#idk what to say about this tbh
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sleepdeprivedlilbean · 4 months ago
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idk i definitely tried something different this time lol
haha let’s go i’m two for two rn
let’s see how long that lasts 💀
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bean-spring · 3 months ago
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Hot take and not to be a killjoy or the shipping police but people treating Viktor or Jinx's aroace headcanons as if they were canon is not the revolutionary take people think it is.
Headcanons are always all right but we have to acknowledge that they are somehow damaging when they apply to stereotypes. It might not be the case for everyone but most of the time people unconsciously assume that disability/mental illness=asexuality. These headcanons erase the freedom of attraction from people who are already seen as unable to have sexual/romantic experiences/desires, when it's completely untrue and harmful.
You can headcanon Viktor and Jinx as aroace, but I have seen people changing their minds once Viktor is no longer disabled (s2 with all of his other forms) and Jinx is no longer as mentally ill (alternate universe Powder). And it speaks wonders of how people see these characters.
"I never thought about Jinx being able to feel romantic/sexual attraction until s2!" To believe she's actually only capable of that when she's not "damaged" is incredibly disturbing. Especially since Jinx has always had a bit of a flirty personality too.
"I've always seen Viktor as asexual, I don't know why!" That's fine. You can headcanon him as ace. But I believe there is a reason behind it, most of the time, if for some inexplicable reason the "vibes" of the disabled character are making you think he's ace.
I say all of this being aroaspec myself, by the way. Headcanon all you want but going to people's posts commenting how "it's weird for you that they have romantic/sexual plots when they're clearly aroace" is not a win at all. It's a headcanon, after all, and it should be treated as such, and that's fine. But it also is damaging to spread stereotypes like these.
Of course the disabled character is asexual. Of course the mentally ill character is aromantic. It's not as revolutionary as you might think, tbh.
Fandom is not activism and it's all right to have any headcanons you want BUT some of them are filled with damaging stuff and perhaps we should look into ourselves more before treating these assumptions as something canon.
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apostaterevolutionary · 2 months ago
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Okay can I be a bitter Anders fan for like. Just 2 minutes here lmao
Cause bioware released some game stats for veilguard and apparently 72% of players redeemed Solas which is like. Okay yeah the game kinda pushes you towards that. But when I think of all the shit I used to have to put up with just for enjoying Anders like at all and…
(This is not me being anti-Solas, I do not care if you love or hate him, but I am gonna say what he’s done is like. Objectively worse than literally every other companion so lmao. And that’s fine! You can still enjoy him! I’m not saying you can’t and it’s important to me that people understand that! I’m just saying he did in fact do objectively morally worse things in game than Anders did and I don’t think that’s really debatable. And I can’t really make my point here without saying that but I do want to make it clear this is not some moral condemnation of Solas enjoyers cause it’s not)
Getting anon hate on the regular, being told “oh you’re allowed to like Anders as long as you regularly talk about how much he sucks”, people gleefully describing how much fun they have killing him ON your posts about the fact that you like him, the devs making jokes about shitty fates for him when fans asked innocent questions about him, the absolute audacity of his writer to say half the shit she did in interviews (about bisexuality and mental illness, most critically), and then being beaten over the head again in inquisition about how Anders is the worst character to ever exist and there’s no redemption for terrorists who lie to you one time in the entire game and he deserves death or worse and that’s it
And now… 72% of people are down to redeem the guy who lies to you for 2 games straight and who did a lot of questionable things that includes creating the fucking blight and. Like. I guess I’m glad that Solas fans can live in a world where they aren’t constantly harassed and can give their ship like. A pretty damn good ending all things considered. And that the devs love Solas and actually give the option for that happy ending and have characters go to bat for Solas throughout the game and the most annoying thing they have to see are people making scrambled egg memes. I would not wish anyone to have to deal with the shit Anders fans had to put up with back then cause it sucked. It really sucked. And I’m glad it’s not being repeated with a different character, if nothing else
But like. Man there really is a difference when the writers actually like the character who does the thing, huh
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casscainmainly · 2 months ago
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The Batkids' deaths vary in severity/importance, but they all serve to shake some core part of their superhero identity. Sometimes it affirms their existing identity (Cass' first death), or it spurs them to discover more about what their current identity means (Damian, Tim); sometimes, however, it severs them from who they were. Dick's transition into Agent 37 and Cass' turn to evil both stem from very temporary deaths, where the death is not as important as what happens after. It's not the pill or Cass' dip into the Pit that actually changes them, but the boundary these events create between their old and new selves.
Which is why Jason's death is different from all of the above. Beyond being (at one point) permanent, his loss of self is irreversible. Dick and Cass claw their way back to their identities pre-death, Nightwing and Batgirl respectively; Jason does not. He cannot, because he doesn't fit Robin anymore, and Robin doesn't fit him. It's not only that his sense of self is shaped by his death, but that it was, in many ways, destroyed by it.
But it's ultimately Stephanie's death that links death so closely to the loss of a superhero identity. Her death, unlike the others, is instigated by loss - Batman fires her from Robin, which leads to the events of War Games. On her deathbed, Steph asks "was I ever really Robin?", and Bruce replies "of course you were." It's a sweet moment, but it's retroactive. He can only affirm her legacy as Robin in the past tense (it's over; it can't impact anyone anymore). Her non-existent memorial can be read not only as a lack of care for Stephanie Brown the person, but for Stephanie Brown the Robin - Jason's Robin is immortalised, Stephanie's Robin is erased. She dies because she was made Robin, and she was made Robin to die.
I guess my point is that everyone's deaths are linked to how much they are valued within their mantle, not just in a metatextual sense (as in, how much DC editorial liked them) but also in the text itself - deaths either instigate further ownership of their name, or dismantle their sense of self. This is why it's important to recognise Steph's tenure as Robin (both in comics and fandom). Recognising Steph-as-Robin is a direct refutation of her death, a long-delayed memorial.
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vilintciay · 2 months ago
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" Ohh mmfp- FUCK..! Waka- TOSHI!.. Ahgg- God-."
Your eyes rolled back to the back of your skull, drool seeping out from the corner of your mouth. Above you was Ushijima Wakatoshi, ruthlessly pounding into you from behind, keeping both your arms pinned behind your back with a grip of a single hand as he pressed you further and further into the mattress from how hard he was fucking you stupid.
Your head laid turned to the side, cheek pressed up on cushion below as you gazed up at him with your ass in the air, stood and displayed all for him to bury his thick cock balls deep inside your tight, sloppy wet cunt.
"Ahhg- mnpff- mm- yeah! Ohh fuuckk! Yes, yes, right there!"
You mewled and cried out with pleasure, moaning and whining under him while his expression stood the same. A stoic and blank face with dark and lust filled eyes taking up each bounce and jiggle of your tits, ass, and thighs whenever he'd pull out his thick cock out of your tight cunt, plunging back in hard and rough. Grunting only occasionally.
You were out of it. So fucking out of it that you didn't even notice the sound of your apartment's door opening, light shuffling coming from the living room as someone called out a greeting. But it didn't reach you. Too fucked up and cock drunk that you could only focus on the way his hand would lift in the air to land a harsh and almost skin-tearing smack on your ass, squealing with delight as pain mixed with pleasure, stomach twisting tighter and tighter.
Your orgasm was building up fast, so fast you could barely catch up with your own breathing, slowly coming undone beneath him as you writhe, screaming out his name so loud you weren't surprised if you'd get at least 10 noise complaints from your neighbors. Oh wait.. that's right. This wasn't your house.
With a full body shudder, you felt the knot in your stomach completely burst, squeezing down hard on his pulsing cock as you squirted all over him and the bed below before slumping over and panting. What was I thinking of again?
Oh right, this wasn't my house. This... Wasn't my house?
... Oh. Right. It was his house. But only I didn't live here anymore.
It was only then you'd snap out of your daze, the door to the bedroom opening, your head snapping to look over at the door way. There stood a familiar woman, looking dumbfounded.
"Babe..?"
You were now his ex-girlfriend after all.
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a-most-beloved-fool · 1 month ago
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Kira has a nightmare, one night when she's staying at the O'Brien's. Miles and Keiko, sleeping in the other room, don't hear her get up - but Molly does.
And Molly, being clever and kind, knows exactly what to do when someone has a nightmare. (Or, at least, she knows what her parents always do for her.) So she sits Kira down and brings her a glass of warm milk, and sits by her side as she drinks it.
Then, she takes Kira by the hand and leads her - to her parents bedroom. "I always sleep with mommy and daddy after a nightmare," she explains, when Kira stops outside the door. "It helps! Mommy chases the scary things away. And Daddy is warm."
"Molly," Kira says quietly, a little embarrassed, "I don't think your parents want me in their bed. Even if I did have a nightmare."
"No, they won't mind!" Molly assures.
Then, of course, Miles wakes up.
"Molly?" he asks, voice rough with sleep. "Did you have a nightmare?"
"No, but Miss Kira did!"
And now Keiko's awake, too, sitting up and saying, "Nerys? Are you alright?"
Mortified, Kira says, "Yes, I'm fine, I was just - on my way back to bed. Molly brought me here. I'm - sorry for waking you. I'll just be-"
"You can stay, if you want," Miles offers.
Kira doesn't quite think she heard him right. "What?"
"You can sleep here, if you think it might help," Keiko says.
"Or even if you don't!" Miles adds.
Kira opens her mouth, then closes it again. "I, uh-"
Keiko gets up, and takes Kira, gently, by the hand. Her palm is soft, Kira can't help but notice.
"Brr, it's freezing out here!" Keiko says, tugging Kira along. "You'd better get in before you catch your death of cold. Miles is practically a furnace, so you'll be nice and warm with us."
"And, Molly, you'd best go back to bed, too. You've got school in the morning," Miles says, as Keiko bundles Kira into the bed between them.
As Molly makes her way out, Keiko swings a lazy arm over Kira's back. "Sleep," she hums. "We'll be here in the morning."
Kira, feeling warm and cared for and more than a little overwhelmed, does.
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wasyago · 1 year ago
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so, would you?
nothing important under the cut, you don't need to look haha
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reds-skull · 2 years ago
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Price plays poker properly only when Ghost is involved
(I don't remember how to play poker so they're also playing wrong now)
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crayoncat-works · 5 months ago
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"I wish... I could stay." bonus:
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and he did!!!
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cj-kenobi · 2 years ago
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a wild otter-wan has appeared!
do you:
- fight! - give him a little pat!
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heartorbit · 1 year ago
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just how can i protect your smile?
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onesidedradiostatic · 9 months ago
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I feel like there's an interesting aspect when it comes to vox and huskerdust in that there's a non-zero chance that vox also has a sort of indirect relationship with husk along with the already existing indirect relationship he has with angel, like yes there's the former overlord stuff but they may also know each other a bit more personally due to vox's past association with alastor, like how mimzy knows husk and niffty, so huskerdust to him is like… the weirdest crossover of all time to him, val's whore getting together with alastor's pet lmao
honestly bonus points if he also calls husk "husker" like alastor and mimzy
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bigskydreaming · 7 months ago
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Imagine looking at a character whose entire premise is that in every stage of his life, he's made every version of himself into someone that inspires people to such a degree that EVERY SINGLE VERSION OF HIM has people wanting to literally follow in his footsteps in some way or another.....
And coming to the conclusion that like.....the most important things about him are the sum of all his trappings. His entirely homemade developed from scratch could not exist if not for what he already was and brought with him BEFORE crafting this newest version of himself trappings, with his greatest trait throughout all of it being his adaptability; his ability and willingness to roll with the punches and not try to simply weather any opposition or changes to his life but instead reshape himself as needed to better fit INTO whatever new shape his life and the world around him takes. All while managing to carry the most innate, fundamental and necessary aspects of himself from one version to the next. Thus every single version of himself is different but simultaneously every single version of himself is also undeniably the same person.
The strength of this character, to me, will always be that he can be so many versions of himself, he can become so many things, all without ever actually losing or discarding any of the aspects of himself he considers most essential, the things he's not willing to lose or give up just to keep going. Finding that road not taken by most, usually because most never even think to look for it as an option. But one that he's always able to find because the one trick he's mastered in his tumultuous life is threading that needle of not just digging in his heels in an unproductive way but rather being selective about when and where he makes a stand and decides "this is not a thing I'm willing to compromise about" but here are places and ways I can and will change and evolve and adapt in order to make it possible for me to hold onto these parts and keep them as they are.
And that's why its always so mind-boggling to me that so many writers can't seem to think of anything else to do with Dick Grayson other than invent some new reason for him to just....not be that person, or to like just take the character whose most basic fundamental trait he's NOT about to compromise on is willingly giving up his spot in the driver's seat of his own life.....and make him just a passenger in his own life and stories.
Dick Grayson at age nine....at age nineteen...at age twenty nine....the one core thread running through all versions of him is the only way he's standing back and letting you call the shots for him or putting him on the sidelines in some way is over his dead body.
HOW he goes about that, what that looks like, who he becomes and what aspects of himself he plays up at some times and what traits he lets fall by the wayside at other times when they offer less in service to his primary goal here....that changes constantly. He changes constantly.
But those changes are almost always (or at least they used to be/should be IN MY OPINION) made with the intention of keeping certain things about him or his life as consistent as possible.
That's the duality of Dick Grayson that I'm here for. The inherent contradiction of him that COULD allow for endless conflict and breaking new narrative ground in all sorts of ways if mined properly:
His eternal willingness to compromise....but only ever in pursuit of doubling down on the ways he's not willing to compromise.
Forever walking that tightrope in ways that only a kid born and raised in a circus could ever hope to.
#see also: my grinding teeth when people disparage his circus origins#like the only thing its good for is colorful backstory and explaining his acrobatics#THERES. SO. MUCH. THERE.#theres so much EVERYWHERE in every aspect of his backstory and his preexisting comics and yet over and over we get#....what if we just ignored all that and did what the fuck ever as though this character has nothing integral to him or fundamental to say#to be fair my gripes with Taylor are not exactly interchangeable with my gripes with the previous runs#but I lump him in as an extension of them because while evocative of different SIDES of my ennui with these takes on Dick.....#the thing about Taylor's stuff to me (or the parts I read at least) is that its generic as hell while only retaining superficial elements#of Dick's character and stories in order to point to them and say see these are definitely about Dick Grayson. like....only in very surface#level ways. underneath that theyre basically generic superhero adventures that could easily be retooled to be about a pretty sizable number#of other characters. tbh with the whole alfred inheritance thing it honestly felt from the get go#that Taylor was more interested in writing a kinder gentler Batman like a Bruce from one of the animated shows like#The Brave and the Bold who gets along better with everyone else. even the way the Brave and the Bold largely exists to use Batman's#popularity as a star vehicle to platform his co-superhero for the episode lends itself to Taylor's approach in his NW run#with the central figure - only nominally DG imo - basically existing as a platform allowing for the drafting of any other character he want#to write in any given arc or story in a similar way to how Bruce is utilized in Brave and the Bold#anyway. idk idk. my issues with Taylor are not the same as the others exactly but also they are and also I just plain dont like the guy#so I complain about him at any given opportunity even when its not technically as accurate or relevant as it possibly could be#I Am Flawed. its fine though dont worry about it. its called being nuanced
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starboundsingularities · 1 year ago
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faster turnaround than usual huh? or should i say faster turnabout than usual no i shouldn't say that delete delete post turn this thing off
similar posts: 0 | 1 | 2 | 3 | 4 | 5 | 6 | 7 | 8
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bonicedemandarina · 3 months ago
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Click for better quality!
Hey guys I'm still into wha btw, here's my art for the deciduous spells zine, just wanted to draw my favorite guys being happy for once.
I feel like my art always ends up being in a modern au idk how, it just keeps happening
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idkwhatimdoingbutslay · 2 months ago
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Caitlyn literally went to war for the cooch. Caitlyn LOST AN EYE FOR THE COOCH. She set the bar imo.
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