#if that makes sense so I'd have to sort that out first

[thehigherseekerastro]

Random Astrology Observations (Alternative Meanings Love Edition) 2 🤨❤️🤔

DISCLAIMER: I am in no way, shape or form a professional astrologer, modern or traditional.

I HAVE been studying astrology for a while now, and analysing charts available to me, as well as my own, and noticed a lot of the info you find online doesn't make sense in real life, because it is too reductive, stereotypical or lacks broader context. So I thought I'd share some of my personal observations to see if it resonates with anyone.

This is NOT the end all, be all. Apply it as it makes sense to you.

**************************************************

The 1st House 🙋‍♂️

The 1H in synastry is a tricky one, because the first house itself is related to our individual identity. It is the house of self. So, when it comes to having a love planet here, things can get really murky. You'll often hear that it indicates instant attraction, but also only surface-level. While that is not entirely wrong, it would be a disservice to reduce it to just that. Yes, first house ties back to your physical appearance and external impact. But what does that mean for someone else being impacted and impacting that? Does it even apply in synastry? The answer is: YES. And it goes much deeper than you'd think. It will talk about an immediate recognition. It talks of being mesmerized by someone's look and demeanor, but that comes accompanied with an obsessive need to know more about you, to be around you, to soak up as much of you as possible, as if to aggressively learn you. And that's because you will tickle all the boxes the person had been holding inside (and vice-versa).

(e.g.: having someone's planet(s) fall into your 1st house doesn't just mean they will be attracted to you, if it's romantic. It also means the person feels like you two share a vibe, share interests, ideas. It means they feel like you move according to their speed, and therefore, that could lead to a lot of trust and comfort on their part, because you feel like a safe place. Not in the same sense as the 4H, but in a more "this person will have my back, cause we're the same!" kind of way. It makes the person feel like you are enough, because you fit them. So even if everyone else disagrees with them or doesn't understand them, they'll sort of look over at you, and if you validate them, that will be enough for them. They'd rather have your approval – since you are someone who gets them – than to have the approval of a bunch of people who don't understand where they are coming from.)

It truly is a beautiful thing, but even positive planets with positive aspects can lead to unwanted side-effects. The house person could come to resent the planet person because of how much they like them. Depending on who the house person is – if they have a dominant or prideful personality, for example – they may come to resent and even become angry with the planet person at times, because they'll feel so strongly for the planet person that they could start acting out of character for them, and that can make them feel like they're losing control of themselves. And as human beings, what do we do when we feel out of control? Shift blame and start looking for culprits. This DOES tend to wear off, though, exactly because of how intensely the house person feels for the planet person, but it can burn hot for a minute or two, specially if they end up getting into an ugly fight and the 1H person tries to forget the planet person, but they can't bring themselves to hate them. They'll get angry at the fact that no matter how hard they try to hate the person, they still feel enchanted by them.

(this could also create an unwanted feeling of "nobody else is like them", so the 1H could panic a bit at the thought of losing the planet person because 1H synastry creates the immediate feeling of the "perfect person for me", so imagine thinking you found the perfect person for you... it can make you feel like if you lose them you'll never recover, because no one else will be like them or able to replace them as perfectly)

All in all, though, first house Synastry tends to usually show up good results, depending on the planets and aspects involved. Another aspect of this synastry that doesn't get talked about for some reason is the fact that they tend to obsess over and notice the tiny details in each other. So it creates this effect of falling for them over and over and over again, cause they'll keep finding little things about the other person that they find enchanting, and THAT'S what creates the physical attraction. It's not that the planet or house person are conventionally attractive to everyone – they might not even fit the beauty standards –, but to the house person, those little details will sort of build up the planet person's beauty step by step, and by the time they catch on, they'll be enamored with every part of them, so, to the house person, the planet person truly is the most beautiful thing ever.

(1H house synastry also brings a 1st house energy to the attraction. NO - NOT ARIES. First house. But it will sound like arian qualities because Aries does rule the first house, after all. What this means is that a big part of the attraction for the 1H person is feeling like the planet person is independent, self-sufficient, confident, self-assured and capable. Because it's taping into their 1st house of self, the house person can sort of see the best of themselves reflected on the planet person, which means they feel like all the things they are insecure to show the world, the planet person has and is not afraid to show them. So they feel like planet person not only embodies their attraction ideal, but also the ideal personality they wish they had themselves. Which they do, but they don't realize it until planet person comes along and brings it out of them.)

First house Synastry is a complex kind of Synastry that is much more psychological than it's given credit for. People often focus on superficial physical attraction and gloss over the fact that it's like somebody is literally stepping into your mind and making your inner fantasies come out. It can feel very vulnerable and intense.

The 7th House 💍

Oh, isn't this one a gem?! Perhaps one of the most sought after in synastry. But the idea here is to provide an alternative perspective, so here goes: if it's badly aspected, or there's other challenging factors involved (the person falling into your 7H is problematic themselves), you're gonna run into the issues people often attribute to 1st house synastry, such as superficiality and a "false love" because 7H Synastry, regardless if it's good or bad, creates somebody who's "perfect on paper". They say the right things, they do the right things, they seem to fit into your whole ideals. But that does not guarantee that that's who they truly are. That's just who you think they are. Remember – the 7H is the house of "other". So it's not about you. It's about the other. But it's rather how you act around said other, and also how you perceive them.

(It's tough to say this, but you gotta be real to help some people out there who might have had 7H Synastry and didn't understand why the relationship failed, since everyone online claims it's a guaranteed soulmate. It's because Synastry goes both ways. And all houses have good and bad. There is no such thing as the perfect Synastry. But in the case of the 7H, I'd say it's the real life case of "if it's good, then it will be amazing. Truly a soulmate. But if it's bad... it will be awful. Just not immediately.)

Going off of the previous comment, another grim way this Synastry can turn out is in its binding effect. And I don't mean anything spiritual or abstract here. I mean literally binding. Imagine a relationship going sideways like that AND you are also now married or share a business together. MESS! This is the house of contracts and long-term. Remember Saturn exalts in Libra, because Libra likes things that last, and Saturn is the planet of long-term, so the house of Libra will sprinkle that lasting effect over whatever it touches. And if you're in a 7H relationship, that relationship will last with you, whether good or bad. It will take A WHILE to break off from it, either mentally, emotionally, psychologically, legally or financially.

(e.g. somebody has their moon in your 7H, but it's a moon at fall, in Scorpio, and it's afflicted in their natal chart. Now, at the beginning they will seem like a gift from God directly to you, so much so that you decide to make it official... And then, one or two years in, living together, each day it gets more toxic and draining and the dark sides just oozes out of your relationship. But now you are legally married, and divorcing will take time, bureaucracy, money and emotional energy, not to mention you'll have to uproot your entire life, explain it to your social circles and families... And what seemed like your dream come true was in fact a bitter lesson to learn).

To veer away from the dark twists of the last ones, let's dissect the correlations people make with the 7th house, like "oh, your spouse will be interested in art, and beauty, and music, and sophisticated things!" Why? Are you marrying a Libra? A Libra rising? Somebody with a Libra Venus? No? Then that has nothing to do with 7H Synastry. Houses are not signs, signs are not houses. Libra is one thing, the 7H is another. Venus rules Libra, which resides in the 7H, but Venus doesn't rule the 7H. It merely influences the 7H. It would be a better guess to say you might have met your person while they (or you) were already in a relationship than it is to say you met because of beauty-related things, or art, or music, since the 7H doesn't talk of any of those things, but it DOES talk of committed relationships.

(e.g. you might have met the person right after they (or you) got divorced. They might be connected to an ex of yours. Or another possibility that isn't talked about is how the person you eventually end up with is someone you have liked for a long time, but never got the chance to be with until now. Since this is the house of long-term relationships, having placements here could indicate that the person you ultimately stay with long-term is someone you already knew prior to getting together, but you needed to experience other relationships before you united with them.)

Another final aspect of placements in this house is the fact that it doesn't just deal with your love relationships, but also the way you consciously present yourself with others. How you behave socially. But also the mirror effect of this house, speaking directly about love. This is, after all, the house directly opposing the 1st house of self. In that regard, this is similar to 1H synastry, with the exception that in this one, instead of you coming out of your shell subconsciously, you make a conscious effort to become your best for your person here. You want to live up to all of your potential.

The 2nd House 💆‍♂️

This one is a bit tricky for me, because I'm not materialistic AT ALL. I have a Taurus Lilith in the 2nd house, so, I express it on the other end of the spectrum. When you have that placement, you either put too much value on money and material things, or you are completely unattached from it, and that's me. So the whole "money this, money that!" vibe is not my scene. I don't see a price in life, I see value. With that said, let's get this going.

Yes, this is the house of money and material things. Yes, it will deal with your personal finances. But no, unless other parts of your chart/Synastry agree with it, somebody's placements falling here should not have a lasting effect. It might merely indicate you overspending on dates and gifts. The 2H is the house of YOUR money, which means that the whole "oh, they're gonna shower you in gifts!", "And this is a sugar baby aspect!", "Your person will want to spend all their money on you and buy you expensive things!" is probably not gonna happen, sorry. If it does, it will be you spending your money.

(And if you do spend your money, the whole "gifts" thing is also not that common, because normal people don't just go around buying gifts for others every other day of the week, unless they have some sort of imbalance. Such a consumerist mindset! Not everything is about paying for things or buying things. That's a VERY American culture of dating, specially for women. This nasty idea that a man has to buy you or he's not good. Which is what encourages habits like thinking the man always has to be covering your finances (how old are you, 5? Get a job and pay for your own damn self! You are an adult woman), paying for your food, buying you a house, giving you gifts all the time and affording expensive dates. You are not a product. If your biggest incentive to be with a man is because of how much he pays for you, then that's the world's oldest profession, not a relationship of love. So this should play out more like them helping you manage your own finances. Don't go around thinking a 2H love placement is gonna turn you into Cinderella.)

If you do happen to be a stay-at-home person in your relationship, which is valid, as long as it's not all about money, 2H love placements and synastry will talk more about other material aspects of things. It will talk of stability, sustainability, longevity and security.

(e.g.: it could mean that you allocate your resources towards creating a safe, stable environment for your life together to flourish, such as buying things for your home together, revising your finances to make life goals and plans together more viable, setting budgets to achieve milestones together... as well as the literal physical aspects of valuables, so using your resources towards nourishment (food, shelter, clothing and health). Things that will ensure your relationship lasts and endures through hardships and tribulations. In the 2H of values, Synastry could indicate the relationship itself becoming your prized possession that you take care of. All the Earth houses are about caring for things, just in different ways.)

Another poorly explored aspect of the 2H is values in the moral, spiritual and emotional sense. It's WORTH. Both the causes you find worthy as well as your self-worth. A 2H love placement or Synastry can and will directly affect that. Even if you do happen to be dealing with financial/material things too, that can affect your self-worth directly.

(e.g.: say you are married to someone who is constantly in debt, or say your spouse is the breadwinner of the household and you depend on them financially. That can really take a toll on your self-worth. It can bring feelings of poor self-esteem, can you make you feel undervalued, inadequate, make you feel like a burden, or make you feel incapable of caring for yourself. It can strike your self-confidence and make you VALUE yourself less. Or the opposite. Your spouse may open you up to new possibilities of making money, which in turn gets you into a new passion project that you succeed in and that can make you feel like a worthy person, make you believe in yourself, make you feel important and valuable.)

I would argue that most often, it's the 8H Synastry that will really have your partner's materials affecting you, because the 2H is the house of your PERSONAL gains, while the 8H is the house of OTHERS' gains and possessions. Most often, the biggest impact I'd say 2H love placements have will be dealing with self-worth, self-confidence, shared values and morals, feelings of belonging and acceptance.

General Things ✨

What I see most often is that positive and negative outcomes tend to happen simultaneously. It's not all doom and gloom, but it's also not all sunshine and rainbows all the time. Sometimes it's great, sometimes it's not so great, and those ups and downs come and go. That's just life. Both are there to be worked with, worked for, or worked through. At the end of the day, astrology will not mandate your life events, and you have to always be learning from your life, and working on yourself and the things that matter to you. Astrology is just a guiding light to identify possible themes to be mindful of.

**************************************************

That's it! Thank you if you've read it this far! I might have come off a bit harsh (I hope I haven't), but I promise I'm nice lol.

My whole goal is to try to discuss astrology in as realistically as possible, but while making it clear that any possible outcome is plausible. If most times all you hear are fantastic stereotypical descriptions of placements, such as 7H, the not so great ways in which it can play out will be explored here to help people navigate them. If all you hear are bad things about a house, then I'll try to show the positive ways in which it can come out.

The whole point is to try to bring a wide range of notions to these descriptions, together with the information that is already out there and available by many other creators.

At the end of the day, remember this is all POSSIBILITIES. Your personal life has to be analysed to know what's gonna ensue. And don't be discouraged, because the truth is that positive and negative effects tend to happen together for your best.

Hope you have a good day when you find this!

MASTERLIST

[felassan]

EuroGamer: 'BioWare knew the deepest secrets of Dragon Age lore 20 years ago, and locked it away in an uber-plot doc'

Original creator David Gaider on how "some of the big mysteries are being solved".

Rest of post under a cut due to length and possible spoilers.

"As I write about the secrets hidden in Dragon Age's mysterious Fade, and as I uncover some of them playing Dragon Age: The Veilguard, one question keeps rising up in my mind. How much did BioWare know about future events when first developing the series more than 20 years ago? That's a long time, and back then BioWare didn't know there would be a second game, which is why Dragon Age: Origins has an elaborate and far-reaching epilogue. Why lay so much lore-track ahead of yourself if you don't think you'll ever get there? But look more closely at Origins and there are big clues suggesting BioWare did know about future Dragon Age events. There are obvious signs in the original game, such as establishing recurring themes like Old Gods and the Blight and Archdemons. But there's also Flemeth, Morrigan's witchy mother, who's intimately linked to events in the series now - more specifically: intimately linked to Solas. Does her existence mean Solas was known about back then too? There's only one person I can think of to answer this and it's David Gaider, the original creator of Dragon Age's world and lore. We've talked before, once in a podcast and once for a piece on the magic of fantasy maps, where we discussed the creation of Dragon Age's world. And much to my surprise, when I ask him what he and the BioWare team knew back then, he says they knew it all. "By the time we released Dragon Age: Origins, we were basically sure that it was one and done, but there was, back when we made the world, an overarching plan," he says. "The way I created the world was to seed plots in various parts of the world that could be part of a game, a single game, and then there was the overall uber-plot, which I didn't know for certain that we would ever get to but I had an understanding of how it all worked together. "A lot of that was in my head until we were starting Inquisition and the writers got a little bit impatient with my memory or lack thereof, so they pinned me down and dragged the uber-plot out of me. I'd talked about it, I'd hinted at it, but never really spelled out how it all connected, so they dragged it out of me, we put it into a master lore doc, the secret lore, which we had to hide from most of the team.""

"This uber-plot document was only viewable on a need-to-know basis, he says, and only around 20 people on the team had access to it - other senior writers mostly. And even though Gaider left the Dragon Age team after Inquisition, and then eight years ago BioWare altogether, meaning he didn't work on The Veilguard at all, he believes - by looking at the events in the new game - his uber-plot lore "has more or less held up". That's impressive. What's even more impressive, or exciting, is that back then he also envisaged a potential end state for the entire Dragon Age series - a point at which it would make no sense for the series to carry on. "I always had this dream of where it would all end, the very last plot," he says, "which I won't say because who knows, we could still end up there. But the idea that this uber-plot was this sort of biggest, finite... That the final thing you could do in this world that would break it was there as a 'maybe we would get to do that one day'... There was just the idea of certain big, world-shaking things that were seeded in that arc, some of which have already come to pass, like the return of Fen'Harel." You've read that correctly: the idea to have Fen'Harel, also known as the Dread Wolf, reappear, was seeded all the way back then, way before Inquisition - the game in which he does actually reappear. But the concept for Solas, as a character who was Fen'Harel in disguise, was a newer idea. "That spawned from a conversation I had with Patrick [Weekes] and a number of other writers," Gaider says, "as an idea of 'what if you had a villain that spent an entire game where he's actually in the party and you get to know him?' Now, the god version and his larger role in the plot, yes that was known, but not that he would be presented as a character named Solas." Fen'Harel being known about means the other elven gods were known about, which means all of that stuff Solas reveals about his godly siblings - that they're not gods at all but evil elven mages he locked away behind the Veil - was known about back then too. "Oh yeah," Gaider says. "Everything that Solas tells you [at the end of Inquisition DLC, Trespasser]: it's all part of that original uber-lore - that was all in our mind." But why have so much lore if you're not certain you'll get to ever realise it? Well, to create a believable illusion. By creating an "excess" of lore, as Gaider describes it, Origins made Thedas feel like an old and believable place. A place with history, rather than a Western set that was all facade and no substance."

"BioWare also did something canny with the lore it did relay then, too: it shared it through the voices of characters living in the world, making it inherently fallible. In doing this, Dragon Age veiled its truths behind biases. The church-like organisation of the Chantry proclaims one truth, while the elves and dwarves proclaim another. Sidenote: you can experience this yourself through different racial origin stories in Dragon Age: Origins. This way, there's no one, objective, irrefutable, truth. "To get the truth, you kind of have to pick between the lines," Gaider says. So even though elven legends are coming true through the existence of Solas and The Veilguard's antagonist gods, it doesn't mean that's the one and only truth. There's truth in what the Chantry teaches and what the dwarves say, he tells me, which ignites my curiosity intensely. BioWare has also been tricksy in how it's rubbed out the lore the further back in time you go. "In general, the further the history goes back, we always would purposefully obfuscate it more and more," Gaider says - "make it more biased and more untrue no matter who was talking, just so that the absolute truth was rarely knowable. I like that idea from a world standpoint, that the player always has to wonder and bring their own beliefs to it." It leads into a founding principle of Dragon Age, which is doubt - because without it, you can't have faith, a particularly important concept in the series. It's where the whole idea of the Chantry's Maker comes from and with it, the legend about the fabled Golden City - now the Black City - at the heart of the Fade. This is the very centre of the lore web, and, I imagine, it's close to the series endpoint Gaider imagined long ago. All secrets end there. Did Gaider know what was in the Black City when he laid down Origins' lore? That's the question - and it startles me how casually he answers this. "Oh, yeah," he says. "What was in the Black City: that's the uber-plot. I knew exactly. "Was it as detailed in the first draft of the world?" he goes on. "No. I had an idea of the early history because that's where I started making the world. So the things that were true early-early: I knew exactly what the Black City was and the idea of what the elves believed, and what humans believed vis-a-vis the Chantry - that was all settled on really early. Then I expanded the world and the uber-plot bubbled out of that.""

"Gaider shows me the original cosmology design document for Dragon Age: Origins as if to prove this - or rather for the game that would become DAO. The world was known as Peldea back then. I can't share this with you because I see it via a shared screen on a video call, and because Gaider doesn't want me to, mostly because the ideas are so old they're almost unrecognisable from what's in the series now. But I can tell you it's a document that's just over a page in length, and that there's a circular diagram at the top showing the world in the middle and the spirit realm ringed around it. And on that document is reference to the Chantry's beliefs about a God located in a citadel that can be found there. Gaider says BioWare knew about Fen'Harel (the Dread Wolf) 20 years ago when it was developing Dragon Age: Origins, and that he'd one day reappear. The Fade wasn't known as the Fade back then, either, but as the Dreaming, because it's the place people go when they dream - an idea that lives on still. And if that sounds familiar to any fans of The Sandman among you, it should. "I'd say The Sandman series was probably fairly prominently in my head," says Gaider. "I liked that amorphous geography that was born from the psyche of collective humanity. I'd say yes, if I was to point at something specifically, that's probably where the very first inspiration of it took root." It's a lot to take in, but it reinforces the admiration I have for Dragon Age. Just as I have when hearing about the creation of my other favourite fantasy worlds, such as A Song of Ice and Fire, I begin to understand the magnitude - and the deliberateness - of the plotting that went on. I wonder if one day the Dragon Age series will end in the way Gaider first imagined, albeit slightly altered by the many other pairs of hands shepherding it along now. What a curious feeling it must be to know, so many years in advance, where things might go. Where that end is, I don't know, but I do know we'll take a significant step towards it in The Veilguard. After all, we're coming into contact with gods who were there at the recorded beginning of it all. "Yeah - we have access to people who can tell us the truth from first-hand experience," Gaider says, "although again, it depends on what the writers did with it. But if they continued the tradition of Dragon Age, you never know for sure if Solas is telling you everything, or what you're learning is the entire truth. "But yes, some of the big mysteries are being solved. I mean, will they one day definitively tell you about the Maker? Will we crack the big mysteries of the world and just make them answered finally? And does that ruin one of the central precepts that Dragon Age is founded upon? Maybe," he says. "Ultimately, that lore, when you make it big and you hint at it and hint at it and hint at it, it becomes a Chekhov's Gun of sorts. Eventually you got to pony up.""

[source]

[bragganhyl]

Thinking about it (the healing packs scene) and also about that (the mental pazaak scene)

[queenlucythevaliant]

I've listened to TTPD three times now, twice alone and once at a listening breakfast with friends! Thoughts:

I liked quite a lot of it, but I'm not immediately blown away.

Current favorite is "The Bolter," followed by "But Daddy I Love Him," "The Prophecy," and "Florida!!!" in no particular order.

I loved the breadth of feelings that the album addresses. You really get a sense of a whole emotional landscape.

It's in strong and compelling conversation with Taylor's whole body of work without being too excessively self-referential. "thanK you aIMee" is the notable exception.

A lot of the songs are overwritten: she uses $20 words in place of $2 words, repeats herself, and dulls the power of what works by surrounding it with a lot that doesn't. If we go by Coleridge's definition that poetry is the best words in their best order, then yeah. She definitely needs an editor.

However, none of the lyrics that people seem to be highlighting as "cringey" bother me at all. I've always loved Taylor's proclivity for small details, even strange or out-of-place ones.

I would really love to gently help Taylor out with her literary allusions. They're a long-standing struggle for her, and even going in I was a little worried for that aspect of the album based on the marketing. Could've been worse, but most of them could still stand to be a whole lot sharper.

The songs tend towards very consistent production and tempo. Whether you want to call that cohesiveness or homogeneity is a matter of opinion.

My great, secret wish for this album was that it would feature a bunch of orchestra/strings, which would've meshed great with the dark academia vibe. Clearly, I didn't get it. Oh well

[alren-ki]

.

[isekyaaa]

wld love to hear ur thoughts abt ur last post on true selves - @milkstore

It's really simple tbh? Basically people have this assumption that if they've never opened up to you, you can't ever know their "true face." They assume that the face that they show to the world is heavily divorced from their true self. Sure doesn't help when they act differently around different people, blah blah blah. To them, their masks are lies and their heart is truth. To be honest, I'm not sure I understand why these people think this way. Are not the different faces a person wears just different facets of their personality?

Regardless, I think because people operate under the assumption that the masks they show to the world aren't their true self, they assume they can't ever be known without their consent. It's a really ridiculous assumption tbh. It'd take a lot of conscious planning and decisions to truly create a persona that is completely unlike yourself. Like you'd literally have to be insane to do that.

In reality, people do not think much before making majority of their day to day decisions. Must you play a mental chess match to decide whether or not to greet your coworkers? Do you make conscious decisions to purchase food you dislike so nobody will know what you actually like? Do you have to physically and consciously move the muscles in your face to form a smile or a frown for every interaction? If these things do not take much conscious thought, then are you not acting true to your "true self?"

Then think about the things you consciously do or don't do. If someone disagrees with you but you don't argue back, does that not say something? If you tell jokes at work to get people to laugh, does that not reveal things? Even if these actions are not a part of your "true self," does not the fact you simply did them tell something about you?

This is just talking about actions. This doesn't even go into reactions. People assume that they are the best actors and can fool the world, but they are just fooling themselves. Initial reactions are hard to hide. True happiness and excitement is hard to fake. Feigned interest is quite easy to see. Stress, anger, and hurt are hard to gloss over. Are not emotions and the reasons for them very revealing for true selves?

And kinda going into my other post, you work from there. [Observation + observation] = intuitive observation. [Intuitive observation + intuitive observation] = mid-tier observation. Etc.

In my personal opinion, while intuitive observations are where the meat of everything is, that doesn't make simple observations less... intimate. For example, you observe a person doesn't eat many vegetables. You can rightfully assume they don't like vegetables. The very fact you noticed this means that you were paying attention to them. You know something about their true self.

[shadowtraveled]

"mithrun is the only real monsterfucker in dungeon meshi" is objectively the funniest bit you can get out of his everything, but in all seriousness i think his attraction to his love interest is deliberately overstated—and that makes sense, because romantic jealousy is a classic and digestible motive, which is explicitly what kabru was aiming for in condensing mithrun's backstory, and also because until chapter 94, mithrun wasn't willing to admit to the true nature of his desires.

but because romantic envy is both classic and digestible, it probably isn’t a unique enough or complicated enough desire to tempt a demon’s appetite. mithrun’s wish, as far as we can figure from kabru’s reduced retelling, was to have a life in which he had never become one of the canaries, and that carries like 3857 implications and desires within it. that’s delicious. his love interest acts as sort of a red herring to his motivation for making it, though. (side note: i'm saying "love interest" here because, keeping in mind that i barely speak japanese on a good day anymore, "想い人" is something i'd usually take as just kind of an old-fashioned and romantic way to refer to a lover, but in context i wonder if both the connotation of yearning and the vagueness are intentional, and i think this phrasing gets those aspects of it more effectively. anyway.)

mithrun considered his love interest to be untrustworthy. there was a minute where i thought that comment might be about a similar-looking elf (yugin, one of his squad members), but comparing the two…

the "sketchy" arrow is definitely referring to the elf we know as his love interest—the bangs go toward her right, she only has the one forehead ornament, and, most notably, her ears aren't notched.

every time she’s given a full-body depiction in his dungeon, she’s drawn as a chimera, with the body of a snake from the waist down. (side note: the “what if a dungeon has chimeras before reaching level 4?”/“then the dungeon lord is unstable” exchange just being mithrun grilling his past self alive is so funny. he’s so. but anyway) there are a couple things about this.

first, the snake part of the chimera appears to be modeled after some species of coral snake mimic

which, in the biology-for-fun manga, i… doubt is a coincidence, especially with the added context of the “untrustworthy” comment. the dungeon’s conjured illusion of mithrun’s love interest was a harmless copycat of a venomous original. for whatever reason, he felt this person was a threat and made up a "safe" version of her to be in a relationship with, and while it’s definitely possible to be attracted to or even love someone you find to be toxic and/or intimidating, when you take that into consideration alongside the configuration of her body, you get some interesting implications.

which brings us to our second point: if we assume that mithrun was not in fact fucking a snake, then sexual attraction, at least, was so far removed from his idea of a relationship with this person that he did not even bother to keep her dungeon copy human enough to maintain the illusion of the option of a sexual relationship. this is somewhat echoed in the depictions of their interactions, which also imply a frankly unexpected romantic distance. she kisses his cheek and he doesn't seem to react; she's at the edge of a narrow bed with only one set of pillows, on top of his blankets while he's underneath them.

the kiss is particularly interesting because it seems to contrast the text. kabru's narration tells us this was everything mithrun could have asked for, but mithrun is there looking unreadable to pensive, likely because this is right before the panel that makes it clear things in the dungeon are beginning to go wrong.

walking through this backwards for a minute, we have the physical barrier of his bedding and the spatial separation inherent in a bed made for one person, the emotional barrier of his mounting anxiety getting in the way of his ability to enjoy the affection he sought, and... the snake, which historically carries the connotation of temptation, yes, but also mistrust, barring physical intimacy. okay. ok. if a dungeon reflects the mentality of its lord, all of this might suggest that mithrun was not able to have any real desire for a relationship with this person. his unwillingness to be vulnerable or let another person in was insurmountable. but in that case, why was she such a focal point that she remained to the end, after his dungeon had stopped creating iterations of his friends to come and visit him? why would he get so upset over her meeting with his brother that he became lord of a dungeon about it?

well. mithrun's brother was also interested in her, probably genuinely. and mithrun had to win.

you have an older brother who your parents completely ignore, probably in part because he is chronically ill/disabled and almost definitely in part because he received a ton of recessive traits that resulted in rumors that he was an illegitimate child. you are aware, most likely because those same parents fucking told you, that you actually are an illegitimate child. but they keep you around because you had the good fortune of looking just like your mother. what can that possibly teach you but that you, like your brother, are disposable?

it's utterly unsurprising that mithrun, under these circumstances, developed a pathological need to be better than everyone around him. people don't keep you otherwise. i'd argue this is also why he says he looked down on everyone he knew while milsiril claims his dungeon reeked of feelings of inferiority—he sought out people's worst traits and prioritized them in his mind to protect his already extremely fragile sense of self-worth, and all the while he tried to be as likable and high-performing as he possibly could be. his parents disposed of him anyway, but even then he tried to keep up the performance. he was kind to everyone. he never once lost to a dungeon.

when he saw his "love interest" meeting up with his brother, what he saw was himself being replaced by a person his parents had always treated as worthless, and if that was what they thought of the child they'd kept, what value could anyone possibly see in the bastard they'd given away to die? mithrun and kabru tell the story like he wanted to win this unnamed elf's heart, but it was never about being with her. it was about cementing his worth, proving that he didn't deserve to be thrown away.

and so it's particularly cruel that his demon discarded him, too. but maybe it's also particularly gentle that, in the end, there was someone who refused to even consider giving up on him.

kui laid it out in three panels better than i could hope to.

yeah. it's love. you wanted to be loved, even when the only way you were able to understand it was through the desire to be wanted, and you wanted that so badly that the idea of being consumed felt like the promise of finally mattering to someone.

[the-cimmerians]

It's 2024. I have been participating in fandom for 40 years. This is a ramble commemorating some history I've experienced along the way.

In 1984, I attended my first convention, and made a beeline for the one long row of covered tables in the Dealer's Room that was, according to the whispered lore of my friends, 'the one'. "um", I said, very suavely and coherently, except for how it was totally the opposite of those things, "I'm here for the... for the, uh. For-"

"Come around here," the man behind the table said with exhausted ennui, so I went around, and he lifted up the table skirt next to him and pointed to rows and rows of boxes underneath the line of tables. "It's all under here."

It was all under there. Along with about five older ladies with glasses, graying hair, cardigans. Flipping through slash zines and chatting in whispered voices like old friends (which of course they were). I noticed one of them had the good sense to be wearing kneepads. I was still too young and ablebodied to need kneepads when crawling on a carpeted floor, but I immediately found her preparedness skills to be both impressive and hot. "You're new," one of the ladies whispered to me--a bit warily, which made sense. "Are you sure you're in the right place?"

In the faint light (the kneepads lady had also come prepared with a flashlight, additional practicality hotness points for her) I grabbed a comb-bound book with a heavy line art piece on the cover, featuring a musclebound Captain Kirk getting righteously and enthusiastically plowed by a stern-yet-ebullient Spock. "This," I said, pointing helpfully at the cover, like I was trying to make myself understood in a language I had only the vaguest knowledge of. "I'm here for this."

Outside at the convention, most of the attendees were wearing large homemade circular pins that shrieked 'K/S is BS!!!'1. But underneath the table, we reveled in the forbidden.

***

In 1985, I fell very hard for Starsky & Hutch fandom. Which was simply referred to at the time as 'the other fandom', because there were only two. We were upstarts. Many fannish elders predicted that it was just a phase.

***

The 'circulating library' was a massive stack of barely-legible pages that smelled strongly of mimeograph ink. When you were on the list, you would write stories while you waited for your turn, and when the big box was mailed to you, you would read everything (new finds, old favorites), add your own sloppily-typed or hastily-mimeographed stories, and then mail the whole thing to the next person. For me, at the time, it was an extremely expensive indulgence--but my favorite one.

***

By 1990, slash fandom had grown enough that I no longer knew everyone in it, which was both thrilling and a bit daunting. A young woman at a convention waited for me after a panel I was part of (I think it was 'writing impactful smut' or something like that), and said she had a question she didn't want to ask in a group setting. I'd heard that before. I said that's fine, go ahead and ask; and she came out with: "Why do you have to be gay?"

I blinked. "Is... that a problem?"

She looked annoyed. "Yes, because your stories are on all the recommendation lists and in all the top zines, but if you're gay and I read something you wrote and I get hot from it that makes me gay, and I'm not gay."

"Wow." I grinned, I couldn't help it. It probably made me look very predatory-dyke-about-to-score-a-toaster. Whatever, it was enough to make her back away from me fast.

When I thought about it later that night, I wondered what it would be like not to be the only queer person in slash fandom.

***

By 1997, slash started appearing on the internet. Many fannish elders claimed it was the death knell of slash fandom, or dismissed it as 'just a phase'.

***

Anyway, I wrote all this for myself as a commemoration of sorts, but if you took the time to read it--thank you. Love you, fandom. I always will.

1 In those days, m/m fandom was known as 'slash', which grew from the fannish shorthand where 'K&S' meant a story of Kirk and Spock having adventures or tribulations or what have you, and 'K/S' meant a story of Kirk and Spock getting it on (Kirk divided by Spock or Spock into Kirk--it was mathy fannish humor and I was into it then and I still am now). Slash was decidedly unpopular in the fannish world in 1984, and there was a concerted effort to force slash authors, artists, and fans out of 'mainstream' fannish public life. Hence, under the table.

[ridleymocki]

(seeing so many bad faith interpretations of the argument, y'all are really going to make me do this, okay HERE WE GO)

.................................

What Ed says: "I think last night was a mistake. I'm not ready for... Whatever this is."

What Ed means: "I didn't want last night to happen so soon or under those circumstances. Things are changing rapidly, which makes me feel out of control and scared."

What Stede hears: "I regret sleeping with you. I don't want the sort of relationship that you're after."

.................................

What Stede says: "It was a fine fish. It was... whatever. I was just trying to make you feel good!"

What Stede means: "I only cared about the fish because you cared about it, and I care about you. I liked the fish because it made you happy. Ordinarily, I'm ambivalent about fish."

What Ed hears: "I lied to you. I didn't care about your achievement I was just placating you to get what I wanted."

.................................

What Ed says: "Here's the news: I'm leaving. I got a job on a little fishing boat and I'm leaving. I'm a fisherman now."

What Ed means: "I think I need to be away from you to figure out who I am, because I haven't been able to do that while we're together, and your lifestyle now is the life I'm trying to leave behind."

What Stede hears: "I've made a decision to leave you and have a life without you. I don't value what we have enough to work with you to find a solution, I'd prefer to end it."

.................................

What Stede says: "Oh, Ed. Seriously? You're not a fisherman."

What Stede means: "I think you're using this plan to escape and avoid your problems. It sounds like you're pretending to be someone else. It seems to me like an impulsive decision and I am concerned."

What Ed hears: "I don't support this ambition. I think you're incapable. I don't think you can be different from what you have always been."

.................................

This is the kind of analysis done in therapeutic environments. When I put what they mean, it's not just a rephrasing but a boiling down to the core issue. I could go on to the rest of the dialogue but do you see the continuing ship-in-the-night miscommunication?? It's tripartite:

failing to express one's current emotional reality with the most accurate and clear language, often because that reality is not fully understood to oneself,

misinterpreting the other's language, due to preexisting sensitivities and defensiveness about one's own understanding of the situation,

increasing frustration and sense of personal attack that results from those misinterpretations, which perpetuates and worsens the poor communication.

Importantly, this kind of pattern means you miss the best and most important kernels of communication in an exchange because you're reacting to the more inflammatory parts.

Stede: "This can be whatever we want it to be." (I am willing to make changes to our arrangement so that you're happy). Ed: "I don't even know who I am! Alright? I know I don't want to be a pirate. And you, you're blowing up, you're the toast of the town." (I think we want different things. You're just starting a journey that I've already finished).

With those two bits alone they could've sorted this out. The first is the answer to the second. But they didn't -- couldn't -- latch onto it because all their other baggage was getting in the way.

And I'm being proven correct that this is what is happening, because I have seen next to nothing on here about the above two lines, only reactionary takes of fans also focusing on the inflammatory parts because of their predispositions. You're doing an encore performance of what they're doing.

Point being, there are no bad guys in this scene, just repeated system failure!

[awearywritersworld]

there can be no covenants between men and lions

ryomen sukuna x reader summary: sukuna would rather contemplate your murder than come to terms with his feelings for you, but you call him out on his bullshit. w/c: 3k tags/warnings: enemies to lovers. angst to fluff. aged up!yuuji. heavy kissing. features yuuji x reader and he is, of course, best boy. cursing. sukuna decides he wants to kill you (so obviously there are mentions of murder and such) but cant even stand the sight of you upset, what a goof. i'd once again like to think sukuna's not too ooc in this but im still more than likely delusional. not canon compliant. fem!reader. no use of y/n. no manga spoilers. a/n: i was so touched by all of the love that part one received, i wanted to try my hand at part two. i hope i've done it justice! just as part one references homer's the odyssey, this references homer's the illiad because sukuna is very hot and well read. achilles, the protagonist of the novel, is discussed. i'm definitely open to writing a part three, because this one is much heavier on the angst and i miss soft sukuna from part one. series masterlist // masterlist

you and yuuji rarely argue, but when you do, it's often over his aversion toward seriousness, even when a situation calls for it. though you really should have kept your mouth shut, because in this moment, you'd give anything to see his typical carefree expression.

his eyes are regarding you intently, taking in your flustered appearance with knitted brows.

"yuuji..." you trail off, wracking your brain for an explanation of your current predicament.

despite the fact he regained control of his body only moments ago, one of his hands is curled around the back of your neck, while the other is resting on your hip.

"baby, what happened?" he presses, the tone of his voice entirely unreadable.

"s-sukuna," is all you can manage to choke out.

his eyes darken immediately, his jaw tensing in a way that intimidates you. "he hurt you."

you really can't tell if it's a question or a statement, and your response comes a little too quickly. "no! that's not... no."

the next few seconds tick by in a slow sort of agony, heat creeping up your cheeks.

he notices for the first time that his head is eerily quiet. no snide remarks, no scathing commentary. just his own thoughts as he pieces together the situation.

his gaze drops to the angry, red marks littering your neck and you watch in helpless horror as understanding passes his features.

"oh."

the word hangs in the air as you await his reaction, fully anticipating disgust and betrayal. you're positive it's only a matter of time before he throws you out of the apartment and tells you to never come back.

what you don't expect, however, is the way his shoulders relax as the tension leaves his face.

he straightens himself, arms falling to his sides, but he doesn't put any distance between your bodies.

"how long have you...?" he's not quite sure how to phrase the question.

"a few months. this was the first time anything... um... happened. we usually just talk."

he tilts his head to the side, so you clarify. "after you've fallen asleep."

mulling over the information, he hums in response, looking thoughtful for a few more seconds. then, his usual demeanor is back and he grabs your hand. "wanna get dinner? i'm starving!"

he tugs you a few feet toward the door before you come to your senses. "woah, woah. wait a second, yu."

when he looks back at you expectantly, you find that his face holds not one hint of bitterness or judgement. "aren't you angry?"

you're amazed to find that he's the one looking sheepish.

"how could i be? it's not exactly easy to be with me when i have a thousand year old curse rattling around in my body, but you stay anyway," he expresses, making your heart soften. "i just want you to be safe, so i'll take whatever relationship the two of have now over him being a threat to you."

as your hands reach up to cradle his face and your eyes sparkle with adoration, you briefly wonder how you ever found such a sweet man. he places a quick kiss to your lips, the smile on his face easy going as ever. "sooooo, i'm thinking takoyaki or maybe udon—"

"we can get whatever you want," you glance at the spatters of blood across his chest left there from the mission, no doubt from sukuna's careless slaughter. "as long as you go wash up first."

"right!" he agrees quickly, bounding off to the bathroom.

you stand alone in the middle of your living room, left with the ghost of both yuuji and sukuna's lips against yours and a sense of bewildered excitement.

back in his prison, however, sukuna is furious with himself. he should have let you die that day he kept you from being run over. better yet, he should have killed you with his own hands before the brat won back control of his body.

he is a terrible being that delights in carnage, a fact that's well known even centuries later. so why, when he could have done anything in the world, did he go to you? you even asked that same question before you—

he rejects the memory of you pressing your lips to his disdainfully.

your foolishness and your naivete are revolting. your softness and your pliancy are nauseating.

he shouldn't have been anywhere near you, if not to rip your obnoxious heart from your chest like he'd always planned. it was a situation he'd dreamt about and now it's slipped through his fingers, even though those same fingers had graced your fragile little neck.

you were nothing more than a clueless mouse in the jaws of a snake, and though the pains of hunger have been tearing at its stomach for years now, the serpent let itself starve.

sukuna retreats to his domain, fingers prodding at his temples irritably. he allows himself to wallow for a few hours, shutting out both you and the brat.

then, steeling his resolve, he begins to watch and wait like the predator he knows himself to be.

lulled into a false sense of security regarding your safety, it's clear that yuuji has let his guard down. just barely so, but enough that sukuna can see a few weaknesses in his chains. ironic seeing that, now more than ever, the king of curses wants you dead.

it goes without saying that he promptly ceases his nightly interactions with you. it's beneath him, wasting his time with a human. he knows that now.

but while he may not speak to you, he cannot refrain from stealing glances as the days stretch on. you're usually reading, completely oblivious to his watchful eye. he convinces himself it's simply to keep tabs on you, as he's deemed you his foremost enemy.

he's not sure how much time has passed when you begin calling out for him in hushed whispers after yuuji falls asleep, the hurt and confusion in your voice plain to him. it's irksome, and evidently, you're incapable of taking a hint.

his silence becomes more painful with each turn of the moon. you're a bit mortified to find that you genuinely miss him, so you just want answers. did he finally realize that you're nothing special, not worth bothering with?

eventually, growing restless, you all but beg him. "sukuna, please. talk to me. what happened? what'd i do wrong?" his chest tightens with what he believes is vexation. "you can't just make me like you and then disappear. you can't kiss me like that and then—"

"you insolent, maddening little creature!" his eye flies open just in time to see you gasp, your body jerking away from him. "shut up already! can't you see i want nothing to do with you? don't you tire of being pathetic?"

you don't dignify him with a response, swallowing thickly and turning away from him.

finally, he thinks, some fucking quiet. though if he's gotten what he wanted, why does his chest still ache?

he stares at the back of your form until the sun rises.

sukuna is no simpleton. he can be patient when he is sure of a reward, but he's thrilled that the perfect opportunity arises just two days after your encounter.

yuuji is exhausted. gojo kept him out all last night, despite the grueling mission he had today, and when he all but stumbles through your apartment door, the moon is already high in the sky.

you never mention the change in your relationship with sukuna to yuuji. even though he was so understanding, you still feel a touch awkward discussing it further. and maybe in the back of your mind, you're holding out hope that it might go back to the way it was.

sukuna watches through yuuji's eyes when you greet him, your expression half concern and half 'i told you so'. nights out with gojo usually lead to this very situation.

he showers while you finish cooking dinner and once you both eat, he helps you clean up despite his exhaustion. after whispering his thanks and pressing a kiss to your temple, he retires to bed.

you promise you'll join him soon, but sukuna knows it probably isn't true. following his outburst, you've taken to staying in the living room until you're ready to sleep.

yuuji's out before his head hits the pillow and nearly two hours later, you're still not in bed. sukuna's eager, but waits until he's sure the brat's deep in his slumber before he tries to take over. it's relatively easy, and he pushes down yuuji's unconscious mind as far as he can before rising to his feet.

this is finally it. he stretches his limbs lazily, a dangerous smirk settling on his lips. the floor creaks with each step he takes, but he pays no mind to stealth. you're no match for him.

tonight, you'll be his first victim of many and the thought of making up for his past misjudgement has him giddy with excitement.

but the sight that greets him upon exiting the bedroom— you curled into yourself on the couch, your shoulders shaking with quiet sobs— it stops him in his tracks.

he wants to move, more than anything, so what the fuck is wrong with him? is the brat taking over already?

and why is that uncomfortable sensation making it's home in the center of his chest once more?

when you notice his presence, your face shifts to him and reveals your wide, teary eyes. it's clear you're surprised by his appearance, but you quickly bury your face in your knees.

you just want him to leave you alone. you hate him for what he said, for what he did. he forced his way into your life, made you care about him, and then he just vanished. he's cruel and you feel like an idiot because you should have known that from the beginning. or maybe you did and he just made you forget.

"go away. i.. i don't want to see you."

he's disbelieving, for a brief moment, that here you are giving him orders while he stands in the doorway with the intention of taking your life.

he moves toward you, invading your space in a way that is meant to be intimidating, but when you look up at him, every emotion ranging from sadness to rejection to indignation is etched into your features. though the terror he hoped to inspire is noticeably absent.

"i said go away!" you swiftly stand up, your hands meeting squarely with his chest as you push him with every ounce of power you have.

you may as well have shoved a brick wall, as he doesn't move even a fraction of an inch. he seizes one of your wrists anyway.

"what is it you think you're doing, exactly?" he spits.

"let go of me!" you beat against his chest with the hand he left free until his fingers wrap around that wrist too.

"enough."

he's certain there isn't a being that has attacked him (if he can even call that an attack) and lived to speak of it, not once in an entire millennia.

so just end the insolent brat and be done with it, he urges himself.

but he can't and he doesn't understand why, so he just stares down at you.

"what the fuck do you want?" you mean for it to come out forcefully and full of spite, but your voice cracks before you can finish.

an excellent question, indeed. what does he want?

he doesn't answer you and it's so goddamn frustrating that you begin to cry again, rambling to fill the discomforting silence. "you've already told me i'm pitiful and annoying. it's clear you think my company is insufferable, that i'm undesirable—"

that ache in his chest is unbearable now. it claws at his ribcage and shreds the flesh of his heart. it makes his stomach twist uncomfortably and rings shrilly in his ears. he can't even hear you anymore, but he can still see the tears sliding down your cheeks and the way you gasp between words.

the truth of the matter crashes down on him and the devastating weight of it is so crushing it squeezes the air from his lungs.

that feeling in his chest isn't annoyance or repugnance. its anguish— the kind that rattles his bones and leaves him sick with regret.

it's because you're in pain, and worse yet, he is the cause of it.

sukuna pushes you back against the wall before you can comprehend what's happening. his hands find either side of your face and you're alarmed to find that he looks... frightened.

"what are you doing to me?" he pleads for an explanation, because he sure as hell doesn't have one.

how can one little human hold such power over him? it's unnatural. it defies all logic and reason.

you stare at him, open mouthed. his face is so close that his breath fans across your skin and it makes you feel dizzy.

"what are you talking about?" you finally ask.

"you should be dead right now," he frets, despair seeping into every word. "it should be easy."

it dawns on you that you should probably feel afraid, but you just don't. his touch is firm, but careful. and there's no malice to be found behind his eyes. "you're not making any sense."

he thinks back on the time you've spent together, trying to figure out how the hell he ended up here— him at your mercy, rather than you at his. he remembers the first time he made you laugh and considers that it may have been the beginning of his unraveling. for the following two weeks, you both discussed homer at length as you made your way through his poetry.

"there can be no covenants between men and lions. wolves and lambs can never be of one mind, but hate each other through and through." you blink at him, recognizing at once that he's quoting the illiad. his voice is low and unsteady in a way that suggests desperation. it makes you shiver. "therefore there can be no understanding between you and me, nor may there be any covenants between us, till one or other shall fall."

your eyes narrow as you begin to understand his his internal struggle, though you're unsure if he's attempting to reason with you or with himself.

"you quote achilles, and rightfully so i suppose, given your common qualities— exasperating pride and a penchant for meaningless violence." he looks relieved, like your seeming agreement eases his mind. it's short lived. "but you forget his passion."

his gaze shifts away from you, his hands withdrawing from your face.

"his passion?" he repeats as if it's the most incredulous thing he's ever heard.

"by the end of the story, is he not acquainted with regret, sympathy, and respect? he doesn't remain blind to the error of his ways forever."

"only a foolish human could make such fanciful deductions," he chides through gritted teeth, still refusing to meet your eye.

you actually laugh at him. "perhaps you shouldn't call upon achilles to make your point after all. at least he grows out of his utterly childish view of the world."

"how dare you?" he demands, his features growing wild as one hand finds your throat (his touch not nearly harsh enough to cause you any discomfort), the other colliding with the wall beside your head. his display doesn't fool you though. "you witless, wretched brat! you're nothing more than a blip in a universe you cannot even begin to understand. you sicken me."

you throw achilles' words in his face just as easily as he did to you. "hateful to me as the gates of hades is that man who hides one thing in his heart and speaks another."

his gaze hardens, and for a split second, you think you may have been mistaken in your fearlessness, but then his fingers thread themselves through your hair and he pulls your lips to his.

it's rough and commanding, and he tells himself it's only to get you to shut up. to wipe that expression of smug pity from your face.

it's not because, despite the fact you know how awful he is, you're convinced there's something salvageable in him too. nor is it because you tyrannize his every passing thought. and it's certainly not because the feeling of you pressed against him brings him more satisfaction than ripping the hearts from the chests of a hundred men.

ultimately, his denial is overshadowed by his desire. your touch is nothing short of needy as you tug at his shirt, an attempt to bring him even closer, and god does he hope that means you feel just as desperate as he does. he deserves at least a little consolation.

as his hands roam every valley and curve of your body, he deems it unfair that a being whose very existence spells hell on earth should be so taken with such a devastatingly divine creature.

"i've wanted you so terribly," he mumbles against your mouth before he can stop himself.

"then fuck you for making us both wait," you breath out.

his fingers dig into the flesh of your hips in response and his lips shift to your neck. "watch that pretty little mouth of yours, brat."

he nips at the spot just below your ear hard enough that it makes you gasp, doubtless a punishment for your impudence. you recover quickly though, wasting no time with your flippant reply. "or what? you'll go back to plotting my murder?"

he pulls away from you abruptly, sighing deeply and pinching the bridge of his nose. "you truly have zero sense of self preservation, don't you?"

"guess so," you shrug, smiling at him bashfully. "can we watch a movie? i'll even let you pick."

you ask as if it's the most normal request in the world. as if he isn't a thousand year old curse that would be off turning the city to ash were he not here with you instead.

he rolls his eyes, scoffing at the ridiculousness of it all. "fine."

[eldritch-spouse]

You are running naked in the Jungle, searching frantically.

You look and you see another human, the first one you've seen in months and you run towards them.

“Thank God! Listen, we need to get out of here immediately, it's dangerous! Do you know the way out? Back to civilization?”

You feel a tentacle around your ankles

[Months? Couldn't be me, I'd just die. Let's downsize that to a week. Fem reader.]

TW: Reader has a self-loathing inner monologue; Reader is in a bad place mentally; Dubcon to full consent.

It was a stupid idea.

You knew that when you started it. So did everyone that tried to convince you otherwise. But common sense isn't something that could have stopped someone like you, someone who was ill enough to think taking a break from life in the middle of buttfuck nowhere would work out.

You didn't even have any sort of experience in this type of thing. Neither did you seek any kind of useful tips.

You just wanted to escape.

And you did, literally, into a forested nightmare that you got lost in not even hours after your arrival.

You just wish you could find your car, you just wish you could find somewhere warm and comforting to sleep in.

It's been days. Probably a week by now. Your stuff all disappeared, somehow. You swear you're not tripping, it all just vanished! Your phone, your bag, your keys...

Your back hurts, the nights are cold and humid and you're sure you're getting sick by now. Clean water would be a godsend, you've been drinking and cleaning yourself with some questionable-looking sources for a while. Not to mention you can't feed yourself properly, and you certainly don't know how to hunt.

Not that there's much to hunt. Every time you think you hear a peep, there's a brush of foliage and silence dominates seconds later.

You're going to die.

A horrifying reminder that has your chest pounding painfully and sweat glistening on your forehead.

You don't want to die.

But the modern human wasn't born for the wilderness, and you can only stand being clothed for a little longer before the sensation of being dirty has you clawing the skin off your body.

It was a fucking miracle that you managed to get a small fire going.

Finally.

You can heat up that fish you caught earlier.

If it's still good. Is... This is safe to eat, right?

You lean to sniff at the leaf-wrapped catch.

Eh. You can stomach it...

God, you're starving.

One thing that's been bugging you for a while is how... Deserted this whole place feels.

You're no wildlife expert, but isn't this kind of location supposed to be brimming with animals? Why is it that, everywhere you go, it's mostly just you and insects bumbling around?

Shouldn't there be some mammals here? Some birds? Maybe a squirrel or a snake... Aren't there predators you'd have to worry about in this kind of scenario?

Ironically, being alone makes you feel even more stressed out than if you were constantly surrounded by wild animals.

You huddle closer to the small fire.

Alone.

But always so on edge.

Always getting that tingling feeling crawling up your spine.

The one that screams- Look, look behind you! You're in danger!

The phantom feeling of something hovering behind your neck, goosebumps that hardly fade every time you do turn around to check and find nothing.

Is this a normal amount of paranoia for your situation? Is this your brain trying to cope with the fact that you haven't seen much wildlife so far?

Or is there something watching you from beyond the trees?

Something stalking.

A persistence predator, coming and going, to check on its latest prey.

Oh, and what a catch you are. Big and juicy compared to the things that probably roam this place -Roamed, more like...

Have you wandered into the territory of something that'll inevitably snap its jaws around your neck?

...

Just eat the fucking fish already.

Food.

Focus on the present.

The smell starts to hit your nose. Salt, oh what you wouldn't do for some simple salt. How do people get salt?

You're glad you got some berries along the way too, because this fish is probably going to taste like ass. You're sure they aren't poisonous or anything of the sort. If they are, then you've been eating them for the past few days so honestly you could keel over at any moment.

You'll see.

Once the fish has roasted enough where it's likely safe to consume, you peel it open messily and start munching indiscriminately, ravenous.

It's... Well, it's sustenance.

It's about the most nutritious thing you've eaten since you got here.

This survival thing is harder than the fake actors on TV make it seem.

A sudden crack of a branch has you pausing mid-chew.

You truly feel like a deer when your head snaps up and you stand very still to listen for a follow-up.

Nothing.

Tired eyes strain, trying to make sense of a darkened blob in the distance.

Huh.

What the fuck is that thing?

Tall.

Two legs...

Arms?!

Shit- Could it be?!

That can't be possible, someone else roaming around this maddening forest. Is that a sign that you're somehow getting closer to civilization? That you're making it out by sheer luck? What cosmic force could be on your side this time? Maybe they just live here, like some kind of off-grid retired agent- Okay, you've been watching too many movies.

Without stopping to think twice about frankly important concerns regarding this sudden development, you place the cooked fish down on the leaf it was previously wrapped in and start scooting forward towards the silhouette you saw.

That build can only belong to a man. Well, you assume as much anyway. It's hard to spot more from here, with the foliage covering their form.

" H- Hey... "

You haven't used your voice in a hot minute. Some part of you almost doesn't recognize it. A healthy dose of paranoia stops you from brushing aside the obstacles and facing this person.

But you need to at least try, right?

The worst that can happen is that you really are hallucinating for some reason or another.

With a surge of bravery, but mostly desperation, you push all the branches and greenery away to run towards this person, opening your mouth to greet them, to beg for help, ask for new clothes or just something cooked!

" Hey! Please, I need your... Help? "

Nothing.

There's no one.

But that doesn't make sense, you clearly saw a silhouette, someone was there! You didn't even have to run that far, how could it be that you already lost sight of them? That they could get away so silently?

No. Everything's wrong.

Before you know it, your vision is blurring and your face heats as tears stain your cheeks.

Why... Why would your mind fuck with you like this? Going from a shining shred of hope to complete despair in seconds has you screaming inside.

Why is this happening to you?

Are you really about to die in a stupid fucking patch of nothing just because you can't deal with the stress in your life like a normal person? Just because you made one bad decision when everything was weighing heavy on your conscience? Are you really so incompetent and so pointless as a human that this is how your story ends?

Anger and regret blind you to everything, fingers course through your knotted hair as you sob and tug, having no way to calm yourself and nothing to unleash your tension onto.

The moment you try to stomp your foot in a petulant act, you find it rooted to the ground. It takes a couple more insistent tugs upward for you to realize that something is coiled around it, keeping it firmly planted.

The train wreck of emotions and bile of self-hating thoughts takes a backseat, goosebumps pricking your skin from tip of the head to your very toes. The first thing you think of is some kind of snake, eyes bulging behind digits.

You look down frantically, shaking, but in spite of the sky being clear, all you see is this reddish mass, with neither end nor beginning. What... What the fuck is it?!

The thing tightens around your ankle, starting to slide up the length of your right leg, up to your knee. And immediately, you panic, kicking and shrieking, achieving absolutely nothing and getting promptly tugged to the ground.

Yeah.

Maybe freaking out isn't the best bet for your survival here.

Twigs and dirt get on your face, it takes some coughing and swiping to finally clear your field of view. But honestly...

You almost wish you hadn't.

Curved over your prone figure, staring down, is a creature you have never seen before.

Bipedal and quite large, like the silhouette you had glimpsed before, but so very far from human. The reddish coloration spanning the length of that bizarre body makes him -Because, again, you can only assume that is a male- Look as if he's made of flesh quickly molded together to imitate the figure of a human. What initially made you think he was skinless soon turns into the realization that there was never room for skin anyway.

Because his body is quite literally comprised of what you can only call tentacles. Tendrils and coiling tissue that clings and organizes itself in the vague lie of an organism like yours.

From elbows to fingers and knees to feet, the tendrils become a lot more discernable, coiling and uncoiling while he watches curiously. The thing around your leg is one of said tendrils, coming from the mass forming his own. Along the length of its torso, sharp-toothed mouths form and shift, almost seeming to have a mind of their own as they scent the air and snap at nothing.

That head has got to be the most striking feature. It's an amalgamation of tentacles all wrapped around each other, leaving room for an incredibly sharp golden eye to fix you in place. This thing looks like it crawled out of a sleeping ocean, like the roots and vines of an ancient jungle came together to form a totally new an extension of themselves. He looks like he's been sculped from the guts of others yet also composed in a way your mind could never hope to grasp.

Somewhere between trying to determine if you're dealing with an animal or a person, you reach the conclusion that an animal wouldn't stare you down for this long.

An animal would take a couple of seconds to determine if you're prey or predator and act accordingly. He would have snapped your neck or suffocated you like a boa constrictor with those tentacles by now.

And yet, he just stares.

Like you're the strangest creature to ever grace the woods this thing probably calls a home. You're as freaky to him as he is to you, enough so that he seems out of depth on how to proceed.

You stare back.

This has got to be the monster that you saw back there. Watching you. Now that you think about it, maybe this was the reason you'd always have a tingling sensation reminding you that you're not alone. Because he was there all that time, stalking.

Plenty were the moments he could have dug your grave until now. It's strange that he hasn't. Because surely, he's seen how you're failing to adapt to this location. Every step you take, you're stumbling and getting pricked, hungry, thirsty, afraid, disoriented- You're a fish out of water and he could have ended that misery a long time ago.

Odd.

Neither of you move. It blinks, vertically. You blink too.

And then, it makes this chitter.

Wet, like a gargle, followed by some kind of rumbling as more of those tendrils that form his limbs unwind, explore.

They reach down towards your frame when he squats, and you stifle the urge to scream at the sight of them getting nearer. Because who knows what he's going to do...

They poke and prod, grabbing lightly at parts of you, wet yet not quite. Two coil around your arms, then elbows, then wrists.

Other strays squirm around your sides, unintentionally triggering a squirming reflex as you muffle helpless laughter.

The monster seems intrigued by the noise anyway, making his own vocalizations as if attempting to communicate with you.

Abruptly, there's a blur of movement and you're yanked into the air by the arms, shrieking in fear and pain.

Not for long, because more of his freaky, flowing appendages wind around your middlesection, hips and knees, pulling in different directions.

In seconds, mere moments, this being has you suspended in the air.

Immediately, your panicked mind is going places where it absolutely shouldn't.

He seems more relaxed now that you're restrained, that gaze becomes softer, clouded with curiosity. To be monitoring you this long, you don't doubt he has his own questions and intrigue regarding how you work.

When that hulking red mass walks towards you, anxiety prevents your mouth from staying shut.

" H- Hi? "

A sound not too different from the peep of a skittish bird.

One that causes him to cock his head in a brief pause, processing the noise, and returning it with his own light gurgle. One of the mouths on his figure gets the pitch right down to a T.

Soon, he's lacing a hand through your hair, grabbing it, manipulating the protrusion and stroking your head inquisitively. He squeezes and almost scritches at your scalp, reminding you of the way someone acts when spotting a particularly cute cat. Yes, hair is likely a mystery to this creature, you can kind of understand why it'd linger here.

But that doesn't change the fact that you're being patted like a pet by a strange, unknowable creature- And that's morbidly hilarious.

When your cheeks start to puff with laughter, his attention finally deviates. You can feel the tendrils that form every digit when he splays them across your face, tracing your eyebrows, playing with the tip of your nose and even trying to poke into your ears- Something he halts when you jerk away rapidly each time.

When he starts trying to put a digit in your mouth, he's a lot more careful, aware that you have teeth and can bite, even if yours are quite small and blunt compared to the ones he sports. He succeeds, because your strength is nothing compared to that of a monster of his size and nature. The digit he dips into your mouth rests there placidly for a couple of moments.

You aren't sure what to do. Biting is not a bright idea when you know this creature can probably easily dismember you in this position. He himself looks slightly lost, as if he put his finger in your mouth out of impulse mostly. A false sense of security begets your own curiosity.

Perhaps you're just insane already -That probably says a lot about your overall mental fortitude- But seeing another living being that behaves and looks vaguely like what you might call a person makes you feel calmer than you have since the beginning of all this. You know it's an irrational feeling, that you're not any safer than before, but it's a thread of comfort you desperately cling to.

And it's what allows you to look this thing in the eye while you experimentally lick his bizarre tendril-clump of a finger.

It was only a little flick.

But naturally, he felt it.

The monster rumbles something incomprehensible at you, leaning closer still to cast a shadow upon your front. In this position, he looms between your clothed legs, though seems mostly unaware of the lurid position he's got you in, fixated on your mouth.

The sensation of his digit unfolding into two separate thin tentacles is bizarre. You picture a human finger splitting in two and curse your brain. Said tentacles poke and wriggle, capturing your tongue between themselves.

Yes, that's probably the part of your body that most closely resembles the mass of prehensile tissue composing his own.

The touch has you drooling, saliva trying to break down something probably few to no humans have ever come in contact with. He tastes slimy yet slightly rugged in some areas, not something you'd write home about.

Reflex has your poor muscle squirming to be freed, but that only causes him to tighten the grasp upon it. And, surprisingly, to let out this humid noise that sounds far too much like a groan of delight for you to interpret it as anything else.

There's a pause from your part as you wonder, incredulously, if this thing just got turned on.

There's not much time to ponder, because that digit very quickly slips out, and as he examines the sheen of drool on it, something else steadily approaches your mouth.

Ah, you've graduated from finger to proper tentacle mouthfucking. Commendable.

Making light of the situation is about the least recommended course of action, but after what you've endured so far, you think you deserve to be a little, tiny bit, insane.

Apparently convinced that you won't try to harm him, the crimson monster wiggles that darkened appendage and taps it against your lips, seeming very interested in how this is unfolding.

You should not have opened your mouth.

But you did.

And he visibly brightened up.

The tendril wedges itself in without much hesitation, resting upon your tongue. Much thicker than his digit, your jaw has no choice but to stretch, and your lips wrap around it in a rather phallic, dirty image. You barely realize you're making an effort not to scrape your teeth on the appendage. Perhaps because the sensation of it is a tad spongy and remarkably similar to that of any standard manhood.

And, as if to give reason to your lewd comparison, he shudders at the warmth of your wet mouth, the thing pulsing within you.

While he mostly simply lets the extremity sit there motionlessly, you do explore, trying to lick around it out of morbid curiosity. He watches you avidly, but apparently, what really gets to this bizarre entity is feeling you suck down the saliva that pools in your cheeks, swallowing.

Suction. Because of course he'd enjoy that. What man doesn't?

That begs the question, is the thing in your mouth part of his genitals?

Again, thinking is a privilege you can't afford when that tentacle starts sliding down your throat experimentally. It doesn't take him long to trigger your gag reflex, a violent kick and curve forward from your part causing him to pull back quickly. But he continues to test the waters afterwards, probably seeking the sensation of your stressed throat muscles tightening around him.

Instinct takes over.

Because even if he seems truly out of his depth maneuvering a human body, he's curious and, if you had to guess, attracted to you. Enough to put sensitive things in your mouth, to fetishize that part of you. Hormones make things work, which means he soon realizes he can make repetitive back and forth motions to get friction.

And so, just like that, you're getting fucked in the mouth, inside the woods, by an eldritch abomination of a monster you might find in a cheaply made H. P Lovecraft rip-off.

It should not arouse you.

It should horrify you.

... But it doesn't.

Those reactions are missing, leaving you befuddled at your own enjoyment of the situation. Are you just happy to have someone around? Has it truly been so long since you received this type of attention that you don't mind if it comes from an entity of unknown origin who is clearly not civilized? Are you just a freak actively discovering new sides of your sexuality?

Who knows anymore.

All you know is that there's a wet noise ringing every time he thrusts that slimy thing into your mouth, that he's resorted to gripping your hips hard while making intense eye contact, that he growls and gurgles whenever you have enough control to suck at him. If you had to guess, it's his unwavering, lewd and fascinated observation of your face and lips that has you likely forming a wet spot on your poor pants.

You think your wanton squirming is subtle, but reality proves otherwise when the monster starts getting distracted, one of those pupils shifting to the rhythmic movement of your legs as you shamelessly seek friction. At first, he seems irritated, as if questioning why you'd want to leave when you'd been so docile so far.

Then it appears to click.

You can almost see it in his face, in spite of how inhuman it is, that eureka moment.

And the tendril in your mouth slows down to a crawl.

He starts pawing and pulling at your pants, but not aimlessly. Not at all. He's studied you, he knows what he's looking for, the button and the zipper. You pale a few shades, the only way this thing could know how to take pants off is if it saw you doing it, if it saw you relieving yourself or trying to bathe to avoid infections.

Just how many embarrassing moments did he catch?

Too many, probably.

Still, you're pleasantly surprised to see him so easily remove the garment, fluidly shifting the positions of his tendrils to avoid tangling the fabric in them. Your pants come off without a single blemish, aside from those they sustained previously. Is he removing them so carefully because he thinks you need them to survive or is he just being considerate?

Your underwear is treated the same way, he spares no extra thought to it, and only appears to pause once your pussy is exposed.

Usually, you'd feel self-conscious in this position. There's not a lot you can do to properly groom yourself without the simple privilege of soap and whatnot... But what does it matter here? As far as you know, for this monster, pussy is pussy regardless of it being shaved or bush-heavy, "perfumed" or au naturel.

And a soaked, needy hole is hard for a lonesome monster to ignore.

He looms closer to your womanhood, watching closely, gargling a string of vocalizations you still can't interpret, until another tentacle slithers into scene and slaps against your cunt.

No, literally.

The thing whips from mound to the bottom of your entrance, swiping up and down in a pace that has you seeing stars every time it flicks your clitoris and catches on a clenching entrance. To say your legs kick out occasionally from the intensity of the stimulus is no exaggeration, but he's quick to adapt his hold so you have no way of wiggling aside.

You don't know why it's doing that, but frankly, you don't care much, it just feels good. A racing heart and a heaving chest have you tipping your head back to moan against the thing stuffed in your mouth. You realize, a little belatedly, that he was probably mostly just trying to lube that appendage with your own arousal.

Your plump pussy still tingles when the assault stops on all sides, you strain to watch what he's doing, observing the monster evaluate the sheen now coating that wriggling extremity.

He's less careful than before now, a product of excitement no doubt, parking the somewhat thicker length at your entrance and pushing in tentatively for only a couple of moments before ramming a decent chunk of that tendril into your cunt.

Eyes bulging, you spit out a beastial sound that startles the monster, panting as you try to get used to the sudden stretch. He's reached a depth within you no one else has found before, and the pressure is such so that you've been robbed of the ability to speak.

He shouldn't be that far in you.

You may come from extremely distinct backgrounds, but some things are vastly universal, like the facial expression of pain. Which, credit where credit is due, he picks up on relatively fast. The moment the entity removes a good chunk of its length, you sigh and sag in momentous relief. That's a lot better. You still feel as if you're being stuffed to the brim, but there's no longer that stabbing pain.

He understands what he did wrong after a couple of still moments and some bizarre palping sensation from your insides.

Much like the previous tendril in your mouth, this one too starts to thrust back and forth, with more care now, experimenting with differing speeds and curling in various ways as he gets closer and closer to watch how you react.

You're no researcher, but maybe if the mounting pleasure wasn't swimming to your head and making it very very hard to think coherently right now, you'd be fascinated with the way this monster is being so thorough in his examination of you, wanting to learn what makes you tick in every way, what has you choking out noises and rolling your eyes.

So intense is the heat rushing through your body from his repeated, filthy motions that you hardly notice anything happening until his all-seeing eye is almost glued to your face. The tips of the tentacles that make up his rather disturbing head unfurl and appear to drip downwards, clinging to the sides of your face so he can fix it in place, observe every detail as soon as you part your mouth to moan and gasp and babble nonsense. Each noise you make is eagerly eaten up, he tries to mimic the same motions that make you squeal as if begging for more of them.

There's no time to warn or even shriek about it, your orgasm barrels its way down your body with the intensity of a bullet, curving you in its tentacles, a breathless "oh" being all you can offer as your abdominal muscles contract and you squeeze the life out of the tendril inside you, making a mess that drips to the ground between you two.

It may not have been easy to spot in that pleasured trance, but the monster halted to watch it all unfold, mesmerized. Retracting to test the nature of the new slick now grossly painting you.

By the time you're done riding the high of your climax, you've been shifted again, this time a little lower, and you find the entity staring down to the spot where your core meets something that wasn't there before.

You'll admit you didn't have the time to properly process the full extent of his appearance when he first appeared before your stunned self. Now you're unsure if this monster had some kind of pelvic pouch, or if he merely unfolded two more tendrils out of his mass where one would expect a dick to be.

The two appendages wriggle and roll impatiently, seeking each other before parting in search of heat, of wetness, slapping against your belly and thighs. They may not look like it, but you can only guess those are his cocks. And he's considering something quietly.

It's hard to tell what he's thinking right now, the communication barrier doesn't help. Maybe he worries that the length of them will hurt you. Perhaps he wonders if he can impregnate you this way. It could just be that he thinks perhaps mating with a strange human is not a good idea, but the way those things are spreading a coat of thick precum on your skin says otherwise.

Instead of letting his stall further, a small hand reaches down to feather over the tip of one of those members, immediately getting captured and pulled at in the process. His figure rattles, hips offering a useless piston before his head snaps back up to watch you.

" ... Try putting one in. "

You murmur, knowing damn well it can't understand a single word.

He looks back down, peels back to spread your cuntlips invitingly, then seems to make up his mind, allowing the very tips of both squirming cocks to connect with your entrance. They've found warmth and they're desperate to worm in, stretching and flirting with your walls.

You grin incredulously, already trying to guess what it'll feel like, gasping as soon as he leans forward and allows more exploration. The first hint of a burn arrives as he rumbles in delight-

But a branch snaps in the distance.

And the moment is ruined because he halts immediately, your cry of frustration ignored entirely.

His body twists in an unnatural way so he can glance behind, inhuman eye seeing through greenery and undoubtedly spotting something off.

In the tense quiet that has now settled, even you pick up on the faraway mumbles of what must be people.

Eyes widening, snapping out of this episode, you begin to squirm earnestly now, wanting to see them, to find a way back, to go home!

Finally, people came looking for you!

The monster snaps back around, making you realize how truly fucked you are in these circumstances. Something flashes in that gaze, a hint of contempt, of hurt maybe.

Something too human to fall upon such a nightmarish face.

You can only scream as more tendrils dart in lightening speeds to cocoon you inside them. That single noise being all that escapes before you're forcibly gagged and physically thrown over the monster's shoulder.

His molding body swings from tree to tree in a blur of movement, taking you God knows where...

And leaving your saviors in the dust.

[pomefioredove]

hey so can I possibly have a scenario where Azul reveals his octopus form to his s/o and s/o is surprised, but doesn’t mind it. When he keeps being unsure and hides under water, s/o just dives into the water right next to him and kisses him under water? They can’t breathe under water unlike Azul being human.

this is so sweet!! I hope you don't mind, I did a fic instead of headcanons cause it felt right to me

*ੈ✩‧₊˚ "I'd owe you"

summary: in the context of a first kiss type of post: short fic characters: azul additional info: romantic, reader is gender neutral, reader is yuu, established relationship

It's not that Azul is nervous.

Of course not. He's long gotten over the "crush" phase of your relationship. No more butterflies or blushes when he sees you, and for the better.

You're... a part of his life now.

He's not a fool, though.

He knows that each phase of the relationship comes with a different test to pass. And he has passed; the butterflies, the blushing and stammering, the confession, the first date, all with flying colors and his usual bravado.

Now, a month in, he knows the next is imminent.

He is NOT nervous!

He wants to... to be prepared, that's all. But he can't put it off forever.

"Is this strange for you?" he asks, neck-deep in the water.

You, beautiful, effervescent in the moonlight, are sitting on the dock, kicking your legs back and forth. It's high tide, and dark. "No,"

Somehow, in his mind, he thought this would be fine.

"Are you certain? We could go back to school, if you'd like," he says, hopeful you'll change your mind.

"I'm sure," Damn it.

"You haven't let me see you yet, anyway."

Damn it, damn it. Was being in the water in his natural form not enough?

Azul curses himself again. He did agree to this, foolish as it was.

Hesitantly, he lifts one, just one tentacle out of the water. He's trying very hard to keep calm, but he feels like he's being crushed.

You don't react. At all. No teasing, sure, but no reassurance, no smiling, not even that look of awe you so often have. He suddenly feels much colder than the water, and, without thinking, goes to hide.

Again.

The last thing he sees are your eyes, widened in surprise, and then he's underwater.

Azul knows he'll have to come out eventually. He can't just leave you alone on the dock. And he has an exam first thing in the morning, anyway.

But for now, he'd like to wallow. And so he will.

Of course, he should have known better than to think he'd get away with that. In seconds, the surface tension of the water breaks, his calm interrupted by you, you, of course you, suddenly with him.

Azul wants to say something, he wants to hide, but before he can even move, your hands are on his cold cheeks. And then, as if it were the easiest thing in the world, you're kissing him.

The world stops.

For the first time in a long time, he doesn't know what to do.

So, he lets you lead. It's... sort of nice. In a way. Then it sort of feels like you're holding your breath, which is a little- oh, right.

He comes back to his senses, grabs your shoulders, and swims you to the surface.

"Look at you," he sighs. "You're shivering. We need to get you back to school before you catch something."

You say nothing. You're smiling.

Azul sighs again. It's like you hadn't heard a word he said. "Too late for that, then. What are you staring at?"

"You're beautiful,"

His hearts stop. He doesn't respond; if he tries, he knows he'll just make a fool of himself.

Of course. After he was so confident he'd left this awkward phase behind, you manage to give him butterflies all over again.

Finally, he clears his throat. "...Thank you,"

"...But don't think that'll excuse you from drying off and getting warm. I won't have you sick on my behalf. I'd owe you."

Your smile warms with something he recognizes, but can't think of now.

"I think you already do,"

[beannoss]

So I've been thinking about them:

Specifically I was wondering what the moment was (if there even was a specific moment) that cinched it for Twilight developing feelings for Yor.

[Spoiler warning: this post references manga chapters not yet animated]

I think for Yor it's pretty quick. Like, this moment here:

Not that Yor fell in love with Twilight then (ymmv) or that she's fully aware of her feelings, but it's explicit that she felt connected to him here and attached in meaningful ways.

But for Twilight, it wasn't so clear. For a while I'd kind of decided that it just came over him slowly (and I think there is something to that) and that there wasn't any singular moment which stood out. But that didn't feel quite right. The more I thought about it, the more I thought there were two stand-out moments, only one of which Twilight actually (semi-)clocks.

The first, which I think passes him by entirely, is this:

In my view, this laugh is an entirely authentic response. I think he is, despite himself, delighted by this woman who 1. just unexpectedly saved him from being stabbed, and 2. did it by sending the guy flying across an entire alleyway.

This is accentuated in the anime, I think, by the jaunty, puckish music that makes up the first part of their marriage theme song. I am dying for the reappearance of this music in some fashion, btw, it's so fun and cheeky and I'm hoping foreshadows their vibe after various revelations and particularly when they start working together as Agent Twilight and Thorn Princess:

The second moment for Twilight, I think, is more subtle for all it's more impactful. Or at least, the degree of its importance passed me by on initial read/watch, and I think it's deliberately downplayed by Twilight himself. Because he does actually clock it but if he looks more closely at it, well... then he might have to do something about it. And maybe that something won't comport with what the mission needs, and then what?

It happens when Twilight first bugs Yor, and then poses with Franky as SSS agents to test whether she knows Yuri is with the SSS.

It's clear in the lead up that Twilight recognises he has some feelings about/for Yor, and he doesn't want to spy on her; he doesn't want to mistrust her at all. He has to convince himself to take seriously that she may be a potential threat.

And even then, the convincing only sort of mostly works, because he hesitates again:

Which is, by the way, bananas. At this point, they've been a fake family for maybe a handful of weeks? Twilight is an experienced, accomplished spy with a finely honed and necessary sense of paranoia. Of course he should be suspicious. Her brother is an SSS agent! Canonically, the SSS are both Twilight- and SSS self-described as Twilight's greatest existential threat. It shouldn't be a question whether or not to verify Yor's knowledge here. And yet.

We all know how the rest plays out. He decides that listening in isn't enough, he needs to confront her insofar as he's able. I wrote previously about Twilight's relationship with Anya and the pivotal moment for him in how his view of his relationship with Anya changes based on Anya's (and Endo's) choices. I think a similar thing happens in this scene with Yor.

See, it would have been enough for Yor to continue to deny, continue to not call on Yuri's help, to prove she didn't know, and to put Twilight's mind at ease.

Endo takes it further.

Y'all: THIS IS ABSOLUTELY WILD. It borders on levels of impulsive foolhardiness that Twilight should actually take as a negative for the person playing his wife for Operation Strix. Yor even alludes later to the problems this could cause!

The SSS are indiscriminate; if Yor was facing down actual SSS agents, first assaulting and then threatening them would 100000% land her in custody. Were it not for Yuri, it may even get her disappeared, based on how casually and frequently Yuri references having people executed. It would absolutely put the Forgers at risk, in general and in the implicitly sexist Ostanian society, because if Mrs Forger behaves this way, how does Mr Forger behave? And why can't he control his wife? The Secret Police are not known for their leniency, their modesty, their discerning, their temperateness, their mercy. They are known for the exact opposite of those things. And due to being a spy, Twilight probably knows they're actually much worse than even their public reputation.

And here's Yor saying: you can question me but if you threaten my brother or my husband, I will fucking end you. Bodily.

Of course, it's entirely in keeping with her character, and it's an entirely revealing moment of who she is. And I think this is the moment for Twilight. He's already been trusting her bit by bit, as he says above, intuitively. I'd suggest that maybe even more than that though, Yor taps into something Twilight deeply wants: backup. Someone and somewhere safe. Maybe we could describe a person fulfilling that role in an adult relationship as a partner...?

It's because he doubts his intuition (his wants, his feelings, things he shouldn't be countenancing) that we get to this point where he (overzealously) tests her.

She blows his test right out of the water.

The SSS are basically the group he fears most; this is reiterated throughout the story. He doesn't trust them specifically because of who he is and also just generally. He doesn't trust their judgment. He doesn't share their values or their priorities. He doesn't like them around. He doesn't like them looking. He doesn't like being anywhere near them. (Also, he's right.)

And here's Yor. Not only standing up to them on his behalf but actually going on active defence on his behalf.

(I pause here to note 'on his behalf' is a bit, mm, tricky, since it's actually technically on Loid's behalf and I have Thoughts and Feelings about Twilight & Identity. But for the sake of the impact of this moment on Twilight, we'll take it as writ that in this moment there's no appreciable difference between Twilight and Loid.)

I think from here on out, it's incredibly difficult for Twilight to ever doubt or distrust Yor. He perceives her as firmly in his corner, that if the chips are down — if his worst enemy and his worst fear come knocking — she'll be on his team, unflinchingly. He may not think there will be much she can do (heh.) or much she can offer given the power of the SSS and her civilian status (I reiterate: heh.), but it matters that he believes that she'll be by his side.

And you know what? He's right. She will be.

That isn't something he's had since he was a little boy. Even WISE doesn't seem to offer that to its agents, given Nightfall's thought here:

Twilight's had to rely on himself for decades and now here's this astonishing woman who will threaten the Secret Police for his sake. Of course he trusts Yor. Of course this moment widens the cracks in his barriers. And further: of course those cracks start to reach into those walls deep, deep inside that protect his heart. This is all before getting to other moments, like when he reflects on how Yor is creating a better world in ways he (thinks he) can never aspire to do himself. That she loves Anya openly, freely, with such dedication, to the point of sacrificing her own needs. That she just never gives up, she persists and persists and persists, always doing her best. That she reminds him it's okay to accept peace and to rest. That she wants and tries to take care of him... On and on and on.

Of course we get to this point:

I'm particularly taken with his body language a little later in the scene. He manages to get himself to sitting but he's still sprawled, open, even as he can't wrap his mind around what exactly is happening or why, and he's feeling vulnerable for all that. But at the same time, this is Yor. And she's safe.

In my view, if the Mole Arc hadn't happened immediately between this moment and the earlier where Yor declares herself unhappy, it would have been clearer how much stress he felt specifically due to Yor's apparent sudden unhappiness with their arrangement. The stress got subsumed (conveniently, ahem, Endo) into the stress and violence of the Mole Arc, but I think it rattled him pretty profoundly. It's also additionally why her warm greeting hit him as hard as it did: relief across multiple lines, such that he had to remind himself not to relax, despite Yor's apparent return to normal.

And there may be added layers to Twilight's reactions to Yor's bad moods due to his familial history, as pointed out by @unhappy-sometimes in this post; the inverse, of course, is that Yor's general good-naturedness would add layers to Twilight's sense of security with her. And the apparent loss of that, all the more devastating.

Rounding out the original moment though, I think this in many ways demonstrates the point:

Twilight throws away the bug. That is also wild. It isn't like that bug could only be used on Yor; it wasn't somehow modified to only respond to her person. It was a device that could be used and reused on different targets, on people who actually are worthy of being bugged, etc. But instead of pocketing it for later use, Twilight throws it away.

Actually: he not only throws it away, he crushes it first. Perhaps because he couldn't stand to have that particular device around, the device he used when he doubted Yor?

Seems kind of irrational, Twilight.

Seems kind of telling.

I mentioned my last Twilight meta about his relationship with Anya: in that, I suggest Twilight recognised entering into a compact with Anya, which subtly modifies, for him, the motivations around Strix. I think something like that happens here, too. If Yor is willing to go to such apparent extremes to protect him, he'll do his utmost to protect her.

I've had this meta in my drafts for a while, but I'm chuffed by this panel from the most recent chapter, as it kind of underscores all this by Yor's positioning of herself:

(Of course the point is there isn't a dichotomy: they'll protect each other, as indicated by Yor's if I had to choose: she won't have to choose.)

Back to Twilight, at this point, he can still justify all this as being within mission parameters. Of course he should protect Yor: she is an innocent civilian and if anything happens to her it would threaten Strix. But if/when this line is tested, if/when there comes a point where protecting Yor is actually the option that may put Strix at risk or put him somehow in opposition to WISE, then we'll see.

And more importantly, Twilight will see, too.

[hellsitedotcom]

### Genshin Men & How They Kiss ###

Featuring Dainsleif, Il Dottore, Il Capitano, Neuvillette, Wriothesley, Al-Haitham.

warnings: shouldn't be anything too spicy/nsfw. Dottore bites people, do with that what you want.

english isn't my native language!

this is going to flop so bad, but I'm bored; bone app the teeth.

DAINSLEIF

He is someone who - in my humble opinion - kisses you with such...devotion, such unwavering and suffocating devotion that it leaves you breathless and stunned even after the 100th kiss.

Dain has his way with words, we all know that, and as mesmerizing as his compliments and confessions can be, so are his kisses; they are like a beautiful, life-changing poem that leaves you aching for more.

He's not too frequent of a kisser, though - I want to think he's somewhat dramatic with his timing for kisses; before depatures, big battles, when you're apart from each other for longer times & greater distances.

Definitely one for goodnight kisses; he's such a gentle lover, I'd say. There's just something about him that makes it hard for me to see him as an aggressive, obsessive, or extremely passionate/intense lover (I hope you know what I mean).

You know those Princess x Knight stories? Where they finally have that first kiss, and it's described like something straight out of a fairytale? That's Dainsleif, basically. Also, definitely someone who kisses your hand/palm.

IL DOTTORE

Oh, he's a freak, alright. My ''aroace Dottore'' headcanons aside, he's...not your ''typical'' guy, I'd say. Well, he's not a romantic, I think we can all agree on that.

Dottore's kisses are most definitely possessive - they aren't there to show love or anything, but to claim - to ''mark his territory'', sorta.

I think he'd see ''kissing'' as an outlet of sorts; I don't necessarily see the ''real'' Dottore as someone who gets frustrated and lets it out on his lover, nor would he be someone to kiss his lover unprovoked, I think. He doesn't necessarily need it.

If we were to talk about a not-so-sociopathic Dottore (alias, a normal human), he wouldn't necessarily strike me as someone who thinks about kissing you much either. He gives me a rather uninterested vibe in that regard; he probably shows his love/devotion in different ways.

Maybe I'm just really biased because of my other headcanon; he just doesn't care about kisses in a romantic sense, that's it. He'll bite you, he'll devour you, but there's nothing more behind it but exerting power...or maybe he just wants to silence you, because your provocations/teasing is getting on his last nerve.

His kisses (I honestly just see him as a biter) are bruising, and the way he holds onto you during that time leaves bruises, too. And, again, not many of these actions stem from love, but possessiveness or to ''make a statement''.

IL CAPITANO

Initially thought was ''Does he even know what a kiss is'', but let's brush past that...anyway, why can I see him somewhere inbetween the likes of Dain & Dottore? lol

He's not much of a kisser, either. Which, uh, soldier and all, I'd say, but then, he is still capable of care and devotion in a way that others never could.

He's devoted in his kisses, and there's a pledge of loyalty behind each kiss, only solidified by their rarity. He swears fealty to you in that way - a firm, classy kiss on the lips; kissing the back of your hand while kneeling in front of you; a lasting kiss on your forehead before he departs.

Again, those kisses are rare and kept secret from the outside, but they exist and they hold such an incredible weight to themselves; they are his greatest show of vulnerability and weakness. Though, he does not view having a lover as a weakness.

As mentioned further above: His kisses are firm, they are lasting. He doesn't just give you quick pecks in passing, no. Each kiss takes its time, and each kiss is there to repeat the message the first one gave ''I swear fealty to you''. They aren't overly passionate, messy, or anything like that.

Definitely not one for many words, and their all pretty cordial and like some devoted rule-abiding knight would talk, lol. Quality Time and Acts of Service are more of his strongsuit.

NEUVILLETTE

I'm a bit torn here, though he certainly is a gentle kisser. On one hand, I want to say it is a ''lack of experience'' in that prospect, that could make him more hesitant and careful. On the other hand, I just feel like regardless of his experience level, he'd be a gentle lover.

He's more frequent in his kisses - he does not mind showing you love, regardless of where you are, though during important meetings (or trials) you'll never find him kissing you; only afterwards, when you've returned to the privacy of his office, he'll drop that mask again.

He'll pour all his emotions into his kisses - including those tragic, painful emotions after certain trials. Yet, his kisses are never hungry or aggressive. They'll still always keep their lightness.

Most of the time, you'll find him kissing your lips or your cheeks. In your sleep, he'll press a kiss to your forehead, and in public he'll often press a kiss to the palm of your hand.

His kisses are the kind to make you giggle, or smile all giddy. They are exciting, in a way. Though rather light and ''brief'', they leave you at a loss every time; like a beautiful dream. Paired with that soft smile of his? They'll have you melting right then and there.

WRIOTHESLEY

I just let out the most concerning ''hehehehe''; anyway, oh boy, I wanna be indulgent here, but I'll try to be as ''realistic'' as possible.

He's...a wildcard, of sorts. Wriothesley can be extremely passionate & hungry when it comes to his lover, but he can also be more classy & gentle about it, depending on different factors.

Now, focus on the more intense parts of Wriothesley. For anyone needing a visual/example; I'm sure there's fics out there where the reader is sparring with Wriothesley. And that's where I get the more intense version of him from.

He's the kind to pin you against a wall and devour your lips, tongue eventually down your throat as he got you at his mercy. He's not holding back with those kisses - he's hungry; hungry for all of you. His kisses aren't necessarily bruising, but they are suffocating; you'll be struggling for air when he is like this.

You'll find him his filled with desire only in private - and often enough there's something needed to trigger this...almost primal?...version of him; yes, this means he'll leave marks, but he'd never intentionally hurt you to get off.

On other occasions, he's more gentle, though that gentleness can sometimes stem from an absence of mind, too. Fleeting kisses on the cheek, barely sparing you a glance as he's too busy with work. His ''apology'' kisses are also the gentle, yet firmer kind. And you'll get them quite frequently, given...everything.

In conclusion, he's definitely capable of being both extremely hungry/intense and being gentle; it really depends on preference, I suppose, but I can absolutely see him being a perfect balance.

AL-HAITHAM

Definitely more on the calmer side; not necessarily ''gentle'' in the way I have described before, but he's not an aggressive/hungry kisser, unless for certain occasions, maybe.

He's so introverted in his voicelines, he's probably the same with a lover; barely any PDA in public, just because he's not a fan of it (you'll maybe get a peck on the cheek or a kiss on the forehead, but just fleeting).

His kisses are...somewhat distant, quite often. He'll kiss you on the lips, but you'll feel like he's not really present while kissing you. He'll also take your hand and kiss it absently whenever you sit beside him while he's studying.

Other times, he's nearly obsessed with kissing you; he'll be kissing you firmly, one kiss lasting minutes before being interrupted by shorter and lighter kisses, and then he'll go back to a firm, passionate kiss. He'll often have you on his lap during those.

Slow, sensual make out sessions. That's what I was looking for, I think. Lots of cuddling, holding you close, tracing his lips over your skin. That's how I see him sometimes.

Can I actually see him be more intense in his kisses? Maybe, but it takes a lot. A lot of pent up frustration, Kaveh getting on his last nerve, some issues with the Akademiya, etc.; and perhaps, if you provoke him on that day, you'll see a more hungry side...Or maybe he just did it to satisfy you for a while, who knows?

Makes me believe that Al-Haitham does not mind being more dominant, more intense, more hungry during make out sessions - he can if it means you'll be happy about it, but he doesn't prefer it, tbh.

[Genshin Women & How They Kiss]

[inkskinned]

sometimes we just need someone to pay enough attention.

for the longest time i had been trying to read The Lord of The Rings. everyone had sung the praises for it, over and over. i'd seen clips of the movie and it seemed like it could be fun, but actually reading it was fucking horrible.

my parents had the omnibus - all the books squished into one big tome - and in the 4th grade i started sort of an annual tradition: i would start trying to read TLR and get frustrated after about a month and put it back down. at first i figured i was just too young for it, and that it would eventually make sense.

but every time i came back to it, i would find myself having the exact same experience: it was confusing, weird, and dry as a fucking bone. i couldn't figure it out. how had everyone else on earth read this book and enjoyed it? how had they made movies out of this thing? it was, like, barely coherent. i would see it on "classics" list and on every fantasy/sci-fi list and everyone said i should read it; but i figured that it was like my opinion of great expectations - just because it's a classic doesn't mean i'm going to like experiencing it.

at 20, i began the process of forcing myself through it. if i had to treat the experience like a self-inflicted textbook, i would - but i was going to read it.

my mom came across me taking notes at our kitchen table. i was on the last few pages of the first book in the omnibus, and i was dreading moving on to the next. she smiled down at me. only you would take notes on creative writing. then she sat down and her brow wrinkled. wait. why are you taking notes on this?

i said the thing i always said - it's boring, and i forget what's happening in it because it's so weird, and dense. and strange.

she nodded a little, and started to stand up. and then sat back down and said - wait, will you show me the book?

i was happy to hand it over, annoyed with the fact i'd barely made a dent in the monster of a thing. she pulled it to herself, pushing her glasses up so she could read the tiny writing. for a moment, she was silent, and then she let out a cackle. she wouldn't stop laughing. oh my god. i cannot wait to tell your father.

i was immediately defensive. okay, maybe i'm stupid but i've been trying to read this since the 4th grade and -

she shook her head. raquel, this is the Silmarillion. you've been reading the Silmarillion, not the lord of the rings.

anyway, it turns out that the hobbit and lord of the rings series are all super good and i understand why they're recommended reading. but good lord (of the rings), i wish somebody had just asked - wait. this kind of thing is right up your alley. you love fantasy. it sounds like something might be wrong. why do you think it's so boring?

[factual-fantasy]

Heya Factual! Been a bit! Hope you're having a good day! Really been enjoying your slime rancher Submas AU, and I'm. Glad to see the group's made it through the (presumably) hardest bit of their time on the ramge, and it's sweet to hear you intend to draw them some more in the future! Here's to hoping we get some more wholesome antics to recover from all the angst...

Also, since it's been such fun watching you craft this new universe these past weeks, I of course had to tailor my Asks to it- the first of which is: is this version of the far far range souly home to Pokemon inspired slimes, or does it still house a mix of the original slimes as well? And can the Pokemon slime become largos too? If so, is it perhaps part of their evolution? Are their slimes for every legendary? Is there an Arceus slime!?

And on that topic, do you think any other characters would translate over to this universe? Would there perhaps be slime versions of Grimace and the gang hopping about? maybe I'm overthinking it, but could team Rocket perhaps persist as a slime smuggling syndicate? With Jessie, James, and their loyal slime Meowth!?

Thank you!! I'm glad you've been liking my slime rancher AU stuff!! :DD Now as for your questions...

I'll be replacing all the in-game slimes with Pokémon. Its not exactly like "this Pokémon takes the role of the tabby slime, and this slime takes the role of the honey slime". Its just all random. Although I did want there to be a "pink" slime of sorts. (A common slime that could eat anything.) And so I made the Trubbish line take that "role" <XD

And in case you're wondering which Pokémon will be added? I plan to just have the Unova region Pokémon present. With only a few exceptions here and there. Its makes sense considering all the humans in this AU are from that region <XD Here are some more examples of Unova region slimes! :)

As for if the Pokémon can become largos? I haven't really figured that out yet.. I feel like it would be cool if the base slime to largo transformation mirrored Pokémon evolution.. buuut I'm having trouble figuring out how that would work as you can see here..

This also begs the question of reginal variants. Maybe it would work like this..?

Ahhh Idk, I'm still thinking everything over <XDD

Also, "Is there an Arceus slime?" Well he doesn't look like your typical slime.. but he's there!

While we're on the subject of legendaries, the ones from the Unova region exist! And I know Giratina isn't in Black/White, but since I added Arceus.. I let him take the place of Tarrs...

I haven't decided if any of the Pokémon slimes can even turn into Tarrs or not. I kind'a like the idea of Tarrs being these unknown beasts that are separate from slimes.. hmm.. who knows <XD

And lastly, Grimace and the gang? And team rocket? I don't think I'll be adding them in canon.. although I did draw a slime Grimace and Sylvester the other day! :DD

Aaaanywho, thank you for the ask! It really got my creative drive going for some reason XDD I've been pretty distracted these last few days working on my live Violet dex.. but I'd still like to come back and draw more for this AU sometime! Thanks again! :))