#idk that's your thing LMAO

[sanasanakun]

My inconsequential pet peeve with the dragon age fandom is the erasure of male Lavellan and the assumption all Lavellans romanced Solas. And that's the devs' fault cause like Solas should be a bi option or AT LEAST discuss the vallasin (i am not looking up how to spell that) thing with male Lavellans also. But that didn't happen soooooooo like...I don't do bald dudes and I like to play as funny little guys. Where is my funny little guy Lavellan rep???? He's very silly and he loves buff, emotionally constipated women who devalue his religious background and who leave him to become the pope (it's problematic tbh)

[arcanegifs]

Here are some Season 2 Arcane GIF comparisons before and after I color and sharpen them! | Season 1 Comparison GIFs

[turbo-virgins]

Low key very tired of people responding to veilguard criticism with something along the lines of “lol these people have no media literacy, didn’t you understand what the game was telling you??” Yes, yes I understand what the game was trying to tell me. That doesn’t mean I have to like it or the way the writers went about it.

Also the whole argument of “well, the dragon age fandom proved they couldn’t handle xyz controversial character/element of the story so that’s why veilguard had very little references to those things” kinda grinds my gears a bit. I don’t think it can be proven with 100% certainty what writing decisions were made based on past fandom reactions to the other games, but I do think it would be an incredibly shitty move to simplify or remove complexity from a story just because there might be a portion of the audience who doesn’t get it. “The fandom couldn’t even handle Vivienne” Yeah a good amount of people dismissed her as a selfish snooty bitch, but I didn’t and a lot of other people didn’t and to remove complex and interesting characters like her on the basis that enough people “won’t get it” just feels like a disservice to all of us.

[undertheredhood]

in an au where jason is going to college while doing red hood stuff, i just think it would be funny if a reconciliation between him and bruce gets kickstarted all because talia got invited to go to his college graduation and bruce didn’t even know that jason was in college or that he was graduating college until talia called him up just to brag about it.

[0fps]

JANE DOE ❖ undercover r&b

The big bad daddy who cussed you out every day is gone and yet you still miss him. What are you, a bunch of daddy's boys?

[krashlite]

"A stream through the valley to nourish these hills would lay all my troubles to sleep" A Field Song - Unfamiliar Things

Based off of CherriFire's designs!

[xxplastic-cubexx]

charlies turn for the reference sheet beam

[knockknockitsnickels]

I think this is one of my favorite lines from the Wraith route because of (imo) how much the meaning changes depending on if you got there via Spectre or Nightmare. For Spectre, it honestly strikes me as a genuine question. Why are you doing this to her? If you're on the Spectre route, you presumably already know the Narrator can't really be trusted, since you had to reject his reward to get here. What are you hoping to gain from continuing to hurt her? For Nightmare, it honestly just makes me sad. As the Shifting Mound describes her, "She desires only companionship, but the only thing she knows is how to hurt." This line feels like a plea from someone who genuinely doesn't understand why you keep rejecting her. She wants to be with you, but she just can't understand how to do that in a way which doesn't hurt you.

[steampunk-llama]

Authentic Aussie Teen Miku

[variksel]

"ascended astarion is his bad ending because he becomes an abuser" no its actually his bad ending because he becomes cringy

[somerandomdudelmao]

this is so bad that people are asking you when your comic updates are so they can sleep.

Yall really SHOULDN'T do that, its messed up, im just speaking from my standpoint but hearing stuff like that i wouldn't even Want to update anymore or announce wips or anything with all this "when is it coming out? can i sleep? can i do this? is it coming out soon?" i mean asking for WIPS of the comic seems fine but asking when its coming out bc its affecting you is wild. and not good. imagine what type of stress that is on a person to know that people arent taking care of themselves until the comic comes out.

idk it feels like some of yall dont know how to act. this comic is a passion project if anything. it just seems. so unhealthy and offputting to deal with this from an audience. idk.

:т

[nenoname]

stan twins the canon cptsd brothers i will always think about all your unaddressed issues that would make perfect plot fuel for your spinoff

and also the whole 'stan getting that poem by bill via a website which contrasts with bill getting one from the axolotl via a website' foreshadowing thing

like idk i would love something like su future but like more optimistic, aka not an accumulated breakdown that has to be mostly resolved off screen at the end :/// but something thats being kinda addressed throughout? (although would love to see one of them turn into a monster thats always fun lol)

stan having severe issues from his dad and those years of being homeless that we keep on getting more info on but never really getting confronted on (the drifter catalogue and tijuana incident...), him being completely alone for like twenty years when running the shack before soos comes along to the point that 1998 is noted as his low point, and him not really learning about bill+what he did to ford until ages after he killed him if he ever did get the full context

while i think amnesia and everyone seeing him as a hero actually helped with stan's 'i'm a worse version of my brother' thing its still a lingering issue too and we now got him being insecure over his own hands

ford being immediately thrown from 'being tortured by bill' to 'being stuck in the multiverse and being chased by bounty hunters constantly', him fully expecting himself to die when destroying bill, and him only now being safe for the first time in 30 years ....relatively safe, he's still in constant danger because of course he is

idk in the end the series wants them to be happy and they deserve it, its why i wasn't too worried about the book being like 'ooh bill is back!! and the book is haunting ford' thing cos i knew they'll be ok

[ravetamer]

MORE AIDENPOSTING!! a friend wanted me to draw this (thank you berry)

more aiden below because i need to express my aidenpreciation with my aidenterpretations (you guys have permission to steamroll me for the puns)

edit: please ignore how i forgot to colour his shoes. sobs

[raineandsky]

Hi (if you are okay with writing this)

What about a hero (who’s a trans man) captured by the villain and the villain finds his top surgery scars and is surprised of the fact but not judgy or disgusted like the hero thought they’d be

Love ❤️ your writing,thanks

i hope you enjoy - thank you for the request!

“We don’t want to ruin this lovely suit the agency put together for you,” the villain purrs as they run a hand over the seams of the hero’s shirt. “Let’s get you into something more comfortable, hm?”

“Oh, uh, no,” the hero refutes weakly, “you can ruin it.”

The villain looks entirely unimpressed. “We have to wear unflattering uniforms when you catch villains. It’s only fair you do the same.”

“No, no, [Villain],” the hero tries, which the villain is pointedly ignoring in favour of moving too close, with too much purpose, “you don’t get it, I can’t—”

The hero’s protests are in vain. The villain’s hands are already on the hem of his shirt, and with a hefty pull they yank it directly over the hero’s head.

The hero can feel their stare burning into his chest. He directs his eyes to the ground to avoid seeing whatever disgust is inevitably on the villain’s face. Then, after a moment that’s painfully long, the villain says, “what kind of fight did you get in?”

The hero accidentally glances up at them in surprise. It’s not disgust on their face—it’s confusion. Not a look that the hero is unfamiliar with; the disgust will come once he explains.

“Fought a doctor and lost,” he says with a short laugh. “They’re, uh… it’s from top surgery.”

The villain’s face is blank. “Huh.”

Here comes the disgust. The hero sucks in a deep breath, crossing his arms over his chest without thinking. “Do you have something I’m meant to be putting on?”

“Oh, yeah, ‘course.” The villain grabs a shirt and throws it at the hero, waiting patiently while he hurriedly puts it on. “So you’re, y’know…”

“Trans,” the hero finishes awkwardly. “Yeah.”

“Cool.” The villain turns to gesture to a door across the room. “Alright, through there, please. Let’s get this torturing on the road.”

The hero’s the one that’s staring blankly this time. “What?”

“What did you think you’re here for?” The villain’s scoffs. “I’ve caught you, and now I’m going to torture you about it.”

“No, I get that, I just, uh…” The hero glances around the room idly, like something will give him the confidence he direly needs for this interaction. He waves his hands vaguely at his chest. “Don’t you, like, have anything to say?”

The villain’s face contorts into a confused frown. “… I accept you?”

“I thought you’d be more…” The hero grapples for an appropriate word. “Judgy.”

“I’m a villain, [Hero], not an asshole,” the villain says with a tired sigh. “Being a guy or not doesn’t change the fact that you’re a hero and I hate you. If anyone does have a problem with it, though, send them my way. Always fancied myself a bit of an anti-hero.”

The hero can’t help the relieved smile pulling at his lips. “I’ll make sure to do that.”

“Thanks.” The villain waves impatiently at the door again. “Now, are we doing this or not?”

The hero nods plainly, some of his usual heroic confidence back. “Only If you don’t mind me breaking out in a few days.”

“Ugh, if you have to.”

But the villain smiles, the friendly kind, and the hero decides that maybe his nemesis could be his ally too.

[skuaclan]

Aftermath.

[hellooobees]

I can't stop thinking about how the show sets up selfishness and selflessness as two sides of the same coin. How do you walk the line between making sure your loved ones can achieve their own dreams even if it means hurting yourself, and hurting your loved ones because you're hurting yourself for their sake?

It all goes back to Thame putting up his wish on the orange tree that he'll make all of the other members' dreams come true. Thame, who agrees to a shitty contract and works himself to the bone and makes it completely his burden to prove that Mars is a good investment for the company. Thame, who is made to believe that that very act of love and sacrifice is only debilitating his friends' dreams and the only way to keep his original promise is to leave.

We see Thame essentially being back at square one in this episode. He has to leave and go to Korea alone so the people he loves can achieve their dreams. But so much has changed since then. Thame had found hope, that he could simultaneously keep his promise and be selfish to want both his band and his partner. He's once again been working himself to the bone, giving up all of his time and attention between the band and Po, because his tiredness is such a small price to pay to turn that dream into reality. Why wouldn't he gladly take on all of that tiredness and more?

But despite all of the groundbreaking things he's achieved and everything he's given of himself, it doesn't work. His friends break down around him possibly reigniting the same insecurities from earlier that he worked so hard to ensure wouldn't come to pass. His boyfriend breaks up with him despite Thame promising to take on all of the burden and tiredness to make it work. He's being forced to leave everyone behind and he's being left behind too.

That flip from Thame being convinced that the best thing for him to do would be to leave for everyone else's sake, to the rest of Mars and Po being convinced that the best thing for them to do is to step back for Thame's sake is so so important to me. It's not just Thame who made making his friends' dreams come true into his own dream. The rest of Mars and Po did the same thing with Thame's dream. But how does it all work when the sacrifices you're willing to make for the dreams of your loved ones are at the cost of their happiness because they're at the cost of your own?

Thame's effort didn't go to waste. We see all of that effort manifesting in how it opens doors for the other members and Po so much more easily now. But it's also true that at the base of those new successes lie the shattered hopes of that shared dream between them.

The show sets up the question of whether the person who's leaving others behind feels hurt, and we see so many iterations of it. We see Earn leaving behind the person who was an instrumental part of his success without a second thought. We see Thame giving himself up and leaving for the band's sake. We see Jun leave twice, the first so that his friend would for once think of himself and his own success instead of letting the others drag him away from it, and the second when he's sure that his friend can be what the person that he cares for deserves. We see Pepper being completely willing to leave if the two biggest parts of his life cannot exist together and we see Gam actually leaving when it proves to be true. And we see Po leave because he cannot let himself become an obstacle in Thame's path and make all of their efforts come to waste. If that's the price to pay so that the people they love can have what they want then so be it, right? Their sacrifices are insignificant in the face of that.

But what happens when all those sacrifices still aren't enough? When the cost becomes too huge to bear?