#if i could write i would write this

[blue-the-gay-king]

solangelo au!!

Nico works at a cafe and Will comes and preforms his music on weekends. Nico loves the music and after a bit finally talks to him, they become friends and he finds out Will's studying to be a doctor. eventually Will asks him out and the rest is history.

[fruity-pontmercy]

What do you MEAN there isn’t a canon era fic that’s just a description of Feuilly’s life as a fanmaker, lovingly working on one of his fans, interacting with people, but also dealing with the fact that he’s the only non-student from his friend group, and that his place in society is therefore seen as inherently less valuable. Why ISNT there a canon era fic that not only explores the complexities of fanmaking as an art form, but also highlights the importance of artisanal work in the creation of culture?!?!?!!?!?! Honestly criminal.

[master-missysversion]

Made up a fanfic in my head (didn't write it, I just like to daydream) where Ruby goes to the companion support group for the first time and its really hard for Yaz in particular, lots of complicated feelings there. But it just so happens that Clara had coincidentally heard about the group and shown up the same day. She isnt sure about going in at first but does anyway. And she just recognises Yaz's feelings so fast and decides to go speak to her and helps put her at ease. They end up being really good friends.

[letmetellyouaboutmyfeels]

I am incredibly serious right now when I beg you all, please, and if you have Twitter or Tiktok or whatever to please spread the word: click on an author's profile on Ao3.

You want to know if an author has written more? Want to know if they're still writing? Want to see more from them? Want to know if they've written a trope or kink or sex scenario you enjoy?

Click on their name. And look at their profile.

I cannot tell you how many times in the last six months someone has read a new or newer fic of mine and said they (a new reader who has read nothing else I've done) "can't wait to see what you do next!" I've written 50+ fics and over a million words already.

"I don't know if you're still writing..." click on my profile. I am. I literally wrote a 128k+ fic for that ship last month.

"Would you ever do X?" "Please do Y!" I already did. Click on my name and look at my works.

Archive of our Own is a library. It's an archive. Not social media. It is your responsibility to fight back against the laziness that corporate algorithms have trained into you.

Click my author name. Just click it. Just click it.

Before you demand more, or ask if a writer will do XYZ, or wonder if the author still writing, or anything - click on their profile. Click on the author's profile.

I'm not trying to be mean or condescending or anything like that. I'm just exhausted. It's disheartening and frustrating to repeat myself ad nauseam, because someone couldn't take thirty seconds to do the tiniest bit of work to see if I've written lately, if I've written more for their ship, or scan my works to see if I've written what they're asking for. Please. Please. I'm begging.

Click the author's name, and explore before you ask.

[hinamie]

unconditionally

[composeregg]

edit (10/23/2024) now that the poll is over: Original version, with 10 questions, from April 2023 here

And, given that the original is from April 2023, that means I can very easily say:

No, this was not an ISAT reference!

Just because I use parentheses and 2nd person pov and love the same concepts of what a time loop can do to a person doesn't mean it's ISAT

(Yes, I like ISAT, the original poll is why I was recommended the game! But if you look at the original, you can see all the origins of the options to choose from, including what spurred me on with the moss option from the replies)

If I were going to make something for ISAT, I would never be so vague, you can simply look at my ao3 for proof of that

[inkskinned]

at some point it's just like. do they even fucking like the thing they're asking AI to make? "oh we'll just use AI for all the scripts" "we'll just use AI for art" "no worries AI can write this book" "oh, AI could easily design this"

like... it's so clear they've never stood in the middle of an art museum and felt like crying, looking at a piece that somehow cuts into your marrow even though the artist and you are separated by space and time. they've never looked at a poem - once, twice, three times - just because the words feel like a fired gun, something too-close, clanging behind your eyes. they've never gotten to the end of the movie and had to arrive, blinking, back into their body, laughing a little because they were holding their breath without realizing.

"oh AI can mimic style" "AI can mimic emotion" "AI can mimic you and your job is almost gone, kid."

... how do i explain to you - you can make AI that does a perfect job of imitating me. you could disseminate it through the entire world and make so much money, using my works and my ideas and my everything.

and i'd still keep writing.

i don't know there's a word for it. in high school, we become aware that the way we feel about our artform is a cliche - it's like breathing. over and over, artists all feel the same thing. "i write because i need to" and "my music is how i speak" and "i make art because it's either that or i stop existing." it is such a common experience, the violence and immediacy we mean behind it is like breathing to me - comes out like a useless understatement. it's a cliche because we all feel it, not because the experience isn't actually persistent. so many of us have this ... fluttering urgency behind our ribs.

i'm not doing it for the money. for a star on the ground in some city i've never visited. i am doing it because when i was seven i started taking notebooks with me on walks. i am doing it because in second grade i wrote a poem and stood up in front of my whole class to read it out while i shook with nerves. i am doing it because i spent high school scribbling all my feelings down. i am doing it for the 16 year old me and the 18 year old me and the today-me, how we can never put the pen down. you can take me down to a subatomic layer, eviscerate me - and never find the source of it; it is of me. when i was 19 i named this blog inkskinned because i was dramatic and lonely and it felt like the only thing that was actually permanently-true about me was that this is what is inside of me, that the words come up over everything, coat everything, bloom their little twilight arias into every nook and corner and alley

"we're gonna replace you". that is okay. you think that i am writing to fill a space. that someone said JOB OPENING: Writer Needed, and i wrote to answer. you think one raindrop replaces another, and i think they're both just falling. you think art has a place, that is simply arrives on walls when it is needed, that is only ever on demand, perfect, easily requested. you see "audience spending" and "marketability" and "multi-line merch opportunity"

and i see a kid drowning. i am writing to make her a boat. i am writing because what used to be a river raft has long become a fully-rigged ship. i am writing because you can fucking rip this out of my cold dead clammy hands and i will still come back as a ghost and i will still be penning poems about it.

it isn't even love. the word we use the most i think is "passion". devotion, obsession, necessity. my favorite little fact about the magic of artists - "abracadabra" means i create as i speak. we make because it sluices out of us. because we look down and our hands are somehow already busy. because it was the first thing we knew and it is our backbone and heartbreak and everything. because we have given up well-paying jobs and a "real life" and the approval of our parents. we create because - the cliche again. it's like breathing. we create because we must.

you create because you're greedy.

[the-raindeer-king]

Imagine Simon's mom doesn't die with Tommy and Beth. Maybe she was out of town, or at a friend's house, and Roba's men were sloppy and missed her. Anyway, so it's just Simon and her now, and because he blames himself for what happened, he's pulled away from her.

He pays her rent, even if he wanted her to live in a nicer apartment complex. And he visits during her birthday and Mother's Day, and sometimes just randomly stops by. But he never stays very long, and he doesn't tell her a lot about his new life. It's a very one sided relationship, but she tries to make the best of it.

And then you move in next door, during one of Simon's deployments. You feel bad for the sweet lady that lives next to you. She never seems to have much company, and you take it upon yourself to befriend her, spending more time in her apartment than your own.

You learn about her ex husband, her sons, the tragedy, and most importantly, you learn about Simon. And you hate him. Mrs. Riley (she insists you call her Sarah) is such a lovely woman, and it's clear how much she cares about her living son, how hard she's trying to keep their relationship alive.

It's the second Mother's Day after you move in when you finally meet Simon. Your relationship with your own mother is complicated, so you've opted to spend the day with Mrs. Riley. You'd gotten her a small present, and had planned to spend the day drinking wine and watching historical romance movies.

You're thoroughly shocked when you knock on her door, and a man answers. Six feet, built like a brick house, but under his scowl, you recognize Sarah's eyes.

“You must be Simon.”

His scowl deepens, but before he can say anything, Mama Riley is pushing past him, pulling you into her apartment to fuss over you.

She apologizes for not telling you sooner, but your plans will have to be rescheduled. Simon's back early, and she can't waste a precious second.

You're understanding. You've listened to her worried rants, given her space to cry over how things have turned out. You know she loves spending time with her son, even if the visits are short and he doesn't talk much.

Simon doesn't miss the way you glare at him. There's a fury in your eyes, even as you cheerily wish his mother a happy mother's day. For a moment, he wonders if you're a spy. But that thought is quickly diminished, when you verbally eviscerate him at the door.

You're quiet, not wanting to upset his mom, but your anger is clear. It may not be your business, but Mama Riley is your friend, and you adore the older woman. And you cannot stand by while he treats her like this. She loves her son so much, and he needs to step up and try harder.

As you're chewing him out, Simon's already head over heels, planning your wedding as the seconds tick by.

(A/N: You can read this as a stand alone piece, but I did write 3 more drabbles (four in total!) for this! They're all on my blog under the tag mama riley au. Thank you for reading!)

Part 2 Part 3 Part 4

[the-gom-jabbar]

The whole genetics project of the Bene Gesserit may have been dubbed a failure because Paul wasn't a girl but there was nothing stopping Paul and Feyd-Ruatha acting on that sexual tension they had in both book and film.

Paul could have taken Feyd as a third Consort. Just imagine Paul with his Empress Irulan and his wife Chani sitting at his side and Feyd just sprawled on the dais steps just wearing something scandalous like

You were right Reverend Mother Gaius Helen Mohiam, wasted potential.

[teddybeartoji]

18+ mdni; fem!reader

thinking abt film prof!toji eating you out in his little office... you had been on his mind for the whole entire day, the hunger inside him so irritating that he had no other chance to break your little rule of not doing anything in public.

now down on his knees and between your thighs, he’s messy being and he’s being sloppy – he’s got your slick running down his chin as he fucks you with his tongue, and his glasses keep fogging up from the way he keeps burying his face into your warm cunt. he’s like a starved beast, devouring you as if you’re the last meal he’ll ever get to eat. 

his nose bumps against your swollen clit and you throw your head back and bite at your own fingers to keep your moans at bay and toji tightens his grip on your legs to keep you from squirming away from him. 

with your free hand, you tug at his roots and it only makes things worse for you because the action makes toji groan into you and the vibrations that sends all over your body are so intense that your eyes go cross. 

voices coming from the hallway fall deaf to your ears, your mind solely set on your sweet professor’s tongue. he moves his whole head, not just the muscle, and soon enough you’re guiding him just the way you like with the hand in his hair. you can’t keep your hips still either, grinding into him every time you push him against you. and he lets you do it. 

he lets you do it all. 

toji isn’t ashamed to get on his knees, nor is he ashamed to let you use him for your own pleasure – despite the fact that it was his aching cock that got the two of you into his situation, he’s more than willing to forget about his own needs as long as he knows that you’re feeling good. 

he loves the way your brows furrow and he loves the way your chest rises and falls. he loves to watch beads of sweat form on your forehead and he loves to watch you try and muffle your moans. he loves the way your body keeps on twitching and he loves the way you keep clenching around him. 

and he fucking loves the way you taste. 

his cock throbs under the layers of clothing, just begging to be set free but toji refuses to take his hands off of you. he’d rather suffer from actual blue balls than to give you any less attention than you deserve. his boxers are ruined with his pre-cum, his balls full and heavy, as he gets off on the mere sight of you. he reckons he’s never been this fucking hard before, better yet this close to cumming untouched, and he’s sure you’ve actually bewitched him. not that he’s complaining though. 

you make him feel alive. 

hell, he’d go to fucking war for your pretty little smile. 

when you give his roots a particularly rough tug, he knows you’re close. so, he lets go of one of your thighs and brings it to your pussy instead; latching his lips around your sensitive clit, he sucks on the nub while lining up his two digits with your weeping hole. the face you make when he pushes them in is fucking priceless – your lips part in a silent moan, your eyes screwing themselves shut as you approach your high.

using his middle and ring finger, the professor makes a wave-like motion inside you and suddenly there's a weird type of pressure building inside you, making your eyes shoot wide open again.

“ah! fuck– wait!” your broken whines are like music to his ears. “gonna– gonna make a mess!”

you paw at his head in a weak attempt of making him back away but to no avail, if anything he presses himself even closer – his fingers are so deep that they’re touching places you didn’t even know about and his lips are so soft and his tongue so warm and skilled and the band in your tummy gets tighter and tighter with every passing second. 

toji takes his mouth off of you for only a fraction of a second. “make a mess then, doll, c’mon.” 

your glassy eyes meet his dark, lust-filled green ones and the determination pooling in them is the last push you need to finally unravel. your back arches off the chair and you can’t hold back the loud moan that forces its way out from the depths of your lungs. toji’s shirt gets completely soaked when you squirt all over him but he doesn’t stop. the liquid seeps through the flimsy material and he can feel it on his skin, and fuck, is it hot. 

a tear runs over the apple of your cheek and toji itches to kiss it away. your lip wobbles as you writhe in utter bliss, mind all hazy from the overstimulation. as the wave of pleasure flows through you, the exhaustion finally settles in, making you drop your hand from his hair. but before it can go any further, toji takes it into his. with his arm still under your thigh, he just presses it into your side and just keeps it there.

he helps you ride out your orgasm and the thought of not stopping, of going further, floods his brain – he wants to make you do that again, he wants you to make an even bigger mess but the clock on the wall behind you is clicking awfully close to his next class and he can’t put either of you at any more risk.

hesitantly, he pulls his fingers out of you and tears his eyes from you to look at your abused hole. he groans at the sight of it and then he’s already leaning forward to get one final taste. swallowing a whimper, you do your utmost best to stay still and to let him have his little reward. 

he pushes himself off the ground, grinning from ear-to-ear with pride blooming in his chest as he looks at your disheveled form. biting your lip, you reach for him but are barely able to ghost your fingers over his bulge when he’s stopping you.

“no, but… ?” 

toji’s scarred lips smash against yours in a sloppy, haste kiss. and then he’s pulling away again. 

“y’gonna suck me off while i give class, hm?” he teases while brushing some damp stray hairs from your forehead.  

“i would.”

… 

toji’s heart stutters – no, it fucking stops working for a few good seconds. he stares at you with his lips parted and you get to watch in real time how the tips of his ears grow red again. 

“don’t– don’t fuckin’ say that.” he grumbles at you, averting his gaze. “shit.”

you laugh at his reaction but don’t let him go away too far, tugging on his belt loops to bring him back. “yours or mine, professor?”

“mine, hm? i’ll make ya something to eat.”

cocking a brow you tease him a bit more, unable to let any of the opportunities go to waste. “like real food or… ?”

he gives you a real professor-like look and you boop his nose. he lets you do as you wish but then he’s wrapping his fingers around your wrist. “real food.”

“okay.”

“yeah?”

“yeah.”

there’s a moment of silence between you. the most comfortable kind. neither of you look away from each other’s eyes, smitten and a bit giddy. excited. 

“go change your shirt now, mister.” 

you poke a finger at his chest and almost cringe at the big wet stain you’ve given him. “wait, do you just have a change of clothes here with you?”

“no.”

you cock a brow. “no?”

“sukuna– i mean, mr. sukuna, will bring me something.”

“what the hell will you even tell him?”

“spilled my water.” toji’s voice is calm as ever, deep and raspy, and all you want to do now after he’s been so good to you, is to cuddle with him. “don’t worry about it, doll, yeah?” with a nod and a quiet hum, you comply. he leans to give you another kiss and an ass squeeze and then he’s bidding you goodbye with a smug grin as you straighten out your clothes and collect your belongings before making your way out of his office. you give him one last wave and disappear into the hallway, leaving toji standing there with a raging boner and a squirt-stained shirt. he is not complaining.

[poorly-drawn-mdzs]

The Dungeon Meshi crew 'leap' into action!

[cozylittleartblog]

Columbo and the Knight (1984)

put me in the universe where Columbo ran through the 1980s and had a crossover episode with Knight Rider. I think they deserved it, and I am not just saying that because they're my two favorite Old Shows. @telebeast wrote a little fanfic blurb about it and I HAD to visualize it into a comic (which is also the longest comic I have finished thus far at five pages...), so writing credit goes to them.

Autism W!

[choccy-milky]

sometimes you gotta lure your overly-studious ravenclaw gf into spending time with you 🥰 📚 ( from 'Every Teardrop is a Waterfall' by Kat_12739 on ao3, GO READ IT!!! the first story is about seb falling sick and still pushing himself/not admitting he's sick until he ends up in the hospital, the second story is about the birth of seb and clora's daughter and seb's reaction to clora almost dying in childbirth, and the third is about dealing with a fussy newborn lewis😭🥹THEY'RE SO GOOD AND SWEET AND SOMEWHAT SAD (not to mention beautifully written) so go check it out!!💖💖 )

[blueskittlesart]

Now that you're gone

[somnimagus]

My page for @sheikahzine; about Impaz's duty to her village, empty of people and full of memories.

[id in alt text]

[huntingrays]

pjo prompt: percy and jason have to go on a quest together, so they both decide to bring their respective partners (annabeth and leo). during the quest, they get kidnapped by monsters and percy and jason wake up in an arena. the monsters explain that they have their partners and in order to save them, they have to fight to the death, with the winner getting to leave alive with their partner, while the other is killed. however, the monsters are very shocked when percy and jason sit down and start calmly playing cards with each other. they’re not worried about their partners. instead, they’re worried for the monsters. they trapped annabeth and leo together, two of the smartest demigods. the girl who redesigned olympus and the boy who built a warship in six months. they were toast.