#if you have questions about other specific things feel free to ask!

[pseudophan]

PHANNIE COOKBOOK SIGN-UPS!!

Do you have a really good recipe you think Dan and Phil would enjoy? Consider submitting it to this collaborative phannie cookbook that will be given to DnP at a meet & greet! It will also be available to everyone to download as a PDF.

Family recipes or your favourite dish from your country/culture is a bonus, but it doesn’t have to be that personal. All I ask is that you don’t go rip something random off the Internet right now just to be in the book, I want food you genuinely enjoy!

I’ve decided the most efficient way of doing this is to let you submit up to 3 different options, that way if there are any repeats (and I’m certain there will be) I won’t have to message everyone it concerns to ask if you have any alternatives. Besides, that way I can choose which version gets in based on your other options rather than which one “sounds better” to me, cause I think that would be a little unfair. I also have no idea how many people will actually participate in this yet, which is currently the biggest hurdle in terms of planning. If only a few sign up there is a chance we’ll end up using multiple recipes by some, and if somehow we get too many I’ll have to pick and choose. I do really want to include as many people as possible, but until I actually see the recipes it’s hard to tell what will end up happening.

The main focus of this will be actual food, but we obviously need to include a few desserts, so feel free to submit those as well just be aware the chances of those getting picked might be lower. The same goes for soups, I assume a lot of people have soup recipes and we might include a couple, but for obvious reasons it's a low priority.

Some key things to keep in mind:

Phil is a bit picky and has some dietary restrictions! He shouldn’t have dairy or chocolate and he doesn’t like cheese or mushrooms, among other things. That doesn’t mean you have to avoid these things entirely, but maybe your grandma’s mac and cheese recipe isn’t the best choice

While neither of them is vegan they do eat a lot of vegan food, so we definitely need some vegan dishes. I also think it would be really great if you suggested vegetarian and/or vegan substitutions you know work well with your recipe! That isn’t a must for every dish, but it’s a nice addition where possible

Tragically, Dan and Phil are British, meaning they won’t necessarily have access to all the same ingredients as you. Luckily they are also rich and live in a major city with a lot of options so they aren’t limited to what they can find at their local Tesco, but since the aim of this book is to encourage them to cook we probably shouldn’t be sending them on a scavenger hunt either. I don’t think this will be a huge issue, but if your recipe calls for something you think might be very niche or local to you it might be worth googling it or asking around

The final book will be using UK measurements, but if your recipe doesn’t then don’t even worry about it for now. We’ll get to that later. You also don’t have to worry about typing out the whole step-by-step in detail in the sign-up form, I just need a list of the ingredients and roughly how to prepare it to gauge whether it’s a good fit.

I promise I’m almost done yapping but lastly, about some of the questions on the form - you don’t need to know exactly how long the dish takes to prepare, that will depend on the person or people making it anyway, but we do need a rough estimate. The difficulty level is obviously quite subjective, but I just want to hear how you personally would rank it, and if there is a specific part of the process you think someone who doesn’t cook a lot might struggle with. As for the last question about photos, I’m asking both if you have the time and opportunity to make the food and if you are able to take a good photo of it. Obviously it doesn’t have to be anything professional, a phone camera is fine, it just needs to be well lit and decent quality.

Okay, I think that’s everything-

Here's the sign-up form

The deadline is in a week, at midnight Thursday to Friday CET :)

(I also made a blog for this @phookbook for information and updates! A lot of it will probably still be on this blog, but I'll try to post/reblog the most important things on there for those who want to keep up with everything but who may not want to deal with all the chaos of pseudophan)

[chimneyz]

Tonight was actually a good night, the first good night since the incident, the first time Buck smiled and actually laughed... since the incident. Who knows Buck might actually get a goodnight's sleep for the first time...

Since the incident.

The sweet smell of cookies and other assorted baked goods filled Buck's loft, he's spent most of his free time now baking, to keep his mind off of things. To stop it from spiraling down a dark path.

"Thank you again Buck," Maddie beamed at him "Jee has been talking about baking with Uncle Buck for some time now. Haven't you Jee?"

Jee smiles brightly at him with a box of freshly made cookies in hand giggling. Her infectious joy melts Buck's heart.

"Yeah of course!" Buck responds, he bends down to his niece's level booping her nose. "Miss Jee is welcome any time."

As she scrunches up her nose with a giggle Buck stands back up to find both his sister and Chimney's face painted with concern. Maddie opens her mouth then decides against it glancing over at her husband. She presser lips thinly. Maddie decides to go foward with what ever words are circling in her head.

"Are you willing to talk about what happened?"

Buck tilts his head, eyebrows furrowing.

"What is there to talk about, we broke up. That's the end of it, nothing more."

Maddie's eyebrows rise up to her hairline, Chimney's scrunch up, both looking back and forth from eachother to Buck trying to formulat the right words. Annoyance spiked through Buck's body.

"You never really explained what happened between you two, I thought everything was going so well." Maddie finally said.

Chimney reaches down to pick up Jee with a grunt resting her on his hip. "Yeah, I mean you're a mess - no offense - but when was the last time you actually slept? And on top of that you won't even say his name."

Chim's right he did look like a mess didn't he. His stubble was becoming more than just a stubble. Dark pockets have formed under his sore eyes, his cheeks still warm and puffy from bitter tears. Hell, his still wearing that hoodie, the hoodie that used to be his. Not sure if Buck can even still call it his anymore, the lingering sent of him has been diminishing more and more.

Buck huffed out a mirthless laugh slightly raising his hands, darting his eyes away from his family. "Like I said t-there is not much to say, we - we just broke things off. I-I ran my mouth and like always I Bucked it up." His hands drop to his sides in defeat.

Buck struggles to look at them, more specifically his sister, but when his eyes meet hers he sees a sympathetic sorrow sparkling in them. "I am sure that is not true Buck."

Maddie isn't entirely wrong though is she? Sure Buck has been running what he said that night in his head over and over, there are definitely things he worded incorrectly or probably never should of left his mouth, but it was To- no, it was him who walked away from Buck. It was him who was afraid of getting his heart broken but shattering Buck's with his swift goodbye. Buck can feel the tears forming around his eyes again.

"This wasn't all on To- on him, some of it was on me too..." He looks at them again plastering a smile on his face the best he can without breaking down infront of them. "Thank you for bringing Jee, I think I needed this more than you guys."

Maddie places her hand gently on Buck's shoulder, a small wavering smile forming. "Of course Buck. If you- When ever you are ready to talk I am right here for you." As the Han family turn to leave, Buck steps foward before he can even think.

"H-hey Maddie can I ask you a question?"

"Sure."

Buck fidgets with his fingers picking at his skin, "Actually this is a question for the both of you."

Maddie and Chim turn to eachother with a puzzled look, they look to Buck waiting for his question.

"What exactly happened between you two? With Boston and t-the break up, what happened that made you two go back to eachother time, after time, after time again?"

Both smiled fondly at him, "Well Jee played a big part in that department." Chimney said.

"Y-Yes she did," Maddie pointed at Chimney and turned back at Buck, "But it was more than that. We didn't just stumble upon what we have, we had to work for it, to build it, to make it."

Those familiar words rang in Buck's ears over and over.

"We had to fight for each other, for love" Chimney added.

A warm feeling bubbled in Buck's chest, he wasn't sure if he would call it hope, but it was something that made him feel good, something he hasn't felt in days. Buck smiled and nodded while looking at the floor, the words still playing through his head.

"Ok, thank you."

Jee fussed in Chimney's arms her face growing grumpy.

"Uh-oh looks like it's someone's bedtime," Maddie giggled.

"Bedtime, what bedtime?" Chimney muttered, he opened the door leaving with Jee in hand. Lingering behind, Maddie steps closer to her brother hugging him tight.

"Everything will be ok."

"Yeah, thanks Maddie."

She leaves closing the door behind her. Buck stands alone in his loft taking out his phone, his fingers hovering over the keyboard on the text chain with him - no, Tommy. The words he wants to say circling around and around in that brain of his. He may not reach out tonight, he may not reach out tomorrow or even the next few days, but soon...

Soon, Buck tells himself.

[bokettochild]

🎶For the twelfth day of Christmas, my Ketto gave to me-🎶

Closure!!!!!

So, I've been talking about this for a fair bit now and debating the logistics, and I have decided to do it: A Christmas of Closure!

I have so many unfinished/on hiatus fics, some that never got past the first part, and this is my effort to (1) relieve myself of the guilt of not finishing them and (2) give a bit of closure to the readers who still wanted more from the story.

How does it work? You guys can choose any story of mine that you wanted to see more of, and the first twelve will get a little love this holiday season, with me posting one update every day leading up to Christmas, and ending on Christmas day with either whatever I was most excited to share, or what took me the longest and I needed more time for LOL

They key to this is that it's stories I've already started, so rather than spending half my writing time trying to figure out what it's going to be about, I'll hopefully just be giving words to something that's sat in my brain for the last few months/years. I'll get to share with you what was supposed to happen, while maybe jump-starting my own creative process so maybe (no promises) I'll actually be able to finish the story! (Again, NO promises, but also I hope so!!!)

(Specifics below)

All stories are on the table with the exception of TBBU, since that's already a work in progress and I will get there independently (*she lied, like a liar*). There might be others that have reached their natural end as well, and I'm not up to making zombies, but I can't name any right off, so go nuts and choose whatever you feel has been on life support for too long :)

Whumptober/Sicktember/Febuwhump prompts are up from grabs, but only in the form of continuations of already written pieces. I will not be writing prompts that I failed to post on time in this challenge (maybe another time)

The age of the fic doesn't matter, but be aware I might not be able to capture the same voice as I used to use. My writing style has changed and developed, but I will try and match my own freak when I can.

You CAN ask for specific things! I will not take unkindly to you popping in to say "write an update for story XYZ and maybe have ABC happen?" I can't promise that ABC will happen of course, because maybe that's not what was meant to happen, but I promise to consider any and all suggestions regardless, and try and make a Christmas present that you'll enjoy :)

The stories will get posted starting on the 14th of December and ending on December 25. There will not be an Ao3 collection, but I will have a master-list here on tumblr.

I hope that covers everything, but if you have any questions I didn't answer, please feel free to send an ask, so I can answer publicly, in the case others had the same question <3

[narfin-frood]

Silly question but how do you art?

Or more like, how is your process to draw? Your lines and posing are so loose and show the feeling of a character so well, like, how do you make your art so real with only a few lines is what most amaze me. Anyway I hope I'm not bothering you and that makes sense, thanks for reading!<3

you're not a bother, don't worry! i'm not sure if there's an appropriately concise answer to a question like this, but i'll try to explain my process for poses a bit, and if there's anything else specific you'd like to know about my process, feel free to ask, and i'll try to answer!

for posing, i find it's very helpful to start by thinking about what situation the character is in. you don't need a location or a background or anything (unless you're being #serious about it). for this, i chose "picking up something way too heavy" (cont. under cut, wall of text ahead)

keeping it very simple is key!!! do not worry about details!!! i am very bad at this. i love to add a little detail or two, like his eyes or his little expression, but i have to catch myself before i get too into it, otherwise i'll forget the point of what i was doing and/or get bored. use just enough strokes to get the point across, and stop there (for now).

i draw fast and loose, with long strokes, which also happens to help with the problem that happens if you start with any specific part of the body. it's important to start with... everything at once, or else you won't be able to see what needs to be changed or fixed until it's too late and you've already decided on where you want the head and the left arm to be!

to display effort & strain without just contorting the character's face, you gotta think about just how heavy the object is, how one would go about grabbing it comfortably, and whether your character is smart enough to lift with their legs.

wander is great (read: BEST CHARACTER DESIGN EVAR. i love him kisskisskiss) because he's not grounded in any sort of reality until necessary, and his limbs have no bones, but he still has specific proportions and volumes to refer back to if you get carried away with the wackiness. posing a character made up of several noodles of varying widths is very simple, because you can do basically whatever you want to push and pull and make it as clear (and/or as funny) as possible.

start with your line of action, in this case the long line connecting his neck and his left foot. think about where the floor is, so you can make the feet of your character and whatever else is touching it coexist in the same reality. think about clarity: big, simple shapes are your friends, and if you're not getting the gist of the pose through the silhouette alone, try again! there's NO shame in hiding the first layer and doing a couple more sketches until you land on something you really like. Don't polish a turd, especially if you yourself think it's a turd. it'll make you feel like you're wasting time, and drawing is about having fun and experimenting, so if it's getting boring or frustrating, it's time to try something else.

wander and other characters with no bones and no rules are great for posing because you can do things like make their arms bend the wrong way just to play with the clarity of the pose. this:

un-breaks the arms and makes a little more sense for somebody with elbows, but some clarity in the action is lost when the arms don't curve upward and away from the very heavy object he's straining to pick up.

grounding your characters is both more complex and easier than it sounds, and it unfortunately requires you to think about perspective (i know. i know. i know it sucks and it's confusing. i hated it for a very long time but once it clicks, you'll have it in your brain forever)

fudging a perspective grid is fairly easy, just draw several parallel lines and have them get closer to each other as they recede into the distance, and then do it again in the opposite direction. you can use the transform tool in whatever program you use most to fudge this for even less effort, by just getting a png of a grid and fucking with it

now that you've got your floor, think about those feet. the grid makes it fairly easy to envision how a shoe would look sitting on that floor:

this is also where having an understanding of volumes comes in handy, because things farther in the distance will in fact look smaller, but it's up to you to figure out just how much smaller it would be in comparison to the other identical thing with the same volume that's closer to the camera. usually it's almost negligible, but it becomes easy to spot if it's a little off.

and here's the pose i settled on! i made his noodle arms more extreme for extra XD factor and i put him on his tippy toes for that extra bit of height!

a lot of the principles i'm talking about in this post i mainly pick up from consciously watching my favorite cartoons (and live action shows) and if i really, really like the way something is done, or if i see something that i've never really registered before, i'll screencap it or i'll pause or i'll just keep thinking about it until i draw again.

this is called "building a visual library" and it's the #1 easiest and most important way to practice. it requires no drawing, unless you want it to. look at lots of art by artists you love, and if you see something and you think to yourself, hey, this looks really good, by all means, absorb it.

art is great and it's really fun and there's literally nothing wrong with taking inspiration where you can find it!! seriously!!! absorb your favorite parts of every art style you find cool and fun and put it into your own! you're the only person who can draw the way you draw, and while replicating an art style is fairly easy (or it can be, depending), matching it perfectly is Literally impossible, so don't worry about being derivative. Nobody will notice, and if they do, it's okay to say you're inspired by them! encouraged, even!

my own art style, like everybody else's, is a frankenstein's monster containing all of the things i've loved before!!! and i think thats beautiful and if anybody tries to tell you you've gotta be 100% original and have "your very own style", they're a filthy liar and they're definitely (consciously or not) already taking inspiration and reference from the things they themselves find cool and awesome.

ANYWAY. wall of text over.

TLDR: draw quickly, use long strokes (try not to pet your lines), have a specific situation to put your character in, get familiar with volumes and proportions, and have fun!!!

[its-your-mind]

*deep breath in*

the fears 👏 have always 👏 been (in one way or another) 👏 parallel 👏 to 👏 desire 👏

let me explain.

so many of the statements given by actual avatars center around some sort of need that was met by their entity. Lots of them even had a positive relationship with the fear that drove them.

Jane Prentiss is an excellent example - the Corruption has always been about a form of toxic and possessive love, but she personally has a deep desire to be “fully consumed by what loves her,” and finds a perverse joy and relief at allowing herself to be a home

Jude Perry is another - she fucking loved watching people’s lives be utterly destroyed. The Desolation only offered her a power of destruction on a grander scale, and then gave her a more intense rush of joy as she did its work. When she tells Jon that he needs to feed the Eye before it feeds on him, it’s almost as an afterthought; she was happily feeding the Desolation long before it burned her into a new existence.

Simon Fairchild. Every time that old loose bag of bones wanders into the picture, he is having a fucking EXCELLENT time playing with the Vast. He loves showing people their own insignificance, and he loves luring them into situations where he can throw them into the void as he smiles and waves.

Peter Lukas (hell, the whole Lukas family (except Evan. RIP Evan.)) hated. people. all he wanted was for them all to go away, to leave him alone. The Lonely only fulfilled that desire.

Daisy, Trevor, and Julia, all devoted to hunting those things they deemed monstrous.

Melanie, holding tight to that bullet in her leg because on some level, she wanted it. It felt good, it felt right, it felt like it fit right alongside the anger and spite that drove her to success.

Annabelle Cane first encountered the Web when she was a child, running away from home in order to tug on her parents’ heartstrings in just the right way to have them wrapped around her little finger. Later on she volunteered to be the subject of an ESP study. Hell, she’s the one who dangled the “Is it really You that wants this?” question over Jon’s head in S4.

And that brings us to Jon, beloved Jarchivist, the Voice that Opened the Door. Ever since he was a child targeted by the Web, he was looking for answers. He joined the Magnus Institute’s Research Department looking for them, he stalked his coworkers in search for them, he broke into Gertrude’s flat and laptop out of desperation for them. And when he realized that all he had to do was Ask to get truthful answers to his questions? It was only natural for him to jump at that opportunity.

Elias told S3 Jon that he did want this, that he chose it, that at every crossroads he kept pushing onwards, and the inner turmoil that caused was one of the focal points for Jon’s character through the rest of the podcast.

There’s a certain line of thinking in many circles about the power of the Devil: he’s not able to create anything new. All he’s able to do is twist and warp that which was already present, making it something ugly and profane while still maintaining the facade of something desirable.

Jon didn’t choose the Eye. But he did wander into its realm of power, exhibiting exactly the qualities it was most capable of hijacking and warping to its own ends. Jon didn’t choose the Apocalypse. But Jonah picked at him little by little, pointing him towards each Fear individually. Jon didn’t want to release the Fears. But the Web tugged on his strings just so and laid a pretty trail for him to follow until he reached its desired conclusion.

Jon didn’t choose ultimate power, or omniscience, or even his own role as Head Archivist. But he said “yes” to the right (wrong?) orders and kept on pushing for the right (wrong?) answers. He wanted to succeed at the work he had been assigned. He wanted to protect his friends. He wanted to rescue them when they were lost. He wanted to prevent the apocalypse, to save the world. He wanted to know why he was still alive, when so many had died right in front of him.

The Great Wheel of Evil Color that is the Entities might not fit as neatly into categories in this universe - maybe there was no Robert Smirke trying to impose strict categories on emotional experiences, or maybe the ways they manifest in the world has turned on its head (goodness knows many of them have been showcased and blended in some very fun and new and horrifying ways so far) - but their fundamental foundations seem to be the same. Hell, in episode one we learned that there had been enough individual incidents to create a distinction between “dolls, watching” and “dolls, human skin.”

Smirke’s Fourteen isn’t going to be relevant as common parlance, RQ said that already, but I don’t think that means the Fears themselves (and their Dream Logic-based rules) are different - I think it means that the levels of understanding, language used, and personal connections among people “in the know” are going to be entirely unfamiliar

[uncanny-tranny]

Hi! So i apologize preemptively if this seems like a silly or even nonsensical question, but im having a hard time getting into politics and more specifically finding more info regarding Anarchy.

It's been a subject I've been interested in for a while but never really branched out and looked further into bc everwhere I've looked, the info was always mushed into word vomit or it was someone giving their opinion regarding it.

Where could i learn more about it as a whole?

I haven't read anything from this site in a while, but I read a few essays from the Anarchist Library a while back. A few of those essays might be too opinionated, but that's kind of... the point of everything, if I'm honest (in addition to facts and statistics and whatnot). I'll recommend this site specifically because it is a bit more accessible for getting essays and also because you might find more specifics - I've read a few pieces years back on queer and trans anarchy, and found it helpful. Of course, some sources will be better than others, so exercise healthy questioning and interrogate whatever you do read.

Note that the hyperlink will take you to the front page of the Anarchist Library's website.

[broke-bruce-wayne]

That post about fanon corrections reminded me that I like your opinions and I've been meaning to ask you: what should a new DC fan read to like, have a decent understanding of Babs, Steph, and Cass? Like are they in the main Batman series or did they get their own series' or what?

So I ended up writing a lot more about this that I initially planned to, so I'm putting it all under the cut.

One of my personal rules is I must mention No Man's Land at every possible opportunity, but I would highly recommend reading that, even as a new reader. Not sure how you read your comics, but DC Universe has the whole arc in proper reading order (which is how I read it). But you can also find reading orders online if you want to just read it from different sites. Its a lot, but it gives you a good introduction to basically every Bat character who was around at the time. It's also where Cass is introduced, and is my personal favorite big Bat event, as well as my favorite era of Bat books. But Babs and later Cass are both big players in the event.

I would follow that up with reading Cass's solo run, Batgirl (2000), at least up to issue 37. One of the best comic runs ever, in my opinion. It's very hit or miss after 37, as most comics are, but after finishing the initial run you'll probably want to keep reading Cass stories. Cass is the star of this run obviously, but Babs and Steph both play major roles as well.

For Babs, I'm mainly familiar with Post-Crisis Babs, so Oracle, not Batgirl (though I have read her N52 and part of her Rebirth runs out of curiosity). She makes guest appearances in the first Suicide Squad run, starting with issue 23. Then she has a leading role in the Birds of Prey series written by Dixon and then Simone. This is probably her most popular full series as a lead. There is a lot of good in this series, and a lot of not so good (I personally like Simone's half more than Dixon's, but there are definite pros and cons to both). Despite being the first Batgirl, Babs was the last one to get a solo Batgirl run, which started in 2011 only after she was magically "cured" because they wanted to reset the universe (which is a whole another thing, and smarter people than me have made more detailed posts about how bad this was, for Babs as well as for everyone, but for our purposes here what you need to know is this was extremely unpopular, for numerous reasons).

As for Steph, she was introduced in an arc in Detective Comics (647-649), before Cass, so I guess you should read this first if you want. But after that she was mainly used as a side character, in Robin (1993) and other places. She has her brief run as Robin in the early 2000s. She only has about 10 issues or so as Robin across multiple runs, before unceremoniously "dying" in War Games (don't read War Games, it's terrible, but maybe search the panels of Bruce talking to her in the hospital). These Robin issues are good for the most part, but were basically written as a last hurrah for her before editorial stepped in. Then, after she comes back to life from overseas, she finally has her own solo run as Batgirl (2009). This is a fun run where she's balancing being a college student with being Batgirl.

[sophiamcdougall]

I am never going to complain about Greek Duolingo again

I mean, I am. But still.

So, as some of you know, my family has been coming to this tiny Greek seaside village for several years. Just over a week ago I came out here with my mum, under the impression that early September, after the height of the summer heat, would be a good time to have a holiday. ANYWAY Storm Daniel had other ideas about that. Locally things are improving (I'm actually really pissed off about the disaster-porn tone of most English-language media coverage, but that's another post). The power is back on, there's running water most of the time, and though the latter is not drinkable, a truck from the government came and handled out free bottled water yesterday. But we are currently kind of stuck. Can't do tourist things. Can't go home. There aren't any local flights out until Saturday and the road to Thessaloniki is still closed.

So this evening, feeling kind of aimless and depressed, I go down to the nearest beach with a couple of binbags and start cleaning up in an effort to at least do something positive. I always try to do this at least once out here and obviously, after the storm, there's a lot more plastic and rubbish than usual.

At some point I find this large, round bit of metal - some kind of machinery part, I think -- that's too big for the bag, so I take it to the bins on its own, leaving the rubbish bag on the beach. And when I come back for it, something among the stones beside it moves.

Specifically, it pulls its head sharply inside its shell

So, meanwhile I've been trying to learn some Greek with the help of Duolingo.

I currently have a 33-day streak and... I have questions. Shouldn't I be able to use the past or future tenses by now? Shouldn't I be able to say "x is like y"? I can't do those things. But one thing I absolutely can say all day long is έχω μια χελώνα : I have a turtle.

This is far from the limit of Duolingo Greek's turtle-related content. "An obsession with turtles" is my mother's characterisation. I can inform you that the turtle is not a bird, and, improbably, that the turtle is drinking milk. I can introduce you to a turtle in company with a horse and an elephant. As far as Duolingo is concerned, it really is turtles all the way down.

Now this, you may be able to see, is not a turtle. It has claws rather than flippers. It is a tortoise. I know there are wild tortoises in Greece: my aunt once rescued a pair of them shagging in the middle of the road -- but that was up in the mountains. I've even seen one myself, but it was also on a road and very dead.

I am 95% certain they don't belong on beaches. There's nothing for it to eat, except, unfortunately, a lot of plastic. Even if it gets off the beach it will immediately find itself on a road where it could get hit by a car. I'm pretty sure it must have been washed down by the floodwater and has been just sitting there, dazed, ever since.

Now obviously the first thing I want to do on encountering this unusual animal is to go and tell my mummy, so I do. The tortoise immediately brightens her day. She agrees that the tortoise is not happy on the beach and needs to be taken somewhere safe. it gets surprisingly wriggly when picked up so we put it in a carrier bag with some grapes and cucumber and go looking for somewhere to rehome it.

We find a path leading up between the houses towards a likely-looking field, but before we get very far a dog in a yard goes berserk and a man's head pops over a fence and demands to know what we're doing. He does this in English, as evidently we're just that obviously tourists.

"I found a tortoise on the beach!" I explain. "We want to find somewhere to put it."

"A what," he asks.

"It's like a, you know," I begin and then to my astonishment I find myself saying... "μια χελώνα"

"Oh! A turtle!" he says.

"But from the land. δεν είναι χελώνα", [it is not a turtle,] I say, as I am worried he will tell me to put it back near the sea where I found it. As it turns out it actually IS a χελώνα, Greek does not distinguish between turtles and tortoises, but I don't know that; I can't even name the days of the week or identify any colours other than pink yet, give me a break.

The man's entire demeanour changes and thaws. He does not worry about my turtle-that-is-not-a-turtle conundrum. He knows where οι χελώνες come from and where η χελώνα μας belongs. He leads us through a gate into a courtyard area.

"[somethingsomething] μια χελώνα," he explains to the assembled onlookers, of whom there are, suddenly, a surprising number.

"ΜΙΑ ΧΕΛΩΝΑ!!!" crows the throng of delighted small children, who are, suddenly, everywhere.

"μια χελώνα!" I agree, accepting that at least for current purposes, that is what it is.

"Μπορούμε να δούμε τη χελώνα σας; [can we see your turtle?]" asks an adorable little girl, shyly, and I understand??

The children fucking love looking at the χελώνα and showing it to them is kind of magical?

I finally put the tortoise down on the grass of this wild area off to the side of the courtyard, and marvel aloud that it is weird that I barely know any Greek except how to say μια χελώνα.

"I think she will soon run off," a kind lady called Aspasia assures me, seeing I remain slightly anxious about its fate. "I don't know why I'm saying 'she'. I suppose because χελώνα is feminine in Greek."

"Yes! I know that!" I exclaim, thrilled.

"Well done!" she says. And also she asks if we are OK for drinking water after the storm and if we need any help with anything and is just generally incredibly lovely and now we know more of the neighbours!

So "μια χελώνα" has just become, by a long way, my most-used and most understood and all-around most conversationally successful phrase in Greek. So I guess I have to admit I was wrong to doubt Duolingo's wisdom: it is correct to be obsessed with turtles. And I concede that prior to learning how to count to ten or to distinguish right from left, the simple ability to yell the word TURTLE over and over again is, it turns out, a crucial element of the responsible traveller's social skills.

(I am pretty fluent in Italian and turtles haven't come up in conversation even once?)

[certifiedsexed]

For those who aren't aware, TME/TMA language works a lot like nonBlack & associated terms.

NonBlack is a term that was created to specifically focus on how antiBlackness has such a foothold on the entire world that no matter where you go, the more Black you are, the less rights, the less respect and the less power you have in general.

NonBlack, as a term, has been protested for a lot of reasons. We're not the only ones who experience racism, other people have dark skin too even if they aren't Black, people of other races can "experience" antiBlackness too, etc, etc.

But the point is that Black people are the ones who have to deal with antiBlackness day in-day out, with the knowledge that it is meant to target us for nothing more than our race.

Yes, other people have dark skin and yes, other people can be mistaken for being Black. But do they constantly have to deal with being The Targets of antiBlackness, on political, social and structural levels?

No, and there needs to be language to talk about that.

Especially since the biggest part of being nonBlack is that even if you are mistaken for being Black, you still have racial power over people who are Black. You still have the beloved trump card of saying "But I am not Black."

TME/TMA language works the same way. Yes, you may run into people who mistake you for being their targets.

Yes, you may be targeted using transmisogynistic language but you also still have power you can leverage over TMA people and you still do not have the burden of dealing with transmisogyny constantly knowing you are the target.

Do you have to like the language? No. Do you have to respect the way and language oppressed people have chosen to speak about their oppression? Yes. Yes, you do.

This has been a Certified Sex Ed Post.

If you add transmisogynistic things to this post, or get weird about antiBlackness, I will block you! Feel free to ask questions though, as always.

[lovebugism]

What if reader's friends convince her to go on a date with another guy, and this guy is an absolute jerk? I think reader would call Eddie and ask her to come pick her up - why is every guy an asshole? Except Eddie of course 🖤

ty for requesting :D — grumpy!eddie rescues you from a bad date then offers to take you on a better one (friends to lovers, hurt/comfort ish | 1k)

bug's summer fic fest (⁠ꈍ⁠ᴗ⁠ꈍ⁠)

The sunset matches the color of your Slurpee. A fiery red and orange hue, like the mango and strawberry concoction in your cup. You sip from the plastic straw and pretend to taste the sky in your mouth — pretending not to notice the pounding bass of Eddie’s van as he peals into the parking lot. 

You sit on the curb and keep your eyes trained on the cracked pavement under your feet. All cool. Like you hadn’t called him for help at all.

“You could’ve been more specific about where you were, you know?” Eddie shouts, punctuating his question with the slam of the car door. His worn sneakers scuff the concrete with each of his rushed strides. You’d almost think he was actually worried about you.

“I told you I was at the payphone by the Seven-Eleven,” you shrug, tilting your chin to look up at the boy when he stands ahead of you.

“There’s four of those,” he argues, with his lanky figure looming over you. He pushes his leather jacket off his sides (which he wears in spite of the summer heat) to put his hands on his hips. “Seriously. I counted ‘em all in the half hour it took me to find you.”

You squint up at him, hardly apologetic after the shit day you’ve had. “Well, sorry for not being more clear,” you spit in a cynical monotone.

“Apology accepted,” Eddie shrugs. He huffs and sits on the curb next to you while you slurp audibly at the slushie in your fist. He leans over to knock your shoulders with his. “What happened?”

“I don’t wanna talk about it.”

“Figured… Can I have some, at least?”

He’s only partly surprised when you hand over the drink without protest. He takes it in his ringed fist, looks inside to observe its content, then sips at the red straw (trying to ignore the nagging thought that your lips have been where his are now). The strawberry-mango mixture melts quickly on his tongue, foreign and sweet. “’S nice.”

You scoff like you’re owed the compliment. “Right? I let Josh try some earlier, and he said it tasted like shit. I was like, you know what, this is my final fucking straw.”

Eddie’s face screws. He wipes dramatically at his mouth with the back of his hand, hopelessly trying to erase the other asshole’s DNA. “Are you serious?” he mumbles, all annoyed ‘cause you hadn’t thought to warn him beforehand. You don’t seem to understand his meaning, though, as you shrug lazily in response.

“Well, him trying to feel me up in his car was my actual final straw. But then he hated my all-time favorite Slurpee, and I didn’t even want to look at him anymore. I just told him to leave me here.”

The only thing Eddie hates more than putting his mouth where Josh’s has been — other than the thought of Josh taking you on a date at all — is the idea of Josh not treating you right. His chest burns with a withheld rage.

“Are you talking about fucking Josh O.?” he scoffs and passes the styrofoam cup back to you. “Like, the moron from Mr. Mundy’s, Josh O.? That’s who Steve set you up with?”

“Unfortunately,” you grumble and take another sip, more casual about the subtle spit-swapping than the boy beside you had been.

“He was basically setting you up for failure, then. You know that, right?”

“I just wanted a free meal,” you confess quietly.

Eddie squints. His eyes flit from your profile, to your fidgeting hand punching holes in the ice with your straw, and back to your profile again. “Well, did you get one?”

“Yep. We split one burger at the diner.”

A laugh sputters from his pink mouth.

Your head whips to glare at him. “It’s not funny.”

Eddie props his elbow on his knee to hide his smile behind his ringed hand. “I mean… It kinda is, though. ‘Cause even I could buy two meals for us, and I’m basically the brokest fucker in this town.”

“Are you offering?”

His brows pinch. “Offering what?”

“To buy me a burger,” you say in a mousy voice, pretending to be innocent as you peer at him beneath your lashes, all doe-eyed.

“What?” Eddie scoffs through the sparkling in his chest. As a self-proclaimed metalhead, there was absolutely nothing metal about confessing to stupid crushes. “No.”

“Well, it sounds a lot like you’re offering,” you tease before wrapping your lips around the straw of your drink.

“Well, this sounds a lot like talking for someone who doesn’t wanna talk about it,” he mocks.

Your eyes narrow in annoyance. You part from your Slurpee and mumble through the ice on your tongue. “I wasted my quarters on you,” you deadpan.

Eddie rolls his eyes. He rises from the curb with a huff, wincing at the distant ache in his long legs. “C’mon, weirdo. Let’s go,” he urges, towering over you again.

You shake your head, gaze averted, suddenly shy. “I’m okay here.”

“Let’s go.”

“I’m serious, Eds. I don’t feel like going home right now—”

“I’m not taking you home,” he scoffs like it’s obvious. Your eyes flit back to his, suddenly hopeful again, and he tries not to cower. “I’m taking you to the diner. So I can get you a real meal.”

You seem particularly moved by the uncharacteristic act of kindness. “Really?”

“Yes, really— I don’t want you to starve to death,” he grouses, feigning annoyance ‘cause it’s easier than facing his real feelings in the face. “Now, let’s go before I change my mind.”

He walks off ahead of you on long legs, leaving you behind to catch up. But, because he isn’t a total asshole, he opens the squeaking passenger side door for you.

“Can I get a milkshake, too?” you wonder with a scrunched nose, helping yourself onto the cracked pleather seat.

“Don’t push it,” Eddie squints. He goes to shut the door, then catches the pretty pout pinching your features. “Fine,” he groans before slamming it shut.

[thegreatwicked]

This obviously needed its own post and here it is, a collection of blog posts and resources I have found and used for my own writing, I hope they help you too! Go forth and write that spice!

The Smut Writers Dictionary By @maybeeatspaghetti Seriously, how many different way are there to write cock? Does anyone else wonder if they've used the word 'lips' too many times? Well, this is a good place to start!

The Ultimate Guide to Writing Smut This is the first one I found and I go back to it frequently! There's also some great information about specific areas of sex that may not be common knowledge for first time writers!

How to Write Smut By @urfriendlywriter Another great source of information from different verbiage to use and a few tips to hel you along (giggity)

Smut Thesaurus By @prurientpuddlejumper just what it sounds like and you can never have too many words at your disposal.

6 Steps to Writing Better Sex By @chaoschaoswriting If you're at a loss or just want some more help this is antoher fantastic blog!

Writing Prompts NSFW By @seidenbros Need some dialogue? Or a story idea? Have a look!

#100 NSFW/Smut Dialogue Prompts By @a-cure-for-writers-block More? More. This is also a fantastic writing blog with lots to offer!

Intimate + Sexual Headcannon Questions By @petalsprompts Good questions to ask your characters to get to know them better and make more well rounded characters!

Smut & Mature (18+) Master List By @pendarling A great list dialogue prompts, scenarios, and helpful bits!

Poly NSFW Alphabet By @smaoineamhsalach Another great way to get to know your characters and maybe a handful of ideas for story ideas.

Kink Prompts Another from the previous blogger above and I didn't know what half of these are! I'll work on a kink dictionary next!

Writing Smut 101: Overcoming Smut Shame @slightlyrebelliouswriter23 There's a lot to be said for this particular subject! It's hard to write stuff like this, so how do you get over it? Start here!

How to Write a Kiss Scene By @youneedsomeprompts Yes!!! I still struggle with this one! There's a thousand ways to kiss, find your favorite!

Smut Oneliners By @deity-prompts you can never have enough one-liners!!

How to Write a (Great) Sex Scene Another great article for new smut writers

9 Tips for Writing Steamy Scenes More tips to help you wirte good steamy stuff!

How to Write Erotica and a Damn Fine Sex Scene A WEALTH if information on writing, structuring, and helpful tips!

@saradikahas a fantatic blog with graphics for you to use to add some fun to your posts. Things like MDNI Banners, 18+ Content Warnings, Support Your Favorite Writers and Reblog banners! They are free to use but she does ask that you reblog her stuff if you do! She's also a very talented writer and she writes some AMAZING Din Djarin stories!

Gay Sex Positions Guide This is a WONDERFUL adition and thank you so much @b7bubby for bringing this to my attention, I didn't have any resources for writing M/M fairings but this is a much needed addition to the spicy community! i've never written an M/M pairing and I feel like such an idiot for overlooking the need for a resource like this!

Writing the Perfect Kiss Scene provided by @writers-potiona fantastic little guide to writing better kisses!

If you find any other great smut writing resources feel free to tag me so I can add them to this list! Good luck with your writing! Now go write that story and LET THE SPICE FLOW!!!!

[hellsitegenetics]

WARNINGS / FAQ / REQUESTS

asks are open! check here before sending :) (updated 8/7/24) consider helping me pay to finish my education!

banned from BLAST for being too sexy

CREATURE WARNING:

this blog posts BEASTIES and ORGANISMS. if you are uncomfortable with seeing any manner of organism (spiders, rodents, fish, etc) please block the tags for that organism before following/browsing. for broad categories: i tag in plurals (insects, bugs, spiders, fish, rodents, parasites, pathogens, plants, trees, etc.) for specific organisms: i tag in singulars (dobsonfly, eurasian harvest mouse, etc.) for disease causing bacteria: i tag the illness it causes (malaria, botulism, etc.) for additional phobias: i tag with the specific phobia ("tw trypophobia", etc.) ADDITIONAL BUG WARNING: this blog posts a LOT of insects, especially moths. FOR SCREENREADER USERS: by the nature of this blog, 99% of my posts will have large sections of unformatted letters, and therefore aren't very screenreader friendly. i apologize. If I ever miss a tag or you'd like to request that I tag something, please send me a message.

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Okay but why so many MOTHS???: because scientists are not immune to bias. moths are pretty looking and easy to study, so there is more moth DNA in the BLAST database.

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homestuck

FREQUENTLY REQUESTED:

The Bee Movie Script, navy seals copypasta, AM hate monologue, All Star, Yoshikage Kira, Never Gonna Give You Up, man door hand hook car door, Big Bill Hells, FNAF Connection Terminated, JURGEN LEITNER, Eggman's Announcement, Free Bird, Spiders Georg, Weed Smoking Girlfriends, Ebony Dark'ness Dementia Raven Way, Minos Prime, Steamed Hams, battery acid spaghetti, everyone get unemployed, squidward is nonbinary, What is a man?, fucking military wives, (this list will be updated as we go!)

thank you for reading! as a treat, enjoy this Trichosanthes cucumerina, or Snake Gourd flower.

[cursecuelebre]

Top Recommendations for Norse Pagans that aren’t Problematic.

There is a lot of books by people who are racist and part of far right side of Heathenry and I’m going to try my best and list the books I have that helped me on my path that isn’t problematic and have questionable intentions. Books and YouTube channels.

Anglo Saxon Socerery and Magic by Alaric Albertson. He is very knowledgeable in his work and path especially on runes which includes the rune poem to make your own interpretation and witchcraft side of things. He even talks about the Elves which I appreciate because not a lot of Norse authors talk about them. It’s more Germanic than Norse but I can’t see any problem adopting certain aspects since they are very similar. I will say he does take himself a bit serious at times but his information is so good and worthwhile. I have not read his first book on Travels through middle earth but it focus on more the pagan side.

Poetic Edda and Prose Edda: it’s what every Norse pagan needs. It’s the foundation of Norse paganism not bibles but myths and tales that can help along our journey. There is tons of translations, but my favorites are Dr. Jackson Crawford Poetic Edda and Anthony Fawkes Prose Edda. But look into other sagas as well like Volsung which Dr Jackson Crawford also wrote about.

Beowulf. More of a Germanic tale but again includes it has roots of Germanic sorcery, traditions, religion like the concept of Wyrd (Fate), the runes, and values within his society like loyalty and mythical creatures. Again there is many translations even Jrr Tolkien did a incompleted version of Beowulf but I think Tom Shippey finished that version I could be wrong. Nonetheless explore more than one, the oneI have is by Seamus Heaney.

Grimm Fairy Tales this mostly German Folklore but it’s still quite important to learn about in German folk magic, creatures and entities in German folklore tends to be very real to the practitioner in their spellwork.

The Way of Fire and Ice by Ryan Smith a very progressive outlook in Norse paganism, he talks about creating communities in Norse paganism and calling out and denouncing Nazis in the community how Norse Paganism is inclusive and how to be open to all types of people. But he has a beginner approach to the deities, beliefs, values within Norse paganism.

Look into a lot of academic sources that’s where you will find a lot of information on Norse paganism and religions.

Tacitus Germania - A Roman historian talking about the Germanic tribes their culture and customs.

Saxo Grammaticus history of the Danes

The Viking Way by Neil Price it goes good in depths about magic in Scandinavia like Seidh

Dictionary of Norse Mythology a quick guide to northern myths, if you are trying to find a specific god and you don’t have time to look up in a book it’s in there with great information to each one.

Children of Ask and Elm: History of Vikings by Neil Price on Scandinavian culture during the Viking age

Some YouTube Channels

The Norse Witch: Bente lives in Germany and their channel encompasses all of Norse paganism more around magic. They do interviews with other Norse witches of folk magic like Icelandic and Danish. Even gives good book recommendations and advice on general spellwork as well!.

Dr Jackson Crawford he is an author but he also has a YouTube channel. He was a professor in Colorado on Norse culture, mythology, and language and now is a full time YouTuber. He did a series of videos on the runes which are more historically accurate. Discusses the myths and the language and what do they mean. Jackson Crawford isn’t a Norse pagan nor he doesn’t care if you are one but just letting you know he isn’t coming from a pagan perspective.

The Welsh Viking also like Jackson Crawford but still has really great knowledge on Viking culture.

De Spökenkyker who is a channel that focus on German Folk magic living in Germany who is a practicing German Folk Witch.

Please feel free to add on any recommendations that are helpful and useful to the Norse pagan Community!

[genshin-scenarios]

spiderverse —!

Summary: Spider-verse AUs with the genshin guys! Each features a reader in a different role. There will be references to ‘Into the Spiderverse’ and other renditions of spiderman (vaguely).

Characters: Kinich, Heizou, Tighnari-Cyno, Venti, Wriothesley, Lyney

Kinich

By day, Kinich is a recluse who spends the better half of his free time volunteering at the local animal reserve. It’s also where he got bitten by a radioactive spider, and you can probably guess what happened next.

Ajaw is a unique phenomenon — a ‘Venom-like’ symbiote who latches specifically to technology. After Kinich managed to seal him away in a random cell phone, Ajaw has made a deal with the hero to become an assistant of sorts. If you listen carefully, you almost always hear a second voice coming out of Spiderman’s mask — Ajaw, trying to get Kinich to choose violence, while Kinich kicks him off the server for being a distraction.

However, times when they do work together are one of the most terrifying things anyone can see. Kinich’s spidersuit is engulfed in Ajaw’s power, and every lunge and strike is more destructive than the last. Often, Ajaw tries to overpower Kinich and take over his vessel, but Kinich has more than a few safety precautions to prevent the symbiote from possessing him fully. 

You’re a spiderhero from another universe, much like the situation in ITSV (except it’s only the two of you)! Some sort of interdimensional portal has stranded you in Kinich’s world, and you were quick to track him down when he was on shift at the animal reserve one day, appearing out of nowhere and gaining his suspicion. The night ended swiftly, with you escaping and leaving a thousand questions in his head, while the building’s alarms blared deafeningly, trying and failing to locate the intruder that has since disappeared into the shadows.

It’s a shortlived game of cat and mouse, considering how you wanted to get Kinich’s help in figuring out how to get home. One thing leads to another, and your secretive interactions admittedly become a large part of Kinich’s daily life. When he realises that you’re destined to leave his world to protect your own one day, Kinich is left with a feeling that’s foreign to him: gaping loneliness, sitting next to an empty spot on the rooftop that used to be yours. 

It’s not just the fact that you understand him on a level that most others never would — but having something to look forward to when he was Spiderman was such a saving grace. Swooping past skyscrapers alongside you, going on impromptu missions (dates), and revelling at how normal you look without your mask on. He recognises the lilt in your voice, the scrunch of your brow, and knows deep down that there's no way to undo how your existence has been engraved into him. 

…And deep down, he already feels the stab of how hollow it will feel, when those who’ve seen you two hanging out together inevitably ask where you’ve gone. And all he can say is that you’ve moved back to your city with your family, knowing there was no way for any of them to find you. 

Heizou

Shikanoin Heizou is a talented detective in Inazuma’s capital city, while Spiderman is a local hero. One works with the law while the other is sometimes considered a vigilante, but as far as Heizou is concerned, there was nothing wrong with using different methods to solve a case. So long as the outcome was the ideal, or best possible, he didn’t have the luxury of beating himself up over other ‘what ifs’ and ‘what can I do better’s.

Besides, Shikanoin Heizou was a genius detective, and with that came a high amount of success rates in his civilian profile. Spiderman, on the other hand, represents the parts of justice that sometimes can never be controlled — a criminal who was about to surrender, only to have been attacked by a third-party cop. A villain who realised the error of his ways and ended his life to spare the city, and the families Heizou reminded him still lived within it. 

…A friend who was stealing for the wrong reasons, and reached a tragic end. There are many ugly conclusions to the cases Heizou tackles, but all he can do is push on. While being Spiderman places more responsibility in his hands, it was better than not being able to do anything.

And even at times where Heizou’s morale is at an all time low, he can at least rely on your presence to make his days brighter. You’re a reporter who likes to visit him for psychological support and gossip — and while he’d never say it aloud, everyone with eyes can tell that you’re his favourite media staff. He gives you more intel and hints to your own cases than he does with anyone else, and even assists you as Spiderman from time to time.

Heizou isn’t one to place his trust in others easily, but when you defended ‘the detective Heizou’ during a run-in with ‘Spiderman’, who’d criticised the police’s slow progress on a large case, it was a little hard not to feel endeared. Heizou still remembers the frown etched into your face as you told him that the detectives were doing all they could. And to cooperate with them himself if he was so confident.

It’s an odd situation for sure, to see you acting wary with his hero-persona yet so warm and caring towards his civilian self. Regardless, Heizou’s main worry now is keeping you safe within a climate of risky investigations and volatile third-parties. So long as you place your faith in him, he’ll do everything he can to defend you in turn.

Tighnari-Cyno

Yes, this is a Tighnari x Reader x Cyno situation! 

Tighnari and Cyno are the two spidermen of Sumeru — they work together on a reluctant basis, since they are unaware of each other’s real identities. Not to mention that Tighnari (Vulpes) is more outspoken and sharp-tongued in his hero persona, while Cyno (Lupus) is endlessly talkative and fond of bad science jokes even at really bad times. 

It’s a little similar to their regular selves, but dialed up within the drama of their hero work. While they get along well enough, Tighnari is endlessly exasperated about Lupus, while Cyno thinks that Vulpes needs to lighten up. (You could say that they aggravate one-another).

It does kill Cyno to not tell his best friends about his secret identity, but he is more than aware of the danger it’ll bring to them all. Besides, it’s not like he’s working alone against these villains, so it’s fine! In fact, this would be a very cool thing to reveal decades into the future, once the danger has passed onto other heroes who adopt the mantel 

This is where you come in as their best friend in school! You can generally be found as a trio, and while everyone’s been ‘busier’ since the year started, you still make time to catch up with one-another about things going on in your lives.

…But, seeing as both Cyno and Tighnari are keeping their spider-selves a secret, they’ve developed different systems to make convincing stories about how they spend their weekend. Tighnari rambles something about collecting new plants to add to his collection, and then has to rush to the florist after he agrees to let you see them after this (he had to jump in through his room window to put everything into place.)

Meanwhile, Cyno keeps droning about some Dungeon and Dragon’s campaign he’s developing for your larger friendgroup to try, when in reality he has nothing written down. It’s mostly just inspired from his daydreaming during patrols as Lupus, which Vulpes always snaps him out of with a whack to the head. 

The kicker, however, is when you become a bystander to a large villain attack one day, and upon the conclusion of it, Tighnari may have accepted a thank-you kiss from you (on the cheek) as Vulpes. It was a stupid decision, seeing as you didn’t even know it was him. But Tighnari was too busy trying to hide his own flushing ears when you were retelling this, to notice the way Cyno’s expression blanked out (he is planning a confrontation with Vulpes as you speak). 

Said confrontation will be one of the few times he sees Vulpes looking uncertain, or embarrassed, which immediately throws Cyno off his initial anger. It makes Cyno question if Vulpes knew who you were in real life, but Cyno forces himself to stamp that curiosity away in favour of their secret identities.

Venti

You and Venti were close friends in Mondstadt, before you had to move to Liyue for family reasons. In reality, you were getting dragged into a different sort of superhero business, within a universe where many other heroes exist (like the MCU with the Avengers and etc).

As such, this AU takes on a more casual route! You’re thankfully not too far away, so Venti can visit you via a train or bus ride. But it’s never the same as when he’d knock on your window after a rough day, not able to tell you it was because of a mission as Barbatos (Spiderman), but you always accepted him with open arms anyways. Him visiting you like that was nothing new, even before he’d become a superhero. And Venti never intended to cut off that connection with you.

But, you never told him about your hero-business either. Which is why when Venti tries to visit your apartment on a whim (just to see how you were doing, and then leaving back to Mondstadt immediately since he was in the area after chasing a villain) — he can’t resist the urge to enter through the window when he sees that no one is there. 

He just wanted to see how different things might be, compared to your old place. He’s getting hit by a web-block of all things at this time, and god, he can’t bring himself to call you up just to listen to his woes, but he misses you.

After what only felt like a few seconds, he hears footsteps at the door. Venti panics, praying to all radioactive spiders in the world that his web-block is not active now and sticks to the ceiling as your parents come in to look for you, only to leave after realising you aren’t there.

He lets out a sigh of relief, soundlessly steps back onto the floor. Only to hear the sound of something charging up to shoot behind his back.

‘Hands on your head. Turn around.’ 

The last thing you thought you’d see as the suited-infiltrator followed your instructions, was to see your best friend’s face. Eyes widened in just as much surprise as you were feeling, before he breaks into a sheepish smile.

‘Venti?’ ‘...Can I put my hands down now?’ ‘What are you doing here?’

And so, Venti ends up staying the night. He hides while you grab two portions of dinner and set it on the desk. Explanations float into the air. You tell him that your family only moved because of a project from Morax Companies. One employing your parents, while another recruited you for a certain task force. 

Lore exchanges were quick to follow. Venti tries to defend his honour when you snort, asking him to reiterate that he was bitten by a radioactive spider. ‘So you can, like—stick to the wall and stuff? Like what I saw in the news?’ 

To make a point, Venti shoots a web to wrap around your wrist, using it to tug you forward towards him. You lose your balance and end up closer than he intended, forcing the room to fall into embarrassed silence. 

This was certainly going to be a long night.

Wriothesley

As the owner of an underground boxing ring, it was safe to say that Wriothesley’s origins as Spiderman was an incredibly tragic, and dramatic one. Forced into a corner as thugs attempted to take over his underground settlement, Wriothesley almost thought he wasn’t going to make it out alive when a stinging pain bit into the back of his neck.

Minutes later, the floor was cleared of hostiles, and order was restored. No one knows who Spiderman is until this day, other than you — the detective who’s always worked with Wriothesley for tough cases and invited him to casual teatime chats.

In his defence, working with you was a matter of course. You helped cover his tracks as Spiderman and the owner of an illegal business. …And you also came from the same orphanage as him. If there’s anyone who understands the need for an anchor within this world of muddled morals and false promises, it was you.

What he doesn’t appreciate, however, is the way you always find yourself in the middle of trouble. It comes with the territory of being the city’s best detective, but sometimes Wriothesley swears you have more enemies than him. More than a few times, he finds himself carrying you in his arms after a rather precarious mission, and you have the cheek to thank him and place a kiss on his lips, blocked by his mask. 

His fighting style does leave him with more injuries than not. Despite how most spiderheroes tend to use agility over strength, Wriothesley never shook off the habit of using punches and brute strength, in order to physically reorient his opponents. It’s less city damage, but the result is more strain on his body, and a silver lining of you exasperatedly scolding him as you treat his wounds. 

‘At this rate, I’m going to have to replace you as Spiderman if you ever get so injured you can’t continue.’

As if he’d ever let that happen. The last thing that’ll ever happen is him leaving your side, after all the hell you’ve been through together. If there was ever a world where you were separated, he knows that every version of himself would cross the multiverse for you.

Lyney

As a reverse, you are the Spiderman while Lyney, Lynette and Freminet are part of the Fatui — not necessarily just a villain organisation, but an antagonistic force with a dangerous set of special agents nevertheless.

You first meet when you’re fighting Lyney and Lynette, in an attempt to put a stop to the Fatui’s nefarious plans. They’re known as the Phantom Twins but are otherwise unnamed — but it's clear from that one interaction that one of said twins were incredibly talkative and taunting, aggravatingly so, whilst the other was a silent blade.

Next, you meet as your civilian selves in school. Neither party suspects anything of the other, but the main attraction comes in the form of Lyney developing a hopeless crush on you. He admires you from afar, and all you know about him is that he’s a friendly, charming classmate. 

Then, by night: chasing the twins across the city’s rooftops, attempting to get back an artefact they stole from the museum. If you don’t get it back soon, that one reporter that hates Spiderman’s guts is going to imply that you were in on the heist too, for sure.

In that moment of distracted thought, Lyney sneaks up from behind you and holds a weapon to your neck. Silently threatening to use it if you move, and it takes all the self control in your body to not act out when you hear the smirk in his voice. 

‘A little distracted today, are we? While I can empathise with having something on one’s mind, it really shouldn’t interrupt our dance. Unless you were thinking of another partner?’

It’s clear from his tone that his words were meant to purely taunt you. His false sympathy dripped like honey, making you see red.

If you ever got a chance to unmask these two, you already know who you’re going to get revenge on first. (Let’s just hope that this dance of double-lives doesn't interrupt each other too much, at the end of this saga. Perhaps Lyney will find out your secret identity first, and begin to sympathise with you — between his loyalty to the Fatui and his love for you, he surely will be put into a tough spot. And if he doesn’t play his cards right, he might just have to sacrifice himself to the fire to preserve your light.)

[marie-m-art]

Good Animated Omens - Behind the Scenes

Here's a behind-the-scenes look at the walk cycles I animated of Aziraphale and Crowley (original post here).

I'll reiterate that the character designs are @lookitsstevie's creation! I made builds in Toonboom Harmony based on their designs, and then animated the builds.

Long post under the cut, organized into four parts. Feel free to jump around or just click through the images and gifs to get an idea of the gist. (At least take a look at Part IV, where you'll see a version of Aziraphale without his jacket and a closeup of Crowley's torso!)

Hopefully this is interesting even if you don't know the first thing about animation. It's not a step-by-step-from-scratch tutorial, but it might give animators some ideas to think about when trying this software!

I'm happy to answer questions about what I cover here - comments, DM's, or ask-box questions are all fine by me. If you like any of the new gifs and want to reblog it on its own, I can make new posts for those upon request! (I'd prefer you don't reupload them, but if you do please at least credit me with a tag to my account - thank you!!)

Part I: The interface and some basics

Above is a screencap of the software interface.

In the centre is the Camera window, where all the drawing and animating is done. 

To the left, the Node View. It's a representation of how the pieces and layers that make the characters are grouped and connected to each other, which is what makes a character "build". Every piece in this window is called a node, and there are different types. Light blue "drawing nodes" contain the drawings themselves. Each drawing node usually has a green "peg" attached; the peg is used to move and rotate the drawing piece; you set a pivot point on each peg. Light grey nodes are groups that have more nodes within, and dark blue nodes are added effects (eg masks, the blur for the halo, etc).

Below, the Timeline - it's where keyframes are set and tweened. The red square dots indicate there is a new keyframe on a particular frame; the white dots indicate keyframes are on layers nested somewhere under the topmost visible layer. All the pieces of the characters can be found in the timeline and correspond to the pieces that exist in the Node View (and Camera). Typically you work with a collapsed view of the build layers in the timeline, which allows you to set keyframes on multiple layers at once.

To the right, a few tabs in this window - Tool Properties, Colour Palettes, and, shown on top here, the Library. The library is where you store your builds, so that you can bring in a fresh copy when animating a new scene. This library tab also has the Drawing Substitution window, which shows thumbnails of every drawing contained in a drawing node when that node is selected.

A second of animation is 24 frames long. Finished animation will often have keyframes on every second frame with the tweens removed, to help simulate the look and feel of traditional animation - this is known as animating "on twos", and saved time, money and paper in the old days. If you leave the tweens on, and/or have keyframes on every frame, the animation is "on ones".

My walks are on twos - it's the look I prefer.

When I say "tween" I'm specifically referring to the software feature that will automatically calculate and interpolate the path between two different poses/keys of a peg. An inbetween could be the result of using a tween, a new drawing, or both. On twos, an inbetween will look the same as any other keyframe on the timeline when you're finished - its relevance as a concept is during the process, not the end result.

Quality animation is achieved via a combination of moving/tweening pre-existing drawings using their pegs, and adding new drawings as hand-drawn inbetweens when needed. Toonboom Harmony also has nodes called "deformers": they offer a way to tween the shape of a drawing without needing to redraw inside the drawing node. (Part IV has the explanation for which pieces I used them for, and why.)

Part II: Navigating the builds

This is what their default poses with no animation look like.

Animation using builds is sometimes colloquially referred to as "puppet-style animation" because the way you can connect body parts to each other feels like making and handling a 2D digital puppet: you can connect a hand to a forearm so that they can move as a unit, and you can connect that unit to an upper arm to move the whole arm as a unit, and that arm gets connected to the torso, and so on.

When you want to connect two pieces, like a hand to a forearm, then you create another peg in the Node View and attach the two body parts together under that new peg. The screencaps below show the nodes that make up Aziraphale's and Crowley's entire builds inside their respective groups:

Things got a bit sloppy ... It looks extremely complicated, but once it's set up, you don't have to think about it too much when you're animating!

And I've zoomed in on the nodes that make their arms so you can see how there are pegs on top of pegs (all the green nodes), with wires connecting everything:

As I explained in Part I, new drawings are added and contained within a body part's drawing node (the light blue ones under the green ones), and the Drawing Substitution window is where you can see all the drawings that exist in a particular node. In the timeline, you set keyframes for moving the pegs, and you also choose which frame the new drawings will appear when applicable. You might have a lot of drawings stored in the nodes, but only what you set to appear in the timeline will be visible in the final animation.

You can select a body part in the camera view, and then find the corresponding layer in the Timeline or the Node View by pressing the "o" keyboard shortcut. If you select a body part by clicking on it, and then press the "b" keyboard shortcut, you will jump up to the next peg it's connected to. You can hide and unhide pieces using "d" and "a" respectively.

In the first capture above, I'm showing that the arm pieces can be moved separately or together, and you can see how the pegs in the Node View light up when I select them in the Camera window (hiding them turns them red). In the second capture, I pop down to the timeline to step back and forth between the poses - the light grey row (it appears between the rows of red dots) represents the hand's drawing node in the timeline.

Part III: Summary of animation process

In my head I imagined how their walks would differ from each other - Aziraphale bouncier but with very straight posture and limited arm movement, vs Crowley slinking and swaggering all over.

I also knew that I wanted the animation to look good for both a walking-on-the-spot version, and as a version walking across the screen (both versions are at the top of the post!).

Then I started doing some rough animation.

I set aside my finished builds for the roughs. For each character, I made a few drawing nodes and two pegs; a peg for the up-and-down upper body motion, which I tweened, and a peg for moving them across the screen. The legs and arms are drawing substitutions.

With these extremely rudimentary rough "builds", I worked out - how many frames long the walks would be, - how far the characters would move across the screen each step, - how much the upper bodies would move up and down, and - the key drawings of the legs and feet.

I didn't worry about animating clothing, hair, or Azi's arms in the rough stage. For those elements, the drawings would be spaced really close together and would be easier to figure out with tweens. (Note: this rudimentary setup would be sufficient if you want to clean up and inbetween characters by hand frame-by-frame instead of making full builds; my preference is build animation because the process is more fun for me)

Then I started working with the finished builds, using the roughs as a guide, and established the broadest motions first: the up-and-down motion in the upper bodies (I set a keyframe at the lowest point, a keyframe at the highest point, then tweened between them) and how far they'd travel across the screen. Then the feet were done.

I went back and forth between viewing them walking on the spot and walking across the screen to make sure that both versions worked. I also made sure they crossed the same amount of ground relative to each other.

After those crucial parts, I moved on to animating their arms, hair, torsos, clothing details, and finishing the legs, not necessarily in that order. I simulated twisting/rotating their torsos in 3d space by moving their waistcoats and lapels.

The first gif switches back and forth between versions (imagine a background scrolling by when they walk on the spot). The second gif is an example of bad "footslip" - they're moving at different speeds, and if you pay attention to their feet, Aziraphale appears to slip on ice while Crowley appears to slide forward on skates.

"You go too fast for me, Crowley!"

Part IV: Extras and details

Here is a version of Aziraphale's walk without his jacket, and a closeup of Crowley so you can see his swaying hips better:

One of the cool things about animating with builds is they lend themselves well to small modifications; the jacketless version took all of five minutes to make.

I'd be remiss not to include a close-up of Aziraphale's hair, the real star of the animation :) (Crowley's hair is also animated but I purposefully kept it understated since it's a much different texture.) And a closeup image of Crowley's snake tattoo:

The biggest unit for both of them are their upper bodies, which includes their pelvises. The up-and-down motion is only on one peg instead of on every single piece, which is handy because it means I can hide just that part of the animation when I want to work on the clothing details:

During the process of animation, I am often hiding then unhiding pieces like this so I can see what I'm doing.

Their clothing ended up being a lot of separate pieces, which I kept adding during animation rather than before, as it was hard to predict everything I needed. Their clothing also incorporates cutters (aka masks), and deformers (see explanation in Part I). In the next set of gifs the deformers show up as green outlines with handles and get turned on and off.

Aziraphale's torso functions as a mask for his clothing. The shape of his torso subtly changes via deformer. His lapels and waistcoat have V shapes that are masks/cutters (they cut a V shape out of those pieces); the same pieces that make the cutters also are used for the black lines of those V shapes via a special layering setup. The main shapes of his lapels are animated with deformers, and you can see how far beyond his torso shape they extend when I turn on the deformers in the second gif.

Deformers work best for shapes that change a little bit, and/or slowly. The minor shape changes in his and Crowley's clothes ended up being a great use case for deformers, because they pretty much tweened perfectly.

The reason I didn't use them on Aziraphale's legs was because those shapes change significantly between keys; I predicted I'd have to re-adjust every frame of a tweened deformer, so I drew the inbetweens by hand (halfway through, I realized I probably should have used them after all, but I was in too deep by then; hand drawing was fun though!). Deformers worked well on his bottom jacket:

Crowley's pelvis is layered above and below his thigh pieces and has a deformer. Also take a look at all the drawing substitutions for his hands:

And lastly the deformers on the hair:

Epilogue

I'm hoping the gifs all play at the same speed for everyone as they play for me. Hopefully the demo gifs are at least watchable, if not super clear... (I'll listen to feedback on the presentation of the information, for if I do similar posts in future!) Don't hesitate to ask questions about anything I covered, or about any details you noticed that I didn't elaborate on!

ko-fi.com/marieanimate

I'm shy about mentioning it, but I set up a Ko-fi account in case this post compels anyone to leave a small "tip" (but reblogging and sharing is just as good)!

Thanks for reading, and have a nice day!

[ellecdc]

okay so I just wanted to start by saying I love you're moonwater stories so much.

Ive been thinking about this like paring ig for a bit and your recent moonwater story when r gets home from girls night just made me think of it more so if you're interested id love for you to do it.

Basically its like poly moonwater plus Barty ive been calling it moonwaterkiller in my head (idk if its already a ship or already has a name but I haven't been able to find anything) but basically I feel like r and Barty would be like a chaotic duo and reg and rem would just be like wtf a lot idk... I just think it has some potential and I just love your writing so fucking much.

(I also just love how you write Barty)

so if you're interested I think it would be cool

much love :)

I love the way your mind works babes. thanks for your request! (it's almost two am where I am so please forgive any awkward sentences or spelling mistakes). also, if I didn't completely lose everyone with my DeathStar fics - this may very well do it. && this was written with the help of our fabulous @unstablereader

poly!moonwater x chaotic fem!reader + Barty Crouch Junior

Regulus didn’t know whether to be concerned or slightly aroused at the slightly deranged way that Remus was stalking the halls in search of you and Barty. 

You and Regulus had both at one point or another been in a friends-with-benefits situation with Barty (albeit separately) during your time in school, before you and Regulus went and fell in love with a Gryffindor. 

Regulus still wasn’t quite over the humiliation; both of falling in love and falling in love with a Gryffindor.

Of course, you and Regulus both stayed friends with Barty; Regulus mostly because he couldn’t shake him (ignoring the fact that Regulus really was quite fond of his maniacal friend), and you because the two of you really were sort of two sides of the same hyperactive galleon. 

And though Remus (and sometimes Regulus) liked to pretend that yours and Barty’s friendship caused them grief, they couldn’t deny how much they valued Barty’s loyalty and devotion to his friends; specifically you. 

Regulus’ new favourite thing was easily Remus’ new found appreciation for Barty. 

Up until this point, Barty had been his notoriously flirty and salacious self when it came to the likes of Remus, who wasn’t yet accustomed to Barty’s unique…personality.

However, once Remus realised the history between his two partners and the other Slytherin boy, he quickly came to appreciate the kind of pull Barty could have on people.

So, Remus had started flirting back.

Barty hated it.

Regulus loved it.

You started keeping track of the number of times Remus reduced Barty to a blushing and stuttering mess in your notebook. 

Barty hated that too.

It was nearing curfew and Remus and Regulus hadn’t seen you all afternoon. 

Usually that was fine, considering you were a bit of a free spirit. What was concerning, however, was that they hadn’t seen Barty either.

Regulus watched as Remus checked the stupid map that his brother and their friends had created when his brows furrowed in confusion.

“What? Don’t tell me they’re in the middle of the Black Lake again?” Regulus asked quickly, moving to stand over Remus’ shoulder to peer at the map.

“Again?”

“Don’t ask.” Regulus muttered.

“But…doesn’t Barty not know how to swim?”

“I said don’t ask.”

Seeming to know better, Remus turned back and pointed towards the Ravenclaw common room on the map. “It says they’re up in Ravenclaw tower?”

“For fuck’s sake.” Regulus muttered, dragging a hand over his face.

“How’d two Slytherin’s manage to get into Ravenclaw tower?” Remus asked bemusedly, earning him an unimpressed glare from Regulus. 

“Remus, I love you, but that was perhaps the dumbest question you’ve ever asked me.”

Remus rolled his eyes as he closed the map and tucked it back into his trunk.

“Come on, we might be able to catch up to Pandora on her way up and have her help us in.” 

They had indeed caught up to Pandora, and Pandora had indeed helped them in, though it seemed to be for naught. 

“I thought your stupid map said they were here.” Regulus muttered as he surveyed the common room, unable to spot a single lick of green and silver.

“It’s not stupid and they are in here.” Remus muttered back, moving to stand in the dead centre of the room. 

“How do you know they’re here if you can’t see them?”

Remus glared at Regulus before looking around to ensure no one could hear them. “I can smell them.” He whispered.

Well Regulus just didn’t know what good these wolfy senses were if they were still out two Slytherin’s. 

“Shit.” Regulus heard whispered suddenly as a quill fell from the air and landed beside his foot.

Remus and Regulus both looked up to see you and Barty casually lounging in the chandelier above them.

“Are you sodding kidding me!?” Regulus shouted.

“I think our cover’s been blown.” You said simply to Barty as if you didn’t have two fuming and fretting boyfriends standing nearly forty feet give or take below you.

“Pity.” Barty responded as he peered down. “This was a nice refuge.”

“How’d you even get up there?” Remus cried, pacing like he was getting ready to catch you should you fall.

“Magic.” Barty taunted from above.

“Junior, so help me gods if that witch falls I-”

“Whoa, whoa, whoa, Lupin. I resent the insinuation that I would ever let anything happen to our sweet angel baby.” Barty bit back immediately.

“Okay, okay. Fair enough.” Remus acquiesced as if he were negotiating a hostage situation. “Why don’t you both just come down here, nice and slow, okay?”

Both you and Barty leaned forward to look down at the two boys, causing the chandelier to swing precariously.

“Fucking hells! Stop moving!” Remus shrieked, causing the attention of the few Ravenclaws sitting in the common room to look over.

“Such a worrier.” Barty muttered as he stood and started manoeuvring himself to the edge of the chandelier - you following him over and causing the chandelier to tip to a nearly 90 degree angle. 

“I’m going to be sick, I’m actually going to throw up right here.” Regulus muttered mostly to himself whilst Remus tried to stand directly underneath you lest you need to be caught. 

To Remus and Regulus’ absolute horror, Barty launched himself away from the chandelier, grabbing at the billowy banners hanging from the ceiling causing the chandelier to swing away from him like a pendulum. 

“JUNIOR!” Remus shouted, causing Barty to momentarily look shamefaced as he looked below him. 

As the chandelier swung towards the opposite wall, you too launched yourself at one of the billowy banners hanging from the ceiling and began monkey climbing down them.

“Can you make sure she doesn’t fall, please.” Remus barked at Regulus as he made his way towards Barty.

Barty let out a high pitched screech and began hastily making his way down the wall. “Run Treasure! Save yourself!” He shouted dramatically.

You turned quickly at that and saw Regulus making his way to you.

You let out a surprised squeak and hurried down, and before Regulus realised what you were doing, you had used your wand to open one of the windows and were shimmying out.

“Oi! What the-” but before Regulus could even shove his torso out the window, you’d managed to shift into your animagus form - a mink, which Regulus felt was very fitting considering what a sodding cheeky minx you were being right now - and began scaling your way down the side of the building.

Regulus was interrupted by the sound of a squeal - Remus’ squeal - and turned to see Remus hanging halfway out of the window in much the same fashion that Regulus had been.

Unlike Regulus, however, Remus had been successful in his capture of Barty and had him hanging from the tallest tower at Hogwarts by one of his arms.

“Junior! Are you trying to sodding kill me!?” Remus barked angrily at him, trying to pull Barty up without any help from Barty himself.

Barty looked up at Remus with all the innocence he could muster (read: none) and winked. 

“Catch me if you can, Mr. Wolf.”

And Barty shrunk into his own animagus form - an osprey - and let out a cry before swooping down to pick up something that looked suspiciously like a mink from the eaves of one of the lower towers and took off towards the grounds. 

“Fucking son of a bitch.” Remus cursed as he tried catching his breath, still sitting half out of the Ravenclaw window. “Why do we put up with those two?”

Regulus shrugged with all the nonchalance he could muster. “‘Cause they’re cute?”

Remus sighed and hit his head against the windowsill. “They’re so sodding lucky that they are…”

“Come on.” Regulus said, offering Remus a hand and helping him out of the window. “Unfortunately, I know exactly where they went.”

Barty loved nothing more than the feeling of his feet sinking into the sediment of the Black Lake below his feet. He also loved the feeling of being near you, his Treasure. He also loved the idea of two handsome men frantically searching for you, and him by proxy.

All this to say, Barty was having a really nice night.

“Junior!”

Barty’s face morphed into a Cheshire cat grin as he turned towards the voice of the man and his boyfriend as they stormed towards the waters edge.

“Well hello, Lupin. How nice of you to join us; care for a dip?”

“Get out of the water.” Regulus drawled in a bored tone.

“Why would I do such a thing? The water’s lovely, I’m in wonderful company, and we’re going to feed the Giant Squid.” He argued.

“Barty.” Remus barked with all the severity he could manage. “You don’t know how to swim.”

Barty scoffed indignantly. “Yeah, well…neither can Reggie!”

“That’s why I’m standing on the shore you absolute bell-end.” Regulus countered quickly.

Remus turned his furious gaze into a bemused one as he took in Regulus. “Do you really not know how to swim either?”

“None of us can!” You shouted from your disturbingly deeper place within the lake as the gentle waves nearly lapped against your skirt.

“Oh, for the love of- you know what? This summer, everyone’s getting swimming lessons.” Remus proclaimed.

“Ou, does that mean I get to see you in your swim trunks, Lupin?” Barty called.

Remus, without missing a beat, started towards Barty, walking into the lake in his shoes and all. “You could see me right now, in less, for free, Junior. You only had to ask.”

Barty let out a screech and tried running towards you, albeit in slow motion on account of the water’s resistance. “Y/N! Treasure! Help! Make him stop!”

“No can do, bubs.” You called back in monotone, still throwing chunks of bread towards the middle of the Lake in hopes of eliciting the company of one Giant Squid. 

“Dove, you’re going to catch a cold; get out of the water.” Remus called to you, pants soaked up to his knees after giving up on chasing Barty in the water.

“We’re trying to make friends!” You whined.

“You cannot make friends with a squid, amour. He will eat you.” Regulus explained from the shore. 

“He wouldn’t eat his friend.” You scoffed. 

“Dove.” Remus barked again.

“I want to see the the big water kitty!” You whined again, turning towards the boys and offering the most pathetic pout you could muster.

Regulus scoffed from his place, still dry on the shore, Remus let out a pained sigh, and Barty all but skipped towards you. 

“A valiant death it will be!” He cheered before he felt the fabric of his jumper being summoned by an accio, dragging him unceremoniously through the water towards Remus.

“No! Ah! AH! STRANGER DANGER. STRANGER DANGER!” He shrieked as Remus threw him over his shoulder.

“Okay, well, now you’re just showing off, Lupin.” He muttered, crossing his arm petulantly as Remus held his free hand out to you.

“Dove, please? Come inside with me?”

You looked distressed at this and moved obediently towards Remus. “Are you mad at me?” You asked timidly.

Barty could actually feel Remus’ body soften beneath him as he allowed some of his tension to dissipate. “Of course not, dovey. I love you.”

You leaned over and pecked a kiss to the corner of his mouth before turning into your animagus mink and swimming to the shore, crawling up Regulus’ pant leg (who admonished you in faux contempt for ruining his trousers), and allowed him to carry you back to the castle. 

Barty was feeling petulant about the whole matter of being chased and chastised so decided then that he was going to force Remus to carry him all the way back to the castle in silence.

Unfortunately for Barty, he hated silence.

He was at least proud he’d made it to the dungeons before giving up on his vow of silence.

“You’re really not upset with her?” Barty asked quietly from his current prison. He could feel Remus’ head tilt in confusion, though his steps never faltered.

“Of course not?” He responded as a question.

“Hmmm.” Barty said, racking his brain for something to upset or fluster this man.

“Oh! What about me having slept with both your boyfriend and your girlfriend?”

“What about it?” Remus asked plainly. 

“Well…aren’t you upset about that?”

Remus scoffed and adjusted his grip on Barty, hand’s migrating none too innocently up the back of his thighs. “Junior. The only thing I’m upset about is that you haven’t slept with all three of us. I don’t like feeling left out, you know?”

Barty made a strangled sound as he struggled in Remus’ grip to no avail, causing you and Regulus to chuckle from a few strides ahead as you all stepped into the Slytherin common room.

“We told you he was smooth, Barty.” You chuckled.

“You should hear him in bed.” Regulus taunted, reaching over to pinch Barty’s arse, causing him to yelp and start cursing at him.

Remus relented and put Barty down, who immediately made for Regulus’ throat.

“Easy, Junior.” Remus chuckled, pulling him back by the shoulder. “You wanna keep Reg around, don’t you?”

Barty harrumphed and crossed his arms indignantly.

“We’d like to keep you around.” Remus continued.

Barty grumbled again and let out a quiet. “Fine.”

Remus beamed at him, which was very alarming if you asked Barty, as they stepped into his and Regulus’ shared dorm; Rosier and Avery were already asleep in their beds with their curtains drawn.

“Yeah? You’ll let us keep you?” Remus asked.

“I said fine, Lupin.” He bit back.

“Great. So we’re in a relationship then.” He explained simply, causing Barty to level him with a severe glare. “How dare you, Lupin. Never say such vile things to me again.” He spat before storming towards the boy’s bathroom.

Regulus groaned and grabbed his own toiletries before making his way to the washroom behind him. “I’ll go make sure he doesn’t try to drown himself in the shower again.”

Remus shook his head and changed into his pyjamas before climbing into Regulus’ bed and pulling you towards him.

“So, explain this to me, Dove. Why is Barty the way he is?”

You snorted a laugh and turned to face him. “You’re going to have to be way more specific, love.”

Remus chuckled and ran his hands up and down your back. “He likes Reg. He loves you. He seems sweet on me. We invite him to be ours and he accepts - but runs when we make it mean something?”

You smiled up at your boyfriend and booped his nose with a perfectly manicured finger - which Remus found very confusing considering you spend your spare time scaling the rafters of grand ceilings and enticing Giant Squids from their hiding places. “Barty doesn’t understand, Rem. He wouldn’t know love if it punched him right in the face.”

Remus could feel his brows furrow and he pulled you in tighter to his chest. “Dove…love doesn’t punch you in the face?”

Apparently that had been the wrong thing to say as you rolled your eyes in exasperation and threw your head back onto the pillow. “You see? That’s the kind of thing someone who grew up loved would know.”

It’s not that Remus ever really forgot to worry about you per se, but he sometimes really worried about you Purebloods. 

At some point in the night, you had apparently decided Remus and Regulus’ bed was too hot and moved to Barty’s. Remus would have been slightly more petulant about the matter if he hadn’t thought you looked absolutely precious with Barty resting his head on your chest.

He looked so innocent in his sleep.

Sleep clearly didn’t know him very well.

Remus was shocked when the four of you entered the Great Hall for breakfast and Barty actually followed you three to the Gryffindor table. Though Remus was trying to play it cool, he couldn’t help but feel a flutter of hope surge within him at what that might mean for the three four of you.

Remus was just about to bite into his toast when a sultry voice sounded from behind Barty.

“Hello, Bartemus.” Amelia Bones sing-songed as she trailed a finger up Barty’s arm.

His brows furrowed almost comically from above the rim of his coffee cup before he slowly lowered it and turned to consider the Hufflepuff.

“Bones. Can I help you?” He asked, punctuating the word help as he plucked her fingers from his being between his two fingers as if he’d found something really quite disgusting on his person.

“I was thinking, you could help me, perhaps tonight?”

Barty turned to look at her incredulously.

“Help with what, Amelia? I’m really quite busy.” He spat, gesturing wildly to his cup of coffee. 

“An orgasm or two? Gods, you’re pissy in the mornings.”

Barty scoffed, sounding completely scandalised as he clutched at non-existent pearls adorning his neck. “I am sitting here with my beloveds, Amelia. For shame. You see this lot? I’m theirs, capiche?” 

Amelia looked bemusedly at the group of you before shaking her head in confusion. “Whatever you say, Junior.”

She moseyed on away, and Barty turned back towards his cup of coffee. “The gall of some people, honestly.” He said in exasperation, downing the rest of his still hot coffee and standing unceremoniously.

“Well, I best be off. Things to fuck up, people to scare. Tah-tah.” He called, pressing a quick kiss to your hair as he left the Great Hall.

Suddenly, realisation dawned on Remus.

“Ah, I see. So no to a relationship, but he is ours.”

You and Regulus chorused a hum of acknowledgement. 

“That’s just how Barty operates. You’ll get used to it.” You explained, still not looking up from the Daily Prophet you had been reading all this time.

Remus didn’t mind getting used to that; not if it meant he managed to get everything he wanted.