#if i was better at like Narrative Writing id LOVE to do a bunch of dif like. werewolf series
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i love making shit where the audience is me. its just me. and if other ppl enjoy it thats awesome. i thinkthis is important when creating that u make the most niche stuff in the world both bcuz its good for ur soul and bcuz it tends to do pretty well w other ppl looking for smth 2 fill that specific void u wanted filled w stories too
#if i was better at like Narrative Writing id LOVE to do a bunch of dif like. werewolf series#all w dif stuff i wouldve wanted 2 see growing up or like Now that i never have bcuz it just does not exist yet#like well i should make it then#but i only have so much time! and im aĀ 1 man show#and i spend less time working onmy Book Writing now than i used to bcuz my memory is too poor to remember a lotta words#so i mostly focus on like 1) trying to Live 2) make the big shit i want made#i dont think im rly the best artist or writer but fist emoji i have shit i want to make.. so let itĀ be done#art and writing that isnt Impeccable never stopped me from liking or relating to smth so
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am i rlly going to write a death note literary analysis when i could be doing other things
about the discourse going on in the tag abt "death note is acab and thats why the characters couldnt better the world with the note (/written in somewhat jokey matter)" vs "death note is trying to say we all have potential for evil, especially if you get a chance to insta-hurt ppl without repercussions, and it doesnt matter if youre a cop or not", i personally feel like it ignores the things that i like abt death note, which is "both of these things are true", and simultaneously "both of these things do not matter". the first part of this is dedicated to the first point, the latter to the last.
first point. i think its an important part of the message and themes (unintentional or not, and i lean on the former because... come on, can you really say the author intended you to not think of the cops as good people, at least compared to light and l) that light is a cops son, and that almost everyone who gets the death note is cop adjacent/thinks like a cop and is already corrupt/powerful when they get it (mello raised to think hed be just like l, yotsuba group is self explanatory; you cannot look me in the eyes and tell me teru "churchill" mikami, who was hand selected by light out of a bunch of rabid kira supporters, is a normal citizen). i appreciated the cop post bc its rlly important to not gloss over that aspect.
all of this would be an argument for "only someone like them would do something like this, and i am not like them, so im above them and immune to thinking about what id do with it", but... misa is the MOST important outlier in all of this bc her murders are solely selfish in nature and shes not doing any of this for "the greater good"!!! her nature of being an exception and still a very very bad person is really really important...
or it would be if death note gave a shit about her character at all!!! im not talking about her tragic side, im talking about exploring the ramifications of her killing people the way lights murders are (somewhat) explored. that would strengthen the message greatly! but shes dismissed and that weakens it overall. firstly, she's dismissed by the characters when l only sees her as a way to get to kira and basically shelves her the rest of the time. secondly, shes dismissed by the narrative when her character is gradually ground down to a stump and (not to sound perilously close to the bad takes ppl meme about) she never faces repercussions for her actions. every other character using the death note is treated relatively seriously, but misa just dies bc her love is dead. im not saying this isnt a... fitting punishment or that it isnt in character, but it doesnt fit snugly into the theme other people are talking about of "you reap what you sow" at all.
we do have something of an equivalent to misa's grayscale motives. surprise surprise, its light yagami. first is light's characterization in the musical (i will also note that misa never kills anyone in the musical). light's thinking is coplike, yes ā he literally starts his first song by talking about "throw[ing] away the key" ā but also, oddly enough, could be read as progressive and therefore sympathetic to tumblr ("let the corporations make the regulations / and hold no one accountable when everything gets wrong / let the rich and famous get away with murder / every time a high-priced mouthpiece starts to talk, his client gets to walk"). compare to the anime and manga, where his bigotry and pride and disgust come from a place of lukewarm dissatisfaction and boredom. the musical has much less time to play around with lights character, so it gives the audience something to immediately hook on. more on how that actually plays out later.
in the animanga, none of this is justified from the start. animanga light could say he was just killing people to make humanity way, way worse, and that wouldnt matter, because at the root of it, it was always his boredom that made him pick up the note. of course he actually believes in justice and believes hes doing the right thing (no, he believes he's doing the wrong thing, for the sake of the world... the right thing, because he is god...), but it was boredom at the start. all animanga light says about justice and righteousness and the law is a front in the end, bc he is exactly like l and misa ā amoral. selfish. searching for entertainment. hedonistic. we know this. he kills naomi misora*. he kills lind l. turner. everything hes saying deserves to be dismissed from the beginning.
"but doesnt that mean you agree with the discourse post you wrote this post to argue against?" like i said, i agree with both of them! but i... still think its not right to reduce death note to the message of "the power to kill people is bad". because that is not exactly what the story is saying, even though that's literally its whole plot and therefore reaching that conclusion is self explanatory (lmao). let's look at the concept of mu. nothingness. "there's no heaven or hell". The Real Slay The Princess (Death Note Essay) Starts Here.
in light's final moments in the death note manga, while screaming about not wanting to die, he remembers that the first day they met, ryuk told light that "there's no heaven or hell. no matter what they do in life, all people go to the same place. all humans are equal in death". it is retroactively revealed that light knew this the whole time, operated under this knowledge for all the years we watched him ā the knowledge that nothing he does is actually bad, that nothing any human does is actually bad, that shinigami are not "evil", that the universe does not care. that no one cares except humans. this oblivion absolutely terrifies him more than anything anyone could ever do to him. its what he thinks of before anything else as he flails there, screaming, dying. one could say everything he does after that day is him trying to escape that fact, or wrest control over it. but it doesnt work.
here are the lyrics of requiem, the musical's final song, sung over the bodies of l and musical light, a light who was at least somewhat good-intentioned at first: "sleep now, here among your choices / then fade away / hear how the world rejoices / shades of gray / gone who was right or wrong / who was weak or strong / nothing left to learn". this is the final message the death note musical and the manga chose to leave us with. there is no judgement. even after all that acknowledged hurt, after all the damage done, there is no judgement.
in the manga and anime alike, the world is just as fucked when light picks up the death note as when he dies. sure, we as readers can guess otherwise logically (and be optimistic, believing the world was never fucked regardless), but that's not what death note wants you to think. it ends with matsuda and another member of the task force noting how the world is worse again even though they killed kira (matsuda is clearly much worse for wear, but still determined), we see the shitty motorcycle band again, it ends with misa and a whole kira cult on a mountain even though kira died a long time ago...
its extremely important that light is never killed by any human or any aspect of the law. he is always killed by ryuk: a chaotic force completely detached from human sensibilities, one that does not care about good and evil. same with l; in the anime, manga, and musical, he is always killed by rems senseless, morally gray love (and you could argue in the kdrama that hes killed by love there too lol). justice is just a set dressing.
this is not just because death note is a tragedy, because good and evil can still matter in a tragedy. the theme of "nothingness" and "good and evil doesnt matter here" is also shown in a situation relatively unrelated to light winning or losing, or being good or bad. and its in fucking lawlight of all things. we all know ls not a good person. we know lights not a good person. this is tip of the iceberg death note knowledge. but the moment they start to interact, none of that starts to matter. textually, their relationship becomes more important than the people theyve killed and hurt. and the thing is? the thing is? THAT WORKS STORY-WISE. THAT'S ENTERTAINING. AND IT'S NEVER TEXTUALLY CALLED OUT IN A LASTING WAY. l and lights relationship, no matter how much i meme it, is genuinely important to the themes and "mu" because it makes it clear that despite all the pretensions, despite everything, this was never about good and evil. and it still works in the story. this is why death note is simultaneously a comedy ā isn't the battle of good and evil supposed to matter more? well, fine, i'll keep watching this anyway. that suspension of disbelief comes crashing down the moment l dies, though, and a relationship built on nothingness (the "mu" sort, meaninglessness, not "character development" nothingness, theres plenty of character development) gives way to just nothingness (again, "mu", not light's post-l depression nothingness), forever.
(an aside: there is no one to root for in death note, and the only things to root for are either interesting character relationships, convoluted plots, or complete and total destruction: for everything to end so no more damage is done.)
not to say that death note does not encourage its readers to consider what damage they might do with the death note (obviously.), or that its characters never do. look at matsuda, a much easier heroic figure to latch on to than soichiro because of his unique place in the cast dynamic and because he's willing to consider both sides of the situation and kill light instantly for all he's done. its just that the story's own stance on the subject is... complicated by the existence of shinigami worldviews and by its own insistence that the world cannot change for the better.
also, this is not to say that this is executed well by the death note manga at all. it is a very strong tool, artistically, to establish and then violently remove any emotional connections between characters and make your story only about the exceedingly convoluted lengths characters go to to survive and catch each other so the reader can realize how ultimately pointless all of this is, but like... is that a good story choice if that's all you do? i would say not really. add in a good dollop of misogyny that destroys the second-to-last character who might actually be an interesting contrast to the rest of the cast's dull one-track focus on winning and justice, and youve got yourself a shitty story that... honestly still achieves what it went out to do, just not in a way id ever want to replicate.
anyway, back to the parts death note's actually trying to say. no matter what any human does in their life, no matter how they try to hurt or help the world, they all die in the end. hey, light, they all die in the end. once dead, they can never come back to life. and the seasons turn. and the world rejoices. and you say "goodbye"...
that's all.
no analysis of death notes overarching theme would be complete without nears final monologue, the definitive roast of light, the "you're just a murderer" speech: "what is right from wrong? what is good from evil? nobody can truly distinguish between them. even if there is a god." if we take this as talking about the actual god in the room (ryuk) as well as light, then near admits that humans will never be able to withstand these overwhelming forces and that, using justice and happiness and selfishness, they are just scrabbling to find meaning in things they ultimately have no control over.
but of course, near does not stop there. "[...] even then i'd stop and think for myself. i'd decide for myself whether his teachings are right and wrong." nears alright with not having control over everything, because near can still control nears own actions. these forces can and do exist, but they have no sway over nears own humanity ā unlike light, who caved.
one of the creators of death note said they believe its message is "life is short, so everyone should do their best". the first time i learned this, i was like, thats... nice and optimistic, but an awful reading of the story! "life is short, so everyone should be desperate and striving like light yagami", who literally cut off other ppls lives for his own life? what character in death note are we supposed to strive towards when we "do our best"? they all do awful things with their lives! honestly, maybe they shouldnt have tried their best, if this is what their best is!
but with the view of "mu"... it makes a bit more sense. just a little. maybe.
there is no good and evil. there is only what humans think, and no matter what we do, we all die in the end. it is easy to be crushed and terrified by this in the same way light is, but what is more important than justice and righteousness and finding meaning is... doing your best. not being a person that hurts others too much. not letting yourself get swallowed up by an ideal. not going too far. and simultaneously, trusting yourself.
it leaves a few questions, though... was the currently dead l even a little bit right about his blatantly amoral approach, then? was there a point to this pain, and me slogging through this dumbass manga, and all the people that have lost their lives to a selfish teenage cop's son and the whims of everyone chasing after him? was there a point to any of this...?
the manga** never answers this. it stays clinically impartial until the very end. the musical is anything but clinically impartial (and i love it so much for that), and its ryuk that has the last word.
"there's no point at all."
of course theres no point. none of this was ever supposed to happen. that is what matters more than all the hurt and the crimes and the pain.
and that's... actually okay, because it's over now.
yes, death note has many really important themes present in its story, but its viewpoint is nihilism first and foremost. thats why its so fun and easy to play around with all the other messages, because no matter what fun or torment or awful things or righteous justice or absolute nothingness or sentimentality happens in between, there is always an end.
there is always the end.
#*naomi was killed off bc the author thought shed solve the case too quickly. ironic. i dont think it was meant to forward a theme other than#'light evil! oh no!!!' bc it had minimal buildup and absolutely no repercussions. it is just kind of smth that happens#everything in death note is just smth that happens bc. at some point i just have to admit its NOT RLLY WELL WRITTEN#but it says something. it says many things. and i like balancing the two in my head#death note#personal#**>reduces anime ending to a footnote /j#anime ending: light regrets COMING THIS FAR- not his crimes. he sees l as another regret and dies.#another example of the tragic self (and tragic relationship) ultimately being more important than morals#l would be proud of the torment he inflicted on light if he were not fucking dead#i would also bring up the argument that the way every death note character uses the note is so extreme that its hard to compare them#to real people but lets assume that the author was trying to replicate how actual human beings work as much as possible*#you made it deep enough into the tags would you like to hear about near and mello being nonbinaryā#'there is an end so why not enjoy the middle? chain yourself to a hot boy eat strawberry shortcake be bisexual and lie'#*either that or they were just explicitly trying to have fun like they said they was doing#light yagami#sure ill tag my boy#'you cant say the curtains are just blue!' well can i say the curtains were shittily made#norrie if you look at this post ever again ill death note you myself
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hi hi hi leeeee :] as a colleiwarrior it is my duty to ask about collei o7 and if you want to do it id like to hear your thoughts about xiao too hehe
HAI PLUTO!!!! ill do collei and then xiao :3
Collei:
First impression:
OHHH I LOVE HER ALREADY SHE'S SO SNARKY AND HER LORE IS SO COMPELLING....... very very excited to see her in game i hope she comes out soon (<- had to wait like what. two/three years????)
Impression now:
gives me brain worms my God. i think i've thought about her too much bc theres so many lil symbols that i associate w her that just aren't intentional in the slightest. she has so so so much lovea nd heart in her and i wishhhh people understood her better. also extremely disappointed in her in-game writing for multiple reasons but like. the ableism and misogyny being a big one. :( colleination could fix her...... i wish she were more mean in the game.
Favorite moment:
her fight w kaeya and the subsequent "confrontation" w amber....... makes me so so sick in the head that was The original collei trio to me. i looove how it plays w all three of their characters even if it isn't shown very well. it's also the basis for a lot of my interpretation of collei since it shows the extent of her beliefs/lack of belief. dear god..... it's so so good.
Idea for a story:
i've talked abt wt spin off au and windblume rewrite a bunch on this blog so let's go with amber and collei liyue trip!! :DD someone comes and tells amber they heard something about her grandfather in qingce while collei's in town and obv collei's like i can't hold you back on this! so they jsut decide to go together bc collei's packed a bag anyways and they're both adept w survival skills surely their different skills will come in handy for liyue. going to qingce leads them to going to yilong port (i'd do qiaoying but i feel like its too close) and amber's like. kinda stumbling w her broken canto-mando and feeling weirdly emotional and she and collei both bond w "coming back" to a generational homeland while feeling like a stranger and its an important moment to both of them bonding as friends and a pivitol point of collei changing her idea of amber as a savior as more of amber as a best friend yk :''). also ga-ming....... i don't know if he'll stay for long bc honestly i do want it to focus on amber and collei but i think it'd be fun for him to at least make an appearance or sm yk!! the narrative there could be so compelling.
Favorite relationship:
........................okay yeah obv it's amber and collei aksjbdkbsdja BUT. her and cyno are a close second :]
Favorite headcanon:
SNAKE MOMENT. i have a moment in my wt spin off au where she tends to a snake in spite of a phobia of them and it's representative of her first step towards healing AND her caring for her younger self even if she's still wrapped in so much hatred of her. also trans (she/her) lesbian.
Xiao:
First impression:
he's so sad :(( i want him please come home.... he has so so much heart and he doesn't even know it because of his own grief and guilt and objectification of himself :(( he's bruce-coded FUCK.
Impression now:
MAKES ME VIOLENT. i love him so so bad i miss him all the time. his story is soooo entangled with grief and acceptance and every little step he takes reflects that. he's such a fun character bc it's kinda a study on what comes after the tragic hero's story yk? except the tragedy is in part because he lives! he feels so so much and has such a big hear tbut denies it any priority bc it's easier not to. :((
Favorite moment:
PERILOUSWS TRAILS CUTSCNEe......... MY GOD. DERA GHODDD. FUCK. it makes me so so sick in the head that entire quest. xiao so readily sacrificing himself for the others because it's his duty to and because its what all his loved ones did. him closing his eyes and accepting it and finding comfort in the fact that he knows what happened to bosacius and that he's following his footsteps. him being saved and being surprised but That being such a key moment to his grieving process. also the poem from the waterborne poetry event :'') (aka the only part of that event that matters). it referencing all of the yakshas :'''''') and talking of him missing them
Idea for a story:
i don't have an actual story w xiao in mind... i would loooove to see another story quest w him and the other adepti though :''') i wanna see him in the past so so bad :C
Favorite relationship:
him and zhongli! :] they're both characters whos stories are about grief but both have different timelines to it and i think that's so so interesting especially when you remember how zhongli showed no emotion during the archon war and how his depart from his duty was his final stage of grief (acceptance) whereas xiao plunged himself into duty and emotional repression as a means to cope with all the grief and guilt and pain that he feels.
Favorite headcanon:
i think the wangshu inn staff gives him li xi sometimes and he's just like "i am literally older than you please stop i have no need for this" but he keeps it anyways. they have a small room saved for him at all times just in case he ever wants it (he never takes it but he appreciates it). <- its small bc he'd die if it was an open space.
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scuttles. if ur still doing the ask meme. kurokawa (annie)
kurokawa!!! i totally didnāt fill out everything except the last bullet point and then forget i was working on this for like a week. āŗļø
-My identity hc for them
i hcāed her as lesbian specifically for a v long time, but bi kurokawa has been speaking to me recently ? bisexual homoromantic may b,, split attraction model my beloved. but who really knows!! my thoughts will prolly change again.Ā
and i donāt really think much abt her gender identity! she prolly ids as like.. a girlie pop. thatās what sheād say if u asked her. some characters are canonically cis some canonically trans some of them i have opinions on but itās not smthn like. ācanonā per se. and some i just have zero thoughts whatsoever kurokawa is in that last category
- Thoughts on their home life/family
neeeed to rewrite the motive scene in ch1 so bad. uhmmm. ya know. i think kurokawas love of streaming/social media/etc stemmed from likeā¦.. wanting to have fwends and that not really being an option for her ? she was v well loved and v well taken care of but likeā¦ having a bunch of besties who she could go have sleepovers with and stuff was never a feasible thingā¦ so i think like. having a fanbase is vv much so a comfort thing. canāt have friends over to do their makeup but can do her own makeup while chatting with people. canāt bake for friends but can share recipes/demonstrate them and see people post their recreations. not really about her family, but itās a bit of a home life detail!Ā
Ā - How i feel about their canonical writing/handling
i like how sheās written and handled! i actually reaaaally like what happens with her narratively for reasons i cant explain yet. buuut yea i like her sheās fun! even if her writing kinda shows how old beta is (ie was written before we had proper dra translations). ābut wait couldnāt u just rewrite her personality now we know mikakos true behaviorā consider: i donāt want to !!!! i wuv her sheās staying. iāve gently changed things but justā¦ shhh. itās fine. <3
- The one thing iād want to make canon about them
despite being in theā¦ sunny and sociable archetype (i will NOT spoilā¦ (<- trying to keep myself in check) but hopefully smthn thatās come across is how like. a big message rn is how important being besties is to preventing murders), kurokawa is like. zero help to keeping people hopeful and not wanting to murder one another in a kg setting. personality =/= how good u are at connecting with people. shes not going to actively make things worse like Some People, but simply having a cheerful nature will noooot help people stay happy and if anything can result in further isolation. itās a matter of how u interact with others- thereās people who are more negative/pessimistic but they do better to increase the odds of the group being calm than kurokawa does.
and this is nothing against her as a character or a person!! itās just a matter of how beta is written, and also how sheās written and handled, that i wish was more apparent. i think itās a fun insight on her personality and who she is. sheās not consciously trying to be, likeā¦ā¦ sheād love it if she could be uplifting and a source of hope! but she just Doesnāt form those bonds with people immediately. tsuzuna have very specific approaches and are very Conscious of how they interact with others, and kurokawa just doesnāt have theeeā¦ knowledge/skill/experience. because sheās not used to long term emotional crisis management!!!
- My number one favorite ship for them
ā¦yāall remember kobashikawas ask meme fill? i should say kuronori logically theyāre The moment. but my brain rn is saying tomori/kurokawaā¦..
- ā¦Now everyone else i ship with them
sheās v shippable!! again my hcs change often but rn sheās actually one of the characters i can see w/classmates of the opposite gender. woah. that in mind tho, i only really actively ship her with the other members of the kuronorimakitomo polycule, but i also think sheād be cute dating tomori and iranami (downsizing the polyculeā¦. if kurokawa and tomori are with iranami, does that mean inori and maki are with hatano? hm..)!! i think sheād also kinda beĀ š? at taira when they first met, but after getting to know her a bit better kurokawas like āoh !ā and side steps away. she doesnāt like tais energy.
- The thing i will NEVER ship
. do i need to say it.Ā
- a dynamic/relationship i wish was explored more (in canon, or in fandom)
the fact kurokawa was like. kobashikawa should come with us to the exorcism cuz he investigated the store!!!! despite. literally investigating the storeĀ with himĀ is really funny to me. underrated moment girlie what was ur reasoning there!!! also she didnāt even invite Åtori. itās so silly to me, so i have to say kurokawa and kobashikawa- OH though!! i do also like her and uehara. canon answer for dra in general, to put them together. but i think theyāre silly!! overall just the maedas exorcism gang!
- thoughts on their design (appearance-wise)
!!! i like her design a lot actually! constantly changing little details, but the general concept of purple jacket, black t-shirt, black shorts, then socks and sneakers, is always the same, and i always like it!! itās a bit more plain, but it allows for little details to be added (shoes w/hand drawn details, custom made jacket), which are cute and add to her character! liiike, kurokawa and uehara both have custom shoes and jackets, but they came about them, and stylized them in v different ways, and so it says smthn different while still being the same sort of concept. buuuut anyways!! sheās cute and i wuv her fit <3!!Ā
- A music-related thought- a song that reminds me of them, or what their music taste is, etc
maybe a weird thing to point out as a niche?Ā Ā but i think she listens to a lot of kpop girl groupsā¦. fun time to mention that i cannot imagine her on twitter i think she has one for like. her brand ? which is very inactive. i donāt think sheās one where the music likeā¦ā¦.Ā āØspeaksāØĀ to her i think sheās a casual enjoyer of the things she likes!
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im not even looking at the questions so heres a surprise mix for you: 11, 18, 32, 39, 1, and 4 have fun bestie
i love u i love u i love u
1. Which of your fics would you keep the basic plot of but rewrite completely?
truly wholeheartedly wish i had the energy and the motivation to rework my av tatbilb au. [you gonna break my heart, sammy?] i loved the concept and spent six months hammering away at it and by the end i was just tired of it and wanted it to be done, and i feel like the ending is rushed and hollow because of it. it was the longest thing i'd ever written or posted at the time- over three years ago, now- and while im really proud of the fact that i planned it out and wrote it and actually finished it, i do think i could and can do it better. spend more time fleshing it out, make it feel less like a trite reworking of the original, dont rush the get together at the end, etc.
idk if i ever will. but maybe some day
4. Do you have any OCs? Do you have a story for them?
:)) well. it depends on how you define oc's, but they're pretty close.
and yes ive written SO many stories for them, there's so much lore and extended universes and multiverses.... god. insane. shout out to dnau's. if you know you know etc
11. Three tropes that are fine but overrated.
oooh uh. hm. idk if it's a trope, necessarily, but like supernatural creature/ mermaid au's aren't really my jam- especially when those aren't themes or elements in the canon material, it just always feels so jarring and its hard for me to acclimate to enough to suspend my disbelief
a more traditional trope, i HATE the shotgun proposal trope at the end of a story/movie, especially when they havent been together longer than a year- they should NOT be getting married it will NOT stop their problems
uh also in fic im wary of kid fics, if only bc most people who write kid fics do NOT know how to write children and will write the most intelligent eloquent four year old in the world like. dude. talk to children before you make them central in ur fic. sorry.
18. First, second, or third person?
third, primarily. but given the right circumstances and personal heaspace ive been known to dabble in first and second.
32. Do you have a word/expression that you always use in your writing?
i'm always a sucker for the classic italicized Oh. moment, personally [insert essay about breath in the narrative and how impactful giving your characters AND your readers moments to breathe within the story can be]
but i also really enjoy a- to quote casey, who reads and edits a vast majority of my writing bc she's wonderful- "one sentence paragraph" i think it can be a really fun and a really impactful kind of narrative punch moment and can spice up the rhythm of your writing
as for like specific expressions that i use or over use, im sure i have them i just can't think of any off the top of my head- i write how i talk a lot, so i know a lot of my sav-isms and style of speech leaks into my writing but idk if im self aware enough to notice the explicit patterns yet (if you have noticed patterns/repeated phrases, please let me know!! id love to hear them svkjnsfk)
39. Wildest AU scenario you have written?
this is an impossible question skjfvnskfjvns ive written SO many au's for so many CRAZY concepts that like. the scale of which is the wildest is purely subjective, and im not the one to ask bc i wrote all of them skfjvnskfjv
ive also got a TON of unused crazy au ideas in my docs/ idea lists that i haven't used or written yet so like.... comparatively the ones i HAVE published are pretty tame skjvnksfj
all that said. my eldonado fic Happiest is insane just bc of the sheer self indulgence of it, i wrote them doing a play i did in highschool, and i gave sam the role that i played. can you say #projection ?
ty ty ty ty jamie- for someone who picked a bunch of random numbers you really happened to pick a bunch of questions that are really relevant to us skjvnskfjvnsf
send me writers asks from this list!!
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So Phillip Kennedy Johnson did an interview on Word Baloon. Some tidbits I've heard: 1. Reaffirmed that Morrison was consulted for Future State. They had a Fourth World idea that PKJ cannot share for spoiler reasons, and they were complimentary towards PKJ's ideas. 2. Due to the Cosmic Scale, Lois won't be playing a major part in the plot. This is why the back ups are there. 3. Jon won't be deaged, the secret ID stays out. Waid are Morrison are his favorite Superman writers. He also likes Marz.
I listened to it, he dropped a lot of interesting info! I organized them as such (not including what we already know, which is that after the two-part crossover The Golden Age with Phil Hester kicking off the run heās doing Action Comics with Scott Godlewski and Superman with Daniel Sampere; heāll eventually do a big event-scale story in Action ComicsĀ starting around September with Mikel Janin and then remain solely on that book while another team takes over Superman, and thereāll be a big shift in the supporting cast on one of the books at some point):
Future State
* Johnson wasn't on Superman for 5G, but the more general cosmic side, though the shifting plans wound up with him here.
* House of El has a 'fall of Camelot' sort of vibe; he charted out future super-lineages for that book, including from other people Clark had families with after Lois passed away centuries down the line, who largely only exist by implication in this story because we see the great-great-grandchildren of those kids.
* Reaffirmed that Morrison consulted on the Superman stuff inĀ Future State, and they were very complimentary to PKJ's ideas. The anecdote provided was that when one idea was thrown out Morrison replied withĀ āHEY, IF YOUāRE DOING THAT HAVE YOU READ THIS ONE ISSUE OF FOURTH WORLD WHERE-ā and then Johnson canāt say what Morrison said because thatād be a spoiler.
* We're gonna see some of Smallville in Worlds of War.
Superman/Action
* He's doing lots of worldbuilding stuff ala his work on The Last God; he feels thatās a big part of why he was brought in by DC to the main line in the first place.
* He's not deaging Jon, he's not putting the secret identity back in the bottle, he liked those stories and even if he wouldāve made different decisions he feels itād be disrespectful to creators and the forward momentum of the characters to hit the One More Day button (though he acknowledges and is fine with that someone else probably will some day).
* These are big, cosmic-adventure stories - since he felt the core of Bendisās run were about intimate character interactions heās throwing the lever in the opposite direction, saying that if that was about Supermanās humanity this is about Superman as a borderline-god. Which would be bad if that were the sole focus of the take - heās made clear it isnāt - but is still certainly nice to hear compared to the logline of the last 40 years.
* We're not going to see much of Lois or the Daily Planet crew due to that cosmic scale, so the purpose of the backups is to highlight them (and Sean Lewis won't be writing all of those).
* Asked about the contrast between Clark and Jon: Clark has seen and done it all and is really feeling the weight of his status as a veteran hero whoās been doing this forever at the start of this, especially with Jon literally growing up overnight. While not detracting with his incredible decency Jonās going through a lot, under the pressure of only being who he is, having the opportunities and responsibilities and accomplishments he does, because of his dad even if he doesn't resent him at all. He doesn't want to be Superman in spite of being the unambiguous heir to the throne, both out of desire to be his own man and because that'd be predicated on losing his dad. He's also a bit of a mess because he's been hopping around time and space throughout his entire life, from literally day one with ConvergenceĀ (conceived on one Earth, born on another, raised on another) and the shock of learning about his parents and then everything under Bendis; Johnson notes it's remarkable he's as put together as he is but he's feeling how he has no fixed sense of place or home.
* Asked about if the run is predicated in part on multiverse stuff he danced around the question.
* He reinforced again that there should be room for Clark and JonĀ ābetween the two booksā.
The event with Mikel Janin on Action
* The event makes the universe "bigger and older" by expanding something PKJ considers underserved; it might affect other books but it's a Superman thing first and foremost.
* Asked about Power Girl he noted that while he doesn't have plans for her, she'd theoretically fit well in the event so it's not impossible she could show up.
Misc.
* The cover to Superman Annual #10 with The Sword of Superman was a big influence on PKJ's image of Superman as a kid, though he wasn't a huge fan of the story itself.
* He noted that with the "new multiverse setup" there's nothing stopping folks from writing a young Jon even while he's aged-up in what PKJ's writing.
* He listed Waid and Morrison as his favorite Superman writers, with an additional mention of how much he likes Ron Marz's take.
* Supergirl's going to have a bigger role going forward in the DCU, he's aware of plans for her in other books.
* Krypto wonāt be in these :(
* He isn't writing Conner, he figures he isn't in the line for the Superman title in the same way as Jon nor does he struggle with the same identity issues because he's so effortlessly himself.
Without nullifying my concerns that he might screw it up - heās had a pretty divided hit-miss-ratio from what Iāve seen, and thereās concerns that it could get decidedly jingoistic (hopefully the space focus will mitigate that) - he really sounds like heās saying all the right things for me specifically. The idea of Jon lugging around the emotional load of going through pretty much every single Heroic Coming Of Age narrative rapid-fire is one Iāve had myself so Iām excited to see someone tackle that head-on (and this sure seems to be heading into him becoming Superman as I figured with the initial announcementĀ and taking over that book proper.Ā More specifically co-Superman, I think now DCās gonna basically try and pull off a bunch of Miles Moralesās with him, Tim Fox, and Yara Flor, for better or worse), I love big-scale Superman adventures and mythology, heās citing quality influences and seems to have a decent grasp on his two leads. God, maybe the Superman books will keep being good after all?
#Superman#Phillip Kennedy Johnson#Jon Kent#Action Comics#DC: Infinite Frontier#DC: Future State#Superboy#Phil Hester#Scott Godlewski#Daniel Sampere#Mikel Janin#Grant Morrison#Opinion
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āi have a lot of thoughts about this too especially with the whole watermelon sugar/nameless thingā pls miss britt share ur thoughts id love to hear them
This got so long. Iām really sorry. My thoughts about HS2/In Watermelon Sugar/a bunch of other random stuff under the cut.
These are all thoughts that are only vaguely connected, and stuff that Iām sure has been said a hundred times before mixed with a ton of my own personal conjecture, so please bear that in mindā¦ This is just like total rambling from me.Ā
But I have been fascinated with Harryās connections to In Watermelon Sugar since we first heard the stupid rumors about the song. Especially the quote from the book about the narratorās name. That quote got me thinking about how when it comes to Harry, tons of people only see what they want to see based on whatever āversionā of Harry is most appealing to them.
Read these quotes from the book with that in mind:
My Name
āI guess you are kind of curious as to who I am, but I am one of those who do not have a regular name. My name depends on you. Just call me whatever is in your mind.
If you are thinking about something that happened a long time ago: Somebody asked you a question and you did not know the answer.
That is my name.
Perhaps it was raining very hard.
That is my name.
Or somebody wanted you to do something. You did it. Then they told you what you did was wrongāāSorry for the mistake,āāand you had to do something else.
That is my name.
Perhaps it was a game you played when you were a child or something that came idly into your mind when you were old and sitting in a chair near the window.
That is my name.
Or you walked someplace. There were flowers all around.
That is my name.
Perhaps you stared into a river. There was something near you who loved you. They were about to touch you. You could feel this before it happened. Then it happened.
That is my name.ā
and:
āMy Name. I do not have a regular name. I am a mystery to you. I wished Margaret would leave me aloneā¦ā
ā Richard Brautigan, In Watermelon Sugar
The narrator of In Watermelon Sugar isnāt just a nameless figure, he actually invites the reader to give him whatever name they find most fitting for him. A positive connotation, a negative one, a nonsensical oneā¦ whatever you, the reader, decides. And that feels like a very apt description of Harry and the various ways fans have perceived him from the very beginningā¦ by now, so many people have projected so many different images onto Harry that over time it has completely blurred all lines as to who Harry actually is.Ā
Hereās a review I found of the book that summarizes the world within In Watermelon Sugar better than I can (as well as somehow still aligning perfectly with the concept of struggling with fame and identity, etc): āMuch of the sense of disparity in [in Watermelon Sugar] results from the incongruity inherent in the person of the narrator, who insists that everything in iDEATH is exactly as it should beāthe people gentle, pleasant, and tolerant. Despite the narratorās insistence that iDEATH is a stable Utopia, however, many of the things that happen are fraught with pain and violence. Balancing the easygoing and vegetarian people with their light chores and flower-filled parades are the man-eating tigers, the burning of the mutilated corpses of inBOIL and his gang, Margaretās suicide, and the emptiness felt by the narrator but never named.āĀ
So essentially within In Watermelon Sugar, weāre shown that in the surrealist, post-apocalyptic setting of iDeath, things are only perfect on a surface level. Everyone in this world appears to be happy (or at least, they should be), but a closer look reveals the true nature of iDeath: itās beyond grim. And so despite the happy, shiny surface, being a part of that happy, peaceful commune is unable to cure the narrator of the inexplicable emptiness he feels inside of him. (āAll the lights couldnāt put out the dark running through my heart.ā āHaving sex and being sad.ā)
The sadness that Harry has already admitted is very prevalent in HS2 has already been implied to be about a ābreakup,ā but itās clear to me that Lights Up is anything but a breakup songā¦ (ā[Lights Up is about] freedom, self-reflection, self-discovery, things that I had thought about and wrestled withā¦ā + āFor me, itās a very uplifting song. In some places, itās kind of dark, but to me, itās like, very liberating. I think, you know, over the past couple of yearsā¦ Itās about self-reflection, and freedom. It feels very free to me, which is I guess things that Iāve been trying to processā¦ I guess, kinda wrestled with a little over the last couple of years. Itās kinda like, about accepting all of those things.ā)
His sadness/whatever emotions and problems heās been wrestling with have seemingly spanned the course of a few years, and are very personal to himā¦ which is why I feel that releasing Lights Up as the first single sets the tone for the rest of his album centering around his own identity. The line āLights up and they know who you are, know who you areā¦ Do you know who you are?ā poses the question - who is Harry? - and then, āShine! Step into the lightā¦ Shine! So bright sometimes. Shine! Iām not ever going back.ā shows us Harry having the strength and bravery to overcome his fears (stepping into the light, although itās āso bright sometimesā - overwhelming) and reclaim/express his own misunderstood identity.
A lot of people have been trying to tie the In Watermelon Sugar thing back to someone else, but at this point I completely disagree. Not only have we seen him make literary references in the past (the Charles Bukowski reference in Woman), butā¦ given everything that heās said about Lights Up so far ā which was surprisingly a lot ā I think that Harry genuinely just took a lot of inspiration from the book because it seemed to hit close to home with his own feelings about self-acceptance and living an authentic life within the public eye.Ā
I think a lot about the scene weāve yet to see from the directors cut - a room full of many different iterations of Harry.
āMy name depends on youā¦ Just call me whatever is in your mind.āĀ
Which leads me back to more total conjecture on my end, but I think that when Harry initially set out on tour / kicked off his solo career, he seemed determined to continue performing within the safety of the walls that had been built around him, so to speak. In one of the interviews he did earlier, he talked about tackling his first album from the perspective of ābowling with the bumpers upā - he wanted to play it safe. He didnāt want to veer too far out of his own comfort zone and fuck it all upā¦ and in doing so, he seemed to hold himself back quite a lot. āI wanted to see if people would enjoy an album without knowing everything about me.āĀ
I think that heading into writing with that mindset explains songs like āComplicated Freakā and āMedicineā being scrapped and excluded from being released on HS1. In retrospect, all of his tour - and especially Medicine - seem a lot like Harry dipping his toes in the water. Being totally presumptuous again, but I find it likely that Harry has had it ingrained in his mind for a long time that he needs to fit certain molds and keep certain narratives alive in order to continue to be successful. And I imagine that this idea is not his own, but instead something that has been hammered into his head over and over from a young age. And I would guess that a lot of anxiety and doubt has stemmed from that - go back and watch that shaky first performance of Medicine and tell me what you think he was likely feeling in that moment. But again, it circles right back to the strength and bravery of doing what he knows needs to be done to expel all of the darkness inside of him - stepping into the light. (āNever going back now / Be so sweet if things just stayed the same.ā Itād be so sweet if he could live in that fantasyland forever.)
Anyway. I really donāt think Harry was at all prepared for just how many people would show up to support him in that senseā¦ but his own community just rolled up in droves, bringing a total outpouring of love for him every single night. He had entire arenas lit up in rainbows, people bringing hilarious and heartfelt signs, flags after flags after flags after flagsā¦ all in celebration of him and the feelings of safety, strength, and bravery that he has continuously imparted back onto his fans. It was such a queer lovefest that even other artists likened his tour to āpride parades every night.ā Thatās so unbelievably powerful? I canāt think of any other artist whoās crowds do that for themā¦ not even gay icons like Elton John? I still maintain that one of the most incredible things to have come out of HSLOT was the safe spaces he + his fans created for one another. It meant a lot to us, and it clearly meant a lot to him:
āThe tour, that affected me deeply. It really changed me emotionally. Having people come to sing the songsā¦ For me, the tour was the biggest thing in terms of being more accepting of myself, I think. I kept thinking, āOh, wow. They really want me to be myself. And be out and do it.ā Thatās the thing Iām most thankful for, of touring. I feel like the fans in the room ā itās this environment where people come to feel like they can be themselves. Thereās nothing that makes me feel more myself than to be in this whole room of people. It made me realize people want to see me experiment and have fun. Nobody wants to see you fake it.āĀ
I think that going on tour, and seeing the reaction and the acceptance of his audience, definitely made him want to take the bumpers downā¦ to ābe out and do itā because ānobody wants to see him fake it.ā It seemed to help him massively in terms of his own āself acceptance and the things heās been wrestling withā and to make an incredibly, incredibly long winded answer short, itās why I STILL do not think that releasing Lights Up on National Coming Out Day was in any way incidental. I think that was a big part of what Harry meant when he said that no one wanted to see him āfakingā things.
Andā¦ thatās basically it, I think, for now. Iāve just been sitting here nodding along at everything heās been showing us the last few weeksā¦ Impressed by the direction that he seems to be heading. And taking notes. Iāll go ahead and shut up now because I KNOW itās still too early to draw definite conclusions on his intent for this new āeraā (and this new song could be about choking on literal fucking watermelon seeds for all I know, nothing Harry does ever makes any kind of sense does it), but I canāt help but come to my own conclusions based on what I feel he is sharing with us.
#like if anyone actually thinks that it makes more sense for harry to be crying over borrowed slippers from an ex#and writing entire songs based off of his ex's supposed favorite book... be my guest or whatever#but it totally undermines how smart harry actually is. he used the word 'regalia' in a fucking interview the other day#like c'mon lmao#anyway#this is just me rambling for like... a solid 2k#sorry#when he makes me look like booboo i'll at least be a more educated booboo or whatever#:')#*
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tyler, the creator: the very queer discography review!!!
Im bored of writing overly long threads on twitter so i wrote a look at tyler the creators discography and why hes gay and im gay and deserved to have his dick immortalized in gold when he dies. So tyler gregory okanma is a black man born in ladera heights california. Heās also my third favorite rapper and since he discovered my favorite rapper earl sweatshirt I guess he deserves goat status for that shit too. Tyler started his career around 17 years old as the ace the creator. He did features at the time with casey veggies and the inspirations in his flow to mf doom where already apparent even back then. From ace the creator mixtape you can already hear the very digital and jazz inspired pharrell production. Funny story if you look up any of his ace stuff now you'll mostly find some really old production that in the age of tyler the creator type beats doesn't really hold u all that great. From there Tyler went on to create odd futures and his first album bastard. He quite quickly followed up bastard with godlin. Goblin, bastard, and the OF tape vol.1 all feel pretty interconnected so im gonna speed round from worst to best. So odd future tape volume one is fun and punk and really crass, it's also completely eclipsed by odd futures other releases. I love odd future and the collective's ability too be both edgy teen skate rap garbage, and a risky artistic rap collective all at the same time. In odd future's first tape it seems pretty clear that tylers description of the groups early work as a bunch of niggas joking around in a studio is very apparent for better or worse. If you wanna get high with some friends can listen to some funny edgy and downright grimey tracks over left brains booking production skip this and listen to odd future's next mixtape but come back here to listen to some funny skits and a few proto mellowhype track with domo genesis. Goblin is Tyler's attempt to do a bigger darker more sprawling version of bastard but misses the mark. I like the album and I love singles on the album. Goblin the opening track is amazing and is a great look at tylers mental state attempting to live up to his newfound fame and anxiety about his infamy. I love yonkers and tron cat. Tyler says alot at this time that he doesn't make horrorcore and he's correct but the lack of emotional honesty and his immature deflections is really going off on all cylinders. If you dont wanna hear skits like āmy bitch suck dickā and lines like āim not homophobic faggotā i would probably call it his worst album. Before i talk about bastard id like to go over his use of slurs and rape in his work. Tylers consistent lyrics about violence towards women and use of the lgbtq community really don't insult me. I feel like his lyrical content is filled with a clear look of how angry and insecure tyler was about not having a father or any way of processing his angst. Did he have to sound like a incel threatening to stalk and murder women who refuse to love him for over 3 albums? No, but i really enjoy looking at his early music. He doesn't shy away from how angry, sad and desperate he was at the time. That synthesis of need for fatherly love, anger from a lack of it and deteriorating mental state honestly makes the content more palatable. Also as a black trans women id rather hear tranny an faggot bars from a male rapper making intreeating music. Tyler at the time was being honest, angry and vulnerable not like eminem and action bronson who spit these bars with all the same rap bravado and violent anger toward women with zero pathos. Bastard is amazing, it's an intimate dark album. At the time it felt like it was tapping right into where I was at the time. The amount of mental anguish on bastards opening track really hit me. I was an angry kid with a lot of angst and bipolar disease so hearing a rapper yell about that same dysfunction really meant alot to me. The flows are amazing and it was a really good look at tylers ability to build a narrative. Wolf was tyler's next album. For a while wolf was my favorite album by tyler. His look at relationships and breakups on bimmer and ifhy are amazing and are expanded on his future releases. Find your wings and treehome are also a good look at his more melodic influence. It was such a good album I actually bought the mrech for and went to see Tyler at afropunk. Also hearing an entire song about the death of his grandma really hit me, my grandfather died around the same time. Cherry bomb was bad, now moving one. Ok imĀ joking i've listened to it two or three times but its really not worth going back to even though tyler put his all into it. The soul features and amazing production is worth listening to but even Tyler admits he rushed the album a little and that he needed to blow people away next time. Flower boy, is one of the most important albums in hip hop. That's it. Bar none. It was my favorite release of 2018. Flower boy is about tylers newfound isolation with his fame, and how he drives cars by himself in beautiful la vistas. Its also about how heās gay (or bisexual). There are ALOT of stupid takes on this album. There is a contingency of tyler stans that think tyler has been āplaying a characterā since bastard. Now I'll admit that wolf haley and dr.teecee are clearly characters; they are also artists' representations of tyler's mental state. If wolf haley has adhd and no father that means tyler also has those issues. So whether or not Tyler is playing a character he has in fact ābeen kissing white boys since 2004ā. I also have seen an insipid article that asks if ātyler the creator should be accepted into the lgbtq communityā due to his homophobia? Much more controversial and actually homophobic and transphobic people are in this community hes tyler the creator, not milo yinnaoplous. I also dont think that it occurs to the reviewer that alot of gay men are very hmophobic before they come out and that self hate is very common. Lyrics like āim not gay i just wanna dance to some marvinā also has a much deeper context now. Listening to older releases you can see how in your face tyler was about his queerness. He even said he filmed himself kissing his friend Lucas to prove he wasn't a homophobe. I'm happy Tyler grew enough to make an album not only about being attracted to men but how lonely he felt in and out of the closet. As someone who came out as bisexual at the time it came at a perfect time. BeingĀ gay is isolating and confusing and when you do you lose alot of friends and family. Garden shed, who dat boy, and 911 are real standouts. His collaboration with kali uchis was also so fucking smooth and she a born r&b star. Tyler gained a grammy nomination off the album and said he loved the feeling of finally making popular catchy music people wanna sing the lyrics too, so he followed it with igor. Igor opens with this addendum on the back of the physical album:Ā
This might be fiction, this might be about igor but it is fully about tyler okanga. The album is very hard to parse and barely has any rapping. It's more of a pop experimental album with a lot of lofi synth production. Tylers production chops are full force here. Igor is melodic, sad and full of the same anger and obsession from his previous albums. Its just more mature and really gay, and i fucking love it. Tyler was dealing with a tumultuous relationship with a guy and his refusal to be with tyler exclusively. Its about a breakup. A love tragedy that only becomes more depressing after the argument on a boy is a gun, the breakup in my love is gone, and the sad slump back into needing closure in can we be friends. The album is fun to sing to, and fucking devestating. I've dealt with a lot of similar issues with love and obsession so to hear it so clearly illustrated on igor really hit me. I think the album becomes even more depressing with the unreleased track best interest, about tyler being a side nigga. This is the kind of music that's sometimes made in r&b and pop but never in rap. There was an interview where Tyler says he hated his voice which is why he edits it so evident on igor. Tyler also said he wanted to send these songs to rihanna and Justin Beiber but they didn't want them, as cool as it sounds. I'm happy tyler was able to tell his own story. I would also recommend magic wand since it's my favorite track on the album and kicks you in the face with how angry and heartbroken Tyler was at the time.Ā
Tyler is an artist that talks and speaks about how he feels all the time, he's also a person who feels enigmatic and mysterious somehow. I think it has to do with how constantly he's put to the side of his other hip hop contemporaries. He always seems to be making music Tom weird, controversial and experimental to be treated like asap rocky, vince staples, or the late mac miller. A fact that feels ironic since he worked with all of those artists, lil wayne, and even kanye west. I'm as big a stan for tyler as he is for Pharrell, if it wherent forever I'd never take rap seriously and would never have chosen to make my own music. As a black trans woman I find a lot of tylers work really relatable. I've been in alot of the angry hopeless situations Tyler talks about in his music. I think he's the artist who hits me the most on a personal level and yeah when i was depressed i sat in my bedroom and listened to bastard in my low moments. I like riding in the car and listening to all of flowerboy. Igor is amazing as well for almost half a decade it's been amazing growing up and hitting the same emotional beats Tyler went through5 in his work. Hearing about him coming out as gay ajd dealing with very similar backlash mad me feel less alone if im being honest. Tyler has said he wants to take a more production heavy role in the industry moving forward but he says that a lot, i think as long as he has a story to tell he's always going to make music. His music feels like a diary and I'm happy to read it and sonnet to it in all its beauty and ugliness.Ā
Hi my name is lua o'reilly i make music on soundcloud.com/wormmother
If you liked this review let me know and I'll do a look into earl sweatshirt.
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Long asks anon again, here to offer my opinion on the current wank. Rey as a character is rather blatantly breaking sw story rules and nothing is going to get SFF fans hackles up like rule breakage. This is root of both the MarySue accusations and current wank. Rey has a tragic backstory thats doubling as the only failure she can call her own. But its a) damn near entirely offscreen and b) serves as convenient justification for why shes competent at near everything that comes up.
Reys instantly good at the force because of a convenient force download that to the best of my knowledge only occured in the noncanon KOTOR II and quite frankly cant blame most of the general audience for not getting because without prior knowledge or the novelizations why would they? She has darkness in her but as so far used and touched it consequence free and its almost entirely symbolically externalized on the Kylo (and in SW symbolism is Real in a way it isnt in other narratives) Shes strong in the force because Light rises to meet Dark but to quote the current crop of movies āthats not how the force works) or at least thats never how it worked before. Shes the first SW protagonist to go behind enemy lines and come out with both hands in the second movie. For ppl wondering how come Luke and Ani never get labeled MarySues, this is why, they got thier asses handed to them, Rey hasnt. There /is/ something /off/ in Reys story, and ppl pick up on it. if you can make a post (w/ over 1k notes!) about how great it is that a character meant to prop up 7hrs worth of movies has little to no character development to go through, somethings off. If multiple ppl can make posts about how its neat Rey can tap into the darkside (still characterized as evil in ST) consequence free (with some quite frankly stupid justifications, 'shes disciplinedā really? jedi lacked a lot of things thats not one of them) somethings off and again, if the only failure your main heroine has is /entirely retroactive somethingās off/. If the story were getting with the is the story most ppl think we are, a 'female empowermentā (i dont feel particularly empowered by being told I have an equal chance at being a deus ex machina but ok) than well, her story is over and theres no need for IX (hell it could have been over in TFA, most ppl assumed she had accepted her place as the future jedi in that one) and no need for reylo The ST was always gonna deconstruct all that came before it purely by virtue of being a sequel. The tragedy of anakin skywalker is now a farce, the happy ot ending now a tragedy, and the mythopoetic structure shot to shit in the name of serialization and perpetual warfare. this stand true for all the sequel characters including rey and ben. the only question is are we going to get anything out of it? I compare it to home renovation. You can knock out a wall and the walls gone, but new opportunities arise. With Benlo, Iām reasonably confident that there will be at least some attempt to take advantage of the new space. With rey and the resistance kids? not so much. it just feels like they knocked down a blue wall to rebuild it as pink one and at the point it just feels like a waste of time because ive seen this before. Ive seen pure cinnamon roll desert orphan reform jedi order If this was all youre going to do that the fuck was the point? which circles around to my problem with team good guy this go around and That Scene. JJ twisted the story into a pretzel to justify the winners of the last round being the underdogs again and then rian twisted so much further the storys head may as well be up its own ass. And then at the very end he shoots it all to shit and rushes to reassure us its all gonna be okay. He removes the entire point of the underdog trope /the tension that comes from the fact that they might lose/. I mean there wasnt a whole lot of that to begin with already but really? So theres no tension that Reys gonna win so her journey feels frictionless, and theres no question where shes gonna end up so full offense why give a shit? Thats where the whole 'can rey lose a fight?ā thing comes from. Ppl want conflict in her arc to justify its existence and give us a reason why this her story to begin with. if the only character going through growth for all three movies is ben, if the only characters whos fate is up in the air is ben, and if all the tension in the reylo relationship comes from ben, then why is this /reys story/? why not just make it about the character actually driving all the drama and thus, the story? Ā As a final thought, im going to add that having Kylo be aware and insecure that hes never gonna be as Iconic as Vader was a great story choice, regardless of where ends up. Current Rebels, on the other hand, seems to have not gotten the memo that they are never gonna be as iconic as Original Rebels, and the story itself seems to being trying to sell them to me as being better. Rey is Luke but better, Poe/Finn are Han wo the smuggler grit, and id be lying if i said it didnt piss me off.
&
Long asks anon to kick down ur door again, AND ANOTHER THING. SW is a lotta things. Subtle aint one of them, and St hasnt changed in that regard. If you have to debate it chances are either a) ur arguing counter to the text in which case mor power to you but not really helpful for predictions or intended meaning or b) /it aint there. A bunch of ppl didnt like anidala, but nobody doubted we were supposed to think they were in love by the end of AOTC, bunch of ppl didnt like poes arc, but no one doubts he fucked up by not listening to holdo was the intended take away. Which brings to rey and flaws or lack there of. Were told rey has flaws but she has yet to suffer any real consequences from them with the exception of The Damn Parentage Wank, which again, pulls the double duty of making her hyper competent at everything. Because rey has no consequences for her flaws, from a story function pov there arenāt any. If rey did have a flaw to overcome, we would all agree what it was
Now wonāt you all just look at this beautiful, spot on rant which has been lagging in my askbox since the last time Reyās flaws or lack thereof were the discourseās focus (November, I believe?) and suddenly became a thing again, courtesy of Tweetgate. I think you really summed up the crux of this debate wonderfully, anon.
I particularly agree with the part about Rey not getting narratively punished for whatever flaws weād like her to have (great point about returning from behind the enemy lines with both arms still in place), when SW donāt stay away from allowing characters to get āpunishedā even for otherwise applaudable features - vide PadmĆ©, whose idealism is what Palps manipulates into gaining more power (this is why PadmĆ© will never come off as a Mary Sue or too perfect, btw). But Iāll say even more - Rey doesnāt even get called out on her flaws, except for by Ben, whoās mostly dismissed as a baddie like Palpatine saying Luke was foolish to rely on his friends. Letās just consider one thing - both Anakin and Luke get called out on their flaws by Yoda (Anakin repeatedly and by lots of other people for that matter) whereas with Rey, the same grumpy-yet-jolly senex pops up from the afterlife to further inform us what a great jedi material she is.
TBH, I have a very cynical theory as to why Rey is being pushed as the main character while itās difficult to deny that itās Kylo Ben who does all the plot heavy lifting. Iām pretty sure Benās arc was the first one DLF thought out (and the big question is, was it the only one they thought out) and only later on decided to make Rey the main character, which also involved much less spontaneous writing. Mind you, itās not as if benepemption didnāt have a manufactured subtaste to it, but with Reyās heroineās journey stiff structure occasionally substitutes any in-world explanations of her actions (this is why I have to hope renperor has some narrative purpose rather than happening because lovers need to be separated and anti-hero needs to achieve what he wanted in 2nd act). I feel as if whatever potential her character had (and hopefully still has, pending IX) got smothered by layer upon layer of making her likable by everyone, which largely relied on negative characterization: sheās not helpless, sheās not too naive, not cynical, not too emotional, not too emotionless, not morally corruptible, not anything youāve ever complained about regarding any SW character, not falling for the bad boy, not not not - and in the end itās kinda difficult to say what Rey is like and while the goal of making her widely likable was achieved, it also made it almost impossible to view her as loveably flawed/annoying like the classic characters. And on top of all this is the matter of making her a nobody just like you!, as DLF appears to say with uncle Samās gesture (which also kinda assumes the existence of a Star Wars fan as some uniform entity? because if you identify with her, good for you, I just donāt understand why the franchise assumes Iāll identify with her by the grace of being a SW fan alone), because, as you excellently put it, the message here is that everyone can be chosen by God - which again, itās not as if the saga ever contradicted this, so why the hell make a case of it? I canāt agree that itās made into Reyās flaw, though, imo her low birth only serves to further frame her as an oppressed virtue. And I definitely agree regarding too much of her growth being left off-screen, or before the story ever begins. The problem here isnāt even that it is left off-screen (itās not as if we had huge insight into any of the pt or ot characters) but rather that her characterizations is left off-screen while being depicted as at least untypical (unique to put it bluntly) for her situation (same goes for Finn). A hopeful, kind person growing up on her on her own in slavery under a nicer name is a rarity and DLF makes a case for it being a rarity - and this sparks up curiosity in her past, as if market pandering to Re/sky wasnāt enough. So from this pov her un-reveal being frustrating isnāt just a case of not wanting to love her or her self only a potentially deeper psychological question getting answered with well, light.
I should add, Benās arc feels like the most spontaneous one (though Finnās may yet be a masterpiece) and heās the one to admit his fear of not living up to Vaderās legacy, because I think heās the character serving as the creatorsā vessel, more or less like Luke was Lucasā avatar in ot. In his fear regarding Vaderās legacy one can feel Disneyās fear due to having bought popcultureās holy grail and not being entirely sure what to do with it. On this background, Rey (a literal scavenger of OTās pieces) and rebels 2.0 repeatedly blessed by Leia come off as what DLF would want to be. And the result is that the character which was supposed to be Vader 2.0 proves the most original and surprising one, whereas ābreaths of fresh airā come off as room aromatizers with āfreshā written on them.
And as far as the plot being bended into a pretzel and then disappearing up itās own ass, well, a part of me is still hoping that taking virtually the same villains as before is a mythological-psychoanalitical metaphor of a nigredo repeating itself until the unconscious gets accepted by the consciousā¦. but, tbh, as the leaks flow this hope is withering.
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BARGAINĀ BINĀ COMICSĀ 1
Bought a bunch of comics from bargain bins relatively recently. Many of them are not very good, and I basically knew that going in. I want to write about them so the purchase feels less self-indulgent, but I also donāt want to work very hard on articulating my reactions or having a point.
Some of these comics cost $1, (or from a bin where 15 comics cost ten bucks, so letās say 75 cents), some cost a quarter, some cost a dime. There is no shame in having a comic you made end up in a bargain bin. Everything in our culture is devalued, anything that exists eventually becomes garbage.
Anyway: Deathblow 1, with art by Jim Lee, and a Cybernary backup story with art by Nick Manabat. I missed the Image Comics explosion as a kid, which was happening right as I was getting into comics. It all seemed like it was for older kids than me. My brother loved Todd McFarlane and Spawn but he is nine years older than me, I was getting into Mark Bagleyās Spider-Man and Mike Parobeckās Batman Adventures. I checked this out now though. Anyway, I know everyone says that the deal with early Image is thereās no story, itās all pin-ups, but itās insane how true this is. The Cybernary stuff is basically non-narrative, just total nonsense. I get how the art is cool though. Thereās a plot summary in the Deathblow comic that does not describe the contents of the comic at all.
Savage Dragon 1. I have bought random issues of Savage Dragon from dollar bins before. Erik Larsen also, if I remember correctly, uploaded like five of his favorite issues to Myspace back in the day. One or two of those ruled. These arenāt total āno plotā comics, because thereās always just a basic level of sequential art happening, even if itās just likeā¦ Following a main character until he meets some new characters, they fight a little bit, then become friends. Thereās a level of purity I appreciate. Also, while everyone always describes the Image stuff as being like total teenage-boy id comics I feel like they donāt make male adolescents like this anymore. Or maybe the issue is I live in a city so the only teens I see are hip teens with cool parents. These children interact with their parents with a sort of freedom of boundaries I tend to interpret as āon the spectrum.ā Iām going to digress in these write-ups and say some stuff thatās maybe offensive. One thing I didnāt do in the comic book store was hold up a Gerard Jones Green Lantern to the owner and say āHey did you hear about how theyāre not releasing this stuff digitally because the guy who wrote them is a pedophile?ā but now that Iām home and online Iām going wild.
MCMLXXVI. or whatever itās called. Written by Joe Casey, art by Ian MacEwan. This comic has, as a supporting character, a DJ who narrates the action and plays songs. A similar thing happens in an Alan Grant/Norm Breyfogle Detective Comics arc, but while that comic ends with the DJ doing cocaine and then getting in a car crash at the end of the three issues, this DJ dates the main character and gets killed by the villains in the second issue of three. Itās kind of a riff on The Warriors, but with a lady cab driver as the hero, and underground demon hell monsters provide her backstory. The covers, where MacEwan colors his own art, look better than the interiors. Kind of feel like there is too much story but not enough characterization or something, like the storyās incredibly simple but also needlessly cluttered.
Tom Strong 6 by Alan Moore and Chris Sprouse. I stopped buying Tom Strong with issue 5 but have since read it all in a former roommateās trade paperbacks. Reading a random issue for cheap years after the fact is kind of the ideal experience though, it really is like a long-running TV drama you catch on basic cable. Chris Sprouseās art is really exemplary of a type of style I associate with DC Comics from when I was growing up, maybe from the ubiquity of the ads for Legionnaires. Itās clean and bright. I guess the common perception of DC now is different from this, and is closer to what people think of when they think of as ānineties comics.ā But Chris Sprouse, Stuart Immonen, Kevin Maguire, Cliff Chiang, Graham Nolan, all do this thing I think of that I find attractive and appealing.
Mother Panic, three issues drawn by John Paul Leon. I love John Paul Leon, his stuffās not far off from what Iām talking about either, but damn these comics sucked! I paid ten cents apiece for them and they are so narratively thin that it really brings home that part of what makes this stuff work is itās illustration-y quality that then feels super-unsatisfying when the story being illustrated just is garbage. Itās not like Cybernary or something where the visuals present such a strong aesthetic no narrative can contain it. Itās so dull that itās less like pin-ups and more just like model sheets of character design for an animated series or something.
Batman: Gothan By Gaslight, with art by Mike Mignola and P. Craig Russell. I think this wasnāt technically in a bargain bin, but was a back issue marked down to a dollar because a store was going out of business. Anyway I hadnāt read it before. Good art, thin story but this was the first Elseworlds book and so was maybe more conceptually ambitious at the time than it reads after all the other Elseworlds stuff omnipresent when I was growing up reading DC comics. They had a year where every annual was an Elseworlds. Apparently in the animated movie to make the story more of a thing the twist is that James Gordon is Jack The Ripper, which seems like it defeats the whole point of having a Batman vs. Jack the Ripper comic. I guess the comic even predates From Hell. I really gotta award this comic a lot of extra points for feeling unable to judge it based on things that came after it.
Miracleman reprints of the Alan Moore stuff. I donāt like this comic at all. I basically knew that from reading scans fifteen years ago, but those weird Marvel reprints with the recoloring and including the original Mick Anglo strips were ten cents and I thought I might as well give it another look and yeah I donāt care for it. Mostly put off by the grim tone, but thereās also just a ton of other things that just make it a difficult read for me. Just putting that on the record.
Going to do more of these after Iāve read more of what Iāve bought.
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I am sure you have been on Social Media and seen an ad pop up for Peloton which is why I decided to write my Peloton Bike review.Ā First and foremost let me say when my husband started eyeing this bike around January of this year I was skeptical.
The considerations
For one, he already had a bike which he wasnāt using and when I looked at the price tag of the Peloton I was shocked to say the least.Ā Then he informed me there is a monthly $39 subscription you want to have because without it, the bike really wonāt be used at full capacity.
After thinking about it and hearing my husband talk about it I agreed to getting one.Ā It arrived in March 2018 and I suspect, to get me to buy in even more, my husband bought me cycle shoes that clip into the Peloton pedals.
We did not purchase everything Peloton such as the water bottles, dumbbells, foam roller, earphones or shoes but we do have a few hoodies and t-shirts because they are cute.
[Tweet āRead all about my #Peloton bike experience and whether you should get one. #pelotonride #femmefitalefitclubā]
Price
I started off balking at the price of a Peloton bike which is around $2,300.Ā That is not easy for many to swallow but they do have payment plans which is a plus.Ā That price is only for the bike.Ā In order to enjoy the online Live and On-Demand classes you need the monthly subscription which is an additional $39.
As you can see it can add up.Ā Again, if you can move past the sticker shock they do have payment plans which can ease the cost burden on some.
Classes
There are hundreds upon hundreds of classes available with the subscription such as cycling (of course), running, and yoga to name a few.Ā I am extremely impressed with the amount of classes offered beyond just cycling.
Class durations vary from 5 minutes to 60 minutes and you can filter on them or also by:
class type,
instructor,
music genre or
category (hard, new, most popular, etc.)
Please note, all of the classes are not children friendly.Ā In certain classes the instructor may use profanity or the lyrics to the songs played arenāt the clean version.
If that isnāt your cup of tea, no problem, they have classes with all genres of music from Country to 80ās Pop to R&B.Ā Choose what you like, thereās a lot of variety so you are bound to find something you enjoy.
Community
One thing I like a lot about Peloton is the sense of community they provide on Social Media.Ā They have a private Peloton Page group for Peloton users and each instructor runs their own private group.
People share their personal records with each other, post tons of photos and are very helpful and encouraging when questions are asked by newbies such as myself.
The Peloton app
The app is where you access all the classes unless you have the Peloton Tread.Ā It allows you to build a profile and share the classes you completed to Social Media.Ā You can also follow friends there.
While I like and reciprocate a follow for a follow on the Peloton app there isnāt much else there when it comes to socializing.Ā BTW follow me at Diatta.Ā You canāt message each other but you can see how many rides or activities they completed and the amount of rewards theyāve collected.
The Peloton ride
The Peloton rides are HIGH ENERGY even the ones for beginners or low impact.Ā If youāre riding a live or on-demand class, you can virtually high five others who are participating in the class with you.Ā Thereās a bunch of Live and On-Demand cycle classes to choose from as far back as 6 months so pick a class and enjoy yourself.
During the rides there are a lot of features as well such as viewing your heart rate, if you wear a monitor, viewing the artist and song title playing and the leadeboard.
The leaderboard is where you can see all those who ever took the ride, where you rank and who may be riding with you at the same time you are.Ā You can also see how their output compares to yours which, if you are competitive, can help you push beyond your comfort zone and hit a new PR.
Instructors
I canāt say enough about the Peloton instructors.Ā I have not even come CLOSE to taking them all because there are a handful which play the music I like so I tend to take their classes over and over but from Robin Arzon to Ally Love to Alex Toussaint you really canāt go wrong.
Some of the instructors also teach multiple disciplines such as cycle, boot camp and running.Ā I like the versatility of its instructor team.Ā Each instructor as their own unique style but Iāve found they all keep me interested and motivated during the workout.
All positive attitudes, all smiles and very attractive people, canāt go wrong there.Ā Many even shout you out on Social Media.
Iāll leave the Instagram names of the ones I follow below.Ā All you have to do is click on the photo and follow them.
š„ READY š„ My everyday is just like yoursā¦underneath it all lies all the hard work and effort to be ready when the time comes. Iām #RipReady with the #ZNE fitā¦ how do you stay ready?šš½ #adidasathletics #createdwithadidas @adidas
A post shared by A l l y L o v e (@allymisslove) on Aug 30, 2018 at 7:54pm PDT
Ally Love @AllyMissLove
Iām out! šš½ See you on Sept. 7 @onepeloton, Fam. Off to Burning Man. āļø
A post shared by Robin Arzon (@robinnyc) on Aug 22, 2018 at 4:39pm PDT
Robin Arzon @RobinNYC
My superpower is inner fire. I ignite the š„ of transformation in myself & others, every šš¼damn šš¼ day!šš¼ As the superheroes of our own narrative we must play out our purpose with the same conviction Superman has to justice & truth and Batman to protect Gotham. Your role here is that important! š SUPERHERO CHECKLIST: ā
Define your lifeās purpose & align EVERYTHING with it! ā
Refuse to listen to any inner or outer voice that says you canāt. ā
Gather a team & collaborate. ā
Plan to always be uncomfortable. ā
Be brave AF & lead with love, simultaneously. š„ If u were a superhero, what would your power be? Why?
A post shared by Jessica King (@jesskingnyc) on Sep 3, 2018 at 10:57am PDT
Jess King @JessKingNYC
Feel Good. Look Goodā¦.Do Better!! #Vibecheck #Justdoit #NYC
A post shared by Alex T (@alextoussaint25) on Aug 18, 2018 at 3:48pm PDT
Alex Toussaint @AlexToussaint25
running into the holiday weekend ā¦.. šØšØšØ we work so hard to enjoy life! celebrate the extra day fam and treat yoāself šš @asics @iamwellandgood @wilhelminamodels #iamwellandgood
A post shared by Olivia Amato (@oamato) on Aug 31, 2018 at 5:48am PDT
Olivia Amato @OAmato
Quick questionā¦ What is your actual motivating factor? š« What I mean is, what is the root of your motivation? What is feeding your desire? Is it Soul or is it Ego? We say yes to so many things yet possibly never ask ourselves often, if ever, why? Why are we doing things that donāt always feel right or are what we need or want, or can afford just to keep up with the joneses. We say yes to dinners, coffees, meetings, trips, clothing, buying trendy items, moving, relationships, and of course exercise. If I took a poll asking you if they actually enjoy working out, would you say yes? If not, why do you workout? So, you lace up to run. šš¼āāļø Why? Do you run to look better or because you actually love the feeling of running? That runners high, that accomplishment of completing a task, a claimed moment of your day thatās device-free š² and simply yours, a necessary mental break and āyou timeā, a treat for your body, a method to focus your competitive spirit, a way to spend time with friends? Is your choice to move initiated by positivity or by a feeling of negativity? When we choose to move because we hate our bodies we run the risk of disappointment in achieving a goal that is never good enough in our heads, never mind the fact that the entire time you spend getting to said point youāve carried along a negative motivating factor with you into a positive space! How will you create love ā¤ļø where you bring hate? Both are green, just depends which grass gets watered. Let today be the day we change our approach to the things we do. Approach work, friendships, partnerships, and your personal relationship with yourself with love and see how fast you mind and world starts to change. When we do things that feed our soul instead of our ego the end is no longer in sight. The sacred relationship with yourself will begin to improve, fastā¦. be sweet to yourself, and donāt be afraid to find your truth. Dig deep and look for the reason you actually are doing the things you do. ______________________ #createthelove #truth #rksolid #motivation #tuesday #train #trainpeloton #traintuesday #transformationtuesday #transformation #abs #run #running #workout #ego #soul
A post shared by Rebecca Kennedy: RKsolid (@rksolidnyc) on Aug 28, 2018 at 5:47pm PDT
Rebecca Kennedy @RKSolidNYC
I feel that Iāve become more empathetic/understanding in my years spent in NYC. The truth isā¦ the struggle is realā¦ I donāt know anybody who hasnāt fallen flat on their face at least once here. Iām speaking from experience: when you fall flat on your face here, you donāt just fall, you get trampled over 10 times, kicked in the ribs, and then splashed with 20 buckets of icewater. āWAKE UPā she tells you! It takes a resilient, strong human being to peel themselves back up off the ground after, and find that hustle again. It takes a championā¦ My city is full of champions. BLESS you NEW YORK CITY. #newyork #hustle #champions
A post shared by Selena Samuela (@selenasamuela) on Aug 28, 2018 at 6:00am PDT
Selena Samuela @SelenaSamuela
When I started
When I first started on the Peloton bike I had trouble clipping in.Ā I struggled.Ā Hubby tried to coach me and I was trying my best but could not clip those shoes in to save my life.
He sort of had to half wear my shoe and clip them in for me and then I put them on while clipped in to the pedal.Ā I know I know but Iām much better now.
I also struggled clipping out.Ā A few times I just left the shoes clipped in and went on with my day because my legs were too tired to try and/or I was catching cramps.Ā OUCH!
After the first 4 rides, 4 days in a row my butt stayed sore even though my husband had a cushion on the seat.Ā Itās just the nature of the beast.Ā It gets better as I no longer get sore since Iām riding my regularlyĀ now and Iām 24 rides in (woohoo) but my butt can get numb if I sit too long.
I remedy the problem by standing when that happens.
What kept me interested ā FRIENDS
Once I found some of my friends actually owned Peloton, and we started following each other, we would schedule when we would take the same classes either live (which start early in the morning East Coast time) or on-demand (which are available all day long).
That made it very fun for me because we could see each otherās results and it felt like we were together even though we were states away.
They do have a neat feature where you can click on the personās profile during the ride and click Live Video and actually see the other person riding LIVE.Ā I did that once with a friend who lives in North Carolina and it was very cool.
It was during a live class.Ā I thought that was very cool.
The other classes Iāve taken
Besides cycling, Iāve also taken the strength training and tread classesĀ which are very good.Ā The strength training tends to last about 10 minutes (at least those are the ones I chose) but they have longer classes.Ā I just never had time to do more or go longer.
Ā The tread classes
The tread classes are excellent and what got me back interested in Peloton to begin with.Ā I typically run on my own treadmill and mirror the class from my iPhone 7 to my Apple TV flat screen so I have the big screen and speaker experience.
Feels like Iām actually in the studio with them.
We do hills, sprint drills, combinations and all sorts of things which really keeps the heart rate up and the fat burning which is what I like.Ā They even have walking classes for those who need a recovery day or canāt handle all of the pounding from running.
Iāve tried a few of those and believe it or not, those are very challenging too.Ā Ā As you can imagine they crank up the incline.
So far there hasnāt been 1 instructor or 1 class I didnāt enjoy.ļæ½ļæ½ Iāve gotten up and worked out completely tired and not feeling it but once I hear that peppy voice and motivating quotes and wordsā¦itās on.Ā I fix my attitude and get into it.
What could be better
I honestly can say there arenāt any suggestions or recommendations I have for Peloton at this time to improve upon.Ā Granted I was having issue connecting my heart rate monitor but found out it was my error not theirs.
Itās a very innovative company and I look forward to some new products and services they come out with.
My rating
As if you could not tell, I give Peloton 10 out of 10 stars.Ā There are programs for every fitness level which I love, there are various types of programs by music genre and duration which offers up options for people who have the time or have limited time.
Theyāve thought of everything.Ā The instructors are positive, attractive and motivating.Ā They also shout out people riding in the studio or at home during the live rides which I find extremely thoughtful.
I canāt thank my husband enough for having the vision and thought to purchase this awesome package of equipment and classes which has taken our at-home workout game to the next level.
I enjoy it very much, plan to ride more days on than off and highly recommend you research and consider getting one for yourself.
Perhaps we can ride virtually together in a live or on-demand class and push each other further.Ā To quote several of the instructors āYou aināt hustlinā if you aināt strugglināā.Ā Letās GO!
Are you interested in purchasing a Peloton?
Leave any questions you have that I havenāt answered in comments below.
My Peloton Bike Experience andĀ Review I am sure you have been on Social Media and seen an ad pop up for Peloton which is why I decided to write my Peloton Bike review.Ā
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Boomtown: Chapter 9 - Behind the Mask
This is a journal of my adventures at the festival called Boomtown Fair; a record of the encounters I have had with the wonderful street theatre team at the festival which is all part of the underlying narrative of Boomtown. This is one of the many things that make the festival so special.
I was hoping to get this finished back in October but unfortunately ended up in hospital with a virus in my brain. Itās taken me quite a lot to be able to think clearly and write again. I fear some of the adventure is a bit blurry to me now but thankfully I made substantial notes including some recordings that I made onto my dictaphone so hopefully itās reasonably accurate. Sorry for this being super long but a lot of stuff happened! Anyway, letās get on with the story!
Previously at Boomtown Fairā¦.
youtube
And now the continuationā¦.
(*intro comic from Boomtown Fair Programme)
After a year in hiding following the fall of the regime, I returned once more to Boomtown for the annual fair. The effect of the loss of Central Administration was still very much palpable as we arrived at the city gates. Clamp downs by both the police and Bang-Hai Security coupled with the fair's popularity meant that our arrival was an ordeal to say the least. This Ā was not something that could not deter me or even any of the other loyal citizens of Boomtown however. People were returning to the town en masse under Bang-Hai Industriesā promise of a safer city.
Darkness had long since fallen as I wearily moved into my new home in Mayfair just off the Hippy Highway, halfway between the hospital and the Paris Heights Hotel. Mayfair had been the last remaining bastion of our regime during the revolution. Nowadays however the neighbourhood was apparently under the corporate influence of Bang-Hai Industries (BHi). My new carefully chosen digs came with one of the best views in the entire city and itās very own picket fenced front yard. The view from the front porch stretched all the way out across Downtown, with the brand new Bang-Hai Towers lit up and dominating the skyline. As I settled down for the night I marveled at the sight and lay down to dream of what would await me in the morning as I explored the sights and sounds of what BHi had brought with them.
Friday
I awoke on the Friday morning still feeling the great tiredness from the past few weeks of hard graft which had helped pay for my journey back to Boomtown. I freshened up, having still been in a state from the grueling journey here and headed over to Trenchtown, grabbing a large coconut smoothie along the way.
I settled down on the grass slopes in time to watch Toots & the Maytals open the 2018 Fair at the Lionās Den Temple. This performance would include one of three renditions of Monkey Man that I would witness performed across the weekend. It was a great and energetic start to the weekend and already the hassles of the day before began to float away on the wind.
As the audience broke into its final applause I sat on the side of the hill watching the crowds and pondered the situation, I was back in Boomtown but I needed direction. Without a Central Administration or military and with our glorious leader Comrade JosĆ© missing I found myself without place or position. During a quick scout on the way over to Trenchtown it had seemed there was no sign of Charlie Brownās mob to be reunited with either. The Job Centre was offering a whole range of positions but was now under corporate ownership of Bang-Hai Industries. Bang-Hai claimed that they wanted to help us become the best versions of ourselves we could be. Their true intentions seemed unclear however as there seemed to be much more to it than they were letting on. With one breath they seemed to embrace the revolution but in the next they claimed Ā the Masked Man had now abandoned us and that they were the only people we could now rely on. Were they part of the revolution which led to the fall of our beloved Comrade JosĆ© or were they against it? Either way they seemed to be too close to it for my liking and were not to be trusted. BHi were part of our daily life now however, even down to the social media platform that now integrated into our mobile phones. Everyone was signing up for the latest Social Media Platform āBang-Hai Peopleā and the highest scoring citizens were becoming famous across not only the platform but the city billboards, screens and posters as well. Despite not having accepted Bang-Hai fully into my life as others seem to have I felt the need to pursue my score (which only seemed to be going down) and make my own mark on the town. Various bugs and connection problems to the cityās communications networks however were hindering my progress.
I was walking past the prison by the town centre when I saw one of the inmates was clearly trying to get my attention from a small round barred window on the fortified exterior.
I approached the window and he pointed at the visitorās phone next to it. Curiously I lifted the receiver. The Telecon brand phone and prison had obviously seen better days as we found ourselves struggling to hear, shouting down the phones to try and make ourselves understood. This made the whole situation seem a little surreal but did intensify its urgency. From what I could make out he said there was a problem with all the communications in town but that this was just the tip of the iceberg.
The man had been imprisoned for attempting to hack into the Bang-Hai Industries Mainframe. He claimed that himself and his fellow hackers were doing no wrong and that Bang-Hai were the bad guys. He said that he was only after the truth and that the truth would set us free. They were being wrongly imprisoned and needed to get out. The only way he could gain his freedom was if I managed to find evidence that would prove his innocence and the corporationās wrong doing. It was his last and only hope of being saved.
I couldnāt help but feel sorry for this man holed up in the the heavily fortified jail. My curiosity and my rising distrust of BHi got the better of me and I promised him I would do my best to help and free the prisoner from his confines. I decided the best place to begin my investigation would be to question the manās captors.
The jailer was stood out in the yard by the visiting area dressed head to toe in some greenish overalls which were adorned with a belt which held a large bunch of keys and an ID badge clipped to their pocket. He seemed to have strangely yellow skin as if they had been transferred over from Springfield and clutched a clipboard on which they were currently writing someone a ticket for a disruption of public order offence outside the front of the building. Once they had finished serving up the fine and the offenders had been dispersed I approached them cautiously but in a friendly manner.
āExcuse me.Whatās with these men here? This is some kind of jail?ā I said said as innocently as possible.
āWhy whoās asking?ā replied the jailor still a little suspicious.
āErm... I am! Iām Jonny. Nice to meet you.ā I said holding out my hand out to the jailer who shook it seemingly now off his guard.
He flashed his name badge which indicated he went by the name of Tony Danza.
āOh Jonny! Lovely to see you! Now.. did you want to book an appointment to see the prisoners? Are you a friend orā¦ erm?ā
āI am a friend! Iāve already spoken to this gentlemenā I indicated at the inmate I had conversed with Ā āIām sure heās a friend of mine.ā
āOh heās a friend of yours is he? Awww, well thatās nice. Although he is one of the most notorious hackers ever!!ā exclaimed Tony.
āReally? I never would have taken him Ā or one. I know he always locks himself in his room but I thought he was up to something else.ā I said sounding surprised.
āYou know what, heās got a split personality. Heās not to be trusted!ā
āSo whatās he done then? What did he hack?ā I asked hoping that I could garner some clear details, having struggled with the phone line.
āHeās called the Nuclear Wasteman and he hacked into the CEOās accounts and tried to halt the development process on the Nuclear Power Plant. Because heās really environmentalist, heās like āOh no! Everyone recycle. Everyone be environmental.ā He doesnāt care about money!ā she said as if she was disgusted by the notion.
āWell we canāt just leave it there though.ā I replied thinking about the great hulking nuclear plant in Sector 6.
A second prison officer approached, equally as yellow and interrupted āAre you flirting with this man??ā they asked Tony.
āNoooo. Iām telling him about Nuclear Wasteman.ā said Tony to the other officer giving the impression that such questions from their colleague was a standard occurrence.
āSo is Sector 6 going again?ā I carried on trying to keep my line of questioning on course.
āSector 6 is going, yeah yeah yeah yeah.ā Tony nodded enthusiastically āSector 6 is running better than ever. Our CEO, heās made everything wonderful!ā he said with a pleased grin.
āIāll have to have a look thenā¦. Well thank you very much for the information.ā I said taking my leave with a parting handshake before either of them could start to suspect my questioning was anything more than innocent curiosity.
I had a new mission, but it was still lunchtime so I picked up some Falafel for my brunch on the main street. As I finished it I spotted a familiar face walking up from Oldtown, one of my chief contacts from the fair. He goes by many names and monikers but I know him best as Martin of the Dank Parish. We had a quick catch up before he had to rush back off to work. He told me he was now employed to head up some of the chief operations in Mayfair District following his redundancy from Central Administration. He gave me the heads up that I was after a piece of the action it was a good place to poke around. So after a quick costume change more befitting the upmarket class of Mayfair I went to see what the deal was.
I entered the grand doors of the Mayfair Bank with the hope of changing my old outdated currency into brand new crisp Boomtown Dollars. A queue had formed at the entryway of the building but after a brief few moments we were beckoned in by one of the staff into the bank itself. The place was bustling and loud with citizens hustling and trading amongst themselves and the financial elite. Soon enough a very well dressed but sleazy looking man approached me asking me what I needed.
āIām just after changing this for some new notes.ā I said pulling my cash out of my wallet.
āAh, youāve got the old currency do you?ā he asked āI donāt know if that oneās gonna fly.ā
āIs there an exchange rate, orā¦ā I started before being interrupted by the employee who, like everyone in here, seemed to be in some kind of rush.
āYeahā¦ I tell you whatā¦ all of that, for this.ā he said holding up a single $100 note.
āWhat about two of them orā¦ā I interjected but was then myself cut off.
āHow much you got?ā he said with greed in his eyes.
āIāve counted out about $280 worth of notes of old currency.ā
āWhatās that??ā he said pointing at a couple of my odder looking notes.
āThatās a bit of Downtown money. I donāt know if thatās valid up here?ā I queried.
āItās no use up here.ā he said shaking his head.
As he did so a young woman approached me waving a handful of cash around offering to exchange it herself. Ā āIāll give you the money if you give me all of that.ā she said excitedly and another round of haggling commenced. Back and forth it went as she relentlessly tried to do me out of pocket with greed shining in her eyes.
āNo deal! Itās not happeningā I told her dismissively.
I turned away from her and the bank employee had disappeared off into the crowd like a devil disappearing in a puff of smoke and I was still stuck with my out of date currency in hand.
I hovered around from group to group for a time searching for someone that could help.
āOKAAAAY. FINAL CHANCE FOR MAKING SOME MOOLAAAH!ā shouted one of the bankās employees above the cacophony of the crowds āWHO WANTS TO MAKE SOME MONAAAYYY?ā
I found myself swept up in the excitement and the crowd as we formed a little huddle in earnest interest.
āWE NEED INVESTMENT IN PEOPLE!ā he proclaimed āItās all good when itās a Bang-Hai Economy! Who likes mundane tasks?ā
āNO ONE!ā I declared with enthusiasm.
āI donāt like them. But I do find them very fucking easy.ā he replied. āNow, who finds mundane things easy?? You two! Up you come sirs. Up to the front!ā he beckoned two eager young lads forward from the crowd and stood them in front of us.
āAlright! Who wants to make some money on the mundane?? Itās just liking wiping your ass. Itās that simple, you just gotta be good at deciding who is gonna be able to complete this task. RIIGHT! All I need you two to do is quite simple. Itās just swapping clothes, itās easy. But I mean everything! You canāt start yet. Youāve got a minute to do it. If you can do it in a minute then the investors win some money!ā he said holding up one bucket. He held up a second bucket and waved it at the crowd āBet against them though and you could still make money! Who thinks they can swap clothes in a minute?ā
The bank worker and a colleague of his then went along the crowd with some buckets. I decided to put some of my money in betting against them completing the task, hoping that I could get something back on my investment and maybe some 2018 banknotes.
āThatās everything under one minute!ā he re-iterated āAnd thatās everything. EVERY-THING.ā
The crowd placed their bets into the two buckets and the countdown began.
āFive, four, three, two, one! GO! COME ON!ā he shouted.
The two lads began flailing about trying to undress in the middle of the bank. Various cameraphones suddenly appeared as they struggled and fought with items of clothing, hopping about from foot to foot. As I had suspected however they avoiding exchanging their underwear. As the timer counted down and I could feel the excitement increasing to a frenzy.
The 60 seconds timed out and both groups cheered thinking they had won, but my side was soon vindicated.
āThey did not change pants sooooā¦..ā He held the winning bucket high up and we grabbed our winnings from the two buckets. Shouts of victory were heard as we grabbed our cash feeling the rush of gambling and capitalism in one brief rapture.
I checked my wallet and found I still had plenty of the older notes to exchange so milled round for a bit trying to find where I might be able to swap them.
Out of the crowd a woman approached me. āCan I borrow your elbow for one second please?ā she asked.
āErm, surrre.ā I replied slightly confused as she dragged me over to the Cashierās Desk. An attendant stood at the transaction window and nodded at us both seemingly satisfied by the bounty āOkay, yeah. Now, can we unsheathe the elbow, please? Yes?ā
āYeah.ā said the woman who had dragged me over āGet it outā¦ Pleaseā¦ Sweetheart.ā she said encouragingly, so I roll up my shirt sleeve.
āNow weāre trying to make sure we have the right clientele.ā explained the cashier. āSo I just need you to give it a little kiss.ā
The woman began kissing my elbow as the cashier continued āAnd show it some love. Really yeah, take it out for dinner. Oh yeah! Thatās it! Make love to it! Oh thatās good, yeah!ā
āDo I get paid for this?ā I asked hoping for a few more notes to help me through the weekend like the elbow whore I am.
āNot you! She does.ā replied the cashier with a little disdain that I had dared even ask.
āOh okay. Well that was payment enough!ā I said as I was thrown back dismissively into the crowds by the woman having finished with my elbow.
With all the front desks busy I meandered over to the one nearer the back labelled āExchangeā thinking it would probably be my best option, but it seemed to be closed. The desk next to it was serving customers however so I queued patiently behind a young couple. The banker currently seemed to have them each performing crab impressions in order to obtain some form of information. I struggled to overhear what exact information it was that was being exchanged but it must have been exciting and urgent as the couple left in a hurry and bolted towards the door as soon as they had it āGoodluck and come back if you canāt find it!ā the banker shouted after them.
I approached the desk and made my plea again to swap old for new.
āThis is no good. That moneyās no good. Like I canāt believe itās touching my desk!ā she said in a bratty eastern european accent.
āIt said in the Daily Rag Newspaper that we could exchange it in the bank? Surely the rag wouldnāt be mis-reporting?ā I said dismayed.
āYou know what? Iām really good person. I really am. Iām gonna open a bank account with you. Whatās your name?ā she asked pulling out some paperwork.
āJonnyā
āAnd your last name?ā
Not wanting Bang-Hai to be keeping any more tabs on me I decided it was time for a Ā fake name. I had to think quick though and used the old trick of just reading the first thing you saw which happened to be the sign on the desk.
āErrrmā¦.Open.ā I lied āJonny Openā
āOpen?ā she said dubiously.
āYeah!ā I replied looking from side to side in a rather suspicious fashion.
āI kind of get the feeling you are lying to me Jonny. But you know what? Iām a nice person. Imma open a signature account with you Jonny. And with a signature account, what happens is you get a thousand dollars for opening an account with us, because we are nice people and we are here to help you!ā
āYeah, I can see that. I can see that.ā I said nodding my head.
āYeah but thereās a procedural charge when we open this. I can give you 500 today to spend it. You wanna give me all that money.ā she said indicating at my old currency.
āHere you go.ā I said handing over my old cash.
āAmazing. One hundred, two, three, four, five.ā she places the notes into my palm. āAnd if you donāt mind just putting your signature there.ā she indicated to a form which I dutifully signed J.Open. āAmazing Jonny.ā she continued āAnd you know what, just because I like you Iām going to give you a piece of advice. Be careful where you stick your dick and your signature.ā
āOkay, Iāll keep that in mind. Thank you very much! Have a great day!ā
āYou too!ā she bid me farewell as I disappeared back into the crowds, putting my money safely into my wallet as I left the bank back out onto the streets of Mayfair.
I soon find myself on Butlerās Alley, where all the most exclusive boutiques in Mayfair lay. On the steps of the Tat Modern gallery stood Boomtownās own version of Neil Buchanan who was gathering a small group of art enthusiasts around him in preparation for an Art Attack.
āSo what weāre doing is weāre making art all day here!ā he declared to the group āSo who here is the artist in this group?ā
A young lady by the name of Ella was edged proudly forwards by her friends.
āWhat youāre gonna do, Ella, is have a look around. Take it all in. Take it ALL in. Take my big Art Attack in. And what youāre gonna do is youāre gonna choose something to paint and weāre gonna count down from 60 and youāre gonna have 60 seconds to make a brilliant bit of art.ā
āLet me just thinkā¦ what am I gonna pick... what am I gonna pick??ā Ella said sounding increasingly more panicked.
āThe art begins as soon as Iā¦ youāre not allowed to paint anything until I start countingā¦ so here I goooā¦.60, 59, 58, 57ā¦ā
Ella began to scribble furiously onto a piece of high quality art paper with a bunch of low quality crayons looking at the shop window opposite which seemed to consist of various doll body parts arranged for unknown reasons.
A great cheer went up from the group as the count reached zero and the artwork was complete.
āNow? What are we giving this out of 10?ā asked Neil.
ā10!ā we all shouted.
āAnd what are we gonna pay for this?ā
ā400!ā shouted a girl from the crowd.
āAnyone up from 400? Whoās gonna buy this beautiful work of art?ā asked Neil but no higher bids arrived.
āI tell you what.ā he continued āWe like to support new artists so weāll take that off your hands. Youāre gonna loan it to us and if we sell it weāll take a commision and give you the rest back, okay?ā
Neil took the piece of art from the lady and welcomed us in to the gallery to browse the other works that were already on display.
I looked around the gallery browsing each piece and examining the exorbitant prices on each. The main hall was full of art lovers and aficionados who milled around the room discussing the finer points of each display. The music of string quartet could be heard throughout the gallery bringing a kind of calm serenity to the room. A group of people stood around a piece of crumpled paper that had been accidentally dropped in the middle of the floor taking a close look at it and admiring itās artistic properties. One man leaned towards it with his hand outstretched.
āDonāt touch it! Look but donāt touch.ā I said worriedly.
āItās an exquisite piece called Garbageā said one local expert to the gathered onlookers āItās the most unexpected piece in here.ā
āI like it!ā I declared in an affirming yet surprised manner.
āItās the most expensive and valuable piece in the galleryā continued the expert.
āI can feel itās emotion! I can feel the emotion around it!ā declared one woman āIām smelling blue, Iām smelling purple.ā
āIām smelling something.ā I said āI donāt know if thatās what purple smells like.ā I scrunched up my nose deciding it was probably something a bit less arty and a little more farty.
Looking about it seemed that this gallery was maybe a little out of my price range but I took in the other works hanging around the gallery with all due diligence and respect before I made my way out. Maybe though, if I worked very hard over the Fair I could come back and return with one of the less disturbing painting to my humble abode by The Heights.
Out on the street a newspaper seller was handing out copies of the Daily Rag. Taking one I went to find a nearby bench to do a little bit of catching up on the latest news and gossip. SECTOR 6: REACTIVATION DEMONSTRATION stated the frontpage. Turning the page there were various articles and adverts that seemed to be cashing in on the previous yearās revolutionary movement, of most interest however was an article regarding the Boomtown Bobbies.
Boomtown Bobbies have said they are keeping the Boomtown Bingo Bonanza at Grandmaās Livingroom 5pm Old Town, under close surveillance. Grandmaās Livingroom has, for a long time, been a hot-bed of radical-bohemianism thought, and there have been suggestions the bingo game could descend into a āthrowback Fridayā mimic of last years revolutionary takeover by the Masked Manās followers. The Bobbies have advised all citizens to avoid the area during ākicking-out timeā
It wasnāt much but it was the best lead I had at the moment but worth a follow up so I folded up the paper, placed it in my back pocket and was on my way.
Heading up Mayfair Avenue past the bars and tube station I saw one of the many huge BHi TV and Advertising screens trudging through the latest programming. An image of the masked man appeared on the screen but when the mask was pulled down instead of the expected smiling face of Nikolas Boom the cackling smug face of the Bang-Hai CEO Rothchild was revealed instead. He soon slithered off into the background and my eyes were greeted with the ongoing steady stream of celebrity based ārealityā shows flashing across the screen. I stared dumbfounded and bamboozled by the imagery and began to reflect on both this and the articles I had read in the newspapers over the last couple of days. Could it be that Rothchild really was the man behind the mask all the time? Had he orchestrated the entire uprising and government collapse just to give himself and his cronies more power? Or could it be that the masked was Nikolas Boom after all but Rothchild had either had taken him prisoner? Or even more ghoulish, had Nikolas Boom been buried alive under the concrete the Corporation had flushed into the tunnels Ā the rebels had been using beneath Sector 6? If either of the last two options had been the case then Bang-Hai would have been able to take the actual rebel uprising and use it to their own benefit. I had a lot of questions but as of yet no answers. I could only hope that my investigations would bring us all closer to the truth.
I made my way to Old Town searching the streets for any clues as I bided my time for the eveningās Bingo session. The streets and alleyways seemed to weave in and out of each other making the town into a maze in itself. These roads were familiar from the previous years but it was still possible to feel rather lost in-between the old tudor style buildings. I passed by the various pubs, venues and shops of the district peeking round every corner for signs of the revolution. If anywhere sounded a likely venue for revolution it was the Peopleās Frontroom, but the building seemed to be all locked up and strangely silent at that point in the day. Nearby however a large crowd had gathered to see the Stance Crew performing on the Buskerās Wharf. I had come across the crew outside the city limits the previous day. Their uplifting drums, and brass section had brought some much needed uplift and joy to us as we had sat queueing to get through customs. Currently the crewās Mushroom Person Overlord was dancing merrily to the sounds of the accordion player.
As I meandered onwards I saw posters had been pasted to the outside of the Barberās shop āJack The Clipper. The posters were all protesting against Bang-Hai Industries planned construction plans to āspruce upā the old weathered district streets. This was in stark contrast to the great billboard nearby which had been erected on behalf of Bang-Hai Real Estate promising that it was āBuilding a Brighter Future.ā
Peeping around the ramshackled corners and side streets I eventually came upon the library. The sign read a closing time of 4pm so I checked my watch. Time had definitely flown as it was now 10 minutes before. Best to have a quick poke around before they closed, I decided, who knew what information could be found amongst the dusty tomes.
The library was a reasonably elaborate affair decorated with old antiques and all decked out in fancy carpets with the finest dark wooden bookshelves. The usual quietness of such an establishment however was non-existent as the noise from the Fair outside poured in through the open front doors. As I entered I was greeted by a friendly librarian who looked up at me over the top of her glasses from her desk. Our exchange of pleasantries was shortly interrupted as a gentleman approached with his girlfriend who was on the lookout for borrowing a copy of Catcher In The Rye. I left them to their exchange as I browsed the nearby shelves taking in the various titles available. The nearest shelving to me displayed their eclectic collection of Ye Olde VHS tape. They seemed to have all the classics, Mad Max, Terminator, Steptoe & Son, Father Ted, Twelve Monkeys, Small Soldiers, Tarzan, Wallace and Gromit, Snow White, The Matrix and Captain Scarlet.
āDonāt steal! Or weāll hunt you down like a dog!ā a second librarian shouted at from right beside me at a shifty looking patron on the other side of the room, causing me to jump a little. As I spun around to see what was going on she calmed again and greeted me with a warm hello.
āHello!ā I replied still a little taken startled.
āHello dear!ā she responded again loudly over the sound of the brass band which seemed to be performing just outside.
āItās a tad noisy in this library.ā I remarked.
āWeāve been telling them to quieten down but they just won't have any of it.ā she exclaimed frustrated.
āHave you shushed them?ā I enquired.
āOh weāve been shushing them all day long. They donāt even listen!ā the librarian lamented,
āTerrible! Terrible!ā said I.
āOh thatās a very popular oneā said the other librarian at the desk to a man who was wielding the Top Gear Alternative Highway Code āNeil Hammond. Jeremy Clarkson. Itās all there dear.ā
I continued to browse the shelves, admiring a large map of the city that had been hung on the wall. I pulled out my pocket watch and took a glance ā3 minutes to closing time Iād better head offā I thought, emerging into the noisy streets and deciding Iād pick up a library card at some other point.
Looking about, I caught sight of the Boomtown Costumes Company further down the street. The look of the shop from the outside was reminiscent of the old Mad Hatterās store where the revolution had previously been rooted. I figured this was definitely a good place to try. When I reached the door I was greeted by a woman in a hat and goggles wearing an intricately styled outfit.
āDo I know you friend?ā I asked her.
āI donāt know if you do. Are you from Oldtown?ā she asked me suspiciously looking me up and down and inspecting my own garb. I was still dressed in a rather presentable fashion following my trip to the bank with black smart trousers, a white formal shirt and a black fedora.
āWell originally Iām from Barrio Loco. I have lived in Old Town but Iām currently living in Mayfair.ā
āTypical Mayfair scum!ā she said āYou are not welcome here!ā as she slammed the large wooden gate in my face locking it behind her. I knocked on again but there was no reply. As I looked up two oldtowners, wearing similar hats and goggles stared down at me in distaste before one pulled out a gun and fired off some warning shots forcing me to dodged and run for cover. Not the reception I was hoping forā¦ I would have to try and be more careful with what I said to people.
I managed a rapid and evasive retreat down the road before finally managing to find a nearby alcove in which to hide. Taking a momentary breather I took a calming sip of rum from my hip flask to calm my nerves which I had stashed in one of my back pockets. From my vantage point I eyed up the Pyrite Traders & Thomas Crook establishment nearby, keeping a close eye on the band of brigands who were hanging around the building. The pirates had never really proved to be much of a reliable source of information in the past but I decided it was at least worth an ask. I entered the den of scurvy sea dogs which was trying terribly hard to maintain facade of being a respectable business (but was falling far short). A woman sat at her desk in a large throne-sized chair looking as if she was queen of the pirates herself. By her side stood a scurvy wench who hovered around the desk waving her cutlass nonchalantly in a dangerous fashion. Various pieces of nautical navigation equipment sat on the desk amongst maps and scrolls. How the rest of this exchange went however Ā is fairly hazy to me now but that could be to do with the failed attempt at billy-clubbing and a little too much rum. Flashes of maps, parrots, gold pieces, treasures and sea-weathered faces are all an incoherent blur.
I staggered out the pirateās den with a sore head and the smell of booze on my breath in a slightly confused state. I did however recall that they had been very keen to save the Oldtown Port from the grimy hands of Bang-Hai Industries who wished to bulldoze the whole neighborhood in order to build a swathe of luxury hotels and condos. What I did remember for sure was that the Ā woman sat in the large chair had recommended that my next stop should be to check out the Wild West and speak with the landlubbers there.
As I passed what seemed to be some kind of shop window I caught sight of the message āHACK THE MAINFRAME. DONāT BELIEVE THE LIESā which had been stuck to the glass using a series of post-it notes. Inside the room seemed to be some kind of computer repair shop with various components and monitors lying about. The building seemed quiet at present though with no sign of the post-it bandits at present.
As I turned around I caught sight a suspicious looking man in a hoodie take a couple of people in through the side door of the Town Hall. I made my way across the square and inspected the now locked door. I recalled that this door lead into the heart of Central Administration itself. After the uprising and a year of disrepair the building was beginning to look worse for wear with itās boarded up windows and crumbling facade. As I was inspecting the lock on the door a group of tourists approached me
āIs this the town centre like right there?ā asked one of the girls.
āYeah.ā I replied
āBut like how do I get into THERE?ā she says pointing at the door.
āHe doesnāt even work here!ā said another one of the girls from the group.
āHello? Anybody in?ā said the first girl knocking at the door. āI want to go innnn!ā
The group decided to hang around with me by the door, waiting to see if the mysterious figures would re-emerge and drinking from a bottle of rum that was being passed around as we talked amongst ourselves.
After a good few minutes of this the door opened and a hoodied figure popped his head out.
āYou seek attentions?ā he said in a soviet accent.
āDo I know you friend?ā I asked him.
āYes. Come in, come in.ā he said beckoning us through the door and down a dark corridor.
The room was full of computers, monitors, keyboards and machinery that looked like it had been pulled together from the remains of the Central Intelligence service rooms where that I once reported to. The screens displayed scrolling code and command lines with everything networked up to various communications systems. Another two figures, both in black hoodies, were both examining the instrumentation but turned to check us out as we entered. The man who had greetd us took me to one side as another of the three hooded folk spoke to the group.
āWhat information you have?ā he asked me.
āBang-Hai Industries have been locking people up. Theyāve got them all trapped over in their new jail.ā
āOh fuck. Shit man.ā he exclaimed.
āAre they friends of yours?ā I asked.
āYeah yeah, of course but we not go to jail, we are secret!ā he declared.
The two other hackers seemed to have english accents and had meanwhile begun briefing the tourist group asking them to go round all the small venues in Oldtown to look for evidence to free their friends from the jail. All they needed to get started was a passphrase. They all gathered around him eagerly repeating what they needed to say to progress through their mission āDo I know you friend?ā they chanted.
āThe future is in your hand.ā said the soviet āYour children, they will love you. Come come come, start the mission.ā
āGO! GO! GO!ā shouted the female hacker as the tourists ran back out onto the streets ready to join the mission.
āAre you friends with the hackers who are all locked up over there then? They said they need some help!ā I said to the englishman.
āWe are everywhere!ā replied the englishman.
āWell youāre definitely here and youāre definitely over there.ā I affirmed.
āWho sent you?ā asked the woman.
āThe gentleman thatās locked up over in the jail.ā I replied.
āHave you got the evidence?ā asked the englishman.
āNot yet. But Iām looking. Do you have any leads?ā
āThe entry point into the maze is in Old Town.ā
āIāve been to Old Town. I went to speak with the pirates. I used the passphrase and they sent me to the Wild West so I guess thatās where I should head next?ā I asked.
āThey sent you to Wild West? Sounds like a red herring to me.ā
āIt sounded like a red herring to me as well. I thought you might know something different.ā I said remembering the times the pirates had sent me on a goose chase in previous years.
āYou need to go back to Old Town and ask around again, you have until 6pm. Now go go!ā he said and they sent me back into the streets.
I headed back to Old Town, eager to progress in my mission. The only clue I had at the moment was to try Grandmaās Living Room, the place where the wrinkled residents of Boomtown came together for bingo, beats and battenberg. When I arrived at the house the Living Room was packed from wall to wall. A female grime MC in a sports jersey was causing quite a ruckus from inside the the large painting that hung over Grandmaās fireplace. Various geriatric jivers danced amongst the crowd waving their walking sticks around dangerously. I had a peek around the rest of the house combing it for possible clues. There didnāt seem to be any sign of revolution in here at the moment, only an enthusiasm for Lyleās Golden Syrup and a house that was starting to look very much trashed by all the weekendās antics. The kitchen and dining room were without any inspiration for my quest so I decided to check upstairs. To my disappointment however the only thing to discover upstairs was a pile of strung out youths giggling on grannyās bed clutching a bag of cans for the lads.
Having checked through all the house I took a seat one of the armchairs waiting for something to actually happen. The MC and DJ were both going in pretty hard spinning up nuff rewinds and the crowd and grannies were definitely loving it. Time crept on and the advertised time of 5pm Bingo had passed and gone. A new DJ emerged in the painting and took to the decks and still nothing happened. Nothing resembling any kind of revolution seemed to materialise and I had found nothing new to go. The hackers at the Town Hall had said I only had another hour to find the next clue so sitting in the living room all night didnāt seem like it was going to get me anywhere, so I left the ruckus of Grandmaās and went back to my street by street search.
I wandered the streets of Old Town checking every nook and cranny (and granny) I could find. From Rimskiās Yard (which was bustling with junk traders) to a large group of Pro-Trump Moles Protestors, to the gathered folks trying to find salvation with the nuns; the whole town seemed to be teeming with activity. Down one of the back alleys of Oldtown Port I came across a couple who were loitering near a suspicious looking doorway. We got talking and they told me that they were both on the trail of getting to the bottom of the mystery of Old Town. The girl, who seemed to be Irish, was quite excited about the prospect and believed they were getting close. The guy sounded like he was also some form of Celt also, but seemed content to let the girl do most of the talking as he flipped through his guidebook and map. Suddenly a face appeared in a small hatched window at the door staring at us all with wide eyes.
āDo I know you friend?ā I asked him.
āWhat did you say to me??ā he asked squinting at me with suspicion.
āI said do I know youā¦.friend.ā I repeated firmly.
āAre these two with you?ā he asked checking out my two companions.
āThese two are friends as well.ā I assured having got a good measure of them already as they had spilled the details of their own investigations to me.
āDo we know you friend?ā said the Irish girl to try and reassure the disembodied head at the hatch.
Down the alleyway strode a gentleman dressed in a black corset tied with red ribbon wearing a black top hat and holding a cane with stockings that came up above the knees. Alongside him was a big hulking cyborg bodyguard with a cage around his head and a large fuel supply tank on his back. He wore khaki combat pants and had pieces of protective leather armor strapped to him.
āGood evening.ā the gentleman with the cane said to the three of us who were still stood outside the door as he approached us.
āGet rid of them. Get rid of them.ā whispered the person behind the door who had disappeared closing a curtain across the opening.
āErrrrrr. How you doing guys?ā I asked the strange pair trying to pluck up some courage and wile.
āWe are good. How are you?ā said the gentleman twirling his cane.
āWell Iām pretty good! What brings you here?ā I asked.
āErm, alcohol mostly!ā he replied.
āAlcohol? Thereās an excellent bar just over there! Have you been there yet?ā I pointed towards the tavern near the back end of the port.
āHave we been to that bar yet?ā the gentleman asked his hulking companion. The cyborg grunted and shook his head.
āI think you should! Say youāve spoken to Jonny and you might get a free drink!ā I blagged.
āThank you Jonny.ā said the man tipping his top hat slightly to me.
āHave a good evening!ā I said as they walked back down the alley towards the tavern.
Once they had cleared the corner I gave it a moment before knocking on the door.
āCoast is clear!ā I told them.
āQuickly! Quickly!ā the person behind the door said urgently.
Rapidly the 3 of us scooched into the building into what looked like the innards of a former sailing ship. The back wall however was covered in monitors and hacking terminals, just as I had seen in the old Town Hall. The room barely seemed to be lit other than the glow from the screens and equipment.
āLine up here please.ā said a woman kitted out in the same kind of hoodie the town hall group had been wearing.
āIāve got to scan you.ā said another who was waving some kind of device around us.
āArms up! Yes, arms up!ā said the first woman āA bit higher. Thank you. Just checking youāreā¦ yep.ā
āItās looking clear. Yep, yep. Virus free. All clear! All clear!ā said the scanner.
The three of us were now lined up against the wall with me in the corner. The one who had scanned us turned round to the computer terminals and entered some data āWeāre looking good on the system.ā
All three of them turned and stood in front of us, the man from the door, the one who scanned us and the other woman who seemed to have the air of authority out of the trio.
āWell greetings all.ā I said to them.
āGreetings comrades.ā said the man. āThis is the Hackers Hub. Have you been on a mission?ā
āWeāve not been on a mission yet.ā I responded āI spoke to some people in jail. Also for hacking. I presume you know them? They were asking us to find some evidence.ā
āAnd they sent you here?ā he asked.
āThey sent us to Oldtown. I think weāre in the right place?ā I said with hope.
āYou are in the right place! Are you committed to bringing down Bang-Hai Industries?ā he asked us.
āThereās something definitely wrong with it.ā I said thinking back on what I had seen so far.
āItās more than wrong.ā said the hacker.
āTheyāre talking about bulldozing Oldtown? Iāve grown to love Oldtown!ā I said reflecting on the good times the last few years had brought.
āItās a creeping gentrification with a sinister underbelly and weāve been working night and day to bring them down from the inside. But we need operatives. Are you up to the mission?ā he asked us.
āWeāre ready for the mission!ā I said having taken the lead.
āAre all of you up for it?ā asked the authoritarian woman staring down the other two of my companions who had been yet to speak.
āYes.ā said the Irish girl.
āIām not sure about this guy.ā said the hacker who had been briefing to the Celtic lad who was yet to speak āI canāt even see you, come here!ā
āItās quite dark.ā I quipped āHave you considered installing lights?ā
āWe donāt need lightsā said the boss lady as tough as nails.
āAhhh. Carrots. Lots of carrots.ā I concluded.
āWe need committed operatives.ā Ā said the male hacker. āThis isnāt piss around time!!!ā not taking to my comments. He took a moment but then decided to carry on āWhat I need you to do is to go to the Wild West. Itās a lawless place. There are our operatives, there are counter-operatives. I want you to maintain a very low profile. What you need to do is to go there with your passcode that you used to get into here. You need to use this passcode and do what they tell you to do. I donāt know what their disguise is but find them and use the passcode and they will give you further instruction.ā
āUnderstood, thank you.ā I said āWe won't let you down.ā
The three hackers thanked us for our support and gave us a bit of encouragement for our mission.
āThey are everywhere and the walls have ears.ā said the one briefing us āRemember, the crow cries twice at midnight.ā he grabbed the door handle that would lead us back out into the alleyway. āThree, two, one!ā he opened the door quickly.
āGOGOGOGOGO!ā I said as we sprinted for the end of the alley back into the port.
In moments we found ourselves back in the bustling Old Town Port. A band played the Cantina Theme on a nearby stage and people jostled about getting on with their more mundane activities.
āThank youuu! It was nice to meet you.ā the Irish girl said to me giving me a smile, then her and her fella disappeared off into the crowds towards the west. I took a moment and then continued on my own path, meandering out from the port, a lone agent once more.
When I arrived in the Wild West of Boomtown the locals were already in the midst of a full brawl with punches thrown and gunshots sounding. The Town Drunk stumbled out from the saloon to lie in a heap on the woodchipped road as the harlots looked on and laughed. Once everyone had tired themselves out, the Ā brawl came to a conclusion as the tusslers wore themselves out and the defeated crawled off without any fatalities on this occasion.
āYeah yeah. Iāll be waiting for you!ā shouted one as the fighters crowd dissipated.
āYouāll be hearing about this!ā replied one of the opposing cowboys as he himself slunk off to tend to his wounds.
āWhat the hellās going on in this town now?ā I found myself thinking out loud.
A bearded man in a wide brimmed hat was stood nearby at the front of the main street bank nursing his bruises from the fight.
āDo I know you friend?ā I asked.
āYou might do sir. You might do. Pleased to meet you.ā he replied in his distinctly old west accent
āWhatās been goin on?ā I enquired.
āYou know about them Rothchilds and those Bang-Hai tryin ta take over errything with their corporation and their greed?ā he asked me.
āIām very well aware of this.ā I said in a grave tone.
āNikolas Boom founded this town. It used to be a good town. Folks in this town take care of each other. Yeah, we got a few brawls but yāknow we take care of each other. That there, that deputy thatās wanderin around here. I KNOW that heās in their pocket. But that kinda makes one suspicious cos he banged someone up in that jail over there. Didn do nuffin wrong. Folk tryin to hearsay that he knows sumthin.ā
āThe same seems to be going on over in the town centre!ā I said seeing that this was definitely not a localised one off incident. Again I found myself wondering what had happened to Charlie Brown and other key district leaders who had seemed to have disappeared over the last few years.
āI know itās everywhere, son. But they aināt our problem. But errm, see that Deputy there. Try an be careful he donāt hear what you sayin when you talk to that prisoner, hear? He knows things, son. I know he knows things! Good luck sir.ā he nodded at me and with a tip of his hat he sent me on my way.
I made my way down the street from by the bank where the brawl had been towards the Lawless Halls of Justice. On the corner of the courthouse was the jail. A man stood behind the bars looking worse for wear gripping the bars in his hands.
āDo I know you friend?ā I asked.
āI knew youād say that! Someone sent you to say that?ā he replied with a crazed grin.
āThat man over by the bank sent me. Rumor is youāve been locked up for no good reason.ā
āYeah Iāve been locked up for no good reason. I been locked up! Iām an innocent man! All I did was speak the truth! Iām Ā the editor of a rag which would bring down the Rothschilds. The Lizard People. Iām Jeremiah Hucksley.ā he introduced himself.
āSo youāve got some dirt on the corporation?ā I asked him.
āErm, yep yep. Hereās the evidence!ā he said as he pulled out a newspaper he had been hiding in his jacket.
āThis is what Iāve been looking for!ā I said thrilled that I finally had something.
āItās all part of the puzzle. You get all the little pieces together and you make innocent people free.ā he said pleased to be making a difference.
I spent a little while just talking with Jeremiah as he shared his tale and ordeal. The poor guy said it felt like he had been trapped in there for years.
āOne way or another justice will be done. Thank you sir. Power to the people!ā he concluded.
āPower to the people!ā I echoed.
āFreedom of speech, people! Freedom of speech!ā he shouted as I left the jail and headed back down the road the direction I had come.
I weaved through the people who strolled down the road keeping a careful eye on the deputy sheriff making sure to stay out of his way. Ā Momentarily I took refuge in the train station which was packed full of travellers. I recalled that the train station had been taken over by Bang-Hai Industries the year before so made sure I didnāt linger long and soon slinked down the back street to one of the covered wooden porches. Four ladies by the name of The Screaming Harlots were stood out in front of The Rusty Spur singing harmonies for the passers by. I pulled out the piece of newspaper that Jeremiah had given me and began to read it over.
By the sound of it a mysterious group of people had been trying to obtain Boomtown since the very early days and the founding of the town. They had brought claims against Nikolas Boom saying the land was theirs and were going about taking it from him in a rather heavy handed fashion. Could this be the same group of people we were dealing with now? Could this be the Rothchilds, the figures behind Bang-Hai Industries and the current takeover of the city. Could these be the very people who have conspired to overthrow the government over 200 years later to take control of the town? Could this even be the rumored Boominati? It wasnāt much to go on but it was something.
Evidence securely back in my pocket I made it over to the Town Hall to try and find out what our next move might be. When I got to the side door however it was securely locked with no sign of the hackers or any other way in. By the door there was a newspaper rack that had earlier contained saturdayās edition of the Daily Rag. In its place sat a lone document that seemed to have been left by the hackers themselves. This was far from the Rag which was now in firmly under the influence of Bang-Hai. This was Wikileaks scale news, the truth for the peopleā¦
I now had both this and Jeremiahās article but where to go next? Looking round the town centre for inspiration, the prison caught my eye once more. I returned to the jail once more in order to consult with Nuclear Wasteman. I informed him about where I had been and what I had found out so far and he advised that I return to the Town Hall the next day at 1pm, saying my next contact will meet me there. He told me that this was much bigger than just getting him and his friends out of jail. Getting to the bottom of this could not only change Boomtown, but the world at large. We needed to take down the Corporation for the good of everyone before it was too late. I just needed to bring together as much evidence as I could in order for this to happen. Visiting hours were nearly over so he wished me the best of luck and I left quickly before Tony Danza or his colleague noticed that I was back and started asking their own questions.
When darkness fell I decided it was best to have a break and a bit of a knees up. Reel Big Fish were headlining in the town centre and this was one of the bands I really didnāt want to miss. When I arrived in the centre a large crowd had already gathered. The giant screen on the stage was displaying the current highest scoring citizens from the Bang-Hai People Social Network as the roadies finished setting up. The lights dimmed and we were momentarily plunged into darkness before a burst of fantastic lighting from all around as colorful masked performers appeared dressed in the top-hat and goggled style of the past revolution.
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After this odd display of possible mass brainwashing of the populace by BHi, the band came on and started their show. Weirdly enough they seemed to follow the theme with one of the highlights being their performance of āSell Outā.Ā It had taken me a while in life to catch on to how much I loved this band. Their Boomtown Fair performance really brought that notion home as song after song I knew and really buzzed off. The crowd danced and bounced around with it proving to be one of the most fun performances Iād seen for a while.
The town crier called a close to the townās main stage for the night and the crowd slowly dispersed as the skies clouded over and the rain began. As I sought shelter under the arches at the bottom of the main street, I bumped into a couple of my friends, Jack Redeye and Kiva. They introduced me to a couple of the people they had been adventuring around the city with. One of them, Dave, mysteriously looked the spitting image of the drunk I had seen earlier in the Wild West. Dave said he was an expert guide in these parts and recommended that we visit the Asylum for a quick check up.
When we reached the waiting room it was already packed full of citizens sat on the benches that lay along each wall of the cramped room. After a short time an orderly came to fetch me and Jack taking us into one of the patient's room. Ā The walls were absolutely covered with pictures of cats and a young lady in a tattered old dress with a wild look in her eyes was sat on an rickety spring bed.
āGood evening.ā I said to her as she stared up at me smiling, āHow you doing?ā
She mumbled something, smiling to herself as her eyes swept the room.
āDo you like kitties?ā I tried asking.
āYes.ā she said quietly yet warmly.
āDo ye likes dogs?ā asked Jack.
āDogs and Cats donāt really get on.ā I said to Jack as if that was news.
āOh, you ask if I like Dogs? No I donāt like Dogs. I like only cats.ā she replied in some kind of eastern european accent.
āOnly cats.ā I confirmed āYouāve been drawing cats?ā Ā I said examining some of the artwork on the walls āWhich oneās your favorite?ā
She had a brief think before saying āItās like picking one of your childs, you know?ā
āI understand that.ā I nodded sympathetically āYeahā¦.theyāre a lovely bunch.ā
āNoā¦ thereās only one pussy for me.ā said Jack pausing for a moment āThat one!ā he pointed at a tabby in a picture of two kittens together.
āYes. They were born together.ā she said said pointing at the pair.
āAwwwww.ā I said looking at the sweet little furballs.
Abruptly one of the nurses poked he head through the door āAre you showing my pussy? Just here. This my pussy. Her name is Ginger! Ā This is my pussy.ā she said pointing to a lovely ginger one.
āNot bad. Not bad.ā I said examining it before we introduced ourselves to the nurse. The nurses name badge either read Steffanie or Cheffy although this was a topic of much debate for a moment. It was not a mystery we would solve however as we were soon beset upon at the doorway to Ā the room by a male patient dangerously wielding a pair of scissors that he was licking with his tongue.
āHi!ā I said greeting him āYou probably shouldn't do that. Itās dangerous. Especially donāt run with them.ā
āIs he disturbing you?ā asked Cheffy.
āWell he is running about with scissors. Although I think he may be the one thatās disturbed.ā I said.
āWeāve been trying to get the scissors off Ā him.ā said Cheffy shaking her head as the patient began to try and stick the scissors up his bum.
āErmā¦.uh-oh!ā I exclaimed indicating the issue to the nurse.
āHere we go. Oneā¦.twoā¦.threee!!ā said Chefft as the patient jammed the scissors up between his cheeks as this was a normal and acceptable occurrence in this facility.
The patient screamed loudly before breaking into giggles, grinning at us all impishly.
āI LOVVVVE EEEHHHT!ā he shouted removing the scissors and offering them to me.
āNo. Iām okay, thank you!ā I said backing away a little. āAre you gonnaā¦?ā I said to Jack.
āHow much for that?! Fuckin hellā Jack said enthusiastically.
āAwww. We having special times!ā exclaimed Nurse Cheffy, who I was now doubting the credentials of.
āYou want some?ā the patient said to Jack, grinning as he dragged my friend off into what looked like some kind of closet.
āYouāll burn in hell if you go in there!ā shouted another nurse from behind us, with an accent from the american deep south.
The door was locked as it shut āHe might regret that.ā said the newly arrived nurse in her southern drawl.
āIām thinking he might.ā I said waiting nervously hoping he would re-emerge.
I stood out by the closed door looking around feeling rather uncomfortable in the cramped corridors, ill at ease with both the patients and staff members now.
āYouād best check your friend.ā said the southern nurse, urging me to check on my compatriot.
āJack?! Are you alright mate?ā I shouted. A few grunts and strange muffled noises could be heard from behind the locked door. Ā āI think thereās problems going on.ā I said to the nurse.
Then came a series of loud screams and a gurgle.
āJack? Are you still alive?ā I shouted at the door before another shriek from the other side was followed by an evil laugh and then silence.
Suddenly the door opened and the patient with the scissors emergedā¦.but not with Jack. With a completely different man.
āOhā¦ā¦.. what happened there?ā I said eyeing up the two figures.
āThis your friend, right?ā said the scissors patient.
āErmā¦ Iām not so sure. He looks a little different.ā I said confused
āYeah, this is your friend here.ā said the scissors patient.
āOh... Of course. Hi friend!ā I said deciding it was best to accept the situation and shaking New Jackās hand.
āOut we go now!ā said the southern nurse encouraging me down the corridor along with my new friend.
New Jack seemed to be wearing some kind of hospital outfit and was much taller than the original Jack.
āAre off to have a rave? Is this the way out?ā I asked as we made our way down the corridor of the asylum. New Jack lead me to a door, but it was definitely not the way out. We entered what seemed to be the medication dispensary room and my new friend shut the door behind us.
āSoā¦ yeahā¦ this is the medicineā¦. do you take any medications?ā I enquired thinking it was probable.
New Jack reached for what I originally thought was going to be some pills but turned out to be a hand full of wax crayons. āOh. And some lovely crayons here. Do you want to do some drawing?ā I asked him. He pointed at the wall where it appeared someone had already been scrawling some babblings. Ā āOh I see youāve done some already.ā I said trying to decipher it.
āDraw on the wall! Somewhere fresh!ā New Jack spoke for the first time.
āDraw on the walls?ā
āDraw on the walls. Make it creepy. Make it creeeepy! Make it super creepy! Like something fragile and needy!ā he said to me.
I began to join in with this preschool form of graffiti art writing a distress message of my own when I suddenly I became aware that one of the senior doctors was stood behind me peering in through the hatch that was used to give out the medication. I felt like I had been caught red-handed and began to fear the possible repercussions.
āWhat are you doing in there?ā questioned the doctor curiously in a posh yet foreign accent.
āHeās drawing on the walls something fragile and neeeeedy!ā said New Jack.
āAh! Drawing a penis are you?ā said the doctor as if diagnosing a patient.
āErmā¦. is that what needs to be done?ā I asked feeling like I should be complying. The doctorās commanding stare seemed to indicate that was indeed what needed to happen so I somehow found myself drawing genitalia on a wall in the medicine store of an asylum in the wild west. I could feel the evening spiraling out of control already.
āIs that good?ā I said drawing a large one on the wall.
āItās not particularly graphic! I like graphic!ā said the doctor.
āOhā¦ like how many penises do we need to draw?ā I asked staring at the canvas.
āOh no, I mean something disturbing like real labia and shit.ā the doctor replied.
āOhā¦ well Iām not really an artist you know.ā I said āI went down to the Art Gallery earlier but it didnāt really work out for me as a career path.ā
āOh shit, I see. Do you need group therapy?ā said the doctor sympathetically leading me away from the medicine store further into the asylum leaving New Jack drawing on the walls with his crayons. I tried to decline the offer but before I knew it the doctor already had me through the door of the therapy room.
In the centre of the room was a circle of benches and on these benches sat various people who I had seen in the waiting room including Original Jackās friend, Dave, the town drunkās doppelganger.
āAh. It looks like thereās already a group in here.ā said the doctor.
āErm. Hello group.ā I said waving sheepishly as the doctor urged me forwards
āAh yes. Come sit down. There is much therapy available.ā she said to me as I took a bench.
The therapist seemed to be sat with one of the permanent residents who she currently who seemed to be inappropriately intermingling with her. āThis is a no touching station!ā she exclaimed to him batting him away. Her struggle with the patient continued for a short while as she kept trying to reassure us that everything was fine and under control.
In the end, unable to continue with the session due to the patients incessant pestering, she finally flipped.
āGET BACK IN ZE CAGE!ā she yelled smacking the patient who made a rapid retreat away from the nurse. Ā āI didnāt mean to touch you. Sorry about zat. But you had best be off and shut ze door on the way out.ā she said to the misbehaving miscreant, who slammed the door heavily on the way out.
āHe is very violent. Zat is why I donāt touch himā continued the nurse to the group āOkay nowā¦. On viv ze session. Just say your name cus weāve all said ours now.ā she said addressing the person who was sat next to me on the bench.
āOh my nameās Peter.ā he said giving a little wave.
āOh. And yourself?ā the therapist said looking to me.
āOh, Iām Jonny.ā I said kind of nervously aware that everyone was staring at me.
Thankfully the attention then returned to the rest of the group as people shared short tales and said a bit about themselves. Once we were settled in we moved onto the next part of the session which apparently was going to involve us expressing ourselves through art, which seemed to be a recurring theme at present.
āNow straight our fingers up in ze air like dis.ā the therapist instructed, indicating for us to hold an index finger out in the air. āNow you want to look deep, deep into ze mind. Then begin to draw viv your finger vat you see.ā she paused and watched as we all began to trace out our pictures. āNowā¦.dost anyvone have any requests of a song for vhile you are drawings?ā she asked
āFreebird! Play Freedbirdā shouted out one of the therapy circle.
āYes. I think it goes something like zisā¦ Freebird. Ā Yeah, I vant to be freeeeee birrrrd...ā she sang before we were interrupted by another person peeking in the door.
āAhhh. Come in! Come in! Welcome to ze therapy session.ā welcomed our host. āDonāt vurry, please take a seat. We are just doing ze art, yes.ā
Our fingers continued to trace shapes and lines through the air creating our incorporeal artworks.
āOkayā¦ It seems about people have finished ze drawings. ā said the therapist looking around the group before she turned to the newcomer āBefore we continue vuld you like to say your name for ze rest of the group?ā
āMy nameās Dave.ā said the newest arrival adding a second Dave to our lineup.
āHello Dave!ā said the group with a slight encouragement from our therapeutic leader who looked directly into the newcomers eyes and said in a deadpan yet matter of fact tone āYouāre my wife now Dave.ā
While the therapist was distracted one of the men from the group made a run for the door and bolted.
āBYYYYYEEEEE!ā said the therapist in a slightly psychotic way before turning to us and telling us āZey were here because they were particularly troubled.ā
āAwww. Iām glad you could help themā I said to her.
āNow ve have settled matters Iām sure he will be fine. Nowā¦.I am just looking around ze pictures ve are havings. And I am seeing some very lovely pictures. Now you of courseā¦ā she said to the first participant āYou have drawn a house as you have issues with your mother.ā
The first artist nodded as the therapist turned her attention to the next drawing in the circle. āAnd you of course, you have drawn a small panda, is that right?ā she asked.
āYes it is! Youāre absolutely right!ā he replied quite pleased with himself.
āHe has problems with his mother.ā she said knowingly.
āOh boy do I have problems with my mother! Youāre very intuitive!ā he confirmed.
āSee. I am very very well trained.ā
Eventually she turned to look at mine horrified by what she perceived.
āDo not look at zat picture!ā she warned āIf you look at zat picture, it vill be in your mind forever! Vat I am seeing there is quite pervy and disturbing! You have a very dark mind!ā
āIt was supposed to be a giraffe.ā I said sadly.
āWell zat is not vat I am seeing Ā I donāt know know if you should be in group therapy or an art class!ā
āI keep telling everyone, art is not working out for me today.ā
āI think there is a problem with youā¦.but if we all work together we can cure him, yes?ā the therapist said to the circle. The group nodded in agreement so she continued āNow everybody, put your hands on ze man. Whose nameā¦.. is gone from my mind.ā
āItās Jonny.ā I reminded her.
āIf I had had to guess I would of said Jonnyā¦.or Dave.ā she said. Both Daves nodded knowingly as the chances of a Dave in these parts seemed high āOkay, put your hands on ze Jonny.ā she continued as the group all stood up and laid their hands upon me with arms outstretched. āNow sometimes violence arises from ze people. You need to create a violent environment for them in order to draw out ze violence. Let us think of ourselves in ze jungle and how we might be in zere or in ze farmyard. Focus on ze violent sounds and make ze most violent environment for him. Okayā¦ after three. Von, two, three!!!ā she declared as a cacophony of animal cries erupted from all around me. The sound was almost deafening as it seemed to resonate from everywhere at once. I closed my eyes and cringed waiting for it to be over as the sound washed over me.
Eventually after what seemed like an age the sound subsided and I heard the therapist's voice once more. āOkay. Now I vant to look in your eyes.ā she said.
I opened my eyes and I was now face to face with the therapist peering at me with a medical curiosity āI am seeingā¦ā¦.. a clear mindā she said relieved.
A great cheer rose up from my group including myself as we all celebrated our achievement in the exorcism of apparent dark thoughts (or giraffes) from my mind.
āGo Jonny! Go Jonny! Go!ā the group chanted as we all did a little happy dance that carried on out the door as we were released with a clean bill of mental health once more. The partying continued out into the corridors of the institute once more which was breaking out into what seemed to be half giddy riot and half post-apocalyptic rave. People ran rampant shouting, laughing and screaming as drumming broke out against all the doors and walls throughout the asylum to a resounding chorus of āOhhh Jeremy Corbyn!ā
People ran up and down the halls and colorful plastic balls were flung everywhere. Anarchy now reigned in the West and we partied out into a night of saloons, race tracks, dens, sideshows, burlesque and brothels like a wave of energy.
Saturday
After a Pumpkin Katsu Curry brunch I headed into the Town Centre, avoiding enemy agents along the way, to await my next contact with the hackers. Thankfully this worked out well and allowed me to take in one of the Fairās performances I had been looking forward to, Grandmaster Flash and the Furious 5. I had seen them the previous year in at Tramways in Sheffield but they were totally worth seeing again. An hour of classic hip-hop with some of the greatest legends of the game? Not to be sniffed at. I even managed to run into some friends from Bolton, Hannah and Sophie, and we happily danced about to the Five and guests who totally smashed it bringing the good old skool vibes.
Once the show was over and my friends had headed off to go and see another band I hung around keeping an eye on the Town Hall. Eventually I saw a head peering out of the side door so I carefully approached them looking around for any sign of counter-agents.
āDo I know you friend?ā I asked the hooded man peeking out from the gap in the door.
āI don't know if you do.ā he said seeming very suspicious of me. This didnāt seem to be one of the hackers I had met the previous day but the way they all tried to hide their faces I was not sure.
āIāve brought evidence from the Wild West.ā I told him.
"Come on then! Quickly!" he said letting me in and securing the door behind us. We made our way down the corridor into the dark interior of the Town Hall.
āNow did anyone see you come in?" asked the hooded man concerned.
"No, not as far as I could see. But I did have to avoid some enemy agents in Wild West on the way up to the town centre earlier.ā I told him.
āDouble Agents? Hmmmā¦.ā he said seeming to mull it over for a moment. A second hooded hacker seemed to be busy in the background typing information onto a computer terminal, this one looked like the woman who had been in her the day before.
"Show us what you've got for us." the man continued.
I explained to him about Jeremiah Hucksley having been locked up at the Lawless Halls of Justice and that it appeared as if the corporation may have been there since the start. I pulled the newspaper out of my back pocket and unrolled it for him handing it over.
āIt looks as if we've got some hot evidence here! Quick, get it on the system!ā he said passing it to the woman who then took it over to the machinery and began scanning, analyzing and uploading it onto the system.
Another hacker then entered the room, talking excitedly to his colleagues as switches were flicked, commands were entered on keyboards and buttons were pressed. The room became a hive of activity as they bolted back and forth between panels and screens.
The one I had been speaking with brought over a large control box covered with switches and dials which was attached and suspended from the ceiling by a thick cable.
āHold this.ā he said to me handing me the heavy box which I diligently grabbed from him.
āTurn that dial!ā he said to me and I rotated the large dial all the way up to maximum āNow enter the code.ā
āThe code? What code?ā I said feeling like I had missed a clue somewhere.
āEnter the 3 digit code!ā he said urgently.
āErrrrmā¦..123!ā I said giving it a panicked stab in the dark and punching in the numbers on the keypad.
"Now multiply it by 10." he said taking me off guard once more. My brain stopped in panic and I had what I call one of my āmaths freezesā - It didnāt matter how easy or obvious the answer was, it was too late.
"Rachel Riley!!! Where are you when I need you?!" I shouted up into the sky crying for help.
"Erm.. try putting a 0 on the end of it." said the female hacker who sounded very much unimpressed by my failing at doing something so obvious and easyā¦ which it was. Ā Rather embarrassed I typed in the second half of the code and the screens were filled with computer code scrolling past. It seemed that the key to unlocking the code had been hidden in the newspaper print all the time.
"I've never seen anything like this." said the guy in the background on staring at the terminal screen.
"What is it?" asked the female hacker.
"This code looks like it's from the future!" said the other one staring at it in amazement.
"From District 5 maybe?" I suggested thinking of the alien-tech influenced space port downtown.
āMission 1 is now complete. Well doneā said the leader to me taking the control box back and putting it aside. āWhat I need you to do now is go and see a man by the name of Andy Roid. He can be found at The Kiosk in Chinatown. Take this symbol and show it to him. He will know what it means.ā said the hacker handing me a small square piece of paper displaying the same symbol as they wore on their garments. āTell him where you have been and that we need help to decipher this Future Code. He will know what to do. Good luck.ā
And with that I was sent back out into the world with my second mission started and hope in my heart now I was finally on the right path.
I figured that finding the place would be a challenge to find but it was pretty much the first place I laid my eyes on; a small windowed kiosk on the edge of Chinatown next to the picnic area. Itās green sign read āTech Repair Kioskā and was stylised as half barcode/half circuit board. Within the hatched window sat two figures surrounded by all kinds of pieces of technological scrap, parts and tools. Neither of them seemed to look like Androids or even Chinese, but I guess you never can tell. Both looked rather bohemian and were dressed in dark well used formal jackets with slightly battered hats. Looking at them I could have sworn I had seen them both at Rimskiās Yard amongst the rebel rousers previously.
āDo I know you friend?ā I asked discreetly flashing the hackers symbol I had been given at him āIām looking for Andy Roid.ā
āAndy Roid? I am not sure if he is here right now. We will see, but first we need to make sure you are really a friend.ā said the man who now stood at the hatch as he grabbed some kind of scanning device from the behind him and passed it over me a few times.
āWhatās in your pocket?ā he said to me.
āJust my phone, wallet and sonic screwdriver.ā I said pulling out the contents into my hands.
āYes. We will just need your phone for one moment then.ā he said and Ā I passed it over to him.
āThere.ā he continued āYou seem to be clear enough. I am Andy Roid. Pleased to meet you friend. Now what can we do for you?ā
I related to him what we had found so far and the things that had been happening up on Hilltop.
āYes friend, we have already received the first part of the code and it is indeed from the future.ā he said āBut we need more of the code to crack this wide open. Much more code.ā
His colleague gave him a phone battery which he then handed to me and he continued āWhat we need you to do is take the phone battery here to the Telecon up the street and give it to a friend there. The battery has the code hidden inside it. Take it to them and use it to gather more evidence and get more code. Things here are going from bad to worse. We need to hack the mainframe, uncover the truth and spread it. Get it all up on the big screens! The people must know! Make your way up the street to Telecon but stay on the middle of the path and do not stray. The enemy lie in the shadows and they are out to stop you.ā
āStay in the middle of the path. Got it.ā I confirmed before briefly going through the details with Andy once more to be sure.
āOh and you probably want this.ā he said taking my phone from his colleague and returning it to me āItās all clear now so they wonāt be able to track you.ā
āThank you Andy. Iāll get the code and we will get the truth!ā I said confidently.
āGood! Good! Now go and remember to stay in the middle. Quickly now!ā he said waving me off as I made my way onto the main streets of Chinatown.
Chinatownās wall to wall advertising and neon lights didnāt quite look as in your face during the day and the whole place seemed a bit more relaxed. The Tek Shops, Boutiques and Digital Funfair were all busy with activity as all kinds of crazily dressed fair-goers strolled around, some looking worse for wear following the night before. The Bang-Hai Industries Telecon building was at the top end of the street in an old run down building near the Monkey King Temple.
As I entered 2 customers seemed to be mid-debate with the man who was sat on the front desk and other angry voices could be heard from an adjoining office. Along the back wall were a wall of customer service desks where various annoyed customers waved pieces of paper angrily at the representatives. The door swung open from the side office and 3 people ran out scampering for the buildings exit āFUCK OFF THE LOT OF YOU AND DONāT COME BACK!ā shouted a greasy looking man in a shirt and tie before retreating back into his office and slamming the door. Going for the least threatening route I joined the queue for the customer service kiosks.
āDo I know you friend?ā I asked the lady at the window when it was my turn, confident that this would progress my situation somehow.
āI donāt think weāve met, no.ā she said looking at me as if I was trying to pick her up.
āOhā¦ okay. You just looked familiar.ā I said trying to cover for myself inadequately.
āSoā¦ can I help you? Did you want to make a complaint?ā
āYes. Iād like to make a complaint!ā I said thinking it was the only course of action to save face.
āThen just take this form, fill it in.ā she said handing over the form with a surprisingly warm smile given the arguments other customers seemed to be having.
I went and sat at a nearby desk to fill out the form. Coming up with a list of grievances regarding the state of the communications links was easy given the fact I had been struggling to get a signal since I had arrived in town and the public phones about town all seemed to be dead as well. I wonderedā¦ could it be a deliberate communications blackout to quash the progress of any resistance or were Bang-Hai Telecon really just inept? Frustrated I scribbled down my complaints on the form thinking that I might as well now I was there. While I did so I managed to go through about three different pencils as each one seemed to break in turn. Another complaint to add to the form I guessed, trying to jot it down before another faulty pencil snapped.
Once I had completed the form I handed it back to the lady at the kiosk who diligently signed and stamped it before handing it back to me and advising that it was to be deposited in the letterbox out the front. I followed her instructions but as I stood outside peering through the glass, watching the complaint-o-matic at work, I resigned myself to the fact that the representatives perceived helpfulness was just a ruse. There I understood the real value of our opinions to Bang-Hai as I watched my letter fall straight into a shredder.
Bang-Hai prided itself on wanting to hear about our lives and thoughts and dreams across all their media platformsā¦. However both that and the entire corporation was just a facade. They didnāt give a shit about anything we had to say; all they wanted were our souls.
Knowing I couldnāt leave empty handed I went back inside, even if I had to face the shouty man I would come out with something!
I approached the front desk and spoke to the man on reception and tried again. āDo I know you friend?ā I asked.
āAhhhā¦. Iām not really in the loop with the whole thing, sorry. The guy you need to talk to has gone out for a short while. Butā¦. I think he was meant to give youā¦ this. Itās some kind of code?ā he said fishing under the desk and handing me a small USB Drive.
āOhhā¦ thank you very much. Much appreciated.ā I said examining it āAnd you donāt need this?ā I said holding the phone battery with the code out to the man.
āErm. No thanks. You can keep it.ā he said looking at it puzzled.
āOh okay...thanks. Have a great day!ā I said thinking that had been probably tons easier than it should have been. Telecon was clearly falling short on the Data Protection front as well and I walked out with the data I needed safely in my pocket.
When I arrived back at the Tech Repair Kiosk, Andy Roid was there to greet me at the window. His partner was seemed to be absent and likely off on a mission of his own.
āIāve managed to retrieve this from Telecon.ā I said subtly sliding him the USB stick making sure no one could see āApparently itās got more code on it for you. Ā I donāt know if itās of any use?ā
āWeāve gotta wait for 3 more of these and but for now we can send you somewhere else. Are you up for it?ā Andy asked me.
āIām definitely up for it! Ready to go!ā I said enthusiastically.
āHave you heard about The Scientist?ā
āThe Scientist? That guy from District 5?ā I said wondering if he meant the infamous Dr. Benway, Mob Boss Muutiās lead scientific expert.
āNo, you need to go and find the Mad Scientist of Barrio Loco. And I need you to take this.ā said Andy handing me what looked like a cassette tape.
āThe info is on here? Or itās got some kind of virus on it?ā I said puzzled by the rather oldskool media form wondering if it was going to load up in some kind of ZX Spectrum,
āItās not about whatās on the cassette tape. Itās more about whatās in these numbers hereā Andy said pointing at the label on the tape indicating a short series of numbers āSo anyone that finds it will just think itās a music tape. Weāre getting very close now. Take this to Barrio Loco, thereās a Pop Art Shop, go in there and you should find this Mad Scientist.ā
So a short time later I found myself waiting in an Art Shop in the vibrant neighborhood of Barrio Loco stood with two men who were dressed as pigs. The store was attended by a couple of workers who located themselves behind the shop counter, both of whom looked rather out of place in the establishment. They did however confirm that I was indeed in the right place and that The Scientist could indeed help me on my quest. He was was currently dealing with a few other people however so I could be waiting a while.
The shop was quite busy and the wait was indeed very long but I entertained myself by discussing the impressive pieces of art with their creator who was hanging around by the front. On further illumination and examination the majority of the artwork seemed to follow an anti-establishment theme of uprising which did seem a suitable but not very subtle front for the outfit. The rest of the time I spent bopping around to the nearby sounds of the 24 Hour Garage Girls who were throwing one of their famous street parties nearby, and discussing the latest news and events with the two little pigs.
Eventually one of the shops attendants came in from the back door behind the counter to let me know that The Scientist was able to see me now. I climbed the steps over the counter and through the small door at the back of the shop. The room I entered seemed to be a laboratory full of beakers, flasks and tech. The only lighting in the blacked out room seemed to be from a selection of UV lights which illuminated the trippy glowing decorations. The Scientist himself was kitted out as expected in his long white lab coat and goggles and he seemed unperturbed by my arrival.
āGood afternoon friend.ā I began āIāve been sent to find you by Andy Roid. He said you might be able to help us.ā
āI've been trying to phone Andy for 2 days now but havenāt been able to get through to him. Iām glad to hear he is okay.ā said The Scientist.
āI know the phone signal is terrible. Bang- Hai has put up all these aerials and dishes and I still can't get a signal!ā I said still annoyed with the service that the Telecon Company had been providing.
āBang-Hai are not what they claim. They are built on greed.ā
āI know, something about them just isn't right and we need to get to the bottom of it.ā I agreed.
āWe need to put a stop to the constant oppression. The head of Bang-Hai is not what he seems to be.ā said The Scientist.
āDo you mean Rothschild?ā I asked.
āYes. We must bring his system down and stop the corruption.ā
āAndy sent me over here from the Kiosk with this tape.ā I said handing over the cassette. I explained to him that the number sequence should be the key to decoding additional data. Taking it from me he put the tape under his magnifying glass and examined in closely.
āAh yes, I see. Yes, this is excellent. The code we have gathered already does indeed seem to be from the future. In order to gather the final bit of data we require, we will have to go into the future and retrieve it from the mainframe itself. You will need to go to District 5, which is itself the future of Boomtown. A mob boss rules there.ā
āYou mean Muuti?ā I asked having met the cyborg mobster previously.
āYes. Have you met him?ā asked The Scientist surprised I knew of him.
āI have but that was at a previous Fair, not in this version of the future.ā
āHe's a little shady but he can help us with a backdoor into the mainframe. When he asks you what kind of world you want you need to say āA world without Masters.ā He will try and distract you by sending you to a Virtual Pleasure World. Go into it but don't look straight at it. Turn the opposite way and follow the green hacker symbols.ā
āLike this one?ā I said showing him the hacker symbol I had been given at the Town Hall.
āYes, thatās it. Follow the symbols in the opposite direction and upload the virus into the mainframe. Remember once you are in, look behind you and make a note of any numbers you might see. Once you have done this then let Andy know.ā
āI will do so. Thank you very much.ā
āNow all I need to you to do is to sit in this chair here and I can begin the procedure to send you to the future.ā he said indicating an odd looking seat that was surrounded by electronic equipment.
What happened next is still hazy to me but I seem to recall switches were flicked, buttons were pressed, lights flashed in front of my eyes and there was smoke, lots of smoke.
āWelcome to the future!ā I heard The Scientistās voice say āOnce you leave these doors you will find you have jumped forwards in time and are indeed in the distant future. I wish you the best of luck! And remember.... a world without masters!"
The Year 2122
I arrived through the mists of time into Boomtownās future and found myself on the outskirts of Dstrkt 5 in the year 2122. The buildings were in poor repair and it looked like the area had been in steady decline since the departure of the alien spaceship Arcadia all those years ago. The aliens had left not only advanced technology but a whole series of diseases and viruses that had literally plagued the people. Technological advancement had sadly taken a toll on both the human race and the environment in this time. Atop of an old scrap metal tower in the centre of the district stood the last tree in existence. Oxygen and fresh air was at a premium and not everyone could afford it. The people were clearly desperate and struggling to survive in these dystopian remnants of society. The townās population seemed to consist of mutants, cyborgs, aliens and thrillseekers come to dance and fuck through the last gasping breaths of humanity. After oxygen and technology, the other main commodity that seemed to have survived was sex. From the brothels to the the latest Sex Robots being churned out by the Robotika Factory, man found his baser instincts were one of the few things that could survive out on these streets. All the while the cold shadow of the nearby Bang-Hai Towers still loomed over Boomtown.
I knew Muutiās office from previous visits so despite the low key abandoned shop facade I knew where I needed to get to. A queue had formed outside as various denizens and visitors to the district were hoping to petition Muuti for one thing or another. Despite the power wielded by Bang-Hai, when it came to it, on the ground at Dstrkt 5, Muuti was the person you came to. Nothing happened in the district that he was not aware of. His henchmen guarded the door, managing the crowd and staring down anyone that approached. Ā Every so often the door to the office would open and a single person would be ushered inside. Most would end up being unceremoniously thrown out after a short while having angered the mob boss. Very occasionally though a citizen would disappear completely never to re-emerge. Muuti could be a great ally but it seemed he could prove to be an even greater enemy if you got on the wrong side of him.
At what seemed like an age I arrived at the front of the queue and I became very aware of my weapon holstered on my belt as I eyed up the massive assault weapons that the bouncers were wielding. I had not come unprepared and had brought with me all the future tech I could muster for this venture including tools and the latest in futuristic eyewear. The woman in front of me was giving me a deathly stare and I was glad to have the glasses to at least partially hide behind. Her jaw and mouth were obscured by some kind of cybernetic mask that probably doubled up as some kind of air filter so she wasnāt breathing the same poisoned air I was currently having to deal with.
Eventually our staring match came to an end as the door opened and I was beckoned in by another armed woman. I stepped inside into a short dark corridor which then opened up into the familiar well furnished office of the mob boss. This time however the room seemed to be brimming with a large assortment of plants. The air seemed rich with oxygen and fresh air and I took a deep breath. Muuti sat in his throne like chair behind a large desk. The tension felt like I had entered the headmasterās officeā¦. if the headmaster had guns and an inclination to vaporise people.
The cyborg henchwoman who had brought me in was now pointing a laser blaster at my head āArms up!ā she commanded and I reached for the skies. I volunteered that she take my Anti-Time Blaster I was armed with to show my good will. Going into Muutiās den with guns blazing would only get me killed and possibly mulched into Soylent Green. Ā āAny blades on you?ā she asked.
āNone, just this screwdriver.ā I said nodding to indicate the device attached to the other side of my belt.
āSonic?ā she asked me. I nodded in reply. āYeah, take it off.ā she confirmed. I reached down carefully and safely unclipped the screwdriver handing it over to her. She also had me remove my cyber-eyewear stating she needed to see my eyes. I removed the glasses and powered them down looking her straight into her own eyes. Her own eyes were definitely not her originals but cybernetic replacements. She brought out a scanning device and began searching me for any additional weapons or devices I may have stashed on me.
āDo you know where you are?ā she asked me.
āMuutiās office.ā I replied.
āIt is. When youāre in Muutiās office you play by Muutiās rules. You do what Muuti says. You answer his questions. You donāt piss about otherwise you donāt keep your head attached.ā she said in a cold harsh fashion.
āUnderstood.ā I nodded affirmingly as she finished her search of me.
āHeās clean.ā the henchwoman told her boss, taking my equipment over and place it on the far side of his desk before indicating for me to take my place in front of the desk.
āGood evening sir.ā I greeted him as he looked me up and down with disdain before turning his attention to my sonic screwdriver which he picked up for a closer inspection.
āNice to meet you again.ā I said warmly.
āSit down.ā commanded Muuti.
I walked forwards and took my seat. As I sat down I felt like I has shrunk as Muuti loomed over me from his chair. āItās been a whileā I said.
āIām a very very busy man. I canāt remember everyone that comes through here...ā he said in his usual gruff voice.
āItās okay, you get a lot of people throughā¦ā I began before I realised that due to the time travel I wasnāt actually saw how long it was since I had seen him.
āYou keep on interrupting me Iāll definitely throw you out! You understand?? Now sit back please and answer my questions.ā he said annoyed āI aināt got a lot so donāt interrupt. What you āere for?ā
āI was sent by Andy Roid and The Scientist to try and obtain more code and hack into the mainframe.ā I explained as the henchwoman played with the settings of my Sonic Screwdriver curiously.
āWell that is very honest of you and very up front. But you know who I am?ā
āI know who you are.ā I replied āYou have a reputation. Firm but fair.ā
āIs that who I am??ā asked Muuti.
āOnly you really know who you are.ā
āOh this is getting very fucking philosophical isnāt it??ā Muuti said rolling his remaining human eye at me.
āYouāre the boss of The District.ā I said getting down to the basics.
āOh there we go. Thatās a bit more real isnāt it. Now you giving me facts and not a bunch of suggestions of me being whoever the fuck you want me to be.ā he said in an intimidating tone. This did not seem to be going well so far. āI am a district leader. District 5. You know, I run this town. I run this district! I make sure everyoneās safe. I make sure no law enforcement, no government officials, tamper with my social control.ā he said before pausing thoughtfully and then staring at me as if he was waiting.
āUnderstood.ā Ā I said trying to sound confident.
āI protect everybody. I keep everyone safe.ā he continued āI like it and all our population likes it. Of course, in our district, not much air to breathe.ā he points to his collection of plants āI can jar that and give as much as I want, and I do generously do that for my population. Thereās also not many plants apart from my specimens that you see around you.ā
āAn excellent collectionā I said admiring the rich foliage.
āAnd thereās definitely no animals.ā He continued. āSo thereās no food. I control that as well. So youāve come to me, to ask for my services. But what can you actually offer and provide for me?ā he asks.
āWhat is is you want?ā I enquired.
āWhat have you got that I might need?ā he asked.
āOxygen?ā I askedā¦ if I went back in time again I could probably manage to bottle a good deal of air from the various forests of Boomtown.
āOxygen? Iāve got it.ā he said in a cocky and unimpressed fashion.
āWellā¦ā I pondered āIāve got Data.ā
āYouāve got data have you? What kind of data āave you got?ā
āFuture Codeā I declared
āFuture Code! What could the future code be for?ā
āThatās what weāre trying to look into. We were told you could help us.ā
āOkay. Letās just restart. Iām gonna ask you a question. Itās a bit off the beaten track but answer it truthfully and honestly. And donāt deep think about it.ā
āOkay, go ahead.ā I said prepared for what was coming.
āWhat is the most pleasurable experience youāve ever had?ā he asked me.
I took a deep breath and pretended to think about it āVirtual Reality?ā I said
āVirrrrtual Reality.ā he said āThatās absolutely nothing compared to what Iāve been working on.ā
āReally?ā I said intrigued
The henchwoman continued to play with the sonic screwdriver as we spoke inspecting it closely as Muuti continued āNow it feels to me you have two options in your life.ā he continued āYou surrender to your pre-ordained destinyā¦ or you stand up and you evolve! So what future is it you actually desire?ā
āA world without mastersā I said confidently hoping he would buy it, although in my heart my loyalty still lay with Comrade JosĆ©.
āA world without masters?ā he said clapping his hands in congratulations āNow weāre getting somewhere! Howeverā¦.if I give you this chance are you prepared to go through the rabbit hole? And you must fully understandā¦.once youāve gone through thereās absolutely no turning back. You will never return! Are we prepared to make that commitment?ā
āIām ready for that!ā I said with determination.
āYouāre ready for that? Well pleaseā¦ follow my assistant.ā.
āTake your gun.ā the henchwoman said handing me back my sidearm āYouāll need it.ā
āThank you.Your help is much appreciated.ā I said to the both of them as I retrieved the rest of my equipment.
Muutiās assistant pointed me to a strange hatch low down in the wall which lead into darkness. I got on my hands and knees and crawled through the unlit tunnel. Muuti had told me I couldnāt turn back but I remembered The Scientistās words and looked behind me as the hatch closed up. I was looking for some kind of numbers that would be my next clue but in the darkness I was no longer able to see. I was about to reach for my torch when I emerged from the tunnel into some kind of waiting room. At a desk sat a strange woman with three faces dressed in white who sat at some kind of reception desk. Was this part of the simulation? Had I entered a new dimension completely? I wasnāt entirely sure. The room was adorned with various inkblot tests on itās walls and had sets of chairs lining the walls. There was a small side table where one would expect to see a pile of magazines but the room seemed surprisingly blank with itās white walls as if it were the waiting room for the afterlife. A soundscape of ethereal noise seemed to fill the air as if echoes of angels reverberated to the sound of crystal resonance.
āWelcome to Doctor Benwayās office.ā said the three-faced woman āDo you have an appointment?ā
āErrrā¦ As far as Iām awareā¦ā I said āMuuti has sent me.ā
āExcellent. You can take a seat and fill out this form. Bring it back to me when you are done.ā she said handing me a clipboard. Taking the forms from her I claimed one of the seats which were all currently vacant leaving just me and the three-faced woman in the room. She sat at her desk sifting through a pile of documents at her desk as if she was looking for something in particular. The form seemed to be a medical disclaimer for undergoing some form of surgery for a cybernetic upgrade. Given the fact I had already had cranial implant installed by The Bodyshop technicians 2 years previous this did not worry me though. In fact my implant had seemed to have been malfunctioning since and could definitely do with a round of maintenance.
Once I had finished filling out the form form I took it over to the desk and handed it over to the mysterious woman.
āOkay Jonny, you will need a number.ā she said indicating a ticket dispensing machine on the wall. I pulled a ticket from the machine and looked at it. Ā
āAnd what number are you, Jonny?ā she asked me,
ā36ā I replied waving my ticket.
āOkay, just sit down there.ā she said to me as I sat back down clutching my ticket. I wondered if I really was the 36th person to have gone through the rabbit hole. And of those 36 people had any successfully made it into the mainframe? There was still plenty of opportunity for failure at this point in the mission.
āCan you see whatās in front of you there?ā the three-faced woman asked me indicating to a series of inkblot tests on the wall ahead of me.
āPatterns.ā I replied keeping it vague for now.
āHave you seen something like this before?ā
āIāve seen them in the Wild Westās Asylum.ā I said remembering the doctorās office there.
āIt is the Rorschach test. It tests your personality and your brain. Which one are you most drawn to, Jonny?ā
We slowly went through the patterns with her asking what I associated each one with. She advised me to say what came into my mind first each time.
A butterfly, flying free.
A plant, bringing oxygen.
Speckled Frogs (sat on speckled logs).
Two Gymnasts flying through the air.
And a couple of Ā robots victoriously high-fiving.
āI see. And why have you been sent here Jonny?ā she asked making notes on the paperwork as we talked.
āTo get more code and hack the mainframeā
āWho sent you?ā
āThe Scientist and Andy Roidā I said keeping to the basics. The sounds in the room were growing louder and louder. A rumble of bass trembled through the floor and my ears struggled to hear over a growing cacophony of sound that seemed to emanate from the very walls.
āAnd you were with the Revolution last year?ā she said asking the exact question I had been avoiding all weekend.
āWell, not quite. I was drafted into the military before the regime fell.ā I replied keeping it as vague as I felt I could.
I remembered back to that golden age of Boomtown and my loyalty to Comrade JosƩ. Both were long gone now though and it seemed increasingly possible that Bang-Hai Industries that had caused this.
As if she was following my train of thought she then asked a follow up question āAnd have you heard of Bang-Hai?ā
āI have.ā
āWhat is your observations about what is going on?ā she inquired continuing to check through the paperwork making notes.
āI feel that things are just getting worse, worse and worse. Something needs to be done.ā I declared
āWhat do you think needs to be done?ā she asked me.
āWe need to overthrow this corporation, get rid of it.ā
āYou think we can have a future without leaders?ā she asked.
āA world without masters!ā I replied in my most convincing voice knowing this was a crucial point.
āWhat do you think your responsibility will be in that world?ā she continued.
āLooking out for all the citizens of Boomtown?ā I pondered out loud.
āAs a Warden? A Safety Officer?ā
āIn whichever way I can help.ā I said as the cacophony of sound seemed to increase again. It was as if cymbals were clashing or a great steam powered industrial machine was crashing through itās motions. I struggled to hear the follow up question and had to shuffle closer and get her to repeat herself.
āDoes destruction seem to follow you around?ā she asked.
I thought back to the events previous, the battles of the revolution and beyond. āIām afraid so. I saw the districts burn last year. Iām not sure if it was necessary or not, we donāt seem to have got anywhere.ā silently I cursed the masked revolutionaries. They said they had wanted to make things better but things were now worse than ever.
āYou agree with violence?ā she asked.
āWell violence hasnāt solved it, we need a different kind of revolution.ā I declared.
āHow would you police this new world?ā
āI hope everyone could police each other.ā
āFor whoās benefit?ā
āFor the benefit of Boomtown and the world as a whole.ā
She paused before asking āAnd what do you do Jonny?ā
āAt the moment Iām a mercenary, which is how I ended up in the military and how I had previously done Ā work for Muuti.ā
āIt is nice that you are loyal.ā she said without emotion. I wasnāt sure if she was congratulating me for helping out Muuti or condemning me for my mercenary work.
āWhat would you say are the gifts that Muuti gives you?ā
āSo far heās given me this cortical implant but unfortunately it seems to be faulty now and is in need of repair.ā I said rubbing the back of my neck where some of the cybernetics had been imbedded previously.
āWhat is your goal?ā she asked me.
āHopefully to save Boomtown.ā I declared.
āHave you been to the bank?ā
āYes, to exchange money from the previous years. They gave us a terrible rate, especially on the Downtown money. They said the Downtown money was worthless. They wouldnāt even give me anything for Muutiās dollars.ā
āTerrible. Yes they are used to doing things their way. How does that make you feel?ā
āDisappointed at the time but at the end of the day the money doesnāt mean anything. Itās almost like the Oxygen is the currency here and now. Just the one tree outside in the square, itās a shame. If only we could have done something to prevent it. I hope we can do something in the past to fix the future.ā I said as if in conclusion.
āWhile we are here, we will explore what the future holds for us.ā she said before a momentary pause as she scribbled something on the bottom of my form.
āNowā¦ I have some information for you.ā she said beckoning me over. Ā āWhen you go to see the Doctor he will give you two ways to go, take the option that seems harder to you and you will have an opportunity to overthrow the entire mainframe. When you are presented with the headset there are two paths you may take, one is going forward and although it may seem counteractive, if you turn round 180 degrees, you should see this symbol.ā she explains pointing at the now familiar symbol on a paper on her clipboard āThis is the hacker symbol and it is the opportunity to take over. The doctor will see you now, good luck!ā
Feeling like I had won over a new ally already, I thanked the three-faced woman and made my way out through the only door in the room, the way I came in now being closed to me. I walked through some sheets of plastic and emerged in a laboratory. The room was full of scientific equipment of various sorts and the beeps and chirps of computer banks could be heard. The walls were coated with a plastic membrane and the room was lit by a series of white lights that adorned the wall. On the far side of the room were two built up enclosures, each with a VR headset by it.
Standing in the laboratory was a crazed looking mustachioed gentleman with longish hair who was wearing a long white double breasted lab coat, black rubber gloves, and large dark lensed laboratory goggles. Straight away I recognised him as the one and only infamous Doctor Benway. He was accompanied by one of Muutiās cybernetically enhanced minions who seemed to be fulfilling the role of lab assistant.
āHello. Good evening.ā I said entering the laboratory.
āPlease remove anything from him that might interfere with the equipment.ā said Benway to his lab assistant āThank you, your effects will be kept safe.ā he advised me as I removed all my tech and my hat onto a small metal tray the woman brought over.
āYou need to drink this. Please tilt your head back as I put this in your mouth.ā he took a test tube from one of the racks in the laboratory that contained some kind of blue liquid and poured it into my mouth. It definitely tasted artificial but I couldnāt quite identify the contents. āVery goodā he continued āSwallow it back for me.ā
The doctor examined various scientific instruments in the room and then peered back at me āThatās perfect.ā he mumbled.
Next he then proceeded to go through various reflex and reaction tests with me, making a few notes to himself as he did so.
āI have had a cybernetic implant previously, will that affect things at all?ā I asked concerned.
āI will only know at the end of this.ā he replied. āMy name is Doctor Benway. In a moment we will ask you to stand inside the cage here, a headset will be place upon you and you will enter a virtual world. Itās fully immersive and three dimensional which means you will be able to look all around you and experience everything thatās going on. Your first job once the headset has been placed upon you is to look for this symbol.ā he pointed to a hacker symbol on the wall for me āItās very important, you just need to look at this for a few seconds; this is the key, this is the gateway, this is the entrance to your experience. Do you understand?ā he asked me.
āI understandā I acknowledged
āAt the end of your experience, when everything comes to a stop, have a little look around, there should be a little message instructing you to remove the headset. This is your queueā¦ to remove the headset! Do you understand?ā
āAh yes. That is rather cunning!ā I said.
āPlease enter the cage.ā said Benway indicating to the enclosures on the other side of the room. I ducked under the safety bars and stood in the middle. The doctorās then came over to me and placed the VR headset on me and adjusted the straps.
Darkness turned into light as I was transported into the Virtual World. I found myself in a long tripped out patterned tunnel. A friendly feminine voice welcomed me as I looked around to get my bearings. Ahead of me was a red version of the hackers symbol. I turned myself around and sure enough floating behind me was the green symbol. I stared at as the headset finished itās configurations and we were off speeding down the tunnels of this information superhighway. I flew through tunnel after tunnel chasing the green hacker symbol, deeper and deeper into the system. At every turn Bang-Hai Industries tried to distract me from my mission throwing adverts and pop ups at me, trying to lure me down the wrong paths. All I had to remember was to ignore the red symbols, follow the green symbols and keep myself focused. At each checkpoint a timer was displayed on the screen counting down the seconds I had left, each time I hit a checkpoint I would gain more time, but had to keep going at top speed to get from point to point. All the while I heard a voice very quietly in my ear, encouraging me, advising and guiding me. But this was not the voice of Benway or his assistant but someone who was directing me from inside the system. I was unsure if this was AI or one of the new revolution guiding me but either way it was good to have a friend and ally with me. Meanwhile in the real world I felt someone take my arm and hold it out in front of me before injecting me with something. The metal felt cold but not unexpected given that I was expecting some kind of cybernetic upgrade to be taking place. In the virtual world I rushed and flew through tunnel after tunnel, turn after turn, chasing the green symbols and making sure I didnāt go the wrong way.
Eventually I managed to find my way to what looked like a physical computer terminal. A window popped up asking if I wanted to upload the virus into the mainframe. I clicked okay and the upload began, the security system tried to counter it but it was too late. The virus finished itās upload and the entire system began to glitch out. The voice in my ear congratulated me saying my mission was now complete and a message popped up in front of me saying the hack would be fully activated on sunday at Bang-Hai Towers at 23:45.
The message advising me to take off my headset then popped up and I carefully removed it.
āThank you.ā I said to the doctor and his assistant āThe mission was successful. Your help has been much appreciated.ā
āKeep right there please. Please try to keep your eyes open; Iām going to shine this light into them, itās going to be very difficult. Ah yesā¦.thatās very good. Thatās wonderful. Itās definitely taking effect.ā he said as he shined the light straight into my eyes. āCan you tell me what your name is?ā he asked.
āJonnyā
āCongratulations, Jonny! You have been specially chosen. You are now being upgraded. When you entered the room you were given a small amount of blue liquid. Do you remember? You may have felt me administer an injection. You now have nanobots, tiny little robots coursing through your veins, fusing to your central nervous system, flowing down your neural pathways. Do you feel that?ā
āI can feel them coursing! Coursing through my veins!ā I said.
āThatās wonderful! They are upgrading you. Thereās a few procedures we need to go through to make sure this is happening. What I want you to do is just raise your hand up like this in front of you. Thatās it, arm in the air, the hand down. I want you to focus on your hand. As those nanobots are integrating into your subconsciousness. If Jonnyās subconscious is willing to have this experience this hand is going to move. Itās going to move. Thatās wonderful. Now Jonny I donāt want you to move it yourself, I donāt want you to resist any movements either. Let the nanobots take full control. I want that hand to move. It might just be a finger twitching but it will move.ā
My fingers began to separate slowly as I held my arm out in front of me following each and every instruction.
āThatās very good! The little fingerās going there and the fingers are starting to seperate. Thatās fantastic, youāre doing this perfectly. And now the handās going to turn towards the face as those nanobots take full control of the nervous system. That is wonderful, isnāt that a bizarre experience. And then youāll notice the hand starts to move towards the face and as it does, it will get quite close, it will make contact and then the eyes will close.ā as he finished he clicked his fingers, my eyes were closed and everything was darkness.
The doctor had a very serene, reassuring and calming voice, almost hypnotic in nature in factā¦.very hypnotic.
āNow, the subconscious is being rebootedā he continued āItās nothing to worry about, itās normal. You will be fully aware and able to hear what I am saying. When I count to three I will snap my fingers, your hand will drop down, by your side, your eyes will open and youāre going to feel 10 times more wonderful than you did when you entered this room. One, two, three.ā
āAAAAYYY!ā I said grinning like an idiot.
āAre you feeling good?ā he asked smiling
āIām feeling good! Are you feeling good?ā I said euphorically.
āI am feeling wonderful. I think everyone in here feels wonderful! Weāve all been upgraded! Are you willing to have an experience you havenāt had before? We will see what upgrade you have been given.ā he said checking his notes and equipment.
āYou have been given one of my favorite upgrades. Do you understand the word Psychokinesis?ā he asked me.
āMoving stuff with your mind?ā I said unsure if I recalled correctly or not.
āVery good! Thatās wonderful. Do you want to try this out?ā he asked.
āIād like to give that a go.ā I replied.
āOkay, we can only start with small things for now but as you go over time, over the next few days you will get better and better at this. We will start with something small. First of all can you take a step back please?ā he asked.
I stepped back as far as I could towards the rear safety rail of the construct.
āOkay. Iāve got this pen.ā he said picking one up from his work bench. āIām going to place this pen on the shelf here.ā he said resting it on the flat safety rail in front of me. āJonny, what I want you to do is I want you to look at the pen. I want you to really believe that you have the power to reach out in your mind, to move the pen, believe you can do it. Say in your mind āPen move! Move pen!ā almost like youāre going to reach out and touch it and move the pen but youāre not going to use your body, youāre only going to use your mind! Say āMove Pen! and as those nanobots integrate into your system that pen will begin to move. Say move pen! Move pen! Tell the pen!ā
āMove pen, go on move, do a little move.ā I whispered at it willing it with all my might āMove pen. Move pen! Come on you can do it.ā I encouraged the object when all of a sudden the pen wobbled and fell over the edge making a cracking noise as it hit the floor. āWHOAH! When I was least expecting it!ā I exclaimed impressed by my new ability.
āWonderful! Usually the pen just moves a little bit, you managed to make it fall off the edge. Thatās wonderful Jonny!ā said Doctor Benway very pleased at the results of his experiment.
āAs soon as I stopped thinking about it, it happened!ā I said happily.
āNow look at your hand, really focus on that hand and as the hand starts to move closer, the changing focus of the eyes and as it reaches your face it makes contact and it brings your eyes to close.ā
The darkness enveloped me once more.
āI want you to listen carefully to me Jonny.ā started Benway āToday when you leave this lab you are going to feel better than youāve ever felt in your whole life. You will be the best version of you, that there has ever been. You will be more confident. You will be more chatty. The music will sound better, the colours will be brighter! You will feel so wonderful as each minute passes, more and more wonderful and all you will be able to think about is your experience here and if anyone asks you about your experiences here you will tell them what an incredible time you had and how important this was in your life as you feel better now then you have ever done in your whole life! And then you will say āI am District 5. I am for Muuti.ā Now when I count to three and click my fingers you will be wide awake. Your eyes will open and your arms will drop to your side and you are going to feel so incredibly wonderful, your going smile at me and weāre all going to feel better. One, two, three.ā
And with a click of Benwayās fingers I opened my eyes speaking the words āI am District 5. I am for Muuti.ā
āJonny! Congratulations! You are fully upgraded!ā declared Doctor Benway before turning to his assistant. āHeās ready to go.ā he said to her and she began to prepare for my release back into society.
With my new re-purposing I would spend a good bit of time in the future of Dstrkt 5. From the busy Spaceport to the Sewage Workz I took it all in. People raved in the streets as they tried to forget their troubles. Even in the Robotika factoryās shipping yard the party raged on to the futuristic sounds of drum, bass and dubstep which reverberated the metal containers that lined the area. While I took in this auditory experience, I was pleased to run into my friends, Cait and Badjah, who were visiting the district to take part in this end of world dance. Up on the platform in front of the factory proper, performed the likes of the legendary Aphrodite and Caspa of the Dub Police to mark this apocalyptic dance experience.
Probably the most curious thing of all in this time however was hidden behind the toilets. At the back of the main loos was a very uniquely decorated āPortal-Looā - And if you thought the queues for the normal bogs were long, this one left them to shame. Curiosity got the better of me; the general rule of the Boomtown Fair seemed to be that if thereās a queue, itās worth queuing for. A sign outside read āVirtual Reality Peep Showā and following my flight around the mainframe this was something that definitely peaked my interest. Rumor was that inside a pocket dimension through the portal was a secret members club where the dethroned elite were hidden among some of the most decadent settings in the galaxy.
The queue was being patrolled and managed by two women in elaborate outfits who were covered in far out face and body paints, who said they were aliens visiting from another dimension. I managed to get chatting with a blue haired one about the state of the district and about the Portaloo itself.
āMuuti's VR is shit compared to ours.ā she told me, which is an interesting thing to say by someone whoās VR system is inside a toilet. Ā āYouāve experienced nothing like this before. Anyway, Muuti is nothing but a bastard.ā she continued āHe's stealing all the air from District 5 and selling it back to us for his own profit. He cares nothing about the rest of us.ā
āI am District 5. I am for Muuti.ā I thought to myself as the words seemed to echo in my mind. I felt inclined to argue with her but as I wanted to get inside so I saw fit to remain tight lipped.
After an eternity it was my turn to use the loo. It was a good thing I wasnāt desperate! I took my seat upon the plastic throne and one of the women handed me a VR headset which I placed upon my noggin. I found myself flung back into the virtual world and down a shaft of lights and pulsing shapes as if I had arrived in some kind of hyper-lift. I floated out through a grand cityscape of cyberspace tower blocks. The city seemed vast and was full of virtual avatars strolling amongst the buildings. Ahead of me I located some steps which lead down into a multi-level underground club full of digital clubbers. In various places throughout this virtual world I kept coming across signs and billboards that curiously read the same slogan āThey Sleep. We Live.ā - I pondered the meaning of the saying as I floated around this virtual setting. Ā I passed through the club and into a small room. Looking down I saw another sign but this one instead stated the words āDonāt look downā but it was too late and I found myself falling down a great pit.
āGAME OVERā flashed the message on my headset and I removed it. Once I did so I heard a voice from behind me which asked āWhat is this password?ā
āThey Sleep. We Live.ā I told the voice.
There was a clunk and the wall behind me disappeared and I was taken through the Portaloo and into the pocket dimension.
The walls of the club glowed in the ultra violet lights and exotic dancers from across the galaxy strutted their stuff upon their podiums. One wall had a series of holes across it which let in light like a field of stars. If you put your eye to them within each was contained itās own peepshow. The members club itself wasnāt as vast as the virtual club I had arrived through but it was definitely more exclusive. A bar was found near the back and there were various small chairs and tables around the room. After taking in the shows however I found it was getting late (if time existed or not in this dimension) and I had other places I needed to be. Thanking the staff I excused myself and made my way back to my own dimension.
2017
Before I knew it I was back in my own time and having completed my mission I headed back to the Tech Repair Kiosk. When I got there I found that there was no sign of Andy and it had been locked up for the night. A note was affixed to the inside of the window:
āWe had to leave. We had a problem with housekeeping! We need your custom. Please come back tmrw between 1-6PM - FUCK Banghaiā
With the rest of my day now free, and the hack not being fully activated till the evening after, I decided it was time to really take in some of the entertainment the Boomtown Fair had to offer.
I made my way up to the Lionās Den in Trenchtown and sat relaxing on the hill with a tray of Canadian Poutine. I took in the grand sight as the sun set over Ziggy Marleyās performance and I settled in to watch The Specials, for my third helping of āMonkey Manā (having already seen Toots & The Maytals and Reel Big Fish both play it).
This was then followed by the one and only Skindred at the town hall which was just as amazing as I could have imagined as the square turned into one big moshpit. The energy in the city was amazing and the yearly fair seemed to be going well.Ā I had to admit that even the output at Bang-Hai Towers was super impressive with the likes of The Prototypes and Ed Rush rocking the downtown area. I managed to meet up with Badjah and Cait again and we all had a damn good dance.
Meanwhile in Oldtown Bang-Hai Industries had already moved in itās team of surveyors who were measuring things up against their plans to demolish the neighborhood. Ā Fights and skirmishes broke out as pirates and angry locals turned up to protest against the destruction of their home. Regardless all around them the party seemed to carry on as if oblivious.
Before bed I decided to sit down in Oldtown myself to watch a puppet show story of how Nikolas Boom had discovered the Lionās Den Temple back in the day (This is something Iād really like a full video of if someone has one). I wondered to myself were Nikolas Boom might be, was he alive or dead? A mystery for another day. Before I knew it the night had grown old and I settled down back at my home on the hill, looking out across to the ongoing laser light show at Bang-Hai Towers.
āParty on for now Bang-Hai! Because tomorrow, we strike.ā
Sunday
It was a beautiful morning in Boomtown and I decided to take a long stroll up to Whistlers Green while I took in the sunshine. At the very peak of Hilltop those that hadnāt overdone it the night before mingled with those that were still up, as they lay on the grass by the large sculpture that overlooked all of downtown. New paths had been routed since I was up here last including a rather pleasant stroll through the woods, the sunbeams streaming through the canopy as a gentle breeze blew through the pages of the books that were suspended from the branches that hung above the way. I emerged from the trees up by the Junkyard Golf course via a beautifully carved archway that had been crafted by the Tree Pirates. The windmills had expanded since the previous year but most of Whistlerās was still very familiar with itās circles of gypsy caravans and tipis. Arts, crafts and cafĆ©ās were plentiful up here along with some of the more traditional fringe features. A large group of people gathered out the front of a tent saluting the sun in one of the Fairās Yoga sessions. Children ran around a Giant Chess set and guitars could be heard strumming on the wind. It was certainly a far cry from the scenes of struggle and corruption that seemed to be prevailing elsewhere in the town. I spent a while pottering about, examining sculptures, art displays and browsing the farmerās market. As the sun passed mid day however I decided Iād better make my way Ā down the hill (and the giant steps) in order to give Andy the good news about the mission.
I made it downtown much faster than I had imagined so spent some time just wandering the streets. Over the weekend more and more fly posts had appeared around the town that featured the symbol of the hackers. Some included a mysterious phone number but I still couldnāt manage to get any signal either on my cellphone or from any of the Telecon Booths around town. Accompanying these were the opposing propaganda, wanted posters that were to be found all over the city and across the front page of the Daily Rag featuring citizens that had been found to be associating with the hackers. Big rewards were now being offered for Bang-Hai Industries Most Wanted. Thankfully I had managed to stay under the radar so far but even when I had trolled the staff at Chinatownās Bang-Hai People Support Office I had managed to stay off the radar so far. Sure, my wristband tracker was on the system but with Andy Roidās wizardry and tinkering with my phone I seemed to be covered so far.
I got to the Tech Repair Kiosk just after 1pm, checking and making sure no one had followed me. Andy had returned there again by himself and was just settling in for the afternoon. āGood Afternoon Andy.ā āGood afternoon. And what can I do for you?ā he asked me casually as he looked around making sure no one was listening in. āYou told me to return once my mission was complete.ā āAnd is it complete?ā he asked. I relayed to him what had happened in Dstrkt 5 and that I had successfully managed to upload the virus into the Bang-Hai Industries mainframe as planned. āAhhh! My friend! That is really good news! Thank you! Thank you!ā he said shaking my hand with a grin on his face. āI was very happy to help.ā I said smiling back āAny time you guys need anything.ā āThe takeover will happen over there somewhere tomorrow.ā he said to me nodding at the massive Bang-Hai Towers which stuck up in the sky dwarfing all the other buildings. āYes. Bang-Hai Towers. Quarter to 12, tonightā I affirmed remembering the information the helping voice had given me within the Virtual World. He thanked me again and with nothing left to do until the evening I went off to have a well deserved relaxing day enjoying the Fair.
And lots of fun was indeed had that afternoon starting with a good olā post-mission celebratory cider drinking with The Wurzels in the town centre. They may be getting on a bit but those West Country folk sure know how to party! I sat in the forests for a good while after that taking shade from the sun and sitting in the nice cool sand listening to Kiko Bun performing and watching the shadows of the leaves dancing across the ground. Street parties had broken out across town protesting the Bang-Hai Regeneration Projects, from Mayfair to downtown, unsanctioned events, causing BHi both figurative and literal headaches. I was taking it easy though and Mr. Vegas was definitely another highlight of the day. Vegas was smashing out the dancehall classics as I lay on the hill in Trenchtown. II was really starting to feel the tiredness creeping in from the busy weekend at this point though. I grabbed a drink to perk me up a bit and decided to hit the Mayfair Theatre to take in a show and to watch the sun starting to go down from the balcony there. It seemed the other citizens were feeling the burn as well and as I passed the markets near the helter skelter I saw a group of people lounging around on the grass. One of the group was wearing a long dark hooded trenchcoat. On the back of the garment and near the tip of his hood were sprayed the ancient symbols of Boomtown. I was impressed, the details were very accurate, in fact it was spot on to the badges worn by the Masked Men the year before. He had a bag with him and sported a very long impressive moustache and long scraggly hair. At the time I thought nothing significant of it, just another fairgoer in a great costume I had assumed. Looking back on that moment since however I canāt help but think the man was the spitting image of Nikolas Boom himself the founder of this very cityā¦.
I tried to keep it a little civilised for a while and tried to check in to The Park Hotel. My best suit and my passphrase wasnāt of much use however as they said it had now expired for the year and I was too late to use it but should check back again next time I was in town. I stopped a while and listened to the live band on stage and to mingle with the more sophisticated elite of Mayfair. I just couldnāt stop myself from going out to join the partying out on the street though, that was where the real buzz was at this point in the Fair.
Counter agents and bounty hunters were still everywhere, especially with the new Most Wanted List being up everywhere but I found they were easy to avoid now as long as I was careful. I spotted the two from the alleyway climbing the Hippy Highway but managed to stay hidden from view and even track them for a short while myself.
Once darkness hit though I decided that if I was going to hide, I would just hide in plain view. I managed to dig out the brightest outfit I could find complete with flashing lights and raved my way all around the town giddy from my caffeine, rum and general smug sense of achievement. From the UV forests of the Rave Yard to the Tribe of Frog to Downtown, I strutted my stuff and skanked the hell out.
The time flew and eventually it approached the witching hour, the hack was about to go down and the best place to see this was at Bang-Hai Industries very own communications hub at The Towers. I knew a good few of my friends were in the audience to witness the finale of the Fair but the square out the front of the towers were jam packed. I tried hanging round one of the raised platforms on the left hand side where I had bumped into friends on previous nights here but the crowds was so dense it was hopeless.
As Black Sun Empire finished DJing their final tune, the lights dimmed for a moment and the nightly broadcast by Bang-Hai Industries beganā¦.but this time it would be with a twist. The grand finale had arrivedā¦.
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Following my hack of the system and deployment of the virus into the mainframe, all BHi systems had been compromised and we had been able to download all the data we wanted, before they were able to reboot the machine. This meant we were able to take all their dirty little secrets and broadcast them across the city for everyone to see across every TV set and screen.
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Bang-Hai Industries had been humiliated and the true depth of their abuses were now public for the world to see. BHi would crumble and the people would rise up empowered by the truth. A world without masters would rise from the ashes of the great corporate machine! Or so we thoughtā¦.
To be continuedā¦.
Back to reality
I would just like to take this opportunity to again thank all the creative team at Boomtown Fair for allowing me to take part and experience this with them. Everyone from the actors to the set designers have done an amazing job and really brought the city and the story to life.
Unfortunately life imitated art and instead of getting a virus into the machine, a couple of months after the Fair, a virus managed to get into my nervous system somehow and I was taken into hospital. It meant lots of injections and tubes but unfortunately not the fun kind Dr. Benway uses. At this point in time (March 2018) I am still not fully recovered and getting my journal written this year has been a long hard slog but one that has kept my mind stimulated and allowed me to relive my adventure (as best as I can recall it now).
I very much hope to make it to Chapter 10 this year so I can continue my adventures but at this time Iām not 100% sure if I will be well enough for my usual antics or even have the money to do so as I am currently unable to work. I remain pretty hopeful though and will count the next few months as training to build my strength back up.
Thank you for reading if you still are and hope to see some of you at Boomtown in 2018!
Epilogue
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#Boomtown Fair#Boomtown#Boomtown Festival#Street Theatre#Performance Art#LARP#Festivals#Festival#Behind the Mask#Boomtown 2017
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Hello, donāt know if you still need advice but Iām going to offer my 2 cents anyways :)
1. Ok, so, for chapters, if your are going to be posting this sequentially (like, a chapter a day, itās all writen and finished a head of time) Iād day let the chapter fall where the story breaks fall. But, If itās writing on the go with longer breaks between the chapters, then Iād say stick to around 2,000-5,000. You can definitely go longer if you feel a chapter needs to be longer (Iāve happily read 18000+ chapters) but thatās probably a good range
2. Formatting wise, I write in scrivener then copy and paste it over to the rich editor. That way it keeps all my italics and thereās not much else I need to do besides go over it once more for good measure. Formatting can be really stylistic, but I would say once you figure out what you are going to do, stick to it.
3. First of all, donāt head hop. Then, make sure each character has a distinct voice when speaking. Everyone has different cadences, common words they choose, whether or not theyāre long and rloquent or short and choppy. 3rd person limited narration should still abide by that. When you need to change characters, make a clear line break to fully show a character change. Donāt do it every paragraph or even every scene. The point of view should both tell the reader something important they couldnāt find out another way, and be from the character who had the most to loose at any given moment.
4. Personally, I separate the story into an outline with story beats first, then write the chapters. Really, it goes by how you want to tell the story. If it would be more impactful to keep the povās in one chapter with line breaks, then do that, but if it would be better narratively for it all to be broken up, make that choice. When push comes to shove, you can just see if the chapter is getting long or not and let that decide. (I know thatās not really helpful, but itās how it be)
5.this depends on the tone of the story and if you want to come up with chapter titles. I personally really like chapter titles, be they funny, a quote, a serious line, but thatās just me. So what you want to do in that, cause itās really just stylistic.
6. There is such a thing as both over and under tagging. Stick to the main characters, main relationships, and main triggers that come up. Iād ere on the side Iāve tagging, just to be safe, but thatās also just me. Iād say itās hard to hit the max if your tagging the average amount. Itās a lot of tags.
Personally, I think the best summaries are the ones that do both. The excerpt gives an example of the writing and gets the reader intrigued and the little blurb at the bottom tells me what will happen without giving too much away. Best of both worlds.
7. How you treat comments depends on how risky your material is, and also the personality of your audience. I find most audiences are pretty nice, so Iād start with everything open. You can always limit it later if that turns out to be a mistake.
8. I try to write 2-3 chapters ahead of my posting. I have a set time to write that helps me unwind at night, and I make sure the story Iām writing is for me and not my audiences. I do write in scrivener like I said before, a one time per have writing tool my brother got me for Christmas one year and I absolutely love it. (If you complete a nanowrimo event, they give out gift cards and discounts so try that if your curious) if Iām 2-3 chapters out then I have a little bit of a buffer time in case I donāt have enough time to write one day, and also when I go back an edit thereās enough time between me writing and me editing that I can see my mistakes. Then I put it through Grammarly cause my spelling sucks.
Id say find a routine that works for you, because this is all very personal. Like, I canāt work on 2 projects at once, but I know a bunch of people who can and itās amazing. Figure out how you work and actor to that.
9. Heck yeah thereās anxiety, thereās always anxiety. This is something youāve made that you are now sharing with the world. Itās nerve wracking. But I do it anyway cause itās fun too. I read this phrase somewhere and it really helps me get over some of the nervous energy.
ā Iām writing for myself, Iām just nice enough to let others read it too,ā
When you find yourself frantically reloading your stats page for new hits or obsessively looking over comments, then Iād say itās time to take a step back to remember why you are writing in the first place. Of the answer sinkt because it makes you happy, re-evaluate.
I hope that all helps :)
-void(the arcanne variety) :)
Iāve got some question for people that write on ao3!
So Iāve been working on a book that I would like to put out on ao3 once I get done with edits/revisions and I wanted some suggestions on a few things! I know Iāve asked a lot below and wrote a ton! But I want to cover all my bases! Thanks for taking the time to even glance at this.
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1. Whatās a good word count for chapters?
I know I want to shoot for a minimum 1,000 words a chapter but whatās the average that you try and get to that still keeps readers entertained? For me personally I think hitting around 1,500 or more would be great, but Iām also the weirdo that can read a 200,000+ word competed work in a day, so I donāt know a good average. I know that they typically story have around 90,000 words in it, but those are 250+ page books with tons of chapters. Short stories can span in total anywhere from 1,000-15,000 words but the average is 3,000-5,000 words and this is already beyond that in the first draft. Novellaās start at about 20,000 and cap at 50,000 and it would be super cool to get the story that big, but I donāt think I have the attention span, nor that much to put into it. I know in the end, this book will be what it will be, no matter the length, but itās nice to see what people try and push themselves to do in their writing.
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2. How do you typically format the layout of your story in ao3?
This would be my first time posting a story and I donāt really know the best/easiest format for readers. Iāve been looking at a bunch of my favorite ao3 writers and Iāve picked up on some of their styles (some of them just being common sense like start a new line when a character talks or when a scene shifts) but I see paragraphs that are just 1-3 sentences and I donāt know if that feels too choppy or if thatās easier for reading on ao3. I know those paragraphs will look different devices, phones make it appear longer and tablets and computers tend to stretch it out to thinner lines. Iām also curious, do you write it with the HTML or Rich Text? I donāt fully understand the HTML but Iād be totally willing to learn it if itās better than just the rich text.
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3. How do you write a 3rd person pov that shows multiple characters thoughts/feelings?
Iām trying to make sure that my characters have distinct tell signs that theyāre talking or thinking, either by how they actually speak or by body language, but I have a few chapters where theyāre all together and all are being affected by different things at the same time and I donāt want to just say there names ever single time. They all use the same pronouns so it feels harder to make distinctions between who they interact with just that.
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4. How do you decide when a chapter ends?
What makes you think ācool, this is a good spot to start a new section!ā With my story, I have some chapters (minimum 2 chapters, maybe up to 4 though) where they split into pairs and explore and I donāt know if I should make separate chapters for each pair or try to blend them all together since everythingās happening at the same time, but theyāre in completely different areas. I have one other chapter where one pair is exploring together and then they even split up and then I have 3 different povs all the same time and a major event is triggered. Would it be easier to make the final place they all explore a separate chapter and show all 3 povs in that chapter? (I think this would be the right thing, I just donāt want to confuse people and think that itās all happening at different times)
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5. Titles! What do you do?! Chapter Titles and Story titles!
Do you make them funny like the Percy Jackson series, or do you just put Chapter #? Do you slightly give away who is in it and what they do āExploring with Dave!ā Or do you mix it all to get her and make āCh5- In this chapter we make a bunch of Dad Jokes and piss off the guy we call dad!ā Story title for this story Iām writing is pretty easy for how Iāve written it and I have it set (I think) but do you try and make it a vague title, something simple and to the point, or something in between!
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6. Notes, Tags and Summaries, Oh My!
For your notes, beginning or end of chapter? Short and to the point, or make it long and sappy?
For the tags, I know the more you put, the easier it can be found. But is there such a thing as too many tags or even not enough tags? I think it would be cool to actually have my story seen, but I donāt want the wrong audience to see it and then get shit on by people who are just looking to be trashy. I see the max is 75 tags including relationships, characters, and other things, is it hard to hit that max limit or pretty easy if you tag your story right?
For the summary, whatās better, a lil blurb of something that happens in the chapter, bonus if itās angsty and feels like a cliffhanger. OR a sentence or two saying, āthe idiots in the chapter go do this and something happens!ā I want the attention to be caught, but I really donāt want to fully give away what happens.
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7. Comments, do you filter them, let them have free reign, or just take it all away?
Iām leaning towards filtered comments, but who am I kidding, I donāt even know if people will read this, and I honestly donāt expect anyone to, this is more just for me to put it out there cause I can and Iāve been bored the past 24 hours and in a first draft have written like 7,000 words and Iām not even done writing. I donāt know how attentive Iāll be to the fic after posting it, Iāve hopefully left the ending open enough to make a second story if I wanted to, but I have no clue what I would write! Also, do you leave it open to guests and registered users for comments or do you only let people who are registered comment. Iām totally fine having guest accounts read my story, but I donāt know if thatās a safe thing to also let them comment, but if itās moderated then I guess it doesnāt really matter.
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8. The writing process! HOW DO YOU DO IT?!
My usual problem is that I come up with a great story and my outline is like 10+ pages and then I start writing and itās all written in like, a page. This is the first one that I actually was able to write fully fleshed out chapters. Do you write it a chapter at a time and as soon as itās edited (if you edit/revise) do you immediately just publish and go to the next, or do you write the whole story before you even think of edits/revisions and posting it? Also, do you write it directly in ao3, or do you use something simple like Word or Docs? Or are you fancy and have a super cool and probably expensive writing program?!
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9. ANXIETY! STRESS!!
Do you have anxiety about posting a chapter? Wondering how itās going to be received, or if it even will? Do you worry what people think or if itās good enough to even be seen out in daylight? Do you ever get over this feeling?! I think this is what has always stopped me in the past 5 or so years in writing and posting works. When I was in middle school I didnāt really have this fear and I posted a few things on Wattpad that never got finished and Iāve always thought about taking it down but then I get excited when I see it had like 500+ reads on it and it always stopped me from deleting it, but not enough motivation to continue writing it because I know that Iāve (hopefully) gotten better at writing and I would probably need to rewrite everything else and make it better.
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Okay! I think I covered all of my questionsā¦ Iām so sorry itās such a long post! Iām just nervous and curious! I really want to do this right. Seriously though, if you read all of this, thank you. And if you actually responded to even just one of my questions, youāre amazing and I really value your input!
You may see this pop up in some other places, Iāve already posted it on my Twitter as a thread and I think I may also post it on my Ao3 account and see if people reply.
-WannaBeeWriter
On ao3 and Twitter!
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Hey all, back at it again with the random posts, aha. I have been working on something that will formally address the month long art / comic hiatus Iāve been on, but thatās taking a bit longer than I expected.Ā So as a break (I guess?) I took it upon myself to update what I call my Original Stories Timeline, i.e. a chronological list of all of my story ideas (as of October 2019 anyway). I have not posted this list anywhere, but I like to update it on my laptop every now and again.
There is a bit of ambiguity with some of the years that these were made, as sometimes thereās a difference between coming up with the title or lead character for a story versus actually making it aĀ āthingā with an idea or scenes attached. As an example, Moth to the Flame technically began when I first drew Kiida in April of 2015, but aside from a snippet of reasoning for why she was an archer, the story as it is now did not start to take form until I drew Zander in December of 2017. Other times I flat out canāt remember when some of these stories were made, and digital files donāt always have the correct dates.Ā
For this post (and for curiosityās sake), I wanted to add up and categorize them to see just how many stories I have in this brain of mine. It was actually quite a fascinating exercise, so I thought Iād share! I might as well list the titles for each category too, even if some of these are only titles at this point. Iāve renamed a few over the years and others are still working titles, but if any pique your interest at all, feel free to send me an ask about them! I love chatting about this stuff. :)
This got quite long once again so Iāll put it under the cut. Enjoy!
Stories that are old and/or need revamping: 6
Titles in this category:Ā Pasha & Marley (2003), Sonora (2004), Billy and the Rainbow Fish (2005), Spirit Fire (2006), The Darkest Light (2013), Polarity (2013).
These are stories that Iāve either had since I was a kid and would need overhauls to make them usable, or are simply dormant stories that I havenāt touched in a while and may need similar upgrades. This doesnāt mean that I will revamp all of them, but either way they serve as an interesting look at my progression as a story writer and character designer. My oldest story dates back to around 2003, and to put that into perspective, I was 8 years old that year.
Stories that are just titles / a smattering of ideas right now:Ā 10
Titles in this category:Ā Ā Fletcher (2016), The Dragons of Kitevale (2016), King Ace (2017), Ochako & Mai (2018), Psychanimate (2018), Mage Lights (2019), Tricksterās Gambit (2019), Switching Gears (2019), The Owlands (2019), Goodnight, StarlieĀ (2019).
I always have too many of these for my own good, but this happens a lot if I have stray character designs that I think could maybe go together, and then before I know it the gears start turning in my head to add something more. Iām also really good at coming up with titles and logos to make me love the idea even more, even if thereās not much else to it. I guess you can blame my affinity for wordplay and clever puns for that, haha. Coming up with titles is really fun, but at this point I donāt know what kinds of stories these will be if I choose to develop them, so I gave them a separate category. Making this timeline reminded me of how many logos I still need to make!
Short films / animatics that I could also make into short comics: 7
Titles in this category:Ā The Auroraās Child (2016), Blue (2016), Harpy (2017), Hearth & Lantern (2017), Leif & Shel (2018), The Healer (2019), In Your Orbit (2019).
My background in animation has afforded me the skills of writing for animation, specifically short films. I have always loved short films that communicate their story through little or no dialogue, and using the characterās actions and emotions to do the talking instead. Unfortunately my dreams of making a short film during school did not come to fruition, but that doesnāt mean the ideas have to go away, regardless of what form they take. Iāve made too many at this point to stop now anyway! I will likely do both a comic and an animatic for each one I decide to flesh out, as I want to practice both kinds of storytelling and they each have their advantages. Plus I could potentially make a comic anthology of these shorter stories in the future. Much like the animatics, the comics would likely beĀ āsilentā, in that they communicate more with action than dialogue.
Things I call āillustration worldsā: 2
Titles in this category:Ā Fruit Bats (2017), Lucky Stars (2019)
This one is a bit strange to explain, honestly. I picture these as more of a series of character interactions rather than a cohesive narrative, i.e. snippets of ideas carried out in a bunch of individual scenes, portrayed via illustrations. I am reminded a lot of the character interactions that exist in concept art for games and movies (the ones from Spyro: Reignited Trilogy come to mind). These illustrations would feature characters that could be in any sort of environment or setting, and we learn more about their personalities through each one, whether itās a simple domestic scene or a fantasy world. There may not be anything much deeper than that, but there doesnāt have to be. A great deal of energy and expression can still be shown with these, and I love illustrations that have their own little stories contained within them. I could even compile them as a series of themed illustrations, hence why I still gave them titles (and once again, titles are fun).
Novels / story ideas I donāt plan on making into comics: 2
Titles in this category:Ā Shining Trigger (2014), A Mightier Pen (2017)
Iāve always loved writing long-form prose ever since I was a kid, and based on how many words these posts end up having, I canāt say much has changed! As such, Iāve always wanted to write a novel someday, but it does require a different skill set than script writing. With my background in animation and my new love of comics added in, Iāve done a bit of both. I might do novelizations of some of my comics later on, but these stories are, for the most part, better suited as written prose in my mind. They focus more on the characters and dialogue, rather than an imagined visual design. Not to say that novelists canāt paint detailed pictures of a character or worldās attributes, but it is communicated differently via words than pictures, especially when you consider the mindās eye of a novel reader. ThatĀ ādesignā has to be malleable enough for the mindās eye to interpret, but clear enough so the reader knows what it is. Iād have to make sure that any reader could picture what Iām describing with my writing alone, and thatās a difficult balance to strike for a primarily visual storyteller such as myself, but a challenge worth taking nonetheless.
Large comic stories that have big worlds, a lot of characters, etc.: 3
Titles in this category:Ā Starglass Zodiac (2015), Id Pariah (2015), Feather Knights (2017).
I call theseĀ āThe Big Threeā, as they are the stories that will take the most world building, character creation, and story development to complete. They will have multiple chapters, expansive lore, several character arcs, you name it. I am very excited to tackle all of this development of course, but I want to make sure these are given the time they need to come to fruition.Ā These projects will take me years to complete, which is why I choose to balance them with smaller projects in between. The potential these stories have is not something I want to squander, so even if the production moves slower, I feel itāll be worth it in the end.
Smaller comic stories with fewer characters, simpler concepts, etc.: 5
Titles in this category:Ā Moth to the Flame (2015), The Onomancer (2015), Demon Exchange (2018), Take Wing! Emiliaās Tale (2018), Ashes (2018).
This is worded kind of strangely, but this category is meant for stories that have a smallerĀ āscopeā than the larger comic stories I mentioned. That doesnāt mean I love them any less or that theyāll be less developed, but they are far simpler in concept and rely less on the development of a massive world and lore and more on individual character experiences. I feel like any creator needs these smaller projects to tackle every so often, especially when tackling the behemoths gets tough. These stories will also have a faster turnover when it comes to completion, and I hope to complete one of these stories in the near future. These will also help me practice writing good foundations for stories, like proper character motivation, pacing, and relationship development that would translate into investment for the reader. Thereās a great degree of skill required to do this correctly for any kind of story, but starting smaller in this regard is usually better.
Smaller stories that are supplements or spin-offs of other stories: 3
Titles in this category:Ā Ā Counting Hearts (2019), The Serpent and the Sun (2019),Ā Riders of Eldrigar (2019).
I know it probably seems a bit early to be thinking about stuff like this, but I do like thinking about the extended stories or supplements that I could add to my pre-existing projects, especially with characters or ideas that would best be told separate from the main story, be they backstories or another perspective on something. I also like the idea of stories that could exist in the same worlds, but can function independently of them as well. Itās a lot of fun to see how these could connect with each other, like having your own equivalent to a cinematic universe. This category currently only has smaller supplements to my comic stuff rather than fully fledged sequels, but who knows what might happen later on? I need to make the beginnings of these stories first!
And with that, the grand total is:Ā 38!
-me after reading this total and spending way too much time on this post-
In all seriousness though, while it is a bit daunting to see just how many things my brain keeps tossing at me and how much that number has increased in recent years, it does make me excited for the future, even if I panic about time a lot. It tells me that I always have stories to tell, and new ones could be right around the corner. Iāll always have something to work on at least! I might periodically update this post as I edit the timeline as well, but for now, thanks for coming along on this little journey with me! :D I hope it was at least entertaining, haha.
#rambles#projects#stories#titles#random#don't worry I'm not tagging all of the story titles lol#long post#oh boy this took me hours and i don't know why lmao#i rant about my stories too much i guess
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Hmmmmn do u have any all-time fave fics u could ref? I trust u
OH MAN!!! u didnt specify any fandom so im assuming you mean my all time faves from WHEREVER and OH BOY!!!Ā
i actually have fic rec page on my blog which spans over a whole bunch of fandoms and has cool legends like humor and angst and stuff (im still working on it tho omg) along with my catchall fic tag where i shove all the fics i reblog. but you asked for my ALL TIME FAVES so here are some off the top of my head (im limiting myself to one per fandom or else id be here FOREVER).Ā
(note: pls check the tags of fics before you read them)
Designations Congruent with Things by cleanwhiteroom (alt link) [Pacific Rim]
He begins at it already pried apart
OHHHHHH MY GOD. OH MY GOD. oh my GOD. okay i lose my shit over Designations Congruent with Things on a yearly basis because it is, by far, one of the most stunning pieces of fiction ive read. full stop. not only is it a feat of fanfiction (itās GODDAMN LONG. itās been taken off of ao3, so i cant check the wc, but damn i remember it was long), but as a story, itās just. god, i dont even know what to say. ive already talked about this fic in a previous ask, so im just going to reiterate all my love again, just phrased slightly differently.
DCwT is an epic piece of Newt/Hermann Pacific Rim fanfiction. it follows Hermann and Newt after the events of the movie and delve painfully into each and every consequence their actions cause. itās quite possibly the hardest thing ive ever read, for many reasons; the emotions are so vivid and they hurt; the science is so well researched it took me an hour to get through a paragraph because i my brain was still trying to catch up; Run On Sentences For Miles; itās really, really goddamn long. i remember it got some flack for being over complicated, but in my opinion, the things that make this fic difficult are exactly what make it incredible. itās overly cerebral in a way two messed up genius scientists would absolutely be. this fic is. i dont have words for it. i have only read the whole thing in its entirety ONCE and i have tried to reread it but goddamn is it difficult. this fic is definitely not for everybody, but itās a piece of art that gained a bit of a cult following back when it was updating. (theres a fictional band in the fic that inspired ppl to make the band and the music real. RIGHT???) anyway this fic is basically the cornerstone which i worship when it comes to fanfiction as a genre of literature. jesus christ. jesus christ.
World Aināt Ready by idiopathicsmileĀ [Les Miserables]
Enjolras presses his lips together. He already looks pained, and Grantaire hasnāt even opened his mouth yet. Thatās got to be a record, even for them.
āI need a favor,ā he says at last.
āWith what?ā says Grantaire. āOoh, are you forming a cult? Can I join? Iād be awesome at cults, I just know it.ā He ticks off his qualifications on his fingers. āI love chanting, I look great in robesāā
(High school AU. Grantaire the disaffected stoner is pulled into a cause bigger than himself. Or: in which there are pretend boyfriends for great justice.)
if youve ever been in the les mis fandom i know you know this fic. i know youve already read this fic. i know that your dog has probably already read this fic. i know that this fic has been recced to hell and back, and currently resides as the most kudo-sed work in the les mis tag on AO3. but im reccing it anyways because itās just THAT GOOD. this fic got me INTO THE FANDOM. pacing. plot. characterization. teen angst. HUMOR. this fic is perfect. literally no other words. itās just perfect. i read this in my last few months of senior year high school, and never before have i ever read a fic that actually, truly, felt like it was about teenagers. the narrative and the voice. the dialog. god. if this were a book, id buy it. and thatās saying something because im always BROKE. but id buy this fic. several times. who am i kidding. you dont need to know this bc youve read this fic before. if you havent, please. do yourself a favor. oh my god. oh my god. (and when youre done, read all of idiopathicsmileās other fics too god theyre all SO GOOD)
catch me if you can by isawet [Teen Wolf]
What do you think of my solution to the Kobayashi Maru?
hands down one of my favorite teen wolf fic. a vague summary gives way to a fic with incredible characterization. fucking beautiful writing style. non-chronological story telling done wonderfully. and gosh, that ending. hilarious in tiny bits that make it all the more better. just, honestly. this fic needs so much more love. itās my go-to fic whenever i want to understand just how one can utilize suspense and tension in writing. what the hell. what the
Segments [series] by d_aia [Kingsman: The Secret Service]
āAre you sure thatās how you want to tell him?ā Merlin asked once again.
āHe will need space to deal with situation. Itās how he copes,ā Arthur explained and a bit pretentiously at that, if one were to ask Merlin. āIām giving him a place and a reason to run.ā
Merlin chose to shut up.
all fics in this series? my favorite. itās intelligent, brutal, beautiful. itās been a while since ive read these, but theres a reason these fics still haunt me. god. god.
Graduate Vulcan for Fun and Profit by lazulisong [Star Trek: AOS]
It really does take a village to raise a Jim.
The members of the Kelvinās crew watch over Jim as much as he lets them.
I LOVE THIS FIC SOOOOOOO MUCH. itās a really delicate, heartfelt piece that isnt afraid to be an asshole sometimes, which is basically jim kirk in a nutshell. not only does it go through an incredible reflective relationship with some rando vulcan who decided to take him under his wing, but it does so in a realistic way that doesnt over dramatize aspects, but still ends up very vivid. also, THERES VULCAN LINGUISTICS. linguistics + fanfiction = 10000000% Best Shit EVER.
fathers and sons by M_Leigh [X-Men: DoFP]
āI have an ā interest ā in Peter Maximoff,ā Erik said, somewhat grudgingly, glaring. āA ā familial ā interest āā
Everybody stared at him.
āIn that ā mutantkind is one ā large ā family āā Erik said valiantly, if pathetically.
āOh, shit,ā Alex said. āNo way. No way.ā
ghghgfjhdh the first xmen fic i ever read and by far, the most fukcgin hilarious. jesus CHRIST. theres just something subtly incredible about how the author uses phrasing to make every sentence as goddamn funny as they are. im really in love with the comma placement in this fic. every comma is exactly where it needs to be. every em dash is where it belongs. IM NOT MAKING SENSE, but i would send this fic to people as a prime example of narrative humor uplifted via phrasing and punctuation. just read this fic. itās got Hank POV, Charles being a āstrange lecherous Englishmanā, Peter being a Teen, and everybody drags Erikās fashion choices.Ā
Repeat After Me by queenieofaces [Yuri On Ice]
Victor learns language through mimicry, hears phrases and repeats them back until the inflection becomes second nature. Yuuri seems to communicate best through euphemism, through metaphor, through talking around the subject rather than approaching it head on, and so Victor tries his best to mimic him, to take his words and echo them back.
(Vignettes in language learning and communication, spanning the whole series.)
SO!! FUCKING!!! GOOD!!!!!!!! i think ive mentioned how much i LOVE LANGUAGE and this fic tackles the language barrier in a beautiful, earnest way. as a bilingual, this fic was just so so so good. victor is just bounding with love in this fic and the writing just feels so..,,,,warm.,,,,,Ā
OKAY i know you only asked for fic recs and notā¦.all these rambles but. i just have a lot of love for fanfiction. fanfiction is so great. we are so lucky. we are so lucky. dont 4get to leave kudos and comments on fics you like! happy reading anon!!!
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Tag 9 People You Want to Get to Know Better
tagged by @dumbstruckc
whatās your age? 21, 22 in a couple of weeks on febuary 10th
whatās your current job? Iām a student, an art student i guess even though i dont post my art and its bad.
what are you talented at? remembering useless facts, analyzing narratives (half the time), playing games (i have weirdly talented fps skills, but if a puzzle or action game is too complicated i fuck up a lot)
what is a big goal you are working toward (or have already achieved)? I have a couple that keep me busy. I love doing the gashacast, ive been sorta recording an audiobook of fellowship of the ring for mic practice. I want to complete 52 games by the end of the year which im not very strict with but it keeps me on task (last year i completed 24). Im trying to start up kamen rider beyond as an art/writing project to get those creative areas in motion for me but im having trouble getting started. i struggled with character designing today and havent even tried to name any characters. i would love to build a tabletop campaign but i kinda failed at that in the past and dont have the time or players for that now, even though id like it.
whatās your aesthetic? I dont know? i used to describe homestuck as my aesthetic but now i have no clue.
do you collect anything? ive collected more games than ive played since i was like ten, though i lost a bunch too, from those early days. the past couple years ive started not collecting a single type but various action figures and plushes, i blame my brief tryst with gunpla for starting this.
whatās a topic you always talk about? I COULD ALWAYS GO FOR A STAR WARS CHAT, but dont very frequently because nobody im very close to is super into it. the real answer to this question is definitely kamen rider, especially now because of the gashacast.
whatās a pet peeve of yours?Ā probably a buncha stuff i cant remember but all stuff i feel pretty minor about.
good advice to give?Ā Do that thing.
what are three songs youād recommend? i cant do this right now so just the ghost soundtrack, and all the homestuck and star wars music, sorry!!!
@bigassrobots @kamen-apple @cannibal-sarracenian @ultramanginga @zawehzawah @tensai-gaymer-mage @datmayohero @neonprodigy @collapsingvigil
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