#if she's planning to write more

[weekend-conspiracy-theorist]

rereading network effect this time with the foreknowledge that fugitive telemetry is not a sequel to it (and having actually read them chronologically rather than in publishing order), I am forced to conclude that it is actually a fairly satisfactory/hopeful conclusion to murderbot's character arc, so although I so desperately want to see its adventures with ART and its crew, it won't be the end of the world if martha wells never writes a sequel. I'd just be extremely disappointed instead of absolutely heartbroken

[choccy-milky]

sometimes you gotta lure your overly-studious ravenclaw gf into spending time with you 🥰 📚 ( from 'Every Teardrop is a Waterfall' by Kat_12739 on ao3, GO READ IT!!! the first story is about seb falling sick and still pushing himself/not admitting he's sick until he ends up in the hospital, the second story is about the birth of seb and clora's daughter and seb's reaction to clora almost dying in childbirth, and the third is about dealing with a fussy newborn lewis😭🥹THEY'RE SO GOOD AND SWEET AND SOMEWHAT SAD (not to mention beautifully written) so go check it out!!💖💖 )

[bluerosefox]

New idea spawned.

Another, as if this brain rot hasn't fully taken over me for like the last year and a half, DPxDC.

Anyways.

Ghost King!Danny and/or VERY powerful Danny and/or Ancient of Space.

And deaged Dan and Danielle(Ellie) (plus Dad!Danny)

And a cult summoning!

So this really alarming and powerful cult is trying to summon a powerful ghost (aka Danny) to come give them power or destory or ensalve the world etc etc. Only thing is, they got the summoning wrong and instead get baby Ellie and toddler Dan.

Also they're in their human forms right now too.

No one is happy.

The cultists are upset and wondering what they did wrong, the JL and/or JLD are upset children, babies, are on the battlefield, and Dan isn't happy cause he was in the middle of coloring a spaceship in his coloring book and the people in the robes are getting louder and louder and going to wake up Ellie from her nap and Daddy just got her to sleep and-

Yep. Someone is yelling at them now and Ellie is awake from it.

And...

She starts crying from being woken up.

Not even a few seconds later, the sounds of this plane of reality being ripped opened is heard and the sudden frosty chill of ice is felt.

Along with an angry dad voice of.

"Who woke my daughter up from her nap?! I just got her to sleep!!"

[jasperthejester]

me: finally accepting theres a good chance im autistic and starting to work up the courage to ask my parents to see if i could get a diagnoses but being scared to

my mom: do you ever think you have adhd? if you want to do a screening for add next time your at the doctors you can

me:

[stop-breaking-my-heart-telltale]

Y'know, it's unfortunate more people don't compare Louis and Violet in good faith.

Like, when I do see people compare them, it's usually through the lens of one is good, and the other bad. One is more canon than the other, and here's why. One is objectively better for Clementine, and the other is less impactful, worse written, didn't have chemistry with her, insert several insults here, etc.

I don't think it's inherently bad to express why you might not like one of them, or why you prefer one over the other. That's fine, that's a matter of opinion. It only gets to me when it becomes hostile, or passive aggressive... but even then, I've learned to just roll my eyes and move on. Some people make it very clear that they're not worth having a discussion with.

However, I wish I could read more nuanced comparisons of the two that didn't default to the "and that's why this one is better." At least some are kind enough to tack on a "for my Clementine" at the end.

You know how it goes: Louis is cute and he makes Clementine laugh, whereas Violet's boring, her love is shallow, she's still not over Minerva and she's using Clementine as a rebound. Violentine's a bad ship because Violet's actually a traitor, and they're practically the same person and that's bad.

Violet's loyal and reliable, whereas Louis is annoying, he never takes anything serious, he's a traitor for his vote, and he's nothing but a distraction. Clouis is a bad ship because how could any Clementine possibly like him after he voted her and AJ out? That's bad!

That's always the conclusion, right? One good, one bad.

This is incredibly limiting and it drives me nuts.

They're foils. They contrast one another, highlight each other's strengths and flaws, in such an interesting way that it makes Clementine's choice between them all the more meaningful.

One is not good and the other bad, they're different, and I think that's worth exploring.

Let's start with a common argument: Violet is the more impactful option due to her connection to Minerva.

Now, to be fair, I can understand why someone on Team Violet would believe this. Yes, it's true that the confrontation with Minerva is more impactful for a violentine shipper who has more investment in Violet as a character. Louis doesn't have as strong of a connection to her.

However, what they're failing to recognize is that Minerva isn't the only ghost to haunt this narrative. Violet may have Minerva, yes, but Louis has Marlon... and that doesn't just go away once Marlon's dead.

Violet's route has Minerva as her ex-girlfriend, and her bond with Tenn that all comes to a head on the bridge. Louis' route has Marlon's death and how that specifically impacts his relationship with AJ and Clementine, and the slow burn of forgiveness on all sides.

Marlon and Minerva are also reflective of Clementine's worst outcomes.

Clementine and Marlon were tied together through Brody's blood splattered on their hands and faces. They both killed a part of Brody, but only one of them lies about who killed her first.

After Marlon dies, Clementine gradually replaces him throughout the game; Rosie is her dog now, she uses his bow [which Louis gave her], she becomes the leader. Clementine gets them to fight back, and when three of her people are captured, she doesn't cut her losses. She does what Marlon couldn't; "we're getting them back."

When she chooses Louis, he does for her what he never did for Marlon: he steps up.

Clementine proves she won't become Marlon just as she proves she won't become Minerva.

After getting James to agree to help them, Clementine and AJ talk about what to do if she ever gets bit. AJ says he'd want her to bite him, too. He repeats this sentiment after she's actually bitten, telling her he wants to stay and they could turn together, peacefully.

When Minerva confronts them on the bridge, she's dying... and she wants Tenn to die with her. She doesn't care who she has to kill in the process. She's more monster than human at this point, and most times, she succeeds.

They're both bitten. Clementine could've become a monster like Minerva in the end. She could've killed AJ, and they could've become walkers together. But she didn't. Minerva wanted Tenn to die for her, and Clementine wanted AJ to live for her.

Also, I should mention she has Minerva's axe. She carries the key weapons associated with Marlon and Minerva throughout different points in the game, further solidifying these connections. She uses Marlon's bow to save her friends, and she uses Minerva's axe to save AJ, who in turn uses it to save her.

What's also so interesting about this is how Marlon's alive in episode one, and Minerva is thought to be dead. Louis has his best friend, and Violet's lost hers. But, at the end of the episode, Marlon's dead and Minerva's revealed to be alive.

Marlon becomes the ghost, and Minerva becomes the monster. Clementine becomes to Louis and Violet what Marlon and Minerva never could... how does that not drive anyone else insane?

So, no. One is not objectively better, or more impactful, because of a connection to Marlon or Minerva. They're different. It just depends on which storyline you personally find more compelling.

Actually, let's talk about that a little more.

In my opinion, the most intriguing point of comparison between Louis and Violet stems from their perceptions of survival, and how that impacts Clementine.

An argument I see made against violentine is that Violet's boring because she and Clementine are too similar. This usually comes from clouis shippers who prefer the "opposites attract" dynamic Clementine and Louis have.

On the flip side, there's the counter argument that Louis is reckless, that he doesn't take survival as seriously as he should and Clementine wouldn't want him because of that.

These are interesting to me because I get where they're coming from... but they ultimately miss the point.

The other day, I replayed TFS. Except this time, I did something a little bit differently. I played my usual clouis route, but then I had the violentine route pulled up on my laptop so that I could watch these scenes, comparing them side by side… and something occurred to me. 

Louis is about challenging Clementine's perception of survival, and Violet is about validating it.

Louis challenges Clementine from the very moment we meet him—he’s playing music. His initial philosophy on survival butts heads with Clementine’s. The fact that hunting with him and Aasim challenges your perception of “your choices have consequences.” These games have conditioned the player to think along the lines of, “Yeah, Louis is more fun… but if I don’t hunt with Aasim, we won’t have any food.”

Except that’s just it. I hate to say it, Aasim, but in the grand scheme of things… hunting with you doesn’t matter. It's actually less rewarding. You know why? Because in the next section, we get food from the train station. It would’ve been more beneficial to spend time with Louis over hunting, hence how he challenges you.  

This then primes you for the choice between choosing to follow Louis or follow Violet. I know people complain about how this is presented with Violet doing something productive [checking the walls] and Louis playing piano… but that’s the point. If you’re going through with Louis’ full route, you need to meet him at his level, and in turn, he will meet you at yours. You need to accept the challenge, the idea that Clementine isn’t entirely right about the way she’s gone about survival.

Oh, and do I even need to mention the vote? The debate over Louis’ vote is exhausting. Often times, people tell on themselves in how they talk about it. It’s not actually about the fact that he voted against them. If it was, these people would have a bigger bone with pick with Mitch, Willy, Ruby, and Omar… and yet Louis is the one who takes all the blame as if he’s the only one personally kicking them out. 

Louis is reacting to the death of his best friend, and the complicated feelings that come with it being caused by AJ. He wants accountability, even if he knows something's wrong. You can either agree with him that it was murder, and set AJ on the path of atonement… or, you can double down and tell him to fuck off, AJ was justified. 

But here’s the thing… the vote adds to the appeal of Louis’ route. To someone who hates him, or at the very least is critical of his vote, that sounds mad or delusional.

Except it’s really not.

Ever heard of a thing called tension? Because there’s a lot of it in ep2 between clouis + AJ and it’s fantastic.

Yes, Louis voting them out is problematic because we need a problem to solve. We need something to feed the tension between him and Clementine. He stepped in front of a gun held by his best friend in order to protect her, forever changing their relationship… only for that to seemingly be taken away from us the moment AJ shoots Marlon. 

Yes, Louis’ route is about being challenged, but it’s also about challenging him. That he’s able to forgive them, that he’s able to question his own survival philosophy and understand theirs, that he’s able to apologize and actually change for the better… that right there is what makes clouis so damn good. 

He becomes hardened whereas Clementine softens. By the end of the game, they’re on a similar level now without neglecting their differences, and they can move forward together. 

That’s what makes Louis’ route appealing… and it’s also what makes it unappealing to people who prefer Violet. 

By contrast, Violet’s already on Clementine’s level when it comes to this perception of survival. She validates that Clementine’s on the right path.

They have other similarities in the way that they’re both female, queer, they both have a kid they look after, they’re not always great with other people, etc. 

People who prefer Louis might consider this boring, but I think to Team Violet, it’s comforting. It’s comforting to have a partner who takes this as seriously as you do, who wants to get shit done. They’re playing Clementine with a similar attitude, and don’t believe it needs to be challenged. It’s comforting to feel validated on something you already firmly believe in. 

We also see this if we compare the hunting and fishing scenes. You have to make an effort to choose Louis by choosing to neglect hunting, but the game makes you fish with Violet no matter what.

Violet’s prioritizing fishing because they need food. That’s what they’ve set out to do, so let’s do it. The game is letting you know that’s the case, and if you value that, continue pursuing her. 

While fishing, they discuss why things are weird with her and Brody. Violet doesn’t take well to Clementine’s blunt, “Because you make it weird. Brody tries and you just make fun of her."

That’s understandable because I think she already kind of knows why and is looking to have her feelings validated. She prefers it when Clementine suggests that it’s because Brody never said sorry for what happened to the twins. 

There’s also comfort and validation in the way Violet sides with Clementine and AJ after Marlon’s death. She votes for them to stay, vocalizing how much she disapproves of the results. There’s this feeling that I recognize from a lot of the sapphic romance I read; “it’s you and me against the world, I’ll always have your back, even if you’re in the wrong, I’ll fight for you.”

In our case, it’s violentine + AJ against the rest of Ericson, save Tenn and Aasim. Violet validates that AJ was justified because Marlon was a liar and murderer, claiming that AJ and Clementine did nothing wrong. Violet fights to keep them. 

The tension between violentine in ep2 is different because instead of one pushing the other away, they’re being forced apart by the vote and there’s nothing they can do about it. That tension is somewhat released when Clementine comes back and they’re reunited, working out a plan to best defend the school. 

It’s also why Violet’s presented as doing something productive when you follow her instead of Louis, and why she asks if you want to hang out after checking the defenses. 

All that being said, allow me to reiterate that one is not good and the other bad, they're different. These concepts of challenge and change/validation and comfort exist on a neutral road as diverging paths. It’s up to the player to pick what path they prefer, but that doesn’t mean the other path isn’t worth acknowledging or analyzing. 

I should also mention that they’re not exclusive; there is overlap with validation being present in Louis’ route and challenges in Violet’s. They’re just more present in episodes 3 and 4 after we’ve made our decision. 

There are several more examples of how this all fits together, buuuuut–

Ya’ll wanna compare some allegories?

Those familiar with my content might already know where I’m going with this as I’ve made a post about Louis and the piano in the past. 

You see, I believe that there are allegories for Louis and Violet’s hearts present in their routes: Louis’ piano, and Violet’s pin. 

I already have a thorough, in-depth analysis of Louis and the piano that you can read, so all I’ll say about it is that on the night of the raid, he asked Clementine to carve a piece of herself into his heart so that no matter what, their initials will be immortalized together in its wood…

And that makes me fucking feral. 

But I'm also so normal about it.

As for Violet, her heart is the star gazing pin she gives to Clementine. She gives it to her so she’ll always remember that night… but she doesn’t give it to her until after Clementine’s saved her, and that fascinates me in the context of it being allegory. 

Louis asks Clementine to carve herself into his heart right before the raid, cementing that from that moment on, he is utterly devoted to her. I believe this is part of the reason why Louis is still happy to see her if he’s the one who’s captured. Yes, yes, he’s also incredibly traumatized from having his tongue cut out and he’d be happy to see anyone, yada yada… but listen, if you romance Louis and he’s captured, his heart remains with her—that piano with their intitals is on full display. When he sees her, he’s still so devoted to her that he refuses to accept that it’s at all her fault. Even when she says it is, he shakes his head... and he so easily accepts her when they’re together in the end. From the moment Clementine puts knife to wood, he’s hers. 

Now, look… you might think I’m going somewhere not great with this but hear me out. 

I think after Clementine’s gone star gazing with her, Violet is fully ready to give her heart to her. Y’know, give her the pin. But, think about what Violet said about how people have left, but Clementine came back. Plus, with the impending raid to think about, maybe Violet should keep the pin until the right moment. 

I believe a key difference between her and Louis is that Violet needs one last thing to solidify that Clementine’s the one. 

Louis gives her his heart prior to the raid because of everything that’s already gone down between them following Marlon’s death. Violet needs to know that Clementine’s willing to fight for her the way she fought before. When Clementine saves her from the raiders, it’s solidified. Even after she sees Minerva again, it changes nothing.

It’s also worth noting that the pin is something Clementine wears. Like the piano carving, it’s a piece on display for everyone to see, to let them know whose heart Clementine has.

Violet literally handed Clementine her heart as a means of saying, “I’m yours. I’m devoted to you.” 

This is why romanced/captured Violet is devastating, and is why she behaves the way she does in the cells. She was so ready to give her heart away and then nope, sorry, Vi! You get knocked unconscious by raiders instead! 

If anything, you kind of deserve to be told to fuck off if you romanced her and then let her get captured. Just sayin’. 

Look, I have a lot of complicated feelings about the captured violentine route, mostly with Violet being as forgiving as she is after her eyes are burned—yes, yes, I know, her eyes are burned and Minerva messed with her head so of course now she’s not hostile, yada, yada. 

But I think it’s rather telling that you don’t get the pin in this route. Sure, Violet’s willing to forgive and possibly pursue this romance in the future… but she’s not ready to hand over her heart, not truly. Not after everything that’s happened. 

And if you want to get extra angsty about it, imagine that Violet made the pin right after they parted ways, but before the raiders came. Meaning that if she’s captured, it’s possibly still sitting somewhere, abandoned. 

Mmhmmm, very normal about this. I feel normal. My normalness about this continues... normally. I'm not losing my shit thinking about that. Nope. Why would I? I wouldn't! So normal.

Okay just let me talk about their reactions to Tenn's death and then I'll shut up.

This makes me want to gnaw my own foot off, I can barely handle it.

AJ shoots Tenn on the bridge because Clementine trusted him to make the hard calls. This saves Louis or Violet's life.

When Louis jumps across, he's completely silent as he watches Tenn die... and then he's pissed; "What the fuck?! How could you just shoot him like that?!"

AJ explains himself, that he did it for him, and Louis is so upset that he forces AJ to look at what he's done, to watch the walkers eat Tenn; "Tenn's dead. He's dead! Do you realize that?! Look! [...] He's... he's gone, because of you. Just fucking gone."

If Clementine says AJ saved his life, Louis says, "So what, we just cut him loose? Gun him down like he was nothing?"

If Clementine says nothing, Louis says, "Tenn was just a little boy!"

The reason Louis responds this way is because in this moment, he just relived Marlon's death all over again, but worse. So, SO much worse!

When Violet jumps across, she breaks down, begging, "Oh, my God! Oh, my God! No, no! No, no, no..." as she watches Tenn die... and then says to AJ, "No! What the fuck?! How could you do that?!"

AJ explains himself, that he did it for her, and Violet is faaaar from okay; "For me? I can't... Tenn is gone! That soft little boy who liked to draw, he's gone, because of you!"

If Clementine says AJ saved her life, Violet says, "You think that's okay?! Just gunning down one of our own?!"

And there it is.

Louis is hardened in this situation because he already went through this... Violet hasn't, not with AJ. She softened up throughout her route due to her relationships to him and Clementine... but this is the moment where she realizes that maybe AJ wasn't as justified as she believed, and this is the consequence.

This leads us to the ending where AJ asks if they're still mad about him killing Tenn, and I just... I'm biting my foot right now because the script has flipped.

Louis is forgiving and understanding. He's soft, he's sympathetic, he shakes AJ's hand to let him know that all is forgiven and they're okay; "I... AJ, I guess it's like... You saw something I didn't. About the situation, I mean. Minnie and the walkers and Tenn, it's just all this chaos in my head when I think back on it. [...] Clem says you saved my life? Well, then, that's exactly what you did. And how can I stay mad at anyone for doing that?"

Or, alternatively, "He was your friend, AJ. I know you are hurting just as much as I am."

As for Violet? She's understanding, too... but she's not quite ready to forgive yet; "The thing you said on the bridge...that he was messing up all the time. It wasn't something new, you know. Tenn got himself or other people into trouble all the time, long before you guys got here. He was always so lost. He lived in a world that just...isn't there, you know? And that's why I tried to look after him. But when I was pulling him away from the walkers, and Minnie, I could also see...he just wasn't there anymore."

"So you're mad, but sad."

"Can I be that for a while?"

And it's completely understandable that she's hurting and struggling with how she feels about AJ moving forward! She wants to be okay, she wants to forgive him, she just needs time.

Now, because I'm forever bitter, but I'm gonna mention this as well: whenever I see someone point at Violet's scene and say, "See!? This is how LOUIS should've acted in ep2!" like... they're telling on themselves again. Not just that they don't understand Louis as a character or his route, but that they don't fully grasp Violet's part in this either. Or time frames, for that matter.

Let me put it to you in simple terms... they react the same.

After Marlon and Tenn die, they're upset. They're pissed. They blame AJ and yell at him. After they've had time to process what happened [Louis after the two week time skip, Violet after time passes between the bridge and the ending] they share the same, "I'm still upset about Marlon/Tenn. Can I be that for a while and still be your friend?" sentiment.

The difference is that Louis is treated poorly for it because of the vote, and because we feel it first hand for longer... Violet got to grieve off screen and come back after she's sorted herself out.

It's a disservice to both of their characters because it's rooted in that same mentality that I criticized at the beginning: "This is why one is better than the other."

Do I need to say it again? I'm gonna say it again.

One is not good and the other bad. They're different.

There are so many fun discussions that could come from putting Louis and Violet side by side, and examining them. I haven't even covered the different ways they're introduced, or compared their ep3 dates to see what it says about them and the overall narratives! What about the cell scenes!? How they react when Dorian's about the cut off their fingers! The way they approach James upon meeting him!

That last one in particular is especially funny! They're all under stress about blending in with a herd of walkers to infiltrate a boat to save their friends, and yet Louis easily saunters up to the guy wearing walker skins with a smile, and makes him laugh by saying, "Functional and fashionable. I'll take two."

Violet approaches James like he's an injured wild animal that's going to bite her, and bless her heart, she tries with, "I, uh… hey. Hey there, James. Sorry about Willy." Then James gives her this judgmental side-eye, like buddy? She's not the weirdo here.

There is so much potential to dissect here, and I want to see people do it... but I want them to do it fairly, in good faith.

I want to get away from the idea of comparing them to "prove" which is better because there is no objective better. There isn't! That's a waste of time!

I'm so done with The Debate™; it's unhelpful, it's annoying, and it's boring as shit. I've heard it all before, and you probably have, too.

I want to put Louis and Violet under a microscope and study them with the thought process of, "one does this and the other does that... what does it mean!? what does it say about the narrative!? Oh my god, they have the same opinion on this thing, WRITE THAT DOWN!"

So yeah, that's my ramble for the night.

I'm gonna go replay TFS for further research.

[waitineedaname]

POV for the no excuses writing meme, please 👀 (i love this game so much!)

a bit of context: this is for my lesbingqiu wip inspired by that "can yuo put that out on me" tweet! the wip is from binghe's pov, so here's shen yuan instead. she strikes me as the kind of person to think being thirty makes her old (it does not lol)

--

Shen Yuan wasn't sure why Shang Qinghua had insisted on dragging her out drinking if she was just going to abandon her at the first sight of her situationship across the bar. She didn't care if Shang Qinghua insisted she needed to go out more! She had work to do! Never mind that her "work" these days mostly amounted to opening her dissertation document, glaring at it for an hour, and then closing it again. She was simply getting too old to go out drinking. She was thirty now; she might as well join a knitting circle if Qinghua was that worried about her social life.

She continued grumbling to herself as she lit her cigarette. It was much quieter outside the bar, though she could still feel the music thumping through the wall behind her. She would give Shang Qinghua another five or ten minutes to prove she hadn't completely forgotten about her, just long enough to take a smoke break, and then she'd leave. She could go home, change into her pyjamas, and spend the evening working through her reading list like she'd originally intended.

Her plans were interrupted by a sudden spike in the bar's volume as someone opened the door and stumbled out into the alley beside her. Shen Yuan nearly dropped her cigarette as she was suddenly confronted by the most absurdly beautiful woman she'd ever seen.

She wondered deliriously for a moment whether there had been a modelling event that she didn't know about, because there was no other explanation for a woman this gorgeous being loose in the wild. Her dress hugged her curves in all the right places, and she had the kind of artful curls that Shen Yuan thought only existed in professionally styled wigs. Her bone structure was fine, and her skin was perfect. Seriously, was Shen Yuan hallucinating?!

The woman was also, Shen Yuan realized, extremely drunk. She stumbled over her high heels, reaching out to support herself on the wall with a groan. Shen Yuan's hands itched to reach out and support her, but she resisted the impulse.

"Are you alright?" she asked instead. The woman looked up, startled, eyes wide as if she hadn't realized Shen Yuan was there. Absolutely no way those eyelashes were real. They had to be falsies.

The woman made a slightly incoherent noise, and Shen Yuan frowned. How drunk was she? She then abruptly stood up straighter, though she was clearly still supporting herself on the wall.

"I'm fine," she said, surprising Shen Yuan with a low, smooth voice like honey. "I just needed some fresh air."

Shen Yuan nodded sympathetically. Poor thing. "Drink a little too much?"

The other woman's lips pursed in a pout. "My friend ordered shots," she explained.

And then just let her wander off?! Shen Yuan would like a word with this friend of hers. "You should be careful with those," she cautioned. "They can get you drunk very fast."

The woman nodded with the earnestness of an eager student. "Jiejie is very wise."

Oh, she was far too cute. Is this what people were referring to when they talked about blessed interactions between drunk girls at a bar? Never mind that Shen Yuan was hardly buzzed herself. She wanted to pat this girl's head and give her more wisdom, even if this wasn't really her area of expertise.

"Would jiejie keep me company while I sober up?" asked the other woman, her speech slightly slurred and her dark eyes pleading. As if Shen Yuan could say no to eyes like that!

"Of course." Shen Yuan nodded. It was her responsibility, after all! A code of sisterhood, to look out for drunk girls! "What's your name?"

"Luo Binghe." She found a more comfortable position leaning against the wall, resulting in her curls spilling over her chest. Shen Yuan foolishly tracked the motion, then forced her eyes back up to Luo Binghe's face. Aiyah! That dress really left very little to the imagination! Wasn't she cold?! Should Shen Yuan offer her jacket? "What should I call jiejie?"

"Shen Yuan." She lifted her cigarette to her lips and took another drag in the hopes that it would make Luo Binghe's appearance less distracting. Luo Binghe was staring at her with an intensity that made her want to squirm. "Are you here for some special occasion?"

Luo Binghe just continued to stare at her for a while. Poor thing, she really must be drunk. Shen Yuan knew how slowly she processed things when she was drunk. She could be patient with the girl. "My friends wanted to celebrate me starting graduate school," Luo Binghe eventually explained. Her pretty features pulled in a slight frown. "I think it's just an excuse for them to get drunk."

Shen Yuan chuckled at the petulance on Luo Binghe's face. "Maybe, but that’s a worthy thing to celebrate. Congratulations on starting grad school."

"Thank you, Shen-jie." Luo Binghe's expression softened into a smile again, still laser-focused on Shen Yuan's face.

Shen Yuan took a moment to look Luo Binghe over again. Grad school, huh? Shen Yuan struggled to believe that, but she couldn't see why Luo Binghe would lie. It's just, Shen Yuan was in graduate school, and she felt horribly outclassed by the girl in front of her. With looks like hers, she could easily become an idol or something! She didn't deserve to waste away in academia like Shen Yuan, though she admired Luo Binghe's academic drive. And so young, too...

"You seem awfully young for grad school," Shen Yuan said. It could be that she just took good care of herself, but she wouldn't have been surprised if she'd said she was still an undergrad. "How old are you?"

"I'm twenty-five," Luo Binghe said.

"Twenty-five," Shen Yuan repeated. Twenty-five! And she was here, talking to thirty year old Shen Yuan outside a bar. Shen Yuan's earlier impression was right; this really was not the scene for her. "I think I’m officially too old for this bar. People will think I’m a creep if I keep coming around here." She took another drag from her cigarette, feeling morose over her age. "When I graduated high school, you would’ve been thirteen. Isn’t that weird?"

It had seemed like Luo Binghe was sobering up, but she suddenly wobbled on her heels. She was staring intensely at the cigarette in Shen Yuan's hand. "Can you put that out on me?" she slurred.

Shen Yuan's heart rate spiked. Ah! How could she be so oblivious? What kind of helpful jiejie was she if she was blowing smoke in Luo Binghe's direction?! "Oh! I’m so sorry, I should’ve asked if it was okay to smoke near you. I’ll put it out." She quickly ground it out on the wall. Luo Binghe made a pitiful noise of complaint, but that's okay, Shen Yuan had this handled now! No more smoke when Luo Binghe had specifically wanted to get fresh air!

"I know it’s a bad habit," Shen Yuan attempted to make an excuse for herself, her fingers itching with nervous energy. "It gives me something to do with my mouth and hands. I guess I should get a fidget cube or something less bad for me, but…" She trailed off with an awkward laugh.

Luo Binghe's eyes were still wide and slightly wet, fixated on her hands. Poor thing, the smoke must've made her eyes water. She opened her mouth, but she was interrupted by the door to the bar opening with a slam.

"Bing-jie!" A girl burst out of the bar, covered in jangling jewellery and not much in the way of actual clothing. She latched onto Luo Binghe's arm, speaking way too loudly to be sober. "You left your Ling-er all alone in the bar!"

Luo Binghe's expression immediately soured, but based on the way she didn't shove the other girl away, it was clear she knew her. Ah, Shen Yuan realized. This must be the friend who'd ordered the shots. Well, she'd just been planning to keep an eye on Luo Binghe until she sobered up or a friend joined her, and here was the friend. Her company was no longer needed here.

"I should probably get going," Shen Yuan said, giving Luo Binghe a soft smile. She had been scowling at her friend, but when she looked back up at Shen Yuan, her eyes were wide and puppyish again. "Get home safe, okay?"

Luo Binghe nodded, once again reminding her of an earnest student. "I will, Shen-jie."

Shen Yuan waved and left the alleyway. She sighed and pulled out her phone to call a cab. Shang Qinghua could find her own way home. Serves her right.

Still, the night wasn't a complete wash. Even as she made her way home, her thoughts drifted back to Luo Binghe. Did she get home alright? Was she drinking enough water? Would she be too hungover in the morning? A girl that pretty and that drunk could be a real target for unsavory people. Shen Yuan didn't doubt that she could handle herself -- those arms of hers were impressive -- but she couldn't help but worry.

Ah, well. Worrying wouldn't do her any good. It's not like they'd ever see each other again.

She put thoughts of Luo Binghe aside and decided to put her energy towards preparing orientation for her department's incoming graduate students.

[obsessedwithstarwars]

Still Alive (But Barely Breathing)

If someone had told Red Hood that he was going to climb through the wrong window at one of his many safe houses, he’d have laughed and flipped them off. Not just because it probably would have been the Demon Brat saying it and disregarding the little fucker would certainly get under his skin. And piss off Bruce. No. Jason was definitely too careful to make a mistake like that.

Well, until tonight.

To be fair, he had been shot. Twice. A through and through in his side, hopefully not damaging anything important, and once in the arm. But that might’ve been a graze. Going by pain, it hurt less than his side. Somewhere between “I need a bandaid” and “stepping on an infinite number of Legos with sharp teeth” on the pain scale. Honestly, he didn’t even want to look until he was safe. It’s not a problem if I can’t see it. And he was currently not safe judging by the sword the resident of this apartment held at his throat.

The first thing he noted was that she wasn’t afraid. In fact, she seemed hella pissed. Her beautiful blue eyes flashed in the moonlight. Most people, when they saw the helmet, along with his stature (Dickface said he was built like a tank) and intimidating presence, well, they got a little scared. This woman stood resolute, calm and determined in the face of danger. She had the presence of an Amazonian warrior. Now, Jason wasn’t much of a betting man, but he’d have put money down on her winning this fight.

Too many voices were vying for dominance in his mind. A part of him thought that if he could get the sword away from his throat, he stood a fighting chance of getting away. Another part considered his injuries. He was lightheaded already which was not a good sign. He needed to get out of here and get help fast. Another part geeked out over the sword. It was exquisite. This woman really had taste. The ornate filigree handle looked like a Swiss rapier, circa late 1600s. But the blade was not fragile like a rapier. In fact, it looked more like a sturdy longsword. Like she had taken pieces of history and meshed them together to create a sword that was beautiful but deadly. Another very small voice thought she was beautiful. He tried to ignore the last one it definitely wouldn’t help him here and hatch a plan to escape. She stepped further into the moonlight and all thoughts flew out of his head. He could have sworn her eyes were ice blue. Now they were a familiar bright green; practically glowing. Where had he seen that color before?

Trying to think made his head all fuzzy. Oh well. Time for some introductions. He felt like a seasoned warrior out to meet a new friend or foe. Attempting to speak felt like an impossible task.

“Hi.” He choked out, his voice gravelly and menacing with the helmet on.

“Hi Mister Red Hood!” A boy’s voice rang out from behind the woman. Oh shit. There was a kid. How did he not see a kid? Why was there a kid here?! He glanced around and noticed the sparse furniture along with a few moving boxes stacked in the corner. He… did he have the wrong apartment? This was his safe house in the Narrows. As far as he knew, no one lived on his floor or in the apartments above or below his. That’s what made this safe house perfect. It was convenient. It was safe.

The woman whispered something to the boy. He couldn’t tell if the words she spoke in a foreign yet all too familiar language were what made his blood run cold. Or the rapid blood loss was getting to him. Right. He needed help. Now. That forced him back into focus. He could feel his thoughts slowly slipping away. He grabbed onto the edge of the windowsill he’d just climbed through, grunting in pain at the sudden gush of blood coming from his side.

The woman tentatively lowered her sword, concern etched on her face. Good. This was good. He was… what was he doing? A wave of dizziness washed over him and he fell backward onto the floor. Black started forming around the edges of his vision. The woman rushed to his side and leaned over him. Her touch was light as she quickly assessed his wounds. Her hair enveloped his vision, so all he could see was her beautiful face. She was talking to him, face to face, er well, helmet, but he couldn’t hear her. Her voice distorted and muffled.

His last thought was, “Damn she’s pretty.” Before succumbing to sleep.

[mymarifae]

hsr's a great game it's like "hey here's this guy who's a cyborg cowboy of all things isn't that fun. look at how wild and flamboyant and entertaining he is! an automatic censor was installed into his universal translator when he got his rockin robot bod so he can't swear anymore and this is especially funny in the cn and jp text of the game because his swears are replaced with things like sweetie, baby, and cutie."

"also his entire homeland was wiped out by the intergalactic capitalistic monolith that's been cruelly siphoning valuable resources from countless planets with little to absolutely no regard for the residents. they spared nothing once their boss gave them the go ahead to use military force. not even his baby daughter, who had just barely learned how to walk."

"he never got the chance to erect a grave for her. or the other loved ones he lost."

[raineyraven]

just watched vide noir (2022) and i have to say the tragedy of a man whose love leaves him because he wasn't what she needed him to be, who through his journey to find her again became the man she wanted him to be so that he could get to her, only to reach her and find that it's too late to get her back, who grew and changed in his quest for someone who was always going to be out of his reach and he didn't know it until he'd undergone that change?? that shit fucks oh my god.

[seiwas]

SEL MY SEL …….. crawling over here for the ask game …………… you already know . who i’m going to ask for phdkdjdkdb IN MY DEFENSE I WILL NEVER GET OVER YOUR VERSION OF HIM !!!!!!!

….. sugu ….. with ’sun’ ……. maybe 👉👈

(🍵 <- a little matcha for your troubles … good luck with the writing exercises my loveee <33 i’m cheering you on!!!)

ARI 🥹🥹🥹🥹 hehe ofc i shall write sugu for u! writing him is always so fun 🥹 thank you for the prompt, and for the matcha!! i will be sipping it as i write this 🥹 it is not a trouble at alllll!! esp if it's for youuuuu 🫶

contains: beautiful, gorgeous, sexy neighbor suguru, mood can be a bit unsettling... honestly a little stockholm syndrome-y (does this count as dark? idk 😭), skewed concept of reality and time

suguru + sun

you move into a new neighborhood on your 24th birthday.

it's a quaint house, fully furnished with wooden panels lining its contemporary build. you consider yourself lucky for finding a place this well-kept at the price point you offered. you're honestly surprised that suguru, your now landlord, accepted your application.

the area sits a few kilometers on the outskirts of the city, but it feels neither too quiet nor too busy; a perfect balance with an impressive view of the rising sun this early in the morning. that, and the people seem friendly, greeting you as they pass by. they even offer to help you haul things out of your car and into the house.

to the right of your house is one that holds the same design elements at yours, although a bit darker in its tones. it's sleek and modern, befitting of a bachelor.

"you must be the new tenant," a voice speaks from behind you, syrupy and smooth. you didn't even hear his footsteps.

when you turn around, you're met with a tall man who greets you with his arms held behind his back as he tilts his head low. there's a calmness that radiates off him, a sort of gentleness that signals he’s someone you can trust.

you nod, introducing yourself with your hand outstretched towards him.

"suguru," he replies as his fingers grab yours delicately. your eyes widen in surprise, recognizing the name, and he merely chuckles in return, a soft laugh that brings out kindness in his eyes.

"i should greet you properly," he lets go of your hand, placing it back behind him. "hello, new neighbor."

.

over shared breakfasts by your porch and impromptu dinners over at his, you grow a liking to suguru. he's polite and thoughtful, often knocking at your door in the mornings to offer you a cup of tea to watch the sunrise.

"you'll only find sunrises like this here," he leans back on the wooden chair you set out as outdoor furniture. his head tilts towards you slightly, impossibly close as you notice the corner of his lips curl up into a small grin.

hues of pinks, purples, and orange blend to illuminate his face perfectly. the sun is beautiful in front you, peeking between clouds as it inches away from the horizon, but something about him is infinitely more magnetic. your stare is immediately drawn to his lips, smooth and supple, before it meets his gaze.

you don't know what's worse―wanting to lean in or be pulled by the look in his eyes.

he fixes things that break in your home, always somehow knowing just when to show up. at first, it was your windows, the one by the attic, too high and dangerous for you to climb; then, it was your kitchen sink, its pipes regurgitating the water going down the drain. he's begun to bring you your groceries too, often asking for a list of what you need when he makes trips out of town.

your days blur easily when you're with suguru, and time passes almost fleetingly as you find your hours filled with soft laughs and touches so delicate you sometimes wonder whether they're real.

it should be noted, you think, how much time has passed since you first met him―an anniversary of some sort.

.

you learn that he owns both houses―his and the one you're currently renting. it once belonged to a friend who had to move for bigger, greater responsibilities elsewhere, he'd said.

"why did you decide on renting?" you ask him one night, over wine and candlelight.

your fingers fiddle with his as he sits you on his lap, this thing between you growing more intimate lately. he rubs his thumb along your thigh, resting his chin by your shoulder.

"you could have sold it or something."

he presses his lips gently on your collarbone.

"i could've," his fingers trail up to your waist, crossing your chest before landing on your chin, cupping it lightly to face him. your heart is hammering in your chest, senses on fire as his nose kisses yours. you think you can count every mole that dots his face beautiful. then, he inches closer, lips grazing yours as he whispers, "but i was waiting for you."

.

you mark each day at sunrise.

your digital clocks and calendars stopped working after some time, but you don't mind. suguru always tells you what date it is when you ask.

this morning, you wake up in his bed, and the sun is still as breathtaking as you remember it, the same pink, purple, and orange hues streaming through his window. when you look closely, the clouds―

"good morning," he brings you tea in bed, his hair topped off with a bun, a half-up-half-down.

your stomach fills itself with something warm and fuzzy as you smile at him, "morning."

"slept well?" his hand reaches for your waist under the duvet, and you giggle, ticklish.

"very," you crane your neck to land a soft kiss on his lips. "what date is it today?"

"october 28," he supplies.

your eyebrows shoot up as you realize, "i have to bring my car to the mechanic."

it's been 6 months now since your last check, right before you moved, and though you barely use your car anyway, it's best to be safe.

you quickly move to get up but suguru's hand keeps you in place, firmly pressed on your waist.

"i'll do it," he says with a smile on his face, "you rest here."

.

you barely see your other neighbors except for the girl who smokes a pack of cigarettes a day and the twins down the street.

when you ask suguru about it, he dismisses the question quickly, saying, "must have moved," as he urges you to take another sip of your tea.

you dream of them that night, on bare streets; it wakes you in a cold sweat, the image of your neighborhood reduced to just your house and suguru's.

.

this is the 200th sunrise since you started counting, which means this is the 200th day since you and suguru officially got together. kind of.

your gift for him is a painting of the sunrise, because it reminds you of him; and because it's become your favorite thing to look forward to, too.

the pinks and purples blend together beautifully as it contrasts with the orange hues, and the sun continues to peak above the horizon as it settles between clouds.

suguru kisses you when you give it to him, the taste of tea right on his tongue.

he frames it on his bedside, and when you wake in his room the next morning, it greets you along with the back of his head, fast asleep.

your eyes flit to the view outside his window, the same pinks, purples, and orange hues. you tilt your head curiously, brows furrowing. the sun stays at the same spot above the horizon, and when you look at the painting again, the clouds hold the same position and shape.

a chill washes over you, your hearbeat pounding.

.

"what date is it today?" you ask suguru as you wash the potatoes in the sink.

another bag of groceries from suguru. now that you think about it, you don't think you've ever gone to the grocery store since moving.

"is it important?" he responds, slightly snappy. you've begun to notice that he hates it when you ask lately.

you eye him from the side.

"i was thinking of preparing a menu of what we'll eat during the holidays, if it's near."

the furrow on his brows smooths out as you give your answer, and so he says, "december 5."

and you know something is wrong, because that can't be it. it doesn't make sense with the sunrises you've counted.

.

you dream again, more and more as the days go by―dirt roads and your house and suguru's, run-down and empty. more things start breaking in your apartment, and suguru always knows when they need to be fixed.

there's a deep, twisting feeling in your stomach that intensifies, festering under your skin; it worsens in the mornings, when you sit with suguru at your porch and you think you see a crack in the sunrise.

.

sunrise valley the place where the sun never sets! ─── beautiful, bright, and destined for people who live just like you! find your new home here.

[DISCONTINUED] — FOR DEMOLITION ON DECEMBER 7. under investigation for suspicious spiritual activity and missing persons.

[skyward-floored]

Volga gets some spotlight for a change (hdw au)

Comes after Volga confronting Cia (and Link on Skyloft, but it’s slightly less necessary to understand this)

...

Volga seeks out and fights the strongest. That is his objective.

He goes where the sorceress tells him, leads monsters into battles as she deems fit. He sees others only as adversaries, evaluating them solely on the threat they pose, the strength they wield.

Nothing else matters.

Only his orders, and strength.

The Hylian army is at their gates, working steadily through the valley, and despite the sorceress increasing Volga’s power, they’re still advancing, calling upon the Great Fairy to aid them. Volga himself is forced to retreat back to Cia’s side, and he stands silently beside her, waiting for her orders.

She’s watching the battle with a look in her eye that grows steadily more enraged, her knuckles whitening on her staff. It isn’t long before she orders him back out, commanding him to find the princess and crush her.

Volga nods, preparing to obey, when the sorceress stops him, a manic look in her eyes.

“This time you will destroy them,” she snarls, and thrusts her hand against his chest.

Power rushes through him, greater than what he had received before, and Volga roars as it fills his veins, turning into a dragon and leaping into the air.

This time he will be the strongest.

Volga glides across the valley, making a beeline towards the army’s leader, the princess’s sword flashing across the battlefield. He lands with a roar, and she quickly turns her attention to him, eyes widening as she leaps out of the way of his first attack.

Volga is merciless, using his weapons of both spear and claws, shooting fire and dive bombing with his dragon form. The princess is annoyingly stubborn though, avoiding nearly all of his attacks, parrying blows and dodging flames.

Some distant part of Volga is impressed.

He snarls as she avoids yet another thrust of his spear, and the princess looks at him, something odd flashing in her gaze.

“Volga! Come to your senses!” she suddenly shouts, parrying an attack. “I know you to fight with honor! What glory is there to be found in using dark magic to win all of your battles?”

“Don’t mock me!” Volga snarls, slamming a clawed hand towards her. How dare she?

“Open your eyes!” Zelda shouts as she dodges, still not giving up. “I believed you to be a proud dragon warrior, not a mercenary for darkness!“

Their weapons clash, and Zelda looks up at Volga without fear, her blue eyes bright.

“Think of your family, Volga. Look past the darkness clouding your vision.”

Volga falters just a hair, a snarl dying in his throat. There is certainly no darkness clouding him, merely the extra power the sorceress provided, but Zelda’s words of family carry a spark of something different. Something... important?

Volga shakes his head, frowning.

...What had she said again?

The spark fades, and Volga roars, hitting her backwards with a clawed hand. The princess is thrown to the ground with a cry, but before Volga can press his attack, there’s a flash of blue and green, and the Hero stands in his way, sword raised.

He has a stricken expression on his face, but Volga barely registers it, roaring again as he goes to face the both of them. The princess regains her footing as the hero slams his shield up to block Volga’s spear, and the three of them resume the fight.

Other monsters join the attack, and the hero’s attention is drawn to keeping them away from his princess, mostly leaving her and Volga to fight alone. Volga draws constantly on the sorceress’s power, and it’s soon obvious the princess begins to flag against his brutal attacks.

She fights on though, tenacious as ever. Soon enough Volga finds their weapons locked again, her eyes fixed on his face.

“Knight Volga, I thought you a protector, a dragon of honor,” she says, voice breathless but earnest. Blood drips across her eye but she doesn’t loosen her grip to wipe it away. “This isn’t who you are, drawing on dark power, fighting in wars for a cause you don’t believe in!”

That persistent spark of something comes back in Volga’s mind, flickering in his thoughts, buzzing in his memory. It makes him falter, just a little.

“Please,” Zelda repeats, still straining against his spear. “For Link’s sake.”

The name rings familiar, and Volga stumbles as a face flickers in his mind, blue eyes shining through the murk. Looking at him in trepidation as information spills from hylian lips, scales glittering in places they have no right to be.

What is this memory?

He can’t recall the events that led to it, or what came after, or even where he was when it occurred. In fact... all he can really recall is the sharp urge to fight the strongest, destroy the enemy, do as the sorceress commands.

Who is the boy with scales on his arms, and hair nearly the same color as his own?

“Volga,” the princess speaks again, less strained now, and Volga belatedly realizes he’s stopped fighting. “Fight past this darkness. I know you are more than what Cia is letting you be.”

Cia.

The name is like a clap of thunder in his head, and suddenly the darkness he’d denied was choking him is all too evident, coursing through him alongside his fire, constricting his thoughts and twisting his actions. Its influence is overwhelming, and Volga clutches a hand over his chest, thoughts whirling as memories rush back.

Cia invading his home and forcing him under her service, ignoring his wishes to be left alone. Using her magic to make him fight, starting a war over lust for his son, putting him on the opposite side of his own kin.

Purposely obscuring the fact that he had a son.

Volga snarls, anger rising as flames drip from his lips. Cia used dark power, foisted upon him without his say, using him as nothing but another pawn in her game and his son—

“No... no!” Volga shouts, gripping at his head with both hands. “I won’t be ruled by darkness!”

He won’t remain Cia’s puppet for another second.

Volga lashes out at the darkness coating him, tearing at Cia’s influence in his chest. He can feel her power fight back the moment he pushes against it, darkness reaching up to claw at his mind, but Volga tears back with claws of his own, refusing to succumb to it again.

He pushes back with his own power, not that of the sorceress, fire clashing with darkness.

A roar builds in his throat as he gains a solid foothold, and he pushes it out, Cia’s dark power leaving him all in a rush.

And he is free.

Weakness follows the loss of power, but even as Volga drops to a knee, he feels more clearheaded, more alive, then he has in weeks.

And it’s overwhelmingly refreshing.

Volga curls his fingers into the dirt as he regains his bearings, clutching his spear as he raises himself up off the ground again. The princess stands a few feet away, watching him with a hopeful look on her face, and Volga huffs, looking away.

...right into the eyes of the hero.

His son.

Volga stares, the boy staring back with an uncertain look on his face. The hero’s gaze is interrupted by a monster slashing at him, and Volga shakes himself, then looks around the battlefield, taking in what he’s missed.

His gaze falls on the princess again, and something burns in his chest, a need to finish what he started. Volga raises his spear in challenge, pointing it at her and the hero.

“This time I will duel you properly. I will win this fight under my own power,” he declares.

He has other business, important business even (Cia will pay, he swears it), but his pride insists he finishes this fight. He wants to show the two of them how he really fights, no dark powers, no false strength.

To finish the fight he began in an honorable manner.

The princess hesitates at his request, exchanging a loaded look with her hero. But he nods, and she nods as well, pointing her sword back.

And they start the fight anew, dragon, princess, and hero.

The fight is invigorating, to say the least. Volga’s very scales seem to buzz with excitement as he battles the two, the old fire coming back to his blood. They’re an incredible team, truly powerful, and fighting them helps immensely with continuing to wake him up, forcing any remnant of Cia’s power from his bones.

They weave in and out in tandem, one of them striking, and then darting out as the other attacks. Despite the remaining weakness from the loss of darkness, Volga matches them blow for blow, his blood singing as he duels the two.

He hasn’t had a fight this challenging in years, and it reminds him of older days, of other duels.

A smile on a tanned face, ruby-red eyes, hair the color of new-fallen snow...

Volga promptly pushes that image aside. He needs to focus on the here and now, and his strength is fading, the hero and princess still pressing their attack.

As much as he hates to admit it, Cia’s actions have left him low on strength, and as enjoyable as this fight is... he’s fading. Rather fast.

And suddenly, he finds himself on his knees, a sword pointing at his neck.

Volga looks at Zelda, then over at his son, both of them breathing hard. An odd feeling of pride runs through him as he looks at the boy, and he almost smiles. Only one other person has ever been able to truly best him in battle, and it’s clear both of them learned from her.

Impa taught them well.

...It was no wonder Cia wanted one dead and the other her captive.

Anger courses through him at the reminder of the sorceress’s treachery, but his energy is spent. Too spent for him to reasonably mount a successful attack on her.

His vengeance will have to wait.

The princess opens her mouth to speak, but Volga beats her to it, closing his eyes as blood runs from a cut over one of them. “I accept my defeat with honor. I lose, but I do so without regrets.”

He exhaled and looks up at the two of them, and his son meets his eyes again, blood and dirt smeared on his face.

Volga gives him a singular nod, then despite his weariness, turns into his dragon form and takes off into the skies. He needs to rest, and recover from his wounds before figuring out what to do next.

And... process the ramifications of having a son.

Impa...

Link and Zelda watch him go in silence, Volga’s wings bright as a comet as he glides away. They’re both breathing heavily from the battle, small injuries bleeding, burns stinging. Zelda is smiling though, and there’s a hesitant sort of hope in Link’s eyes as they watch the dragon grow smaller in the distance.

Zelda squeezes Link’s shoulder as Volga finally disappears from their sight, but they don’t have time to dwell on what just occurred.

Cia still needs to be taken care of. But then...

Link supposes they’ll figure it out.

[missdarhk]

reeeeeally thinking about an au where instead of taking 10 years, athena goes to see how telemachus is doing after like a year of parting ways with odysseus. her unexpectedly befriending this unhinged but well intentioned child does in fact result in her having her "oh shit was I wrong" realization and helping odysseus way sooner than in canon

[crimeronan]

I'm rereading Chapter 2 of why did love put a gun in my hand and the bit where Hunter says "It's just his temper, he doesn't mean to do it" is making me so sad. I'm used to thinking of Hunter as the character with the most accurate read on Belos in this AU but even HERE he doesn't seem to realize how calculated the abuse is. 😟😟😟

i went back to remember what the full context for that bit is and ough. god. yeah. it's a gut punch:

hunter is Certainly the character with the most accurate read on how violent and dangerous belos can be. but even so, he can't conceptualize the level to which he's been manipulated....

when belos hurts HIM, that's just fulfilling a mutual contract between them. sometimes belos needs to hurt somebody and he can't help it and he and hunter both know it's best if hunter takes that on, right?? no need for anybody else to be involved. keep it in the family

hunter saying "i know how to talk to him" because talking to belos on luz's behalf has always worked Before, because belos wants it to, because that's the best way to keep hunter loyal...

"he's still the same person he's always been, he doesn't want to hurt you at all" with the implication of "he DOES want to hurt me and always has, but that's all right." boy.......

if hunter had a truly, TRULY accurate understanding of belos, then he would have either run away with luz or smuggled her out of the castle ages ago. because he would understand that he really.... has no control. over the amount of danger that luz is in.

instead he needs the belos situation to be one that's self-contained, as long as hunter keeps playing his role. if he controls the situation then he can keep luz safe. and consequently it's also his fault if luz gets hurt. because hunter is supposed to do Anything to keep her from getting hurt.

that is his Job.

[might-be-tiny-gt]

Last year I wrote a story about a streamer who shrinks based on chat donations. I meant it as a one shot, but guys…. GUYSSSSS.

I think about this story ‘s universe a lot. I have lore notes just collecting dust and I need to share it or I might go absolutely mad XD Made these visuals charts to get the basics across but if you’re interested in my lore and semantic ramblings, feel free to read below the cut.

Consider this my unofficial pitch bible for Down Played.

General premise: Monica Diaz is Twitch streamer with steadily growing fan base. Her tag is MiniMushroom and her aesthetic is cottage core. She loves all things magical and tiny, especially toadstool mushrooms, that’s the image most associated with her “brand.” She’s approached by a mysterious benefactor who has developed technology specifically for Monica to test and utilize for her streams. It’s called Byte-Syzed Tech and it connects to a user’s twitch stream and based on the user’s preferences, gives the audience the ability to change the user’s height. The one shot I wrote takes place during Monica’s first live use of Byte-Syzed tech on stream. If I were to develop this into a full story I’d probably go back a bit and start around when Monica is first approached about using Byte-Syzed tech then continue to follow Monica adjusting to using Byte-Syzed more often. How she deals with the size change on camera, off camera, how her social and personal life are affected, all that good stuff. I think it would like a slice of life feel good kinda story.

Characters:

- Monica - Main character and primary user of Byte-Syzed tech. Surprisingly enough, she’s actually a law school grad who probably would have put her degree to use if she didn’t accidentally gain a massive following on twitch. Funny how life works out. She stands at 6’4 and always was fascinated with the idea of being small (Basically, she’s a g/t nerd who doesn’t know what g/t is) so being gifted Byte-Syzed and being able to use it on stream is kinda a dream come true.

- Kim - Monica’s girlfriend, roommate, and stream moderator. Kim and Monica were high school sweethearts but drifted apart in college due to personal matters in Kim’s life including having to drop out of college. Kim and Monica rekindled their relationship a few years later and Kim cites Monica and her encouragement as a big reason why she’s been able to get her life back together. She’s currently back in college working on getting her degree in Mathematics.

- The Twitch Team- Moni hosts solo streams but also very often collabs with three of her online friends. Ariel (@Lifeisthebubbles), a Vtuber who is the only one Moni has met in person. Corey (@McDonuts) an NB asmrist on youtube who started streaming games for fun. And Phin (@UrguyPhin) Corey's bf and the competitive gamer of the four. All three of them were streaming with Monica when she first used Byte-Syzed and have since gotten used to pausing their games so an ever shrinking Monica can adjust her set up.

- The Benefactors- Keeping their (Plural, there are two of them) exact identity to myself for the time being, but basically they’re mad scientists with the best intentions. Their antics have garnered attention across the internet as they have created and gifted inventions to up and coming online creators that seem to defy all laws of physics. Anti Gravity chambers, a literal money tree, a mask the morphs the wearer’s face, and now the Byte-Syzed size changing tech. Despite their inventions going viral, their identities have remained hidden. So what is their deal? They’re just big fans of these creators and for lack of drawing skills have gifted them weird inventions instead. Nerds… Due to the nature of Byte-Syzed and the possible effects it can have on the human body, Monica and Kim remain in close contact with them.

How Byte-Syzed Works in Universe: This I wrote tons of notes about when I first thought of the idea. Byte-Syzed can be divided into three key components; The program, the arm band monitor, and the sync suit.

The Program is installed on the user’s computer and connects directly to the arm band monitor and sync suit. The program has user friendly set up that allows the user to input the direction of height change (Shrink or Grow), The minimum or maximum height change, How height change occurs (By views, chat commands, donations, etc.), and rate of height change (How much height is gained or lost with each instance of viewer interaction.) EX: If height is based on donations, the user can set it up so they lose 1 inch for every 10 dollars donated. They can set the minimum height to 6 inches, so once they’ve received enough donations that they have shrunk down to 6 inches, Byte-Syzed will hold at that height. More donations may come in after, but the height will remain at 6 inches for the duration of the stream.)

The Arm Band Monitor, is the device the physically changes the user’s height after connecting to the Byte-Syzed Program. It also monitors and display’s the user’s current height and vitals. All data collected from the arm band will then be saved and can be referenced later if the band is connected to the computer. The arm band must be kept on at all times during active use and active reset of Byte-Syzed. Active use is the time in which Byte-Syzed is being used in a stream and the user’s height is actively changing. Active reset refers to time after the stream has ended and the user is either set at their new current height or in the process of returning to their normal height. After a stream has ended the user will remain at their changed height until they press the reset button on the monitor. Once the reset button is active, the user will return to their normal height at 1.5 times the amount of time it took to change to their current changed height. EX: A user has finished a stream that was 4 hours. They hit the reset button which will return them to normal over the course of 6 hours. (4x1.5=6) This only applies for time Byte-Syzed was in use, not how long a size change occurred. EX: If the user’s stream was 4 hours, but they reached their minimum height in 3 hours, the reset function will account for the 4 hours the stream lasted. This is a safety procedure to reduce stress on the user’s body. Note: If the reset button is not pressed, the user will remain at their changed height for a period of 12 hours. After 12 hours, the reset function will kick in automatically.

The Synchronized Suit or Sync Suit is directly connected to the Byte-Syzed program and will grow and shrink with the user at the same rate as the user. Normal clothing can be worn above it but they will not change size with the user, only the sync suit. The sync suit Monica received came with the suit, shoes, and a headset with a built in microphone to keep audio input even over the course of her size changing. More sync suits are in the process of being designed and produced, with the goal of making sync suits that resemble everyday clothing like t shirts or skirts.

Fun Story Ideas:

- Origin story. How Monica met the benefactors and was gifted Byte-Syzed, her and Kim’s gripes about using it, actually going through with it and the pros and cons she noticed, the end of her first size changing stream and dealing with being tiny in her own room and her girlfriend’s hands. Etc etc

- Monica finished a late night stream using byte Syzed and forgets to press reset when she goes to sleep so instead of growing back over the course of the night she wakes up at her tiny size. After realizing her mistake she begins the growth process but now has to do it while attempting to do her regular day time activities.

- Monica is approached by a doll company to collaborate on a new doll based on her, only issue, their studio is several hours away and they want her to model at both her full height and at the height of the dolls. After some consideration Monica and Kim decide to take a road trip to the studio and use Byte Syzed at the studio under Kim’s careful supervision. What could go wrong?

- Months have passed and Kim and Monica have grown well adjusted to the major size difference between them after Monica finishes a byte syze stream, however curiosity has gotten the best of her and Kim wonders what it would be like to be the tiny one for a change.

If you have read this far, you have my eternal gratitude. Thanks for reading this far, I really hope you liked it XD Maybe if time and motivation allows I can flesh the story out.

[fishareglorious]

reading the latest chapter of the isokania elope to the americas fic and oh my god.

kakania got scammed by tennant im losing my shit giggling

IM LOSING MY SHIT EVEN MORE BOTH OF THEM GOT SCAMMED BY TENNANT TRYING TO BUY JEWELRY FOR EACH OTHER

[cryptiduni]

“white mourning.”