visually remains separated from Non's isolated space. Instead we start by seeing Non and Jin through a reflection, just as when Non is first introduced. This is an outsider's space, but this time Jin has entered it.

Once again we get Non in an isolated space. It becomes noticeable too that he is often squared in, not just separated but boxed in. This can be seen in the previous shots as well. You can't see it from this screen shot but the road on the left has cars moving back and forth, so once again Non is placed outside and in contrast to life and society.

And once again, Jin comes and moves into this space.

As Non leaves, Jin is left split. His body remains in what was Non's space, but his shadow isn't quite contained. Perhaps this represents Jin's feelings for Non, and his desire to follow him. Or perhaps the way he is teetering between feelings and kindness for Non and his inability to fully stand up to his friends.

Jin sinks back and fully enters the space, his shadow no longer hanging outside of it.

Even at home, Non is boxed in. Perhaps signaling the way that his home life is separate from and invisible to his "friends" at school. Or perhaps the way that financial troubles and anxiety weigh on him like walls closing in.

Jin uses the camera to watch Non. In doing so he perhaps intends to create an alternative space with just the two of them, or to join Non's world. But at the same time, there's a looming feeling as Jin boxes Non in. We know in retrospect that the camera leads to increasing problems for Non. But I'm also reminded of the Thai horror film Shutter. The film revolves around cameras (including Polaroid/instant photos which Jin uses earlier in the episode) but also a strong critique of the way bystanders can become complicit and even hurt victims the most when feelings are involved.

As we start to get Tee's struggles we see him framed as a shadow. His circumstances and struggles remain in the dark where his friends don't know about them.

And then a doorway. The pressure is on for him, the walls closing in.

Top chooses to frame himself, using the camera to act out his fantasy of being a hero. Yet moments later this fantasy breaks, much like the camera. He relies on Tee to cover his butt. In the future he will be one of the first to run and abandon his friends. And of course, ultimately he ends up killing one of them.

Jin comes to comfort Non after the camera "incident." They're boxed in together, contrasted from the dark world around them. Jin once again has entered Non's space. He stands further towards the light, trying to offer Non hope, and see him smile. And while this light reaches Non, parts of his body are still cast in shadow, representing his current and future struggles. As good as Jin's intentions are, he doesn't understand what poverty looks like and can't fully help Jin, even if his support casts some warm light on Non.

Even at the end, as Non smiles and is cast in more light, his hands are still in shadow.

Our next cut is to this shot. We're back to the two hallways, but from another outside angle. The space represents the way Non is being pushed into a corner.

And of course, enter Tee who takes advantage of this. Notice how Non is placed with Tee slightly on one side of the visual divide. I can't say for sure which hallway this side maps to. So we either have Tee entering Non's space, this time in a clearly manipulative way, unlike Jin. Or we have Non being pulled into the space of Tee and his friends as he is being taken advantage of and placed out of his depth in the worst way.

[sweetmage]

Accessible BG3 Mods For The Visually Impaired!

As someone with a vision disability, I have a hard time reading small text, distinguishing menu options, and so on. So of course I stay on the look out for accessibility mods. I'm gonna link some of the mods I use (and some that might just be useful) for other PC users that are struggling with vision issues with this game. Be sure to check the mod pages for specific installation instructions for each mod as well as any dependencies or compatibility issues with other mods. Do note that these mods were compiled based on my own experiences with low vision, eye strain, and trouble distinguishing small objects/words so they may not be useful for everyone. If you have any suggestions for things to add to the list or if any links are broken, please let me know!

Also please show some love to these modders if their mods helped you 😄

Better Maps All In One

Link Here

With this mod you can remove the grid overlay on the map which reduces visual clutter. There is also an option to make the minimap larger and a recent update says that colorblind support has been added for NPC markers!

Bigger Mouse Cursors

Link Here

Does what it says on the tin, makes all mouse cursors larger.

Darker Paper

Link Here

Providers a darker background for all readable items (books, notes, etc.) which may reduce eye strain for some.

Comic Sans (Font Replacer)

Link Here

Can be useful for those with dyslexia or vision impairments.

Better Context Menu

Link Here

Adds related icons to all context menu options and (optionally) makes the context menu larger.

Increased Font Size

Link Here

Does what it says on the tin, increases font size with options ranging from 10% to 55% increases. Note: If using in conjunction with the Comic Sans mod, the author of this mod recommends starting with the 10% size and increasing if needed as the Comic Sans mod already starts larger by default.

Less Annoying Magic Effects

Link Here

Disables VFX for many spells, status effects, etc. (see mod page for list). Useful for reducing eye strain, visual clutter, or headache inducing effects. There is an optional configurable version so you can remove only certain effects, though I haven't tried that myself.

Bigger Customize Dice Button

Link Here

Does what it says on the tin, makes the button to customize your dice larger.

[cripplecharacters]

Hi! I have a character named Connie with Albinism who's in a tropey superhero comic esq world as a semi important supporting character. She works with the main heroes sometimes but isn't a hero herself (She's the reporter always getting into trouble type character) . She does however have an "aura reading" type power which manifests as basically just raising the hairs on the back of her neck whenever someone has bad vibes. I'm trying not to bump the "Super Mystical Person with Albinism" trope along the way and I don't think I have since 70% of all the other characters also have powers but I wanted to ask just in case

Hi there! Thanks for your question. I think it is very good that your conception of aura reading is not visually oriented and instead relies on tactile clues, since it does not fall prey to the trope of superpowers overriding people’s disabilities. You have a good starting point, so here are some components to consider for fleshing out the character more:

Albinism goes with Blindness, so if you are not well-versed in writing visually impaired characters in general, that is a vital starting point. All Blindness-causing conditions are more specific and complex than just “can’t see” — with Albinism some specifics will likely include nystagmus, strabismus, ptosis, light sensitivity, etc. Treating it as a disability without any connection to her superpowers helps dismantle the trope.

There are also multiple varying types of Albinism so you must decide which specific type your character will have, and must be prepared to research and treat the other accompanying symptoms of their Albinism with the same complexity as the Blindness.

Is your motive for writing her with Albinism solely motivated by aesthetics? A good litmus test for this is to consider if you would give her OA — a type of albinism that does not result in the white hair/pale skin/red or purple looking eyes. If that is an automatic dealbreaker for you, then that is a sign to re-think your motives. The aesthetic of that form of OCA is a big contributor to the “mystical Albino” trope.

If you truly want them to have that form of Albinism, do it justice! Treat is as the complex condition it is, and do not base her superhero uniform on it or otherwise exotic-ize her appearance.

Please do consider giving her OA! Most people with OA have lighter blue eyes, and may have lighter hair or skin or for the most part can be normally pigmented. So many people do not know this is a type of Albinism and it is much needed representation.

Finally, please consider her race. Even if she has OCA that affects her skin, if she comes from a non-European background, please look into how people of her culture with Albinism view their condition and how it interacts with her environment and family.

Hope this helps! Feel free to ask follow ups.

Mod Zohar

[castle-of-ruin]

Reacher Comes to Visit 1

A/N: Well, here I am again. Dipping my feet into the waters of posting content on Tumblr again. This time, it's for my beloved Reacher. A character that I have grown ridiculously attached to thanks to Alan Ritchson 🤭. This story is based very loosely on the contents of the show but does not actually tie into the show. All things that happen in this story are strictly made up. Big shoutout to @quaritchscupquake and @cryingwriter, convincing me to post this.

Pairing: Jack Reacher x f!reader

Rating: 18+ MDNI

Warnings: Mutual pining? Size kink if you squint? Reacher being Reacher. This part is pretty tame. Mentions of food and injury. Character has a nickname, but not too many defining characteristics.

A/N 2: Please let me know if I miss any content warnings. I want to make sure it's properly tagged.

I do not condone the reposting of my story anywhere. DO NOT DO IT

Visual inspiration for anyone who cares. This is a very pretty gif. Thank you, @hunnam , for creating it!

The tv plays softly in the background as you float around your home cleaning up as you go. It was your favorite movie, one you have been watching since you were a little kid. The musical soundtrack was by far one of the best you have ever heard. Even now as an adult, you found so much joy and comfort in the movie and its music. Your night is rudely interrupted when a loud knock resounds off the walls of your house. Jumping, you grab your remote and pause the movie. Tilting your head, you make your way to the front door, you were not expecting any visitors.

Opening the door you freeze, heating finding its way into every part of your body. None other than Jack Reacher was standing opposite you beaten and bloody, however, this time he had friends. Two years ago Reacher saved your life: twice. Then the two of you spent one hell of a weekend together, and then he left, and you had not heard from him in two years. For him to be on your front porch unannounced after two years made you feel something you didn’t expect. You were mad at him, but part of you understood that is who Reacher was, a drifter moving place to place no one and nothing holding him down.

You stare up at the large man unable to form any words. Neagley, you remember her from before, steps forward and gives you a tight smile.

“Sorry to show up unannounced, Hawk,” She references the nickname she gave you. “We ran into some trouble and need a safe place to lay low for the night.” Neagley, as usual, is straight and to the point.

This was something you appreciate about her. Taking in the tired faces of the two other members of their group you let out a deep sigh and move to the side motioning them in.

You stand in the doorway leading to the living room and watch as three of them settle into your house comfortably. Reacher stands on the opposite side of the room and watches you.

“This is O’Donnell and Dixon, two of our old team mates.” Neagley speaks up, breaking the silence.

“Nice to meet you both.” You tell them with a small smile.

“Why does Neagley call you Hawk?” O’Donnell asks.

“She’s observant.” Reacher pipes in, folding his arms over his broad chest as he leans against the wall.

You avert your eyes from his stare, turning your head down towards the floor.

“I only have one extra bedroom. You can fight over who gets it. Make yourselves comfortable. I’ll go get some pillows and extra blankets,” You pause as you look over them. “I can also run to the store and grab some robes for you all to wear so I can wash your clothes. If that is something you are interested in.” You finish looking at each of them individually.

“That sounds amazing. Thank you.” Dixon speaks up first. O’Donnell nods his head softly and settles deeper into the couch.

“That would be great, Hawk, thank you.” Neagley states.

Nodding you make your way out of the living room and back towards the front door where you grab your purse and keys before heading out the door. Leaving strangers in your house probably wasn’t the best of ideas, but you knew Reacher and Neagley. You knew they were safe.

Your trip to the store was rather quick, you try not to draw attention to yourself, but it was hard when you were getting four bathrobes all in a different size. You just smile awkwardly at the cashier who checks you out. Speeding home you mentally prepare yourself for the night to come.

When you make your way back into the house all four of them turn to look at you.

“Okay, each of you can have a hot shower, then bring me your clothes and once I have them all I will throw them in the wash for all of you. Anyone hungry?” You ask.

“I am,” Reacher shrugs. You nod and look at the others who nod in unison. This wasn’t a talkative bunch which you were thankful for.

“Okay, decide the order for showers and I will get started on food. The robes are in this bag.” You instruct, dropping the bag on the vacant chair.

You head to the kitchen and prepare dinner for the four of them, you had eaten earlier that night and were not hungry. The room suddenly felt smaller and you knew who was there with you.

“You look good.” He tells you quietly coming up behind you.

You close your eyes as a shiver runs the length of your spine. Even after all this time he was still imprinted in your senses. Turning, you lean against the counter and look up at him. Taking in the wet patch on his left side, which you assumed was blood, and the bruise under his left eye.

“You look like hell.” Your words have a smile pulling at Reacher’s lips.

He doesn’t say anything else after that, just shakes his head and leaves the kitchen. After some time food is ready and three out of four of them have showered.

“Okay, food is ready, come eat.” You instruct, smiling as you watch all four of them eagerly make their way to the dining room to eat.

“Thank you!” Dixon yells.

“Yeah, thanks this is good food.” O’Donnell nods.

You smile at them and nod your head. “It’s my pleasure. I will be in my room if anyone needs me. Just knock.” You tell them, excusing yourself to your room.

Flopping on the bed you stare up at the ceiling. Memories from two years ago running freely in your head. A quiet knock pulls you out of your thoughts. Looking to the door you see Reacher standing there. Sitting up you tilt your head.

“Everything okay?” You ask.

“Yeah, you said if anyone needed you just knock. I knocked.” He shrugs, and you stifle a laugh.

“Well, you’re the reason I can not start the load of laundry. Get it together Reacher.” You tease.

“Right, I’ll be back.” He states and leaves.

You shake your head and let out a groan. He was going to be the death of you. There weren’t many people in this world who consumed your thoughts freely, but he did ever since he saved your life, and fucked you better than any man ever had. You shake your head, now probably wasn’t the best time to think about that.

Not long after Reacher had left another quiet knock could be heard. When he enters your room he takes up the doorway with his large frame. You take in the way the dark robe holds on for dear life, like it was on the verge of ripping as it stretched thin over his broad shoulders.

“Everything is in your laundry room and ready for you.” He states.

Getting up you nod. “Okay, thank you. That robe is holding on for dear life.” You can’t contain the giggle that bubbles up in your chest.

He looks down at the robe. “I think they left me the smallest one on purpose.” He grumbles. You giggle again and he gives you a dirty look.

“I’ll be right back. Gonna go start the load.” You tell him.

"Is it okay for me to stay here?” He asks.

You look at him for a moment. “Yes.”

Going out you make your way to the laundry room and throw all of the clothes into the wash and start it. You poke your head into the living room on the way back where the others are still sitting talking quietly amongst themselves.

“Hey, once the washer beeps, one of you can put the clothes in the dryer. I’ll be in my room if you need me. Goodnight.” You tell them.

Entering your room you smile upon seeing Reacher asleep on your bed. He made your queen size bed appear small and you chuckle to yourself at that. Going over to your dresser you pull pjs out of your drawer and go into the adjacent bathroom. Closing the door softly you strip and turn the water on. A quiet sigh passes your lips as the water bears down on your back. After your shower you get dressed and head back out into your bedroom. Reacher is awake now and watches as you exit a cloud of steam pouring out behind you.

You get into bed and lay on your side looking over at Reacher. He turns so he is facing you.

“Two years is a long time.” You whisper, reaching out and hovering your hand over his arm. You weren’t sure if you should touch him.

He answers your internal question by grabbing your right hand with his right and guiding it to his shoulder. The fabric is soft beneath your fingers, but part of you wished it was his skin you were touching.

“I know, I’m sorry we didn’t call first before just showing up. I knew you were safe and just brought them here.” He reaches out and grabs your hip, pulling you closer.

“Not tonight. You need to sleep. Something tells me your life is about to be in danger, again. See it as an incentive to come back alive.” You tell him, placing your hand on his somewhat exposed chest. Enjoying the warmth that fills your fingertips.

“Can I kiss you? Just once?” He asks, cupping your cheek softly in his large hand.

You nod and close your eyes. His lips are warm against yours, and just like you remembered, soft, yet rough. The kiss was short, sweet, and full of an unspoken promise. He pulls you into him and tucks you into his side beneath the covers. You find yourself snuggling into him and closing your eyes. The warmth from his body spreads through you.

“Goodnight, Reacher.”

“Goodnight, Hawk.” You smile at him using the nickname as well.

Tomorrow, things will surely be different. Tomorrow, the threat was to be dealt with. Tomorrow, the outcome was unknown.

Uh, I'm gonna tag some folks. Maybe you'll like to see it :)

@obiknights @a-reader-and-a-writer @chelseasdagger @gemstone-roses @cryingwriter @quaritchscupquake @supernaturaldawning @xxidontwikeitxx @spnshortcake

[thesoftboiledegg]

"The Jerrick Trap" was a clever twist on the body-swapping concept. I had trouble following it at first because they both sounded like Rick, to the point that I wondered if Jerry's half went in hiding. A lightbulb went off in my head when they clarified that they're both Rick and Jerry.

I've seen two people merged into one being ("Tuvix" from Star Trek: Voyager) but two consciousnesses sharing half of each person is something I've never watched before. And Rick and Jerry's personalities merged surprisingly well. Rick and Beth struggle to get along because they're so similar, but Jerry complements Rick perfectly--if only Rick would get his head out of his ass and accept it!

I wasn't a fan of the cold open, thinking "...OK, seriously? Rick 'hates' Jerry so much that he kills himself when he's stuck in his mind?" Others pointed out that maybe Rick just couldn't handle being in a brain without his coping mechanisms, which is a better idea. Still, it's hard to shake off your initial interpretation. I hoped that the episode would elaborate on that, but it never did.

And boy, Jerricky almost ruined the episode for me. Rick and Morty is full of silly, stupid humor--"The Old Man and the Seat" is an episode about Rick sitting on a toilet, for one--but that human-centipede creature was too bizarre. I won't say it was objectively bad, but I might skip that part during rewatches.

Back to what I enjoyed. I loved seeing the reappearance of Rick's favorite thing: crystals. The writers gave Rick's crow phase a shoutout, which is MY favorite thing. I'm surprised the comics never explored that period. I don't read the comics, but I would consider buying that issue.

The backgrounds were stunning, too. Rick and Morty's artists create dazzling environments with their color theory expertise. Rick and Jerry's Miami Vice adventures blew me away in every scene, making me want to live in that tropical city.

As for Memory Rick, he was a surprise. I was wondering today if he ever escaped Rick's mind, so I guess that was a premonition. He'll probably have an important role later on.

Anyway, Jerry admitting that Rick is the closest thing he has to a friend surprised me, but it's true when I think about it. Who else does he talk to? Space Beth can't stand him, his marriage is strained and his kids aren't his friends. His parents rarely show up.

Rick's the only person in his life who isn't obligated to hang out with him because they're related. He's also the only fellow adult male. As much as their lives diverge, Rick can relate to him in a way that no one else can.

Morty says at the end "I think it's clear that you both love each other more than you're willing to admit." Of course, Rick denies it, but his and Jerry's bickering at the table is their weird way of saying "I love you." If they didn't, they'd just leave the table instead of frantically overcompensating.

And their minds wouldn't have fused together so well, either. Otherwise, both halves of Rick would've just killed himself again, or grabbed the gun while Jerry's halves tried to fight him off.

"The Jerrick Trap": a visual masterpiece, a feast for the Jerrick shippers and insight into what's really going on in Rick and Jerry's minds when they argue.

[artist-issues]

So if you could tell everyone about your favorite movie, what would you tell them about it?

PS I love your blog and your media deep dives

Thank you! So kind! Anything good I have to say is really just because of Jesus, not me. I'd tarnish and ruin good things, left on my own.

I keep trying to tell everyone about my favorite movie, but I get so choked with all the things I want to say—and knowing that the more deep I make it seem the less they'll like it because they're not accustomed to deep-diving into children's media and that'll skew their enjoyment of it—that I wind up falling back on the tried and true "it's so good, you have to see it, I can't believe you've never seen it before, we have to watch it!"

It's Lilo & Stitch.

Lilo & Stitch is incredible for so many reasons.

It was an underdog in the Disney Studio. One of their lowest-budget movies, in their B-Team Shabby Florida Studio, and only a handful of higher-ups really believed in it. And now it's one of their biggest, longest-lasting, farthest reaching worldwide franchises.

Disney was stuck in a rut of making only a certain handful of movies; Triumph-of-Humans Adventures, or Princess-Fantasies. And Chris Sanders, the guy who basically invented their Story Department during the "renaissance" period, came along and said, "let's break the mold. Let's just try something small, quirky, bold, and new. Let's flip the script on everything except good storytelling." Instead of Princesses, you get Normal Humans Living in a 2002 rural beach town. Instead of Magic you get Sci Fi—but only like five minutes of Sci-Fi. Instead of a Romance you get Family. And when we say "family," no, we don't mean, "Epic Lion King or Tarzan Coming-of-Age Destiny Stories—" we mean "orphans about to be split up by the foster care system, needing a friend." Instead of Lassie (pet movies, like 101 Dalmatians or Lady & the Tramp.) you get something closer to Gremlins meets E.T. Instead of an Epic Adventure, you get Smalltown Sister Tries to Find a Job. Instead of Dashing or Loveable Main Character you get Mildly Disgusting Main Character who picks his nose and pushes little orphan girls down, for fun. Instead of a Namable Famous City on Earth, like New York or London in their old movies, you get Nameless Town in Hawaii. Instead of Hero Triumphs, you get Villain Redeemed.

The style. All the alien ships look like fish, all the alien creatures look like some take on small-town animals like armadillos or pigs or bobcats, or more aquatic life. And then it matches with what? Small Town Hawaiian Imagery. So you get the idea that not only, stylistically, do the visuals of the movie blend well, but, Stitch not only doesn't belong in outer space among those aliens—he doesn't belong on Hawaii, where even the locals have something in common with the Galactic People, and he does not.

Watercolor backgrounds. Nobody was doing that. Nobody is doing that. They didn't have to do that. It's just beautiful, and soft.

Stitch. As a character. Name one other character whose arc starts with "you can never belong; there is nothing inside of you that is good." and then ends with "loved unconditionally, adopted into a family that loves him in spite of the trouble he brings them. In spite of his inability, at first, to love them back."

Lilo. Lilo is loved that same way by Nani. Nani willingly invites trouble into her already fraught life if it'll make Lilo the tiniest bit happier. Even though Lilo already makes Nani's life hard. Lilo, too, is about to go into the next phase of life with nothing—if the social worker takes her away, she'll have lost her parents, her sister, her home, and her hometown, which she's shown to know and love—and we've already seen how feeling lost and like she doesn't belong causes Lilo to act destructively, because her classmates treat her like she doesn't belong and Lilo beats the crap out of them. The directors said it like this: "Lilo is a future Stitch," if she's taken away.

All these characters have holding them together is this commitment to this definition of family: "Nobody gets left behind or forgotten." Lilo and Nani were "left behind" by their parents, because their parents died. Or they could think of it that way. But Nani doesn't. She does whatever she can to keep Lilo with her, and refuse to "leave Lilo behind." She's eighteen, nineteen—she could go on to college, live in a dorm, while her troublemaking sister goes to foster care. She has all these surf trophies on her nightstand—she could've been somebody if she'd left her family behind. But she doesn't. Whether Lilo loves her back or not, she won't leave Lilo behind. And guess what? Whether David, the surfer boy, gets Nani's love back or not, he loves her and is there for her. Whether Stitch loves Lilo back or not, she sticks with him—until she almost doesn't, but guess what, by then it's okay, because he's learned. He's been transformed by the idea "nobody gets left behind," which is just another term for "unconditional love."

The commitment to FOCUS. Chris Sanders is always good at this. But this movie could've been about, or addressed, DOZENS of social issues. It could've picked up the "government worker" flag. It could've picked up the "racism" flag, or the "classism" flag. It easily could've picked up the "feminism" flag, or the "be yourself" flag, or the "find who you truly are," or the "you're worth everything" flag. But it didn't. It CUT OUT previous scenes that would've addressed racism or classism. It JUST later-focused on one, universal, unifying theme that every human on this planet can understand, and relate to, and needs to be reminded of: "family loves unconditionally."

This movie is why I looked into being a storyteller. Just this movie; no other movie did it for me.

[lola-andheruniverse]

Unpopular opinion...

But Zabel is revealing himself to be a very, very good showrunner. He's tying all the knots from S1 on S2 in a very satisfying way to me and all the big arc themes (aka choosing hope and faith - in all its aspects, not only religious faith, finding purpose within itself, bonding and loving people you wouldn't meet on normal life circumstances, no possibility of growth without change, taking true responsibility for your actions) that were there from day one are still important and reflected on. I love how he took the time to give every single OC character enough background story that we can understand why they are the way they are. Sometimes it's talked about (Codron and Losang), sometimes we get flashbacks (Isa and Genet), sometimes it's told with visual clues (Jacinta and Fallou). All the OC scenes, so far, have been so, so good to me. I love all the French cast and I love that their characters are respected and given time to shine. Also, Zabel said that every character arc serves Carol and Daryl's story, which is exactly what I'm getting. Even when these other characters are interacting with each other and Carol/Daryl are not on sight, their scenes have underlying caryl meanings. No scene is wasted and I don't even remember the last time I said something like this about any of the TWDU shows. I have no trouble saying that Zabel gave me no reasons so far to no trust his process to get Carol and Daryl where they want and need to be - emotionally and psychologically - so that we can have a romantic happy ending for them. I wanted to watch a compelling story where caryl is the heart of it but not the single focus and he gave me that. I truly appreciate him for taking care of all the elements, themes and characters he gave us in S1 so that everything have a fitting ending (not necessarily wanted by us, the audience, but fitting nonetheless) in S2. God knows Gimple would never. All I need is a title change for S3/S4 but that's on AMC. Let's see what the future holds. I remain confident that it is caryl.

[rassicas]

Hi! I pieced together the globe icon in the background of the world's end splatfest announcement. I wanted to share it with you in case it has some lore significance. I can't really tell whether these are landmasses that match up with the maps we have seen before, but idk. Have a great day!

neat!

im having trouble visualizing what part it could match with if at all. maybe its zoomed into a section at a weird angle or they just made something up without a care (plausible).