#if I can figure out the episode I will edit this post

[maxbegone]

Times like these make me want to remind people of the story Sam Riegel told on a very old episode of All Work No Play where he was participating in a, I believe Broadway charity, softball game back when he lived in New York. On the opposing team was Trump’s then-wide and, for some reason, Trump was keeping score. Turns out he cheated.

So just in case you were wondering if this man has always been a sore loser, the answer is yes. So vote in November, because we absolutely know he will not go down without a fight.

[khaotunq]

ppffftthh

[inklingofadream]

Does anyone else have the "smart" ads (the ones that get dropped at designated points when available rather than those recorded as part of the full audio file) on TMA that are completely out of control? I wanted to start a relisten for fic reasons, and on 2 separate podcast apps (stitcher is dying like. tomorrow. so i'm trying to switch) and "Seed", which is the very first trailer and should come in at about a minute COUNTING all the non-content administrative stuff about what the show is called/when/etc got so many ads loaded onto it is was over 6 minutes. I literally could not find the actual content on the first app, because they were loaded on the front AND BACK end with the actual trailer somewhere in the middle.

Like I respect the need to put ads on stuff to stay in business, but 5 minutes is a bit above average for shows that I listen to that are an hour long. 5 times as long as the audio I came for, though??? 5 minutes attached to a regular episode isn't that much better, that's like a quarter as long as the entire episode! And they aren't filling the slot with a really long ad, there are like 10 in there! They're normal, short ads, there are just a billion of them

[mxactivist]

Support the BBC for having a trans character in recent episodes of 'Doctor Who'

Apparently the BBC (UK) has had 144 complaints about a recent episode of Doctor Who because it contained an openly trans character.

I've made a complaint to the BBC that there weren't enough transgender characters in Doctor Who. I would love if 144 other people did the same thing. Here's the link: https://www.bbc.co.uk/contact/complaints/make-a-complaint/#/Complaint

(For your easy reference: "The Star Beast" aired on 25/11/2023 on BBC One, and the trans character is called Rose.)

Please note that the complaint form asks for your UK postcode, so only UK folks can join in with this - but if you suspect you might have any UK-based followers, maybe give us a reblog to boost the signal?

Edit: I'm told that you can fill in the form even if you're outside of the UK, because the BBC provide service to many countries other than the UK, including the USA! Go for it. :D

Reply to confirm that you've done it, so I can keep a count!

Here's my complaint:

I recommend:

Avoid sarcasm or irony. Assume your post will be taken literally. If you are clearly joking or being mean you will be ignored or misunderstood.

Include some gratitude/appreciation. It's pretty great that they included a trans woman in a positive way, and they should know that they have explicit support for that.

~

Edit again: I'm seeing some concerns in the replies/reblogs that the BBC might not distinguish between "less trans people, please" complaints and "more trans people, please" complaints. Rest assured, this is nothing to worry about - the BBC publish fortnightly complaint reports, and they do pay enough attention to know when a complaint is in favour of or against trans inclusion. In fact, their 20 November – 3 December 2023 report is where the various news articles are getting the 144 complaints figure; that report says there were precisely 144 complaints that they have categorised as "Anti-male / inappropriate inclusion of transgender character".

That means the next complaints fortnight window is 4 December - 17 December. We have 8 more days to beat 144. By my count, over Tumblr, WhatsApp, the Fediverse and Telegram, we have 85 so far, which is well over halfway there.

Also, when you've done it, please reply to confirm you have done it, so that I can count us!

Thank you, everyone!

~

Edit, 2023-12-11, 1am UK time:

We did it! I've just been counting up responses, and it looks like sometime yesterday evening we hit 144 complaints/comments in favour of Rose Noble and more excellent trans characters in Doctor Who! (We're actually up to 157 now, fantastic.)

So, my next plan is to submit a Freedom of Information Act request to the BBC sometime in the next few days, asking for complaints and compliments figures. Then I'd ideally (energy and time permitting) like to put together a press release that I can send out to the publications that promoted the tiny "144 anti-trans complaints" figure, showing them that there has been far more feedback in favour of trans representation than against.

I'll keep you posted.

[maladaptivedaydreamsx]

silvio, growing up watching his father constantly fail to protect the woman he loves:

full offense to the king, but I'm built different

*proceeds to protects the shit out of emma from the benetiote court*

[pa-pa-plasma]

You write tucker/danny fics 👀 ? (I am a Fellow tucker enjoyer who likes shipping him with danny on occasion)

OWO

in all seriousness, i'm not very good at romance & my plots usually are about entirely different things (code for vivisection/experimentation & angst shit), but in basically every fic i write, Tucker's a central part of things & is close *wink wink* with Danny.

like, in FOtPoD, later chapters do get, um, how do I put this. homoerotic. sitting in Tucker's bed as he wipes the blood off of Danny's hands post mental breakdown. which like, is my version of the most romantic thing ever I guess xD

maybe i'll build up to actual romance one day, but right now it's just "what if I let my walls down for you & we slept in the same bed & you were more gentle than I deserve? & we're the same gender"

[hedgehog-moss]

I met with you in my dream last night! For some reason I was in France, so it was only natural I go visit you. You took me on a little tour of your house and showed me some cow bones you had, and then you took me on a ride in your flying boat and fed me some cut fruit. You were very kind and gave me some excellent advice on a problem I was having in the dream. Then we met up with my mother, and I introduced you as my friend Hedgehog, lol. Thank you for being such a lovely host in my dream!! It was quite fun. I hope I get to visit dream you again, and maybe meet the dream llamas next time!

That's such a nice dream! All it's missing is a kiss from Poldine :) I'm glad I was a welcoming host, because I was bracing myself for a dark turn when I read "you showed me some cow bones you had"—that just felt ominous.

I want you to know that it may have been a prophetic dream. Just a few days after I read your ask, back in June, Poldine & I went to visit some distant neighbours, and not only did I find the place eerily quiet and messy-empty, as if they had moved in a hurry, but there was a cow skull on their doormat. (There was also a goat skull behind the window in the barn.) My first assumption was that someone had placed the skulls there while the owners were temporarily absent and it had scared them into leaving for good. (I asked a friend "What should I do if I came home from a weekend away and found a cow skull placed in front of my door, and a goat skull behind the window in the barn?" and she said "Let whoever did this have your house; leave immediately.")

I don't want to post my cow skull photo because you see the glass door + the inside of the house behind it so it feels weird, like I'm doxxing my ex- or future-neighbours. Whoever moves here next will already have enough problems, what with all the skulls. I do have a photo of Poldine looking ambivalent about our presence here, post-skull discovery:

EDIT 2 months later: I kept this in my drafts and let the summer pass before posting, hoping local gossip would allow me to figure out what happened and I'd have a fun story to share, but no. The facts are: my distant neighbours (who moved here just last year) moved back to the big city in a hurry, no one knows why, 2 other people went to visit them after they left but I am the only one who saw the skulls. Maybe the person who put them there came back for them later so they can use them again when a new family buys this house? (It's a nice little wooden chalet, if anyone is interested. You'll be living in the woods with your nearest neighbours quite far away and possibly an enemy lurking in some nearby tree.)

I'm very sorry for unexpectedly turning your lovely ask into an episode of Creepy Rural Mysteries! Let me know if you have any more dreams about visiting me; they could contain important details and / or warnings.

[queers-gambit]

Opening Night and Open Hearts

prompt: opening night - a mother's fear, a locked walk-in freezer, confessions through a thick metal door, questioning what's deserved, and a proposal at The Bear after hours.

pairing: Carmen 'Carmy' Berzatto x female!reader

fandom masterlist: FX's The Bear

word count: 9.8k+

note: i think i give enough background for you guys to feel as if you don't need to read any other relating works, but i linked the fics that could be read as a small series (maybe?) also let author be lonely in peace

warnings: reader nicknamed Peach, established relationship, cursing, spoilers, fluff, angst, relationship angst, hurt and comfort, Carmy still (desperately) needs a nap, depiction of physical illness, boys are dumb and emotions are hard, reader-insert, depiction of toxic family, OC Carmy that grovels a lot, not edited!

⚠️ season two, episode ten spoilers

not necessary to read, but other relating works with Peach:

Dinner at the Homesick Restaurant

God's Plan part two: Two to Tango

Neon Sticky Notes

"Hi, yes, I can hear you - sorry about that, I was just making note of your reservation," you spoke smoothly into the phone, trying not to ogle your boyfriend wrapped in only a clean blue towel. "So, that's a party of four for Monsieur Claude Badeaux - all right, that's so lovely. I'm obligated to remind everyone that tonight's opening is a fine dining experience and the proper, corresponding dress code is being asked for. Are there any allergies I should make note of for your party?"

"Jean Paul has a tree nut allergy," you were told.

"All right, that's noted and highlighted: Jean Paul has a tree nut allergy. If there's anything else I could help you with?"

"Non," he chuckled. "I was surprised to see your invitation to this evening, though, mon cher. It's been so long, yes?"

"Well, it was my pleasure to extend the offer, we're ecstatic by your reservation," you chuckled. "We'll see you tonight, Monsieur, and should you need anything before then, you may call this number again."

You said your parting words in French, smiling at Carmy when you hung up and dropped your work phone. "Did I hear that correct?" Your lover asked with a broad grin, "Was that...?"

"Senior marketing advisor at The Washington Post?" You filled in for him. "Uh, yeah, I think it was, but you know me - I could be wrong."

"You invited someone from The Washington Post to the opening tonight?"

"Is that okay?" You asked, standing from the bed after making note in your datebook. "You look kinda - I don't know, shocked?"

"I-I am," he blinked at you, watching you gather his pristine clothing to hang on the closet door. "But in a good way - I can't believe you did this," he chuckled, wiping his mouth. "I mean - holy shit, Peaches."

You offered a toothy grin, "Figured I could pull a few of my own strings to help get the word out about your love-child."

This made Carmy snicker, "Hey, now. Tonight's important, don't make fun."

"I know," you nodded, leading him back into the bathroom to view your hair products. "Which is why I invited some important people and some not-so important people. I know this is serious, Carmy," you smiled at him, hoping to convey your support, "and I wanted to help in whatever way I could."

"You being there tonight is more than I could ask for," he chuckled, helping you onto the small bathroom counter. You squirted a bit of hair product in your hand, watching him flinch back a little, "Uh, I just don't want my hair greasy, Peach, you know? Not a good look and I'll sweat it out in the kitchen."

"I feel like I should be offended by you having no trust in me," you teased, insisting, "I know whatcha need, baby, lemme help."

Carmy smiled softly and held still, letting you run your hands through his curls to push everything back and away from his forehead in a stylish but manageable "do". There was a silent, serene moment as you and Carmy just existed together in a mundane space, his big, sad eyes watching your face as you worked. He wondered, "Think tonight's gonna be okay?"

"I think tonight's gonna be more than okay," you assured softly. "I think tonight's gonna go better than you're anticipating."

He sighed and planted his hands on either side of you, suddenly dropping his gaze. "I, uh... Sugar invited Mom t'tonight..."

"Yeah, I know."

"You know?"

"Sugar and I are still friends outside of us dating, Carmy," you smiled patiently, slowing your hands so you more toyed with his curls; pushing some strands behind his ears. "She needs someone as much as you do and I don't mind."

"But isn't that what Pete's for?"

"Yes, but you know, Pete's Pete."

Carmy snorted, "Yeah, yeah, good point."

"I don't know if she'll show up tonight, Bear, but whether she does or doesn't, it won't matter - you're not doing this for her. This is for you, Carmy, tonight's about The Bear opening - it's about you and this incredible, amazing thing you've done. Okay?" You caressed both his cheeks in your hands so he could only look at you directly. "If she shows, that's great," you whispered with a soft smile as your thumbs swept the apples of his cheeks, "and if she doesn't, it won't make tonight any less special. That, I can promise."

Carmy's forehead met yours, both pausing to breathe together; peace always a fleeting feeling as of late and being something you both capitalized on. You brought him in closer for an embrace, his face burying in your neck as your arms snaked around his to keep him as close as possible. His arms were tight around your waist, legs spread to accommodate him; both needing the feel of being close before that night's inevitable stressful event.

"Wow, well, don't you look all pretty! Wow, Peach," Pete greeted you when you scurried to the table with your friend in tow. "Oh, hi there!"

"Pete, this is my best friend, Danielle, and Dani, this is Pete, Sugar's husband."

"Hi, it's really nice to meet you," your friend greeted, the two instantly chattering as they both just blew past their introductions to instantly compliment one another's clothes. You smirked, knowing they'd get along famously, and looked around the brand new, packed restaurant.

"Hey, there she is, my pretty girl," Richie greeted smoothly, approaching your standing form to slide his hand around your shoulders.

"Hi, Cousin," you beamed, offering him a hug in greeting. "The place looks fantastic - it's so - I mean - just wow, Richie," you complimented. "You guys did such an amazing job. I need to tell Fak, too, this is - you guys should be so proud, it looks incredible. Hardly can believe what it was before this."

"It really is something, huh?" He grinned. "Hey, Pete," he nodded.

"Hey, Richie."

"And you must be the famous, the fabulous Miss Danielle?"

"That's me," your friend grinned. "You're Richie, right? Carmy's cousin who's not really a cousin but is as good as blood?"

"Yes, ma'am, the very same," he nodded with pride. "We've some drinks coming your way in just a moment, but I need to borrow Peach for just one second."

"Why do they call her Peach?" Dani asked, but Richie was leading you away as Pete was heard answering,

"Oh, because she mastered this peach cobbler with Carmy's mom, Donna, and she started the nickname..."

"What's wrong?" You asked softly with a smile as to not give the illusion to others that you were worried. "What can I do to help?"

"No, no, nothing too bad, you were just requested by the Frenchie-French guy."

"Oh, right, that's right, yeah, I can help with that," you sighed gently, smiling as you approached the table. Greeting the two men and women was easy, Richie impressed by your connections in the professional world. Tonight, The Washington Post didn't just dine with them - no, it was also the director of social media for three luxury, designer brands: Jean-Paul.

Yes, the man was so elusive that he just went by Jean-Paul. Fuck a last name!

Either way, it impressed Richie to hear the introductions. The two women were executives in their own companies, names Richie didn't catch because he was busy taking note of the way Mr. Frenchie-French was basically eye fucking you in front of them all.

"Well," Richie smiled stiffly, "tonight's incredibly special for us. In fact, uh, Y/N's boyfriend is the owner and head chef."

"Really?" Frenchie-French perked his brows, shifting his gaze over to you. "You always had a soft spots for chefs, non? For those who were versed in the culinary arts?"

"Well, mostly I appreciated a man in the kitchen simply because I burn water and would probably unintentionally starve myself," you teased easily, deflecting the man's subtle dig. "I'm actually here with family tonight, so, please, ladies and gentlemen, enjoy tonight - I know I'm biased when I say the food is exceptional, but I look forward to your own opinions."

"We will talk later, mon cher, I am sure there will be plenty to discuss," the Frenchman promised, kissing the back of your hand as you let Richie lead you away by your free hand.

You released a long sigh, muttering, "Bring them a bottle of real champagne, please, Richie, I had a few bottles imported just for them. Listen closely," you lowered your voice as you both paused on the side of the dining room, "bring them a bowl of thin sliced strawberries sprinkled in sugar and pop the cork at their table - it's impressive for whatever reason."

Richie pecked your temple and gave you a tight squeeze, "I got it all covered, girly. You all right? Look like you're gonna be sick?"

"Just men being men grosses me out, I guess," you sighed with a small shrug. "He's always had a thing for me, I figured I'd use that to get him here tonight - Carmy's work speaks for itself, but maybe he'd be inclined to publish an article or two for us if I play nice."

Richie paused you a few feet from your table, complimenting, "I hope Carmy knows he doesn't deserve you, Peach."

"You said years ago neither of us did," you smirked gently. "Said I wasn't relationship material, right? Remember?"

"I was wrong," he nodded. "I even said y'all would never be serious, but..." He scoffed to himself, "I've never seen that boy so crazy about anyone in his life. You've really changed him, Peach. I don't really know how to thank you."

"You can start by buttering up those flirty Frenchmen," you teased, giving his cheek a peck.

"On it," he winked, parting from your side.

Inside the kitchen some twenty minutes later, Richie approached Carmy, directing his attention, "Cousin?"

"Yo."

"Peach is on 17 with Pete."

"Okay."

"Go say hi."

"Yeah, eventually," Carmy nodded absently, never halting his work.

"Eventually?" Richie repeated with distain, something in his stomach twisting.

"Where the fuck is Josh!?" Carmy called into the kitchen, another chef echoing his concerns.

"Yo!" Richie barked as calmly as he could, "Just go say hi to your girl, Cousin."

"Yo, I'll go when I have a minute," Carmy deflected strongly. "I'm in the fuckin' shit, leave me the fuck alone."

"What? I'm saying - "

"I'll get there when I can get there!"

"I'm saying!"

"What?" Carmy barked.

"She's got important fucking people in that dining room, man," Richie scoffed, hands held up in defense. "Just for your ungrateful ass! Maybe the least you can do is go say fuckin' hi - even if you're fuckin' busy. She knows that, it'd be a nice gesture - or whatever fuckin' shit - I don't know! She's your girl!"

"Yeah! Exactly!" Carmy barked. "She's my fuckin' girl, she knows the fuckin' drill, I'll go say fuckin' hi when I get the fuckin' chance, Richie! Fuck's sake! Always tryna meddle and shit!"

"Jesus, fuck," Richie sighed, turning out of the kitchen with his hands waving Carmy off in defeat.

You were none the wiser, entertained by Pete and Dani's gabbing as Sugar was in-and-out, dealing with all the little things going wrong. These little things came to her in the form of notes left at the table subtly for her to go solve, you wanting to help but being shot down every time. Eventually, Carmy was approaching your table with a tray of food, shocking you slightly.

"Hey, Peach," He greeted softly, lowering the tray to balance on the table and lean over to kiss your cheek. "You look gorgeous, baby, wow," he complimented in a whisper, offering another quick kiss.

"Thank you, Chef," you smiled brightly, touching his forearm in a sign of affection. "What's all this you've got for us?"

He hummed and explained what he set on the table in front of you guys; eyes alight and cheeks flushed from the heat of the kitchen. He poured whatever sauce came with the main dish, smiling at Dani, nodding to Pete, then looking to you.

"I'll check on you later, all right, baby?" He mumbled, watching you nod. "I gotta get back," he whispered, "but thank you for being here, my pretty girl."

"No where else I'd rather be, Cream," you rushed, letting his lips find yours briefly.

"Stick around after, would you? When we close, just... Don't leave yet."

"Yes, Chef," you whispered against his lips with a grin. He gave one single more kiss before pulling away to stand upright.

"Enjoy," he bid the table before walking away.

"So, like," Dani trailed after making sure Carmy was out of earshot, "when's the wedding? 'Cause that might've been the cutest thing I've seen. I mean, opening night, he's cooking, but paused to come serve us? Serve you? And he's so soft with you, kissin' you, bein' all cute," she pouted dramatically. "I want a reason to wear a maid of honor dress, please."

"Hey, hey, chill on us. There's no wedding," you sighed with a small laugh, trying to play off how the subject made your stomach twist. "We haven't really talked about it, you know? No biggie."

"What?" She sputtered. "Wait, hang on. Y'all have been together - like - a stupid, ridiculous amount of time. The fuck you mean you haven't talked about it? What are y'all doing, just ignoring the elephant in the room?"

You shrugged lightly, "I don't know, we know if we ever got married, it'd be to each other, but that's really it. We know we want to be together, we know we want to marry each other, but there's been no serious conversation about it."

"Uh, does that sound right to you?" Dani asked Pete.

He shook his head as you all took dainty bites of food to savor the flavors (and save Sugar some). "When I knew with Natalie, I didn't hesitate."

"Well, Carmy isn't like you, Pete," you defended. "He's got a lot on his plate, too, you know?"

"You've said that since Mikey," Dani frowned, her voice quiet.

"With good reason, don't you think? Carmy's just - he's just going through a lot right now and it's a challenge, you know?"

"No, it's more like Carmy's got the emotional intelligence of a fucking teaspoon!"

"Hey," you snapped, "that's not his fault, he doesn't know much better, so watch your mouth."

"He does with you, like... He knows better when he's with you, when it comes to you, Peach," Pete offered softly. "Look, maybe Danielle has a point - it is a little weird. I mean, you guys have been together, what? Six, almost seven years? Creeping up on a decade of just dating - that's a long time. And didn't you guys do that weird little half-dating thing for two years before making it official? Don't you think that's enough time to know if you want to marry someone, and then, you know? Actually marry them? Or at least ask them?"

"Sure, maybe to other people, but Carmy and I have never been conventional, so, I don't see why we need to start now."

Danielle scoffed, "Look, God love Carmy and everything, but you're just wasting time now. He needs to either commit or let you find someone who can actually love you like you deserve."

"Oh, and Carmy doesn't?"

"Wasn't all that long ago that you two took a break 'cause he called you clingy - and some other unsavory terms," Danielle shrugged. "Doesn't really sound like someone who loves you unconditionally - the way you should be loved."

You sighed and sat back in your chair, "I appreciate the insight, but Carm and I are fine. Okay? We've got years under our belts, we don't want to fuck up what obviously works for us so chill out on the questions, okay? I don't have answers to them."

Danielle and Pete shared a look before the man got up to excuse himself to the restroom. You and Dani finished your meals before sipping your wine, waiting for Pete, but Dani sighed, "This lady's been staring in here for, like, ten minutes already. It's freezing, doesn't she want to come in?"

"Hmm? What're you - ?"

"This lady on the street," your friend pointed over her shoulder towards the window her back was now turned to.

When you peaked out, you gasped lightly when you saw Donna Berzatto smoking a cigarette. "Oh, shit!" You stood from your seat, rushing, "Okay, so, uh, yeah - just - can you just sit here for a second? I have to go handle that."

"Who is it?" Dani wondered earnestly.

"I got it, Peach," Pete told you, passing by the table swiftly with a hand patting your shoulder to keep you at your table.

"What the hell's happening?" Dani asked. "Who is that?"

"Nothing, no one, it's okay, I think that's someone we know, just, uh, hang on a second? We'll be right back."

"Sure," she nodded in confusion, watching you get from your seat and follow Pete out the door onto the blistering cold sidewalk.

"Hey, Mama Donna," you greeted happily, arms crossing over your chest to protect from the wind. "Have you been inside yet? We saved you a seat and all, but isn't this - just wow?" You grinned, trying to encourage her to say anything about her children's hard work.

"Oh, no, no, not you, too, Peach, why are you here?" She groaned lightly, looking upset and close to tears.

"I'm here 'cause of Carmy? I-It's opening night, yeah?" You offered in confusion. "Why? What's wrong, Mama D?" You worried, glancing at an emotional Pete.

"No, it's just, I can't come in, I can't, just no," she backed away, only now making you notice the way Pete cried. "I'm so sorry, Peach, honey, but I was never here. Okay? I-I'll call them later, I swear, I promise, I'll call them - but I-I-I wasn't here. Okay? You can't tell them I was here. I'm so sorry."

"Donna, don't do this," you begged, head shaking. "Don't, please. Just come in with Pete and I - just sit there for a bit. Just come in and see what your kids have done - Donna, it's so beautiful. You'd be so proud, but you should really see it for yourself - "

"I'm sorry, I'm so sorry, I can't, I'm sorry, I'm sorry, not tonight, no, I'm sorry, I can't," she deflected in a rambling mumble, turning and hustling down the sidewalk with her head shaking like a Etch-A-Sketch.

You rounded on Pete, "What the hell was that? Pete, what just happened?"

"Um, I-I don't - I didn't mean to."

"Pete? What didn't you mean?"

"She didn't tell her mom about the baby," he rushed, tears falling. "Nat didn't tell Donna, Peach, and I think I just did - I think I just fucked up and told her."

"Oh, no... No, Pete, you didn't."

"I didn't mean to! I swear it was an accident!"

"No, I know you didn't mean to, honey," you rushed, opening your arms to bring him in for a tight hug. "Oh, you poor boy, I'm sorry. I'm so sorry, Pete."

He sighed, "I'm sorry, too, Peach."

"For what?"

"That... We fell in love with Berzattos and this is our new normal now, right?" He sniffled.

You half-smiled, "Yeah, something like that. But it's okay. See, where Donna's afraid to give her love, neither of us are. Sugar and Carm deserve that from us, right? To be authentic and just love them?"

He nodded, "Yeah, you're right."

"And that's all we gotta do... Is love them, Pete."

"God knows where else they'd get it," he huffed, wiping his face. "Hey, um, I'll be in, in a second - I just need a minute alone, I think, in the cold."

"Take all the time you need," you agreed.

"We're not - we're not telling them about this, right?"

You sighed, "No, I don't think so - at least right now. It might hurt them more, you know? To know Donna was here, but never came in. That she ran away... Again. It'll hurt, they deserve to be happy about tonight."

Pete nodded rapidly, looking like he was gonna burst into tears. Instead of going back inside, you just moved to Pete's side and stood there; producing a cigarette, lighting it, offering Pete a drag that he turned down, and the both of you just standing silently; one smoking, one crying, both processing.

"Wow, look at these gorgeous ladies! By far the baddest in the whole place! Yeah, man!" Fak teased as he approached you and Danielle after closing the The Bear officially. "What a privilege to have you both dine with us this evening! Ugh, truly an honor to see you both here," he praised comically, evening giving a small bow that his brother mimicked.

Your eyes rolled, "You're laying it on really thick when I already tipped you." He snickered with Theo. "Hey, seriously, though, tonight was incredible. I mean, it was all so beautiful, you should all be so proud."

"Oh, we are," Neil giggled, his brother hanging off his shoulders.

"Good," you teased. "Uh, is now an okay time to go back and see him? Kinda wanna offer my compliments to the chef directly, you know?"

"No," Fak answered instantly, "uh, well, probably not the best time."

"Yeah, probably not," Theodore echoed.

"I can sense you two ramping up to something," you sighed, "so, I'm gonna ask you skip all that and tell me what's wrong. Why can't I go see my boyfriend? He just had an incredibly successful opening night, I kinda wanna kiss him if you don't mind."

"Um, well, h-he didn't want you to worry, so, he said not t'tell you, but, uh... Yeah, no, Carmy's, like, locked in the walk-in freezer. Han Solo style."

"What?"

"Locked in the walk-in," Fak nodded rapidly, "yeah, no, the handle - like, the whole handle came off. He's locked in, Peach..."

"Oh, my fucking God," you breathed. "Are you saying he - he missed opening night? Neil!"

"Yeah, kinda... Well, sorta - I mean, technically, but - "

"Oh, Jesus," you breezed past them all.

"Mmm-mmm, the fridge guy's name is Terry," Tina corrected Carmy, flinching a little when he slapped the other side of the metal door he was locked behind.

"See, th-tha-that's what I'm talking about!" Carmy raged. "I'm so fucking distracted, and for what? For fucking what? 'Cause of a girl?" He chuckled ruefully to himself.

"Nuh-uh, don't do that, Carmy," Tina scolded. "That's not no girl, that's your girl, that's Peach - you don't lash out at her, baby."

"Yo, maybe - maybe I'm just not built for this. Right? Maybe that's okay! Maybe that just is. She'd be better off, Tina... I'm just - I'm not built for this."

But what Carmy didn't hear was Sydney asking Tina to cover her at the front because she needed to step out the back, get some air; Tina accepting and telling Carm to hang on a moment. Something he missed. While Tina took Syd's spot, Syd rushed outside, and you slipped in the kitchen door; Carmy being surrounded by shitty ripped tape and an entire side full of the flowers he had brought in for tonight - for you. It was a haunting reminder; something suffocating.

When you got to the walk-in, you were prepared to call out for Carmy, but he started speaking from within, halting any word on your tongue.

"I wasn't here b-because I was looking a-a-at fucking engagement rings when the fridge guy fuckin' called," Carmy ranted, your heart stalling in your chest. "Right? Like, what the fuck was I thinking? Like I was gonna get married? Commit to this relationship? Be h-her fucking husband or some shit? Have a fucking wife? I'm a fucking - I'm a fuckin' psycho!" He laughed a little, the tears springing to your eyes as his words disarmed your heart and emotional dam. "That's why! That's why I'm good at what I do! That's how I operate! I am the best because I didn't have any of this fuckin' bullshit, right? I could - I could focus and I could concentrate and I had a routine and I - and I had fuckin' cell reception, and Peach and I just had our own routine! We didn't need this extra bullshit, and now..."

You just listened, leaning on the freezer's door, tears silently leaking down your cheeks as you had the horrendous realization that you were what now slowed Carmy down. You were what currently stood in his way, when this whole time, you thought you were helping; making things easier; supporting him. No... No, his words rattled your heart to accept that you were now the bane; the object of his ire. You and your relationship was what was wrong and was causing Carmy hurt and professional complications.

Something you never wanted to contribute towards. You both always said if this relationship got to be too hard, you'd walk away. Better to feel anger than resentment; and now, you knew you had to walk away else risk that resentment fester.

Carmy started up again, "I don't need to provide amusement or enjoyment, I don't need to be someone's 'to have and to hold'. I don't need to receive any amusement or enjoyment, nor for someone to have and hold me... And I'm completely fine with that. Because no amount of good is worth how terrible this fucking feels." You were ready to open your mouth, but he finished by nailing the final nail in the coffin of your relationship, "It's just a complete waste of fuckin' time - entertaining what I know I shouldn't. Being in this relationship, trying to give what I don't have, wasting everyone's time."

You took your chance, speaking through your tears, "I'm really sorry you feel that way, Carmen."

"Peach?" Carmy rasped from behind the door, sounding more alert than he had before. "Baby? Hey, hey, Peaches? That you? Peach - hey. Hey," he sounded desperate as you backed away from the door, a fist pounding into the metal, "hey, no, Y/N? Y/N!" The seriousness settled over you both, Carmen understanding you heard a lot more than ever intended and once those words are out there, there's no getting them back. "Y/N, baby? Hey, no, no, Y/N - listen to me - hey, no, no! I-I didn't know you were there, baby, okay? No, Y/N, please - tell me you're there now, let me explain." He paused. "Let me explain! Please! C'mon, baby, please, let me fucking explain - tell me you're still there! Y/N? Y/N!"

You sniffled and walked away, feeling smaller than you ever had in your life. You barely noticed when the kitchen door opened, not until a figured dressed in black stopped you. "Peach? Hey, hey," Richie halted you - taking note of the tears. "What's wrong? What happened? Are you okay - who fuckin' did it?"

You just stared at Richie for a long moment, opening your mouth twice before sighing and smiling sadly. "I never wanted to be what got in his way," you whispered sadly. "I'm sorry, Richie."

"Peaches, hey, what's - "

But you reached up to kiss his cheek, "Tonight was so beautiful, Cousin, and I'm so fucking proud of you all. Thank you for everything - not just tonight, Richie, but everything you do." You smiled again, whispering, "Take care of him. Okay? He'll need you."

"What're you talking about? What's going on? Where are you going? Hey, where are you going, Peach, please?"

"Have a good night, Richie, I love you," you whispered, leaving out the kitchen door as quickly as you could. "Hey," you sniffled, approaching Dani with the Fak Brothers, "can we go now, please?"

"Are you okay?" Dani worried in shock.

"I'd really like to go, Dani, please," you rushed, throwing your coat on and smiling at the Brothers as if your heart wasn't in pieces. "Thanks again for tonight, you guys, it was magical."

"Peach? Wait, hey, are you okay, baby? What just happened?" Neil worried, watching you snatch Dani's hand, but pause when screaming was heard from the kitchen. Everyone stared at the door, Neil muttering, "The fuck are they...?"

"Now, Dani, please," you whimpered to your friend, who wasted no time in escorting you out of The Bear. The moment you were outside, you burst into sobs, Dani grunting a little as she lead you down a side alley to lean you on a brick wall and beg you to breathe normally.

"What the hell just happened? Hey, honey, you need to breathe," she smoothed hair off your face - but it was like you were drowning in the air with the way you gasped and gaped and panted and whimpered and choked yourself.

"I-I-I-I think - I think w-we're done, I think we're done, I think - oh, fuck - I think we just broke up," you sobbed, hands on your knees. "Oh, my God, Dani," you whimpered, "I-I think - I think we're done, Danielle, oh, my fucking God. I-I heard things tonight that I just - I can't not know, anymore! He said - fuck! He was just so candid, he didn't know I was there so h-he was sayin' things I have t-to now confront - and I really didn't fucking want to! He just - he doesn't want to really marry me, D, and-and-and he was apparently looking a-a-a-at rings - fucking engagement rings! But then he said that w-was the issue - he missed the fridge guy's call 'cause he was looking at fucking rings for me and this is why he missed opening night - 'cause the fucking fridge broke! Oh, my God, Danielle, i-i-it's my fault, it's my fucking fault, he missed the most important night of his life and it's my fault - "

You were cut off by your stomach lurching, emptying your insides onto the pavement. The delicious appetizer, the tantalizing main course, Marcus' fresh baked bread that was delightfully soft on the inside yet baked crisp on the outside, and every bit of the sweetened dessert - all wasted on Chicago bricks.

"Okay, okay, ah, shit, just get it out, babe, there you go," Danielle held your hair, catching you in a suffocating hug once you were done puking. "I've got you, babe, I've got you. You're okay, no, hey, this isn't your fault. I've got you, come on. I think we need pints of ice cream and the saltiest pretzels we can find," she pushed some hair from your sticky forehead, pouting dramatically, "maybe some Pepto? Few Saltines and ginger ale? C'mon, we're going back to mine, there's a good girl," she coaxed you from the ground and away from the wall, "c'mon, you're stronger than this. There's my girl, here we go, just one foot in front of the other - together, with me, just like that."

You sobbed, not knowing that Sydney and her father stood listening just a few feet away behind a set of dumpsters.

The moment the freezer's door was open and Carmy was free, he was sprinting around the kitchen to grab his coat, leave Neil in charge of closing, and racing out the door as the Fak Brothers yelled at him for hurting your feelings.

"Hey, hey, hey, Chef! Carmy, wait!" Sydney chased him outside.

"No time!"

"Wait! She went with her friend!"

Carmy came to a tripping halt, catching himself before he hit the pavement before whirling around to approach her, "What?"

"Her friend? She was with some girl tonight?"

"Yeah - yeah, yeah, yeah, uh, um, that's - yeah, that's Danielle," Carmy nodded. "Her best friend, yeah, they were here tonight, sitting with Pete and Sugar."

"Listen, Carmy, I heard them when they left the restaurant... Peach was really upset, like, more upset than I've ever heard, saying you two broke up? Or something? She cried so hard, Carm, she actually threw up, it sounded like she was in genuine distress. I-I didn't know if I should've intervened, but her friend was with her and helping."

"Shit - fuck - Goddamnit," he seethed. "All right, thank you - "

"I doubt they went to your place, I think I heard her friend saying they were going to her apartment."

"Yeah, yeah, yeah, great, I know where Dani lives, thanks Syd!" Carmy bid, sprinting in the other direction - never bothering with the public bus system, just running into the night. Sydney was left to sigh on the sidewalk, Neil and Theo joining her before Richie followed - all watching Carmy disappear down the sidewalk.

"He's a fucking idiot," Richie shook his head.

"What the hell even happened?" Syd asked.

"Carmy mouthed off in the walk-in, Peach heard it all," Richie supplied. "You know the dumbass was gonna propose tonight?"

"What?" Syd blinked in shock.

"Yeah," Neil tacked on, "we had a whole plan and everything. Candles, soft music, flowers - there's a bunch of flower bouquets in the walk-in."

"I'm sure that was hard for Carm to look at," Syd sympathized.

"Doesn't excuse whatever he said," Richie snapped. "She looked devastated."

"She cried so hard, she threw up in the alley," Syd frowned.

"How do you know?" Neil asked.

"I heard her," the other chef frowned. "My dad and I - we actually both heard her."

"Jesus fuck," Richie seethed.

"I mean... Should we still set up?" Theo wondered to his brother. "What if they kiss and make up, like always? Carmy might still wanna go through with the proposal, right? You know?"

"Maybe," Neil trailed, looking at Richie.

"I don't fucking know," he sighed, hands on his hips.

"She thinks they broke up, I imagine whatever she heard was pretty nasty," Sydney frowned. "Think they'll really make up tonight?"

"Let's hope," Richie sighed. "That fuckin' idiot isn't gonna find anyone better than Peach. Fuck," he looked around the city street. "All right, fuck it, fine, let's fucking set up. Not like the jackass deserves it, but let's do it for Peach."

Neil and his brother grinned at each other, turning to hustle back into The Bear - leaving Sydney and Richie on the street. No words were exchanged, just silent shakes of their heads before they followed the Faks with the intention to help set up for a proposal nobody even knew if would still happen.

The cold night burned Carmy's lungs, but it was nothing compared to the feeling of suffocation he felt earlier when listening to one of your voicemails while trapped.

Your words were sweet as pie, as they usually were; a voicemail left when you were still at work, but feeling so excited to see him that night that you just had to call him. You reminded him of the adoration and love you held for him, relaying how proud you felt - and that you knew Mikey would be, too. You were always doing that, reassuring Carmy; and maybe that's why he felt so freaked out, he wasn't used to it. Even after almost 7 years together, he just wasn't used to what he didn't know he deserved.

Because Carmy didn't think he deserved anything remotely close to love, understanding, compassion, patience, and / or reassurance.

He had sobbed out loud as he locked his phone, not having the heart to delete your message. He often never did - he liked listening to your voice on long, hard nights; it brought him peace when the world felt too loud. He also kept whatever little notes you left for him, even going as far as to get a few of your hand-drawn hearts tattooed on his forearm. One for each anniversary you've shared together. He realized he never wanted to be without you and all his doubts and fear was him projecting his own incompetence towards this relationship; so, he locked his phone, he didn't delete your message.

The moment the fridge door had been opened, Carmy was out of there, shot off like a Roman Candle - your words of love and understanding still ringing in his ears as he was freed. He needed to apologize, and he needed to apologize right fucking now.

The whole run to Danielle's apartment, Carmy wasn't sure what to say to you; mulling over different ideas in his head. He tried to plan his speech, but the only thing he could think of was how much he loved you and that the ring in his pocket weighed a hundred pounds.

He pounded at Danielle's door. Carmy paced slightly as he waited, knocking frantically, and surely waking the neighbors - but that didn't matter. All that mattered was talking to you, something he was desperate to accomplish. When the door opened, your friend offered a stale look and shook her head, "Nope."

"Dani, please," he halted the closing door, "it's all a misunderstanding, I swear to God, please, just - let me try to fix this. Please, okay? I-I need her - I fucking need her and I have to fix this 'cause she's all that matters, okay? So, let me talk to her - please. Please, Danielle!"

"Yeah? The only thing?"

"More than anyone, more than anything - more than The fucking Bear, I swear to fucking God, Danielle! Just - Just one chance, please. I-I don't know how it all got so fucked, but please, I have to try - "

"Whatever you said in that freezer, Carmen, fucking gutted her, you hear me?" Dani stood in her doorway protectively. "Should've had your ass frozen for the hurt you caused her. How the fuck do you intend on making this right? Huh? It's been almost a fucking decade, dude, if you're seriously still afraid of commitment, just fuck off and leave her alone. Let her walk away 'cause I promise, there's a line of dudes who would love to put a ring on her loyal-ass finger - "

"Please, let me fix this," Carmy begged, sounding close to tears. "I need her, Danielle, please."

"It's okay, D," a voice whispered from behind Danielle, and when she turned, you were revealed - jacket and purse in hand, looking completely exhausted, drained, and disheveled. "I'm just tired, Dani, but we have to talk about this... So, I'll go home with him and call you tomorrow, okay?"

"You sure?"

"It's a decent walk, gives us too much time to talk," you shrugged, refusing to meet Carmy's bloodshot eyes. "Thanks for tonight, sorry I was such a mess," you whispered, hugging your best friend since pre-school.

"Girl, don't you ever apologize to me. But hey, look, I don't know, you were just drowning in your tears, like, five minutes ago. Sure you really wanna go? You can stay here as long as you'd like, girl, fuck him."

"Better to work it out now than later, I guess," you whispered, letting her kiss your cheek and see you guys out.

"She calls me cryin', Carmen, I'll kick your ass," She threatened as you moved down the apartment's hall. You might've snickered just a little, but the amusement was wiped clean when you rounded the corner and came up to the elevators.

Now that it was just you two, it was dreadfully awkward.

"Baby - "

"Just - don't talk for right now, Carmen," you sighed, shaking your head. "I'm still digesting all you said."

He frowned when you walked onto the elevator without a single emotion on your face, following you, and when on the ground floor, moved out to head home. It was quiet, it was awkward; only the sounds of traffic filling the space between you as you walked.

"Listen," he started with a long sigh, "you came in at the worst time, Peach, heard some shit you shouldn't have that I-I didn't even mean. I was just," he paused, sighing, "really angry and frustrated, fucking running my mouth 'cause I didn't know what else to do."

"Sounded like I came in at the best time since you're not very forthcoming with emotions. So, hearing your confession put a lot in perspective for me, Carm."

"I was just angry, Peach," he frowned, hands deep in his pockets. "Felt like I was self sabotaging myself, I wasn't sure what else to feel. So, I just lashed out. I didn't mean it, but I just felt like being angry... So fucking angry, baby, I just - I didn't know what else to feel."

"I don't know if I can be with someone like that," you whispered. "Someone who throws our relationship under the bus when he's angry, someone who's first line of defense is apparently to blame the relationship he's been in for over half a decade with the same girl. Someone you've known your whole life..."

"Peach - "

"If it's that easy for you to just disregard us, I don't think we should continue this."

Carmy took a breath and reached out to pull you to a stop. He dug in his pocket for a moment, then showed you the black velvet jewelry box. "I was gonna propose tonight, when everyone was gone," he explained when you took the box to open gingerly. "I think because that was on my mind already, something I was more than nervous to actually do, you're right, it did become my first line of defense to blame us - not just you, baby, but us. You and me... Mostly me, though," he chuckled sadly. "You're this perfect, sweet angel who just loves me out loud when I don't deserve it, and I'm... I'm just me," he sighed, eyes reddening. "And I know I'm never gonna be enough for you, I think I started to get in my head about if you said no. How I missed the call from Terry about the fridge 'cause I was picking out an engagement ring that you didn't even want, that you rejected - rejected me; and in turn, I missed opening night, and it all just - it got to a boiling point. Look, Peach, it's never been a secret that I don't think I deserve you... But I wanted to be the man that could at least give you an honest try of my best. You've stuck by me the past seven years when you should've ran for the hills, and I knew I wanted us for life years ago - but everything was still so up in the air. So confusing. So fucked up. I figured, after opening tonight, if things went t'plan, I could propose - prove to you that we're on our feet and there weren't any rugs to be pulled."

"What if things didn't go to plan?" You whispered.

"We're kinda living it now," he admitted, hand rubbing the back of his neck. "But even if tonight was all a total failure, I know I might've still done it because it's you, Peach. It's you... I've known for years you're who I want, I just never knew how to do this - to move us forward. You're my first relationship, hopefully my only relationship, and I just didn't know how to advance us. I think when things got real for me, my insecurities crept in, and I just reacted - I didn't think."

"We always said when this wasn't healthy or when this wasn't good for us anymore, we'd walk away," you reminded. "That we'd rather be sad or angry about a breakup instead of letting resentment fester from being together."

"It's still good for me, Peach, we're still good," he whispered, stepping closer. "Is it still good for you? Or did I lose you completely tonight?"

"I don't know, Carmy, you've been lashing out a lot lately. At me specifically."

"And with The Bear now open, I-I should be okay. You know? Back to normal?"

You chuckled dryly, "I see, back to your high walls? Emotional constipation?"

"Then maybe not normal," he corrected, "because I just needed to get us here, to tonight, to opening, and then show you that it's over. Show you that part of our lives is over and we only have more adventures to look forward to. Not ones like this, though," he gestured up the street, your eyes cutting over and realizing you were back at The Bear.

"Do you really think you're a psycho?"

He chuckled, "After tonight? Yeah, pretty convinced... Plus, I, uh, I saw in the freezer the way we're labeling things - and got angry about it. Angry about the way we were tearing tape and labeling things. It was so fucking stupid, but I just - I felt so crazy. I still do, I still feel like my head doesn't make sense and I'm a bit, you know... Crazy."

You nodded slowly, "Then how can you promise me this kinda shit won't happen again?"

"I don't think I can, but I can make you the promise that I am working on it; trying to identify when I feel reactive, trying to calm that down. I'm trying, Peach, I really am - it's just... Taking a lot of time," he sighed sadly. "And I know you don't have any more left to give me."

"I've already given you this many years," you reminded softly, "I think I could spare another or two if it meant you getting your shit together, that you get better, stop feeling so crazy."

"I don't deserve anymore time - "

"I think you need to step back and reevaluate what it means to be deserving because you always say that. That you don't deserve something - even as simple as time. Everyone deserves time and opportunity to figure shit out, Carmy, and you're no exception."

He nodded, "I'm... Trying." He took a long, deep breath, "I'm, uh... Going to meetings, you know, like, uh, Al-Anon and whatever."

"That's good, they're there to help," you nodded, stepping closer to take his hands in yours after closing the ring box and stuffing it back in his pocket. "Now, I think you need to do something."

"Anything, Peach."

"Take my hand, bring me back to The Bear, and go about your plan."

He froze in shock, blinking at you in earnest, "You really mean that?"

"Do I look like I'm joking?"

"No, ma'am, and I think that scares me more."

"You'd rather break up? 'Cause at this point, Carm, we either move forward with this engagement and fucking work our shit out, or we break up. It's been almost a decade. It's your choice, you're the one who was saying he couldn't be someone's husband, that he didn't need to provide anyone nor have them provide you with anything. So, you tell me what you want to do - because all I know is that I love you, I want you for life, but not if you're going to resent me and regret moving our relationship forward. I don't need to get married, Carmy, but you can't keep jerking me around like you have been. So... Make a decision based on what you want - based on what's best for you. Not what's best for us, but put yourself first right now, Carmy, and make a decision about what you want."

With a nod of his head, Carmy cleared his throat and offered you his hand. When he felt you lock your fingers with his, he glanced up and down the street, then lead you across it. Up the sidewalk and to the front door of The illuminating Bear, he paused to produce his keys and then lead you inside.

The lights were dim, but a flip of the switch brightly lit up the newly constructed restaurant. He seemed nervous at your cool demeanor, watching you shed your coat and set your purse down; but his hand took yours again and lead you further into the place. He seemed nervous, but once in the kitchen, it was almost like Carmy's stress melted away.

"I was... I had this plan," he explained softly, leaning on one of the work stations with both hands in yours to keep you in front of him. "I have all these candles, right? Was gonna distract you in here," he looked around the fluorescent lighting, "while Richie, Fak, Tina, and the others set everything up. We'd hang in here after the place was closed down, you know, show you around the completed kitchen. And really casually, I'd ask if you were ready to go, so, we'd go out the front, and we'd walk right into the candlelight..."

"Yeah?" He nodded, thumbs running over your hands as he pushed off the counter. "Don't deviate from your plan now..."

Carmy smirked, "Wanna hear the boring kitchen stuff?"

"Of course, I do."

So, he lead you around in a tour of the kitchen; showing off the new office space that he invited you to take advantage of whenever you wanted. The sleek appliances were shown off, the vast fridges, freezers, new cutlery, state-of-the-art dishwashers. Everything, he showed you, knowing you helped him pick a lot of it out - it was still nice to see it all come together finally.

And then, slowly, he lead you out of the kitchen, but to your honest shock, the dining room was covered in lit candles and different bouquets of thick, gorgeous floral arrangements. "Oh, holy shit," you breathed, Carmy hiding his confusion much better than you.

You came to a slow halt in the middle of the room, the lights out and only leaving the candles to provide an ambiance. "I had this whole speech planned, too," Carmy told you softly. "Remind you of the day we met, how you saved me from those jackass bullies - remember?"

You smiled softly, emotions swirling in your chest, "First day of first grade, you had a Buzz Lightyear backpack and some kids were picking on you 'cause of it."

"And what did you do?"

You felt bashful remembering, but humored him by answering, "Pushed their faces in the mud at recess and made them apologize."

"You've been my best friend since that day," he nodded, bringing you in a few steps closer. "And when we got to high school, my feelings changed. You weren't just my best friend, but the girl I was madly in love with... Took me a couple years to buck up the courage to ask you out officially, though."

"Sure took your sweet time," you whispered with a smile, "but all good things to those who wait, right?"

"And I think you've waited long enough for a man to be who you deserve," he frowned. "All these years - it's been you at my side. You even - fuck - you even came over to Amsterdam for a bit because I was feeling overwhelmed and lonely. Sad, maybe even a little homesick. But you just - you just showed up like it was the most common thing in the world."

You chuckled through your tears, "Yeah, we had some good times on that boat, didn't we?"

He nodded with a softening smile, pushing hair from your face and behind your ear; pausing to hold your cheek carefully. "And when we came back stateside... You were still the only constant presence in my life. You were my family without blood, and I knew after that Christmas that you'd forever be my other half, and I'd spend my life conveying how grateful I am for you. I just - I never knew how to put it into words until now."

"What changed?"

"Realizing that I wanted to marry you years ago - and I should've. I know I shouldn't have drug my feet with us, delay our inevitable, because honestly? I couldn't see my life without you in it and I knew I needed you with me forever. Peach," he frowned, reaching for your other cheek, "we agreed when this wasn't healthy, we'd walk away - I remember that. But I need you to know, I'll never fucking regret you. I'll never resent you. You've been unwaveringly supportive and loving and... And I've been the luckiest man to experience it all. But now," he pushed himself a step closer so he was hovered over your lips, "I know that you deserve someone just as present in this relationship as you are. I knew once The Bear was done, I was done - I was done beating this bush around and wasting time. I knew what I needed to do because the idea of you not being in my life anymore terrifies me more than anything. I don't remember life without you, Peach, and I don't ever want to know what it's like. So," he cleared his throat, "here, in the restaurant I so desperately wanted to give up on so many times, but you always stopped me, I wanted to make this official. I wanted it to be here to show you that the past year of our turmoil - it's fucking over, Peach. We did it," he whispered, "and now, the next and only thing I want to focus on is us."

Carmy readjusted you both for a little bit of space, holding your left hand tightly as he lowered himself to a single knee; looking up at you with those big, wide, sad blue eyes that were growing redder by the passing second. The candlelight created a romantic atmosphere that cocooned you both in a warm embrace, the flowers around you projecting their floral scent.

"So, I need to ask you something real important, baby," he whispered, his throat bobbing to restrain his emotion that clawed up his throat, "because if I don't, I don't think I could breathe again." He cleared his throat, pulling the ring box from his pocket and opening it to present to you officially. "Y/F/N Y/M/N Y/L/N... My sweetest Peach, I've loved you almost my entire life, you're my best friend, my most loyal and sweetest confidant. You make me want to be a man better than I was yesterday and never before have I ever seriously considered marriage - until you. Now? Now, I can't get the idea out of my head, so, my sweet girl," he took another breath, the tears in his eyes swelling and slowly dripping down his cheeks as you slowly got on your knees in front of him, "I need to ask you... W-Would you do me the honor? Of being my wife?"

"Carmen."

He grinned at you, both with tears down your cheeks. "Will you marry me, Y/N? I can't see my life without you in it, so... I want this, I want you for life. Y/N, will you marry me?" He paused, adding a meek little, "Please?" at the end.

With a deep breath, you slowly reached for his cheeks in a soft caress to wipe his tears; both just staring at one another for a good few moments before a face-splitting grin nearly cracked your lips. "Yes," you finally answered, "yeah, yes, yes, of course, I'll marry you, Carmen, yes!"

"Oh, thank fuckin' God," he laughed, letting you lunge forward to knock him backward in a hug - missing the candles arranged in a small circle for you two to stand in. Carmy laughed loudly, happily, giving you a tight squeeze as he mused, "Had my heart beatin' outta my chest for a second there, Peach."

"Oh, please," you laughed, "after all this time, you really thought I'd say no?"

He shrugged meekly, "Thought my most recent fuck-ups would've added to any reasons you might have to say no."

"Oh, spare me - you're my best friend, Carmy, you know I couldn't ever say no to you. Not without puking in nervousness."

"Can we maybe not talk about puke when we just got engaged?"

You laughed and nodded, "Fine, fine, fine, then put the ring on, please."

You presented your left manicured hand, watching Carmy almost giddily removed the band from the box, took a slow, deep breath, and then, the most beautiful ring was being slid onto your finger in an official show of your engagement. Of your undying love. Of your commitment, promises, and future together.

"YEAH!" An array of varying cheers and hollers of support and excitement rang out around you; startling both you and Carmy to look up. Richie, Sydney, Tina, Neil, Theo, Pete, and Sugar all hung in the bathroom's alcove - watching with splitting grins and cheering in celebration.

There was no time to question them as Richie lead the charge over; helping you to your feet for a giant, bear hug before gushing over your engagement ring. Neil and Theo popped one of the authentic bottles of champagne, pouring different flutes for those present.

"Calm down," Natalie scolded Richie lightly, "and move out the way, I want to hug my engaged bestie!"

You squealed with Sugar when her arms wrapped around you tightly, Rich moving on to congratulate Carmy - who apologized for his angry words earlier and thanked them for still setting things up. Richie promised it was for you, not Carmy, but still hugged the little shit with a laugh - indicating he was just joking.

"Let me see!" Natalie grinned, examining the ring Carmy chose and squealing again. "Oh, my God! Oh, it's so pretty! Oh, shit - sisters!" She gasped, holding your hands tightly, "We're going to be sisters - like, officially!"

"Sisters in law, but yeah, cupcake," you beamed at her, wiping your tears and giggling. "I can't - this just doesn't feel real," you told her softly, looking the few feet over to see Carmy with the lads as Sydney stood with you and Sugar. "Him proposing? I genuinely thought it wouldn't happen," you tried to laugh your nerves off, looking at your ring and fiddling with it.

"Yeah, right," Sydney laughed. "I haven't been around that long and even I knew this was gonna happen."

"Oh, please, she's right," Natalie grinned when you went to retaliate, "he first started talking about how he wanted to marry you when he was, like, 15. This has been the longest thing coming."

"Thank you guys for helping," you whispered with a smile. "It's all so beautiful."

"Happy to help for a good cause," Syd smiled, complimenting your ring as Neil called for a toast. Everyone was given flutes of champagne, Carmy's arm wrapping around your waist as each friend gave their own little speech, congratulating you both before the alcohol was being drained.

"Uh, and where are you two going?" Sugar asked about an hour later with a small giggle when Carmy wrapped an arm around your neck after helping you into your coat again.

"Gotta celebrate alone with my fiancé," he smirked, "later, guys! Don't forget to lock up!"

"Carmen!" You scolded with a small laugh, gaping at him.

"What? They got this," Carmy chuckled. "Thanks, you guys, see you tomorrow!"

"We can help clean," you told him as he lead you out of the restaurant.

"Nah, we've got bigger plans," he smirked at you. "Got plenty t'celebrate, yeah? Ever fucked as fiancés before?"

"No - but I hear it's some crazy sex," you whispered, locking your arms around his waist to stay close. Neither of you cared about the bus at this hour, opting to walk home in the cold - not that you felt it. Your love burned brighter than the cold biting your skin.

requesting rules and masterlist

The Bear masterlist

[callooopie]

Modern!Davos Blackwood headcannons (pt. Smut)

— NSFW edition—

It can’t be unlearned. I’ve known the warmth of your doorways — It Will Come Back // Hozier

I haven’t written NSFW in a bit ~3~. Bear with me while I try not to blush and cringe at my own writing T~T (also that new episode.. rip MY queen Rhaenys dude. It actually made me so bummed it ruined my night.) Also do I still use the Benjicot tags or is he now his own character now that he’s been mentioned finally ~3~ ?!

cw— NSFW, smut detailed to the best of my abilities. Minors do not interact. Interact with this and I’ll punch you so hard your ancestors will feel it I’ll-

< added one (1) new headcannon since posting >

Cool, calm, confident. That’s what Davos was. Surely it would translate to the bedroom too—it does not. He’s shy the first time around. Very much. Silent, rigid; his eyes simply darting up and down your body as you undress in front of him. The only sign that he’s there in the head is his hands gripping the comforter in his fists tightly. Before you begin, please give him a few kisses and reassuring smiles. Sitting in his lap and doing so does wonders. Run your fingers through his hair in a calming manner too.

You might have to pause, because he’s genuinely trembling out of excitement and anticipation that he cannot concentrate or continue without calming down. He just loves your touch! Any touch, all touch. Your fingers grazing against his skin, it’s like nicotine. Press your nose against his, laugh softly and kindly against his lips, and tell him it’s alright—you can wait a minute. His hands (shaking slightly still) will find their way to your hips soon enough.

Before you two experience each other more often. Before ANY sexual encounters, with you or not with you. He is the type of guy… to not know where the clit is. It’s a sad truth. You have to sit him down and literally point to where it is. No pants, sitting on the bed with your legs spread. It’s not even sexual at this point, you’re just letting him ooo and ahh at your pussy as you tell him what feels good and how to make it feel good. A lesson in anatomy that has him going (“…really?!”). Don’t worry. He gets with the program right away. When he figures shit out you won’t ever let him leave the house ever again.

If he’s already on the more experienced side and/or after you’ve both gotten comfortable with one another after months or a couple years; he is a fiend, a menace. He wants his sheets drenched by the time you’re both done. He wants you passed out, unconscious. If you aren’t being carted off to the emergency room after sex he feels he isn’t doing it right.

Speaking of.. He has sent you to the ER before. A bruised cervix that sent searing pain whenever you walked, burning aches in your muscles and bones from being bent or pulled around that. It’s something that’s never happened before and worried you enough to make Davos drive you to the urgent care. Embarrassment and a hint of disbelief burned on your face as the doctor awkwardly told you your diagnoses, splitting their gaze between you and Davos. The latter had the biggest grin on his face as he sat there like an innocent man. His apologies are a farce don’t believe it.

Needs you to sit on his face. Dude gets off on eating you like you’re his last meal, and makes it messy too.. Doesn’t matter when (or where..) but if you are not straddling his head, laying her full weight onto him—that’s basically like breaking his heart. He wants to die by your thighs that’s his goal. He is the type to grab and scratch at your thighs, squeezing flesh as he tries to pull you closer to his lips and tongue. Sometimes his hand leaves your thigh to deal with his own hardened cock—muffled and incoherent whines leaving him as he devours you sloppily and breathlessly. If he’s eating you out while you’re laying on your back; he will be pathetically grinding against the mattress.

Suck him off under his desk. Quietly slip underneath the wooden desk, he’s too focused on whatever he’s doing to even notice you undoing the string of his sweats anyways. Once he dies in-game and looks down he gets the memo, silently helping you slide them off of him as he talks to his team. Whatever you do, do not drag your tongue up from his base to his tip—especially when he’s comming to his teammates. He’ll be talking normally and then let out a nearly pornographic whine. If you choose to not be a menace off the bat and simply slide his cock in and out of your mouth; he’ll go blank in the head. He starts to mess up, mouth going slack as he splits his attention between the game and you on your knees between his legs with your tongue wrapping around his tip and licking off whatever leaking pre-cum you find. It’s the fastest he’s ever won (or lost) a game.

It’s edge or be edged in his world. Loves it when you tell him he can’t cum. A sloppy half-grin plastered on his face as you ride him. His hands holding your hips as he sits up, looking up at you from where he places his head by your chin. He’s gonna bitch and moan about it as usual, but slowly devolves into loud begging. His speech is slurred as his eyes stare up at you like your god who has the power to grant him that divine release he’s been denied for an hour.

He loves fucking you against the wall. It gives him a reason to show off his arms and muscles—and it feels good. If you have comments about your weight, your body, how will he hold you up, etc. Leave ‘em at the door, Davos does not care. He goes to the gym for this reason baby! To be able to lift you easily and hold you against the apartment wall as he pounds into you. His hands digging into the skin of where your thighs and ass meet. Wrap your legs around his waist, tangle your fingers into his hair. You’re not leaving until there’s a puddle of your arousal and cum underneath you.

Switch. He’s a switch. Let the world (and himself) believes he’s a top, only you will know the truth. And the truth is that he loves when you take control. Tie him up, slap him around, ride him till he’s crying and drooling from either edging or overstimulation—and then keep going some more. But also remember that he can easily overpower you, pinning you down to the bed or against a wall as he thrusts in and out of you with loud groans and words of praise. His hand holds your head down as he fucks you from behind, fingers grasping onto your hair as he rambles in a pleasured high. Davos is the type to tear underwear too, so be careful about that as well..

Davos is gentle, Davos is rough. No matter what, he’s mean about it. And he’s very vocal about it too. He’ll ask if you’re enjoying yourself, if you’re liking how rough he’s fucking your cunt right now—speaking of.. can you hear how wet you are right now, it’s almost embarrassing no? Ohhh, you like being used by him? Well.. he likes your sloppy pussy too—don’t worry. Made just for him, all for him. If he’s gentle he asks if you’re doing okay between the soft kisses he places on your neck and face. His face will nuzzle against your neck, soft whispers of how you feel entering your ear between groans. You’re just a sweetheart after all, aren’t you? So soft, so good, just for him. He likes how you feel around him, how soft your skin feels under his hands. So beautiful, so cute. Don’t you like how you can feel all of him as he thrusts into you slowly? Can you feel every vein and ridge? ‘Cause he can feel every squeeze and shudder from your walls darling.

Biter. I’ve got him pinned—Davos is a biter. Bites at your nipples before swirling a tongue around them and sucking harshly. Licks your ear before biting and tugging on it. He’s a bastard and bites your clit, a low chuckle coming from him as you yelp (he kisses it after, of course). Hickeys line your skin from your neck to your lower abdomen. Bite marks, prominent bite marks, are scattered across your body. No matter what, it’ll be on your neck mostly as well. From the front or the back, a bite mark will find its way to your neck. He just gets so into it! Dicking you down so roughly he just needs to latch his teeth onto your skin hard enough to draw blood. What? No he did not lick the droplet of blood up you must be imagining—

…car sex—I’m sorry I said it. At night when you both are skating or if he’s driving around with you. Sometimes you just end up in an empty parking lot.. the windows are fogged up and there’s music playing faintly, not that you care or really hear it as you listen to his moans. His hands holding your hips or waist as you slowly bounce on his cock while he sits in the driver seat. Bonus if you hold the thin necklace he wears between your teeth as you grind yourself down onto him.

Added! HE’S INTO SHOTGUNNING. Absolutely, how did I forget such a thing. Happens when you’re riding him. It’s a lazy night; him sitting in a chair, a cigarette between his fingers as you moan and whimper loudly. His other hand remains on your ass, guiding you up and down as he lets his head fall back briefly with a low grunt from his throat. He sits back up to take a drag from the cigarette, his other hand moving up from your ass to the back of your head (he gives you a parting slap to your butt). He presses your face closer to his and you instinctively part your lips, letting him blow smoke into it. He does talk you through that like he’s talking you through your orgasm, soft words of encouragement and guidance as he watches you blow it back out. It ends in him kissing you and wrapping one arm tightly around your waist as he starts to thrust up into you roughly. “In.. and out.. atta girl. There we are. Aren’t you just a good listener, my lovely lady?”

[mo-mode]

Back on my Screenwriter soap box while watching PJO: They should have bought a bunch of oil diffusers.

(Edit: This post was made before someone pointed out to me that I missed a key line of dialogue, but my points and theories still stand for the same reasons backing up my original post so I’m not changing anything. The dialogue I missed lets us know that Hermes told Percy the lotus was being pumped into the air off-screen. It’s also implies (? I’m still on the fence about this one?) that Hermes told him what day it is, but I missed these during my first three watches because of how quick and vague it was. Which actually kind of supports my point on why visual indicators are so important. Without these, it’s easy to miss key information. And remember, it’s a kid’s show. ANYWAY my conclusions haven’t changed, and I still believe these edits would work better than the quick line of dialogue so just keep this in mind. Thanks.)

(I’m not being nit-picky. I swear. Just hear me out.) So the weirdest thing to me in episode six was how Percy just…learned everything so quickly without any visual indicators? Like they know time passed because it’s dark outside, but how did he know it was Thursday? They know they were affected by the lotus flowers, but how does he know it was pumped into the air? This irked me because even if he’s smart enough to figure some of this out himself (which he is) we as the audience should still be able to follow his thought process instead of learning after the fact.

What if there were oil diffusers?

So imagine the trio walks into the Lotus, figures out this is like the Odyssey, and decides not to eat anything. They waltz in super confident that they cracked the code, but they were wrong. How do we know? Because the moment they enter the crowd, we get an establishing shot of a lotus-branded oil diffuser letting out steam.

Immediately, we as the audience realize their mistake, making it just that more tantalizing to watch. As the episode continues, we realize they’re everywhere. There’s a diffuser in the plants, on the counter, between the game tables, always right out of the corner of our eyes. They just keep churning out lotus-scented oil into the air, which we can infer because we’re smart. (Remember that.)

Now when Percy realizes what’s going on, we know HOW they’re doing it and HOW Percy knows without being told!! Because they were there the whole time.

Onto Thursday.

Consider: A watch.

What if Hermes has the only watch in the casino until the trio walks in with their own?

Let’s give Annabeth one of those cheap, funky watches that gives the time, day, month, year, etc. Something you get from a kids toy catalogue. It’s waterproof, glows in the dark, has an alarm or whatever. I feel like Annabeth would have one of those. (And honestly, she might already. I forgot.) The most important feature for us, though, is the day. It clearly tells us the day of the week.

It’s pretty easy to establish that Annabeth has the watch. Just do it the same way they establish the date: Percabeth arguing over it in the truck. Annabeth shows him the watch. Establishing shot of the watch’s face. That’s it. No bells or whistles necessary. Then when they get to the casino, Annabeth checks it one more time (without an establishing shot, she just does it casually) and they walk in.

(It’s so easy. I promise.)

While Grover is walking around alone, he tries to check the time and realizes there’s no clocks. (Which ngl is super common in casinos already, but it’s creepy nonetheless.) Yada yada, he gets sucked in by Augustus and that’s how he gets got.

Meanwhile, Percy and Annabeth keep meaning to check the time, but every time they do, someone tries to hand them an appetizer or a drink, which makes them forget OR Annabeth’s hubris keeps her from checking. (Percy: Time check? Annabeth: Its only been five minutes. We’re fine. We need to focus.)

And that brings us to Hermes. After their chat, yada yada, Annabeth “leaves” and Hermes gets all cryptic, then he makes a BIG show of checking his watch, and THAT’S when Percy realizes something’s wrong because oh no they haven’t checked the time. So he finds Annabeth, they see it’s dark outside, they check her watch, and it’s Thursday.

“But we didn’t eat anything!” Annabeth says. Percy looks at the diffusers by the entrance. It dawns on him. “They’re pumping it into the air.”

That’s how you VISUALLY SHOW US THINGS instead of Percy just figuring everything out off-camera and telling us!!!!

Now, you may be thinking “Oh but do they have the budget for that??” Do you know how cheap these props are? Just bulk buy like six oil diffusers, slap a homemade sticker of a lotus flower on them, and keep moving them into every shot. And they’re quiet!! They wouldn’t interfere with the sound, the steam is visible enough to be caught on camera without messing with the lighting, they actually look really cool in some lighting, and they fit the atmosphere of a hotel/casino!! Then the watch is like $15, fits with Annabeth’s character, and totally matches her outfit.

It’s CHEAP! It’s EASY! It DOESN’T CUT INTO THE RUN TIME! It’s AESTHETICALLY PLEASING! ANNABETH GETS A SICK WATCH!! NO DOWNSIDES!!!!

The biggest problem with this show isn’t how accurate it is to the book or how much money they have or that they’re “Disney-fying” it. The problem is they are TELLING US things instead of SHOWING us. And not to beat a dead horse because everyone’s heard of “Show Don’t Tell” but like??? This is exactly why everyone is taught this over and over again in school?? Because people still do it anyway all the time???

There’s also something else I learned (or really just picked up) when I got my B.A. in Creative Writing: Good shows are predictable.

Whether it’s a case of the audience learning what’s going to happen before it happens or them watching the show again and realizing how obvious the answer was the whole time, audiences always want to feel smart. They want to interact with the material. If you don’t give them the opportunity to pick apart the mystery themselves by setting down clues, they’ll give up on interacting with the show and lose interest. That’s why you SHOW them things. There are several moments where this show is completely unpredictable, not because it’s complex but because it doesn’t let you predict it. That doesn’t make it bad—the comedy and character development is doing a great job of carrying the show’s weight so far. But it definitely doesn’t make the show good.

It’s like Rube Goldberg machines. Or dominoes! We don’t watch those crazy 1000+ domino videos so we can watch the last one fall. We watch it to see HOW they fall. Take one domino out, and it’s unsatisfactory. It doesn’t work anymore.

But some oil diffusers and a watch??? Little clues that make the realization that more visually appealing??? THAT’S SATISFYING

Anyway, these are just two things that could have been done, but weren’t. Most of the show is stellar. I think it just needs a little bit of editing here and there. I studied this for like years, and I needed to get this off my chest. That’s it.

Rick Riordan, if you ever see this, I am available for hire :) I would love to be a script doctor please please please please

[mozart-in-a-gokart]

My Thoughts On How TUA Season 4 Should Have Ended

Read it like a script outline maybe? Idk I never took screenwriting?

Way more detail below the cut:

Im so sorry if this whole thing comes across as very fan fictiony towards the end. I did my best.

::Here are some refreshers for some of the concepts I touch on at the beginning and where my logic comes from::

Note: I may have spelled Luther as Luthor throughout this and I realized this only after I was just about to post this so… bear with me.. thank you.

So we learned these things previously:

Season 1

Viktor was the trigger for the big world ending apocalypse

Season 2

Viktor was the trigger for the 3rd world war that ended the whole world

Season 3

Viktor has the ability to transfer marigold .We learned that from the whole storyline with Harlan in season 3.

Viktor had the ability to stop Allison from resetting the universe but chose-not to at the very end of the season.

Edited Addition: The Kugalblitz itself was the result of a grandfather paradox involving the umbrellas in the sparrow timeline. (I.E. You go back in time, you kill your grandfather, therefore you have no way of existing later.). Their parents were dead so the universe couldn’t handle these extra variables that shouldn’t and theoretically couldn’t have existed, so it collapsed in on itself.

Season 4

When the universe is reset all of the October 1st kids seem to exist because Lila also exists in the reset universe (we don’t see the sparrows unfortunately so this is a toss up but for the purposes of this I assume they exist we just never saw them.)

Edited to clarify a point: Lila’s parents are still alive in this timeline, meaning she was born to two parents with no marigold. This further backs up the idea that the same must be true for the rest of the Hargreeves siblings because if it wasn’t, one of two things would have had to have occurred. One: The marigold would have had to have been released. However, If it had the umbrellas would all have been born with their abilities, which they did not have at the end of season 3 in the new universe. Two: Another Kugelblitz would have occurred because they wouldn’t have parents and therefore would have had no explanation for existing in the new universe, causing yet another cascade failure.

Abigail has this insane amount of guilt that comes from creating both the Marigold and Durango.

The show seems to establish that in Abigail and his marriage, Reginald is the one who considers the children expendable and always has. Abigail seemed to care about them quite a bit (at least until the last episode)

Abigail manages at the last second to convince Reginald to die with her and let the cleanse happen because it’s THEIR FAULT all this is happening, not the umbrellas

When Lila and Allison’s family get on the train they do in fact transfer over and are inserted into the “correct” and “one true” timeline. They are essentially rewritten by the universe to allow them to exist there.

With all these things in mind this is what I think should have happened

Abigail should still have managed to convince Reginald that this was all their fault but it should have happened earlier in the episode.

Abigail should have put an emphasis on the fact that it isn’t the umbrellas fault at all and that they have a right to exist. That it’s the least they can do is try and help them figure a way out of this after everything they have been put through both in Abigail’s name, and by Reginald himself.

Reginald finally grows as a person, accepts this, and they both go with Viktor on the crusade to save Ben.

While on the journey Abigail learns about Viktors ability to transfer Marigold from one person to another and she LATCHES onto this.

Abigail and Reginald have a discussion about a plan that involves transferring the Marigold to both of them of Viktor can’t manage to convince Ben.

(Maybe there’s a scene similar to season 2 where Viktor talks with sparrow Ben in his mind. Sparrow Ben ends up making the point that they have to let him go. HES NOT THEIR BEN. He NEVER has been. They have to let him go. Let him do this selfish thing. He misses HIS family. His SPARROWS. Let him die.)

This is a good end IMO for sparrow Ben because he isn’t out Ben. We’ve all been talking about Ben being Ben for so long we forget this Ben is literally A DIFFERENT PERSON. He sees the umbrellas as his family’s murderers. It’s tragic but, I can’t see this Ben ever truly growing to love the umbrellas the way he seemed to with the sparrows

With that Obviously the plan to stop the cleanse by convincing Ben falls apart. Plan A never works.

They all would congregate back at the dilapidated Hargreeves mansion.

They all still talk about options and Five still says that the only way to end this once and for all is by destroying all of the marigold (Instead of being all defeated about it I think he should be angry and wired when he’s talking about it. I hate this drowned kitten looking guy. Where’s my embodiment of the it’s always sunny Pepe Silva Meme)

While they all argue about trying to use the subway to save themselves and Five doesn’t think it will work Reginald steps forward and tells them all to be silent.

They all force of habit stop and stare at him.

He says that he and his wife may have a way to save them all.

Klaus, Luther, Diego, and Five are all against letting him talk

Lila, Allison and Viktor are willing to let him talk what harm could he do now at the end.

He asks Five about the subway and if he’s right that you leave it at the exact moment in time you entered. Five agrees as far as he knows that’s correct.

Reginald and Abigail ask Five to blink all of them there, right now so they have a bit more time to explain.

Five says no not until they tell everyone what’s going on. He’s had enough running around and beating around the bush. Reginald explains things now.

Reginald does.

He explains that their bodies in this particular universe were not made originally of marigold. They were just born here. So theoretically, if they no longer had Marigold in their system. The Umbrellas themselves won’t need to be erased. They could attempt to escape with their family.

Luther points out that they don’t know how to extract the marigold.

Viktor reminds them that he can transfer it but he doesn’t know how good he is at it. Plus he needs to transfer it somewhere. He can’t just release it.

Reg : “That is correct. You would need to transfer the marigold to another vessel. It won’t work if it’s not in something living.”

Diego: “What’re you saying?”

Five: “He’s saying one of us has to stay behind Diego.”

Allison: “So what? You’re asking one of us to volunteer? To choose to be erased?”

Everyone starts up angrily shouting at Reginald who is interrupted by Abigail.

Abigail: “None of you would stay behind.”

Five: “Elaborate?”

Abigail: “Five you blink everyone to the subway. While we’re there Viktor transfers all of the marigold from all of you to Reginald and myself. All of you board the train. We will stay behind.”

Everyone is silent and staring

Klaus: “you’re cool with this Dad?”

Reginald: “I am not your father young man. I am Not your Reginald Hargreeves. I am however, a Reginald who knows how to respect hard work, which you all seem to have been doing for a great many years trying to stop exactly this thing from occurring. I understand that my wife and I helped set this in motion and I am nothing if not accountable.”

Luther: “wow… “

Abigail: “Let us do this?”

Lila is immediate in her agreement

Five doesn’t like the idea of this but it’s all they’ve got.

They all start teleporting as the Bennifer Cleanse beast starts shattering the windows to the house

We watch time seem to slowdown because the creature understands that the marigold isn’t “in this dimension anymore” it doesn’t know where to look.

We watch a subway staircase form in the center of the room and see tendrils of the Flesh Creature winding around it but never down in it because it doesn’t have a way into the subway. (You have to blink there)

We have a moment where the Umbrellas link hands in a circle and glow (like we do every season. It’s tradition)

We go around the circle through each of the umbrellas faces and watch the marigold pulled from them slowly. And transferred into Reginald and Abigail who are standing in the center we see it leave them and they all collapse

Viktor still has a little bit left in him and says he doesn’t have the strength to transfer it

Everyone looks defeated at that

Diego and Lila while they’re looking at one another

Allison and Klaus are hugging one another

Luther and Five collapse on the bench

Viktor says it’s alright. That he’s gonna stay. He’s gonna choose to stay and be part of the solution this time. He owes it to them for ending the world three separate times (He’s gonna choose to save everything and not cause it)

They all hug him at the door to the train and say “goodbye”

Five is keeping the train door open by standing in front of them

Klaus hugs Viktor and thanks them for being the only normal one of the bunch and keeping them down to earth

Klaus: and hey! Don’t sell yourself short! That third time wasn’t really YOUR fault. Allison was the one who—

Allison shoves Klaus out of the way and into the train.

Allison and Viktor hug the longest out of everyone.

Allison: “I’m gonna miss you so much.”

Luthor picks Viktor up and spins them around : “I’m sorry for not being a better brother. You deserved more.”

Viktor: “ make it up to me by finding Sloane in the next world and naming your first born Viktor.”

Luther is laughing and nodding boarding the train

Diego shakes Viktor’s hand and apologizes for blaming them for so much in previous years. “I was really closed off and I should have been better. I love you brother.”

Viktor: I love you too Diego”

Diego’s holding back tears as he boards.

Five is the last to say good bye

The two are just staring at one another quietly

Five: “You know… I never thanked you…”

Viktor: “For what?”

Five: Not giving up on me the first time

Viktor is confused

Five: “When I disappeared years and years ago. When I came back pogo told me about the Sandwiches and the lights and everything. I know it’s too late, but I’d be remiss if I never said it. So, thank you. For not giving up on me.”

Viktor smiles at him.

Viktor: “I guess I should say the same.”

Five cocks his head

Viktor: “You never gave up on us. Every single time the world was ending. You never gave up on saving us. You drove yourself insane trying to save us all and we never thanked you.”

Five scoffs

Five: “Guess we’re both thankless assholes…”

Viktor: “Nah”

Viktor shakes their head and pulls five in for a hug

Viktor: “Thank you for everything Max.”

Five slowly hugs them back

Five: “Don’t call me that”

Viktor pulls back

Viktor: I’m sacrificing myself for your asses. I can call you whatever I want.”

Five steps back

Five: “Goodbye Viktor”

They give all wave at Viktor as the doors start to close

Suddenly an umbrella Lodges itself in the doorframe and everyone including the audience is shocked

Abigail has stopped the doors from closing

Viktor whips around to see Reginald right behind him

Reginald: “Must I do everything around here.”

Reginald, now with marigold and Lila’s abilities of Mirroring, mirrors Viktors ability and removes the last of the marigold from him before pushing Viktor through the doors and onto the train.

Abigail lets go and the train doors close leaving all of the Umbrellas and extended family shaken

Abigail waves at them as the train starts pulling away and we see Reginald tip his cap to them

Reginald: Farewell Children of the Umbrella Academy.

Abigail: You were Extraordinary.

The train pulls away and we see Reginald and Abigail take each other by the arm and walk towards the exit of the subway

The camera is frozen in place and we watch them ascend the stairs. We hear the scream of the The Cleanse Creature echo the the subway stars start shaking

Tiles crack and light starts flashing from the stairway the ceiling begins to cave in and we transition to the umbrellas on the train

Viktors been helped up and they’re all dazed and confused just waiting for “it” to “happen” whatever “it” is

We get a similar scene to the original scene where they’re letting the cleanse consume them

During this scene is when Five explains that they will all likely forget one another. Because their parents are in all different parts of the country. They will have never met. It’s a hard reset.

This makes all of them sad (OBVIOUSLY) so we get the same cleanse conversation as more of a we don’t know if we will ever see each other again and if we don’t I just wanna say this to you all kind of conversation

We still end it with Klaus saying “You know, I just wanna say I love you guys… but you are all assholes.”

Everyone laughs and as they’re laughing music swells

We get a cut of the subway flashing colors because the reset is happening

We get flashes of color washing over each of them with the various scenes of them from previous seasons and those timelines disappearing

We flash through them in order of number

Luthor

Diego

Allison

Klaus

Five

Lila (as six instead of Ben roll with me I promise I have a reason)

And Viktor

The final flash is a long shot of all of them smiling in the train car and the camera zooms down it and into the same wormhole at the end that leads to the “real” timeline

We cut to black

There’s beats of silence (yes multiple)

The audience is thinking “Are we ending it here? Is it gonna be ambiguous? Are we about to see credits?

No.

Slowly a stereo fades into view we’re staring at it

Someone walks in front of it wearing a very familiar jean coat

We hear the stereo button click and The song “I Think We’re Alone Now” starts playing

We watch Viktor pull a woman who looks very much like sissy into their arms and they start to dance laughing loudly. There’s a pure white violin in the corner that looks like it’s been used so often and so long but so lovingly. We zoom out the window out the window and see this is on a farm somewhere we focus on the windmill wheel turning

It transitions to the wheel of a beat up old car arriving at the park. We watch Lila and Diego’s kids stumble out of the car holding skate boards and bubble wands. They’re older than they were. Lila shakes her fist at them from the passenger window. She’s shouting at them. You can hear her shouting be careful! And then shouting more in Punjabi

We don’t see who’s in the drivers seat but we zoom in on Lila’s fist and it transitions to another fist. This one gripping a paper and shaking it as it moves across a classroom towards the front.

We follow the page as it’s placed on a desk then pan up to a figure in a suit writing complex equations clearly having something to do with physics or rocket ships in chalk across a board

On the desk is a nameplate that comes into view only when the figure turns around to address the room and we see very clearly it’s an adult Five. The nameplate reads Maximillian Murphy PHD.

He’s addressing the class and telling them to get their assignments in by Monday if they want input before the final assessment. Mrs. Murphy will take them from you if you have them now. He gestures to the woman who set the paper down on his desk in the transition who comes around the desk and sits on it. She’s wearing a polka dot blouse. He’s finally found a real Delores.

The two smile at one another and we pan up to the ceiling and zoom in on a vent grating which transitions to the front grill of a bus

We see muddy shoes scramble up the steps and cut to the inside of the bus. We see the figure only from the back as they scramble down the middle of the bus clutching a rucksack wearing very old fashioned Amish clothes. We only see them from the front when finally fall into a seat next to a guy reading a book wearing dog tags who looks like he’s just getting back from deployment somewhere

We watch Klaus turn and greet Dave in the modern day and hear them have the same conversation we heard on the bus in Vietnam on this bus in the middle of nowhere USA

We transition from Klaus laughing here to a time a bit in the future. Klaus laughing wearing clothes more like him and pulling Dave down a street past a shop window full of movie memorabilia we hear him saying something about wanting a good view of the take off. Trust him just come this way’

We zoom in on a script that transitions to one that lands on a coffee table. We watch Ray pick it up and Allison settle herself on a chair near by. We watch and hear them talk about this new pilot for this new show And how “it’s a good one I can feel it” “okay. Let’s do this then.” In the background we can see acting awards on a shelf. Alison isn’t just a commercial actress. She has been in things and is good at it. Claire comes barreling down the stairs and jumps between them on the couch. “Wheres the remote! It’s starting!”

We see Allison and Ray lean in forgetting the scripts

We pan across the room and it all melts away into a car radio

We see a hand turn it up and we hear it talking about the first launch nasa’s funded on a while. Space stuff.

We follow the figure who turned up the radio as they lean out of the car and gesture wildly as Lila and the kids to come over here quickly!

You see all of them start sprinting to the car to listen.

We watch through the front windshield of the van Lila climb in and kiss Diego. The kids all pile in and stare at the radio in Awe.

We get a shot of Diego turning up the radio dile which transitions to a gloved hand adjusting diles on what is clearly the console of a rocket ship. We pan up and it’s LUTHOR. Space boy ready for take off

We hear the the count down of a take off start over the last portion of “I think we’re alone now” by Tiffany

The screen gets smaller until Luthor is in a neat box in the middle of the screen as we count down characters are added to the screen in their own boxes all tuning in to watch this launch

Ten - Sloan with a little girl on her lap pointing at the tv from the couch in a house that is so clearly hers and Luthors. She’s mouthing wave bye to daddy! It’s your daddy! Bye space boy!

Nine - Dot, Herb, the handler, and someone with a gold fish print Hawaiian shirt (AJ for sure), dressed to the nines are sitting in a backyard with a radio on listening and laughing

Eight - hazel and Agnes turn up the volume of a Tv at a doughnut shop they both clearly own. Hazel is behind the counter and Agnes’s waiting tables. The few tables seated have people we recognize there. Cha cha. Eudora and Detective Beaman.

Seven - Viktor and Sissy watching the tv over their living room couch

Six - Grace stopping with a baby carriage at a store front filled with tvs. Her baby on her hip pointing at the tv mouthing the the word rocket to the baby who giggles

Five - Five, His Wife and a bunch of other professors or huddled around an old tv in a lab in a physics building. one of the scientists is holding an open notebook with sketches of the comic characters in it. It’s Gabriel Bá. You can see him mouthing “come on come on!”

Four - Klaus and Dave sitting on a blanket on a hill near the nasa bad along with a ton of other people on blankets pointing and holding binoculars. Gerard way and his wife are among them.

Three - Allison, Ray, and Claire all leaning in to watch eagerly

Two - Diego Lila and all their kids leaning in to hear

One - every box but the ones with the Umbrellas go black.

It’s a close up of all of their eyes. They all read as excited. Looking up towards the future. “the beating of our hearts is the only sound”

All those squares go black on some tambourine beats

Houston we have liftoff.

Credits roll.

END CREDITS SCENE.

A close up of Ben’s eyes. We zoom out. We’re back on that train in Korea. We see him frown a second as he realizes something. He puts the book down a second. He looks out the window. Looks at his phone. There are text messages that read “dude where are you? We’re watching the launch without you!. How’d you miss this?!”

You see him realize.

In Korean “Motherfu—“

We cut to black again and cut him off.

The End

Is it cheesy? Maybe? But you know I think we deserve a little cheesy.

[kanmom51]

Pool fun Jeju day 2 (Episode 5)

Or

What JM gets up to when he has a proper wall to hide behind

or

JK is JM's toy - he told us so himself

or

Do we play the "find the couple" game again?

With those three alternative headers do I really need to write a post? 🤣🤣

Probably not. But where's the fun in that?

I guess we need to cut this into 3 parts. In the pool, out of the pool and back in the house. Or, during, after and after after, or, and this is the one I love the most, naughty JM, payback JK and double payback JM.

In the pool

There aren't enough WTFs in the world to throw at whatever was going on with those two in that pool. And yes, I am very much aware of the fact that there were actually 3 people in that pool. Not sure JM and JK were though, lol.

What strikes me funny is that we got to see way more sus Jikookery when Tae was around than when he wasn't. Maybe it was because having Tae there as a buffer made it easier to play the deniability card, maybe it was because they allowed themselves to be like that, again, because of that buffer called "the guest", lol. And maybe, just maybe, any "too friendly" activity on the first night found it's way onto the editing floor, figuratively, because, once again, it was way harder to explain it away.

Basically, with "the guest" involved in the games it's easier for all parties involved to push the boundaries without it being too much for the audiences 'allergic to queer' sensitive stomachs.

Whatever whichever, JM was in a mood. Clearly feeling MUCH better than he did the day before and out to get HIS!

Oh JM darling, your naughty naughty side is showing.

Same side a glass wall prevented us from seeing just the night before.

He was all in. Deep.

What was he up to there?

Why? Why the cut????

The amount of cuts going on. Dudes, enough with denying us!!

and this one.

Funny how there is no need to cut out the parts JK is going for Tae, lol.

And this cut here.

Once again JM getting handsy there. And if there was any kind of 'retaliation' the editors decided it was not meant for our eyes, lol.

It's bad enough those two (as in JM and JK) made sure to do his naughty behind a wall. Do they have to cut all the fun out? Well, not all the fun, but the juicy parts of it?

And then, after all those cuts this is what they decide to leave in?

Wtf was this all about?

On second thought, perhaps it's better you don't tell me, lol.

But before I do move on, do I mention that the way JK went for JM's hair like that and the way JM had no problem with it feels like this isn't their first rodeo?

Do I mention that?

🤔

Oh, and btw did JM and JK exchange their swimming trunks here? Either they did or they each got 2 pairs to start with (I'm going with option 1).

There was much more fun going on in that pool, much of which we didn't get to see. A lot of it just the two of them with their shenanigans and Tae being a spectator and some with Tae playing the games with them as well. Tae leaves the pool with the two still in it, we don't know if they stayed and for how long as that's when the editors decide we've seen enough pool play for one episode, lol.

Out of the pool

This is the JK payback part of things, lol.

See, JM needs to be punished for being such a tease.

JK locking JM out. making sure he locks every single door.

The playfulness.

The cheekiness.

For instance, what was this?

Was JM saying something? Mouthing something? Or was that him trying to flirt his way in?

And that wink.

And let's talk about this:

The 5412.

I really wasn't going to talk about it, but seeing that I've had a couple of asks about it, I'll sum it up in a couple of words.

I'll start by saying that I don't speak Korean, nor do I have knowledge of Korean slang. And as such all I can do is rely on others translations.

There are a couple of versions as to what it meant.

JM clearly signed 5412. There is no confusion there.

The question is what does it mean, or what did JM mean by it in the context of the situation?

Of course I've seen the "I love you" explanation. But other than the original account posting this explanation, not only have I not seen corroboration to it, but mostly other accounts either outright contradict it or just give another possible explanation.

Like this one:

And this is basically the same:

I can only assume that if indeed JM was saying "I love you" that the K-JKKs would be going wild (in their own cryptic way of course), which they aren't. Well, not about the 5412 thing in any case. So, I will be playing it safe here and going with it either being a way to signal JK to open the door or some other message that is for them to know and us to not.

But those two and their sus behaviour were enough to drive us wild anyway.

Back in the house

Towel battle.

And yes, JK supposedly started this.

But did he?

And I ask that because of this here:

Did you see it?

That was the full scene.

So I will tell you the 2 things I see here.

This is the 1st:

Look carefully.

JM is hitting JK's back.

When you watch the original with the sound you can literally hear the smack on JK's skin.

OMG < the abused becomes the abuser>

Bull bloody crap.

This is them being their own playful self, JM's response to being locked out by his naughty bf.

So yeah, maybe JK was the first to throw in the towel, or more so to throw the towel at JM, but he definitely was not the first to smack. And low and behold, he doesn't flinch from that smack.

And then there is this too:

JM looking JK over with intent, hands lifting towards JK and.... cut!!

Again they deprive us.

Going from JK drying himself to JK's towel suddenly all rolled up and ready to strike.

And then the 'battle' begins.

It amazes me time and time again how those two manage to find joy in just about anything, even supposedly mundane moments. Calm joy, just sitting there with each other. Chaotic joy, with their playfulness and outright chaos and mischief.

JM the trickster, lol.

And what do we make of JM commanding "STAY" to JK ?

I think I'll leave you with that. Food for thought.

I will just say one thing before I go:

People need to stop looking at them like cardboard cutouts. These are two complex human beings. Fully grown adults. Young adults, but still adults. And they are both of strong character. They know what they want and who they want. And they know how to express themselves and stand up for what they want. Even more so with each other. Those two know each other through and through. Anyone that thinks they have the right to insert themselves into those two's relationship and call out one of them for their behavior with the other need to just go...

Away...

Maybe get a life...

Maybe touch some grass...

Maybe just piss off.

Whichever it is, they need to leave these two alone. Because they can scream blue murder as much as they want, at the end of the day these two will choose each other over anything and anyone.

And let me say that once more with feeling:

They CHOSE and will keep on CHOOSING each other.

[cinnbar-bun]

Straw Hats- Reversed AU HCs

AU: In which YOU are the character of a very famous franchise, and they are regular people who are fans of your series.

Note: GN!Reader, crack, very unserious

Luffy

Thinks you’re neat! Super cool!

People think he doesn’t really “get” you and just likes you for your awesome powers and/or cool appearance, but he drops like an innocent yet profound tidbit about you that shows he really is thinking of you.

Honestly probably only has a bootleg figure of you courtesy of Ace. It’s goofy as hell but he adores it.

Maybe has one of those printed graphic tees.

Ace and Sabo joke about his love for you but then Luffy throws his slippers at them.

If he sees anything with you on it, he’s just gushing over it.

Loves finding funny comics with you online.

Zoro

Guy who likes you for your powers.

The same guy who is also a weeb in front of the mirror and tries to replicate your awesome moves.

Help his roommates caught him-

I think he’d get those compression shirts/shorts with you or a symbol of yours for when he works out.

Also the guy who’s working out to your voice like those ASMR videos so he can pretend you’re praising him and congratulating him.

Gets into fights with Sanji about who’s the bigger fan.

I don’t see Zoro as the type to “collect” things, but he’d probably have a keychain of you around his belt or something as a good luck charm.

Might even have an action and poseable figure of you like a Figma.

Nami

Likes you lots, but also recognizes your merch potential.

Works alongside Usopp to produce fan merch or zines for you to make money.

Has a unique piece of jewelry with your symbol/iconography to wear.

She’s not wearing “obvious” for merch, because she just isn’t about that.

Probably has a few very expensive figures of yours that are special edition or anniversary editions that she managed to get at a steep discount.

Reads a bit of fanfic but tends to mostly peruse fanart of you.

Tends to have multiple ships for you- she doesn’t really favor one over the other she just thinks they’re interesting.

Likes to do cosplays of your fits, though. She’s gotten very popular for her lovely cosplays. She tends to handmake most of her cosplays, but Usopp and Franky add to the amazing accessories.

Plays the gacha game for your series, and her amazing luck means she gets practically all your units easily.

Usopp

The artist of the group who has seen and had to do heinous things for a commission.

Unlike the others, he IS making a self insert and HE IS DOING ART AND COMICS WITH YOU AND HIM AS THE MAIN COUPLE!

Has made a name for himself of making doujins and art for you. His store has seen lots of purchases for his doujins.

Nami basically is his account manager and has made him raise commission prices many times in order to pay their rent and so he can realize how valued his work is.

He mostly just posts his work but does like answering questions from fans and posting about how awesome you looked in the new episode.

Always making art and stories from you.

Has done fanfiction for you but it’s mostly with his OC/SI and his artwork tends to be more well-known.

Always does special drawings for your birthday and various holidays.

Plays the gacha and has bad luck so he has to whale for your unit. He insists he prefers just regular console or PC gaming instead of gacha.

Sanji

Number one fan, he WILL get into arguments about you and inject you into everything.

All your figures, all your merch, all of it in one specific room dedicated to you. Sanji even has a lifesize figure of you in a cool/cute pose he religiously cleans (and prays to ngl) every day because AINT NO WAY HIS LOVE IS GOING TO GET A SPECK OF DUST ON THEM!!

His work as a chef makes him busy, but he likes to wear small things of you like a brooch or something on his uniform to cheer him up through the day.

Makes videos cooking things you cooked or dishes you liked within the series.

He sometimes shows off his collection and Zoro calls him a loser and they get into fights in the comments.

Commissions art of you (probably Usopp) to hang up in the (Y/n) room.

I feel like he would do a persona/self-insert but also I feel like he’d be like no!!!! I cannot sully my beloved like that!!! So he focuses on just you.

Blocks people who are fans of you and does not like shipping anyone with you, hell no his mellorine is HIS!!!

Has done fanfic, mostly self-insert, and that’s pretty much all he reads. No ships.

Robin

“Oh, (Y/n)? Yes, they are an interesting character. I like them.”

[1 Million word count fic series, tagged: slow burn, character exploration, heavy angst, found family, Book 4 of 7]

“I just think they’re neat.”

Probably the mother fic writer for you and/or one of your ships.

Doesn’t socialize much online, just tends to post and scroll through the fics for you and answers comments under her fic.

Likes to support her fellow creators so she does look into the art and projects other fans have made.

Does try to create her own aesthetics for her blog and fics, but sometimes she just commissions Usopp to make her things for her fics to fit her vision.

Is really into unique and often abstract or “dark” art of you.

Yes you’re her favorite character, yes she will still make you suffer in her fics and art for the ~development~.

It’s a running gag with her peers where they ask her how she will torture them next.

She finds the Nendoroids of you are quite cute, so she bought one to go on her desk.

Franky

Franky likes making garage set figures of you.

He’s also a bit of a dork, so he will often make you pose with a super sentai outfit or large gundam robots (since they’re also a part of his crafting hobby).

Makes videos showing off the new figures he made of you.

He loves you cuz you’re his hero, you just amaze him!

Printed a photo of the art your creator did where you guys were all dressed like super heroes or something- suuuuppper up his alley and he loved seeing it.

He likes collecting the manga/comics for your series and keeps them on his personal shelf.

Franky also helps Nami/others with specific cosplay accessories. Franky is known for his craftsmanship, so he’s made plenty of cosplay gear for others that are above and beyond.

Him and Usopp have collabed to create the original figures of you that Franky adores.

Does those videos where he takes cheaper/smaller figures of you and adds to the base and design to make it more “epic”.

What the hell is “fanfiction”?

Brook

Goes by the username “Soul King” and uploads his covers of your franchise’s music.

He really loves you though so he’s often rocking your shirts while he’s recording the music.

He does a lot of different genres for your theme covers- jazz, heavy metal, lofi, piano, music box- he’s done em all.

Whenever he’s not recording covers of his music and does streams, he very proudly shows his figure of you and a poster he has hanging up on his wall.

Also plays the gacha game, has pretty good luck but never with your units.

“Wow! 5 Sugo-rares! Who are they- GOD DAMN IT IT’S JUST THE OTHERS!!! RATE UP IS A LIE!!!”

Brook is a menace though and I’m gonna keep that under wraps for various reasons.

Maybe in the future I might explain further.

Jinbei

Jinbei is classy, unlike many of the others here (we will not name names).

He’s more likely to “make” his own merchandise for you.

Handmade doll with a lovingly sewn kimono, for example.

Fancy tea set that is painted with your symbols but it’s so subtle and chic that some of his viewers don’t even realize it’s from some random franchise he likes.

He prides himself on his traditional and handmade crafts and you’re just an avenue to experiment with them.

He likes to design the kimonos and outfits with you in mind and the season. He shows the process of creating it in these calm and quiet BTS videos.

Really they are beautiful and the amount of love and skillmanship put into the work he does is fantastic, it’s awe inspiring.

Does not know what a fanfic, a gacha, or what a “fan edit” is. He’s an old man he’s got things to do, man.

[ask-the-rag-dolly]

♪ ~ a little rag dolly , wishing your worries away ~ ♪

please read the faq ! ( updated as of 7/27/2024 )

a part ask-blog , part comic where ragatha is infected with a sentient virus that can talk to her - and somehow that's the least concerning part in all of this ?

there's no right or wrong choices here but these all definitely look like wrong ones

[ while this is mostly not intended to be a horror comic , please be warned that this will contain content that can be seen as disturbing such as depictions of mental illness and breakdowns , vomiting , self-harm , suicidal and intrusive thoughts , scopophobia , medical trauma - and possibly more i haven't listed ! if these things get too distressing it's okay to click away , your mental wellbeing matters more ^^

also disclaimer that a lot of the things here were written Before episode 2 so if there's some inconsistencies then you know ! ]

READ IN CHRONOLOGICAL ORDER , COOL !!

somehow doesn't work in mobile , please don't ask me i don't know how to fix it , blame tumblr idk lol

phase 1

phase 2

TAGS

[ asks ] / [ ask2 ] - main posts

[ ooc ] - misc. posts

[ INTERMISSION ] - surprise !

[ non-canon ] - non-canon asks

[ ESSAY WARNING ] - mod rambles

[ doodles ] - art from yours truly !

[ THE INFLUENCER ] - old t.i tag ! design was by @/raggedabstraction

tadc influence au - green ?????????

[ you just opened : pandora's box ! ] - an achievement i give to a select amount of asks that completely ran the plot into a tree and exploded it <3

[ animations ] - ... animations !

[ office lore ] - backstory that i don't think is pretty important to this story but people are somehow invested in it so here you go

toybox - just me going crazy over my brotp ( zooble & ragatha )

[ more will be added ! ... if i figure it out ... ]

GUIDELINES AND BOUNDARIES

nooo inappropriate asks, please ! i will not hesitate to block you if you send one

my art is free to use ! use it for your icon , an edit , or even repost it ! my only condition really is to credit me (:

the only ship i'll lean towards is jesterdoll (pomni x ragatha) ! even then , it's not the main focus ( i prefer exploring more platonic dynamics honestly ! )

please be patient and do not take it personally if your ask doesn't get in , i am just one artist running this blog , not planning to get another mod , and i get a shitton of asks whenever i open the inbox . there is no 100% guarantee that your ask will get in

please do not dm me . i am not open for small talk . just take any questions or inquiries to the ask box if it's open . sorry but i will be ignoring any messages from this point on . it's nothing personal i am just severely mentally ill

magic anons are fine ! though note i will be very picky towards them and most likely won't accept any that exceeds 10 asks .

you can call me mod bee . for the sake of this blog , i go by she/her ^^ ( please don't bring up my main if you recognize my art style shfgsf )

[ guidelines are subject to change ~ ]

[writergeekrhw]

25 THINGS I’VE LEARNED IN 25 YEARS IN TV WRITING

Well, it’s actually been 30 years now, but here’s a spew I did 5 years ago on the bird app to commemorate my 25 years as a TV writer. 

I’ve edited it a bit for clarity. Hopefully some of you will find it useful.

1. In TV writing (and writing in general) there is only one unbreakable rule: Thou shalt not be boring.

2. Write characters people want to hang out with for an hour or so once a week for years to come. Even if they're bad people, make them interesting, engaging bad people.

3. If your lead is a bad person, make them funny and/or sexy. Direct most of their bad behavior toward other bad people or themselves. Make them well motivated. Maintain rooting interest.

4. What makes a character special should be intertwined with what makes them struggle. Perfect people are boring.

5. Characters should complement/conflict with each other. No two characters should serve the same purpose/have the same backstory/have the same voice.

6. Cast the best actor, adjust the character to suit.

7. Give your leads the best lines/moments. No one is tuning in to watch the funny guest star. Like Garry Marshall said back on HAPPY DAYS, “I’m paying Henry Winkler $25,000 an episode. Give the Fonz the jokes.”

8. Your characters, good & bad, should reflect the reality of our wonderful, diverse world. White male shouldn’t be the default.

9. Avoid stereotypes. Stereotypes are boring.

10. If all your POV characters know some secret, the audience should know it too.

11. If your show hinges on a big mystery, know more or less what the truth is from the beginning. You can change it later if you need to, but write to a specific.

12. If your story doesn’t test your characters mentally, physically, psychologically, emotionally, or spiritually, you don’t have a story.

13. You can start by figuring out the Beginning, the Middle, or the End, but you don’t have an episode until you have all three.

14. Big suspenseful act outs (the last moments before the commercials) aren’t just a gimmick. They’re a good way to structure an hour of entertainment to make sure the audience is invested and your pacing is solid.

15. Every scene should be a consequence of the previous scene or a refutation of it.

16. A scene also needs a Beginning, Middle, and End. The end should propel the characters and/or audience into the next scene.

17. Every scene is a negotiation/confrontation between two or more characters who want different things or have different ideas on how to solve the same problem.

18. A good action scene is still a character scene. With punching. (This applies to sex scenes too, but you know, with sex.)

19. A crap page is better than a blank one.

20. It’s easier to cut than to add.

21. Good things rarely happen in the Writers Room after dinner. Go home, get some rest, write pages at home if you have to, start fresh in the morning.  Writers who have a life outside the writing room are better writers. Beware the showrunner who doesn't want to go home to their family. That said…

22. Script by day one of Pre-Production. No matter what.

23. You’re a writer first. Almost nothing happening on set or in post is more important than the writing. Delegate when possible.

24. Make an extra effort to surround yourself with writers who are different from you (background, race, gender, orientation, etc). Listen to their perspectives, especially on experiences alien to you.

25. And in the end the love you take is equal to the love you make. In TV writing and life in general. 

PART TWO HERE:

https://at.tumblr.com/writergeekrhw/25-things-in-25-years-part-2-25-things-ive/okjzwofyiq6i

[jq37]

Who Is Allison Moore?: A Disney's Wish Mystery

OK, this is a little off the rails and random but this has been driving me crazy since I looked into it last night.

So, Disney's 100th Anniversary movie Wish is coming out soon and people have had a lot of hot takes about it so I wanted to do some digging. As part of that, I looked at the writers and two people have a "Screenplay by" credit: Jennifer Lee and Allison Moore.

Jennifer Lee, of course, wrote Frozen--their biggest princess hit in the modern era so that makes total sense to me. If you're coming out with a new princess movie for the big centennial of course you'd tap her. But I'd never heard of Allison, and when you look at her name on Wikipedia:

No blue link. So I headed to IMDB to check out her credits, figuring maybe she was some hot new talent recently promoted from within who did storyboards on some recent projects like Moana or something. But when I went to her IMDB page, this is what I found (after a brief mix-up with a Dexter's Lab actress):

Her Producer credits come up first and...huh. That's a lot of adult live action TV projects. Well, maybe her Writing credits are where this starts to make sense:

What? That can't be right, can it? The only vaguely Disney-esque thing on that credit list is Beauty and the Beast and, to be clear, that is a CW reboot of a 1987 procedural with the logline, "A beautiful detective falls in love with an ex-soldier who goes into hiding from the secret government organization that turned him into a mechanically charged beast." And she wrote two episodes on it.

And look at Disney's official page about Wish!

Everyone else on this page has credits that make sense--Frozen, Frozen 2, Raya, Encanto. And the two credits they list for Allison?

Night Sky and Manhunt.

Night Sky, an Amazon Prime show that she wrote one episode for and was cancelled after one season. And Manhunt--and show about hunting the UNABOMBER--that ran for two seasons and that she wrote two episodes for. Those are her two credits that they put up there next to Frozen and Encanto.

I have been scouring the internet trying to figure out who this woman is and how she got this job and I have come up *empty*. This is the big 100th anniversary movie! Why would they have one of the two screenplay writers be someone who seemingly has never done something like this before??? Like, I understand that not having done something before doesn't mean you can't do a good job, but it usually means you don't get the keys to the biggest most anticipated projects in the company's history!

They presumably could have gotten anyone they wanted for this and they picked this person and I have zero clue why and it's driving me crazy. If anyone has ANY information that could illuminate this at ALL--an interview, a social media post, gossip from your cousin who's a gofer at Disney--please let me know because I feel like I'm going full Pepe Silvia over this.

12/26 Edit: A SMALL UPDATE IS HERE!