#if anyone has more feel free to add :)

[miriaocs]

GET TO KNOW YOUR TWST OCs (and their relationships)

(Or how I make up excuses to blabber about my OC lol. Most of the "who" questions are aimed at the twst cast, but feel free to include other twst OCs as well!)

Name: What does your twst OC's name mean? Why does Rook/Floyd call them [insert nickname]?

Inspiration: Is your twst OC inspired by any villains? Concepts? Anything Disney-related?

Age/Birthday: How old is your twst OC? When is their birthday? Whose birthday (among the cast) is closest to your twst OC's? Does the horoscope lie or do they get along well?

Dorm: Which dorm is your twst OC in? Why? Which qualities they have make them suitable for said dorm? Do they have a roommate and how is their relationship?

Class: Who is your twst OC's classmate(s)? How would you describe their relationship? Did they have different classmates in previous year and did they get along?

Height: How tall is your twst OC? Are they conscious about their height? Are they close to someone with similar leg length?

Hair/Eye color: What are your twst OC's hair and eye colors? Who got the closest/opposite palette to them?

Homeland: Where is your twst OC from? Do they know anyone from the same hometown prior to NRC?

Club: Which club does your twst OC join and why? Is there anything memorable about the club fair day/their first day at the club? Which clubmate is their favorite?

Subject: What is your twst OC's best subject? Worst? Do they study with another whom excels at the same subject? Do they ask anyone for help with the subject they are bad at?

Hobby: What are your twst OC's hobbies? Who among the cast will they possibly ask to join in their pastime?

Pet peeves: What are your twst OC's pet peeves and which one in the cast accidentally (or not) commit the "crimes"? How will your twst OC deal with that person?

Food: What is your twst OC's favorite and least favorite food? Why (optional)? Is there anyone they can share their favorite food? Is there anyone they can count on to take over the food they dislike?

Talent: What is your twst OC's talent(s) and who can properly appreciate that?

Unique Magic/Signature spell: What is your twst OC's UM (if applicable)? What can they do? What is the incantation? Is there any weaknesses/loopholes and who can exploit those?

Quote: Give me something your twst OC will say. Either something they always say or something iconic they said. Something that helps solve the problems or something that is a catalyst to even more issues.

(Ok I'm kinda running out of ideas here) Personality: Give me 3 adjectives to describe your twst OC. Or an essay. Whichever works. Whose personality among the cast is closest to your twst OC and do they get along?

Backstory: Tell me anything about your twst OC's backstory. Their childhood, their parents, their siblings etc. Does their backstory affect how they are as a character now and how they interact with the cast?

Pick only one: Let your twst OC pick only one and explain the reasons: only one favorite from each dorm, only one favorite housewarden/vice housewarden, only one favorite first/second/third year etc.

(For my beloved yume shippers) Partner: Who do you ship your twst OC with? Are they in a relationship? If yes, how did it start/end? If no, why?

[cadillacjohnf1]

Predictions for the Abu Dhabi GP:

George and Max crash on Turn 1 and get out of their cars to fistfight each other (they both lose)

Charles pregnancy annoucement (he doesn't know who the father is)

Toto Wolff and Christian Horner get married 'for the bit' (they adopt 3 dogs and an orphan)

Lando and Oscar receive an award for somehow being the most unproblematic couple on the grid

Liam Lawson has hate sex with a Spanish speaking driver in a bathroom somewhere (it's probably Checo) (no-one cares)

Franco starts dating the Queen of England

[badasscoffeemug]

okay, so, i tried to pull as many interviews as i could to see if i could parse what the original plan for bucktommy was (or if there even was any), and subsequently, if there had been a pivot of any kind. now, we are not privy to any bts talk, and storylines are never set in stone, even from when they've been teased or promoted (henchim friction? hello?) but interviews are really all we have to go off of. so, idk, i compiled some quotes, all bolded emphasis is mine.

i kinda got the impression that it really was supposed to be a 4-episode arc for tommy, after which he would gracefully bow out and leave buck a newly realized single bisexual. for some reason, that changed and they chose to keep him around and extend that storyline (gelled rather well in the story? opening the door for potential future storylines?). except then they had them break up anyway, leaving buck in much the same place he would have been had they called it quits in 7x06, only much more heartbroken (essentially wasting over half a season's worth of buck storyline, except he's sadder now, i guess). but, judge for yourself.

march 28, 2024, TM: Showrunner Tim Minear also teased future episodes for Tommy. “He’s going to be around for a little bit. He’s not going to be a member of the 118 again, but he is going to be involved in some stories.”

april 4, 2024, TM: “I was kind of bored with the hamster wheel of the relationships [Buck] had been in. His story needed a slap. It needed some something fresh. This felt like it could be important to some people, and it felt like it was right for the character.”

OS: “I’ve always had in my head that I wanted a partner for Buck to be someone where it wasn’t easy”

TM: “That’s what I like about this. He’s not siloed off into some love interest story with a character who has nothing to do with the main characters.”

Minear noted that Tommy is currently an important romantic partner for Buck, largely because “it’s sort of the entry-level relationship.” Yet at the same time, he noted that he doesn’t think “anybody’s making wedding plans.”

“It really is a first fling for Buck right now. What that might amount to, only time can tell. But what I’m interested in is not something that’s fraught. I’m interested in something that’s tender and positive”

april 4, 2024, OS: “The focus was on it being important, but also not wanting it to feel like the bravest episode in television. We just wanted to tell a lighthearted love story that happens to be a queer love story.”

april 5, 2024, TM: “[what] I don't want to do is the mistake that I think we've made with some of the other love interests, which is siloing those characters off into their love life and they have no kind of organic connection to the rest of the characters in the story. [...] Going with Tommy allowed us to start to play a story without just inventing a whole new character just for the purpose of being the bi character or the gay character or the male love interest for Buck.”

april 12, 2024, TM: “that moment at the end of the episode where he sits down with Tommy and says, “You said I wasn’t ready. I don’t know what I’m ready for, but I’m ready for something. I’m just sure what that is yet.” But he feels safe with Tommy. So even though he doesn’t know exactly what road he’s stepping onto, he’s willing to roll the dice.”

april 12, 2024, LFJ: "So, it happens in phases. My manager said 9-1-1 called, and I was like, 'Cool.' And then he is like, 'All right, well, they called for an arc.' And I'm like, 'Four episodes? Cool.'

"Given the circumstances, we just kissed. There's something there. We go on a date, and then Eddie happens to show up because there's only one restaurant, I guess, in L.A., and I would totally understand if he was nervous and whatnot." (this quote has nothing to do with my point really i just think it's so fucking funny. this entire interview is so messy.)

"I have no idea," he explained when asked what the future could hold for the duo. "If the writers do choose to extend this storyline and make it into its own thing [...] I'm just as excited as you are to find out."

april 12, 2024, OS: "I just hope he continues down that path and I think we will see him opening up more and more, and being louder and prouder about it. I want to tell real stories where not everything is going to be straightforward, but I don’t want the angst or the trauma to be in these kind of negative troupes that we’ve seen before. I want them to have real world problems that couples or people who are first dating have, but I don’t want it to be rooted in outside people being homophobic or anything like that. Those are stories we have seen and we’ve told, and sure, of course, happen in the real world, but I want to tell a happy story between these people and a real story. They have issues and they have things to deal with, but I just want them to be real world, everyday relationship issues."

april 18, 2024, OS: "we want to tell it in an honest way where not everything is going to be easy and carefree. There are going to be issues, but we also don't want it to feel like it's down or too heavy. We want to tell this queer love story in a very honest way, but also in a very loving way."

"Tarlos is a beautiful relationship," Stark says. "I'm just honored to get to tell a story that can kind of partner up with that and maybe continue with a similar thread."

"I really want to see Buck continue to explore what it is that really speaks to him, and what he's into," Stark says. "He's obviously going to continue down this path with Tommy for now. I don't know what that story is going to end up being, but I would really like for Tommy to stay a part of Buck's life, regardless. He's obviously opened this door for him, and I think it would be really nice if [Tommy] was able to continue to hold [Buck's] hand and could help guide him through this process. As somebody who's a little older and more experienced, to kind of help shepherd Buck into this new phase of understanding who he is."

april 23, 2024, OS: “I really enjoy [Lou]. I really enjoy working with him. I think he’s been a great addition to the show, and I look forward to — assuming Tommy sticks around for a while — continuing to develop that relationship with him on-screen and off-screen.”

may 2, 2024, JLH: "I’m really excited for Buck, because I think he’s a person that has never quite settled into who he is. And if this is who he is, it’s beautiful,” Hewitt said. “I was so happy Maddie felt that way, because that’s how I would feel. And I’m really happy that she’s there for him. In Season 8, the actor hopes Maddie gets to “understand what all that means, be in that with [Buck], and get to know Tommy better.”

may 3, 2024, KC: “I think it was the brilliance of [co-creator] Tim [Minear]. Even introducing the storyline of Buck and Tommy, he said, "I don't want it to be this very special episode of 9-1-1. I'm going to make this a f---ing romantic comedy, man. You won't see it coming. It'll come out of left field." And I think that's the same thing he did with the revelation. There's no sit down, there's no big discussion or talk about it. It's what it would be. This guy has found love fina…. Well, I think love finally.”

may 3, 2024, KC: "When I heard about the storyline, I was super excited. And on a selfish note, I'm really happy because they brought Lou Ferrigno Jr. back. We've become really good friends, as he was in "Hen Begins," "Bobby Begins Again," and of course "Chimney Begins," and we formed a tight personal bond. I think he's a terrific actor, and I think this new dynamic brings this newfound energy into that storyline and into the show, and I'm excited to see how it blossoms."

not dated? post-7x06, KC: “It’s one of my favorite scenes,” Choi says. “It’s a reveal for most of the characters that Buck has found a love interest he’s actually interested in. It’s adorable, it’s cute, it’s perfect, and the audience is going to love it.”

OS: Stark likens Buck’s journey to “a hamster wheel”: “He’s been taking one step forward and two steps back, as is quite typical of being in your late 20s and early 30s, trying to find yourself,” the actor explains. “As we’ve moved into this seventh season, he’s found a way to really discover who he wants to be.”

july 8, 2024: 7x09 deleted scene released

september 9, 2024, TM: “They’re still getting to know each other a little better”

september 11, 2024, TM: Minear says not much time has passed between the events of the season 7 finale and the season 8 premiere, so there haven't been many developments in Buck and Tommy's relationship. "But we see that they're more comfortable together," he explains. "We'd definitely call them a couple. Obviously they're comfortable hanging out with Eddie, but when you couple with somebody, it takes up some of your time, so that also leaves Eddie a little bit out in the cold. Well, not out in the cold, but Buck doesn't have as much free time as he did before, let's put it that way." (yeah so, this barely happened?)

september 20, 2024, OS: “We don’t really have too much of a time jump moving into this season, so the relationship with Tommy is much where it was left off,” explains Stark. “It is in its early stages. They’re still learning and figuring things out about each other and what a relationship might or could look like.”

[vagueconfusion]

[fob4ever]

misc. p2 tweets about miss missing you

[zukkaoru]

do you have any fave fics on like. any bsd female characters? like character exploration etc.

good fics centered on female characters are pretty hard to come by in the bsd fandom but i have compiled a list for you <3

if i am lost for a day by featherx THEEEE louisa fic of all time!! ft minor montcott, but mostly a louisa character study

the quintessential girlhood of yosano akiko by lizandre yosano character study, ft transfem yosano

we die alone, we'll all die young (what you care to die for?) by hannieuphoria gin character study, canon divergent au, mind the tags but ohh this fic is So Good

Morning glory by CureIcy kyouka-centric, ft. transfem kyouka

so temporary by justadino agatha christie x zelda, brief agatha character study, very good i love it

blue moon by ringingmaybelles kyouka-centric centering on platonic kyouka & atsushi

now i feel my stars align by thatwasanticlimactic higuchi-centric with black lizard found family and minor higugin

if i leave in the morning, don't be mad by paperkids lucygin no powers friends with benefits to lovers (there's no smut; it's rated t)

desert to ice floe (i will follow) by littencloud9 ranpo & yosano siblings fic (the focus is spread about evenly between yosano and ranpo)

Dreamhouse by halfpastmonsoon montcott with lucy being horror movie protagonist coded. as she should be <3

The Castles Garden by TheMidnightThief higugin royalty au fluff

forget-me-not by feralshadowdemon kouyou character study (haven't read this one myself but it was written by a beloved mutual whose other fics i love)

a butterfly in the country of spring by hail_hex yosano-centric, also haven't read this one but i've heard good things

and i'll add some of my own fics because why not!

beneath the candy-coated clouds higuchi/margaret florist x candy shop employee au

the wonder that we'll inspire  lucygin with gin adopting a lizard

with sweet understanding higuchi-centric valentine's day higugin

i'll hesitantly put my akutagawa siblings characters study fic here too since it has a lot of focus on gin, but with a disclaimer that gin is written as nb transmasc, and obviously there's focus on akutagawa as well since it's a study on both of them

[ijustreallylikecaptainamericaok]

Hi! If you don't wanna answer this pls feel free to ignore, I am just asking bc I don't really know how else to find what I'm looking for. I'm new to the MCU and fell totally in love with Steve, so I'm trying to find pro-Steve blogs to follow. Particularly blogs that don't bash Steve over his character in Avengers Endgame (or, you know, any movie really). I thought it was a good thing that Steve got a happy ending, so coming on here and finding a bunch of "Steve should have died" or "people who liked his ending aren't real fans" posts was a bit of a bummer. I mean if you think those things that's totally fine, I just scrolled through your posts and got the impression that maybe you don't. Feel free to correct me though. So, to my actual question. Assuming that you are someone who just likes Steve, without a big fat "but..." attached to the end of the sentence, do you have any recommendations for other similar blogs to follow? I have been looking, but a lot of them seem to be inactive or abandoned. And like I said, most of the active ones I found are of the "I like Steve but I hate him in Endgame and anyone who liked it sucks" variety. I just want to avoid shipping wars (I like most of his ships!) and people bashing him, and just enjoy the character. If you have recommendations I would be very grateful. If you don't that's totally fine though, like I said feel free to ignore. Sorry this got so long lol.

Hey there! Welcome! :-D

No need to apologize and trust me, I know exactly how you feel. People who like Steve for Steve and without any kind of caveat do seem to be a rare thing in this fandom, unfortunately.

Rest assured, Nonnie, I do not agree with the statements "Steve should have died" or "people who liked his ending aren't real fans." Full transparency, his ending isn't my ideal. I would've preferred he retire and find a life in the present, but I know that option simply wasn't on the table, for a variety of reasons. And even if it wasn't my ideal, the ending he got fulfilled both a want and a need for him and gave him a happy send-off, so I can live with it. Plus, it wasn't my worst case scenario, which would've been him dying. I think killing Steve off, no matter the context, would've been a horrible and bleak way to end his arc. I felt that prior to Endgame and time's only strengthened my feelings in that area. Hell, just look at what happened to Wanda.

As for active blog recommendations, here are some:

@bulkyphrase

@captainjimothycarter

@meidui

@sersi

@cblgblog

I haven't seen any kind of Steve bashing from these folks and most of them are multishippers as well, so hopefully they can be a good jumping off point for you.

Good luck! :-)

[rip-headphones-users]

My Headcannons for how Infected and Kasper operate

Buckle up, this is a long post. Thinking about how characters function in relation to the world around them is basically a hobby of mine, so expect more. (I have others planned for both lampert and unpleasant at the very least)

(Not ship related) (angst heavy sorry)

Kasper’s infection is a brain-rooted/cognito-hazardous parasite

He got it after purposely ignoring a chainmail curse, both as a sort of “fuck around and find out” as well as an outright form of self-harm/self-sabotage.

The parasite is the one that primarily controls all the conscious actions of infected, while kasper now acts sub-consciously.

Its less of a split-mind situation and more of a Venom + Eddie or Gundam + Pilot situation they are two separate entities inhabiting the same body that can potentially act at the same time

It just so happens that the parasite from the chainmail curse has VERY similar desires/interests/motivations to Kasper, so the host/parasite relationship actually works very well.

Infected accidentally makes Kasper lose a decent chunk of weight after it takes over, due to it not being able to feel when Kasper is hungry and forgetting to let him eat

Kasper and Infected can be addressed separately (Lampert, UnpleasantGradient, Folly and maybe a few others know this) and Kasper tends to choose not to respond due to his own apathy, instead opting to let Infected take the lead.

Being able to respawn/no permadeath on the regretevator is the reason why Kasper opted to infect himself, as he saw it as the next closest thing to death/suicide.

Allowing infected to enter his mind has radically reduced Kasper’s lifespan. (He’d be lucky if he made it to his late 30’s)

His nose bleeds when Kasper and infected try to act at the same time

Infected is only transferrable via chainmail

Infected doesn’t feel any of the bodily necessities that kasper has, so its not uncommon for him to collapse of exhaustion, dehydration, hunger, ect. If someone doesn’t remind him.

Infected doesnt feel pain either

Kasper feels it though. A lot.

In fact the whole process of infected entering his mind was incredibly painful as is.

Infected isn’t the reason why things in the elevator/on his own body suddenly lose their texture, neither of them know why that happens now.

They personally aren’t physically effected by it and both find it cool, so neither are bothered.

It’s probably just the result of infected’s malware (thats only technically supposed to effect machines) managing to attach itself to a human. Or maybe Kasper could do that and never previously knew. Who knows. ;)

Kasper/infected can phase through objects that are textureless, including parts of his own body. Anything else will collide as it normally would, and take damage.

Infected will always talk with full leetspeak, (L13k D1$) while Kasper will only have one letter/number substitution (L1ke Th1s)

UG unintentionally named infected that. Basically just looked at Kasper, who had just let a parasite into his mind, and looked at the chainmail virus on his computer, and it went “huh… Bro’s Infected”

Bro is, in fact, infected.

[relicsongmel]

Dahlia simultaneously needs and resents Iris' love.

She relies on it. She envies it. Possibly even fears it.

Iris is one of the single most selfless and loving characters in Ace Attorney—and her love for her sister is the main driving force behind why she chooses to become her accomplice, even if it means hurting others along the way. And without that help—without that love, Dahlia likely would not have gotten nearly as far as she did in escaping blame for her crimes. In that sense, Iris' love became a very useful resource to her.

However, despite what Dahlia wants us to think—despite all her claims about her sister being a "backstabber," Iris is more to her than a mere tool for damage control. To her, Iris is the only person in the world who sees her for who she truly is and still loves her regardless (and the same can be said in reverse as well).

Consider her claim that she convinced their father to send Iris away to Hazakura Temple. While it's highly unlikely that their father decided to leave Iris with Sister Bikini purely because of Dahlia’s pestering, it's possible that part of the reason she was so insistent was because she wanted to spare her sister from being hurt by him anymore, and her claiming credit for that decision is solely based on her need for control when she had been denied it all her life. Add on the fact that Dahlia continued to keep Iris in the loop of all her crimes despite her initial "betrayal" during the fake kidnapping incident—with the one exception being her plans to kill Phoenix, because she recognized Iris' romantic feelings for him. These behaviors all support the idea that Iris is special to her, however—in my opinion, the truest tells of Dahlia's love for her sister can be found in her lines to Phoenix while disguised as her:

Dahlia knows her sister better than anyone. She knows her to be kind, humble, and compassionate; as such, it makes sense that she would choose to embody these traits while pretending to be her. It can even be argued that Dahlia's sweet, delicate facade that she uses to sway the judge (among others) is directly inspired by how Iris is naturally. However, during this conversation, she exaggerates her sister's humility almost to an excessive degree—in fact, she heavily plays up Iris' reverence for her specifically. Which begs the question—why go that far, especially if the sudden shift in demeanor from this "Iris" means there's a risk her true identity could be discovered?

Is it possible, perhaps...that her reason for overemphasizing her sister's love for her is because said love is the only reliable constant in her life—the one thing giving her stability? She certainly comes off as egotistical here if you read this dialogue with the knowledge that it's Dahlia speaking and not Iris, but reading between the lines...it's almost as if her words are moreso directed towards herself rather than Phoenix—as if she's reassuring herself that she is loved by her sister because that feeling is a source of solace for her.

Dahlia isn't loveless. At the end of the day she is a human being seeking affection just like the rest of us (though she would never admit it and maybe even lacks the self-awareness to do so in the first place), but after the trauma she's endured and how much hatred she’s faced from her family and the world, she simply cannot fathom how her sister can go through the exact same thing and still retain her selfless nature. And given that she’s already far too hurt to blame herself for such a failure, she deflects that blame onto Iris instead (and she goes on to despise Phoenix for similar reasons—because he is surrounded by friends that love him and he, like Iris, is hopelessly selfless at heart). She's the one who has something wrong with her for not shutting herself off the same way, therefore, Dahlia feels less remorse for hurting her when she coerces her into her criminal activities. When she dives into Eagle River to flee her family. When she attempts to kill and later frame Phoenix knowing full well Iris is in love with him. When she agrees to help Morgan with her plan knowing it hinges on her sister taking the fall. Maybe, Dahlia thinks, if she keeps hurting her, Iris will eventually give up on loving her and then she’ll never have to carry that burden anymore—never again will she be forced to acknowledge the reality that she can be loved despite everything. That she could have been good despite everything. But even death itself brings no escape—the channeled Dahlia meets her sister in the Inner Temple and the two once again conspire the way they always have, swapping places just like they did before. And it’s during this swap that her self-aggrandizement (as Iris) reaches an extreme—because at the end of the day, her sister’s love and selfless willingness to help her have been her lifeline all along.

Dahlia loves Iris. But unlike her, she isn't always capable of expressing that love in a straightforward way. Thus, she hates her.

And that contradiction haunts her even beyond the grave.

[bleachbleachbleach]

You've always been my go-to for all things Bleach lore and world-building! Do you think Shinigami all sleep in futons or beds? Or maybe it varies from character to character? We've seen the 4th division with beds in their wards, but I think every other character has slept in futons.

Haha, thank you! We do love a furniture deep-dive here, and people's headcanon speculations about shinigami life even more.

I started a list of any time we'd ever seen a character in some kind of bed (futon or frame), but it mostly just ended up being a long list of "_______ at the 4th," lol, so we'll see all those aside (almost all those aside). But canonically, there is a mixture! We see:

Hinamori in Aizen's futon

[Bleach 100]

Ukitake in his quarters

[Bleach e40]

Isane in her quarters

[Bleach 179]

Hisana at the Kuchiki house

[Bleach 179]

I think Rukia had a similar setup during the Bount Arc, as well.

Also, I'd like to note that for the record as I was retrieving *bed pictures* I got emotionally destroyed by my re-encounter with this panel. It is just SO deeply sad:

[Bleach 180]

The incredible, isolating vastness of the room, and the way the shadow cuts across the space. ToT <33333 It also reminds me of a really excellent meta piece done by afinepiece, where she analyzed the panels from Byakuya's story about Hisana and pointed out sections where the panel visuals might suggest Byakuya's memory/headspace more than physical reality. Her journal is deactivated but I know the reblog is on B3 somewhere! I'm inclined to go with that reading here, even though I also feel like the room probably just *looked like this* because every room in Soul Society is like this. (Maybe it's also for airflow, given her illness seemed partially respiratory and possibly contagious? ngl I'm basing this off that one anime elaboration scene and my co-blogger's post about Circus Hisana and Elephant TB).

In my mind Byakuya's convalescent setup was the same as Hisana's (is this the sad Seireitei equivalent of couples' outfits) but I was wrong:

[Bleach 180]

He's in a bed! But from the look of this building he's probably at the 4th and not at home. Put simply, this building is too brutish and workmanlike to be part of the Kuchiki complex:

[Bleach 180]

Hanatarou's quarters (implied)

[Bleach e259]

The tatami floor, layout, and big closet on the right-hand side seem to imply that Hanatarou uses a futon.

Abarai family quarters (implied)

[Bleach "No Breathes from Hell"]

This is probably not the only room in this house and they could put *anything* in those cabinets, but their sheer number and the style of the room suggests that this converts to a futon-filled bedroom, regardless of what might exist in other parts of the house.

Bonus 1: Renji in jail

[Bleach 118]

Is this at the 6th? Is this at the 4th? I always assumed the 6th, though obviously the 4th was involved. Idk, Byakuya left him on the ground. Maybe if you don't pick up your invalids the 4th just stashes them in their jail.

Bonus 2: Hitsugaya in Junrinan (non-shinigami, non-Seireitei)

[Bleach -16 (in between 286 and 287)]

These examples are pretty skewed in favor of futons, but if we think about this collection of characters, there is an overrepresentation of people who trend more traditional in terms of aesthetic, so they might not meaningfully represent the whole. Also, half the list is the same family.

We've seen a number of different offices and meeting rooms for each division, as well as some private residences, which have been a mix of Western and traditional styles in terms of the building itself and the furniture within it. Most of the offices seem to have Western furniture (or at least, the 10th, 6th, and 3rd), whereas Byakuya and Aizen, at least, seem to prefer the traditional at home.

Though, I don't know what this big-ass room is, but given its size and feeling of formal reception, this may well be the 5th's office?

[Bleach 100]

NB 1: I tried to look up what the office looks like under Shinji, but what is happening here:

[Bleach "No Breathes from Hell"]

NB 2: The 2nd also has traditional receiving rooms (used by both Yoruichi and Soi Fon, wherever the division between Shihouin and the 2nd is. But I assume Soi Fon's office is not the Shihouin Family Receiving room).

--

My feeling is that the differences are more regional/Division-based than personal preference-based, and *when*/by whom this design language was established depends on how much time and money the people in charge want to devote to furniture.

But that doesn't necessarily mean each Division is uniform, since we can see Isane and Hanatarou, both seated officers of the 4th, have different-style rooms! Maybe this is an effect of the 4th being an early bed adopter for their general professional purposes. Unohana is 100% a futon lady. I feel like Isane just accepted whatever was originally in the room, and that if there were no bed at all in the room she would sleep on the floor before asking to remodel. Does that mean a previous 4th VC wanted to modernize the VC quarters?

Was that previous 4th VC the original bedframe proselytizer, and got permission from Unohana to do up their quarters like a model home that gave examples of both types of room? Do Isane and Unohana live in an IKEA showroom?

What are the benefits of futons?

the room can be multi-use, a general common room by day and sleeping dorm by night

don't have to make a bunch of bedframes

Given what a big deal everyone makes out of transporting goods from the Living World, I feel like they probably make all their furniture and don't import particleboard from Nitori, so this would be expensive! Plus, given the amount of building reconstruction that needs to happen, I feel like there's probably a fairly small quota of wood released to civilians and/or divisions for non-essential use.

What are the benefits of bedframes?

BUNKBEDS

easier cleaning/long-term savings?

Yeah, you'd have to make the bedframes and have a whole separate common room, but having beds implies you've probably done away with the tatami in the room, since you're not really supposed to put heavy furniture on the mats. And I don't think in a barrack with heavy use you'd be able to rely on shinigami simply "being careful." Same logic as college dorms and their "IKEA, but completely indestructible" furniture.

So if you decide in the long-term that you don't want to do tatami maintenance/replacement and want wood furniture on wood floors, maybe the bed route is for you! ("You" here meaning "your division"!) At which point it'd be a matter of:

caring enough to do a cost/benefit analysis about this

whether or not you want to preserve the traditional aesthetic

whether you have the initial capital to invest in making the change

Some additional thoughts:

We know that at least a portion of the 2nd has heated floors, as financed by Oomaeda. I'm not a heated floors aficionado--though I stayed at an AirBnb once with a heated driveway--NUTS) but I feel like that would...not work with tatami? That over time the heat would dry them out too much and make them brittle? So maybe the 2nd has beds.

Despite the fact that the 10th office changes out their couch out a few times during the canon timeline, I feel like there's a 0% chance Hitsugaya has considered a bedding/architecture overhaul during his tenure at the 10th. He's spent the last 15 years developing a real filing system and an actual budget procedure. He didn't come in with extra money to put towards beds and the 46 doesn't generally approve that kind of line item. That's more of a "gift fund" expense.

Shinji is trying to get a Pod Hotel proposal approved, on the grounds that the idea would benefit more than just the 5th. They could implement it in the Tsumesho (Gotei WeWork)! And provide them in strategic outposts across Rukongai!

During what decade was the 11th briefly "HAMMOCK DIVISION" because it seemed like the cheapest, most low-maintenance option?

[smolcatpilot]

Was thinking up a new sona and came up with this! :3

[justanotherwriter140]

Kung Fu Panda 4 - The Movie

The last really, really long discussion post (for now).

Major spoilers ahead!

This review is full of spoilers, so please refrain from reading through it until you've watched KFP4. I would highly suggest doing so, as I want everyone to form their own opinions without my influence. The movie has its flaws (some of which admittedly being a bit distracting), but it's a fun film that has things to offer.

Kung Fu Panda 4 is a fun movie (take that as you will) that takes its audience on an action-packed, surprisingly funny, yet relatively contained adventure on which Po doesn't really do much. It's an inconsequential, safe sequel that doesn't really hurt the franchise but adds close to nothing.

I had a good time watching the movie. It was obviously produced with its theater experience in mind and the action scenes especially reflected that priority. The humor was actually funny sometimes and I enjoyed Po and Zhen's dynamic. During the film, I was able to put most (most!) of my grievances aside and take the movie for what it is. I've discovered that the best way to watch KFP4 is with low expectations and an open mind.

I have a lot of things to say about KFP4, both complaints and compliments (though the former might be taking the forefront in this review), and I hope this review can help those of you who have seen the movie organize your thoughts. I've been having a lot of trouble with that specific aspect of things myself. Those who get it get it.

With that said, let's get into my full review of KFP4! I've been waiting for nearly 2 years to write this and I'm so excited to share every single thought.

I'm going to follow the format of my first discussion post and curate a bulleted list of my thoughts, followed by an analysis of each of these points. Keep in mind that everything I say is IMO and this is more of a rant post than anything else.

Here are my main points:

The Furious Five's role is comically minuscule in the context of the film. Their actions are inconsequential and add nothing to the plot (a confirmed last-minute add), and they have 30~ seconds of screen time. Shifu is also largely irrelevant.

Mr. Ping and Li's presence has little to no effect on the movie (though I won't complain too much because they were pretty fun to watch and this movie has bigger problems). In almost any scenario, I am adamantly against having characters present that don't add anything to the narrative; however, Mr. Ping is an exception. I love Mr. Ping. James Hong is a gem.

Zhen's screen time is not utilized well and her character is underdeveloped. She definitely wasn't annoying, but I didn't find her either compelling or funny enough to warrant the screen time she was given, especially considering it wasn't used to establish a backstory/strong motives. This makes me feel bad for the character because the movie kind of screwed her out of any substantial development.

The Chameleon, while complimented greatly by Viola Davis, is an underwhelming villain. Viola Davis is amazing in this film and I would suggest watching it for her performance if for nothing else, but the Chameleon is underwhelming considering the super cool concept behind the character.

The film feels very rushed. Apologies to those who disagree, but I think the pacing is atrocious and the final fight is anticlimactic. The movie felt like a word-vomit with no discernible intermissions that stops abruptly when the film ends.

I felt as though Po didn't change/grow as a person and the audience never had a chance to either bond with or relate to his character. His internal struggle is kept to a minimum and we don't spend a moment alone with him as an audience, which is disorienting and distracting. Watching the film felt like running into an old friend at the store who's too in a rush to have a real conversation.

The action scenes were strong with few exceptions. Creative art direction was utilized and I thought the martial arts choreography was entertaining and dynamic. I love the color palette of the film and many scenes were very impressive visually.

With my main points established, I do believe it's ranting time. Strap in, folks.

Let's start strong with the Furious Five: I'm gutted. Chagrined, despondent, crestfallen, etc.

The lack of the Furious Five negatively affects KFP4 so much, because not only does their absence hurt the atmospheric integrity of KFP as a franchise, it also forces KFP4 to bring in a slew of different characters—all while still noncommittally including the FF at the very end because I believe the marketing team required it—that clog up the cast a bit. It all goes to show how important strong, established side characters are.

The Furious Five are side characters, but the role of "side character" does not equate to being irrelevant, expendable, or exchangeable. I recognize that the Furious Five aren't super developed as characters beyond a handful of lines that allude to traits sprinkled sparingly among the members; however, I believe that the tiny bits of development we have been given have proved impactful in the past. Tigress's development in KFP2 is a prime example of how much narratively conscious changes (however small they may be) can positively affect these movies.

Because of limited runtimes, the Furious Five often operate as more of a singular unit than five individuals. Even so, I don't think discarding them is valid. They're so important to the KFP universe (to Po's universe!) and not having them with him feels so wrong. The Furious Five are fully integral to the heart of Kung Fu Panda, which is why I believe a lot of those who have seen the new movie have expressed something feeling "off" or something being missing.

I agree with this sentiment. To me, KFP4 didn't feel like a KFP movie. I don't need a Furious Five spin-off movie and I can be fully content with a KFP5 centered around Po's journey as an individual as was intended from the beginning, but he can't carry an entire movie on his back. As strong as he is in every sense of the word, he is only one character. He's the centerpiece of the franchise, but a centerpiece can only go so far without the rest of the design, so to speak.

For me, the Furious Five's absence is one of this film's biggest faults. It's huge and glaring. I know I'm not the only one who feels this way, either, because the friends with whom I saw the film refused to talk about any other aspect of the movie after seeing it. Seeing them at the end was better than nothing, of course, but it was a disappointing culmination after eight years of waiting.

That all is to say I feel robbed. Despite all of this, though, I understand that there were reasons why the Furious Five weren't included in the movie. I don't believe the production team would exclude the Furious Five unless they weren't given a choice.

Shifu and Po's dynamic continues to be thoroughly delightful but their interactions are short and simplified. I would have loved to see more of them in this film, especially considering the extreme relevance of teacher-student relationships in KFP4. I (somewhat) digress, though, because the idea of Shifu having to live at the Jade Palace with only Po for an extended period of time is hilarious enough on its own. Maybe that's what the short film is about!

The comedy is odd but has some jokes that stand out. Po maintains a healthy relationship with his inner sass, which I think makes him more fun to watch and kind of eradicates the man-child verdict. Some jokes don't land, of course, but I genuinely thought KFP4 had some funny moments. Mr. Ping was consistently awesome and Po had some good lines sprinkled throughout the film.

As for Mr. Ping, he and Li Shan are the subjects of the film's B-plot as they follow Po to Juniper City out of shared concern for their son's safety. In my mind, they don't add anything to the story that couldn't have been brought about by other characters, but they had their moments of being entertaining. I enjoyed their silliness and thought they had a cute dynamic if nothing else.

Speaking of other characters, I want to discuss KFP4's deuteragonist and why I genuinely feel bad about the way her character was treated.

I want to let it be known that I'm still not on board with Po passing the Dragon Warrior torch to another character. While I agree that his arc is now calling for him to have a student, I disagree with the notion of him retiring from his DW role.

As I stated in my first discussion post:

Didn’t the initial significance and nuance of the title come from the fact that there is only one person who can be the Dragon Warrior, because the concept of the “Dragon Warrior” isn’t so much a title as it is Po himself? The universe (Oogway) must choose the Dragon Warrior because they are a singular being of legend. It is one person, and that person is Po. Wasn’t the point of the first film that the title ultimately doesn’t really matter because there is no “secret ingredient,” so to speak? The title doesn’t actually give Po anything. “It’s just you,” Po says, and that was the resolution.

When it comes to Zhen as a character, contrary to what I predicted I would think of her, I thought she was okay. While I was still a bit distracted by how out-of-place her design looks, I wasn't truly annoyed by her at any point and she and Po had some cute moments. Even so, I think their relationship could have been a bit more refined and developed.

While it's evident that Po and Zhen are meant to have a teacher-student/mentor-apprentice dynamic, I think their relationship feels half-baked. There were parallels that contradicted one another and ended up being confusing come the film's conclusion, and the nature of their relationship seems to vacillate depending on the scene. Additionally, the strength of their bond goes from zero to one hundred within thirty-ish minutes and left me with a bit of whiplash.

We're shown that Po and Zhen care about one another, but we're never shown why. They have a brief conversation during which they bond over being orphans, and Zhen says at one point, "You're actually a good guy," but that's it. This obvious lack of development is a bit disorienting because we're later led to believe that Zhen and Po care very deeply for one another when there's almost nothing to back it up.

A scene that sticks out to me when discussing this is when Zhen attack-hugs Po in a way that explicitly mirrors Tigress's hug from KFP2. This happens around the beginning of the third act, and while it had the potential to be an endearing moment, I think it fell flat.

The impact of Tigress's hug was brought on by her character's hardcore nature and reputation of being heartless, further strengthened with the knowledge that she was hugging Po (which was obviously way outside her comfort zone) as a show of companionship and fundamental understanding. Tigress hugged Po because he needed someone to recognize his strive for closure.

Zhen's hug had little to no impact because she had no reason to do it and it didn't indicate growth. She hugs Po because she's sorry for betraying him and doesn't want him to be killed by the Chameleon, but neither of these things are newly-established via this hug; we have already gathered by now that Zhen regrets betraying Po and doesn't want him to get hurt.

The hug is far from the movie's weakest point, but I think it's unnecessary given the context. I'm big on hugs in movies (an underutilized form of platonic affection, in my opinion), but it didn't fit here. I don't hate it, and I see it as an honest effort to bring emotionality to Po and Zhen's relationship, but it seems arbitrary.

Zhen and Po's relationship has a lot of potential and I'd be open to seeing more of them in the future, but I think some more thoughtful development needs to occur before I can humor it further. Even so, I can see myself featuring Zhen in some future post-KFP4 one-shots—sparingly, of course, because we have a lot of Furious Five content to compensate for.

Overall, they had a cute dynamic and some sweet moments but I'm not attached. I'm on board with Po having a student but I think their relationship needs a lot more development, something that this film unfortunately didn't give them time to either accomplish or earn.

Now, onto the Chameleon!

The concept of the Chameleon's character is admittedly super interesting. She's the deuteragonist's fastidious mother figure who feels that Zhen owes her a debt and as a result holds her to an impossible standard. That dynamic had the potential to be so interesting but I didn't think it was explored at all. There is no indication of Zhen having any internal conflict about fighting the Chameleon, no emotional complexity between them at all; it's disappointing because I think it would've added a bit of earnestness to the film.

Additionally, the idea of a shape-shifting villain is versatile. A shape-shifting villain gives those telling the story a lot of room to experiment with the protagonist and different ways in which the main character can be challenged and tested. It's yet another good idea utilized poorly. Just one idea: the Chameleon could have disguised herself as one (or several) of Po's family, friends, etc. and brought to fruition a new arc with his character (seeing as he arguably doesn't have one in this film), but she only disguises herself as Zhen very briefly in the movie.

Furthermore, the Chameleon completely relies on the powers of previous villains to pose any sort of threat to the main characters. She summons Po's former nemeses from the Spirit Realm (despite there being little logic in doing so considering Kai's literal evisceration) and takes their kung fu abilities for herself.

An excerpt from my first KFP4 discussion post that I think is relevant to the point I'm trying to make:

I don’t think it would be in the best interest of anyone if the past villains were to come back in any way that’s not a flashback (even then, I’m not sure I’d see the point). In all honesty, I thought that the whole point of the villains was that they died and stayed dead. They were defeated by Po once and for all as a testament to the idea of establishing Po's character growth and journey as a person through the bad things he’s able to overcome. It’d be highly contradictory to the messages of the other films if these villains were to suddenly come back.

While there was an honest effort made to portray the Chameleon as intimidating, I never felt as though any of the characters were endangered by either her or her army of lizard henchman. She's a visually appealing character (aside from her eyes, which I thought more resembled those of a gecko than a chameleon) and I greatly enjoyed Davis's performance, but overall I don't see the Chameleon as a notable villain.

The return of Tai Lung (had he been on his own) had the makings to be an excellent story, especially considering the importance of teacher-student dynamics in KFP4. To see him interacting with Shifu would have been incredible and could have led to further closure on Tai Lung's end (because I think that's kind of what the team was going for anyway), but it didn't happen.

It was nice to see Ian McShane reprise his role, but I wish Tai Lung's characterization had been more reminiscent of the way he was in the first film and more complimentary of his overall character arc. Tai Lung isn't a one-dimensional villain with a singular goal and motivation, and I couldn't help but feel as though the complexity of his character was simplified for the sake of KFP4's narrative.

Tai Lung's presence in KFP4 may be odd, but Shen and Kai's appearances are even more so. Kai, if I remember correctly, was fully obliterated by Po, reduced to literal particles on screen (which is kind of wild now that I think about it). Shen being in the Spirit Realm makes sense all things considered; however, Po and Li had no visible reaction to his presence, which seemed a bit unlikely considering Shen's deeds. This plot hole can likely be attributed to the fact that Shen and Kai's cameos (to my knowledge) were last-minute additions to the movie.

I have to talk about the pacing. I have to. I'm sorry, bear with me.

To me, the film's pacing is erratic and disconcerting. While I can appreciate a quick-moving narrative that doesn't dawdle on storylines that aren't interesting/important, KFP4 kind of flings itself too far in the opposite direction and ends up being frighteningly fast-paced. Once the credits began, I felt like I had been holding my breath for the entire movie.

KFP4 is confusing because while the runtime is standard for a KFP movie, it feels incredibly short. At the same time, the film's story moves at a breakneck speed and leaves little time for heart and development. These things culminate into a barreling boulder of a movie that simply doesn't have time to let its characters, story, or audience take a breath.

A fast pace is not inherently negative, but I don't think it worked in the favor of KFP4. The KFP franchise has always been very emotionally grounded (and just very grounded in general), so to see a film in which emotion/heart takes an aggressive backseat in comparison to action and comedy is jarring. While I think it's unreasonable for fans to expect the same emotional integrity as the original films to be present in the current and upcoming ones, I still think there's room for Po to grow and I felt as though the notion of him developing further was brushed aside in this film.

As for Po's growth, I felt it was nearly nonexistent. The previous trilogy wrapped up his character's journey beautifully and I know that KFP4 was bound to struggle with this particular aspect of making another KFP film; however, just because the strongest pillars of Po's character are established doesn't serve as a valid excuse to reverse his development and repeat what he learned in KFP3.

In KFP3, Po learned firsthand that he is capable of spreading wisdom and teaching kung fu. He also learns that he is constantly growing and that change is inevitable; there is always something more to learn.

"If you only do what you can do, you will never be more than you are now."

"I don't want to be anything more, I like who I am!"

In KFP4, Po pushes against this narrative despite fully accepting it in KFP3, actively reversing crucial parts of his character development achieved in the latter. KFP3 was non-ambiguously about learning to cope with change and responsibility, and I can't help but feel like KFP4 is simply copying this message while not adding anything to it.

Additionally, I felt that KFP4's Po generally felt less personal than he has in the past. In every KFP movie up to the franchise's most recent addition, I felt very connected to Po as an audience member. I felt like I was truly seeing the world of KFP through his eyes. I consider this to be one of the franchise's most impressive feats; it's incredibly difficult to build a universe around a character without making the audience feel limited to one perspective and one part of the world.

With KFP4, I felt both limited and disconnected. The world didn't feel as vast and all-encompassing as it has in the past and Po didn't seem fully like himself. This could be me nitpicking (as I'm prone to do), but I can't recall a single moment in the movie in which Po was alone on screen. Scenes like these are crucial for me because I see them as a meet-cute between the character and the audience, a moment for us to cross the bridge into their world in a way that's silent and intuitive. These little bonding moments are absolutely integral to feeling connected to a character.

Po's dream sequence in the first KFP movie is one of the best examples of this. It presents his aspirations, alludes to his way of life up to the point of the movie, and showcases his personality. During Po's dream sequence, the audience is quite literally inside Po's mind; we're there with him, seeing what he sees, subsequently feeling what he feels. Po is a dreamer at heart and makes the audience feel like dreamers, too.

In KFP4, I felt like I little to no point of reference when it comes to how Po was feeling. I didn't feel immersed in him and his world.

I know I've been very "doom and gloom" throughout this post, which is an exhausting mindset for everyone involved. I want to end my critique with something positive because I think some praise is deserved. Let's just say the movie could have been a lot worse, the details of which I'm sure you're all well aware.

Congratulations, you've reached the end! Thank you so much to all of you who took the time to read this unnecessarily long and detailed review. As long as I help someone translate their conflicted feelings into coherent thoughts, I'll call it a win.

KFP4 has its flaws and there are a lot of aspects that I dislike, but the I greatly admire and respect the hard work put into the film by those of the crew who put their efforts forward and tried their best to make it work. This does not at all excuse my issues with the movie, but it's worth saying.

As for the future of the series, I only hope that the next installment is more considerate of the franchise's origins and why Po's story is being told in the first place. I fully believe that another sequel could be good (even great!), but only given a strong, passionate crew with a great understanding of the characters and world (and I wouldn't be averse to some previous directors returning, just to put it out there).

Thanks again to those who took the time to read this crazy excuse for a movie review. Feel free to either disagree with me or add things in the replies/reblogs, I'm always looking for more thoughts to think.

Until next time!

[yoo-joonghyuks-big-naturals]

Forever mad about how many little things about dazai that were changed or removed from the anime that made him seem less like an all-knowing mastermind and more like your weird coworker. Dazai clutching his sides and laughing at chuuya and fyodor. The egg scene. The part with the dog. Don't even get me started on all bones took from us in how they did entrance exam

[greenleaf4stuff]

Captain Flint (Black Sails) and Adar (The Rings of Power)

Just a small list of comparisons I personally could see between the characters. Possibly very subjective!

(Possible spoilers, though I'll try to keep them minimal by being vague as much as I can!)

neither goes by the name they were given at birth

made into a monster through factors and circumstances that are (partially) out of their control

appear like a cruel tyrant at first glance but the more layers are pulled back the more it becomes clear that they are also a victim and that they struggle with who they have become

their plans are geared towards protecting and saving their peers, but they are willing to make huge sacrifices (even out of their peers) to achieve this goal*

originally come from a society that now only feels disgust and horror towards them and punishes them for their mere existance (as well as their crimes, but those came later)

live in a society/huge group of outcasts that are not accepted anywhere else but amongst each other and who have to fight to have a place of their own

betrayed by one of their closest, most trusted allies and in a crucial moment in their character arc/story (and their arc concludes because of that)

they just want a place of their own to call home and finally *rest*

(are queer or at the very least allow for a queer reading)

*of course Adar's and Flint's actual, individual motivations in that regard are quite different when you further dig into them

[rivalhughs]

ben doyle indigestion warrior

[lemongogo]

oo u want 2 draw soo bad..