#if anyone wants to add or discuss feel free

[ragazza-paradiso]

okay, my personal thoughts on the jury vote/televote drama (as unbiased as possible):

i understand people’s disappointment when their favourite doesn’t win. i also understand how that disappointment can turn into frustration when it turns out that was the most popular entry with the general public, yet it didn’t result in victory.

for me, the presence of juries in the contest is non-negotiable. i think they help to recognise aspects of the songs that very often get overlooked by the viewing public - composition and vocal ability being the two most important. i think of estonia from this year, a song and performance that most definitely deserved the love they got from the juries to push them up the scoreboard. i think of albania 2018, switzerland 2021, portugal 2022 - all entries that deserved to be recognised, and were not given that by the televote.

all of that is not to say the jury is faultless. i agree with most, that the criteria the jury is told to judge upon should be modified/expanded. i think they should drop the focus on commercially successful songs to help level the playing field for songs in languages other than english (or popular languages like italian or spanish). they should also include people from more diverse musical backgrounds to appreciate alternative forms of music like rock, jazz, folk and music with ethnic elements etc. they could also make the juries larger (i think just doubling the size to 10 people would already make such a huge difference).

i think the biggest change the EBU needs to make regarding the juries is to be much more transparent. the general public has no idea why the juries exist, or what they are even judging on. each show the presenters should explain the criteria the juries judge on. because i’ve seen so many comments on social media over the past 12 hours which seem to fundamentally miss the fact that the juries judge based on criteria which is given to them by the EBU. they do not simply sit down and make a ranking of their favourite to least favourite.

the big point for me is that the jury vote is NOT supposed to be representative of the public vote. there would literally be no point to it if it were. therefore the jury having different scores, and ultimately a different winner than the televote, does not in itself mean that there is a problem with the juries. if you ask me, it means that the juries are doing exactly what they are supposed to do. they recognised the song which best fit the criteria they were asked to judge upon… tattoo.

and i would also add that tattoo was immensely popular with the public as well, it came second in the televote. and the juries placed televote winner cha cha cha in fourth position. so the argument that the juries are out of touch with the european public (at least when it comes to the top spots) just doesn’t add up.

since the juries were reintroduced in 2009 we’ve had 4 types of victories

• where the televote and jury vote agree on a winner (2009, 2010, 2012, 2013, 2014, 2017)

• where the televote winner has won overall despite not winning the jury vote (2011, 2018, 2021, 2022)

• where the jury vote winner has won overall despite not winning the televote (2015, 2023)

• where the winning song has won neither the jury vote nor the televote (2016, 2019)

so, in the 14 contests with the 50/50 jury televote system, only twice has the jury overridden the televote to decide the winner. the televote has overridden the jury vote double as much. in fact, the majority of times (8 times, if you include the 4th category since on both those occasions the winner came 2nd with both televote and jury vote) both have agreed on the winner. overall, the televote has gotten their winner to win the overall contest 10 times out of the 14 contests since the reintroduction of the jury.

therefore i find the conclusion that the jury is tainting the results of the contests’ winners not based in reality.

now, all of that is simply the opinion of one girl who likes eurovision. you can take it or leave it. i don’t think this will change anyone’s mind if they are dead set on the juries needing to perish in hell fire to atone for their sins against euro pop music. but more so i wanted to explain my reasoning behind still valuing the juries as an important part of the contest.

and, two last very important notes:

• käärijä not winning the contest doesn’t mean that he’s lost. it doesn’t mean that you can’t go back and watch his performance a thousand times and revel in the joy it gives you. it will always be there. music is subjective, just because a certain song wins a certain contest doesn’t mean it’s necessarily the best. he has thousands more fans now and you can always support his future career.

• being disappointed with the results of the contest however does not give you the right to send abusive messages and hate towards other contestants. käärijä himself said after the final yesterday that he cannot complain about the rules and he was happy for loreen. this is the same guy who was so distraught when he received one hate comment that he deleted all his accounts on social media. he wouldn’t want anyone to be doing the same towards his fellow artists. the contest was about being united through music, and sending hate won’t change the results, and it won’t make you feel better either.

[chaoticace2005]

I’ve seen a lot of people talking about how the exorcists look like demons, and while I do understand where the complaint is coming from I also wanted to talk about how them looking like that kind of supports the narrative.

I’m going to start this off by staying this is from a perspective looking at the narrative presented to us in the Hellaverse, not any specific religion because 1) I am an atheist who doesn’t have the knowledge or background for making any calls on that and 2) the canon hasn’t confirmed this adheres to a specific belief system. There’s Adam and Eve and Hell and Heaven and yes, but this show arguably works as a parody of all of that.

Now that that’s established, I want to bring up one of the main points in the show: the idea that those in Heaven and Hell aren’t that different. In Helluva we’re shown the experiences of hell-born, and we even see cherubs later on who seem to fulfill the parallel role of them in Heaven (with the IMP vs CHERUB fight.) We also know that Lucifer was an angel in this canon. So some of the characters with the most authority in those domains are from the same stock.

The main difference seems to be punishment. Lucifer was punished for his actions and was given those who were deemed “Sinners.” The Hell born seem to be just natives living there and many seem to be products of their environment. So while Sinners may be “bad” and Winners “good”, all those born in Heaven or Hell have no reason for being there.

Whether exorcists are brought to heaven or made there, there is still that view of superiority. The way Lute talks makes it clear she’d be willing to kill the hellborn if she could, despite them not having done anything to be there like the Sinners. It’s similar to how some people born into high economic status view those born into lower. It’s just luck of the draw but now you have access to different opportunities and that influences the way you view others. Those born in Heaven probably look at those born in Hell and argue that if hellborn aren’t bad, then why does Hell suck? Ignoring the fact that Hell is established for the purpose of containing Sinners, who often end up being more powerful that the majority of hellborn.

Even some of the Sinners likely fall into that issue where people who gave to endure harsher environments may have to resort to more extreme measures to get by, and then punishment for it just causes them to need to do even more because their conditions worsened. As seen with the rate of people who keep returning to prison. With Hell some may have fallen down this path (think of Angel, who was born into a crime family, it’s likely a lot easier to fall into drug addiction then when you have access and more things you’d like to forget, but drug addiction can be a slippery slope and the other stuff he needed to do to survive basically condemned him.) Obviously not all Sinners fall into this category and are just monstrous pieces of shit, but they likely isn’t the case for everyone.

Then, once you get to Hell it’s essentially a larger prison, except you aren’t separated and are given powers, causing some of the more malicious individuals to rise up and acquire power, making it even more of a nightmare for everyone else. This continues that cycle of having to do certain things to survive. Similar to have in jail that fear of getting hurt by some violent people make you align yourself with slightly less violent people. Except now in Hell there’s that added issue: there’s no escape.

(Also, Hell is a prison but you STILL have to pay rent and work to survive, so you really get the added stress of both worlds.)

Anyway, this whole cycle causes a similar effect to the growing class disparity we see in many countries. Those on top (Heaven) continue to have power while those lower have to deal with most of the burden. Reinforcing that belief in exorcists that Heaven is “good” and Hell is “bad” because they are unable to see the full picture. They just see it as “they blew their shot” without thinking of why that may be or considering the people who didn’t even have a choice being there— like how some people blame others in poverty for being that way because “they are lazy.” That’s not even remotely the full picture. But because certain things come easy for you it’s hard to understand why it can’t come easy for others.

Exorcists are then given the excuse and opportunity to kill others, people who they believe are lesser than them. And some take genuine joy out of it, yet they continue to see themselves as the “good guys” because that’s what they are and the others “deserve it.” And this shows how when some people are given the opportunity and reason to be assholes they’ll take it- millionaires don’t HAVE to exploit their employees, but they view it as being to their benefit and helping the bottom line.

So now, both exorcists and those in hell have reason and excuse to be violent, albeit for very different reasons. Yet because of this exorcists are still “good” and those in hell are “bad.” And this is largely because of the lack of consequences for their actions. Heaven reinforces their behavior, before episode 8 there was no push back from Hell, so they could continue to use their reasoning as an excuse to kill others.

They’re blind and don’t see it though. They only see the world from one perspective, which is ironic given the exorcist mask is missing an eye. They can put masks on and hurt others and then take them off without dealing with the consequences. They “go down” to the level of the very people they despise and then write it all off, because they have the comfort of taking their masks off at the end. Of having a choice.

It’s also interesting how their masks don’t resemble sinners but Hellborn. Which almost reminds me of mocking another’s culture while actively hurting them. They may not be able to physically hurt hellborn, but they’re still viewed through the same lens as Sinners. They’re still “bad.” So exorcists can don caricatures of their appearances, go around “pretending” to be them by committing violent acts, and when they’re done they can take it off. As I’m writing this I’m now thinking about how in the past black-face has been used to reinforce racist stereotypes, making racist caricatures.

This also camouflage in a way, maybe they were previously asked to “fit in” before things got all crazy, and when told to look for “demon disguises” they all fall back onto the stereotype and dressed up like that.

The usage of exorcists wearing demon-looking masks could be them both “playing bad” while also clearly showing the fact that at the core people aren’t so different. For as much as they hate those in hell, they’re just as likely to fall into the same traps and patterns as them.

Having written this all now, I wanted to bring up Vaggie. Vaggie who took her exorcist mask off to show sympathy for someone only to be punished and marked with an “X” that mirrors her mask. Vaggie who previously was part of the “elite”, where she could forgo consequences until she couldn’t for not following them and was cast out, being permanently marked. Vaggie, who was previously allowed given the gift to “play bad” due to being in Heaven, but when she was cast out “playing bad” wasn’t an option anymore. Taking off her mask can’t get rid of mistakes anymore, and now she has to display them for the world to see.

I don’t know if the “X” was intentional on her part or irony, but if she did choose it it could also be her recognizing her role in the system. Her realizing she can’t go back and using the “X” to remind her of what she’s done. Because she doesn’t have the luxury of pretending she’s a good person anymore— she doesn’t want to forget.

[ladymacbeths]

macbeth related posts/articles/essays masterlist

hi! here's a list of almost every single anaysis Thing I've come across in like two months of being insane about the scottish play. Most are about lady macbeth/the gender theme btw.

‘He has no children’: The centring of grief in The Show Must Go Online’s Macbeth - Gemma Allred: on the misogyny that frequently surrounds conversations around Lady Macbeth

this post by @amillionmillionvoices: Same topic as the previous one, but goes more in depth, explains ladymac’s motivations as mostly coming from love not self-serving ambition.

this post by @dukeofbookingham: also explains the prior point very prettily— that ladymac is (mostly) motivated by love, but also makes the case that many of it is guilt born from not fulfilling societal expectations

On the character of Lady Macbeth - Dr. Emil Pfundheler: paper that explains the same point made in the previous post, using the text to explain. Written in 1873 so explains gender as a dichotomy, but once you take that out, its points are very good.

Characteristics of women: moral, political, and historical - Anna Jameson: aka Why Lady Macbeth is not inherently evil— same topic and the other two, but focuses a bit on the fact that she is A Woman. Not my favorite, but worth reading I suppose. Also includes analyses of many female Shakespeare characters. It does include some very bad history in the beginning— Gruoch did not orchestrate Duncan’s murder. That’s something Hector Boece made up.

Lady Macbeth: “Infirm of purpose” (from The Woman’s Part: Feminist Criticism of Shakespeare) - Joan Larsen Klein: on how she both fits and doesn’t fit the idea of a reinassance wife— doesn’t fit because she isn’t aligned to god (this read more like a Christian analysis than a feminist one if I’m being honest), but fits them because she behaves like one, only subverts them because she’s like, the evil murder girl version of the Wife. The essay right after this one is also very good.

The Hysteria of Lady Macbeth: required reading if you wanna play her Btw not kidding. Analyzes her character thru the lens of freudian psychology. Screws up the text of the play a bit but provides an actual in-depth explanation of how sonnambulism works. Note that "hysteria" is not a current psychological diagnosis, but a symptom of other conditions. Still extremely interesting.

The Macbeths - G. K. Chesterton: analysis of their relationship, makes some interesting point on the differences of the nature of their ambition and desire to kill the king

Shakespeare’s tragic frontier; the world of his final tragedies - Willard Farnham: this one is long but oh boy does it go deep. Talks about the lore of the witches, explains historical context to find out how the real events were so screwed up, makes an interesting point about Macbeth’s conscience against Lady Macbeth’s, and lastly talks about the tragic world of Macbeth compared to other tragedies.

Women’s fantasy of manhood: a Shakespearean theme - D. W. Harding: exactly what it says on the tin, using ladymac and her skewed (and I’d call romanticized) idea of what a man is that she pushes on Macbeth. So yeah, talks about the gender theme. Also talks about Goneril from Lear, Cleopatra, and Volumnia from Coriolanus and how they fit the theme— although ladymac is the only one who goes downhill from it.

Unnatural women in William Shakespeare’s Macbeth - Elizabeth Klett: I’ll be honest I didn’t love this one a lot. Basically talks about how every woman in Macbeth defies gender roles. Doesn’t go too deep however. But the book has a ton of essays analyzing female characters in classic lit.

[thanatoseyes]

My paired down list of spirit work and death magic. (Obviously this is what works for me and I'm kind of a picky person when I aquire written work)

Physical Media:

Cunning Words: A Grimoire of Tales and Magic by Marshall WSL (This one I pre-ordered and haven't gotten through the whole text but it's a good read. It incorporates the art of story telling with distinct spells and magic. I think it's very unique but I wouldn't recommend it unless you want something with flavor)

Riding the Bones by the three little sisters (this one is an anthology of particular practices from different walks of life pertaining to death and transition. I've only read a few of the stories but for what it's worth I think its good insight)

Botanical Curses and Poisons by Fez Inkwright (I only list this because it's always good to know what's good and bad for you. Know what can kill you and you can probably avoid it)

The Bones Fall in A Spiral by Mortellus (again I've mentioned this before but I think this is a good work for someone getting into the field and needs someone that's direct and experienced in what they do. One of my favorites.

Consorting with Spirits by Jason Miller (I feel like this is a staple of the craft and while I personally don't connect with the material it works and it has some good points)

Metamorphosis by Ovid (I think it's always necessary to deal with primary texts. Go with the classics. Ovid has a beautiful way of writing and you get to really understand the stories and myths that spirits of the dead living etc are connected to and if you do any deity work I highly recommend it.)

Of Blood and Bone by Kate Freuler (I have mixed views on this one. some of the stuff is informative and it provides some good spells, but it lacks transparency and depth. I find Mortellus book far more student minded.)

The complete language of flowers by S. Theresa Dietz (if you work with the dead, deities, spirits or hey plant spirits. Chances are you've come across Victorian flower language. I use this book as a reference guide for symbolism/folklore/ and as a way to connecting with spirits)

Encyclopedia of Spirits by Judika Illes (hey no library is complete without an encyclopedia. I personally like this one because it's very indepth without being too overwhelming. Not sure where to go? Just pick up this book and you can do more indepth research later. It's what it's there for. Reference guides are one of my favorites.)

Okay that's it for my physical media.

I also have a list of digital copies I keep.

Morbid Magic by Tomàs Prower (I think if you buy any book from this collection buy this one. It gives you an over all guide of most death practices around the world)

Historical:

Death, Dissection and the Destitute by Ruth Richardson

The Work of the Dead by Thomas W. Laqueur.

(I list these because they are a good source guide to how we treated the dead and spirits in the past. It's always important we learn from those that came before us.)

Greek Customs: (if you're going to do any type of work with Greek chthonic deities I suggest these three articles/books. I'm not saying its mandatory but these are very helpful guides to understanding ancient thought and how to bring them into today.)

Burial Customs, The Afterlife and the Pollution of Death in ancient Greece by Francois Pieter Retief and Louise Cilliers (free on research gate)

Underworld Gods in Ancient Greek Religion Death and Reciprocity by Ellie Mackin Roberts

Inner Purity and Pollution in Greek Religion Volume 1 by Andrej Petrovic and Ivana Petrovic (this one's my personal favorite)

[defsiarte]

Ngl. I think liberal colorblindness is like the main reason for a lot of racism I see in day-to-day fandom. “I don’t see race” is nice in theory, but doesn’t match the reality that many of us (especially poc in white-majority countries and spaces) face. Race impacts how we carry ourselves and how society treats us!

When you write/draw/create a character who’s a poc, it’s important to take that into account with how you portray them, or you could very easily recreate some 1930’s nazi propaganda!!

When you draw brown characters being abusive, when you masculinize black women, when you depict all of us as animals, and that’s the only way you portray us in your content, that’s racist, actually. We deserve the same level of nuance and thought, without erasing the context of our cultures/ethnicities, as white people. 😔

[floralovebot]

Hi, I want to ask your opinion on something. You made a post that said changing the Winx's races is bad. I agree that it's not okay but I have a question about Helia. I thought he was Native American when I was a child but you've said he's Asian. Is it wrong to think he's Native American?

I had to think about how to answer this for a while tbh! Sorry for the late reply

Anyway, I probably could answer this with a simple yes or no but I really feel like I should explain my answer.

I'm pretty sure you're referencing this post! Anyway, the biggest issue with race changing the canon characters of color is that when you do it, you're participating in erasure. Again, it's not more representation to, for example, make Flora asian - it's erasure because you're intentionally erasing her being latina. Now like I said, I don't have an issue with like,, children not noticing their canon races or ethnicities. It's perfectly fine if a little kid sees characters as something else! The problem is grown adults ignoring and erasing their canon races.

When it comes to Helia specifically, he is very much coded as asian, specifically east asian. I want to clarify that it's not explicitly canon. Rainbow has never stated what race he's supposed to represent and they've never said if he was based on a real person. We don't even know what planet he's actually from! So his race is all coding. However, that coding is still,,, fairly obvious. And I specifically want to touch on how Rainbow depicts their east asian characters versus their indigenous characters.

Most of their east asian characters have either dark blue, black, or brown hair and more narrow eyes. Like,, that's their go-to when trying to make a character Noticeably asian. They're also fond of putting their asian characters in traditional clothing (like qi pao or hanfu) rather than casual clothing. I added Helia at the very bottom so you can see how he compares to other, canonically asian characters.

While Rainbow has absolutely depicted asian characters in offensive ways (espero...), it's usually pretty respectful. Meanwhile,,, their depiction of indigenous characters is... anything but.

Like before, I put a picture of Helia so you can compare him to the canonically indigenous characters. As you can see here, their depiction of indigenous characters is,, extremely racist! It follows a lot of racist stereotypes like red skin, face paint, headdress, feathers, etc. Just,,, all around Not Good. And you'll notice that Helia doesn't really "fit in" visually. That's not to say that he has to look like that to be indigenous but remember that this is an animated show with intentional designs made by white people. If he was meant to be seen as indigenous, he would likely share more characteristics with these characters (like having darker, red-toned skin). Again, their depiction of indigenous characters is extremely racist. I don't think there's a single indigenous character in winx that doesn't look like a walking stereotype out of an old cowboy film. Unfortunately, Helia would absolutely look different and more like those racist designs if he was meant to be indigenous.

Now, to actually answer your question. Is it okay to see Helia as indigenous, and specifically indigenous to the americas? Well... as Helia's racial coding is still just coding and not explicit, it's not a crime if you don't see him as asian. Like,, while I do absolutely think he was meant to be seen as asian, it's still technically ambiguous enough that it's not a Bad thing if you don't see him as such.

That said, you need to be extremely careful with how you think of and portray Helia as indigenous. I've talked before about Rainbow including quite a few stereotypes about east asian men with Helia, and unfortunately, most if not all of them, can also apply to indigenous men. For example, Helia is calmer and wise (often shown to give advice in poetic ways), connected to nature (ie, birds, plants, Flora), frequently meditates, etc. These are all common stereotypes for indigenous men. I'd actually recommend reading this wikipedia article!

Anyway, seeing him as indigenous isn't inherently wrong, but there's absolutely a chance that you're picking up on indigenous stereotyping rather than coding or a headcanon. Like the long hair, connection to nature, the pacifist comment, the weird and kind of cryptic one-liners he occasionally has... Unfortunately, a lot of the indigenous!Helia headcanons/redesigns I've seen have been really racist. And the common reasoning for why they think he's indigenous often comes down to these common stereotypes.

So like,,, god I know this is long but honestly the answer is complicated. It's not a simple yes or no. It really, really depends on why you think he's indigenous. Like. Just ask yourself yknow? Why do you think this? Think of an actual reason that isn't just "vibes". And if you're creating any kind of content, even if it's just daydreaming tbh, how are you depicting him? Is there even the slightest hint of a stereotypical depiction? (And again, please research stereotypical depictions because there are a lot and quite a few contradict each other)

If you're confident that you're not stereotyping him, then honestly, it's not that bad to see him as indigenous. I do ask that you try to see and understand him being asian coded, as I do think that's important, regardless of whether or not it's in your face explicit. However, it's not like. a crime if you don't see him as asian. Just be very, very, Very careful with how you think of and portray indigenous!Helia.

Also,,, I didn't know quite how to fit this into the rest of the post but,, while it's not Bad for you to not see Helia as asian, you should think about why that is. For example, there are still a lot of people in the fandom who don't see Nabu as asian, despite his coding being extremely in your face and honestly canon at this point. But because he has darker skin, he's from Andros, and he was with Aisha, a lot of people assumed he was black. That's not inherently a bad thing, but some of those people get really mad when others point out that he's very much south asian which,,, is a bad thing. I understand the feeling of losing rep and wanting to protect that, but you shouldn't bulldoze other groups to do it.

I'm not sure what your opinion of asian Helia is, but if you're like,, against him being asian or refuse to see that very intentional coding just because you really like the idea of him being indigenous,, you should think about that and reassess things.

[will-the-psychic-type-elite92]

:man: this is a long one, going to put a majority of it under a cut so it doesn't take up a lot of space. Possible TW/CW as I'm theorycrafting/ discussing religious things? Not. Irl religion or anything and its definitely not detailed, just if such ideas make you uncomfortable there ls no reason to read. I care about the comfort of internet strangers <3

So, does anyone ever wonder about Ancient Oblivia ? Like, yeah, we have the multi-player past missions, and the obliva ruins. But does anyone ever wonder more?

Like, we know the fake Dias and the Real Dias with the ho-oh imagery, but. If we go to the past.

We can see the Rainbow Dias design/Ho-oh insignia on the ground of the Cocona Plaza (its worn and covered by grass in the present), and it's the same marking on the doors blocking the way to the Rainbow Grail.

Yes, I know Ho-oh stopped the falling fortress in the past, but. I doubt the Grail and Dias were made specifically for this (especially considering that the past missions seen to take place BEFORE the sky fortress) There has to be some more, especially with the amount of Ho-oh Imagery specifically on Renbow.

I feel as though that the Steelheads/Temple Oracles, along with the arceus worship they seem to heavily associate with (based on how far I got in the missions before my touchscreen has started to give me problems) aren't/isn't native to Oblivia, at least, not the orginal practice and use. That this was something brought in by possibly people from Sinnoh (pre or post hisui age, as we don't know where exactly these two pasts intersect with each other, and which one is first).

I feel the use of the Dias and Grail (along with the amount of Ho-oh Imagery) were originally used in a religious sense, in that I feel the significance of these imply a religious following? Like, like. I can't put it into words. I mean, Ho-oh was so important that a Dias was built in the ocean (there was possibly an entire temple maybe? With the Dias sitting atop it?) And a grail user to summon the Phoenix.

There's a possibility a lot of the ho-oh imagery is answered in later past missions, but I'm struggling on them so I don't fully know !! I just. There's so much in the environments of Oblivia that wave a story, but because we're not given much information, it's a story shrouded in mystery. I just want Answers. Please..Oblivia is so interesting....

[siixkiing]

[throws out this] Encase any mutuals want to add me to discord~

[the-irrelevant-trumpeter]

okay so a little bit ago i was asking for people's ideas on the cornley character's birth order positions (thank you to those who contributed). i'm still wildly unsure of quite a few, and because of that, i'm going to talk through my thinking processes for each right now, because that helps me out.

chris: probably one of the hardest because i can see him as an oldest, youngest OR only child. like all of them make sense to me. the oldest/only child vibe of trying to live up to parents expectations vs the youngest child always in the older siblings shadow vibe. i cannot make up my mind. if he's the youngest, then it's an older brother for sure, if he's the oldest i have no idea.

robert: youngest or middle, i see him with two siblings. one's definitely a sister (the one chris was with in accgw — she's the one who could be older or younger than him) but i'm not decided on the other one (lucy's parent). logically given that lucy's last name is grove, it would make sense for it to be robert's brother (given that's usually how names work in our society), but it's not impossible for it to be a sister, and that has a specific vibe that could relate to family stuff for robert (feeling like he has to "be a man" from his father etc)

max: almost fully certain on him being an only child, but i keep on getting the urge to give him a little sister, just because i think it'd be cute.

sandra: definitely the youngest. i also imagine her having at least three siblings (maybe more). i am stuck between her having all older sisters (that desire to prove herself and outshine her perfect sisters) or all older brothers ("mummy's little princess" vibes, a little bit spoiled).

dennis: stuck between middle, youngest and only. i could see him as the middle child who's always forgotten/undervalued because he's not the special oldest or the cute youngest, but i also see him as having an older sibling (or siblings?) who he's constantly compared to and told "why aren't you more like them?". BUT i also see him being the only child and his parents just being disappointed in him. if he's the middle, i see him having a brother on either side. if he's the youngest, i see either one sibling (brother or sister) or two (either two brothers or one brother one sister).

annie: middle child with quite a few siblings vibes to me. probably on the older end (eg one older sibling and like three younger). this one i've always been pretty solid on, but i'm willing to reconsider this. unsure about the genders of her siblings.

jonathan: pretty solid on him too, due to headcanons i have about his family i headcanon him as an only child. i know quite a few give him a younger sister (the fanfic influence) but those roles people put on her i usually just translate to his daughter. not much else to say.

vanessa: i am the type of person who goes "identical twins" when i see two people played by the same person in a universe, so she's got a twin sister to me (bryony's receptionist in accgw). i also think she has a younger half brother.

trevor: a group of us on the mischief discord kinda came up with a solid family for trevor, and i think it fits so i'm sticking to it! second youngest out of four, two older sisters — tanya, who trevor is heard speaking to on the phone at the beginning of ppgw stage version, and tessa, who is usually just the girl version of trevor in the shows but who we have developed into her own character — and a younger brother dale, who is from trevor's twitter account.

[seeasunset]

◤❀Cнαrαcтer'ѕ Sтυdy: ✿◢

➤ Once again, I am thinking about this. There's nothing in-depth, given I might have to plot it out more than actually thinking about it. Or perhaps I'm not in the right mindset to think it thoroughly. Regardless, if Aurélia ends up going through with her plans, here is some things that can possibly happen because of it:

The D'Orsays will definitely crumble after yeeeaaars of taking the role of leading the Congregation. That is for certain yet quite a surprise for many because they didn't expect the De Vespes to actually get what they want. While some will not enjoy the whole thing and may try to do something about it, in time, they, too, may fall under the De Vespers. After all, the family doesn't want any opposing forces, especially ones that can potentially do damage. Something dealt with rather quickly than doing it later. The De Vespes knows this too, given they didn't work this hard to get taken down so quickly. Of course, given the state of nobles and royalty with their mindset, not everyone will be opposing against the family. Instead, they will switch sides to whoever has the most power and control. Perhaps they may not agree with what the De Vespes are doing, but to these nobles, their disagreement is nothing compare to having the potential to climb even further up the ladder or continuing their status as a noble and who they are in this world of the wealthy.

The prince is dealt with by his second wife while Aurélia is off doing her business on the island. With that all said and done, the De Vespes quickly takes over what is the D'Orsays'. All the spotlight and attention is given to Aurélia, given she is the one carried most of the plan out.

De Sardet has two options. Either be killed off or do what Aurélia has in mind and be used as entertainment for her. The latter is possibly torture, knowing that they couldn't do much more and seeing their friends and everyone else gets killed off or being forced to work with the De Vespes. Constantin is in not-a-great-state and could potentially try to do something, only to get taken down much later on. I love to explore that possibility, given that Aurélia would be the one who has to deal with any problems than De Sardet. The whole corrupted animals, finding out what's really going on with one of the governors, etc. So, that leads to more ideas.

Of course, Aurélia gets to be Legate while Constantin may end up continue to be the governor if not have someone else replace him. Anyone who sides with De Sardet can either be killed off or switch sides. So, it's likely most of the party members may end up getting killed off if not forced to hide. I like to think they do the latter and end up hiding, attempting to figure out how to take her and her family. The only issue is getting somebody in the D'Orsay family or someone who has close connections with the family to take back the Congregation, given most of the D'Orsay family is killed off if not being used in some type of way.

I'm not going into too much details with any of the factions. Just because like two of them if not three will oppose against the De Vespes. Definitely has huge potential but lots of discussing about that.

And with everything that is happening, it leads up to a brand new storyline to deal with. Having to take down both Aurélia and her family as well as figuring out how to get someone to replace them.

There is also potential of an AU where Laurent (Constantin's older brother) can have barely survived the attempts of being killed. So, if the AU does come into play into this AU, imagine the discovery and what he possibly can do.

[puckinghischier]

Dogtooth

jack hughes x fem!reader

WARNING - SMUT!!! minors, DNI. 18+. oral!female receiving, face riding

summary: just a lil jack thot inspired by the song dogtooth by tyler, the creator

notes: this is just a repost of the little jack blurb i posted last night, i just wanted to reformat it so it’d fit in my masterlist better. but!! this is probably my favorite jack thing i’ve ever written and i’m obsessed with this song so, hope you enjoy!! 🫶🏼🫶🏼

[2.3k]

dogtooth by tyler, the creator?? that song is soooooo jack coded.

it’s the right kind of cocky but also the perfect amount of loving his woman, which is exactly how i picture jack to be in a relationship.

he’s a pretty private guy, not enjoying being in the media too much and revealing a ton about his personal life. he hates media because he doesn’t like the feeling of people assuming they know everything about him. but his girl? she knows everything about this man and he basks in the fact she knows him better than anyone else.

and when he’s down for someone? oh he’s down baddddd. i mean, pining level shit. he always wants to be around her. always calling her. always texting her. he just wants her attention 24/7, no matter what he has to do to get it.

he loves to pleasure his girl. and that’s it, really. he loves any second he can spend making her feel good, any way she wants. he doesn’t even care about the reciprocation (though he does love when she returns the favor) because knowing he’s the one to satisfy her needs is enough to put him on cloud nine all by itself.

and the second jack hears this song for the first time? oh he’s got big plans for it. (and you)

you’d be sitting on the couch, waiting on jack to get home from a mid-day skate. he sent you a text telling you he was leaving the rink around thirty minutes ago, expecting him to walk through the door any second.

no sooner than the thought entered your mind, you heard the lock click, signaling his arrival. calling out a greeting, you’re met with silence. you turn your body to see why he’s ignoring you, noticing the small white ear buds stuck in each ear.

he sets his bag down at the door, no doubt filled with his sweat soiled clothes he wants you to wash. waiting on him to look up and acknowledge you, you lay your head on the plush cushions resting against the back of the couch. you watch him, never missing an opportunity to admire how pretty he is.

finally, he looks up and meets your gaze, smiling at your love-filled eyes. he pops one headphone out while walking towards you, rolling it around in his hand.

“hey, sweets,” he leans down to place a small kiss on your waiting lips.

you savor the taste of his lips, always loving their soft feel.

“tried to say hi when you walked in, but guess you couldn’t hear me,” you gesture to the one earbud still lodged in one of his ears.

he gives you a small, apologetic look. “sorry, found a new song i really like. think you will too, actually. made me think about you.”

grabbing his phone from his pocket with his free hand, the one that’s holding the small bluetooth device brushes your hair away from your own ear, comfortably resting the earbud there.

“here’s the thing though….i want you to ride my face while we listen,” he just casually tells you, not even looking up at your face, still fiddling with his phone.

you perk up, surprised at his casualness. “i- what?”

“you heard me, before i press play i want you to ride my face.”

said face in question is dead serious, not an ounce of mischief to be found.

“you…literally just walked through the front door. what happened to asking each other about our days? or discussing what we’re gonna eat for dinner?” you ask him, not knowing how to react to the sudden proposal.

he rolls his eyes playfully. “is this your way of telling me you don’t want to? because you don’t have to. just think it’d really add to the experience, s’all” he shrugs.

you still don’t know how to react to the pure casualness of it all. by the way he’s acting you’d think he’s suggesting watching a movie, not having you ride his face in the middle of the living room.

“i didn’t say i didn’t want to. it’s just a little wild for that to be one of the first things out of your mouth when you get home.”

jack snickers at your words, walking around the large sectional to occupy the spot next to you.

“not really. not for me, at least. been thinking about it all day,” he plops down beside of you, making himself comfortable.

his words shoot excitement down to your core. he’s been thinking about it all day?

before you can think of a response, you feel shuffling next to you on the plush couch. you look over to see jack laying flat on his back, head only slightly raised to look over at you expectantly.

“so, you gonna get rid of those shorts or what?” he asks, referencing your thin, cotton pajama bottoms.

“i swear to god, if i wasn’t turned on right now i’d slap you,” you grumble, standing and removing all clothing below your waist.

jack laughs a real, out loud, laugh this time, prideful in the fact that you’ve never really been able to (or wanted to) resist any of his offers.

he burrows his body further into the couch, making sure he’s in the middle of the large surface, ensuring there’s room for your knees to rest on either side of his head.

you climb to hover over his body, looking down at his hungry eyes that are glued to your bare pussy, following every movement of your body from that landmark.

“shirt off or on?” you ask him, sitting on his toned abdomen.

“off. wanna be able to play with your boobs, please,” he flicks his eyes up to your face, an innocent smile on his own as he bats his eyelashes.

“of course you do,” you remove your (his) t-shirt from your body, now completely bare as you sit on top of him.

“swear they get bigger every time i see them,” he says in awe, bringing a hand up to massage one of your full breasts. you moan as he kneads the flesh, stomach turning flips in anticipation of what’s about to take place.

“gonna press play so we can get started or you just gonna play with my tits all night?” you huff out, loving the feeling but growing needier by the second.

it takes jack a second to register what you’re saying, too lost in the feeling of the heavy skin in his hand.

“oh! yeah, almost forgot,” he reaches up to the back of the couch where he left his phone, picking it up long enough to press play.

you scoot yourself farther up his body, resting your eager core right above his chin. all you’d have to do is relax your thighs the slightest amount to make contact with his mouth. 

suddenly you hear a smooth beat ring out in one ear, assuming jack’s hearing the same.

the second you hear the lyrics “she could ride my face i don’t want nothing in return” pour out of the earbud, jack inched his face up, licking a long, deep stripe through your folds.

you allow yourself to relax, sliding your slick pussy back and forth gently, not wanting to rush.

jack’s nose brushes your clit with every movement. you sigh at the feeling, not realizing how much you needed the friction until now.

the melody in your ear continues, but none of the lyrics are registering anymore. the feeling of jack’s tongue working through you takes every ounce of your attention.

“god, fuck! jack, best idea ever,” you moan out, picking up your pace slightly.

jack groans, letting his tongue still for a moment, allowing you to work yourself over it as you please.

fighting through the bliss radiating throughout your body, you try to focus on the lyrics at least a little bit. the chorus starts repeating, but the lyrics that follow make your head fuzzy in the best way.

“she could ride my face i don’t want nothin’ in return, except for some her time and all her love, that’s my concern” is what you focus on, the words squeezing your heart and your cunt.

jack smirks into your pussy when he hears you moan, knowing exactly which lyrics elicited the reaction from your body. you’ve always been the type to get off on the sweet nothings he whispers in your ear while he fucks into you, so he knew that line in particular would be especially helpful while his mouth is otherwise occupied.

your pace increases again as the song continues on, already halfway to your release.

jack brings his hands up to hold you still, your hole mere centimeters from his waiting tongue. he guides you to lower yourself onto the muscle, encouraging a slight bobbing motion of your body.

with every depression of your cunt onto his tongue, your clit bumps onto the tip of his nose. the pressure is a delicious form of teasing, the sensation gone nearly as soon as it’s felt each time.

“please, touch me. need you to touch me, jack. so so close,” you pant out, feeling the familiar swirl of your climax forming already.

jack grunts in response, the vibrations sending waves all throughout your body and you’re convinced you can feel it in your toes.

his hands leave your hips, traveling up your body until they find your sensitive buds, pinching and playing with each pink, taut nipple.

you jolt a bit, the motion causing your clit to slam against his nose this time. you cry out at all of the various sensations all at once. full with his tongue, rough hands on your tits, and round nose scraping against your clit.

the pure stimulation of it all forces your orgasm out of you, slamming into your body with the force of a train.

“fuck!” you scream, quickly shooting a hand out to grip the back of the couch, trying to stop yourself from collapsing on jack’s face completely.

you can barely hear the words “she can ride my face i don’t want nothin’ in return, and will i ever fall in love again? i can’t confirm,” ring through your ear, the soundtrack to your release, literally.

jack continues to work his tongue in and out of your hole while you shake and convulse above him, having to chase your entrance as you move. he continues to knead your sensitive breasts, each squeeze sending small volts through your already spent nerves.

he can feel your release dripping onto his cheeks, chin, and nose. he tries to lap up as much as he can, not wanting to miss a drop of your liquid pleasure.

your taste alone was enough to form the wet spot on his grey sweats, not embarrassed in the slightest he’s literally leaking from how turned on he is. but when he looks up at you above him, skin damp and eyes half rolled into the back of your head, mixed with the feeling of your body tightening around his tongue so harshly he can’t even pull it out, he blows his load right then and there.

he can feel the last flutters of your walls around his tongue, not stopping his movements until you pull back, having half a mind to keep going and work another orgasm out of your sensitive state. he moans through his own unprompted release, the only thing keeping him from following his sudden impulse to overstimulate you.

once the tired muscles in your thighs stop shaking, and your breath evens out, you can hear the fading of the music in your ear, signaling the end of the song. you push up slightly on your knees, detaching yourself from jack’s mouth as he chases your now swollen cunt, a small whine escaping him at the action.

“jack…the song’s over,” you manage the words somehow, in awe that he made you come in only a single song’s length.

“i can hit replay,” he rushes out, already reaching to grab his phone again.

you squeak out a slightly panicked “no,” while shaking your head, worried if he started again you might actually explode. you let yourself relax fully, scooting back so you can rest yourself on his lower abdomen once again, but the feeling of something wet stops you.

jerking back up, you turn and look down, spotting the large, wet stain on his sweatpants. you can’t stop staring at it, wondering if you’re really looking at what you think you’re looking at.

“jack…did you…” you trail off, turning back around to look at him.

he smirks as he leans himself up on his elbows. “sure did, sweets. you have no clue how much i enjoyed that.”

you laugh at his pride filled face. “pretty sure i do, seeing as i just sat on the evidence.”

he simply shrugs, patting your bare ass lightly to signal you to stand. you swing your legs over his body, standing and bending over to pick up your discarded underwear and slide it back up your legs.

“so….about that dinner conversation,” you ask him as he stands, suddenly way hungrier than you were when he first got home.

it’s his turn to laugh at you, walking over and removing the now silent earbud from your ear.

“whatever you want is fine with me. i already ate,” he gives you a kiss on the forehead then turns to walk towards the bedroom.

“oh…not even right, you dick,” you huff, following it with telling him you’re ordering his least favorite take out, a punishment for his sass.

making your way to the kitchen to dig through the different take out menus, you hear jack shout your name once again.

“i was thinking, how do you feel about that being our wedding song?” he asks, poking his now shirtless, but clean sweats clad, figure out of the bedroom door.

“jack!” you shout, scolding him as his loud cackle rings out around you, causing your own amused smile to break out on your face.

[frowerssx2]

(Edit: This reply accidentally became really long but I wanted to explain my thoughts in detail. So um, long post warning (Word Count: 1,436)

This isn't Magnifico "admitting" that he keeps the wishes for himself. This is Magnifico reminding Asha and us of his main priorities which are to keep both his people and wishes safe. I won't talk about the former but I will talk about the latter. Which is Magnifico's promise to keep the wishes safe mentioned here:

Granting them is only an extra bonus Magnifico does and has spent YEARS mastering and perfecting. So, it makes sense why he is the one to make the rules of his own wish system. Rules people agreed to so they knew that their wish COULD not WILL be granted. But, I won't go into detail about that but I will answer your question:

"Why Magnifico couldn't give Sabino's wish back?"

I personally have my own reasons as to why, and I will try and explain them all the best I can:

1. As I said, Magnifico promised to protect their wishes. And protecting wishes to me doesn't mean giving them back because if Magnifico did that Sabino may never grant the wish himself (I know he does in the end but that's not the point) which may have caused Sabino to feel the same heartbreak and grief Magnifico did when his wishes were destroyed. So to protect Sabino and others from ever feeling that pain, Magnifico keeps his promise of protecting their wishes and makes them forget about it so they won't be haunted by having a bit of themselves missing (I will cover this in more detail later)

2. this scene:

Here Magnifico explains how vague Sabino's wish is. As the wish doesn't specifically say what type of inspiration Sabino wants to spread. So Magnifico was totally right to say that this inspiration could be dangerous. I agree that while, we as the audience, and Asha as his granddaughter know that Sabino doesn't intend anything evil, Magnifico doesn't. Magnifico doesn't know him like Asha or we do, so to protect others from this possible danger he doesn't grant the wish or give it back. Because if Magnifico gave it back and Sabino granted his wish himself just for it to turn out to be actually dangerous then Magnifico would get the blame. Because, as Magnifico says: it is his responsibility as king to keep everyone safe. So, if things went bad everyone would probably be like "Why didn't you protect us from this bad wish, Your Majesty?!" "Yeah! Why did you give it back?!". So it is understandable that he wanted to avoid that, with not only Sabino's wish but with other "innocent" vague wishes.

3. "People come here because they know they can't make their own wishes come true. The journey is too hard, it is too unfair"

This quote and this scene proves that people had the option to grant their own wishes before coming to Rosas and giving them to Magnifico. But, they either couldn't do it or didn't want to do it due to how difficult it is. And so, they gave Magnifico the wish to possibly grant (<- I say "possibly grant" too often I know but let's not forget it is only a possibility not a guarantee that a wish is granted (I say that too many times to 😅)

Magnifico keeps both promises. He keeps the wishes safe and decides which ones to grant. Because as I said before, granting wishes is a miracle and a gift only Magnifico learnt to do and it makes sense he makes the rules.

4. Wishes aren't as important as the film tries to make them seem. In fact, two people say that wishes can be changed:

Now I've seen this point be made by someone else and I can't help but agree with it. Because, if a wish can be changed doesn't that mean it is a new wish? So why would Magnifico give the one given to him when there is a new one? Go grant that new wish yourself instead of asking Magnifico to take it. Not only that but if Magnifico gave a wish he isn't going to grant back then it might be replaced by another, and another, which will take its toll on him both physically and magically. Because let's face it, getting someone's heart's desire won't be an easy thing to do. Plus, do you see how giddy the woman is? She seems excited about giving a new/changed wish. This leads nicely to my final reason which is:

5. Giving a wish to Magnifico doesn't have any negative effects. Now, I can see that you could say, "But Frowerssx, what about Simon and that couple who gave their wish?" Or "But Frowerssx, people lost all aspiration to achieve better for themselves when they gave a wish." Those are some valid questions/points that will make this part of the post incredibly long, but I will answer each of them.

Let's start with Simon:

We are told that Simon is sleepy and possibly depressed because he has given his wish. However, we aren't told how long ago he did this. I saw a headcannon that said that Simon is like this due to a side effect of recently giving his wish. This makes sense, as he willingly gave up a piece of himself, but as my point 4 explains, this piece can be changed or replaced. So this side effect could be temporary. Sadly though, we aren't shown as this:

Is the only time I think we see this couple (If I'm wrong please tell me) but even then when they give their wishes they aren't like crumbling on the floor in devastated tears because as Asha sings:

Not only that, but, during the song "Welcome to Rosas" we see all the citizens of Rosas are happy. We also see some of them tending stalls which when you look at it can be counted as making life better for themselves by earning honest and good money. Also if ALL the aspirations were lost to a person when they give up their wish I doubt they would even want to run a stall, dance, sing, and just exist. I mean, at first glance, there is literally no difference between this:

and this:

because just like Asha sings:

Everyone was/is happy during both scenes, so why fix something that is not broken? Why give wishes back when their absence is clearly not missed? The ONLY time it is shown that people get hurt and are filled with so much grief that they become shells of themselves is this scene:

And this is after wishes are destroyed not taken with consent. Those three people were perfectly fine when their wishes were up in Magnifico's wish chamber. Even when they questioned Magnifico none of them asked for their wishes back. I'd also like to add that these people aren't like this for long as they are totally fine during this scene:

Which is like what?? A day or a few hours after their wishes were destroyed? Like if they are SO devastated about it then how can they find the strength and courage to stand tall and fight? I see a lot of people saying that people lose their free will, sense of self, and even obedient or slave-like towards Magnifico but erm, no, no their not. Not even after he consumed all their wishes. This shows that healing from giving a wish with consent and getting it destroyed is a pain that doesn't last long and can heal quickly.

I will end this by saying that Asha was right about how Magnifico shouldn't be holding the wishes up in his tower. That he should have done what she does at the end of the film, which is to leave the wishes within the hearts of his people and go around helping them achieve them. However, I think because of Magnifico having trauma and having the desire of wanting to protect everyone from the pain he felt (and because of all the reasons I mentioned above) he didn't. He got too overprotective and made the mistake of thinking that keeping them was for the best. This is one of the reasons I think that Magnifico should have been redeemed. He should have learned from Asha and realized that he can't protect everyone from pain and grief because that is not how life works. Life is cruel and unkind sometimes and he shouldn't try and protect people or their wishes from that because it doesn't allow them to grow or learn. (but yet again, who to says this method won't make people become greedy or lazy?)

@frowerssx2 I made a quick edit x//

So here’s Magnifico confirming Asha’s very straightforward sentence; she also explicitly says “most” and he doesn’t remotely correct her. Most wishes (even innocent ones based on the only one we get to see judged) are not getting granted, Magnifico had that figured long before Wish events.

Which, before someone points it out, makes perfect sense for him given his background. He’s trying to protect his people, alright. Why couldn’t he just give back Sabino’s wish again?

[dilfenthusiast-union]

Can you please do Josh and reader watching a movie?

I absolutely can anon! Gonna do a horror movie cuz that’s on theme HAHA. I hope this satisfies your Josh craving 🫶 feel free to request something different if not 🫡

Study Session

Joshua “Josh” Washington x Reader

I ended up referencing an old German film so if anyone can figure out what it is from the very vague description I gave then here’s a sweet treat 🍰

Gonna update the gif when ppl start making gifs of the sexy delicious remake

GIF updated with cutie Josh passed out in front of the fireplace literally the exact vibes IM LIVING

“You got the snacks, princess?” Josh calls out from the living room, as he sets up the projector for your weekly “special movie” night.

As part of Josh’s psychology degree, he had the chance to pick a major, and to him and his parents, it was a no brainer— film.

However, what he didn’t anticipate was the amount of weird, silent movies from the 1920s that he had to analyse in his classes.

“It’s like watching paint dry!” He exclaims, “I get that I have to understand the rules of film before breaking them, but Dad’s been doing this since before I was even an idea!” Josh drags on.

“Josh, babe. You’re starting really to sound like every nepo baby in Hollywood. I love you!…but shut up.” you peck him on the lips before pulling back to smile at him, a kinder way of telling him to shut his trap about his first world problems. He smiles dumb from the small act of affection and touch love, unable to recall what was bothering him in the first place as you dissolve his worries.”

Upon hearing his complaints, you suggest making it into a movie night, as opposed to a traditional study session where you’re both hunched over your laptops and textbooks.

Your idea sends a colony of butterflies into Josh’s stomach— you want to watch a boring movie with him? The fact that you want to spend time doing mundane things, like studying with him, makes him envision a life of pure domesticity. How could he say no to an opportunity to cuddle and be with his partner?

Before you know it, you’re microwaving popcorn and opening packets of lollies to enjoy (and to pass the time).

“Just about done! The popcorn is extremely fresh so enjoy with caution!” You mention as you pinch the bag from the top to avoid burning yourself.

He stands back up from setting up the projector equipment, looking at you with warm eyes. He questions “Are you saying that because you nearly burnt your mouth trying to eat it?”, his tone underscored with amusement.

“Guilty.” The one word expresses your regret for attempting to snack early. You settle the bags of snacks and popcorn on the coffee table, and sink into the pullout couch, ready to be entertained.

“What is this movie about exactly? The cover looks kinda freaky, I won’t lie” you examine the starting screen projected on the wall. Josh appreciates how you’re eager to demonstrate an interest in his studies despite not knowing too much.

“In the most succinct way I can say it without spoiling things…” he trails off, “A vampire tries his hand at real estate, and rats wipe out a town of people!” Your face morphs from interested to deadpan at the lack of proper context, “I guess I just gotta watch and see, hey?”

“Precisely, princess.” Josh affirms as he sits down next to you. His pet names for you never cease to make your core temperature rise with the influx of butterflies. As he wraps an arm around your frame, he presses play on the film.

Josh adds, “Thankfully for us, there’s English subtitles… because this entire movie is in German. So you’re gonna have to focus just as much as me, and resist the urge to go on Instagram.” He kisses your head to avoid any rebuttal from you.

An hour passes by and at this point both you and Josh become extremely comfortable on the couch. Lying down whilst cuddling, you hold eachother accountable by not scrolling in your phones and actually discussing the plot of the film and the main points Josh needs to remember for his analysis. The movie finishes and you’re both still awake.

Josh breaks the comfortable silence, turning to admire your features “Thanks for watching this boring movie with me, babe. You made this way more fun for me.” he pecks your forehead, followed by the tip of your nose. He gazes at your lips longingly, before looking into your half-lidded eyes and receiving a small nod.

He leans into to kiss you passionately, receiving a mutual signal from your eagerness. He can feel the heat radiating off your cheeks and he’s sure you can hear his pulse rapidly increasing the longer you two occupy the same space.

You place your hands on his broad chest, feeling him gently and slowly. Josh wraps his arms around your waist and places you in his lap, and breaks away from the kiss. You catch your breath simultaneously, staring into eachother’s eyes, as if you’re telepathically communicating your love for each-other.

“Josh, there’s no need to thank me. I’ll do just about anything with you. Because, as long as it’s you, nothing can possibly be boring.” you cut into the hot silence.

Josh revels in your statement, his eyebrows raised “Are you saying you liked the movie?” his amusement is discernible at this point. He looks at you like you contain galaxies in your eyes.

You give him a kiss on the lips again before breaking away again and grinning widely “I actually did, and I like spending time with my boyfriend.. let’s study more often!” You suggest lightly.

Josh picks you up to carry you bridal style, walking down the hall to your shared bedroom, “I can think of a different kind of studying we can do. Don’t you have an anatomy exam soon?” he smirks before laying you down on the bed, wedging a knee between your legs and trapping you in his arms.

Maybe this studying will involve an all-nighter for the two of you.

[darkficsyouneveraskedfor]

Code of Conduct 1

Warnings: this fic will include elements, some dark, such as cheating, noncon/dubcon, and other untagged triggers. Please take this into account before proceeding. It is up to curate your online consumption safely.

Summary: your boss has a difficult time keeping his personal life from bleeding into his work. 

Characters: Steve Rogers, this reader is known as Rosie.

Author’s Note: Please feel free to leave some feedback, reblog, and jump into my asks. I’m always happy to discuss with you and riff on idea. As always, you are cherished and adored! Stay safe, be kind, and treat yourself💜

💼Part of the Bad Bosses AU💼

“Mr. Rogers’ office. This is Rosie, how can I hel--” 

“Where is he?” Peggy’s voice cuts over your own. 

“Oh, hello, Mrs. Rogers, he’s currently in a meeting--” 

“Get him.” 

“Mrs.--” 

“Don’t argue with me. Go get him. Are you not his assistant?” She challenges brusquely. 

Her accent adds to the sharpness of her words. Her curt demeanour is a stark contrast to her husband. Your boss is always amiable, accommodating even, but the few times you’ve dealt with his wife have been similarly tense. You put a smile on so she can’t hear your anxiety. 

“Of course, Mrs. Rogers,” you preen, “I’ll put you on a quick hold.” 

“No, you will get him. No hold.” 

You suck in a sigh and hold your breath in your chest, “of course.” 

You set the phone down. You don’t see how her hearing your desktop will be any better but you wouldn’t want to irritate her further. It must be urgent. 

You stand and smooth out your dress. You step out from behind your desk, digging your nails into your palms as you ball your fists tight. You get nervous about most things. Answering the phone took your months to get used to and even now you tend to fumble over your words. 

You go to the door and brace yourself. You don’t know why you expect Mr. Rogers to be upset. He’s never been anything close to rude. Maybe short in times of stress but not unpleasant. You knock and wait as you twiddle your fingers against your striped pleats. 

It isn’t Mr. Rogers who answers by Mr. Barnes. You give a sheepish smile, “excuse me, doll.” 

He steps past you and you bid him a good day. He leaves without further courtesy and Mr. Rogers calls your name from within, “need something?” He asks. 

“Oh, yes, Mrs. Rogers is on the phone.” 

He doesn’t seem happy about that. His cheek dimples and he nods, wiggling his pen at you, “patch her through.” 

You go back to your desk and pick up the receiver, “hello, Mrs. Rogers, he’s available now--” 

“I don’t want to talk to you, honey. Where is my husband?” 

You transfer her without another word. Phew. You almost feel bad for your boss as you hear him pick up in his office. His tone is low and dull. 

You try not to overhear, letting his conversation drone into a buzz. There’s enough work to be done without worrying about his personal life. Your own afterhours concerns are more than concerning. You wouldn’t say you have much going on and that’s the problem. It’s moment like those that ease your envy of others’ full plates. 

You haven’t seen the girls lately. The group chat’s been quiet but you suppose you could go ahead and say hi. Your weekly cocktails petered out to biweekly, then monthly, and now you can’t remember the last time you let go with a mimosa. 

You peek over your desk and back at your screen. It’s not only on them to keep things going. You pick up your phone and open the chat. The last message is a meme Elfie sent about printers. You shake your head and send a little waving sticker, keying in a message. 

‘Long time no see! I’m in need of drinks. Anyone free? When’s best? Hope you’re all taking care.’ 

You’re professional tone shines through even on WhatsApp. It’s a bit lame but you’re an entirely different person in text. Most people are surprised to meet the mousy secretary hiding behind her screen after the lively back and forth in Outlook. 

You set your phone down and try not to stare at it. A reply never comes while you’re waiting for it, nor does water boil when you’re watching it. As you click around and try to remember where you were, the silence sinks in. Your realisation brings your eyes up as quickly as Mr. Rogers shadow. 

You bat your lashes at him in surprise, “need something, sir?” 

He gives a half-smile, the type weighed down by disappointment. He sighs and crosses his arms, leaning on the door frame, “you hungry?” 

“Um, well, it’s only eleven,” you shrug. 

“Mm, yeah,” he unfolds one arm to rub his neck, “I’m restless. You feel like getting lunch early?” 

“Sure, I can run out and grab you something,” you stand eagerly. 

“No, uh,” he drops his arm back over his other, “together. I had a reservation for me and Peggy but she canceled. I’d hate to inconvenience the restaurant and I just can’t sit and mope in my office.” 

“Oh, okay, I guess that works...” 

“Do you need to ask your boss?” He scoffs. 

You laugh at his joke, “do I?” 

He smiles, a real smile and drops his arms, “my treat. You know what, you earned it. You work so hard around here, a little employee appreciation is overdue.” 

“That’s so nice,” you chime, “uh, sir, I... I should leave an away message, should I?” 

“Oh, who cares, come on.” 

“Well, I mean...” 

“Ah, I get it, boss is a real hard ass,” he winks. 

“Sir,” you giggle nervously and teethe your lip. He watches your mouth. 

“You can catch up later. Come on, I haven’t played hooky in years.” 

“Hooky?” You stammer. 

He laughs, “a goody two shoes. It’s why I hired you but it’s okay to let loose once in a while.” 

“I know, Mr. Rogers, it’s just... it’s work.” 

“Too much of it and you’ll turn into me,” he huffs. “Please, I’m sure your husband would hate if you were never home. Never answered the phone.” 

“If I had one, probably,” you blurt out then look away shyly. 

“Really? I thought...” he begins and shakes his head, “doesn’t matter. I’ll grab my jacket and we’ll go. I missed breakfast.” 

“Um, sure, sir,” you agree and put your hand on the phone. 

When he turns, you look down. Missie sent a reply; ‘please, drinks are required!’ Ooh! Yay. 

[dcmcboxers]

My shout-out to queer youtubers

Hbombs list was great but obviously not comprehensive. I watch a lot of video essayists and wanted to give a little love to the smaller channels that fall under the radar. Please feel free to add to this list!

let's talk about stuff/Sarah Zedig

If you've seen Jesse Gender's videos on the Matrix movies you may already be familiar with Sarah. She does excellent film and culture analysis with a lot of great conversations on paratext and outside influence in engaging with text. Her video on Tunic is one of my favorites.

Pamphleteer

No one makes videos like hers, which has the side effect making them a bit hard to describe. I will link one of my favorites which describes the disconnected temporality of being older when you discover you're queer.

Turbo Queer

Really really under watched channel. Skylar covers a lot of topics from video games, to anarchist history and modern events, to autistic life, to current politics. For a fun one check out her video on the SpongeBob strike episode.

Kaz Rowe

Kaz does a fantastic job examining modern myths and manufactured history primarily pertaining to western Europe, Victorian & Edwardian England, and 1800-1900s US. And of course, talking about historical queerness in all its ambiguities and evolutions. I highly recommend their video on Weimar Germany.

drapetomania

drapetomania interrogates the politics of low class and high class art and entertainment from a queer and Black perspective. Their art history videos alone cover many angles of white supremacist history I haven't seen anyone else discuss and I'm very excited to see more from them. They are also a very under viewed channel that more people should see!

I am error

Evelynn's channel primarily discusses video games in a presentation style and voice most similar to Action Button reviews. There's something just a bit more personal here though. I hesitate to say cozy since that word has a bit of an infantilizing connotation, maybe comforting is closer. She puts an immense amount of thought and empathy into the experience of playing video games and the personal narratives we build with them.

Swolesome

For more transmasc perspectives there's Swolesome. He has a lot of interesting insights into the more traditionally masculine and "broish" communities like fitness as well as commentary on recent trans issues.

Shonalika

Music, disability, and aggressively non-binary. Their video on gender presentation in heavy metal was really insightful. I would also check out the video "Why I Wear Gloves" for more insight on invisible disabilities.

Vivian Strange

Vivian delights in being a bit of a contrarian- something I really appreciate. She's probably going to challenge you and you're probably going to disagree at times, which is what makes her channel so important. Her video on Marquis De Sade is powerful and a must watch (if you can stomach the subject material, although I would encourage you to try). I haven't seen her most recent video on Saw yet but I am extremely excited to.

[lotus-pear]

YAAAAAYYYY ITS FINALLY HERE!!! ty guys sm again for 5k i rly appreciate it <3

rules and guidelines under the cut!

rules and due date (i've never done this before so bear w me ok!!):

-due date will be march 1st! i will accept entries a few days late dw i'm nor ur professor or smth BUT I WOULD RLY PREFER IF U GET IT DONE BY THEN (just dm me if u need more time)

-pls tag ur finished piece under #lotuspear5kdtiys and dont forget to mention my user @lotus-pear! if i neglect to reblog ur piece then pls lmk even though that probably won't happen bc i'll be checking that tag every day for new entries👹

-pls don't trace the art.. i'll be really sad if u do that :(((( if u need help at all w the posing or hands then shoot me an ask or weed ur way into my dms bc ik this is kind of a complicated piece

-anyone can participate!! u don't have to be following me or anything and it's fine if we've never interacted before

-colors and expression are completely flexible and i'd even encourage playing around w it since the final product isn't meant to mimic my style. if u can then pls try to keep the pose relatively similar although i don't mind if it's changed a little bit. whatever is most comfortable to u as the artist.

-if u guys want to see the piece without any shading or rendering then pls dm me, ik it might be easier for some ppl to just see the bare sketch or the lineart w base colors

prizes🤩 (ik this is what u guys are rly after /j):

-alr so ik everybody's all like "well what's in this for me🤨" oh my god if u would just let me explain 😐 i'll be choosing three winners and two honorable mentions amongst all the contestants

-the top three winners get a follow (yea ok kinda sucky but wtv) AND they get to commission a fully rendered piece from me of a single character of their choice for free >:) (i'll discuss the details w the winners in two months)

-the two runner ups will also get a follow from me AND they get to commission a sketch of a single character from me (again, i'll discuss what this entails in further detail when the honorable mentions are selected in two months)

————

ermmm yea i think thats it for now i'll come back and edit the post if i feel the need to add anything.. HAVE FUN GUYS I CANT WAIT TO SEE WHAT U GUYS DO🫶🏼🫶🏼