#if this gets notes I'll provide some examples

[elf-kid2]

Old-School Animation, from like the 1940's, would include unattractive women as the butt of the joke.

Modern Animation will simply not depict unattractive women.

Neither of these things are great.

[wizardhugs]

🇵🇸 art drive for palestine 🇵🇸

i would like to make a simple, silly, low-poly blender model + render of whatever you'd like for anyone who donates the equivalent of 9USD to any of these campaigns for gaza evacuation. [ use a currency converter here! ]

examples for the drive -- my silly artfight -- (old!) my earlier renders -- above art is mine

these are all accounts and people who have reached out to me via tumblr askbox. i have checked each myself for verification, and provided links to vetted status below. unvetted (as of making this list) fundraisers are new, and do not yield results with reverse image searches. i've also included any instagram accounts i could easily find, for extra proof of validity.

@somaiahassansworld and @lobnaalser: gfm, vetted here, 0% of 50,000 EUR

@ahmadelser: gfm, vetted here, 4% of 50,000 EUR

@dodoomar12345: gfm, vetted here, 45% of 300,000 SEK

@ayoosh-gaza: gfm, vetted here, 1% of 200,000 USD

@danaghaith: gfm, vetted here, 12% of 60,000 USD

@falestine-yousef: gfm, vetted here, 34% of 40,000 USD

@abd-88-mazen: gfm, 4% of 80,000 CAD

@keensaladbanana: gfm, 3% of 350,000 NOK

@bilalassadabedrou: gfm, vetted here, 10% of 80,000 EUR

@asmaayyad and @esraayyad14: gfm, vetted here, ig @asmaa_ayyad98, 25% of 45,000 EUR

@salem-baker: gfm, vetted here, 16% of 38,000 EUR

@omargaze: gfm, vetted here, ig @jody_toys, 24% of 20,000 GBP

@osamathaers-blog: gfm, 2% of 50,000 EUR

@mahmoudswierh2: gfm, vetted here, 44% of 15,000 CAD

@samarsh97: gfm, vetted here, ig @samar.sh97, 12% of 45,000 EUR

@adham-89: gfm, vetted here, 23% of 50,000 USD

@abdelmutei: gfm, vetted here, ig @sh.imaa6245, 42% of 25,000 EUR

@ahmadresh: gfm, vetted here, 78% of 10,000 USD

@alaakh2025: gfm, #99 here, 49% of 56,000 GBP

@yazanfamilly: gfm, vetted here, 22% of 50,000 EUR

@saveranafamily: gfm, 2% of 50,000 EUR

@hayanahed: gfm, #26 here, 78% of 100,000 EUR

@palestinianhadeel: gfm, vetted here, 27% of 20,000 EUR

@fidaa-family2: gfm, vetted here, 51% of 30,000 USD

@safaabed8: gfm, vetted here, 31% of 90,000 EUR

@amnyaburas: gfm, 0% of 68,000 CAD

@aya2mohammed: gfm, vetted here, 51% of 50,000 EUR

@kefahfamily: gfm, 2% of 40,000 USD

@bshaeromars-blog: gfm, #231 here, 37% of 40,000 USD

@sameer-family: gfm, vetted here, 4% of 50,000 USD

@noorabd1992: gfm, vetted here, 19% of 45,000 USD

@ahmedomer9: gfm, vetted here, 2% of 50,000 EUR

@hatem1790: gfm, vetted here, 0% of 45,000 EUR

@hazemsuhail: gfm, vetted by association, 5% of 50,000 EUR

@help-mona: gfm, vetted, 0% of 185,300 EUR

@husseinshamia: gfm, vetted, ig @hussein_shamia_, 88% of 40,000 USD

@amalashuor: gfm, vetted #175, 75% of 50,000 EUR

@eyad-alanqar255: gfm, vetted here, 2% of 40,000 EUR

@mahaibrahim13: gfm, vetted here, 8% of 81,000 GBP

@abedallhferwanagaza: gfm, vetted here, 14% of 35,000 EUR

@savethaerfamily: gfm, vetted here, 1% of 20,000 EUR

if i have made any mistakes, PLEASE reach out so i may fix. i will not interact with trolls/bad faith/zionists.

please consider donation or reblogging. terms for art drive below the cut.

to get a silly art:

donate to one of the above campaigns, 9 USD or more (currency converter here), reblog their posts, help someone.

send me a dm with proof of donation to one of these gfms, something like this is fine.

then let me know what you're interested in, and keep simplicity in mind.

treat me with respect! note that i may take some time to get back to you now and again.

and please keep in mind: i am not a professional, i do this for fun, i've never even really posted my art here before. i am offering silly art because it's something i feel i have to give.

i will communicate to you if i don't feel your initial request is something i can do, and i'll offer alternatives or adjustments.

i will do:

simple shapes + low poly models.

custom textures.

simple animations [rotations, blinking, waving, etc].

shitposts, goofs, sillies. explosions!

want me to make your oc or something related to/representative of them? references are great!

want me to do a fandom character or something related to them? let me know what you like most about them!

your favorite mug? a stuffed animal? an abstract concept? i will do my best, that sounds awesome.

alternative to 3d renders, i do silly pastel pfps! examples here -- i'm honestly really desperate to help fundraise.

i will probably post whatever i create for you as an image (GIF or PNG), and tag you, unless you ask me not to (or to keep you anonymous). i work in blender and can provide a .blend project file, or other exported formats/assets!

posted august 23rd, 2024, edited/extended august 25th, further extended august 30th. more campaigns added + pfp note september 20th.

[medicinemane]

Hey listen, this is something important to me so I'm just gonna ask you to consider doing this

I just spent however long writing something custom (which I'll put after a read more) cause I actually had things I want to say, but you don't need to do that, they've got a preset message you can use if you want

I've been following this invasion since day 1, and I've been actually asking for exactly this for a while now... just with no one to say it to

If you've got questions about what this is even about, ask me

If you've got concerns, tell em to me, I got answers

I'm not asking you to just blindly do this (though I won't tell you no if you want to), this is important to me, I know a fair bit about the subject, I am more than happy to talk to you about it

You want the summary of things though, it's that russian planes bomb Ukrainian civilians (like just today there was a story about a literal playground being bombed, along with the usual apartments) and our current policies won't allow them to use US missiles to strike russian airfields (and NATO allies won't either because we basically get to make this call)

People are dying, changing this policy will help with that, that's why I'm asking you to ask the White House to change this

Anyway, what I wrote below the break

I am grateful for the supplemental aid package President Biden provided Ukraine in April, but restrictions on US weapons use against valid military targets in Russia is hampering Ukraine's ability to defend both it's military and civilians (and let's be blunt, NATO allies like the UK or Germany are not going to authorize their long range munitions to be used unless the US does, we clearly set the rules here)

I've been following this invasion since day 1, every day I check what's been happening in Ukraine. I've followed through the Kharkiv offensive, followed as NATO crossed "red line" after "red line" (Stingers were a red line, then tanks were a red line, and of course F-16s were a major red line… yet Russia never acted once we sent them), followed as Speaker Johnson delayed military aid for months with partisan politics, up to today where I continue to follow Ukraine (for instance just today a 14 year old girl was killed by Russian bombs, fired from planes that took off from airfields we refuse to let Ukraine fire upon)

I understand escalation management, I'm not oblivious to why this administration has taken a cautious course, but between permitting Ukraine to fire US short range munitions shortly after Russia's attempts to move towards Kharkiv (a good choice which blunted that offensive and, again, resulted in no reprisals aside from more attacks on Ukrainian civilians… which happen no matter what); as well as Ukraine's counter offensive into the Kursk region of Russia (which invasion of Russian territory is one of the places Russian doctrine explicitly allows the use of nuclear weapons… and yet… again, nothing), there's been a strong demonstration that the White House's hesitancy to permit the use of long range weapons only serves to get Ukrainian civilians killed

This isn't just my opinion as an American citizen either, the retired Gen. Ben Hodges has repeatedly called for this. Every time I listen to him speak these days without fail he says not to "shoot the arrows, but to shoot the archer", which he explicitly states that he means that striking Russian airbases deep in Russian territory with long range missiles like ATACMS is preferable by far to forcing Ukraine to attempt to intercept incoming drones, missiles, and guided bombs

Ukraine has show itself to be a clever and steadfast ally. They have done so much not only to defend themselves, but to also achieve a major win for US and NATO security, the weakening of Putin's Russia

Thanks to Ukraine, Russia's ability to wage war on NATO neighbors has been decimated, and Russia's geopolitical influence around the world has been severely decreased, and thanks to US and EU cooperation the EU's dependence on Russian gas has dropped to almost nothing. Yet nothing is set in stone, we aren't over the finish line and Ukraine still needs our support, and currently the single best piece of support we can offer is a simple policy change, to let Ukraine strike valid military targets in Russia

This war goes beyond securing Europe against the single greatest threat to them, Russia; our actions here will also strongly impact China and Taiwan in the coming years. There's no way that this administration isn't just as aware as I am (or likely more so) that China is paying very close attention to how we treat our allies… do we support them or leave them to invaders for fear of escalation?

We as NATO truthfully have done a middling job, oscillating between staunch support and then starving Ukraine of the resources and policies they need to win (often because of partisan politics in the US and EU from politicians who seem a little too friendly towards Putin, and far too disdainful for Ukraine)

It's time to finish strong. The past is past, we can't change it, but we get to choose who we are now. I want to be part of an America who stands up for freedom, who supports our allies, and who refuses to let Russia continue their attacks on civilians

Let Ukraine use our weapons on all military targets in Russia! The only range restriction I want in place is the range of the system in question. Let our ally use our military aid to decimate Russian airbases and Russian aircraft, which are the single greatest threat to Ukrainian civilians!

Do the right thing, do what military men like retired Gen. Ben Hodges keep asking this administration to. Every red line has been crossed, both by NATO and Ukraine and we've seen that Russia's most powerful weapon is their saber rattling

Had I known where to write, I would have written much sooner, but now that I know I'm tempted to write every week till this changes (though don't delay like that, every day puts more Ukrainian lives at our feet, our fault that these civilians were killed due to our failure to give the permission so desperately needed to destroy the aircraft killing them). This is a deeply important issue to me, and based off this administration's actions up till now I know that everyone must understand it's importance even beyond Ukraine (Iranian drones, North Korean artillery… this isn't happening in isolation)

I understand this policy comes from a place of good intentions, to keep the world from facing nuclear annihilation. This is the first war of it's kind with a nuclear power fighting it, I understand the caution… but regions of Kursk are controlled by Ukraine and Putin barely acknowledges it, or weapons were used to strike military targets in Belgorod in order to protect Kharkiv and they were only met with more empty bluster

Give Ukraine permission to strike military targets in Russia with our weapons

Razom For Ukraine has made a website to help people in the US contact their government to let them know that Ukraine should be able to strike back.

[akirathedramaqueen]

The bias is not always conscious

And that's the case with Stolas. That's it, that's basically the post, so you can count it as your tl;dr, but let me elaborate. :)

(A little gratitude note! Sorry @tealvenetianmask, I failed being concise here, but I thank you for encouraging me to put it all together :3 I also thank you for our conversations about Stolas and about museums in particular which heavily contributed to it)

I think there's some misunderstanding when people get offended by the suggestion that Stolas acts classist/racist. It seems that people assume we’re implying he is malicious and intentional with it, but the actual problem is that he doesn't think.

S2EP2, Seeing Stars, 1:29

The problematic behavior we're discussing is reflexive and internalized. Stolas was raised in an environment where the lower demon class is looked down upon, and while he believes he expresses nothing but deep respect for Blitzø and treats him as an equal…

Goodnight, Blitzø. S1EP7, Ozzie's, 14:50

And while you can see from this bow that this intention is sincere, which is both wonderful and fascinating—he preserved this profound gesture ever since he was a kid, despite being actively discouraged from doing so!...

[Stolas]: I'm Stolas! It's nice... Ouch! [Paimon]: Don't bow to that one! He bows to us! Idiot! S2EP1, The Circus, 7:40

He was still raised in privilege and influenced by the narratives around him. For him, it's acceptable because that's what he was taught is fine. It's part of his everyday speech, and he never actually asks Blitzø, or anyone else, how they feel about the literally belittling nicknames (like literally—do you notice how often he uses the word "little" when referring to imps?).

I mean... there's a lot, okay? I'm just going to pull out some examples off the top of my head. All of them are from Season 1, and I'll explain why later.

I was hoping you brave little imps would accompany us! S1EP2, Loo Loo Land, 5:15

Ugh, that's better... Where's Blitzy? He's my knight in shining armor, not you, littler ones! S1EP2, Loo Loo Land, 13:22

And it [grimoire] isn't supposed to be lent out to itty-bitty imps like yourself. S1EP5, The Harvest Moon Festival, 0:30

Greetings, tiny Wrath Ring imps! S1EP5, The Harvest Moon Festival, 8:22

[Stolas, in the background]: Who dares threaten my little impish plaything? S1EP6, Truth Seekers, 18:20

How the fuck did you get caught by humans? Are you little creatures not being careful up here? S1EP6, Truth Seekers, 19:38

He also takes pride in being part of Ars Goetia. That pride seeps into his mind whether he wants it to or not. He lives in a huge palace, never worries about money, can arrange a seat in a club that’s always booked out, and gets admitted to a hospital immediately, while hellhounds wait five years for a Hellbies shot.

Being part of the Goetia family is rather valuable, you know. S1EP2, Loo Loo Land, 4:39

Most of these examples come from Season 1 because, after the disastrous Ozzie’s date, Stolas begins to unconsciously cut back on this language. He seems to sense that something is wrong, though he doesn’t fully understand why. However, he is acutely aware of the problems with the transaction and the unfair dynamics it creates, and he is serious about putting Blitzø on equal ground by providing him with the means to run his business independently of Stolas.

And still, he maintains full control over the conversation during the Full Moon meeting, immediately dismisses Blitzø after one mistake, and throws him out. He continues to impose his narrative on Blitzø and…

I don't look down on you! How many times do I— When have I ever?! S2EP9, Apology Tour, 2:45

When have you ever indeed, Stolas? You literally look down on Blitzø saying that. This moment illustrates the problem clearly. He isn’t lying when he says he doesn’t look down on Blitzø because he genuinely believes he doesn’t.

Despite all said, Stolas is making a tremendous effort and is progressing, and he is far ahead of Stella, who is openly classist/racist and very conscious of her biases. So I believe—no, I know—he will get there one day. But not today.

This is something I take quite seriously, and I think people need to understand how dangerous this subtlety can be, as it happens all the time in real life too.

How often do you ask yourself why medical research groups are predominantly represented by white, cis, upper-middle-class males, and how this affects the efficiency of treatments suggested in these studies for everyone else—women, people of color, non-binary folks, and those who struggle financially?

How often do you visit museums and see art created by wealthy aristocrats who defined what constitutes 'fine art,' while 'folk art'—often created by marginalized communities—is overlooked and lost to time?

I could elaborate further on how deep and cruel this bias is, but I’ll stop here. I just ask you to consider why you might get offended when someone points out Stolas's subtle bigotry and why you might downplay it compared to the loud, aggressive Blitzø, whose anger and avoidant issues are obvious.

Just sit with it.

[galedekarios]

plagiarism in the bg3 fandom

disclaimer: this post should not be taken as a springboard to harrass anyone involved.

-

as i've stated previously, i didn't want to make this post because i have a lot going on in real life, but i have been watching this being done to others and myself for months now and i can't not speak about my experience anymore.

laiostoudenn (prev urls: lathanderr/spellbooking/wizardblood) is a plagiarist and he has a history of stealing from other creators like @minthara, @mercymaker, @onewingedangels and others.

in this post, i, finally and after much and long deliberation, want to add my voice to theirs.

i'll try to give a chronological overview of what happened as i have come to experience it, through others and myself, and as condensed as possible and to make it easier for myself to tell:

the story

i became aware of this new blog after he @ me and he messaged me. he's been following me. i was slow to engage because i have a lot of things going on in my real life that cost me a lot of energy during the day. i have also grown cautious of too quickly becoming close to strangers online. i became aware, however, that he had been doing this with multiple bigger creators in this space, like my friend @hawke, who is also a creator in the bg3 space, and who has experienced the same behaviour. they asked me if i knew him and i replied that i did not.

that was it for me at that point and i didn't engage much beyond that because i didn't know him and i thought nothing of it - until later.

during that time, whenever i saw his creations pop up increasingly, either in the tags or on my dash, i noticed more and more that they looked familiar to the works of others, from @minthara, to @mercymaker, to @onewingedangels and other creators, including myself.

it was then confirmed that i wasn't simply imagining things when, months ago, two creators were brave enough to speak up about the fact that he has been plagiarising gifsets and edits from them:

@minthara and @mercymaker:

@onewingedangels original set posted on 31st december 2023:

his set posted on 29th january 2024 (now deleted):

this was done without consent, and after he had already copied prior sets from @onewingedangels.

i would greatly recommend reading the posts shared above, and looking at the examples provided in it, so that you get a clear picture of what's happening here. it's not one isolated incident.

if you take a look at the notes in the post, you can also see other creators speaking about their experiences.

@minthara has recently also uploaded a google docs with the screenshots of the sets stolen from them because they either have been deleted, or lead to nothing due to now multiple url changes.

i was made aware today that he, following the first posts detailing @minthara and @mercymaker's experiences, apologised at first and admitted to what he's been doing on 31st march 2024:

but sadly, this wasn't to last, and the opportunity to learn and grow wasn't taken.

instead what happened was now painted as "bullying" from other creators, as "clique" behaviour and as "gatekeeping", despite many of us operating independently from each other. i, myself, have only started speaking to one other creator involved now that i have noticed the stealing and copying still ongoing.

i have in my time on this website never gatekept anything. i have shared metas, gifsets, creations, mods, art, tutorials, and many other things freely.

but back to the matter at hand: after he has been trying to ingratiate himself to me for some time now, following me, unfollowing me, and refollowing me again until i blocked him for my own mental health, i tried to remain civil before this point, engaging rarely if at all, hoping everything would go away on its own - which was a mistake in hindsight, i realise - i noticed that once again he's been lifting entire concepts and frame-by-frame gifs and sets from me.

things that he now claims - likely after he has been made aware of my prior personal posts and @minthara and @mercymaker's post circulating again by being reblogged by other people who have been affected) - were simply "remade" or "expanded" upon, that he may have been "subconsciously" influenced, while simultaneously claiming that he didn't know these sets existed in the first place, that he came up with the ideas independently, and that it's simply inevitable to use the same scenes because it's a limited game.

this doesn't hold up under scrutiny, however.

i want to make clear that i very much understand and that i am acutely aware that i do not own scenes and i do not own mods or outfits. however, what i do like to pride myself on is coming up with concepts and scene choices and captions accompanying these concepts that are unique, inspired by my metas, headcanons pertaining to gale and my own ocs altonaufein and karl, all of which i have seen copied by him several times now.

this is not as simple as simply gifing the same lines of dialogue from a scene as he and others supporting him are now postulating and i want to make that very, very clear.

another reason why this statement doesn't hold up under any scrutiny and, what ultimately confirmed my suspicion that he has been copying me, was when he - after the first post exposing his behaviour by @minthara and @mercymaker was made - reached out to me, asking if it it's ok to copy a gifset i made (note: again, this happened after he was called out for plagiarising the first time):

i didn't respond quickly enough, so he went ahead and posted it without waiting for my response (the response i gave him is pictured above and for transparancy, i responded about a day later bc of work and irl obligations).

below you can see the stolen post and what i managed to save from it:

the set was a 1:1 copy. he wanted a version for his oc so bad that he went ahead and stole my concept anyhow, without even waiting for the permission he asked for.

he went to take it down after my reply, made cautious most likely by his still fresh callout done in march 2024 by @minthara and @mercymaker, and i thought the issue was resolved and it wouldn't happen again, that he wouldn't take again without asking, despite having been told not only by myself, but by other creators as well, no. we are not comfortable.

but no. he "remade" the set, switching out gifs while complaining about how he "had to make it original":

my set in question was made on 1st february 2024, he reached out to me on 22nd april 2024 to "remake" the set. he is well aware of the existence of these ideas and concepts and sets he wants to copy, underlined by the need to ask for permission when it's simply too obvious to otherwise deny.

it's no coincidence.

like others have had the experience, i too noticed that he often would not engage with content he planned on stealing or did go through with stealing. he would sometimes present it as his own "remake" of a set he did, of another he was "inspired" or wanted to "expand upon", sometimes crediting, sometimes crediting someone largely unrelated, sometimes and, more often, not crediting.

as i mentioned above, this was not the first and not the only set/concept, which he copied from me - whether that was before asking or after asking, or not asking at all, if it was ok to copy.

i use this example mainly to show a clear pattern of behaviour that exists across the board: he takes concepts from other creators and inserts his own oc and/or favourite character into it because he wants a version of it so very badly. it does not matter if said creator might be hurt, if they told him no, or if they exposed his behaviour before. it doesn't matter how old the set is or how recent.

it is still going on today, the only difference is that he has stopped asking at all once again.

my story completely echoes that of @minthara and @mercymaker's.

concrete examples

i will now go into more detail about the concept sets he's been copying, include the caption or quote attached to it. i'm sorry that these will not be in chronological fashion. i will add at a later point, just like @minthara has done, a google document to better do side by side comparisons, highlight the similarities visually even more, and preserve some of the sets, which have now been deleted by him as recently as today:

the theme of hands in gale's romance

-> mine posted on 23rd september 2023

versus

-> his 1 posted on 24th february 2024

-> his 2 posted on 17th june 2024

i want to preface this by saying that the theme of hands was and still is incredibly important to story of my oc altonaufein and has concept of romance with gale. again, while i do not own these scenes, i wished to highlight a theme that i identified as poignant and profound within the relationship context. it's also why i added the poetry and quotes accompanying the set.

notice how even the caption format matches. the only thing lacking are my quotes / poems.

the format matches almost entirely: gifs from the same scenes (pulling gale out of the portal, the bench scene in an illusionary waterdeep, the astral sea scene, the boat scene, and more of the boat scene). the only thing that was added in this gifset are scenes that weren't available to me back then, namely the updated proposal scene, the kisses patches, and the epilogue as they came out well after i made my original gifset.

the second re-make even contains a gif that's not only the same minute detail of a larger scene - one that anyone who played gale's romance knows contains a multitude of other parts that could have been used - but also the same frames:

mine vs his:

i suppose adding that one to the original post with the same format i had chosen for mine would have made it too obvious, but that is only speculation.

gale + missing waterdeep/home

-> mine posted on 30th september 2023

versus

-> his (deleted on 18th july 2024) so i will have to include screenshots so you may compare:

same caption format, overlapping scenes chosen, only new additions are of content that wasn't available to me back when i first made my original set (the epilogue, kiss patches and proposal scene).

an attempt at "credit" even though he is only referencing my tags on an entirely separate set of a different creator, not the concept i came up with in my original set months prior.

and even though i have told him no before, just like others have told him no before.

i think it speaks volumes that this set is now, like some others, have been suddenly and coincidentally deleted.

gale of waterdeep vs gale dekarios

-> mine posted on 20th november 2023

versus

-> his posted on 13th may 2024

the concept is entirely the same, the scenes are largely overlapping, again, the caption format is almost entirely identical, with the sole difference of me including the full quote and devnotes as i'm wont to do.

gale + i love you

-> mine posted 16th september 2023

versus

-> his 2 (a "remake" of an "older" set of "his") posted on 13th may 2024

again, the concept is entirely the same, it's same caption format, the scenes largely overlap, some of the gifs added that were not available to me when i made my set (which, again, would include the epilogue, kisses patches, and the updated proposal scene).

mermay gale

-> mine posted on 13th may 2024

versus

-> his posted on 21st may 2024

it's the same concept again, the caption format is similar, it's the same setting (camp at baldur's gate), the same armour, the same armour tint, the same 3/4 pose except mirrored, and, this time, his tags were inspired too:

my tag: #i have the worst art block still and virtually no time but i still wanted to do smth for mermay so have this

his tag: #i can't do art so heres my mermay contribution i guess

copied oc post

-> mine posted on (likely) 30th september 2021

versus

-> his originally posted on may 7th 2024, which has also now been deleted on 18th july 2024:

the only thing different was the font. sadly, i deleted my oc post since i have redesigned some of them and wanted to make an updated version of it in the future.

thankfully i found the link on my friends blog, @ayrennaranaaldmeri.

as you can see, all of these happened after the first cases of plagiarism and after i personally told him that i'm not comfortable with him "remaking" my concept sets as his.

conclusion

there are many other sets that i suspect have been copied or plagiarised, i want to remain objective, however, and include the ones i feel are the most damning examples, supported by the fact that he has been deleting some of them today while again, trying to set up his narrative to his audience.

again, i want to highlight the pattern is here with him. my post is not the first, my suspicious are the first.

he knows what he is doing wrong, highlighted by the fact of trying to ask for permission, by deleting sets in question, by, at first, apologising, whilst now talking about "gatekeeping", "bullying", "inevitable repeats of scenes", "taking inspiration", "scrolling by", being "subconsciously" influenced, etc.

as a conclusion, i can say nothing more on this topic other than that i'm very sad. it doesn't give me joy. it stressed me immensely then and it still does now. i wish he'd have taken the already admitted wrong-doing to heart and grown from it, instead of attempting to change the narrative and doubling down on his past behaviour, not examining what he has done and is doing several times over by now.

i have blocked him now, as have done many others, and will not engage further with him. we have been through this before and at this point, i don't think he will change.

what i do very much hope, however, is that this is the last i hear of this happening.

edit:

updated the links to lead to his "archive" so you can access the stolen sets that he still hasn't deleted and seems to have no intentions of doing so.

[hazbin-writings-and-musings]

Lucifer Morningstar x Pregnant!Reader Headcanons Part 3

Keeping the ball rolling after part two, here's Lucifer and reader headcanons as baby gets ever closer to arrival. I think I'll do two more, with the last one detailing the actual birth and dear Lucy welcoming his second child. Thank you for reading and please enjoy!

Warnings: Pregnancy Mention, Smut

- His dedication to soothing your aches and pains grows even faster than they do as you get further along. The wealth of information now available about pregnancy (albeit not of the supernatural variety) initially overwhelms him, but he manages to find what he needs in books about prenatal massage. It doesn't matter where or when pain strikes, he'll be there to roll up his sleeves and work as long as he needs to make sure you're better. He's happy to have a professional masseuse join the palace staff to provide the help you need, but he also just enjoys doing it himself. There's a kind of intimacy he can't explain when it comes to tending his beloved and the body you're growing his child with. It doesn't hurt that his fingers are literally magical.

- He wants the FULL stereotypical expecting-a-baby experience, so yes, he'd love to do some breathing classes with you! The King of Hell might struggle to do anything in public without attracting attention, but he manages to locate a relaxed enough class that the two of you can attend without fear of paparazzi, and he is beyond thrilled from the very first session. There's not much he can offer now and through delivery beyond support, but he intends to give 110%. Pregnant yoga is also not off the table, nor is any activity that lets the two of you bond and enjoy the experience. To a very small extent, he enjoys these sessions because he gets to be seen with you. The Sinners and Hellborn just can't help sneaking an extra look at the King and his expecting lover. He doesn't need to say a word whenever he meets the gaze of someone looking the two of you over, the proud puff of his chest says it all as he lovingly splays a hand on your belly; that's right, I pulled this.

- He wants to brainstorm names right away, and because the two of you elect to be surprised by the birth sex, a very long list of potential selections is drafted for any outcome. His tastes tend to be a bit more old fashioned, but he has a knack for choosing those whose beauty has passed the test of time. His selections are also based on humans that have caught his attention through the ages, for good and bad reasons. Charlie was named after an ancient king, for example, who stood out most to Lucifer because he managed change on a scale few can ever hope to achieve, and change was what he desired for his child above all else. As he follows the naming rule of "two yesses, one no" he listens to all of your suggestions just as eagerly, which over the months results in an increasing long piece of parchment covered in names and notes. Vetoed suggestions are crossed out and he makes a point to note any potential issues with a name in great detail, and while the process is far from streamlined, the two of you have a great deal of fun selecting a final list of favorites.

- Out of everything required to prepare the nursery, selecting baby clothes tends to get him crying from the cuteness most often. He'll hold up potential outfits and try to imagine the baby in them, and while he's got a fantastic sense of fashion, the fabulousity doesn't detract from the adorableness before him. The itty bitty booties, the tiny socks, the cute little onesies... Stars, he's going to have another perfect baby, and since they'll no doubt be as precious as Charlie was... You'll often find him tearing up but beaming in silent thought as he looks over your future child's wardrobe, and he'll always explain himself honestly; he just can't wait to enjoy another round of baby days. If only they didn't go by so quickly...

- Lots of things grow increasingly difficult as you get further along, but he's always up for the challenge of making life easier for you, especially in regards to the bedroom. A baby bump will make certain positions impossible, but that's of little consequence for a man that can bend reality and his own physical form with ease. His capacity for effortless flight makes gravity a non-issue, and where his magic hits its limit, his creativity takes over. Whatever position results in comfort and satisfaction for you will be achieved, and he thinks of plenty to be offered. With his long, forked tongue added to the mix, you need not worry about missing out, no matter how much your middle swells. If anything, he rather enjoys being on the bottom...

[hobiebrownismygod]

Why Spiderman-India/Pavitr Prabhakar is one of the best examples of Indian representation I've seen in a long time

Mumbattan

Lets talk about Earth-50101, Mumbattan, Pavitr's home dimension. Mumbattan is displayed as a beautiful, colorful dimension with lots of traffic, lots of people, and lots of culture. When we see Gwen, Miles and Pav swinging through Mumbattan, we see people wearing saris, people driving scootys, Indian-style billboards and even temples in the surroundings. This is an extremely accurate depiction of large Indian cities.

Mumbattan on the left, Mumbai on the right

See how similar these look?

Now compare this to how Hollywood's Slumdog Millionaire movie depicts India.

Every single movie depicting India made by Hollywood portrays India as a country full of slums and dirty people. I have never seen Hollywood portray India as the beautiful, culture-filled country it is, and I have never seen one of the many beautiful temples, or the advanced cities represented in western media until now. Slumdog Millionaire is a fantastic movie, but India isn't only made up of slums.

Hollywood tends to romanticize struggle and when depicting India, makes it seem like a very depressing country. Yes, there are slums in India. Yes, there are people struggling in India. But that doesn't mean that India isn't beautiful. It doesn't mean India is behind. Mumbattan is the first depiction of India I've seen that I feel portrays the beauty and culture of India well. It is a fantastic representation.

2. Pavitr's personality

One of the most recent and most popular Indian representation series right now is the show, Never Have I Ever. In my opinion, this show is terrible. The main character, Devi Vishwakumar, is the stereotype of all stereotypes and doesn't accurately portray most Desi girls. She is rude, selfish, and extremely narcissistic. Her entire personality is being Indian and I find that extremely hard to watch. They make fun of her by addressing stereotypes like an excess of body hair, fashion, and even accents but instead of shutting down these stereotypes, they amplified them by making fun of them.

In western media, Indians are either portrayed as IT workers, scammers, grocery store owners, or nerdy, try-hard teenagers. Every show with an Indian teenager in it portrays them as cheap, unhygienic or unattractive which I, as an Indian, find extremely offensive.

Pavitr is portrayed as an optimistic Indian teenager who's smart and strong, without bragging about it, proud of being Indian without making it his whole personality and genuinely funny. He isn't portrayed as some skinny, nerdy guy with glasses. In fact, he's literally shown flexing his muscles, and performing well in class without going overboard about it. He's so full of culture, I can't even begin to explain it because I'll never stop. His suit, his mask, his webs, the way he moves, the way he fights, its all beautiful and I could watch for days on end without getting bored.

We were finally served an attractive, funny Indian character who isn't a walking stereotype, who loves and embraces his culture and just seems like an awesome guy to be around. Seeing him on screen made me feel so proud, of my religion and my culture. I hope Hollywood takes notes on this and continues providing the media with proper Indian representation and strong Indian role models for characters!

This article explains everything I said a little better, because I know my writing style can be confusing sometimes. It really goes into depth on how impactful it is on Indians to see this kind of representation for the first time in western media and how important this is.

He's so pretty <3 I'm so proud that I look like him

Might go even more in-depth eventually, I just really wanted to get this off my chest because I love him so much 😭

[imsobadatnicknames2]

Music commission prices!

Update: Editing my prices again bc I still think I was undercharging a little bit from my work and also the payment processor I use to transfer money from P*ypal to my bank account recently increased their fees.

Hey everyone! My name's Carlos, I'm a composer and producer. I'm one half of the technical death metal band Beyond Flesh, and I've been doing commissioned music work since 2021. I did all the battle themes for the RPGmaker game Those Infernal Girls! and several battle themes for the "Chillen in Chult" arc of the the D&D twitch show Dice Dynamics. I also did one bonus track for the album We Will All Sing One Song by the James Connolly Upstate New York IWW.

I can make music for your:

OC

Climactic TTRPG moment

Videogame

Short Film

Whatever else idk

The main genres I do are metal, synthwave, and dungeon synth, but I've done a bunch of commissioned work in different genres, from 8bit to jazz to EDM to hiphop backing tracks. If in doubt, ask me and I'll tell you if I can do a particular genre or not.

Prices:

Base commission price (Includes 1 minute of music, 2 instrument tracks plus percussion track) - $12 USD

Extra instrument track - $6 USD

Extra minute of music - $6 USD

Examples:

Some examples of my previous work so you can get an idea of my range:

You don't need to know anything about music theory or related language to commission me, but do have in mind that the more ifnormation you're able to provide the better the end result will be. Vibe descriptions, reference tracks that you want it to sound similar to, writeups of the character and/or scene it's for, and anything else you can think of are massively helpful. I'll be continually sending you WIPs through the entire process so you can judge the direction I'm going in and provide notes if necessary.

You get to keep all rights to the song to use it for any purpose. I, however, keep the right to post it on my tumblr blog, my youtube channel, or any of my socials for promotional purposes.

You may contact me through DMs here, or through the following media:

e-mail: juan.hernandez9903@gmail.com

Discord: carlos7318

I only accept payment via p*ypal invoices, as c*shapp and v*nmo don't work in my country.

[chain-peoplebreaker]

Alhaitham in an Art Nouveau inspired style Here's a thread I wrote about this concept on Twitter, below the cut will be a copy of the text, sorry if it takes a weird format on tumblr since it was initially written as a twt thread

This might not make a lot of sense to some of you but before i talk about Alhaitham and Art Nouveau i'd like to talk about Kaveh and Romanticism The connection between Kaveh and Romanticism can be more easily done, specially with characters such as Faruzan calling him a romantic

The Romantic movement, as the name suggest, is very emotionally driven. Its a movement that values individualism ane subjectvism, it's objective is on evoking an emotional response, most comonly being feelings of sympathy, awe, fear, dread and wonder in relation to the world

Basically the artistic view of the Romantic is to represent the world while trying to say "we are hopeless in the grand scheme of things, little can we do to change the world yet the world is always changing us"

In Romantic pieces the man is always small compared to the setting they find themselves in, see the painting Wanderer Above the Sea of Fog by Caspar David Friedrich as an example, the human figure is central but relativelly insignificant to the world

Another thing about Romanticism is the importance of beauty, it's through it that the Romantic seeks to get in touch with their emotions and ituition and its through these lenses that they see the world. The Kaveh comparison should be easy to make with these descriptions

Kaveh's idle chat "The ability to ability to appreciat beauty is an important virtue" just cements to me the idea that his romanticism is closely connected to the artistic movement. He does have an argument agaisnt this connection but I'll bring it up later on the thread

Now that I used the opportunity to talk about my favorite character in a thread that wasn't supposed to be about him let's go back to Alhaitham and how to connect him to the Art Nouveau movement

But seriously, I brought up Kaveh's more obvious connection to Romanticism because the Nouveau movement was created as a direct mirrored response to the Romantic movement, and we all know how we feel about mirrored themes between these two characters

Art Nouveau is about rationality and logic, the movement was used more comonly on mass produced interior design pieces or architectural buildings, it's a movement much more focused on functionality than on art appreciation

They also had a big focus on the natural world but in a very different way, while Romantics saw nature as a power they couldnt contend with, artists from the Nouveau used the natural as an universal symbolical theme for broad mass appeal

Flowers, leaves, branches, complexes and organic shapes are the basis of this style, the logical side of it coming from the mathematics needed to create these shapes and themes in ways that were appealing and also structurally sound

To appreciate the Art Nouveau style is to understand it is a calculated artistic movement (another reason to be salty about an AI generated image trying to emulate it) In short, this style is less about the art and more about the rationality in the mathematics to make it

Another note I'd like to point out is that I love how both Alhaitham and Kaveh have dendro visions while both movements are so nature centric in different ways, Romanticism seeing it as a subjective power and Art Nouveau seeing it as recognizeable symbols

I mentioned an argument against the Kaveh comparison before: the one thing that bothers me about Romanticism is how negative it is in relation to humanity's position in the world and how that related back to Kaveh

In the Parade of Providence it was explicitely showed how much Kaveh dislikes the idea of people seeing themselves as helpless in relation to the problems of the world

People may suffer but there is something he can do to help them and he will do it

It doesn't feel right for me to say that Kaveh fits the Romantic themes because of his suffering, in a similar sense it also doesn't feel right to me to say Alhaitham fits Art Nouveau because of his rational behaviour while he as a character is a lot more complex than that

This thread was done all in fun and love for an artistic discussion, it's not a perfect argument to connect these characters and movements

+ I haven't studied art history in a year, if anyone knows more about these movements please tell me I love learning new things

++ Really sorry if my english is bad or I sound repetitive, it's not my first language and im trying my best here

Thanks for reading

I love you, have a nice day/evening/night

[eowynstwin]

Hi everyone. It's been a while—exactly a month since I last posted to this blog. How have you been?

A month isn't really all that long, but it's enough time to be able to look at everything that happened and understand it better. In the end, the whole situation (I've been calling it The Fuckening in my head) really didn't have anything to do with me. I was unlucky enough to run across someone willing to hurt anyone they could for attention, but also lucky enough that everyone who mattered to me in this fandom went to bat for me.

So I’ve decided to come back to this blog. I'll be posting about call of duty again as well as posting my writing. I also plan to blog about other fandoms (I’d already been doing it anyway); I've been getting back into rdr2, for example, and there's some writing I'd like to do for that.

There’s more context which I’ll put below the cut, but that’s the most important part of what I have to say; I often regret how long winded I can be, so the rest is just self indulgence if you can forgive it. I’ve thought a lot about this choice and I’m satisfied with my decision. I hope none of you will mind.

So, lol, things were not great outside of fandom stuff when it all kicked off, though I didn’t mention it publicly because we all know by now that asking for any sympathy when you’re the target of a mob is more likely to just get you raked over the coals harder. I’m still not entirely sure about talking about all of this, but I have a bad tendency to clam up when I really should be asking for support. So:

I mentioned briefly before the accusations started flying that I was dealing with bedbugs—turns out it was actually something else, but leading up to a doctor’s visit I was convinced I had an infestation, and I was stripping my bed every day to look for them. I had alarms set to wake me up twice a night to see if I could catch them, so I was not sleeping all that well. I couldn’t find anything, but I had no other explanation, and it was driving me fucking crazy. Post doctor visit it turns out I had a viral infection. No idea where I caught it, and nothing to do but wait it out. I had a massive, gnarly looking rash all over my body, and to add insult to injury I developed a fever that took me out for a whole weekend. (I’m recovered now but I have a nifty new scar on my hip from getting a biopsy.)

Next to that, I was having some PTSD flareups of my own. This was (mostly) unrelated to The Fuckening. Now, I understand that that might be hard to believe, given “Myka’s” claims, and I can’t make you believe me. Nor will I provide details to convince you, other than to say there were some things going on in my neighborhood that recalled a period of time in my life that was extremely unstable, and I found myself irrationally terrified to go home every day. For those of you who don’t experience the symptoms of PTSD, I think it’s appropriate to note that it isn’t just emotional turmoil; I, personally, experience physical pain in my entire body that lingers for hours, days, or even weeks after being triggered. (Everything regarding this, too, is fine now. I have a great therapist and a supportive family.)

All of this to say, I wasn’t exactly thinking rationally when I decided to leave this blog and fandom. And I regretted the decision almost instantly.

However, I didn’t want to let grief make any decisions for me, and also I was still VERY scared Myka was going to hunt down my personal information and either dox or harass me elsewhere. I think this fear was justified; it has happened to other writers in this fandom before.* So I decided to take some time to cool off and watch the situation develop without me.

I don’t think I need to get into the details—although if you’re interested in them, @fulltacs has been keeping track of the drama. Given the most recent development with the four obviously sock puppet blogs that popped up and immediately began stirring shit up again, I realized Myka probably would have done what she did with or without me. I just so happened to give her the ammunition she needed to do something REALLY big. It was pure bad luck.

(Also—and I’m sorry if this is just stirring the pot, but after everything they did to me I feel I deserve to make the accusation—I’ve suspected for a while that the two loudest blogs leading the witch hunt against me were far more involved in this farce than anyone has assumed. I have no proof and I do not want anyone to do anything about it on my behalf, leave them the fuck alone. But I will not forget the distress they caused me for a long fucking time, and the only way for me to let this go is to say my piece. So there. Done. Let that be the end of it.)

Having this hindsight, I feel comfortable coming back. I’m still very touched by everyone’s support, which in the end was louder than the harassment. I also think it’s important for people who care about fighting racism in any community not to run at the first sign of trouble, which I did, and I feel pretty sorry for.

That’s the gist of things. If you’ve read all of this, thank you for doing so!

*I was going to add a paragraph about halfmoth-halfman’s situation but decided against it. For one thing, she wants to be left alone, and for another, talking about the experiences of fans of color, particularly black fans, deserves its own post separate from my white experience, if I should even post about it at all.

[writing-with-sophia]

How to get into the mind of a character? Honestly this can be for your OWN character or a fictional character. I'm wanting to write for characters- headcanons and fanfictions- and I'm so afraid I'll write them so uncanny to how they actually are.

How to get into the mind of a character?

To get into the mind of a character, you have to understand that character, believe in that character, and even "live" the character's life. But we all know each individual is different, and we cannot live different lives. A normal person who grew up in peacetime cannot fully understand the hardships of a warrior, and a doctor cannot know the thoughts of a mafia boss.

So, how can writers create believable characters? How can they possibly offer a believable soldier, cop, detective, alcoholic, or any given character type if they themselves haven't lived as them? How can they possibly offer a believable character in a situation that they've never been in?

Here are some tips you can use to get into the minds of characters:

Tip 1: Observe real-life people

To create well-rounded characters, observe real people around you. Pay attention to their behaviors, mannerisms, speech patterns, and thought processes. Take note of how they express emotions, handle conflicts, and make decisions. Drawing from real-life observations can add depth and authenticity to your characters. You can also search for novels and movies with different themes, study how characters with different pasts, biographies, occupations, and personalities act, behave, gesture, and speak. The best way is to prepare a small notebook and a pen so you can carry it with you wherever you go.

Tip 2: Create a detailed character profile

Develop a detailed character profile that includes information such as their age, background, beliefs, values, goals, and fears. Consider their relationships with other characters and how these dynamics influence their thoughts and actions. Delve into the character's past and explore significant events that have shaped them. Consider their upbringing, traumas, successes, and failures. These can provide you with a roadmap for understanding the character's mindset.

Tip 3: Use internal monologues and journaling

Imagine the character's internal thoughts and dialogues with themselves. Consider what they might be thinking in different situations, their hopes, dreams, and fears. (And why do they dream of that? Why are they afraid of that thing? What in the past made them afraid? Always asking questions.) Writing internal monologues or journal entries from the character's perspective can help you delve into their mindset and gain insight into their unique voice.

Tip 4: Consider their external influences

Characters are influenced by their environment, culture, and society. Reflect on how external factors such as family, friends, societal norms, or even the story's setting impact their thoughts and behaviors. This will help you portray their worldview more accurately.

Tip 5: Study the source material

If you're writing about an existing character from a book, TV show, or movie, immerse yourself in the source material. Pay attention to their dialogue, actions, and interactions with other characters. Take note of their personality traits, motivations, and backstory. This will help you develop a strong foundation for understanding the character. For example, recently I suddenly became interested in Nightwing (do you know him? Nightwing from the Batman series!), and I wanted to write a few short stories about him. So I found all the comics and movies that featured Nightwing and watched them one by one. I don't take notes because I have a pretty good memory (especially for characters I like), but I still recommend taking notes on special things to note.

Tip 6: Practice free writing

Set aside time for free writing exercises where you write from the character's point of view. Allow your thoughts to flow without judgment or editing. Just write, write, and write. You can reread and make corrections after you're done. Remember to gather your posts in one place; otherwise, you'll lose or forget them (like me!).

Getting into the mind of a character is an ongoing process that requires continuous exploration and refinement. The more you invest in understanding your character's thoughts, feelings, and motivations, the more compelling and authentic your writing will become.

Additionally, you can read my articles on how to write an effective character here:

How to create a superbad villain

How to make a villain's appearance memorable

Basic questions for your character

Describing a villain's appearance in a natural way

Create an effectively past for character

Common character motivations

How to create a good main character

How to avoid the instance where a secondary character stands out more/ is more lovable?

Character flaws

Writing a good Anti-Hero

Character positive traits

How to write an elderly main character?

Protagonist who is a ballerina

How to write a believeable egotistical character

[somber-sapphic]

Snowy Night

〖Notes: I've been up for too long, I know my formatting is bad, I'll do it in the morning &lt;;3〗

〖Summary: You and Wanda end up stuck in a hotel after a mission.〗

〖Word Count: 1133〗

〖Pairing: Wanda x Sick Reader〗

☾Masterlists☽

.・。.・゜✭・.・✫・゜・。.

“Hanging in there?” Wanda asked gently, looking at you in the passenger's seat. You didn’t lift your head from the glass, relishing the reprieve from the fever-fueled heat ravaging your body. 

“I’m fine baby, just a little sore from the mission.” That was a reasonable excuse, you’d gotten pretty beat up and tomorrow you were sure to see a tapestry of bruises adorning your skin. 

Wanda had received a small cut above her forehead and roughly the same bruises that you did. She’d still volunteered to take the first driving shift as it was obvious that you were in rough shape. 

You’d done a pretty good job at hiding the illness before the mission, but now that it was over you were too tired to wear the appropriate mask. 

“Are you sure that's all it is? You’re fogging up the window over there.” She teased, tossing you a worried smile. You shrugged in response, your throat hurt too much for more talking. 

“How about I find a hotel for tonight?” The witch reached over and rested a hand on your thigh, squeezing it gently in reassurance. She only wanted to help, but you were refusing to let her. 

“We can’t Wan, we might be followed.” You knew that your words weren’t quite making enough sense, but she got the gist of what you meant. 

“We weren’t followed, you know that. You keep checking and there isn’t anything suspicious, right?” You turned from your comfortable spot on the window and raised an eyebrow, glaring at her a little. 

“That’s what I thought. Take a nap sweet girl, I’ll wake you up when we get there.” She said softly, her words lacking the frustration you expected. Tears welled up in your eyes and you dropped your head loudly against the window, relishing the pain it provided. Controlling your pain was good. 

“I know Y/n, but I need you not to do that. We’re going to get you in bed soon.” You didn’t want a hotel, you wanted your bed. You wanted your blanket and your pillows and the stuffed cat that you hid from everyone except Wanda. 

It was the only thing you had left from your childhood. It had helped you through an unnecessary amount of trauma and you refused to get rid of it no matter what happened. You’d had to sew up a few holes and the thing was faded beyond repair, but it was yours and you still loved it. 

“Close your eyes. Want me to turn the heat off?” She asked, noticing your fever-flushed cheeks. You were clearly too hot, but you shook your head, not wanting to bother her. It was freezing out and the snow was making the drive almost impossible. She had slowed down to a snail's pace, following the example of the other cars on the highway. 

“Talk to me, love. What’s going on in there?” 

“Just leave me alone Wanda. I’m fine.” You grumbled, turning your body away from her as much as you could. You didn’t want to make her unhappy, but you were tired and grouchy and you just wanted her to stop trying to fix it.

“Alright, just let me know when you’re ready.” She said warmly, her voice only filled with kindness. You hated how much you loved her. You hated how much she loved you. You didn’t feel good. 

Without much thought you found yourself closing your eyes, the lull of exhaustion washing over you. When you opened them again you found yourself being shaken awake by your concerned wife. 

“I’ve got us a room and this place isn’t creepy at all. The woman at the front desk is super sweet and she’s already got you some Advil and a thermometer.” Wanda was stroking your cheek with soft fingers, anxiety bright in her beautiful hazel-green orbs. 

“Not mad?” You mumbled, stifling a cough into a slightly raised fist. 

“Never. Come on angel,” She lifted you carefully out of the car, your boots crunching in the layer of snow. It took a few steps forward and you slipped on a patch of ice. You grabbed onto Wanda for support and she wrapped an arm around your waist to support you. 

When you entered the hotel covered in snow, the woman at the front desk gave you an apologetic smile. 

“Come on you two, I’ve got a nice room for you.” She said warmly. The woman was clearly a mother, she was completely willing to take care of an absolute stranger, no questions asked.

She led you to the large room, not seeming to mind that you were tracking snow everywhere. 

“Thank you so much, Annie, this means the world,” Wanda said, rubbing your arm gently to keep you awake. You were sort of falling asleep against her, blinking your eyes rapidly to make sure you didn’t pass out. You were still tired. 

“Of course sweetie, let me know if you need anything.” She smiled as Wanda closed the door, leaving the two of you alone in the warm room.

“Wanda…Wanda, I want to go home…” You whispered, allowing her to sit you down on the bed. She pulled your shirt off and replaced it with a dry one, doing the same thing with your pants. 

“Tony’s coming to get us, he should be here in the morning, okay?” She soothed, running her fingers through your hair. A sob caught in your throat and you blinked away tears, biting your lip hard to stop them from falling. 

“Oh angel, hey, hey come here. Oh Y/n/n, it’s all going to be okay.” Wanda pulled you into her arms, but you resisted, pushing against her chest. You didn’t deserve her love. You’d never deserved it. She was too good for you. You could never be good enough. 

“What happened? What’s wrong?” She asked, suddenly panicking. She touched your knee and you curled away, tears racing down your flushed cheeks. 

“Talk to me,” The woman pleaded, giving up on the physical affection piece. You didn’t want it and she didn’t want to make you more uncomfortable. 

“I yelled at you! Why don’t you hate me? Wanda I–why?” 

“Shh, shh no, no none of that. How could I hate you? You’re tired and sick and sad. You didn’t do anything wrong, not at all.” She crooned, going incredibly gentle. A miserable sob escaped your lips and you tucked your head into her shoulder, giving up. 

She pulled you into her lap, rubbing your back as you cried. 

“I've got you pretty girl. It’s all okay.” You felt yourself relaxing in her arms as she talked softly to you, not really hearing any of her words. She was holding you tight, the pressure of the hug making you feel just a tiny bit better. 

[linberlyy]

Let's be honest: Criston's offense’s more than justified and well-reasoned. Another question is how much this very offense is, but everyone will judge this through their own internal compass. Let me explain Cole’s motivation and worldview, maybe I'll open someone's eyes.

Let’s simulate the situation: we have a son from a humble family (so low that his position was low even for an engagement), who, with sweat, blood, his skills and efforts, carved out a place for himself in the Kingsguard, taking into account that, thanks to the goodwill of a representative of the royal family, - who has a golden spoon in her mouth, we remember, was able to get a healthy assessment of her capabilities and skills without watered calculations.

- “I know what it’s like to fight for something that others don’t value.”

He owes his new position precisely to the favor of the princess, and we have no reason to refute Criston’s conscience, because BEFORE any traumatic and drastic changes/events, he manifests himself as a conscientious and devoted knight, with a clear worldview.

They spend a lot of time together, and already at Aegon’s name day we see that the level of trust between Rhaenyra and Criston is high, moreover, it is rapidly gaining momentum when she opens some part of her soul, shares things that can be called “personal”, laments his situation and outlines the problems he faces. Most notable:

— “My father is trying to sell me to Jason Lannister. I was named heir to the throne only to improve the position of Lord Casterly Rock.

— Should I kill him?”

This is literally a joke about killing the LORD that Criston makes in the presence of the princess, and it is remarkable that they both laugh without taking it seriously.

— “You can choose your own path, you are lucky. Many would gladly change places with you.

— “I am the princess of Dragonstone, but I am toothless.”

— “Once, not so long ago, you were able to write my name in the White Book. A position in the Kingsguard is the highest honor for the Cole family. I owe you everything. And I wouldn’t call it toothless.”

He provides her with sincere support, without greedy or hypocritical intent, and she accepts it with open arms.

The development of their relationship, on the initiative of the princess, follows immediately when, after some time, abandoned by Daemon (I condemn) in a brothel, she persuades Criston to have sex. Rhaenyra lures him into the room, plays with the helmet, kisses him, not allowing him to leave, and then tries to free the knight from his armor. Yes, Criston could more than experience romantic feelings towards his princess, but above all, it was a kind of admiration, sincere gratitude for what bestowed her favor on the rootless commoner. His representation of Rhaenyra may seem banal and naive, namely as “a poor princess, enslaved by her position,” we will note this in the future. But based on his pure motives, he faces a choice in which his feelings equally suffer, his vows and, of course, the wishes of his object of desire, in relation to whom Criston has never crossed the line before, are called into question. Many may underestimate the pressure that arises between the statuses and titles of total opposites, and only in the example of “maid - prince” do some realize the problematic nature of such a union, but not “princess - knight”. Please note: despite gender, it is still a class difference that breeds power with abuse. And, unfortunately, Cole cannot know and be sure that Rhaenyra’s need to get sex here and now has nothing to do with her love for him. He hesitantly follows the princess's lead, putting aside his white cloak.

Next we see and hear that Criston is ashamed of himself for violating his honor, neglecting his duty, although he listened to his heart, to his duty to Rhaenyra.

— “You occasionally confided in me... Over the years of acquaintance. And it seems to me that I know you. A little.

— “More than a little.”

Another imaginary confirmation in Christon’s eyes of reciprocity.

— “You have said many times how you despise your position. That you will be married off at the whim of your father, without thinking about the inclination of your heart. And this day has come."

He imbues her with the problem mentioned in the past; driven not only by his dilemma, but also by Rhaenyra's “confinement,” a literal shackle that equally binds and constrains them both.

— “I ask you to come with me. Away from all this, from the humiliations and burdens of your heritage. Let's leave all this and look at the world together. We will be free, nameless. We are free to go wherever we want, to love whoever we want. Will you marry me? Not for the crown. For love.

— “I’m the Crown, Ser Criston. Or I will be her. I can complain about my debt, but would I choose infamy in exchange for a barrel of oranges, or a ship to Asshai? It is my duty to marry a noble of a great house. But my marriage is not the end all be all. Ser Criston, Laenor and I have come to an understanding. I gave him the right to do what he wants. He granted me the same”.

— “Do you want to make me a whore?”

— “I want what started to continue.” You are my protector. My white knight”.

— “I made a vow, a vow of chastity. I have nothing but my white cloak, and I have stained it! I thought the wedding would cleanse him.”

Literally, Criston pours out not only his soul to Rhaenyra, but also to us, as viewers. He dictates the reality of his situation, assures that he can provide and protect the princess as much as possible. But, of course, for the blood of the dragon, for the heiress, for the father’s daughter, who was previously brought up in the conditions of “do you want it? Get it!” such a prospect is worthless. Naive of Cole? Yes, but not without reason.

After everything, he feels extremely vulnerable, as well as after a sincere confession to the Queen - which responds even more precariously and nervously to any conscience and confidence, despite her gratitude. Already at the wedding of Rhaenyra and Laenor, Cole, like a taut string, stands at the service, but restlessly and nervously looks at the princess.

— “I’m on duty, what’s your business?”

— “You don’t know me, Ser Criston, but this alliance is very important to both of us.”

— “If you have something to say, Ser Joffrey, speak.”

— “Ser Laenor is as dear to me as I know the princess is to you. We must swear to keep them and their secrets. We’re not in any danger yet... They are safe.”

Sounds like a threat to a pins and needles knight with a stained cloak and a sense of duty, don’t you think? Criston can only guess how Joffrey knows about his affair with the princess, and only one of the options may look convincing - Rhaenyra telling Laenor about this, who could notify his lover along the chain. Again, every possible inclination towards princess on his part is undermined when their secret is at stake. Yes, Criston succumbs to anger and panic, resentment and hopelessness, for which he commits a much more terrible act than calling a woman names. But even so, Cole feels guilt, boundless disappointment, and at the lynching he also feels remorse. He plans to voluntarily commit suicide and admits his every mistake. This scene is literally the rebirth of a knight in the rays of Alicent’s understanding and favor.

And as a result: people complain countless times and blame Criston for swearing towards Rhaenyra, for which he apologizes. Cool. Let's think critically and delve into the story and characters, and not spit hypocrisy.

[yumeka-sxf]

My thoughts on Spy x Family: EYES ONLY Guidebook (English ver) - part 2

Continuing from my previous post about the English version of the SxF manga guidebook "EYES ONLY," today I'll be going over Endo's interviews, as well as showing my favorite "fun" page spreads!

Endo's interviews with his editor Lin and other manga-ka

First off, let's address the elephant in the room: as some of you may have heard, a horrendous clickbait article was released a while back citing an interview from this book (when it was only in Japanese). The article claims that Endo states in the interview that he doesn't like Anya or any of the other SxF characters. Thankfully u/fuyukochii on Reddit had provided an unofficial translation of the interview, so most fans were able to see that this article was bogus. And now we have the official translation as further proof...

Lin, Kato, and Amu are teasing Endo about the fact that he tends to not draw handsome men ("ikemen") in his series. So when he finally did with Loid's design, they joking applaud this big sacrifice he made, to which Endo replies (again, jokingly) that this compromise to his preferred style is why he has no emotional attachment to his characters. Again, all the "laugh" and "clap" interjections in this exchange make it clear that they're all joking around. The article took this statement of his completely out of context and twisted the "no attachment" wording to mean total dislike. It's unfortunate, but false information gets published like this all the time, and often for more dire issues than a manga fanbook. But it seems like a lot of fans didn't fall for the clickbait, which is good. And now everyone who reads the book officially in English can see that there's no way someone like Endo who has such dedication to his craft could downright dislike it.

Moving on, I totally agree with Nishimori, Kato, and Amu's praise for Endo's work in the below exchanges…

The trait SxF has that they convey here is "balance:" balance between making its world believable, with enough serious conflict so that we care about what's at stake, but at the same time, stretching the veil of realism a bit to have comedic moments. There's also great balance to the characters in that none of them are totally good or totally bad, but because we know what's going on in their world and why they do the things they do (like what Nishimori mentioned about the scene with Loid), we can still sympathize with them.

Going along with that thought, Endo's responses on the below page further illustrates his balance between "dark" and "comedic."

I like how he says that he's not interested in grotesque violence as much as dark themes of the psychological kind…the dark side of humanity more than visual depictions of violence. We can see this in how he portrays the serious moments in SxF where, instead of showing actual horrific scenes of war, the focus is instead on the psychological impacts that war has had on the characters. Likewise, he mentions how perhaps "the comedic nature of their (the characters') daily lives is rooted in the severity of their reality." It's said that within comedy there's often some form of tragedy, and I think SxF is a good example of this as so much of the comedy has its roots in the darker aspects of life, like the fact that the characters have to lie about their true identities. But at the same time, Endo mentions that he doesn't want to shy away from the sad reality of war, which was a big driver for why he made the cruise arc. And again, his intention was not to show any kind of "good vs evil" thing, but simply what motivates people to do extreme things in times of war. His quote about how he never intended to show the Forgers as a completely righteous family is something I knew about before and I think is very poignant. It harkens back to what I discussed before about balance and the fact that his characters aren't shown as completely good or completely bad.

On a related note, in the below comment, Endo acknowledges that Loid and Yor have "darker sides."

It's cool that he likes drawing those expressions. It seems like he makes a conscious decision to show their "darkness" at the right times.

It's also very interesting that so many elements of SxF were decided last minute, as mentioned on the below page.

I can't believe Anya being telepathic was decided on so late! Considering it's such a big player in the series' humor, that's very surprising. But Endo does admit on this same page that he hadn't planned out the story at all. Since he had only done short/one-shot series up to that point, I'm sure he wasn't expecting SxF to continue on that long. But once it became so popular, he had to keep fleshing out the story and characters, probably beyond what he originally thought. But considering how little he had come up with for the series initially, he's done a fantastic job keeping up its quality and continuity. It really was some crazy mix of timing, talent, and perhaps a bit of luck, that turned a series with no long-term planning and so many last minute decisions into such a hit.

Other parts of the interview highlight just how dedicated Endo is to his research and how he agonizes over the fact that he may have been inconsistent with something.

I also have to say that as I read through all of Endo's interviews and comments in this book, I admire how down-to-earth he is. Like, rather than sugarcoat things, he just says it like it is, for example, he said he doesn't reveal new character names that often because it's a hassle to come up with them (pg179), how he didn't give any thought to Anya's pink hair besides it being "cute" (pg181), how it's a lot of work to draw characters in a variety of clothes (pg178), and how the main emotion he feels with SxF getting an anime series is "tired" (pg174). But there's often a "laugh" interjection in many of these interview answers, so we know his comments aren't to be taken that seriously!

And here's his message to readers at the end of the interview. Definitely not the words of a man who dislikes his story and characters.

My favorite "fun" pages of the book

Since the Endo interviews were pretty heavy, I'll finish up this post with the lighter topic of highlighting my favorite funny page spreads in the book!

First off is a spread featuring all of Yor's cooking!

The sarcasm for these meal descriptions is hilarious, lol. And what was that dessert Yor made at the end of the cooking lesson chapter? Guess we'll never know.

The next spread from Anya's POV about her made-up spy group "P2" is absolutely adorable.

I love how they included all her mispronunciations of words. Also her calling Fiona "Agent Mean Lady," lmao!

And lastly, Yuri's collection of Yor photos (made with Anya's help!)

This is all just 4th-wall breaking fun as obviously no one was taking photos at these moments in canon, so Endo could just roll with the joke. Anya's inclusion in this whole gag is too good, from Yuri calling her an "unnamed collaborator" to her "Paparotsies, eat your heart out!" And I absolutely love her comment at the end about how she can't show Yuri some of Yor's less attractive expressions, lol. Pure SxF comedy gold.

I'll have one more post of EYES ONLY content coming soon, so stay tuned!

Continue to Part 3 ->

<- Return to Part 1

[codingquill]

JavaScript Fundamentals

I have recently completed a course that extensively covered the foundational principles of JavaScript, and I'm here to provide you with a concise overview. This post will enable you to grasp the fundamental concepts without the need to enroll in the course.

Prerequisites: Fundamental HTML Comprehension

Before delving into JavaScript, it is imperative to possess a basic understanding of HTML. Knowledge of CSS, while beneficial, is not mandatory, as it primarily pertains to the visual aspects of web pages.

Manipulating HTML Text with JavaScript

When it comes to modifying text using JavaScript, the innerHTML function is the go-to tool. Let's break down the process step by step:

Initiate the process by selecting the HTML element whose text you intend to modify. This selection can be accomplished by employing various DOM (Document Object Model) element selection methods offered by JavaScript ( I'll talk about them in a second )

Optionally, you can store the selected element in a variable (we'll get into variables shortly).

Employ the innerHTML function to substitute the existing text with your desired content.

Element Selection: IDs or Classes

You have the opportunity to enhance your element selection by assigning either an ID or a class:

Assigning an ID:

To uniquely identify an element, the .getElementById() function is your go-to choice. Here's an example in HTML and JavaScript:

HTML:

<button id="btnSearch">Search</button>

JavaScript:

document.getElementById("btnSearch").innerHTML = "Not working";

This code snippet will alter the text within the button from "Search" to "Not working."

Assigning a Class:

For broader selections of elements, you can assign a class and use the .querySelector() function. Keep in mind that this method can select multiple elements, in contrast to .getElementById(), which typically focuses on a single element and is more commonly used.

Variables

Let's keep it simple: What's a variable? Well, think of it as a container where you can put different things—these things could be numbers, words, characters, or even true/false values. These various types of stuff that you can store in a variable are called DATA TYPES.

Now, some programming languages are pretty strict about mentioning these data types. Take C and C++, for instance; they're what we call "Typed" languages, and they really care about knowing the data type.

But here's where JavaScript stands out: When you create a variable in JavaScript, you don't have to specify its data type or anything like that. JavaScript is pretty laid-back when it comes to data types.

So, how do you make a variable in JavaScript?

There are three main keywords you need to know: var, let, and const.

But if you're just starting out, here's what you need to know :

const: Use this when you want your variable to stay the same, not change. It's like a constant, as the name suggests.

var and let: These are the ones you use when you're planning to change the value stored in the variable as your program runs.

Note that var is rarely used nowadays

Check this out:

let Variable1 = 3; var Variable2 = "This is a string"; const Variable3 = true;

Notice how we can store all sorts of stuff without worrying about declaring their types in JavaScript. It's one of the reasons JavaScript is a popular choice for beginners.

Arrays

Arrays are a basically just a group of variables stored in one container ( A container is what ? a variable , So an array is also just a variable ) , now again since JavaScript is easy with datatypes it is not considered an error to store variables of different datatypeslet

for example :

myArray = [1 , 2, 4 , "Name"];

Objects in JavaScript

Objects play a significant role, especially in the world of OOP : object-oriented programming (which we'll talk about in another post). For now, let's focus on understanding what objects are and how they mirror real-world objects.

In our everyday world, objects possess characteristics or properties. Take a car, for instance; it boasts attributes like its color, speed rate, and make.

So, how do we represent a car in JavaScript? A regular variable won't quite cut it, and neither will an array. The answer lies in using an object.

const Car = { color: "red", speedRate: "200km", make: "Range Rover" };

In this example, we've encapsulated the car's properties within an object called Car. This structure is not only intuitive but also aligns with how real-world objects are conceptualized and represented in JavaScript.

Variable Scope

There are three variable scopes : global scope, local scope, and function scope. Let's break it down in plain terms.

Global Scope: Think of global scope as the wild west of variables. When you declare a variable here, it's like planting a flag that says, "I'm available everywhere in the code!" No need for any special enclosures or curly braces.

Local Scope: Picture local scope as a cozy room with its own rules. When you create a variable inside a pair of curly braces, like this:

//Not here { const Variable1 = true; //Variable1 can only be used here } //Neither here

Variable1 becomes a room-bound secret. You can't use it anywhere else in the code

Function Scope: When you declare a variable inside a function (don't worry, we'll cover functions soon), it's a member of an exclusive group. This means you can only name-drop it within that function. .

So, variable scope is all about where you place your variables and where they're allowed to be used.

Adding in user input

To capture user input in JavaScript, you can use various methods and techniques depending on the context, such as web forms, text fields, or command-line interfaces.We’ll only talk for now about HTML forms

HTML Forms:

You can create HTML forms using the &lt;;form> element and capture user input using various input elements like text fields, radio buttons, checkboxes, and more.

JavaScript can then be used to access and process the user's input.

Functions in JavaScript

Think of a function as a helpful individual with a specific task. Whenever you need that task performed in your code, you simply call upon this capable "person" to get the job done.

Declaring a Function: Declaring a function is straightforward. You define it like this:

function functionName() { // The code that defines what the function does goes here }

Then, when you need the function to carry out its task, you call it by name:

functionName();

Using Functions in HTML: Functions are often used in HTML to handle events. But what exactly is an event? It's when a user interacts with something on a web page, like clicking a button, following a link, or interacting with an image.

Event Handling: JavaScript helps us determine what should happen when a user interacts with elements on a webpage. Here's how you might use it:

HTML:

<button onclick="FunctionName()" id="btnEvent">Click me</button>

JavaScript:

function FunctionName() { var toHandle = document.getElementById("btnEvent"); // Once I've identified my button, I can specify how to handle the click event here }

In this example, when the user clicks the "Click me" button, the JavaScript function FunctionName() is called, and you can specify how to handle that event within the function.

Arrow functions : is a type of functions that was introduced in ES6, you can read more about it in the link below

If Statements

These simple constructs come into play in your code, no matter how advanced your projects become.

If Statements Demystified: Let's break it down. "If" is precisely what it sounds like: if something holds true, then do something. You define a condition within parentheses, and if that condition evaluates to true, the code enclosed in curly braces executes.

If statements are your go-to tool for handling various scenarios, including error management, addressing specific cases, and more.

Writing an If Statement:

if (Variable === "help") { console.log("Send help"); // The console.log() function outputs information to the console }

In this example, if the condition inside the parentheses (in this case, checking if the Variable is equal to "help") is true, the code within the curly braces gets executed.

Else and Else If Statements

Else: When the "if" condition is not met, the "else" part kicks in. It serves as a safety net, ensuring your program doesn't break and allowing you to specify what should happen in such cases.

Else If: Now, what if you need to check for a particular condition within a series of possibilities? That's where "else if" steps in. It allows you to examine and handle specific cases that require unique treatment.

Styling Elements with JavaScript

This is the beginner-friendly approach to changing the style of elements in JavaScript. It involves selecting an element using its ID or class, then making use of the .style.property method to set the desired styling property.

Example:

Let's say you have an HTML button with the ID "myButton," and you want to change its background color to red using JavaScript. Here's how you can do it:

HTML: <button id="myButton">Click me</button>

JavaScript:

// Select the button element by its ID const buttonElement = document.getElementById("myButton"); // Change the background color property buttonElement.style.backgroundColor = "red";

In this example, we first select the button element by its ID using document.getElementById("myButton"). Then, we use .style.backgroundColor to set the background color property of the button to "red." This straightforward approach allows you to dynamically change the style of HTML elements using JavaScript.

[evilbihan]

As someone who values philosophy and underlying themes of art, I find the duality of fire and ice interesting when applied to characters.

For instance fire is seen as a warm and protective element, but few care to look beyond the warm glow to see the hunger and cruelty of fire. I think this can apply well to characters who wield fire. They can be warm and kind on the surface, but underneath is rage and passion. This can definitely be seen in Kuai Liang. Everyone is drawn to the fire, but doesn't see the burning rage.

Naturally ice is very much the opposite of all this. Ice is frightening and cold. It looks like it doesn't care about anything beyond its cold judgment. Yet people who have almost died of the cold say it lulled them to sleep. It's the only element to take you sweetly in a way. Ice underneath has a deep beauty and kindness in it. With Bi-Han we see him as icy and snappish (heh cold snap), but we also see that his whole motivation is for his clan. Yet the writers don't let us see the kinder side that comes from that dedication and love. It's annoying how they have kept him so flat when ice is such a deep and philosophical thing. (I'm sure my bias is also showing I love ice and winter.)

This is so true and I couldn't have worded it any better myself! Fire is destructive. Fire provides warmth, but no one ever speaks of what it takes in return. Fire is selfish. It consumes. Get too close and it will burn you. Fire knows no mercy. All those things are, in one way or another, also applicable to Kuai Liang. His intention to protect the realm may seem noble, but his vengeful nature is destructive to both himself and those around him. Kuai Liang is selfish and merciless in his pursuit of vengeance.

Ice is indeed in many ways the kinder element. Don't we apply ice to burns and bruises for it to numb our pain? Is it not the ice that selflessly melts and waters the ground we live off? The cold only becomes a threat to those who venture into it too deep. As you already correctly said, Bi-Han cares about his clan and means to protect it. He is only a threat to those who interfere with that goal. His desire to give the Lin Kuei a better future is no less noble than Kuai Liang's, but few can recognize this because ice can seem unfriendly and terrifying, yet the cold shows mercy. And what is Bi-Han if not merciful?

Sub-Zero: Surrender and Shao will show mercy. Mileena: If you believe that, you're a fool.

Sub-Zero: Walk away while you can. Raiden: I'll never give up, never surrender.

Sub-Zero: We have no cause for dispute. Kitana: You aided Shao's attempt to steal the throne!

Some fail to see the beauty and kindness of ice the same way they fail to see the cruelty of fire.

Now, for your final point, I'm afraid I must disagree.

Yet the writers don't let us see the kinder side that comes from that dedication and love.

You are partially right with that statement, but I do think we get to see glimpses of Bi-Han's kindness, such as the examples I provided above (you can find more in this post as well as this one), people just tend to intentionally ignore them for some reason. Bi-Han asks both his brothers if they're unharmed, he expresses regret over Sindel's death, he seems reluctant to fight Kitana... Personally, I think he is a far more complex character than people give him credit for. Could the writing have been better? Absolutely. Is it the writers' fault that Bi-Han is misunderstood? Not entirely. I would mostly blame that on the fandom's media illiteracy.

(As a side note: Ironically, my favorite season is summer and I can handle heat better than I can handle the cold and yet the ice/winter themed character ended up being my favorite.)