#if i accidently taken an idea and reworked it

[gurokatt]

if you have genuine concerns for me or my fics please do so in dms where you can share specific scenes or things you think i may have "plagarised" from.

Give examples and I'll credit people if you genuinely think I have copied someone word for word [which is not what i do]

Claiming I have plagarised but hiding behind anon without a single screenshot to back up your claims

I literally just made this account so I have no idea where you're coming from. If you're stalking me for some reason which is the only justification for someone even knowing who i am when as I have said, I JUST made this account.

I do not take kindly to stalkers, they serve nothing but harass people.

or you're literally a troll who has found a new account, hasn't read my fics and is trying to stir something up for some unknown reason.

[torchship-rpg]

Dev Diary 15 - Mechanics Reworks

Hello cosmonauts! It’s been a minute.

So we finally finished Chariots of Steel and were all eager to turn development time over to Torchship when I got covid. I was too sick to do anything for a week, and then have spent the time since exhausted, coughing, and headache-y. I’m still coughing. What a cool sickness to have!

Because of that, I really haven’t made the progress I was hoping to, but I do have some things to talk about from the current draft of the game. So here goes…

Unity Rewrite

One of the problems revealed by last year’s Metatopia playtest was that players didn’t really have a good idea of how important Unity was supposed to be, because it was a simple uncapped resource. Like any such resource, either they ignored it, or it activated the player’s hoarding instincts and they stockpiled it and dedicated themselves to whatever roleplay triggers would get more without ever spending it. 

Uh, oops, should have seen that coming.

So one of the biggest changes in the current drafts is that Unity has gone from being a pool of resources to being a bar you try to keep topped up, like so:

So long as you stay in the green ‘United’ range of 10-12, you have a free 1d6 reroll on all your dice pools. While not a hugely powerful buff, it’s a passive benefit that helps no matter what you’re doing, so you always want it if you can. There’s no benefit or drawback to being at Functional, but Tense and Fracturing hit you with escalating penalties.

This tells players when they need to be looking to form or act on relationships for the Unity benefits. Your Unity falling (through complications on rolls, stress in combat, or relationship complications) acts as an invitation to groups to get more involved, to declare relationships with each other and the various sides of a debate, and possibly act irrationally on them. 

This incentive structure also heightens the political metaphor of the relationship system and the way it will affect your interaction with groups. When things are fraying in your in-group, the fastest way to rebuild cohesion is to find an out-group, to stop being impartial and take sides. As circumstances change, you might find yourself dealing with the sunk-cost fallacy of having backed a horse you no longer believe in, faced with the reality of risking your group’s Unity to make the right choice, and the potential danger of swinging too far the other way as you try to rebuild cohesion.

Damage Rework - Conditions

Another massive change in the Alpha is a totally reworked system for damage, creating a single universal framework for everything from personal injury to wear and tear on tools to massive impact on spacecraft.

When something is damaged, that damage gets converted by the GM into Conditions. A Condition consists of a narrative description and a severity between 1-6; the severity determines the degree of penalty taken when the narrative of the condition becomes relevant (with 6 Damage indicating something has been destroyed outright and can’t be used). Damage is converted to Severity 1-1, so if you take more than 6 damage, multiple Conditions will arise.

This system can be used for anything, and focuses on creating problems that you have to work around and solve (you know the thing this kind of sci-fi is all about). If you get shot in the arm, having to figure out how to do things one-handed to avoid the penalty becomes an interesting problem you have to navigate around. If you drop your scanner down an elevator shaft by accident, you have to navigate your adventure with 1 Disadvantage on your sensor checks because of a cracked lens. And when 24 points of Thermal damage hits your spaceship from a laser hit, those become Conditions on your various modules and subsystems, realistically knocking out parts of your spacecraft so your engineer player gets to fix them and your medic gets to attend to crew.

This system also allows the GM to metre out the nature of damage to match the needs of the narrative much more easily. This allows weapons to be realistically dangerous without simply killing player characters all the time, because damage can be freely split between conditions; six damage from a handheld railgun doesn’t have to one-shot you, it can be interestingly split into a number of conditions describing the path of the shot. 

It also heavily simplifies a number of the game’s Hazards; you can make an ‘oxygen deprivation’ condition or a ‘barotrauma’ condition or a ‘heat stroke’ condition just as easily as anything else, and Resistances can be applied to that damage the same way. It elegantly compresses a number of systems from earlier drafts into a single, solutions-first mechanic.

Modes of Play & Vignettes

One big change in the new Draft is how the game uses alternating modes of play. We’ve ended up settling on four, two ‘main’ modes and two modes which are like exaggerated versions. You constantly build up Strain through Activity and Alert, every time you roll dice or get hurt, and you remove that Strain by going into Reflection and spending Supply.

The way we’ve decided to do this so that Reflection & Resupply can be tracked and even applied retroactively is Vignettes. Vignettes are scenes you play during Reflection to give a break from the action, creating the character moments that make us invested in the weird sci-fi shit by giving us a glimpse into the world. However, because each one is a discrete mechanical package with simple outcomes, you can also go ‘hey wait, I think that scene we just played was a Vignette!’ and it’ll still work.

The entire party plays the same Vignettes together and shares the benefits, with you playing more Vignettes the longer your characters are waiting (non-linearly; an hour gets you 1 Vignette, but a day only gets you 3). This timescale compression helps to get across the vast scale of space; there will be times when combat begins, both sides launch missiles at each other, and then you realise that it’ll be an hour before impact and you’re able to play a tense Vignette while you wait!

There are currently 9 Vignettes:

Three are Meetings: Conferences where you adjust your Investigation Checklists, Briefings where you make plans for dice bonuses, and Debates where you decide what to do in a controversial situation.

Three are Downtime: Relaxing to generate Unity and remove Strain, Lower Decks to introduce new crew NPCs you can call on for help, and Tourism to hang out with the locals, get language XP, and fill society checklists in a fun montage.

Three are Labour: Training to get XP, Treatment to recover Harm, and Project Work to create new Tools.

Resupply, which happens almost exclusively between episodes, will unlock three new Vignettes dedicated to your resources, spacecraft, and what’s happening back home.

That’s all for now. Hopefully we’ll have more detail for you next diary, which hopefully won’t take nearly as long. Provided there are no more tanks or awful diseases in my near future…

[onceuponastory]

a true hero - bucky barnes x reader

Plot: When Princess Y/N is taken by a dragon, Bucky Barnes, her best friend and a humble blacksmith, joins the royal guard in their quest to help rescue her. Pairing: Blacksmith!Bucky Barnes x Princess!Reader Warnings: People and horses being killed by a dragon, ableism towards Bucky and his metal arm, injuries (nothing too graphic), classism, John Walker being an asshole, and Bucky doubting himself because of it. As always, if I miss any triggers, please let me know! Notes: This is another piece for @buckybarnesevents Alternate June-iverse Connect Four event! I combined the two squares Mythology and Royalty. This could also fit the Fairytale square, but I have a separate idea planned for that, (wink wink). This is based on a Scottish myth/legend. I just reworked it a little for this fic and gave it a slightly happier ending.

Not beta’d, so any mistakes are my own.

One spring morning, Bucky Barnes is hard at work. Sweat drips from his forehead, both due to the fire and his fast work. His work as the kingdom’s blacksmith keeps him busy, whether it’s making horseshoes for the local farmers, or new swords for the royal guard. He inherited the shop from his father a decade ago, and has since transformed it into a successful business. 

“Hello Bucky.” A familiar, soft voice speaks. Bucky gasps, quickly wiping the sweat from his brow and hoping he doesn’t have any dirt on his face. Not that Princess Y/N would care, though. She’s always been so kind to him, despite the difference in their upbringings and social classes. She’ll make a great Queen someday.

“Your highness.” Bucky murmurs, dropping into a bow. Y/N chuckles.

“Please, Bucky. I’ve told you plenty of times that you don’t need to call me that. After all, you’ve known me for long enough. Y/N is fine.” She’s right. The pair are the same age, and have known each other for most of their lives. Ever since a young Y/N visited Bucky’s father’s workshop with her father, and made a point of introducing herself to him. Since that day, Y/N always visits him whenever she can, either at his workshop or when he delivers weapons to the royal guards. Bucky knows that most people in the kingdom are wondering what a Princess would have in common with a blacksmith… and honestly, sometimes he wonders that too. Surely a well travelled, fancy Lord or Prince is more interesting than spending time with him. But Y/N never seems to have thought that, or judged him for what he does. In fact, he swears he could tell her the entire process of making a sword, and she’d still hang onto his every word.

“W-What are you doing here?” He chuckles, hating how tongue tied he suddenly is. 

“Well, I’m visiting the local library, and I had to come see you, of course. I do enjoy our visits.” She smiles. Bucky enjoys them, too. Although, that may be obvious considering the lovesick grin he has whenever she visits him. He’s been in love with Y/N for as long as he can remember. She’s the first thing he thinks of whenever he wakes up, and the last thing he thinks of when he goes to sleep. He’s never told her, though. Of course not. How could a humble blacksmith like him win a Princess' heart? 

Y/N may treat him with kindness despite their different lives, but few others would. And besides, one of those fancy Lords or Princes could give her so much more than he ever could. Y/N deserves a happy life, with everything she could ever need. And Bucky just can’t provide that. But, If being Y/N’s friend is all he’s destined to be, then that’s alright with him. Yet, he just can’t ignore how much his heart sinks when he thinks those words. “So, what have you been working on?” She asks. And then her eyes widen. “Oh, my goodness! Your arm!”

Bucky chuckles. “I finished working on the new version a few days ago.” He smiles proudly, turning his body to let Y/N see it. A few years ago, Bucky was involved in a carriage accident, and in the ensuing carnage, his left arm became trapped in the wreckage. Once he was free, the wound became infected. As soon as she found out, Y/N sent for the palace doctor, the best in the kingdom, to treat him. He advised that the arm should be removed as soon as possible, and it was. Since then, Bucky has been working on a metal prosthetic for it. His new version is still in the early stages, but he’s managed to get it moving, and it’s helping him a lot with his work.

“It’s beautiful.” She smiles. “You’ve done a wonderful job.” As Y/N gazes at his arm, her mouth dropped open with curiosity, Bucky smiles. And that same feeling he gets deep in his gut whenever he thinks about or sees Y/N returns. She saved his life that day. How could he ever repay that?

“Y/N, I-”

“Princess! Where are you?” A booming voice sounds, and Y/N’s face falls. Yet before either can say anything more, Sir John Walker storms into the workshop. Immediately, the atmosphere shifts. Sir John is one of the royal knights, sworn to protect Y/N at all costs. Although, considering how cruel and snobby he is to people who dare to even look in Y/N’s direction, both Y/N and Bucky think he may have let the role go to his head slightly. “Princess.” He sighs. “It’s not safe to wander around so freely, especially with this monster on the loose.” Sir John warns. And for once, Bucky agrees with him. For months, young women in the kingdom have been vanishing without a trace. Nobody knows who or what is responsible, whether man or beast, and the royal guard has had little to no luck finding it. Because of the threat, young women in the kingdom won't go out on their own, especially not at night. And despite how much he adores her company, Bucky doesn’t want Y/N to be the next victim. 

Although, if he could… Bucky would move heaven and earth, and stay by her side to make sure she’s protected.

“I assure you, Sir John, I am quite safe.” She insists, brushing off his concerns with a wave of her hand.

“You are out here, alone-“

“Bucky is here.” She snaps, her soft voice suddenly laced with anger. Even Bucky is surprised to hear it. “And I trust him.” Her words cause heat to settle on Bucky’s cheeks. Heat not caused by the fire this time. 

“Well Princess, I’d still insist that you don’t wander off from your guards again.” John huffs. And then, his disapproving gaze fixes on Bucky, and his eyes narrow. “After all…who knows what trouble you could encounter?” Bucky’s stomach drops, and he tries to ignore John’s words. Yet, it’s difficult. When he said most people in the kingdom must wonder what he and Y/N could have in common… John is absolutely that sort of person. “Now, come on. Your father requests your presence at the library.”

“Sorry.” Y/N whispers, bidding Bucky goodbye with a small wave of her hand. Bucky nods, returning the wave. Yet, after Y/N leaves, John stays for a moment, continuing to walk around Bucky’s workshop in silence.

“Is there an issue, Sir John?” Bucky asks, both to break the awkward silence, and in the hopes it pushes him to leave. Scoffing, John steps closer. As his body turns, he almost flexes the royal crest on his shoulder, reminding Bucky of the power imbalance between them. 

“Princess Y/N may be too kind to say it, but I am not. If I were you…I’d take some time to remember my place.” He whispers, spitting out the last word like it’s venom. 

“I’ve known her since we were young, John. If she wants to see me, she has every right to.” Bucky replies, clenching his jaw. He stands tall and defensive, to show John he doesn’t care about his words. But all he’s doing is reinforcing the same things Bucky tells himself all the time.

He doesn’t fit in. 

Y/N’s only being kind, and doesn’t really care about him.

The second she finds someone new, someone worthy of her status, she’ll forget about him.

“Don’t let him get to you.” He thinks. “He’s just a horrible person. Y/N cares about you, you know she does. That’s all that matters.”

“You’re just a lowly blacksmith. You don’t fit into this world.” John hisses. “The sooner you learn that, and stay away from her, the better.” And with that, he stalks out of the workshop, back to Y/N. As soon as he’s gone, Bucky sighs, his rigid, defensive posture collapsing. He runs a hand through his hair, frustrated.

“Dammit.” He hisses, leaning against the wall as he feels tears springing to his eyes.

~*~*~*~*~*~*~*~*~*~*~*~

A few weeks later, Bucky lays asleep. The early morning sun streams in, lightly warming his face as his chest slowly rises and falls, and as he hangs on to his dream world for a little while longer. For a while, everything is quiet and at peace. Until a loud shout cuts through the morning, accompanied by the sound of hooves.

“Citizens! We have an urgent message from your King. Please come to the main square as soon as possible!” The noise immediately awakens Bucky. Moaning softly to himself, he clambers out of bed and pulls on some clothes. Still half asleep, he makes his way outside and joins the crowd of people gathering in the square. Whispers fill the air about what this emergency declaration could be, whether it’s new taxes or a war with some neighbouring kingdom. 

A member of the royal guard steps forward. Bucky recognises him. His name is Steve Rogers, and he’s a lot kinder to him than John ever was. Most notably, he treats him with respect, and like a human being, rather than looking at him like he’s muck on the bottom of his boot. As Steve approaches the crowd, the whispers about what this could be intensify. But in all honesty, Bucky doesn’t care. He just wants to go back to bed as soon as possible. 

That is, however, until he hears the announcement.

“Last night, the beast struck again. Someone spotted it, meaning we finally have visual confirmation of what it is. It’s a dragon.” Immediately, the whispers turn into a furore. Bucky raises a brow. He had heard stories of dragons as a child, but thought they were just a myth. A cautionary tale told to remind him to behave, lest he be left outside for the dragon to find him. But Steve has more to say. “And….” He takes a breath. “It’s taken Princess Y/N.” Bucky’s heart almost stops, and his mouth drops open. For a moment, he swears he could collapse from the shock. Please, god, let this be a horrible nightmare. Please let him wake up. Why didn’t he try harder, tell her to be safer, or promise to come find him if she needed help? His chest tightens, and he gasps, trying to breathe but feeling his chest constricting. All he ever wanted to do is protect her, and he failed. “We have lived in fear for long enough. We believe we know where its cave could be, and we are sending out an army to track it down. Our mission is to rescue as many people as possible. Including the Princess.” Steve explains. “But we need more support. Are there any volunteers?”

Without another thought, Bucky steps forward. “I would like to help.” Steve smiles.

“Excellent, Mister Barnes.” And then, an all too familiar voice sounds.

“And please, tell me how you, a lowly blacksmith, intend to help the royal guard?” Sir John sneers, laughing. “Do you even have any experience with swordsmanship?” Instantly, Bucky is transported back to his workshop the last time John was there, and the embarrassment he felt at how John looked at and spoke to him creeps in once more. Now, though, it’s tenfold. Of course, Bucky isn’t stupid. He knows how this must look. He’s not a knight, much less one whose sole purpose is to keep Y/N safe. And John’s right, he’s got hardly any experience in using weapons, let alone using them to kill a giant beast like a dragon. He’s just someone who loves Y/N… and isn’t that enough? 

“I want to help. I can make weapons. And I spend enough time around swords, so surely I’ll pick up sword fighting easily enough.” He explains, acutely aware of how the entire crowd is staring at him.

John glances down at Bucky’s metal arm, and scoffs. “For this mission, we require our recruits to be… fully operational, able to do whatever we need, whenever we need. I’m not sure if you’d be a suitable choice.” Right away, Bucky knows what he means, and he understands why, aside from his upbringing, John is so dead set on treating him so horribly. His arm. As if having a prosthetic makes someone any less of a hero, or prevents them from doing the right thing. Bucky’s cheeks burn with a mixture of embarrassment and anger, and tears sting at his eyes once more. How dare he? He tried so hard, all this time, to not let John’s words affect him. But now he knows that he’s judging him and viewing him as lesser because of his disability, something he cannot control… hurts him deeply. All he wants is to save Princess Y/N. Is that so wrong?

“It’s beautiful.” Her words replay in his mind, as does the look of pride and wonder she had as she looked at it. That memory makes Bucky feel even worse. The one person who stood up for him and appreciated him has been taken, and there’s no way of knowing if she’s even still alive. And they won’t even let him help rescue her.

“Sir John. Please don’t be so rude.” Sir Steve hisses. “He obviously cares for the Princess a great deal, and I do not see why his arm makes him a lesser candidate.” Bucky breathes a small sigh of relief. At least he has Sir Steve in his corner. Sir Steve turns back to Bucky, smiling. “Thank you for volunteering, Mister Barnes. You will be a fine addition to the army.” He insists, giving John a look as if to warn him not to protest further. Yet, the look John gives Bucky strikes fear into him.

~*~*~*~*~*~*~*~*~*~*~*~

A few days later, the group sets off, ready to rescue the Princess and the others. Bucky glances down at the horse they gave him to ride. He’s not used to horse riding, or any part of this life. He still feels completely out of his depth. Suddenly, a memory enters his mind.

“I thought I’d find you here.” Y/N giggles, stopping in front of him. “I was out on a ride, and thought I’d come see my favourite person.” Bucky’s heart almost goes into overdrive, and his cheeks burn. “This is Chestnut.” The horse steps closer to Bucky, nuzzling into his hand slightly.

“He’s beautiful.” Bucky smiles. “I’ve never been horse riding before. Honestly, it kinda scares me a little.” He admits, but Y/N chuckles. Not mocking him, though. She never could.

“You don’t have to be afraid. It’s really quite simple when you get used to it.” Y/N laughs, letting him pet Chestnut. “I love it. But they have trained me to do this my whole life.” Bucky would love that. But to be honest, he’d love spending time with her, doing anything and everything possible. As their hands brush his coat, accidentally, their hands touch, and it sends a shockwave throughout Bucky’s entire body. So strong, so passionate that for a moment, it leaves him speechless. He registers something flickering in Y/N’s expression, and he wonders if Y/N feels the same about him. And yet, he can’t find the words to ask her, or tell her the truth. 

Bucky wishes he’d asked her now, or at least admitted his feelings. Maybe he could’ve prevented this, or at least found some way to protect her. The pit of guilt and fear continues to build deep in his gut. Y/N could be anywhere, even dying, and he does not know where.

“Maybe one day I’ll teach you how to ride.” Her last words to him that day echo in his mind.

Little did either of them know, though, where they’d be now, with Bucky riding a horse to slay a dragon and save her life. Or partnering up with Sir John Walker, of all people. Thankfully for Bucky, Sir John stays up ahead, as far away from him as possible. For now, anyway. Sir Steve’s horse soon falls into place beside Bucky’s, and Bucky finally takes a moment to relax.

“Thank you Sir.” Bucky says. “For standing up for me back there.” Sir Steve chuckles.

“Not at all. And please, call me Steve.” His face falls, his lips pressed tightly together. “I apologise for Sir John’s comments. He’s….”

“A smug asshole?” Bucky finishes, and Steve laughs. 

“Yes, very true.” He nods. “I know I can’t offer much solace, but you’re not the only person he dislikes and treats so cruelly. He doesn’t seem to like anyone aside from the Princess and her parents… although he usually sucks up to them.” He sighs. That doesn’t surprise Bucky in the slightest. After all, John strikes him as someone who wouldn’t hesitate to step on anyone to get what he wants, especially a position as the head of the Royal Guard. “Honestly, I relish the times when I get to put him in his place. Unfortunately, though, I can’t do much to get him removed. I know it cannot ease the way you feel, but I am glad you’re on this mission with us.”

“I want to do whatever I can to help.” Steve chuckles, and Bucky raises a brow.

“Bucky, you don’t have to pretend. I’ve seen the way you look at the Princess, and how deeply you care for her.” Bucky’s cheeks turn scarlet, and his eyes widen.

“I was-” Bucky stammers, expecting to be told off for flirting above his station. But instead, Steve smiles.

“Don’t worry. She speaks about you a lot, actually. And she cares deeply for you, too. Very deeply.” He winks, almost as if there’s something there. Something that Bucky has hoped and prayed was true for so long is true. His heart pounds, his mouth and eyes go even wider, and he blinks in surprise as he tries to think up a way to respond.

As the embarrassment and shock spreads throughout his body, another, warmer feeling grows too.

Hope.

~*~*~*~*~*~*~*~*~*~*~*~

After making camp for the night, the group set off again early the next morning. The atmosphere is more serious, as everyone knows how close they are to reaching the dragon’s cave, yet are unaware of what horror faces them there. Bucky is silent, his stomach churning with anxiety. He barely slept last night, sick with fear about Y/N and if she’s alright. When he did manage to fall asleep, he was awoken by a nightmare. Y/N was alone, screaming and crying out for him, but he couldn’t get to her in time. He knows this is just his mind and his anxieties about Y/N, but he still hopes to whatever higher power there is that this wasn’t a prophetic dream, and that Y/N is okay. 

The closer they get to the cave, the trees darken with soot, their branches scorched by fire. Bucky registers the hair on the back of his neck standing up. This has somehow suddenly become more real, the fact they’re dealing with a fire blowing dragon, not just a mere mortal. Suddenly, he feels far more out of his depth. Yet, he keeps going, ready to save Princess Y/N. Unfortunately, the closer they get to the cave, the more insufferable John becomes.

“When we arrive, I’ll take charge with a group of soldiers and attack this monster head on.” He insists. “And then, I’ll bring back its head, and Princess Y/N will be in my arms.” As he and his friends whisper and laugh amongst themselves, Bucky hears the words “Surely there’ll be a royal wedding soon”, and all the things John’s sure Y/N will do to thank him for saving her life. Once more, Bucky’s stomach begins to churn. This time, though, it’s for something completely different. The way John speaks about Y/N, like she’s an object just for him to possess, makes him feel sick. Like someone as loving as her would ever want to marry someone like him.

“That plan will not work.” The words leave Bucky’s mouth before he can even stop them, and John stops, turning to face him, a brow angrily raised. 

“Excuse me?” Bucky’s blood chills, but he still keeps going. 

“I think it would be better if we went slower and surprised the dragon. Or at least, planned an attack first. If we all charge in on our horses, it’s going to hear us coming and attack us all before we can get too close.” John scoffs.

“Do you truly believe a blacksmith knows more than-”

“John, please.” Steve hisses, coming to Bucky’s defence once again, much to Bucky’s relief. “Let him speak.”

“Very well.” John sneers. Yet, Steve’s defence gives Bucky more confidence, and he continues.

“Like I said, if we go in too fast and loud, it’ll notice us from miles away and be ready to kill us all before we can even strike.” He explains. “I propose we wait a while until it falls asleep. That way, we can sneak up and wound it before it has the chance to fight back.” As Bucky talks through his idea, John continues to scoff and roll his eyes, muttering things under his breath. Bucky knows he probably does sound crazy to some people, not least because John’s right, he’s not a royal guard. And deep down, he doesn’t even know if this plan will work better than John’s, or at all. But that doesn’t mean he can’t point out the flaws in John’s idea. And after so long being treated like a second-class citizen by him, Bucky’s ready to take full pleasure in doing so.

“Very well. Who believes in this plan?” John asks, and some hands in the group rise, including Steve’s. “Well. You can all sit around like sitting ducks whilst we rescue the Princess and kill the beast.” He shrugs. 

As they advance on the cave, Bucky begins to wonder if John may be right about this after all, if his idea is complete nonsense. But then, Y/N’s smile fills his mind once more. She always believed in him, even when nobody else would. And really, her support is all that matters to him.

Soon, they reach a clearing, the dragons’ cave a few metres ahead, and the group takes shelter to prepare themselves. Most stay back with Bucky, following his advice and getting ready to plan their attack. Meanwhile, John and his followers get ready to charge. “See you at the wedding.” John whispers to Bucky, smirking down at him from his horse. Bucky refrains from punching him in the face.

As John’s group charges in, Bucky and the others wait for any noise or movement. Within seconds, a roar fills the air… as does the sound of screaming. Horrible, anguished screams that chill Bucky’s entire body, the likes of which Bucky has never heard before. He also registers the sound of horse hooves, of people desperately trying to get away… but another roar sounds, and they soon stop. 

“God….” Steve gasps as the agonising screams continue. Bucky tries to cover his ears, wanting the noises to stop, but they keep going. It’s suddenly very obvious what’s happened to John and the others. And what could happen to Bucky and the others if they don’t time their attack exactly right.

He looks around the group, each of the men staring back at him, their bodies shaking and mouths wide open with fear. Even Steve looks horrified, his face pale and panicked. They look at him, seeking reassurance that this won't happen to them. And Bucky doesn’t even know what he can say.

Soon, the screaming stops. And once more, the clearing is silent.

~*~*~*~*~*~*~*~*~*~*~*~

Nightfall comes quicker than Bucky would’ve liked, but he also uses the time to refine his plan. Despite the fear still coursing through his veins, he’s determined to kill this beast and save Y/N, whatever the cost. Including the loss of his life.

“So. What shall we do?” Steve asks.

“I’m going in there.” He tells the others. “Myself.” The others protest, but Bucky shakes his head. “No. I don’t want people to get hurt, like last time. You go rescue the others. This is my plan, and I should be the one to go into danger.”

“But you can’t go alone-”

“Yes, I am. Trust me, please.” Bucky hisses. Sighing and clenching his jaw, Steve nods.

“Okay. But if you need any support, we’re helping, alright?”

When Bucky enters the cave, he’s suddenly aware of how much colder it is. He steps closer inside, trying to calm his nerves. He notices a small orange glow down the tunnel, and he follows it, knowing it’ll either lead him to the dragon, or to Y/N. With each step, his heart pounds faster and faster, and he braces himself for whatever he’s about to see. When he rounds the corner, he sees the dragon, curled up and asleep by the fire. As he stares at the beast, one much larger than he expected, he remembers all the stories he was told growing up. Of the brave knights and princes who saved the princesses from the vicious beast. He used to imagine himself like that, as a hero.

Now that he’s here, staring down the dragon all alone… it’s different. And he doesn’t feel much like a hero at all. In fact, he’s terrified.

But Bucky knows what he has to do. He grabs his sword and stabs the dragon in its side. Immediately, it awakens, roaring in pain. As it clambers up, its tail swinging wildly, Bucky ducks underneath it, striking the dragon a few more times as he does so. The dragon readies its tail once more, and Bucky jumps up, clambering onto its body. It jolts, trying to throw him off, but he keeps a grasp on its wing, holding on for dear life. The dragon runs out of the cave, trying to escape him or at least find somewhere to fight. Bucky braces himself… and strikes the beast once more, this time deep in the chest.

With one final, earth shattering screech, the dragon’s body jolts, throwing Bucky clear. He lands hard, hitting his head against the ground, which dazes him for a few seconds. Despite the pain, the last of Bucky’s adrenaline continues to flow through his veins, and he gets back up again… albeit a little more unsteady on his feet. The dragon’s tail clips him a few times, but Bucky still moves forward, raising his sword and striking the dragon a few more times. His hits do not go as deep as his previous ones, yet the beast still roars out in pain. As it staggers away, Bucky tries to follow behind, but by now, the adrenaline is starting to wane, and his head is beginning to hurt.

Yet, as Bucky falls to his knees, about to pass out, he persists. By now, he’s too weak to stand, and instead tries to crawl after the dragon. But he’s too unsteady, and collapses in a heap a few times. Each time, he gets back up, ready to keep going. Until he’s too weak to even stand.

“Bucky…” Y/N’s soft whisper enters his mind. “You have to get up. You have to help me.” 

“Y/N…” He murmurs. Even though he knows this is just a hallucination, one caused by his injuries, he can still feel her whisper against his skin, and her hand cupping his cheek.

“Help me. Please.” With one last push, Bucky pulls himself up. But he’s still too weak, and he collapses to his knees once more. And this time, he just wants to go to sleep.

“I’m sorry Y/N.” He sighs as the world starts to fade away.

~*~*~*~*~*~*~*~*~*~*~*~

Some time later, Bucky comes to. He registers soft blankets and pillows surrounding him, and for a moment he wonders if he’s back home, his moment of heroism little more than a dream. Yet when he opens his eyes, wincing a little at the sudden bright lights, Steve is staring back at him. 

“Good afternoon.” He chuckles. “Don’t sit up too quickly. The palace doctor said you’re still pretty concussed, so you’re on bedrest for a while.” Slowly, everything sinks in. Palace doctor. Steve. It’s real. He really fought a dragon. But that means….

“Y/N.” Bucky gasps. Despite Steve’s instruction, he tries to get out of bed. “Where’s Y/N?”

“Princess Y/N is fine.” Steve reassures him. “She had a few scrapes and bruises, but nothing too serious. She’s resumed her royal duties.” Bucky lets out a breath, an immense relief finally off his shoulders. 

“Thank the gods.” He smiles. 

“And,” Steve continues. “You killed the dragon and saved everyone still trapped in the cave.”

“I…I did?” Bucky gasps, still in disbelief. Still wondering if this is a dream. Steve chuckles, and nods. 

“You’re a hero, Bucky.” Before Bucky can say anything more, hurried footsteps echo down the hallway. The door bursts open, and Princess Y/N rushes in. 

“Bucky!” she gasps, almost launching herself onto his bed.

“Princess, wait! You’re both still injured-” But Y/N doesn’t even listen to Steve’s words. She wraps her arms around Bucky, pulling him close to her. Despite the pain, Bucky has never been so happy to see her, or to be holding her again. She begins crying, and her body shakes.

“You saved me….” She sniffles. ��I thought I’d never see you again, or make it out alive. You saved me.” As she cries, Bucky continues to hold her, stroking her back to comfort her.

“I’m so glad you’re alright.”

“Because of you, Bucky.” She sniffles. “Because of you.”

~*~*~*~*~*~*~*~*~*~*~*~

As soon as Bucky is out of the palace infirmary, Y/N’s parents hold a ceremony to thank him for saving the others, including their daughter, and for killing the dragon. Bucky stands beside Steve, dressed in the royal guard’s uniform. Since his rescue mission, Y/N has personally asked that he be appointed as her personal bodyguard, something Bucky is honoured to do.

“This thing is kind of uncomfortable.” Bucky murmurs, adjusting the neckline.

“Thankfully, we don’t have to wear it all the time, but you get used to it.” Steve laughs. “It looks good on you, though. Congratulations, Buck.” Bucky grins, standing up taller as pride fills his body. Although a part of him is still convinced that this is a dream, and that he’ll wake up alone again. 

And then, Y/N enters the room, walking down the aisle towards them both. She’s dressed immaculately in her full royal attire, crown perched upon her head. She looks gorgeous, like an angel. As she approaches Bucky, her face beaming, he blushes. Bucky bows, and Y/N lifts her sword, resting it on each shoulder.

“I dub thee Sir Bucky Barnes. The new knight of the realm, and my honoured protector.” She calls, and the crowd applauds. 

Later, after the ceremony, Bucky finds Y/N standing on the balcony outside her room. “Shouldn’t you be inside enjoying your party?” She asks, chuckling.

“I wanted to check up on you. We’ve both been through a lot in the past couple of days, to say the least.” Y/N nods. Although she hasn’t spoken too much about what she went through, Bucky knows it can’t have been good. But he wants her to know that he’ll make sure that she’ll never be afraid or alone ever again. 

“Thank you for saving my life, Bucky. I could tell you that every day for the rest of my life and it would still never be enough.” Bucky shrugs.

“You saved my life too, Y/N. All those years ago, when you got the palace doctor to see me.” Y/N nods, chuckling.

“I guess we saved each other, then.” As the pair laugh together, Y/N steps closer. “Bucky?” She whispers. Before he can even reply, she reaches up, cupping his face in her hands. In an instant, Bucky knows exactly what she means. “I love you. I have for the longest time.” She gasps. Quickly, she pulls him closer, placing her lips on his in a soft, yet passionate, kiss. Bucky places his hands on her waist, deepening the kiss. The kiss is somehow even better than he imagined it. When they pull apart from each other, Y/N is beaming once more. “Wow…that was incredible.” She gasps.

“I love you too.” Bucky admits. “I was just too scared to tell you the truth because I was afraid, and I thought I didn’t fit into your world because you’re… you’re you, and I was just a blacksmith and-”

“Bucky.” Y/N chuckles, stopping his rambling. “I never cared about our different classes. To me, you’re just Bucky. You’re the most caring person I know, and you make me smile, even on my worst days. And of course, you saved my life. I love you.” She repeats, pecking his lips again, and Bucky smiles.

“I love hearing you say that.” 

“Well, I’ll tell you that every day for the rest of my life.” She grins.

“Are there any rules about a Princess dating her bodyguard?” 

“No, I don’t think so.” She giggles. “And besides, even if there were… I think I’d be able to change them.” Grinning, Bucky pulls her in for another kiss.

                                                    THE END.

~*~*~*~*~*~*~*~*~*~*~*~

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[hollis-art]

I want to here data Spider-Man backstory soooooooooo bad please

coming right up!!!!!!! it's in the form of a story because that's how my brain works and i love explaining things when it comes to spiderman or data. its lots of words and i spent like 2 hours writing it and reworking it to make sense

The crew of the Enterprise has taken notice of a nearby planet whose population is soon to be doomed by a phenomenon that they seem to be unaware of. While this planet has made contact with alien life, they are not open to doing it again. It would very much be a violation of the Prime Directive to intervene, but the Enterprise does their usual method of completely disregarding the law and helping the alien species anyways. They'll get yelled at for it later, but their current focus is the wellbeing of this planet and their people.

As they always do (I think they do, at least. If not, then they really should), the crew gets their hands on any and all information they can find on this species and their culture before they do anything. After some digging, they find that this world is the home to many super-powered individuals. While the population is more saturated with those without special abilities, those with powers are often the ones with the most say in what happens. And because the crew needs people to hear their warnings, they needed someone whose abilities could be interpreted as superpowers. Troi's empathy and Worf's strength was something of great wonder to humans, but it wouldn't be nearly as interesting to the species who already had great quantities of both of those traits.

So, as they typically do, they turn to Data for help.

His strength is greater than Worf's, his intellect is forever growing, and the most important part for this plan: Data had the ability to copy things by simply watching or by downloading it into his database. He was the perfect person for the job.

After what seemed like hours of discussion over what abilities or powers Data should obtain, it was Geordi who brought up the idea of Spider-Man.

Data, who had never taken it upon himself to learn about any Earth Superheroes, found the concept quite captivating.

Rather than getting bitten by a radioactive spider, Data's bite was in the form of a program that Geordi made to mimic the powers that a lot of the Spider-People tended to present. The program also included many arial aerobic and gymnastic lessons compressed down into only a few seconds. While the two worked together on installing some web-like spinnerets in his arm compartments, the other crew members focused on the equally important task of creating the costume that Spider-Data (as they have been calling him) would wear.

The role of a superhero was seen as the highest honor you could have on this world, and the ones with recognizable and unique costumes had an easier time spreading their message. The crew had this in mind, but the main purpose of the spider-suit would be to hide the fact that Data doesn't look the way this species does. There is a great variety in how they all present, but Data appears much more Human than they do.

Once everything has been planned and thought out, the identity of Interweb has been formed.

(The name was also Geordi's idea. Data had followed Geordi into his quarters while trying to come up with a name for people to know him as, since 'Data' was not the sort of name anyone on this world would know. Data was pacing around the room, listing off a long, long, long list of concepts and ideas, when he found that he had been pacing from the floor, to the wall, to the ceiling, wall and floor again. Geordi, who was just trying to get ready for bed, looked up at him from where he stood on the ceiling, and gave him his opinion in attempt to get Data to get the memo and leave. Data nodded in appreciation, returned to standing on the rightful surface, and left for the night. The only indication that he had been there was the shoe scuffs that he had accidently left on the ceiling)

It only took one actual training session to see that Data was already ready for this very important job. There was no improvement needed to be seen in his form or methods, and he had planned for everything. Well... Almost everything. Once he had been brought down to the surface, he had quickly realized that his sidekick had snuck into his bag when he wasn't looking.

And within a week, the alien planet was saved by Interweb and his "cat" Spot :) (No one on this planet knows what a cat or a spider is, but they weren't gonna say a thing about it because they had just been saved by the two of them and they're very thankful about it)

[squigglesmcge]

The homesickness of liminal spaces

‘Hiraeth: a Welsh phrase for homesickness or yearning for a home to which you can not return, or for one that never existed in the first place. this phrase relates to liminal space with many of the images we relate to liminal space being artificial, a place that never existed in the first place, and the ones that are real are places that are no longer functional, old malls, deserted playgrounds, gas stations at night all places that used to have people in and on every day. People are the important thing in this equation, most places now as liminal spaces are used as familiar places devoid of people, bereft of life, devoid of what makes it familiar. The familiarity of a place one may have a memory in but have forgotten until seen again but in a new context.

Age affects all even places, with most just being kept up with and reworked to fit our ever-growing idea of sense. A mall in the early 2000s and a mall now are in different places even if it's the same mall. The website HowStuffWorks explains it better than I could and even goes into how COVID helps further this idea. Many real liminal spaces are places of transition or places in between where you're worn down by time and abandoned, losing the thing that makes them familiar, the livability of the space. Well-kept abandoned buildings from malls to gas stations in between modern and old school are the most common spaces that can give one a sense of nostalgia and yearning for what once was even if they had never been there before. its pace that we all have been but never paid much attention to until they were gone, it the mundane sense that was taken away from them that makes them liminal.

The internet has captured this greatly with artists and urban explorers alike posting pics or art of images that give one a since homesickness for the images and places, Unlocking memories that may never have been. Old Minecraft servers are a good example of this, I did not use online Minecraft a lot but a video by Cresendex on YouTube called (Liminal Space - the Fear of Forgetting) touches on his childhood memories and their relationship with liminal space. The video goes into how in exploring his old Minecraft servers he came upon many things that he had forgotten, explaining to the viewer what had been made for and how seeing it then without his old online friend made it feel wrong.

The way he explains the other liminal space in his video was very personal but relatable, I may not have been in Minecraft servers, but I do have an old computer that I found after looking into this topic and logging back into it was a trip to the past that I didn't know I needed. After opening it, I was met with an old screen saver, an old steam file,as well as my old youtube. The whiplash of it all was both nostalgic feeling but also a little unsettling on how this one device had saved a me I no longer recognized. The idea that this one device staying stagnant while I move on and grew up was one I had not thought of when putting away in storage, by accident I made myself a time capsule. It was and in between me now and then, a transition that happened without me noticing. That in between is what makes a liminal space like that what they are, we can tell what it was or what it should be but we don't know what happened to get it like there. The missing bit of information is what unsettles us, but also makes us long for it. It's the mermore that were there or that relate to it that make us crave these places or images. The homesickness for something that can never be again.

[dynared]

Funnily enough, Skybound already has somewhat of a way to introduce at least Jan or a character inspired by him (and by extension, Star Saber) due to the circumstances of Jimmy Witwicky's death. Jan's parents died in a spacecraft incident caused by the Dinoforce, this could easily be reworked into Jan's parents being apart of the shuttle crew that Jimmy Witwicky was on. Furthermore, if they want to incorporate more G.I. Joe components then they could swap out Jan (who likely isn't very well known outside of rare Victory fans) and replace him with Billy Kessler, Cobra Commander's son

This would fulfil Star Saber adopting a child whose parent/s died in a spacecraft related accident, Billy Kessler being on the good guys and an enemy to his biological father and would also explain how Cobra Commander ended up in Cobra-La (with the loose story being that he obviously survived the shuttle incident and was taken in by Golobulus, for reasons unknown as of yet)

It's extremely fanficcy sure but so was IDW Star Saber so ¯⁠\⁠_⁠(⁠ツ⁠)⁠_⁠/⁠¯

Like I said before, this is all just a writing exercise to see what avenues they could take the character based on his existing personality and characterization, balanced of course by Robert Kirkman's statements at NYCC 2023 that he had no immediate plans for these characters and the fact that I trust the creator of Invincible and The Walking Dead far more than the guy who made fanfic and tried to make its elements and characterization canon.

That being said, having Star Saber adopt someone from the shuttle accident does directly connect him to the main storyline in a way that he likely wouldn't be if he was off doing his own thing fighting other masters of Metallikato and those who would hurt the innocent, presumably in the pages of Void Rivals. Billy Kessler, if he is alive in this universe (and considering Cobra Commander is a human, not a snake-person, he may very well be) being adopted by Star Saber is an interesting idea if only because the original comics had him taken in by an Arashikage master after his attempts to get his dad to abandon his crusade didn't pan out. The idea of contrasting the Arashikage ninjas with the Metallikato masters appeals to me, but I'm not sure how it would play out. Of course, odds are if Billy is in this scenario, he'll be younger than the original Billy, who was a teenager when the narrative first met him again, while Jan was in the equivalent of elementary school.

Still, it's more proof that while you don't have to have Star Saber be a stock Autobot leader, you can do things with his original characterization that don't involve a baseless religious fundamentalist angle that no one liked.

[quartzroolz]

Fuck it Rider run through rankings

welp, this is it. My magnum opus. Back in 2023, I decided it was a great idea to watch through every Heisei kamen rider season and keep this post as a little tribute to my journey. well, that fell apart, because I eventually decided that "oh, 25+ years of karate bugman isn't enough, let shoot for the full 50+". so this is it. my opinions on every season of kamen rider, ever, without exceptions, updated as I finish seasons. Original Description: OK so, I have decided to go through kamen rider from start of heisei to end of heisei, in order. Kuuga to Zi-O. And I already Regret it but here goes a long form attempt at consolidating my feelings on this stupid fucking franchise. Currently Watching: Showa: 1971 (part 3: Ichigo again) [ON HIATUS TO CURE BURNOUT] Heisei: Decade Reiwa: Gavv

KAMEN RIDER (1971) EPISODE 1-13

Here it is. the one that started it all. so In part for digestibility (the original kamen rider series is 98 episodes long) and in part because of factors I will doubtless get into, I have made the decision to tackle 1971 as multiple parts. the main reason, aside from aforementioned digestibility, is that 1971 changes a lot over those nearly 100 episodes.

as it stands, episodes 1-13 are the bits of kamen rider which everyone who has watched the original series agree are great. this is because, put simply, its what the show was meant to be. those 13 episodes are the purest version of Shotaro Ishinomoris' vision for the character and the world.

And... yeah its really good. Like its shocking how good the series is off the bat, for something 50 years old at this point. The action is fun and mostly well filmed, and the sometimes herky-jerky techniques employed to sell the super-heroics really work. Its also really violent. like its still a "kids show", I don't think I would be worried about younger people watching it even now, but like... people die pretty frequently and in a few cases quite gruesomely. The extent of how horrific it can be is undercut by the interesting and creative ways by how its chosen to be depicted but like... there are man-eating scorpions in this show that disintegrate people and its legitimately pretty horrific, especially when put into the mindset and context of 1971 in japan.

thematically its on point too. so much of these episodes go to hongo dealing with the loss of humanity in his transformation into a cyborg. its genuinely effective and evocative. the tragedy of hurting a child when he goes to comfort them cannot be overstated.

maybe the one factor I think is potentially lacking is costume design on the Kaijin, but I also acknowledge that we have been spoiled by modern techniques in that regard. for the time, most of them are pretty good and evocative with this designs. only really weak links are in the last couple episodes, especially Tokageron who is so clearly a case of "we need another episode to fill time, heres a half finished costume".

and... yeah, as to why they needed that extra episode and why I am only doing the first 13 episodes here and splitting 1971 into multiple parts. during these first 13 episodes, Hiroshi Fujioka, the actor playing Takeshi Hongo, was doing his own stunts, both in and out of the kamen rider suit. however, during filming for... probably episode 11 but I dont know if there is any conformation on that, a bad motorcycle accident took fujioka out of commission for an extended amount of time. episodes 11, 12 and 13 where completed using a combination of reused footage, and Takeshi Hongo doesnt even appear in person until the closing shots in 12 and 13. behind the scenes, this was taken as an oppertunity to heavily rework the show as well, as Kamen rider had been receiving complaints from parents on the content, which lead to changes in the next batch of episodes, 14-51, and overall the rest of the franchise moving forward.

overall... I mean its got to be a 9/10 on this doesn't it? its the purest, most unrefined version of an IP I love. its the bit that gets remade every time they decide to remake Ichigo. its the bit that The First and Shin draw on the most directly, and its probably the most foundational part of so much of the Henshin hero genre. and most importantly, ITS STILL GOOD. it is still worth watching, still worth checking out.

KAMEN RIDER (1971) EPISODE 14-52

it took me a while to complete this batch of episodes because, while 1971 is still good and Takeshi Sasaki as Hayato Ichimonji is a great replacement for Hiroshi Fujioka as Takeshi Hongo... but its also where kamen rider starts to drag a little. Like this show has 98 episodes and no over-arching stories. some more modern seasons, with only 50 episodes and more long-term storytelling suffer from dragging and being slow, and 1971 is double that.

like to be clear: its still really solid. this second batch of episodes goes lighter and funnier, introducing a larger supporting cast which includes a set of stupid idiot bimbo girls who hang around with Hayato and I love them so much, as well as Taki who is functionally 1971s secondary protagonist/rider, hanging around and helping out in more episodes than either of the actual leads combined. we get introduced to the Tachibana racing club as a location which serves as the origin for Home-bases in the franchise, which is fun. also, the monsters are pretty decent. theres less that specifically stick out in this batch, but as shockers plans grow ever more cartoony in-line with the new tone, the monsters get more interesting. in this batch we also get 2 main commander-type figures, being colonel Zol who I liked a lot and Dr. Shinigami who I do not as much. Like Shinigami has the Menace and gravitas but hes an old man with weird ill-defined powers who spends half of his time in a wheelchair.

finally, towards the end we get a few episodes with Hayato and Takeshi hanging out and fighting together and its always a lot of fun. the two have an undeniable chemistry and I love them a lot.

overall I think the second part of the series is fun but it lacks the weight of the early show and suffers for it. still highly recomend, but I would say its lesser overall than what came before.

KUUGA (2000)

kuuga is the best season of Kamen Rider I have seen. Its not my favourite, but its basically as close to "Objectivly perfect" as this dumb bugman franchise gets.

the characters are likable, the plot is well structured, Godai and Ichijou are gay as hell and I love it, The Mystery works really well, the action is well choriagraphed and outright brutal on occasion (y'all who have seen this show know exactly the occasion I am talking about), and it is paced really well.

if I have to compalin about anything, and I probably do, yeah forms are spaced out a bit weird and if your watching in the modern age the gurongi are subtitled which might hurt your experience somewhat (It didnt for me but I can see an argument).

9/10, amazing show.

AGITO (2001)

I would like to give a solemn Apology to the Agito stans: I don't like this show, and I honestly do not get why some people do. Yes, the suits are really cool with all of the mechanical stuff they can do, like Agitos horns or Gills mouth, etc. but as for the actual Plot itself... its painfully slow, the mystery aspect is boring and poorly executed, and the show meanders around for the majority of its run.

Shoichi regains his memories briefly midway through the show, just to basically imediatly lose them again, delaying any actual story progression even further. Ryo Spends 4 episodes (a month IRL time) dead in a river, and once again it really goes no-where.

Now I do like G3. I think its hilarious that the G3 Armour is literally in the wrong show. I like Hikawa (even if hes just Diet coke Ichijo from Kuuga) and I think that actually tying back the story of Agito to Kuuga is cool and something I wish rider would do more.

I also think the show picks up significantly once another Agito is introduced and the plot gets going. problem is at that point the majority of the season is already gone and potentially interesting character arcs and stories are speedran. whats there is good, I just wish it started earlier and lasted long.

3/10. sorry agito stans. glad you like this one, it aint for me.

Ryuki (2002)

Ryuki is the season of all time. its... kind of similar to agito, which is strange because I actually ended up liking this one. I think this works because its the first time Rider did a season where everyone, sans main Character Shinji Kide/Ryuki, is a massive prick, and that works because your going to see all of these characters die on screen so that helps soften the blow.

which is not to say that Ryuki suffers from unlikable characters, even the most detestable characters (exceptions of Gai and Ouja not withstanding) have moments which help humanise them.

pacing wise, yes, it kinda has the agito problem where the main plot happens all in one go right at the start and right at the end and the middle is mostly kinda filler, and I do think that if ryukis time had been used better we could have seen all 13 riders in the actual tv show, rather than relegating Femme, Ryuga and Verde to the Alternate ending movie, but its not a huge deal really.

also, the Mirror monsters almost certainly gave some japanese kids nightmares and I count that as a good thing. Mirror monsters, while their designs can be kinda so-so, are a wonderfully scary concept. Consider how often there are Mirrored or reflective surfaces in your day to day life. the extreme paranoia the concept conjures is wonderful

Final score, 7/10. Ryuki could do a lot better in some places (and was, in seasons like geats and also Dragon Knight or so I hear? IDK not watched dragon knight yet) but for what it is it is more than solid.

Faiz (555) (2003)

Faiz is one of the less talked about entries within the western sphere of the fandom... which is Fair. I think Faiz is an OK season but I did find myself tiring with it. the suits are rad but none of the characters ever really stuck, Powerups are often barely utilised which raises the question of why have them in the first place and like... Yeah IDK it just never really Gel for me.

the ending kind of comes out of no-where as well, plus I think (Spoilers) MURDERING A CHILD FOR SHOCK VALUE at the end is bad writing and was not very fun. Kiba becoming a major villain also felt forced as his fall from grace and redemption happen very quickly just do not feel congruent with his character up to that point.

I think my biggest Faiz Takeaway is the surprise that this is japans favourite season? this kind-of-just-ok entry into a franchise which has far better and more re-watchable entries? this?

(also this is not the fault of faiz but DO NOT FIND YOURSELF READING ORPHENOCHS AS A TRANS ALAGORY, WORST MISTAKE OF MY LIFE. I acknowledge that this is a me thing, it was almost certainly not what the writters where going for... but Damn Sweaty that aged.)

so its like a... 5/10? that feels right. am I maybe lowballing the ranking for the sake of a "haha kamen rider 555 is a 5 out of 10" joke? maybe but honestly I just did not feel this one.

Blade (2004)

Frankly all I can say is that blade sure is another Early Heisei series. I don't want that to come off as bad or negative, its not meant that way, but once you have watched from agito to here back to back you start to notice how repetitive things feel in terms of pacing and story.

not to say that anything about blade is actually that bad, however, I did end up quite liking this series even if the hostility between its main characters got really grating at times. like seriously guys, can we go 5 episodes without someone being labelled a traitor or evil?

also on negatives, Kenzaki is kind of a wet cloth of a protagonist. Hes not bad, I do like him, but Hes far from the most interesting MC the series has produced. luckily this is made up for with the supporting cast, all of whom are great characters. Tachibana and Hajime especially are compelling secondary Main characters and I did really want to see them happy.

on the subject of happy, the one thing that always has to come up in blade discussion is the ending, which while I pretty imediatly picked up on other ways the characters could have resolved it the second they found out about the whole "the joker cant be the last undead standing" thing (Mutsuki just mcfucking use remote on shima before you defeat the catagory King of diamonds, then you wouldnt have had to go through any of this shit) I do feel that, with how the series plays out, its ultimately the best ending the characters could have hopped for. its not perfect, but it means that everyone gets to live, and despite what I know about the post series novels, I do firmly beleive that, yes, one day Kenzaki would figure out a way to defy their fate.

oh and one other thing. I dont like Chalices design. or, rather, I guess, I do like it but it feels weird to find out that chalice is visually just the catagory ace of hearts undead despite looking nothing like any other Undead in the show. it kinda reaks of contrivance and I dont like it, but honestly its fine all things considered.

7/10. Good show, enjoyable, but god I want early heisei to stop repeating itself.

Hibiki (2005)

Oh Hibiki, I was so torn on how to talk about this fuckass seasons. Because, like... heres the thing. This should be easy. This should have been a 10/10. This season should have been the second coming of kuuga, and for 30 episodes it was... and then it happens.

Hibiki is infamous for its production history, with the entire creative team being fired and replaced around episode 30, with the new team being sent in by toei to make the show "more kamen rider". And thats the problem.

Hibikis first half is brilliant because it breaks so many series rules. Its different, its fresh, its so cool. The tone is so different from anything that came before. Being a rider in this season isn't a great thing, its a job. More than any other season Hibiki is a coming of age story, one where we watch the shows real main character, Tag-along kid Asumu, grow into an adult. The characters are charming and grounded. The world of Hibiki is steaped in a level of fantastical realism which sets it apart from anything else. Fights take place in the Forests and natural areas rather than cities and quarries. Its all just perfectly different enough to be unique

And its great. Its so good. Its near perfect. And then the writers change. and the show gets bad. its gets so bad that for me it tainted the first half of the show. gone is any of the creativity or freshness of the series. Now Hibiki feels like any other rider season. And thats what killed it for me. My response to Hibiki as a whole is driven purely by an emotional response to its last 18 episodes, but its a rough 18, and frankly and 18 I have no desire to ever experience again.

To give the second half its due, the Movie is pretty decent and the final episode actually kinda sticks the series's thematic landing despite the majority of the second half fumbling most aspects. I can believe that it ends how it was always going to, even if characters like Kiriya would not and should not have been there.

If you only watch episodes 1-30 (and the movie fuck it) then Hibiki is an easy 9.5/10. Top Tier season. But that's not Hibiki. Hibiki is the full 48+movie run. and that full run is, to me, and I am sorry to say this, a 1/10. Maybe 1.25 due to sticking the landing on the ending.

Writing about Hibiki makes me sad. I hate this season because I loved this season, and I just hope what comes after can get me past this massive blemish.

Kabuto (2006)

god finding a gif for this one was hard, given I am reliant on the tumblr gifs feature and most people seem to have been simping for the hell twins which like... fair tbh.

Kabuto is a very good season, working pretty heavily on a pure "cool" factor because like... yeah the kabuto riders are kinda inherently cool. cast off, as an idea and an in universe mechanic are amazing and the clock up idea is brilliant. this show, from 2006, made on the budget of, well, a kamen rider season, achieves some stunning speedster action sequences that surpass some higher budget productions (I am looking at the CW flash here, to be clear).

kabutos story is a little slapdash, its kinda all just happens at the end and there's not a huge build up but it also really doesn't matter. the cast is excellent and that carries the show. again, operative word here is "cool" and thats really all that matters.

all of that about it being "cool" said though... I think it suffers in hindsight. I am gonna ignore the potentially problematic aspects of the depiction of the Worms and the Native, "aliens as allegory" being a well documented minefield and to be fair Kabuto never really goes there. no I think the real hindsight problem is Geats. Because frankly for as good as Kabuto is, and it is good, Geats is "Kabuto, But better, and cooler". Its not really fair to look at it that way but like... that is how it feels. then again when it takes 18 years to do better than this I guess that is acheivement.

8/10. Souji Tendo is a Mary Sue (complimentary) and gods Favourite child. and he deserves it.

Den-O (2007)

you know the most frustrating part of watching a highly popular and loved season of TV? when it really is that good.

Den-O is revolutionary. Its lighter, its funnier, its more actively episodic, it more or less sets the tone and style which would later be picked up by W. its defiantly a prototype for that style, and theres still some of the more infuriating aspects of early heisei present here, but overall den-O is the first time I saw aspects of what I like In later kamen rider manifest in early heisei.

and Thats great, because it gives Den-O an identity, unlike Blade or Faiz, because even if I liked those seasons they where so samey. Den-O is fresh, its new, and its all carried by an extended cast of fun side characters.

the taros (and also Seig and Deneb) are great. They are all very simple, almost archetypical characters, but they all bring something fun to the group dynamic. obviously Momotaros is the standout, probably having the most defined Characterisation out of the bunch, but all of them are very enjoyable characters to watch and follow.

RYOTARO IS A GIRLFALIURE. HES GREAT. we need more cringe fail rider protagonists to balance out the borderline Mary sues like Tendo and Ace. but hes also a compelling MC and fun to watch.

the story does bog itself down a little right at the end and I do kinda wonder what was going on with some parts. its not that they are not explained but the ending is maybe a little quick to wrap up. still, theres a decade and a half of postseries to clear that up, which I am eagerly awaiting to watch.

8/10. Ore Sanjou indeed

Kiva (2008)

Kiva, Kiva, Kiva. How I wish you where better. This is probably the show with the most interesting premise I have seen so far. The Main story is set across a 22 year time gap, with one half being set in the past of 1986 and the rest being set in the (then) present of 2009. Thats a really cool idea, and it bolstered by the Castlevania/Gothic horror aesthetic of everything. The Kiva suit is really cool (albeit notoriously heavy, resulting in the need to the final form to debut early), the Fangire as monsters are a really nice concept design wise, Being styled after Stained Glass windows which is such a rad concept. the only problem is that the actual main character SUCKS!

Ok Lemme just step back a bit. Wataru, the Main character of the 2009 section, the Person who is the titular "Kamen Rider Kiva", is fine. pretty likable actually. No the problem is his dad, the main character of 1986, Otoya. Otoya is a creep, Hes a Womaniser, Hes a Perv, He Gaslights 1986's secondary Protagonist Yuri into being in love with him Taming of the shrew style then dumps her for a WOMAN WHO IS ALREADY MARRIED (albeit to a different abusive asshole) and who is also A FANGIRE! I think Otoya might be the most despicable Character Kamen rider has dug up, which would be one thing, but the biggest Issue is that he is a creep and most of the plot is love triangles.

and these repetitive, boring and occasionally creepy (Jirou tries to Assault Yuri at one point, which is ick and also kinda feels out of character, more on that later) Love Triangles never really stop, and drag on, and frankly it was the most tedious watch ever.

no I do like somethings in this show. the Arms Monsters are all fun characters and I really liked Jirou as a character, I thought he was fun for the most part and kinda cool. issue is that, once Otoya gets in range, everyone in this show has a % chance to be corrupted into as much of a creep as he is. Jirou was always Kinda weird about yuri from his intro, but the moment Otoya starts his beef with Jirou the man just falls off and becomes as bad as his opponent.

In general I think the Present cast is stronger than the past one, mostly because no Otoya (apart from that one time)... but also once again, Kiva only knows tedious love triangles so the Wataru V Taiga over Mio arc is long and drawn out and dull. again, this series has one level, and its love triangles, and they all kinda suck.

Despite ALL I have said above, I will say the final arcs are a lot of fun... mostly because of how stupid they get. Time travel is re-introduced, because that will certainly help us clear up our plot, and Wataru goes back in time to Commit self-abortion by making sure his parents never bone, which is frankly a hilarious setup and it leads to some really fun interactions and briefly even makes Otoya borderline likeable, which is then immediatly followed by the final arc where Wataru Gets dripped out of his Goard and there are some really fun action sequences.

if it wasnt as necessary for the story as it is, I would recomend kiva with all of the 1986 sections edited out... but that is a terrible idea as in a lot of way the 1986 story is more of the main story than the 2009 story. with that in mind... its got to be a 4/10, right? I wanted to like it, Kiva has a sick as fuck design... but its not good. its really not good. Fuck Otoya Kurenai. All my Homies Hate Otoya Kurenai

G (2009)

ok wtf do I even say about G? that its shockingly good for a 15 minute special designed to celebrate TV Asahi's 50th anniversary? that its so ridiculous that I burst out multiple times? that I think the idea of the driver is legitimately cool and I kinda wish this was a full series for that alone? That I kinda Love G's Design unironically? that the villain is gonzo nuts and its great?

IDK there isn't really anything to analyze here. Its a short special that has only ever aired like once because of complicated legal stuff with the actors agency. its fun, its fast, if you like kamen rider already theres no real reason not to check it out for the bit, I mean... its good?

like 7/10 but also, again, 15 minute short. that 7 does not mean nearly the same thing it does for a proper series. I know Fuck all about SMAP btw, sorry if you where expecting more.

W (DOUBLE) (2009)

I have like 3 go to series which I use to introduce new people to Rider, and the one I think I personally am Happy re-watching the most is W. Yes, its very episodic. Yes, because of this the background plot ends up getting resolved in 2 episodes ultimately. Yes, Akiko can be really annoying sometimes. Yes. I know its not perfect. I do not care.

W is pure fun. It is one of the funniest seasons the show has to offer, and also one of the most heartfelt. The show can go from sidesplitting comedy to actual serious moments in a heartbeat and it manages this without once experiencing tonal whiplash. the entire cast is likeable, the story is light and not super high stakes but fun, the individual clients that the cast encounter are great, the Music SLAPS (nobody's perfect is an under-rated rider banger IMO, love that song), and the suits are immaculate (even if most of the riders are just W retools).

speaking of other riders, the side content here is A+ too, with the WXDecade movies W portion being a really solid explanation of the backstory and giving us time with the best kamen rider who unfortunately doesn't have more screen time, and Gaia memories of fate is also just a good time, with a good set of villains and some really cool action.

also Phillip and shotaro are just funny. I love Wikipedia and crap sherlock holmes, they are great.

8.5/10. cant give better because it is not perfect but I love it.

OOO (2010)

OOO is a mess. Like, the plot changed 5 times behind the scenes kind of mess. like I hear that during the seasons development and even airing who the final boss was going to be was constantly shifting between Ankh, Date, Maki and the eventually Cut-save-for-one-canonically-questionable-movie Giru. This, like many things, I blame on Decade... because its all Decades fault. However, despite all that... yeah OOO is kinda good innit?

OOO still stands as the, objectively, best execution of the Mix-and-match Rider gimmick. OOO does not have super forms in the traditional sense, everything is just a variation on the base form, and the closest to super forms that you do get, the combos, are not very reliable long term. also, what forms the character has access to change constantly through the series based on what Medal Eiji has, meaning that you never get OOO at their full power. hell the series ends with Eiji with almost no medals, making them (debatably) the weakest they are in the whole series. its a very interesting dynamic and its something I wish would be done more often in rider. (Geats does get close and I applaude that.)

Also... you know, its just well written. I love all of the characters, Ankh is an amazing foil to Eiji, Goto and Date make fun Secondary Riders, Mr Kogami is Amazing and I love that they keep bringing the character back in unrelated media, best part of super hero senkei fight me.

yeah. OOOs good. I wish I could be more analytical with this particular season but I cant. my brain does not allow it. 8/10. great season.

Fourze (2011)

how the fuck do I talk about Fourze? Its a great season, don't get me wrong, but I think its the most uncomplicatedly "good season" I have ever seen. like its just good. its not good in and interesting way, its not good in a way that is worth talking about in any depth, its just Good.

and theres my problem, because I dont like that, I really want to have thoughts on these seasons because otherwise... what am I doing here, wasting my time writing about funny Bugmen on the hellsite. but really, fourze is just good. its got good characters, its got a good story, its got good vibes, its just good in a very uncomplicated way.

my biggest criticism, which isnt even really that much of a criticism, is because the show has to get through 40 astroswitches, a good number either never re-occur during the show or are just kinda weird and pointless in their function outside of their specific focus period. But even then thats so minor because the 40 astroswitches are never really that much of a focus and also, once again, the weird and whacky ones are just fun.

9/10. I wish I could say more, but its fourze

Amazons (season 1) (2016)

it has occurred to me after finishing Geats I should probably include the oddities in this post/run-through because even if they are not "Main seasons" they are certainly worthy of discussion (and also I do intend to include showa here at some point, even if I am not watching it yet. who knows, by the time you are reading it maybe the showa shows are included). they give us a glimpse at ideas and characters which cant be explored normally in rider, and grant potentially interesting re-interpretations of age old characters.

with all that said... I don't really care for Amazons. season 1 specifically, I have not yet finished season 2 and it was removed from amazon prime so there goes one of the few ways to legally enjoy this franchise.

on its own its fine, like I dont think this is a particuarly bad attempt at "kamen rider but adult, violent and edgy" but I do feel that ultimatly thats all that Amazons really has. its unbearable dower and dark and features so few really likeable characters. I get why its so violent, the violence was the defining feature of original Amazon and so of course with an adult re-imagining you lean into that, but it still feels really tryhard, and more than anything, just miserable.

I might come back to this particular entry at some point because Honestly I think season 1 warrants a re-watch from me and maybe I will get it more or care more for what its doing. but all that said, 7/10. its fine. if you want Violent rider this is violent rider. I just dont feel like its that much more than that.

Zero-One (2019)

Zero One was my first season, and its a pretty well loved season by the wider community. its one of my 3 go-to "if you want to get into Kamen Rider, Start here" seasons, and its the one I point too most often when that question comes up because its the most recent, and therefore has the best VFX of any of my go-tos.

so when I say that I fucking hate this season, that might come as a surprise. if I hate it, why do I recomend it?

well its simple really. Zero-One has major, Ground up Writing and stakes issues which makes it, at best, a very frustrating watch.

Death is meaningless. most of the characters who die are AIs who are revived in the very next episode with no cost, and remembering everything that happened to them prior to their death. only 1 character death, in the whole show, Sticks, and thats Wazu (I will be using Izu, Azu and Wazu because Is, As and Was would get confusing), and that episode set is ultimatly kinda unimportant and Wazu's death is forgotten, never to be bought up again.

the ending is a mess, mostly due to covid causing constant changes to the series plans, but those final few episodes are rough and I wish that the series had ended with the Ark as the main Badguy, rather than having Aruto Heelturn and then making Horobi the final boss.

also, and I try not to bring up post-series in this because its broadly unimportant, but zero-ones post season content is utter dogshit. the movie is ok, although reviving Izu not only retroactivly makes the series ending dumber but also effectively means new Izu was murdered and her body was jacked by old izu (WHICH THIS IS NEVER EXPANDED UPON, IT JUST HAPPENS), but what the hell was zero-one Others? yeah, sure, just kill off all of the interesting characters who could have had really interesting post-series stories, Lets character assassinate everyone in this show, and then lets also kill off the secondary rider in the cruellest way possible because fuck you I guess. No I am not over Fuwa, I will never be over Fuwa, but even more so I am not over Ikazuchi and Naki. those two where Criminally underused in the show, but now we will never get a chance to get more time with them. Thanks toei.

with all that having been said... IDK, Zero one is fine. its far from the worst season I have seen, and I do still recomend it as a starting point for the franchise as a whole because its a good "onboarding" point if you will. its about as basic as a rider season can get.

Despite everything I have said: 5/10

Saber (2020)

Saber is also really bad, but kind of in the same way that Fourze is really good. Its bad but I don't really have much to say about it. by all accounts, it would have worked much better as a Sentai season rather than rider given the heavy team focus and a core Red-Yellow-Blue Main trio.

Saber is largely forgettable. its plot meanders around, its characters exist, and its individual story arcs tend to just happen. its not a very interesting series, and I think that really its problem. if it was as bad as it is but in an interesting way, i would probably prefer it because at least I would get that it was trying something, but really the Series is just kind of bland.

However, its not completely pointless. The henshin jingles and standby loops are A+ tier, Special shout-outs going to Slash. Desast, while he does nothing most of the season and his existence is confusing, is a fun character and I am glad he is back in recent media (although I... haven't watched any of it yet, maybe it sucks). and, of course, the Crossover Movie with Zenkaiger is Excellent. you do not have to watch saber, but you owe it to yourself to watch that film. its a wonderful, heartfelt love letter to both franchises and I love it.

but in all... saber kinda bad. I think the biggest example of why is found in Durandal, who is introduced as this big problem... but then the moment Touma figures out his gimmick hes now nothing. while this is the biggest example, its kinda an inherent repeating problem for the whole show.

2/10. not 1 because it has some good aspects... but ultimatly I would rather be angry at a season than bored with it.

Revice (2021)

So its... kinda a catchphrase of mine to say "Revice is fine, y'all are just mean" but also like... I do Get why some people dont like it. the second half can feel strange as compared to the first, Vice is a very Abrasive character to have around for every episode, and a lot of its best aspects are in side content.

but like... man I like revice. I like its themes of Freedom VS saftey, I like how it handles the aspect that being a rider pretty universally sucks for all of its characters. I like how Morally ambiguous the majority of the cast are. I like how no-one is treated as irredeemable, even if some of them are.

and mostly I like Ikki and Vice. this season lives or dies for you based on if you like the two characters at the center of it. all of the awesome suits and interesting villains mean nothing if your main characters are not likeable. and I think these two work. they bounce off of each other well and I really like the sort of broadly unstated fact that vice is all of the parts of Ikki which Ikki rejects. Ikki is humble and selfless to a fault, mostly quite and reserved, while vice is loud and narcissistic and energetic. I think their dynamic works really well.

it also plays into a theme of the season which I really enjoy, the Idea that the characters inner demons are the parts of themselves that they reject and that they ultimately have to come to terms with those parts of themselves. by the end of the series, Ikki is a bit more like vice, and is much more comfortable with the "Vice" parts of himself (even if he doesnt know why because of tragedy and heartbreak). In comparison, the other igurashis have done the same. Sakura is much more comfortable with the parts of herself she considered weak, while not letting that over ride her kung-fu Girlboss attitude. Daiji has come to terms with his Middle-child angst and insecurities. and Genta has come to terms with the mistakes of his youth and is looking to grow past them.

revice is not perfect, its storytelling can be a mess sometimes, its barely a crossover/anniversary season, the last 4 episodes feel more like Vcines than actual episodes of the show... but Damn it Revice meant something to me. this was the first season I watched as it was airing, but even regardless it stands out to me on how well handled this was. I have yet to really dive in on post series and god I hope they dont fuck it up like they did with zero one... but For me, Revice is special.

8/10. Revice is Fine. Y'all are just mean

Geats (2022)

Kamen Rider Geats is... something else. I am writing this literal seconds after finishing the final episode, because I have known what I want to say about this season for a long time but after seeing its ending just... wow.

Put simply: Geats is the first time (as far as I have seen) since Kuuga that the show has reached this level of pure, technical "greatness". Not since Kuuga has the writing been this good, the suits this good, the fights this good. and remember, I consider Kuuga to be the best season this show has done. Geats is that good.

its rich, its deep, its beautifully shot and choreographed, Its characters are layered and interesting. Geats is a tour-de-force in terms of this franchise. I thought revice was going to be a hard act to follow but geats blew it out of the water.

I do want to stress that while I consider Geats to be up there in terms of quality, I don't necessarily enjoy it as much as other seasons. Reminder that Enjoyment and "objective" quality are frequently two different things, but I would be lying if I said that I did not also still love this season.

also Geats says eat the rich. I will not elaborate further but if you have seen the show you know what I mean.

9/10. only losing a point because the disaster arc kind of never went anywhere

Shin Kamen Rider (2023)

fuck it this counts. As of Writing this part, I have not actually seen the original 1971 Kamen Rider series. I wholly intend to some day, I just haven't gotten around to it. so please bare in mind that some stuff I have to say about this movie may just be accurate to what that show is like.

now I am going to leave the Pacing of the film alone as far as criticism goes. even though Shin deviates heavily from the source material, it is still trying to adapt the broad strokes and tone of a 90-odd episode TV show from the 70s into under 3 hours. Plus, this is nothing new for the Shin Japan Heros films, Shin Ultraman also suffered from this.

what I will criticize is the fight scenes. Hot take but like... Geats was better. a TV show with a fraction of the budget and half the development time has better fight scenes than the big budget movie. so much of the action, especially in the first half, is weirdly edited and lacks cohesion. this does pick up towards the end, and, yes, I cheered in delight when Takeshi and Ichimonji went sicko mode on the shocker riders. like audible yell of "YEAH!" chear, but again those first few fights are weird and not great to watch.

beyond that honestly pretty major criticism, the film is very good. its kind of melodramatic and dower a lot of the time but given its specifically aiming for the tone of those 14 episodes of 1971, from what I know that's fine, that's how those episodes went. Plus, I am not going to say it isnt effective. I cried, I cheered, a good time was had by all.

This is not my favourite piece of Kamen rider media. honestly I dont know If I will revisit it for a long time. it lacks a lot of what I enjoy in this franchise. that said, this is a phenomenal work. I respect if for what it attempts, and enjoy it regardless of my aversion to the style. 9/10. Kamen rider in its purest, most raw, most uncut form.

Gotchard (2023)

Geats was always going to be a tough act to follow, so when I say that Gotchard is kinda mid in comparison to its predecessors know that I still think its good. Gotchard is, for better and for worse, a lighter season. Its not taking itself too seriously, its here for a good time and it knows that. its perfectly average as a rider season and that's fine.

If there is one thing which Gotchard does excel at, its suit designs. I love Evocative Kaijin and the Malgam are damn evocative. the additional arms, the look of being made out of strips of metal. this of course continues to the main antagonists, the Abyssal kings. this is not to diminish the riders designs, Gotchards use of chrome is striking and Valvarad and Majade are both very solid designs in their own right. I think the only real costume miss is the final big bads design with his fucking HUGE tits, like holy shit Glion calm down

oh yeah, and Majade. the first Girl secondary rider. I wish she did more tbf, Rinne is very important to the story and yet also feels sidelined alot, but she is a historically important character and a big step on the way to a Girl MC for the series.

Aside from that... yeah Gotchard sure is a kamen rider season. big up for its distinction of only introducing secondary riders at roughly the mid-point, it has been a long time since there wasn't 2 riders basically from day one. Also uh... the ending is kinda underwhelming and they very much fridge all of the abyssal sisters with the half-hearted promise of "oh we will revive them in the post series its fine" which is super dumb. Did lachesis really go through all that just to die as part of Spanners character arc? Big cringe.

Gotchard gets a 6 out of 10. pure average, but average is fine and I think that if you want a fun season of kamen rider you cant go wrong with Gotchard.

Gavv Section Coming once Gavv is done and not a second sooner.

[avayarising]

Some additions of my own from my ‘Dick and Tim love each other so damn much’ bookmark tag:

Road to Damascus by irrelevant (one-shot, 37k)

Beautiful fic of Tim stalking Dick and eventually becoming brothers even where Dick’s parents didn’t die. (Also a truly disturbing Bruce Wayne.)

In a universe where Bruce Wayne is willing to kill, the Graysons never fall. His family alive, Dick Grayson stays with the circus. He's happy. Tim Drake grows up in Gotham while his parents travel the globe. He has tutors and a lot of money and a camera. He's not happy, but he's almost okay with that because he has Dick. Even if Dick doesn't know it.

EMERGENCY CONTACT by Lumi09 (one-shot, 2.5k)

Tim’s school phones Dick as Tim’s emergency contact. Dick absolutely loses it.

The woman speaks up again. “Seeing as you are written down as emergency contact for Timothy Jackson Drake, I regret to inform you that there has been a major bus accident involving Timothy and many other students.” And that simple sentence is enough to shatter the peace and monotone of Dick’s day. The bright blue screen swirling until a tiny dot, until Dick can remember to blink or breathe as the woman’s words seem to have taken a physical form and rip the air from his lungs with her bare hands. “What?” Is the pitched word that slips from his pressurized lungs and from his lips. or Dick would really love to not lose another brother. Thank you.

Every lesson we learned by dukeaubergine (one-shot, 2.2k)

A rewrite of the scene after Damian cuts TIm’s line, where Dick actually finds out that that’s what happened. Dick and Tim bonding, plus some actual gentle parenting of Damian.

After Damian hacks Tim’s files and attacks him, Dick takes the time to make it clear his actions were wrong, and Tim explains his own thinking. The conversation is hard on all of them. It’s worth it.

how to feed your local demon by InkpotSprite (2 chapters, 14.5k)

A reworking of A Lonely Place of Dying with Incubus!Dick and lots and lots of love.

“Oh, don’t forget your–” A few papers fell out as Dick lifted it up, revealing pictures of Nightwing, Robin and Batman in the middle of a fight with Poison Ivy. “Files.” “Ah. Those.” Tim laughed nervously, the sharp, citrus-like taste filling the air. - Dick is an incubus, starved for affection after the loss of Jason. Tim isn't affectionate by nature but wants to help anyway.

Baby Robin by ThemsTheDragons (one-shot, 6k)

Dick and Tim got close before Dick’s parents died. Angst and comfort.

Dick had never thought of himself as a role model. He can’t help it, he reaches over and squeezes Timmy’s cheeks. “Aw, Timmy! That’s so cool!” Suddenly, he has an idea. “Hey, do you want to meet the rest of us Flying Graysons?” Tim’s eyes widen. His mouth in an ‘o’. Dick takes that as a yes. Or Haly's Circus spends a week, not a day, in Gotham. This changes everything and nothing.

unleash the beast (with a kiss on the cheek) by InkpotSprite (one-shot, 1.5k)

Tim finds a way to express affection to Dick.

Dick's chest tightened as his lips parted to say something that he'd truly regret. Before a pair of lips pressed against his cheek, then disappeared so quickly that Dick was almost sure he'd imagined it. If it weren't for Bruce's fractionally wide eyes, Dick would think he had. Slowly, he turned his head to the side. Tim smiled back at him. - Tim decides to try and be more affectionate towards Dick via cheek kisses. Little does he know what he's about to unleash.

will we ever get to the other side? by dizarys (one-shot, 4.9k)

Two hurting boys comforting each other.

Blockbuster is dead and Dick is lost. Haunted by that night and no longer Nightwing, he flees Gotham only to find himself back in Bludhaven on mob business. Now Robin is the city's new protector and Dick is determined to avoid Tim & his old life. That is, until he finds Tim bleeding in an alley.

Have any Dick & Tim fic recs for us poor unfortunate souls? We’re hungry for brotherisms

I feel you anon, there can never be too many Dick & Tim brotherism fics! 😊 I had a great time wading through my bookmarks to pull some recs (and inevitably lose a bunch of time re-reading things lol), so thanks for the ask!

so I've organized the below first by general time period, then categories like Canon Divergence and Alternate Universe. I've also limited myself to fics that have a clear focus on Dick & Tim as the primary relationship (although some of them include other characters or ensembles).

Hope that you find something new that you enjoy, friend!!

A Thousand Ninjas, by @silverwhittlingknife (100k WIP series) - Silver's fantastic epic that covers the span of Dick and Tim's relationship in preboot canon. Some of the individual works are WIP, others are complete - just read them all, okay, you will not regret

Dick and Tim, through the years: from Lonely Place of Dying, through Tim's Robin years, and beyond Red Robin. "Watch me on the trapeze, Tim. I'm going to do my act - 'specially for you." (B 441) "Who the hell are you?" (NT 60) "Dick Grayson is my brother. My best friend." (R 181) "You're my equal. My closest ally." (RR 1) "I can't see him. You can't see him. But I know Robin. And Robin's always there when you need him." (TT/O Secret Files) "You're my brother. You'll always be there for me." (RR 12) "And then I think... no... it's for Tim. For him, a thousand ninjas is just the start of what I would do." (N 138)

EARLY ROBIN TIM

Brothers Have the Worst Timing, by @havendance (1k) - god I love Tim just popping up randomly to be the most annoying little brother ever, and frankly there's no better time for it than during Nightwing/Huntress, when he can bother both Dick and Helena at once.

Tim crashes Dick and Helena’s ill-advised one-night stand; this is awkward for everyone involved.

A Long Fall with a Sudden Stop, by @eggmacguffin (5.1k) - Interesting and appropriately awful take on fear toxin, with a relatively young Robin!Tim having to manage an incapacitated Dick. Also good Dick & Bruce content.

Dick Grayson was not and never has been afraid of heights. However, there were moments, moments in the wake of tragedy, in the midst of doubt, where he was deathly afraid of falling. — Dick Grayson. Fear Toxin.

Little Brothers and Stupid Ideas, by lazarusfell / @gretahayes (2k) - Tim breaking into Dick's apartment to be a neurotic little dork at him, my beloved.

Dick doesn't think he'll ever get used to his little brother's idiosyncrasies. It's like whenever he thinks the kid can't get any weirder, he decides to just blow Dick out of the water with some new abnormality. It's endearing.

LATE ROBIN TIM

lifeline, by me c: (~700) - just a ficlet, but I'm still fond of it, so. set nebulously post-Infinite Crisis, after both brothers' Really Bad Year.

At a low moment, Dick thinks he needs to catch Tim, and he just - can't. Tim catches him instead.

a soft place to land, by unchosenone / @bitimdrake (3k) - set during the OYL cruise around the world; gorgeous brotherly feels and support and absolutely adopted as personal canon.

Tim rubs the back of his head, trying to affect a joking tone. “I knew I should’ve just gone for the new escrima sticks.” Dick is ready to be a good big brother to his grieving little bro. Tim flips the script.

ribbons just beyond the eye, by silverwhittlingknife (5.9k) - you know how Dick and Tim had their island adventure in NW #143, and afterward they had to swim out several miles to where they parked the Batsub because the remote stopped working, and Dick talked about making a pit stop in Palermo to visit a "great little Italian restaurant that serves a great ciambellone for dessert"? Well, this is what happens when they do, and it's lovely.

Two weeks after their fight over the Lazarus Pits, Dick and Tim go on a trip, and Dick confronts some old memories.

RED ROBIN / BATMAN REBORN (Dick!Bats) ERA

Brothers, by KelpieCodyne (8.5k) - a refreshing and measured look at the divisive events of Red Robin, from Dick’s perspective. bashes no one, hurray!

Bruce is dead, Dick is Batman, and his brother is floundering. In a desperate attempt to save Tim from himself, Dick tries some tough love. It does not go the way he hopes. Or - Red Robin's 'BruceQuest' through the eyes of Dick Grayson.

We've Taken Different Paths, Traveled Different Roads, by Sohotthateveryonedied (2.3k) - brothers 🥺 even in the middle of their Brucequest fight, Tim can show up out of nowhere for a middle-of-the-night pajama party and heartfelt talk.

Dick is suddenly very awake. He bolts upright, staring at the dimly lit figure. “Tim?” “Hi, Dick,” Tim whispers. He isn’t in uniform for once, instead wearing a pair of sweats and a shirt that Dick recognizes as one of Bruce’s. Dick was wondering where that went. “Jesus, kid,” Dick exhales, an uncertain mixture of disbelief and bafflement. “What are you doing here?” Tim and Dick are still in a fight of sorts, or are they? Have they made up yet, or is the terrain still cracked? Dick wants so badly to ask, but just having Tim in the same room as him is already more than Dick could have hoped he’d get.

a conversation at 4:30am, by xscintillate / @scintillyyy (4.6k) - Dick having a nightmare that Tim is dead and checking all of his regular napping spots with increasing paranoia to prove that he's alive, my beloved. such a great look at the brothers, suffused with all of the love they still share post-Brucequest.

dick & tim, post RR#12 because sometimes having a conversation might end up going nowhere, especially if it's one you're not ready for, but it's enough for now

the best of both of us, by @ashynarr (7k) - a lovely pair of conversations between Tim and Dick, working through their conflict in RR and reconnecting after everything.

They used to have a routine, involving shitty take-out, shitty movies, and a bit of shit-talking. Dick wants to restart it, after everything. Tim's not sure if it's that easy. Or: After Harkness' arrest, Dick and Tim have a heart-to-heart. It helps, a little.

there's an endless road to rediscover, by @zahri-melitor (1.2k) - post-RR fic where Dick and Tim skip right to affectionate violence as a gesture of reconciliation, which is so delightfully in-character, tbh.

Sometimes the only way to show that you've moved on and forgiven each other is to take a flying tackle from the ceiling. Dick and Tim know each other's demonstrations of affection. Damian doesn't.

When it Rains, by vellaphoria (5.8k) - an exploration of Tim and Dick's (most recent) experiences with sexual assault, so warnings for past rape. really excellent.

After Cass and Tim return from Paris, something seems... wrong. Dick tries to find out what it is.

nightwing and red robin hit the town (or do they?) by xscintillate / scintillyyy (7.2k) - hilarious reversal of the "Tim is sad Dick never has time to hang out with him because Eldest Daughter Syndrome" trope.

Dick just wants to hang out with Tim on patrol, like old times. It's a shame that everyone else seems to have the same idea. It's fine. Dick'll get him next time.

POST-FLASHPOINT / MODERN ERA

so won't you stay, won't you stay (with me?), by dizarys / @dizaryswrites (1.4k) - beware the ANGST, this one really stomped on my heart 😭 but it's lovely

Dick seized his hands, holding tight. A long moment of silence passed. Tim kept time with Dick’s breathing as it steadily returned to an even pattern. "I'm proud of you for asking for help." His big brother whispered. "But I haven't." "I dunno, TimTam. Breaking into my apartment seems like a cry for help." Tim's having a hard night. So where else does he go but to his big brother's apartment? Whumptober Day 12

go past where our feet could touch, by redboard (Ink) / @upswings (1.5k) - this is such a lovely fic about the brothers having feelings about their long-gone mothers, and Dick seeing himself in Tim and processing things in his own life by being there for him (without sharing his own issues, at least that we see, lol). perfect characterization.

Today Tim was calmer, almost cheerful – as if it was any other Saturday afternoon. But it had also not escaped Dick's notice that Tim had gone on a universe-hopping trip to rescue Bruce, and one of the first things he'd done upon returning was, apparently, unbox a lot of photos of his dead parents. "How was the multiverse?" Dick asked.

WE'RE NOT DEAD (WE WALK)., by orpheusaki / @damianbugs (4.9k) - fantastic whumptober fic. the boys go through it, by god.

Dick is overwhelmed for a moment, filled with clarity and inexplicable confusion as he blinks around him bleary-eyed. There's the familiar itching covering his skin, tiny grains of dark sand invading the cuts that have torn through his suit from the crash. He coughs, throat dry and closing with every gasp of harsh air. The desert is as unforgivable as the last time he was here, an empty expanse of dunes that might just be a trick of the heavy sun against the back of his neck. Dick pushes the panic away behind his eyelids, savoring the darkness before opening his eyes again. Immediately, he sees Tim. Unconscious, hunched over, covered in blood and sand Tim. (Dick and Tim get stranded in the desert, Dick is always moving forward.)

CANON DIVERGENCE

long distance, by unchosenone / bitimdrake (1.7k) - A Red Robin era AU where Bruce is actually dead.

Six months—months—radio silence, and Tim is calling him. Dick doesn’t even know where Tim is. He scrambles for the phone.

Holding the Line, by Birdchild / @birdchildsnest (6.6k) - part 2 of the series and the first part is just as good, but more focused on the Dick&Tim&Damian relationship as a whole. In this, Dick is plagued with nightmares about the people he loves falling, and struggles through the resultant insomnia.

"Dick was used to anxiety dreams, even (or especially) ones about falling and failing to catch people. They weren’t pleasant, but he understood that they were his brain’s way of working through buried fears. The garbage disposal of his subconscious. But these dreams were more like the hyper-vivid nightmares and thrashing night terrors he’d had after his parents’ deaths. And they were constant. Every time he closed his eyes. He didn’t just feel rattled when he woke up; he felt flayed open."   (This will make more sense if you've read "Redrawing the Lines," but it takes place before "Season of Darkness, Season of Light," so you don't need to have read that.)

now the little red lighthouse knew that it was needed, by xscintillate / scintillyyy (22k) - beloved Tim never becomes Robin but shows up in Dick's life and becomes his brother anyway fic of my HEART

"Kid," he says, frustration bleeding through, "I don't know who you think I am, but I can promise you, I don't know anything about any companies. You might want to call the police about this, instead." "No, that's just it," the kid says, "I can't trust the police. I think they're in on it. I think I might get arrested soon. I need—I think I need Nightwing's help." in an alternate universe where jason survives ethiopia--dick and tim still find each other.

this also has a WIP sequel, so the little red lighthouse tried to shine once more, which is equally excellent

well, what would you do if you went back in time?, by xscintillate / scintillyyy (3.5k) - yeah, in retrospect Tim's smug know-it-all tendencies would become exponentially worse if he traveled back in time and actually knew everything, lol. of course he takes the opportunity to be a Pest to both Dick and Bruce c:

tim goes back in time, and prevents certain things--but still makes his appointment at the circus with dick and is kind of a menace (aka: snippets from an au where tim goes back in time and makes it so he doesn't become robin...but he's still just having fun going around and preventing everything he can think of regardless and making sure to bother dick)

the time you won your town the race, by silverwhittlingknife (4.4k) - technically WIP, but absolutely works as a (DEVASTATING) oneshot. It's been well over a year and I still have not recovered tbh.

He doesn’t know exactly what Tim would say. But he knows what Tim would do. Tim dies. Dick doesn’t take death for an answer. A Red Robin 12 AU.

the picture frames have changed and so has your name, by zahri-melitor (24k) - a fix-it it fic for Grant Morrison's 2009 Batman and Robin comic run, which infamously has Dick more-or-less forget that he's supposed to have a close relationship with this alleged "Tim Drake" guy. (Little brother who?)

So, in this fic, Dick literally forgets. Tim notices, and investigates. Also wonderfully highlights Tim's relationships with Helena, Barbara, and the Birds of Prey, and sometimes with Damian.

There’s something wrong with Dick. Tim thought everything was getting back to normal. Bruce was alive and back in their timeline, the Birds of Prey were once again operating out of Gotham, Dick had the city well under control as Batman and even Damian had been less obnoxious than usual. And then during a firefight at a warehouse by the docks, Tim was almost hit by a flying boomerang. And Dick never noticed. When something is wrong with your big brother, who else do you turn to but your big sisters?

Dizzy Edges, by Jojo_Squires / @jojosquires (156k WIP)

A Tim-time-travels-and-interferes-to-make-his-family's-lives-better fic which includes the whole Batfam, but is definitely centered on Dick&Tim and the weird itching dissatisfaction of their missing close relationship from the original timeline - which neither of them can even remember that they're supposed to have.

I leap on my email notifs and stuff new chapters in my mouth as soon as they come out.

Tim Drake didn't quite know what he was agreeing to four years ago, but he tried to make the best of it! Using notes from his past (future?) self, he (somewhat messily) tried to help everyone his other self cared for. Now, it's four years later and he can mostly ignore the second set of memories lying in the back of his brain. It'd be much easier if Dick Grayson would just leave him alone. If Tim believed in destiny he might actually think that the universe cared about what was lost. Dick Grayson has spent the last year feeling like he's veered off course. Something keeps itching at the back of his brain. He's missed some clue. Helena Bertinelli's promised to help him crack down on human trafficking, but Dick thinks her foster kid might actually be more help in that department.

First Priority, by avaya29 / @avayarising (6.8k) - okay so Jason does feature prominently in this one but also he's a hilarious outside observer to Dick&Tim's shenanigans. Also, GLUE TRAP.

As the door opened Tim quickly disabled another three separate electronic sensors in the doorjamb by swiping them with a device that looked a bit like a thumb drive. “Walk where I walk,” he said. He took a big step over the doormat, eyed the floor carefully, then took a careful skipped sidestep to another mat against the right-hand wall, where he removed his shoes. “What the hell?” whispered Jason, still standing in the open doorway. Tim pointed up. There was a net rigged up on the ceiling. “Pressure pads under the carpet.” “I repeat, what the hell? After Tim completely derails Jason's beatdown attempt by asking him for a hug, Jason's first priority is to get this touch-starved kid more cuddles. Tim's first priority is to avoid DIck's traps. Jason learns a lot about his brothers and what happened while he was away, and something about himself too.

ALTERNATE UNIVERSE

Patchwork Siblings, by Raberba_girl (40k) - fluff and whump and we also get both Talon!Dick and regular!Dick being big brothers, which is delightful.

Years ago, young Dick Grayson was taken by the Court of Owls and made into a Talon. When Talon is flung into an alternate universe where Dick Grayson was taken in by Bruce Wayne instead, he latches onto the first familiar person he sees. (Or: Little Bat-stalker Tim Drake is understandably alarmed to find that an undead assassin has imprinted on him.)

5+1 Night's at Freddy's, by cowboymater (6.6k WIP) - okay so this is only the first chapter of an expected six, but it's already a wildly interesting and entertaining scenario with great characterization. my kingdom for 5000 AUs where young Dick and Tim are thrown together into Trials and Tribulations out of nowhere for their brotherly meet-cute.

The 5 nights Tim spent at Freddy Fazbear's Pizza with Robin and the 1 he spent with Batman, OR, this would be the coolest thing that happened to him ever if the animatronics were trying to kill them less, OR, the "Batman meets Freddy Fazbear" fic I found hidden under a loose floorboard in Tim Drake's childhood bedroom.

darling boy, by deitybird (335k) - Fuzzy and funny de-aged!Tim shenanigans, with Dick as his primary caretaker but the whole Batfam getting involved. Author pulls what plot, character, and relationship points they like and want to explore from varied canon (post-Crisis, New 52, Rebirth, Infinite Frontier, Batman the Animated Series, etc.) and fanon to build out that 335k of story, and it's a very fun time. Toddler Tim is such a gremlin ♥

His comm crackles to life. “RR’s suit is in a pile on the floor,” Jason says, voice grim. “But no sign of him. Something bad must’ve happened if he ditched it all.” “I wouldn’t say it’s bad, per se,” Dick replies, gazing down at the kid nestled against his chest. Now that he’s looking properly, he can see hints of his little brother in those small features. “But at least I can confidently say that he’s not dead.” Or: Tim gets de-aged to four. Dick takes care of him.

Under a Parent’s Wing, by IzzyMRDB. (39k) - YMMV on whether this will be your cup of tea, as this is an AU where Dick comes into a parental rather than brotherly role for a younger, AU!Tim, who is also autistic and abused. But it’s also delightful, heartfelt, and a thoughtful exploration of the complicated, difficult situation as given.

Also I would, no lie, read hundreds of fics based on the premise of kid!Tim discovering that THE Dick Grayson (aka THE ORIGINAL ROBIN) is coaching gymnastics classes and using his sneaky determined ways to finagle himself into said classes.

When Tim found out that Dick Grayson was a gymnastics instructor in Bludhaven, he quickly signed up. After all, learning gymnastics from The Nightwing himself is a once-in-a-lifetime opportunity. Dick Grayson is more concerned at the obvious signs of child abuse he sees in one of his students. AKA Dick Grayson, as a childcare worker, is a mandated reporter who knows how to recognize child abuse in his students. Tim Drake, after a lifetime of fear and confusion, learns to trust adults.

[hamsterboos]

Shining in the Darkness

I've had to rework this plot about 3 times because I started this earlier this year and then restarted it a few weeks ago and then re-restarted it yesterday lmao I hope you guys like it

Word Count: 1699

Read on AO3

Rowaelin Month Masterlist

Day 13 of Rowaelin Month Prompt: Florist/Tattoo shop AU

~~~~~~~~

“Ugh,” Aelin groaned, “look at them pretending to be all high and mighty with their all-black, emo, punk tattoo shop.” She turned away from them in annoyance, instead taking in the bright and beautiful flowers around her.

“I mean, I hope you didn’t expect a tattoo shop to be all sunshine and rainbows,” Elide laughed as she wiped down the counter where bouquets were made.

Aelin sent her a withering glance. “You’re only saying that because you’ve been staring at Mr. Tall-and-Dark ever since they started moving in.”

Elide sent her a sweet smile in response. “As if you haven’t been staring at Mr. Tall-and-Blond? Plus, this is the perfect opportunity to go get that tattoo you’ve been talking about for ages.” Elide gasped and suddenly pointed the rag at her, “You should go by and give them a welcome present! It’ll brighten that dreary place up too!”

Aelin glared at her, “Don’t you have some work to do?”

“Uh-huh, sure, kick your favorite cousin out for having such a brilliant idea.”

Aelin rolled her eyes at her, “Aedion’s going to take offense to that. Technically, you aren’t even my cousin.”

“I don’t care, and Aedion can suck it,” Elide cackled. “Go get them one of the potted plants. Probably a succulent or two, since it doesn’t look like they can keep anything else alive,” she said as she walked into the storeroom to take inventory.

Aelin sighed as she turned back around to watch the two men wipe down the clear glass panels and windows of the store. Her floral shop, Kingsflame Florals, was right across from The Cadre, a tattoo shop that was apparently opening tomorrow, and she was understandably frustrated at how everytime she looked out her own shop’s glass panels, she saw the dark and gloomy exterior of The Cadre. There was enough darkness in her own brain over the last few years after her parents had passed away that she didn’t exactly need to see it constantly as soon as she looked out of her shop, but Aelin also knew that it was strictly her problem and that she really couldn’t take it out on the shop owners.

Elide was right, though. The only decent thing about the entire place was the fact that there was a Mr. Tall-and-Blond, except his hair glinted so brightly under the sunlight that it looked almost like platinum silver. Even from across the street, she could see his muscles rippling under his black shirt as he wiped down the windows, (this man did not care about the burning sunlight, and she had no idea how he could bear it), and Aelin could see the vague swirls of a tattoo down his arm and on the back of his neck. If she was being honest, she wanted to go see the design up close, maybe get some inspiration for what she wanted, but did she really want to deal with all that doom and gloom?

As she chewed on her lip, she decided that maybe her parents were worth facing that - and she would never admit it, but Elide was onto something with giving them succulents -, and so she turned back around and picked up one of their potted succulents that was there especially for the store. Aelin grabbed their water sprayer, gave it a few spritzes, fluffed her open hair, smoothed down her blouse, and walked out the store.

“Hey, neighbor,” she called out as she crossed the road. Aelin was definitely feeling slightly intimidated by how black everything was, but she could deal. She was out of her emo-depressed phase after her parents had died, and a black tattoo shop couldn’t change that.

The dark-haired man wasn't there, but the man with the silver hair turned around, and she was weirdly excited to realize that he had bright green eyes. It was like a surprise of sorts - the man who seems to prefer black had silver hair and green eyes, exactly the opposite of his personality. He was incredibly attractive, though. Gorgeous eyes, pretty hair, sharp jawline, and the tattoo swirling up his neck, almost creeping up his jaw.

“Hello,” he responded, a slight tilt to his words thanks to an accent. Aelin blinked at first, trying to remember how to breathe again because holy crap, the man was suddenly even more attractive, and this was so not fair.

She put on her best, charming smile as she responded, “Welcome to the street. Your shop looked a bit too doom-and-gloom so I decided to bring over some flowers from my shop!”

He raised an eyebrow as he looked at the plant in her hands. “Doom and gloom?”

“Well, yeah, your entire shop is black, which is quite an achievement honestly. How do you make something so dark when the front part of the shop is entirely glass which lets all this sunlight in?” she joked, but from the way his lips turned down into a scowl, she figured he didn’t exactly share the same sentiments.

“It’s a tattoo shop,” he stated in a manner-of-fact tone, “so yes, it’s a lot of black.”

“Um, right,” she awkwardly responded, her bravado effectively gone, “I just wanted to come by and give you a succulent to keep at the desk. I’m Aelin, by the way, I own Kingsflame Florals.”

He looked down at the plant again before looking back up at her. “I figured you owned the shop, but I’m Rowan. You can come in, if you want, and show me the prime location for that so it doesn’t look all doom-and-gloom.”

“You’re not going to let that go, are you?”

“Not at all,” he responded with a wry smirk on his face. He opened the door to the shop, and she followed him inside, immediately blasted with the cold air from the air conditioner.

She took the chance to look around the shop, and she was taken aback by the variety of designs posted around the walls. There were the simple designs like flowers, birds, dreamcatchers, and butterflies, while there were also insanely intricate designs of swirls and lines that created abstract art and distinct images, and all of it was just pure talent.

"These designs are beautiful," she breathed, setting the succulent down near the computer.

"Thanks," he replied, leaning an arm against the desk. "Interesting?" he asked, and Aelin could tell from his expression that he expected her to say no.

"Yes, actually," she replied with satisfaction as she watched Rowan's eyes widen slightly. "My cousin says that your shop opening up here is a prime opportunity for me to get the tattoo I've been talking about for ages."

"What’s stopping you from becoming our first customer then?" Rowan asked. Aelin shrugged.

"Lack of inspiration, I suppose?"

"Any ideas about what you want it to be?” Aelin shook her head, to which Rowan continued, “A reason behind getting the tattoo might help with the overall design.”

"We're not that close for me to share that part of my life with you."

"Really? I'd say these past five minutes makes us best friends," he spoke, leaning into her, mischief shining in his eyes.

Stifling a snort, Aelin rolled her eyes. “You should already know my tragic backstory then.”

“Same for you, Ms. Flowers,” he responded.

“No, but you see, I never claimed to be your best friend.”

“Ouch, that hurt,” he responded, a hand covering his heart with fake pain. Aelin’s lips quirked upwards at that with the realization that they had been leaning into each other during that entire conversation, and she was flirting with this man. She hadn’t even noticed how dark everything around her was because within that darkness was this man with bright green eyes that reminded her of pine trees from back home and silver hair that glowed like the moon,

“Fair enough,” she laughed lightly. “It’s for my parents. The shop was actually my mom’s idea for something to keep them busy after they retired, but they, uh, died in a car accident a few years ago. They never got to open it, so I did,” she said, looking out the clear panels to her own shop. It was years of hard work and pain, but she’d gotten through it. “I always wanted to get a tattoo, but now it’s more for them.”

She looked back at Rowan and was surprised to see that there wasn’t any pity shining in his eyes. No, it was understanding and compassion. He understood her decision, and it wasn’t something a lot of people were able to relate to. They would simply pass it off as a nice gesture she wanted to do, but it went deeper than that. It was a way to ensure she would never be separated from her parents, and from the way Rowan had let himself smile genuinely in front of her, she knew he understood.

“The tattoo you were staring at earlier,” he started, pointing a finger at his neck, and Aelin flushed realizing that she hadn’t been as subtle as she thought she was, “is about my wife and daughter that had passed away, also in a car accident. I understand your need to connect to them, so how about I draw something for you? You can take a look at it and make any adjustments as needed, but I can help you start off with something.”

Aelin looked at him, and she slowly exhaled a breath because maybe this was exactly what she needed. “Okay. I wanted it on my ribcage, if that works?”

“Yeah, of course, just be aware that you will have to at least take your shirt off,” he teased, and Aelin was so shocked that she barked out a laugh.

“Wow, Rowan, at least buy my dinner first.”

“Happily,” he replied.

Aelin sent him a bright smile, and she knew that she was never going to live it down from Elide that she had gone to the tattoo shop with the intentions of giving the grumpy men a succulent and had instead left with the man’s phone number and a beautiful tattoo design amazingly created with Old Language letters and a Kingsflame flower.

[agent-cupcake]

i believe i am legally and morally obligated to ask how the wolves fit into this mobster AU 👀

~As thieves, of course! Have I ever mentioned my love of heist plots? For a while I toyed with the idea of an Ocean’s Eleven style rework of the Cindered Shadows DLC which was basically the prototype for this gangverse AU. There are ideas from that story that I think are great (Sexy powerful casino owner Rhea, Edelgard playing banker for the operation, Claude taking on the role of some super rich foreigner needing to secure his briefcase in the vault before dramatically feigning a catastrophic illness) but that is a tale lost to time.

~In our actual alternate universe, Yuri is the smooth as silk, multitalented and criminally inclined conman leader of the specialized group. Unlike the other house leaders, he’ll take his schemes to wherever the money is... but his true home is Fódlan City. 

~He grew up in the southeast area of Faerghus officially known as Cathedral Street and unofficially, and quite aptly, called Abyss. It was, at one point, a government funded housing project that promised affordable living and better jobs. But, due in part to the dysfunctional bureaucratic relationship between Faerghus and the city government during the recession, Cathedral Street became a trap, keeping the poor locked into dead-end jobs and unfair rental contracts. It became a place for misfits and criminals, pretty much disconnected from the rest of the borough and city for all that anybody cared about the abandoned project.

~The internationally famous thief known only as Aubin has a suspicious number of similarities with the old man who taught Yuri all the tricks of the trade in his youth. 

~For all of the shared quirks between the two, some people joke that the Mockingbird is Aubin himself.

~Although his one true passion is con jobs and heists, Yuri is willing to engage in all sorts of shady endeavors... Assuming there’s enough money involved. This includes, but is not limited to, brokering extortion, buying and selling information, fencing, arranging sales, and fixing any sort of “problems” powerful people might find themselves having. Yuri’s skillset doesn’t necessarily make him qualified for all jobs, but he has a special talent for finding the right people and organizing them together. 

~He’s got fantastic aim and an impressive collection of guns. Yuri’s not one for very much hand-to-hand but he’s always got knives and such hidden on his person. You know, just in case. He also has an impressive knowledge of first aid.

~Yuri is an enthusiastic supporter of both Dimitri and Claude and their efforts to knock down the corrupt elite and “clean up”... especially Claude weeding out the business of human trafficking. Very sportingly, Yuri swore to never steal from Claude’s casinos. He's nice like that.

~Yuri doesn’t see things in terms of conflict of interest because, professionally, the Mockingbird has no interest in politics. Personally, he just enjoys the satisfaction of seeing abusive scummy people getting thrown from their ivory towers. Especially when they come begging to him for help and can’t cough up enough money for his services.

~Physical objects don’t have much value to Yuri, even money doesn’t mean much to him to an extent. He knows how easily it can all be taken away, knows that in his line of work nothing is truly permanent, and he knows how to survive without any of it. 

~That said, he loves shopping. Especially at high end places. Clothes are a special weakness of his. Plus, he loooooves spoiling his mom with fancy nice things. The first thing he did when he began making money was give her the money to buy a nice house and car in her own name, assets that belong solely to her to both live comfortably and have as a security net. 

~He picked up the other three Wolves kind of by accident. For the most part, his job never involved any consistent cast of people. He had people he trusted and would hire for jobs, but they didn’t work specifically for/with him. But then Aelfric hired him to steal something and he wound up working with Balthus, Constance, and Hapi. Unlike most people, they weren’t bound to any group or organization. They were skilled, but underutilized. None of them would ever admit it, but they were all missing something.

~Also, Aelfric’s job ended up being a trick. He hired a skilled but inexperienced team so he could have useful idiots to throw under the bus after he got what he wanted. Unfortunately, it did not work out so hot for him. Fortunately, it brought together four useful idiots who formed an incredibly sought after criminal organization. 

~Before Balthus met Yuri, he was a disinherited alcoholic one binge away from being completely homeless as opposed to the almost-homelessness of working random jobs and couch surfing. He got picked up because he was good at punching and familiar with both the elite world and the criminal underbelly.

~He’s a terrible liar, but he is fantastic at intimidation and beating people up. He acts as a bodyguard and Yuri’s right hand man. Having something worthwhile to dedicate himself to actually helped him straighten out a lot. 

~Although he’s not the one who comes up with schemes or anything, his straightforward approach to problems often helps Yuri from thinking himself into a corner. Sometimes the best way to solve a problem is to take it as it is, Yuri likes to overcomplicate everything.

~Constance is the demolitions expert who gets an uncomfortable amount of joy from her job. There is, as she says, an artistry to what she does. She is not a vulgar street thug with a molotov, she is an expert of the architectural and structural, a master manipulator of destruction and dismantlement. 

~The Nuvelle family was of decently high standing when she was young. Her father was on the local board working his way up. While he was in office, the topic of the “Brigid Deal” was hot. It had to do with government interaction with international businesses and corruption. When the Adrestian board had to start answering for this, they made Mr. Nuvelle their fall guy and called it case closed. There was rampant speculation about the accident that befell her family after the fact, especially when it was rumored that he had evidence of deeper corruption, but nothing ever came of it. The ensuing media circus and ruin deeply impacted Constance. She got a scholarship to go to school, but many people noted that despite her intellect, she was erratic and rather antisocial. There might be some deeper psychological reason for her love of demolition of structure and trauma inflicted by a corrupt system, but who knows.

~Hapi is pretty much the straight man to the rest of them. She doesn’t get carried away with the details, hyped up on violence, or frenzied by the idea of blowing something up. Sometimes it seems almost like she’s along for the ride, but she’s the only reason the Wolves don’t implode through their sheer quirkiness. 

~She was a teenage runaway who wound up in Abyss and fell into the criminal world kind of by accident. Even more than Yuri, Hapi harbors a deep resentment for the negligence of the government. 

~She’s a very skilled jewel thief, Hapi especially goes for ones obtained and profitable through unethical means. She’s also a decent pickpocket and knows how to run and/or spot a lot of typical scams. Despite her proficiency with guns, Hapi’s not really keen on the violence part and will always advocate for alternative methods to solving problems if it’s possible. 

[mira--mira]

Another OOT question!

I know some people believe that Madara (adult) is misogynistic because of what he told Tsunade in the fourth war (about her being a weak woman) and that's a totally valid opinion! Taking into account that OOT's Madara clearly is not like that, I want to know what is your opinion regarding this. Personally, I think he didn't mean that because she is a woman she is weak, but that she is simply a woman and she is weak (like saying that she is a weak shinobi)

This got long lol

Honestly I've seen a few different theories, the "he's just a misogynist", the "Kishimoto knew he was getting backlash for how he portrays women so Madara said that and then Tsunade proved him wrong" (despite ultimately being beat), the "it was a mistranslation/comma theory and should have been read as 'you're weak, woman'" (I think is spiritually the same point you mention), the extremely creepy "well he hates women/doesn't like them this is obviously another hint he's gay" (which while this one is usually presented jokingly I dislike it so much. Male homosexuality has no intrinsic tie to misogyny and it just makes me so uncomfortable even as a joke.) However, my ultimate opinion is every character is some flavor of misogynist because Kishimoto is one and writes them like that in a mix of on purpose and by accident. This is kind of tricky because I don't know the man, I haven't consumed any content of his outside Naruto, and I don't make a habit of reading interviews or anything promotional about his writing process, so I'm reluctant to speak with any kind of definite authority but reading the manga or just watching the anime, in general, is just...terrible if you're focusing on how he portrays women and treats them like characters. This is a great essay that I like, but here are some main points that stick out to me about Kishimoto writing women.

First there are all the "missing women." By all accounts, ninja society should be split decently 50/50 on the sex ratio just like irl but...there's always one girl on a team of two boys. Besides Kurenai (and Tsume who's a special jonin but I'll count her) what prominent reoccurring female jonin do we see? Besides Anko what chunin? Count all the male characters you can and then the women and girls. Why are so many mothers housewives in magic ninja world with superpowers? Mikoto, Kushina, Yoshino, etc. How many of them don't even get named despite their husbands getting that basic acknowledgment? Ino's mom, Shino's mom, Choji's mom, Hinata's mom, Neji's mom, Gai's mom, Madara's mom, Hashirama's mom, etc.? Why out of every possible count of the Akatsuki is Konan the only woman (unless Taka is counted and then Karin is a member)?

Then there are types of women themselves. They're not allowed depth and most women's personalities can be divided by angry/shy dynamic as their main personality trait. They're always medics, always love interests, they never get to use their power to the extreme be taken seriously they're always handicapped by the narrative (see Konan and her powers as the biggest damn example of this). Sakura and Ino are the closest thing to actual friends two women are because there are so few of them in-universe but a big chunk of their relationship revolves around Sasuke. Even in that, women's relationships are ultimately dependent on men. Not even Tsunade is exempt from this. She never references Mito as an influence or major part of her character. Her biggest influences are Dan and Nawaki, her lover and her brother respectively. Her other influences were Hashirama, Hiruzen, Orochimaru, and Jiraiya. Shizune is the only woman she interacts with on a regular basis before Sakura but her story doesn't revolve around her relationship with Shizune, it's not even a major part narratively. Mei, the other extremely powerful woman with two kekkei genkai, who took over from Yagura and tried to restore Kiri's reputation from the bloody mist...is obsessed with marriage. Somehow I doubt if she'd been a man, that detail would have been kept.

I will not even begin to address the fucking mess Jiraiya is and how it's disgusting that he objectives Tsunade down to her body measurements and peeps on her in the bath all while claiming to be her friend.

And the saddest thing is this isn't just a Kishimoto problem. These are common things that are still present in media today. I hate the excuse "I don't know how to write women" it's just that, a lazy excuse. Ultimately I have no idea how canon Madara was supposed to come across with that line. I'm just not surprised or horrified by it at this point because there are so many other problems in the narrative.

OoT is my self-indulgent little fic where 95% of OCs of any kind will be women to try and drag that damn sex ratio back to even something decent and where all the looked over women will, at the very least, be given a fucking name. And I think I've mentioned in a comment or two on the fic, maybe even in one of the notes, but just in case I haven't it brings me sweet, sweet joy to headcanon the two most powerful men of their time, Hashirama and Madara, as momma's boys whose relationships with their mothers (especially Madara because of that line) cannot be overlooked or understated to understanding their characters in that AU. It's my fuck you to Kishimoto's way of handling women. And, I guess I'll announce it here lol, I'm reworking Kaguya's role in the narrative too and she's no longer getting scrapped in OoT because I'm going to make her make sense and work without alien bullshit and a flat female antagonist who appeared too late and didn't get proper build up.

[deltadestined]

headcanon;; the cage

Anybody who’s seen The Cage knows that the Chris Pike in that episode is totally incompatible with the Chris Pike in Discovery and Strange New Worlds, so i’m going to rework that episode into something that makes some sort of sense.

Three crewmembers died two weeks earlier at Rigel VII. However, SNW seems to have disposed of the concept of the captain having a yeoman act as his personal assistant (thank goodness), one of the people who died was a cadet he’d taken under his wing instead. He is struggling with their deaths and blames himself, but is not thinking of resigning at this point.

Obviously, he would not say that he’s uncomfortable with women on the bridge, nor would he say that Una doesn’t count as a woman.

Upon meeting Vina, even though he wouldn’t yet be sure if she was real or an illusion, he would not be so harsh toward her. Although he would be angry about the situation, he would not take it out on her because he’s actually pretty good at recognizing when someone is in distress.

Speaking of being angry, instead of throwing himself at a forcefield over and over, he would try to talk to the Talosians at first, to figure out what their motives were and attempt to reason with them. However, Chris is completely capable of BEING intensely angry to break through their illusions, sure. Especially when he starts to understand how they’ve been treating Vina.

The whole Orion scene does not exist I hate it so much it did not happen. There is no way Chris would consider that a fantasy.

The scene where the Talosians talk about Una having fantasies about Chris also did not happen. It’s so gross and I hate it. The idea of Chris “choosing” between women is just not one I want to deal with at all.

When they do find out why Vina wants to stay, Chris would try to talk her into coming with them and while he would respect her wishes, he would not agree with her reasons for staying.

Also, a short list of things I do like and plan to keep.

Chris rejects illusion and the Talosian’s behavior in general on a deep philosophical level. (Which is why I do not understand leaving him there after the accident and won’t be doing that.)

The scene in the illusion of Mojave, aside from being kinder to Vina.

Chris’ way of defeating the illusions makes enough sense to me.

During his time there, he does start to care about Vina and wants to help her. (Platonically/familially, though.)

Um, I truly think that is all. Whoops.

[spaceorphan18]

I was tagged by @esperantoauthor and @20xbetterthanu - thanks guys! How sweet of you to think of me :) 

How many works do you have on AO3? 55

What’s your total AO3 word count? 753,339 <------- Clearly I am very wordy. 

How many fandoms have you written for and what are they? I mean, three major ones - The Office, Glee, and things related to Marvel.  

What are your top 5 fics by kudos? 

Faking It (283) - It’s Marvel Characters and fake dating

The Accident (268) - An Office AU/reworking of Season 3

99 Perspectives on a Single Love Story (263) - Klaine’s love story told by everyone else. 

How I Met My Soul Mate (243) - A Soul Mate AU where Kurt gets drunk and talks about how he met his soul mate.  

An Experiment (226) - It’s just Stucky porn because I wanted to see how many hits I’d get off it. 

Do you respond to comments, why or why not? I do! I’m terribly behind in responding currently, but I feel like if you’ve taken the time to write something nice, the least I can do is acknowledge that.  

What’s the fic you’ve written with the angstiest ending? Oh, hmmm, I don’t really write that much angst - or things that don’t end on a solid, good or hopeful ending.  The closest is probably From The Empty Stage - which is about a reunion but they don’t end getting back to each other there.  The saddest ending is, probably for obvious reasons, The End of the Story.  

Do you write crossovers? if so what is the craziest one you’ve written? Not really.  I tried to write that Glee/Check Please crossover, and while there were interesting ideas there - I just never got into writing it.  I did write a Glee/Avengers one that was a joke.  And then there’s my Glee/RPF one that’s cracky meta commentary more than an actual story.  

Have you ever received hate on a fic? No, not really.  If people hate my work, they kindly do not tell me about it. 

Do you write smut? if so what kind? Well - I do now.  It’s mostly pretty tame though, and other than the ridiculous Smut Challenge, it’s usually story driven. 

Have you ever had a fic stolen? I really hope not! That would suck. 

Have you ever had a fic translated? I have! Some very nice ladies translated a few of mine to German, which was very kind. 

Have you ever co-written a fic before? Yes - @ckerouac and I did!  :D  

What’s your all time favorite ship? This is hard, because I’m not sure one is more beloved than anyone else.  I will say that I write Klaine the most - and feel the most attached to writing it. 

What’s a WIP that you want to finish but don’t think you ever will? The CrossRhodes Saga.  I love the idea of it, but man if I ever am able to finish that up...  

What are your writing strengths? Humor (or at least I think so), characterization, general plotting, dialogue, and for fanfic specifically - being able to weave in canon. 

What are your writing weaknesses? Description, transitions, and the ability to be concise in my writing.  

What are your thoughts on writing dialogue in other languages in a fic? I think you should only do so if you really know what you’re doing.  If you don’t speak the language - make sure you’re consulting someone who does.  

What was the first fandom you wrote for? I suppose, officially, it’s The Office.  But let’s be real - I was writing Mighty Duck fanfic by twelve.  

What’s your favorite fic you’ve written? It’s probably still With Every Broken Bone -- I’m still so proud of it, and I do go back and reread it every once in a while.  There is one coming up, though, that might pass it... we’ll see once I publish it.  

Thanks guys! This was fun! 

Tagging: @slayediest, @snarkyhag, @redheadgleek, @darriness, @honeysucklepink

[shenanigans-and-imagines]

A friend recommended your work and I can say that I am extremely grateful that she did and I saw the fanfiction writers ask so 17, 37 and 40!

17) Post a line from a WIP that you’re working on.

This is for what would have been my re-write of Avengers: Endgame. In my version, Loki lives and Sigyn is taken in the snap. During the five years he kind of goes crazy trying to find a way to bring her back. I may have to rework it with the Loki Series, but in the meantime, here's a bit I wrote.

It had been proven now. If Loki were to die, Sigyn would find a way to move on. She may not ever marry again, but she would find her own purpose outside of him. She’d still have a life.

Loki now realized the reverse could not be said of him. He didn’t need to be with her every waking moment. The knowledge she was out there, somewhere, wandering the universe was enough for him. He knew, deep down, they’d find their way back to each other. They always did, even if it was by accident. Perhaps it was simply they were too alike, their lives would naturally cross. The romantic in him told him it was fate itself, but Sigyn would probably only roll her eyes at the notion.

But now, Sigyn wasn’t there. Her presence was gone from the universe, and Loki felt an emptiness he didn’t think he was capable of. It was like a part of him was missing. A small piece of his soul was an empty void. Not consuming. Not dark. Just empty. It pulled and throbbed and twisted inside of him. He hadn’t felt like this since his mother died, but even then he had other things to occupy his mind; vengeance the Dark Elves, vengeance on Odin, on Thor. And he still had Sigyn, even when she was realms away and believed he was dead. She still existed. He had none of that now. Thanos was dead and his quest for vengeance against his family had faded years ago. Now there was only a void with nothing to cure it.

37) What’s the funniest story you’ve written?

You'll have to tell me. I'm never sure when I'm being funny or not. Honestly though, probably most of my stuff for M*A*S*H has been funny. At least for the outlines I have of episode ideas I need to write.

40) Do people know you write fanfiction?

Only my sister has read any of my stuff IRL. My parents know I write fic, but not to the extent and what exactly I write. It's not a secret, but I won't bring it up willingly in conversation.

Fanfiction Writer Asks

[slashersins]

Chores!!! Dont feel too guilty over taking breaks between em! Doubt our stabby boys are ones to do chores but the idea is kinda funny in my mind...

house chores take forever and i hate them . and usually i sneak away a little too long and then forget about the chores and then that leads to problems . my attention span can be off and on . but jesus . these boys . . . 

jason is a good boy , he does chores . sometimes . he forgets to pick up his clothes , forgets that they need to be washed and cleaned , he forgets about the dishes and eating entirely . usually the only chores he really remembers to do involve reworking and checking traps hidden throughout the camp . but give him a gentle reminder and he’s more than happy to help you with the house .

thomas was raised better than to ignore chores . while his are mostly heavy lifting , you’d be surprised to find that this boy does in fact make his bed every morning . he picks up and wipes down the table after meals , delivering all the dishes to his momma by the sink . he even tries to keep the basement somewhat clean . it’s not clean at all , but damn he tries . tommy’s chores are so much that you won’t really ever find him asking you to do the more domestic ones . but you will catch him watching you with a soft gaze as you bustle about . 

bubba actually does cooking , cleaning , and butchering regularly . he fusses over the dishes and doesn’t let them pile up , trying to make the kitchen the cleanest place in the house . he’s chaotically organized too . so his room may seem cluttered and disarray but he knows exactly where everything is . like jason , bubba will help if you ask him . though he is very easily distracted . 

brahms is spoiled . we all know this . he’s used to being taken care of . used to others cleaning his messes . and yet his room , the one in the walls is neat and organized . everything outside of his own private dwelling though is a bit different . the most he will do to help chore wise is put the dishes in the sink and put dirty clothes in the hamper . he won’t want to help and will probably get fussy if you ask too many times . you’re the nanny not him . the only other time you’ll see brahms take responsibility is if he did something rash and pushed you too far or hurt you by accident , emotionally or physically . 

michael is a fucking mess . this man doesn’t care . he truly doesn’t . outside of the house , he may not leave a trace of his existence expect for a freshly bled corpse , but inside your home michael leaves a trail of blood and gore and mud . domesticating him takes him . it is like wrestling with a coyote who just ate and isn't hungry but could go for another round of food . convincing him with treats . or promises of desserts . he’ll start doing the basics , but don’t expect much . michael is his own man . you just have to deal with it . 

jesse pays people to clean . he doesn’t do chores , they’re taken care of . but even then , jesse is not a slob . he likes things to be somewhat clean , and if left alone in his home then he will keep it relatively the same as before the house cleaner went on vacation . that’s really all there is to say about this man , 

billy & stu are two of the messiest mother fuckers . they’re young and youthful and rebellious and boys and disgusting . stu is lucky that his parents can afford a house keeper and billy is lucky stu doesn’t care about tearing his place up and making it look like a tornado blew through . it’s best to be strict with these boys . there might even need to be some nagging . deny them something they want in exchange for all the empty bags of doritos and coke cans are picked up . probably the hardest of all the slashers to get to clean . lazy brats . 

[cardsbizarreadventure]

What can you tell us about your least mentioned characters? Kentaro , Tortoni , Yaxkin , Sora , Jun-Su , Katya , Leonard , Evan?

☆꧁✬◦°˚°◦. ♠ ♣ ♥ ♦ .◦°˚°◦✬꧂☆ I'd love to share a whole lot , but I currently am lacking some story for some because it's a long process thinking upon so much back story for characters , but I can throw in some possible spoilers the ones I am certain of , or at least some that might go through some work. Here goes! -> Kentaro Shiraki Kentaro is my OC Jinsei's brother. I was honestly debating on either for Jinsei to know he is alive... but lately I've been leaning down towards the idea of Jinsei thinking that his brother is dead , but regardless having the thoughts of him deep down that he might be still alive , because he basically saw it first hand how he was taken away after their house burned down after the 'accident' that wasn't exactly an accident lol. Kentaro was full on brainwashed by the XPD that his family always doubted him since he didn't have the touch 'of the detective' and other little factors they had learned about the whole Shiraki family. I am planning on a possible arc for Jinsei that will probably have a big time breakdown xD. -> Gabriel Tortoni Gabriel is gonna go through a lot of rework ... he still doesn't have a possible story and concept for main events , because I basically created him for fun lol. I took his ability and gave him to my other OC Cheryl because it was a bit more fitting , Cheryl was my very first Jojo oc and I just threw things in her that I thought would be cool and out of randomness xD. But later on she began to change completely because now I understand Jojo a bit better . I will either make him part of another gang that maybe me and @cattivedonne might work on later in the near future <3. -> Yaxkin Yaxkin is Joelle's mother. You can check up on her little info in this post I made here a while back! I still have a lot of things to explain about her , but here is the basics! (click) -> Sora Sora was basically gonna play out as one of Joelle's first simps and later on I was thinking upon making him her husband because during that time I was still getting into Jojo and Joelle was basically a meme xD . But alas everything changed on that , because I actually want to develop him a bit more. Sure he will still be Joelle's simp , but he will play maybe a key role in my story , since I need a lot of character roles to fit in when I get to "Death to the Last First Born" . He is a very ordinary student , he grew up in a good family and he is one of the many in Josuke's class. -> Jun-Su The more I think about him the more I get silly little ideas . He will be featured in an arc that I will get to in the near future hopefully , his key role is to play as a target for the 'mystery murderer' that killed his father , since a fear began to grow that Jun-Su saw too much and might give out information he isn't supposed to , now the murderer is after him. This will be an arc that will give possible hints about what I have planned for 'Eliza' . There is still a lot I am debating on him , but this is the only spoiler I can give you! -> Katya I basically kind of wanted a big Russian mom that I was heavily inspired by a few characters from FullMetal Alchemist and the thought of her being like a guardian angel to Joelle is just--.. aaa!! She has so many dad figures , but no mom figures :(( so I figured , let's spice it up and make one strong mamma mia~ <3. She will probably go through some changes , I'll see into that. You can find her info on here! (click) -> Leonard He is still a character in progress. Since I basically needed someone strong and skilled , a counter to the shamans that I will be adding in my story , he is a shaman himself but he is more focused on other goals and ideals . XPD recruited him for his talents and strong will , especially when it comes to dealing with specific 'super natural forces' , plus I need a little mini antagonist for a character that is in the making ~ <3. You can find some of his info here!! [click] -> Evan Evan grew up in an orphanage , he is a natural born stand user and his life has always been kind of a mess from the start. I still have

to pick up some backstory on him , since a

lot of my characters are still a work in progress . A small little spoiler I'd gladly share is that he joins in with the Speedwagon Special Forces later on after Joelle saving his life , when his own team mate Isaac almost killing him. I've made small little comics for fun to play him out and how clingy he comes of her but my most favorite thing about Evan , is that he is Joelle's simp destroyer Lmfao!! The amount of burn her simps are going to take from this little child is gonna be hilarious xD. Cause really he wants the best for her hahahaha. Thank you for the ask curios nonny!! It's really nice to throw in the stuff that roams in my head , thank you for the interest <3. This means so much to me you don't even understand!! aaa ;w;!!