#idk least i can do is recognise how i feel and recognise that me thinking ''i would do anything to feel wanted by somebody'' can put
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mishkakagehishka · 1 year ago
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deus-ex-mona · 2 years ago
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we are united in a common cause on this ✨#blessed✨ day
#hi bots why do you keep liking my lxl posts lmaooooo they aren’t even good mans#n o t that any of my posts are even good to begin with but… my lxl posts are the worst of the worst o k#i mean. they’re p much bot bait at this point.. well! at least the bots like ‘em fruity too~~~~~#though. speaking of this hellsite.. does anyone else get annoyed when the dumb app makes you follow people you’ve never heard of?#like i can never tell if someone i’m following has changed their url or if they’re someone the ‘site possessed my account to follow#like… well… backstory time: i originally made this account to browse the ship tags for a c e r t a i n ship from a c e r t a i n fandom#back when the year was still somewhere in the 2010s i think.. then i lost interest in the ship and the fandom (rip 狛 x 日 y’all the ogs)#and then i deleted the app without having ever followed any accounts. but when i next logged in a few years later. m a n.#i was following some account that i’d never even heard of lmao. like whoaaaaa who you#the account seemed to have been abandoned though.. but they made some really pretty non-fandom art i think…#idk i just thought about it bc i keep seeing accounts i don’t recognise on my dash and i m just like w h o y o u 👁️🫦👁️#i feel kinda bad when i see posts from the accounts that use this site like an actual blog y’know..#like there you are; using the site like it was probably meant to be used.#while im just here making shitposts and the occasional tl for a small-ish fandom#hm. i think i could make t h e most boring blog ever if i ever tried to be a blogger lmao#like i once made a w o r d p r e s s jokeblog that had nothing but a post about kale chips on it… i think#i wonder if that site is still up though… can’t rem if i deleted it or something… o h w e l l#o h c o w. what point was i trying to make again? i forgor—#though. speaking of cows. ‘cow’ (in a c e r t a i n c h i n e s e d i a l e c t) was allegedly my brother’s first word as a kid#and yeah. it was directed at yours truly. (sadge) to think that my bro learned how to talk just to insult me..#brothers amirite? (truly sadge……..)#it is suiyoubi my dudes
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springtrappd · 2 years ago
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bro y r u so mean when critiquing ppl online? like jesus they have feelings too and r trying to fix it calm down
i have zero clue what this is about but also... mate, i'm australian -- i get that it's difficult to parse tone over text, but we are just Like That culturally, lmao. even without that context, i'm intentionally abrasive and hyperbolic both because i'm kind of a cunt but because it's funny. jokes take the bite out of heavier subjects, which is why i make them all the fucking time. sorry???
assuming this is abt my thoughts on ruin... i am absolutely not the person to be going after for this lol. i am a die-hard steel wool defender (in the "game devs should unionise" way), i talk about sb and their work all the time and have mostly positive feelings about ruin. it is One Post making One Joke that does not even remotely encapsulate all of my thoughts on the dlc or on the series as a whole. calm the fuck down and stop taking people's criticism of a thing you like personally; it's only gonna set you up for unnecessary pain, and nobody wants that, least of all me. i talk about this shit because i love it. i am a critic because i genuinely love art criticism. Can all of you please be fucking normal about me having opinions on things for five minutes
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misted-dream · 6 months ago
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🦢 A WALTZ IN THE DARK ₊˚⊹ ˚ ༘ ⋆ ⟢ ballet dancer!doyoung & fem!ballerina!reader
author's note . . . this was first released as a 4.5-part series that i never finished. i finally decided to finish it and put them all together and upload it separately as a oneshot just for convenience's sake. the series info can be found here!
content&warnings . . . eventual smut, forced proximity, enemies to lovers if you squint, mentions of injury, profanity, smoking, alcohol consumption, slight exhibitionism, unprotected sex, oral, slowburn (idk if it counts?)
word count . . . 28k (i'm insane abt dy)
synopsis . . . the first and last time you and doyoung danced together was 5 years ago. 5 years since the mishap that founded your mistrust of him, at least as a duet partner. with the annual swan lake showing rolling around, you think you finally stand a chance to audition for the leads: odette and odile. it's every ballerina's dream to play this role at least once in their career. little do you know, rumour has it that kim doyoung just so happens to be auditioning for the role of prince siegfried this year.
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ACT I THE ROLE
Truthfully, it’s claustrophobic out in the hallways. Despite it being well-ventilated and well-lit, there’s a stuffy feeling of being cramped into a space that crawls up onto your skin, pricking up goosebumps along with it. You prop one leg up on the barre that lines every inch of every wall within this building, bending your torso at your hip and pushing towards your knee in a straight line. The other dancers around you do the same. The energy in this corridor is unspoken, but there’s a shared feeling of anxiousness. It’s been at least 20 minutes since the last dancer was called into the audition room; no audition needs to take 20 minutes. Unless, they’re so spectacular to the point where the directors have forgotten they were still auditioning people for the roles. 
Not just any role though. The role. The role of Odette, and by the same token, the role of Odile. The lead female role for the Swan Lake Ballet. It’s been regarded as one of the most difficult roles to play because of how stark the contrast is between these two characters that are supposed to look the same, so naturally, logic suggests that the same ballerina must dance these two, so very different characters.
You set your back upright again, feeling an adequate enough stretch in your hamstrings. The dancers amongst you are all individually in their own worlds. Last year, you didn’t even sign up to audition for the lead. Though, not many people did. It was pretty much guaranteed that the prima ballerina would get it. This year, however, she opted out of auditioning and suddenly, there was an influx in interest for the part. Your whole life, you’ve been training for such an occasion—you can’t let it slip past you now.
“Y/N!”
A voice calls out. You turn your head in the direction of the voice. A pretty ballerina slips by the woman with a clipboard in her hand. The dancer’s light brown hair is pulled back perfectly, a full bun sitting in the back of her head. She waves a quick goodbye to the people inside the room before she steps out into the hallway.
“Yes, that’s me.” You say before bending down to pick up your dance bag, swinging it onto your right shoulder.
The woman doesn’t say anything else, she simply rotates her body sideways to allow some space for you to step in through to the room.
As soon as you’re inside the audition room, you see a seated panel of four people, two of whom you recognise: the company’s director and the choreographer. Both the pride and joy of the Paris House of Ballet. There’s an air of iciness that surrounds them. You set down your bag by the edge of the wall and saunter towards the spot marked with masking tape in the middle of the room. 
“Whenever you’re ready,” the director, Colette, beams at you.
You purse your lips together, kneeling down in front of the tablet set out for auditionees to put on the music they’ve chosen for their piece. A soft piano melody begins. The panel immediately recognises it as the Dying Swan. The melancholy tune floods the square audition room, and you let the music overtake and guide your every movement.
The piece is beginning to come to an end. You’re sat on top of your heel with one leg pointed straight out in front of you. The swan’s final moments, she’s still fighting for her mortality. With one last flare of her wings—your arms—you envelope yourself. Arms crossed at the wrist resting on top of your ankle, and you bow your head, your forehead touching your shin. You wait a few seconds before uncrossing your wrists and getting up onto your feet, as gracefully as you can. Looking up at the panel, you’re met with satisfied smiles. Internally, you release a deep sigh.
Colette looks to her sides, and then she begins, “Your grace is incomparable. Truly, very well done.”
One of the people whom you don’t recognise chimes in, “One of the best we’ve seen so far.” He nods, looking pleased with you and himself.
Colette’s smile is sturdy on her face. “Now, how are your fouettés?”
As soon as you step one foot out of the audition room, someone is already there waiting to pounce. “How was it?” Karina asks ecstatically.
Your shoulders jump up a bit at her excitement, “-You scared me.”
She widens her eyes expectantly, waiting for you to answer her question.
“It was alright. I did well enough on Odette’s part.”
Karina rolls her eyes, “Is that what you think? Well enough?”
You’re eyeing down the water fountain at the end of the corridor, someone stood right in front of it as they’re filling up their bottle. A tall man waltzes past, his head turning towards you for a brief moment. As quick as he came into view, he leaves all the same. You’re stuck looking at where the outline of his body was, eyes boring holes into the beige-painted walls of the corridors.
“Hello?” Karina’s voice brings you back to the present.
“Yeah, sorry. What did you say?”
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Monday mornings are never usually too bad. This Monday morning may prove your hypothesis wrong, though. The casting of the characters for Swan Lake were said to be posted up today, up on the bulletin board. They could just send out a mass message but your company insists on doing things the conventional way, only like back a decade ago. It’s tradition, they’d said, dancers all huddle up to hopefully find their names next to the character they auditioned for. 
You’re hoping the same as you begin your commute to work this morning.
You swipe your ID card against the reader and the glass doors click open. Already, you can see a group of people, some wearing their practice outfits whilst others look they they just walked in with their jackets still  on, all crowded around a rectangular pillar that stands in the middle of the staircase—separating the stairs that go up and the ones that go down. 
Curiosity spikes within you, an unease settling in the pit of your stomach. This is it. You walk over to the crowd that’s garnering more people by the second. 
“Y/N! Here!” You hear Karina’s voice from somewhere in the horde, and then a hand tugs at you. She pulls you through the mob of dancers, all eager to find their names plastered on the wall, until you’re stood next to her. You’re about two people away from the bulletin board, and once they move out of your way, it’s blatantly in your face. The plain piece of paper is titled: ‘Swan Lake Showing Castings.’
Your eyes skim past the castings for the male dancers and straight to the bottom half for the female dancers. You land on where it says ‘Odette/Odile’ and the name next to it: Juliette Martin. Not yours.
“Look!” Karina points at the paper, index finger underlining the role for Odette/Odile’s understudy. And there it is. Your name printed out next to the role of the understudy. Karina is visibly shaking with excitement, definitely more so than you. If anyone didn’t know better, they’d probably think that your name was Karina’s.
“Oh my god!” She flings her arms around you, and in her embrace, you shuffle out of the mob of people together. “You got it!”
“The understudy,” you remind her lowly. You attempt to soften your tone with a light, “Well,” and a shrug.
She’s not phased by your disappointment. “Still. You should be proud of yourself,” she leans her head forward, “I am. Proud of you, I mean.”
Her words force a smile onto your face and you manage out a quiet, ‘thank you.’
You’re in the middle of the barre routine, foot pointed out to second, when you feel a tap on your shoulder. Thinking that it’s your mentor’s way of telling you to fix something—it could be anything really, straighten your back, tuck in your pelvis, turn out, point your toes more—you settle for standing up taller and rolling your shoulders back. She taps you again, in the same spot. This time, you turn to look at your mentor; maybe she’ll feel like actually specifying her request, unlike usually. Her coarse, grey hair frames her face in artistically messy strands, the rest of it pulled back into a quick bun, unlike the neat, meticulously combed ones that ballerinas normally gravitate towards wearing. Once your mentor has your attention, she signals towards the door to the studio. You drop your arms from the barre, eyebrows raising at your mentor with your fingers pointing to your chest. She nods. This whole interaction is carried out in silence, as to not disturb the rest of the dancers going through the routine. You half-walk, half-jog on your tiptoes towards the studio doors, and the director is waiting by the frame.
She steps out and you follow her into the hallway. Finding a nearby bench, she sits down and prompts you to do the same.
The cold from the metal bars of the bench is insulated by your joggers, one leg pulled up to above your knee exposing the tights underneath, while the other sits where it’s supposed to. 
You breathe in, “What can I do for you?” You try to put on a convincing smile.
“Did you see the castings this morning?” The director begins.
You simply nod, not knowing where this conversation will go.
“Well, Juliette dropped out of the show this morning.”
“Oh,” you voice. And then the revelation hits you. You repeat, “Oh,” this time with full understanding of the director’s implications.
“So…” Colette’s lips are slow to curve into a smile, “You’re our lead.”
Your stomach flutters upon hearing those words, your mouth hung slightly agape. An excitement inches up to your face, the muscles in your cheeks spark up. “I mean, yeah. I’d love that. But why?” Colette notices the tiniest sliver of hesitation in your tone.
“Personal stuff—she didn’t know if she can stay in Paris for the next 2 months to train.”
You nod in understanding. “That’s a shame.”
“Some things can’t be helped,” Colette responds. “So, you’ll do it?”
“I’d love to.”
“Great!” The director’s face lights up as she puts her own hand over yours. “Training should start as soon as possible, so…” she looks down onto the floor to think, “The day after tomorrow?”
The way this conversation happened, it’s like you’re continuously a beat behind Colette. “I can look over the routines by myself tomorrow, no problem. Wouldn’t that be better? So we don’t have to wait an extra day?”
“Oh, no.” She gives a starry-eyed shake of the head. “Your training starts with partnering. You know, to test the chemistry.”
You mouth a subtle, ‘Oh.’
“Did you see who got the role of Siegfried?”
You let out a soft chuckle, “No. I kind of zoned out when I saw what role I got.” A sudden wave of self-awareness engulfs you after that sentence uttered with unfiltered honesty. If Colette picked up on that, she made no show of it.
“I don’t know if you know him, actually. Kim Doyoung got the part.”
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Kim Doyoung.
You knew him. No doubt, you knew him.
You lay in bed, eyes staring at the ceiling. The covers are pulled all the way up to your chest despite it being warm enough that you don’t need to sleep with the covers on. As you shut your eyes, an all-too-familiar memory plays out in your head.
It’s 5 years ago. You’re a fresh face to the company having just graduated from the Paris Conservatory for dance. It’s a spring day, the trees outside the studio building are beginning to blossom again. 
It’s partner practice and the mentor decided that today is the day that everyone will try some lifts. Not that extraordinary, you’d been lifted countless times even during your days learning at the conservatory. Kim Doyoung just so happened to be stood next to you when the mentor announced this. You didn’t know anyone in the class back then, seeing as you’d just joined, and he made no conscious effort to go seeking out a particular partner, so naturally, the two of you partnered up.
You didn’t know who he was at the time, just the fact that he was undeniably handsome. A combination of both sharp and soft features to him; if he was anything as a partner, it was that he’s easy on the eye.
The mentor demonstrated a lift which consisted of the male dancer lifting his partner all the way up in the air over his head, while she arched her back with both feet pointed downwards; arms stretched out nearly in a 90 degree angle from each other.
Someone had counted to 3 and that’s when you jumped, assisting him the most you could as he lifted you well over 6 feet above the ground. The lift went fine. The mentor then suggested a variation in which the male dancer supports the weight with only one hand. And you don’t know what happened, but presumably Doyoung tried to hold the lift with a single hand, and that’s when it started going downhill.
There was a little instability in your core and you told him to put you down. He listened, or at least tried to, but the balance was thrown off. He was still holding the weight with one hand when he tried to wrap his free hand around your waist again. Before you know it, the fabric of your leotard did you no good and you started slipping from his grip. Being forced to basically propel yourself down, it came too unexpectedly, and you landed on the floor without properly bracing yourself. Rookie mistake, you’d thought even in the moment.
That day, you didn’t think much of it. But then your leg started hurting throughout the day, especially your knee. When you went to the infirmary, the nurse advised you to take a few days off from dancing; the pressure of being en pointe wouldn’t help the shock from the impact of your landing. Few days then turned into 2 weeks, courtesy of a second opinion from the physician that you thought would help argue your case—which was to continue dancing.
Doyoung obviously saw the injury take place, and you can’t be sure if he took notice of your absence in class for the following two weeks. But that was the first and last time you ever partnered with him. And you made yourself a promise to never dance with him, again.
Up until now, it’s been pretty easy living up to that promise. Key words: until now.
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Even getting up out of bed this morning was something you thought over more than once. Were you really ready to go ‘test the chemistry’ with the man that you more or less held a grudge against for the past 5 years? You know that you should let it go, it’s been 5 years—and besides, it’s not like the accident rendered you completely unable to dance again. And it wasn’t on purpose. You had to remind yourself of these facts every time you start feeling a sting from your knee shooting through your entire leg.
You walk into the studio, curtains to the windows drawn all the way back, the view of the city reflected on one of the walls entirely lined with mirrors. Colette is already there, alongside Rafael, the choreographer, and Doyoung is there, too.
“Just on time!” Colette greets you brightly.
You catch Doyoung’s eyes for a split second as you walk further into the room. His face carried an expression, one full of indifference. Does he recognise you?
You pull the strap of your bag off your shoulder, and drop it down in the corner of the room right in front of the mirror.
“Shall we get started?” Colette’s voice piques your collective attention. “The first duet we’re running over is the Act 2 pas de deux. I assume we’re all familiar with it?”
Her question is met with a couple of silent nods.
In Act 2, the Prince, Doyoung’s character, meets Odette, your character, for the first time. Prince Siegfried absolutely revels in Odette’s beauty, grace, and reserve.
Rafael pushes off the windowsill and makes his way over to you and Doyoung, standing in the centre of the room with an unnatural distance between you. You don’t know if he recognises you or not, and you’re not sure which option’s worse. A, that he recognises you but fails to even acknowledge his mistake that you’ve been stuck thinking about for the past couple of days, or B, that he doesn’t even recognise you because whatever happened was that insignificant to him.
Rafael begins to mark out the routine, highlighting the part in the duet— the pas de deux—where Siegfried caresses Odette’s face with his fingers, turning her head towards him. Following this intimate moment between the characters, there’s supposed to be two consecutive lifts performed by Siegfried that makes it appear like Odette is floating in the air. You’re standing very, very still as Rafael mimics these movements with little effort. 
When he’s done, he asks a simple, “Got it?” before turning to face the speakers. Doyoung utters a quiet, “Yeah,” but you can only manage a nod that Rafael catches in the reflection.
And so, the music begins.
You take your place slightly off centre with Doyoung a little bit behind you. He takes slow, conscious steps towards you. His hand reaches out, fingers with the goal of landing softly on your chin. And they do. The pads of his fingers are cold to the touch, sending a shiver down you as you turn your face to look at him. Before you get the chance to properly look at him, your cue to take centre stage comes. In a fluttering-like motion, you quickly alternate between each foot putting pressure on your toes, bringing your arms to fifth up above your head. There’s a build-up in the music, and you feel Doyoung’s fingers tightly wrapped around your ribcage. The anticipation builds in Colette. But then, you call out, “Wait!”
Confusion colours Colette’s face, “What’s wrong?”
Rafael pauses the music, leaving the room in silence. Doyoung’s fingers loosen around you.
“I don’t know if I can do this,” you admit with a clean-cut honesty. You put mind to not catch a glimpse of Doyoung’s reflection in the mirror before you.
Colette chuckles, “What do you mean?”
“I can’t be Odette.”
A stillness falls over everyone in the room, but particularly Colette. You meet her eyes, and there’s an uncharacteristic air of apathy to her. “You’re kidding. I mean, you didn’t even—”
Rafael physically takes a step in between you and Colette, Doyoung still silent in the situation. Rafael holds up a palm in Colette’s direction, then turns to face you. “Let’s start again in 5 minutes—is that okay with everyone?” 
You glance over at the mirror and see Doyoung’s reaction. He widens his eyes in annoyance, and leaves the centre of the room, heading straight for his stuff on the side.
A thinly rolled cigarette sandwiched between your lips, you flick on the lighter and bring up the flame to the end of the stick. You take a slow drag before resting your forearms on the railing that outlines the balcony, cigarette tucked in between your fingers. On one hand, you’re glad that Rafael stepped in before Colette could explode, but on the other, he’s now set a precedent that you’ll be happy to cooperate again in 5 minutes' time. You don’t know if that stands true. And it’s looking more like 2 minutes now that you found your way out here to have a quick smoke.
You hear the door behind you swing open as you take another drag. The sound of chatter mixed in with cutlery clanging together in the canteen rushes out into your ears. You look back over your shoulder, and it’s Rafael.
“Mind sharing?” He walks over to the edge of the balcony next to you, eyes looking pointedly at the cigarette in your hand.
Funnelling out a puff of smoke with closed lips, you flick off the ash and pass the stick to him.
“Colette send you out here to get me?” You watch as he inhales.
He shakes his head, eyes looking down as he sucks in before breathing out. There’s a few seconds of silence in between him shaking his head and actually beginning to speak. “If this is going to work, you’re gonna have to trust him.”
“Raf, you know what happened. The last time I trusted him, I couldn’t work for 2 weeks afterwards.” He gives you your cigarette back and you take it in between your thumb and your index finger.
He sighs. “I do know what happened, and I know it was an accident.”
“If it wasn’t an accident, it really wouldn’t help your case here,” you take another long, deliberate pull.
Rafael pauses, slowly observing you as you exhale smoke from your lips. “Don’t you have some faith in him as a dancer? That he’s improved throughout all these years?”
He’s met with no response from you.
“You know, that was the last time he ever made a mistake like that in partnering. How’d you think he kept his job these 5 years?”
“Last mistake as far as you know.” Your words come out more sharply than anticipated.
“If you’re still uncomfortable, that’s fine. It’ll just be a shame to replace you—Colette loved your audition.”
Replace? Not even 5 minutes and there’s already throwing around of the word ‘replace?’ You suppose you did explicitly state, “I can’t be Odette,” back there. Guess it’s no one’s fault but your own.
“He’s dedicated. Driven. You can trust him.”
You can trust him. Those 4 particular words echo around in your head.
You follow Rafael all the way back to the studio. Colette watching as Doyoung is in midst of a solo routine. He comes to a halt when he sees the pair of you step into the room. Colette and Rafael exchange a look, not too particularly sneaky about it, either.
“Happy to see you join us again,” Colette stands from her chair, palms pushing against her knees, “Ready to do your job?”
You suck in a deep breath through gritted teeth, “Yeah.”
“Same part again, with the lift.” Colette delivers those last three words with extra care.
And so, the music plays, the same melody reverberating off the walls of the room. It’s like you’re living in déjà vu. The same scene plays out with Doyoung reaching out to trace his fingers along your jaw. There’s still a stiffness in you, prominent enough that you’re aware of it, when he touches you.
The music crescendos. His fingers laid flat against your rib again, preparing to lift you up in the air. There are multiple challenges to this. One obviously being your mistrust in your partner, which is crucial in duets. The other being the condition that you’re supposed to look dream-like, ethereally graceful while simultaneously being hauled up into the air, with nothing supporting you but the arms of a man whom you’d rather not even look at, let alone get lifted by.
You can trust him.
Alongside the music cue, you bend your knees into a plié and when you straighten your legs again, the familiar thrill of being thrusted high up into the air takes over you. Following the choreography, Doyoung sets you back down, and before you know it, you’re propped up again. Your arms flutter lightly, resembling the wings of a swan as the back of your wrists meet each other over your head, arms mimicking an ellipse. 
Doyoung carefully helps you regain grounding by setting you back down slowly, his hands still tight around your waist. When he finally lets go, he mutters into your ear, “That wasn’t so hard, was it?”
You turn around, met with the same expressionless face as when you first saw him earlier.
“That was…” Colette interrupts, “…standard. Chemistry needs a little working on, but nothing time can’t fix.” For some reason, you feel like that was meant for you with the way Colette’s looking pointedly at you.
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With the newly added responsibility of your lead role, your schedule is now a little fuller, and brighter. Mondays and Tuesdays are solo training days, whereas Wednesdays and Thursdays are partner practice, specifically with Doyoung. Your company has always had a policy where despite whatever specified training there is for whatever show that’s currently getting worked on, Fridays were always company class days. Meaning that every dancer—the corps de ballet, every artist, soloist, even the principal dancers—come and train together. It’s like that saying that corporate businesses have, “We’re not a team, we’re a family.” Except you can feel a bit more of the ‘family’ aspect here than you probably can at some corporate job.
The weekends are the weekends. You’re not on the clock, but there’s still an unspoken understanding that you will be dancing, practicing, training, especially now with a role like this.
It’s Friday afternoon. You’re tucked in the corner somewhere, next to Karina, both observing the quick demo that the instructor is going through in the centre of the massive stage, just big enough to occupy all the dancers of the Paris House of Ballet.
The instructor tells the pianist to begin playing the piece, and the first row of dancers take position at the back of the stage.
“So, how was training yesterday?” Karina tries to contain her feverish squeal as she asks.
You bite back a smile at her exhilaration. “It was good.”
“When are you going to start giving me details without having me to ask for them?”
“It was nothing special. I don’t know what you want me to say.” You respond, watching the dancers as they travel across the stage in a multitude of jumps and leaps. 
“Nothing special?” Karina elbows you in the side. You follow her eyes to see who’s across the room.
Doyoung stands in line for the next group of dancers to take the stage. A loose black tank top hangs onto his exposed shoulders, grey joggers sitting low on his hips. The stage lights do nothing but highlight his arms; how every muscle in them pull and stretch in different directions as he moves them.
You pull away from ogling at him. “Nothing special,” you repeat. “I don’t even think he recognised me.”
“You’re joking.”
“No. A man nearly ruins your life and doesn’t even remember you. What else do we expect?” 
You and Karina share a chuckle, and the pair of you walk into the stage lights, preparing for the first position of the sequence.
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It’s been a week since your first practice session with Doyoung. A week makes it sound like you’d gotten some time to warm up to him, when in reality, you’ve seen him three individual times for practice, and not any of those times did he even try to make casual conversation. Or less even, small talk.
You’re expecting today to be no different. Spend 8 hours with each other; 8 hours with his hands all over you; 8 hours pretending like you’re desperately in love—only for the pair of you to not even catch glimpses of each other outside the practice room.
You’d just finished running through another one of the many duets you have with him, this time as Odile, when you read the less-than-satisfied expression Colette has on her face. Uh oh.
She exhales sharply. 
“It’s been a week.” Colette uncrosses her legs and pushes her glasses up into her hair. She stands up, one hand on the barre that disrupts the otherwise continuous panel of mirror on the wall. “One week. And you two still look like you’d rather piss at windmills than take your jobs seriously. Now, don’t get me wrong. Y/N, you’re very good at the rejection part—the falling in love part, not so much.”
The first time that you and Doyoung’s characters meet, he’s already head over heels for her. She, however, isn’t so keen on accepting his adoration, and it takes at least several dances before she’s done dismissing him.
You shoot Doyoung a quick glance. He has his hands on his hips, one of the sleeves of his T-shirt rolled up to his shoulder. “Well, it’s not easy to have chemistry with someone as dull as a rock,” you bite out.
That catches his attention.
“I’m sorry? I’m not the one who first freaked the fuck out the first time we practiced.” A record, truly. He said more than 5 words to you in conjunction at once. Not that that accomplishment is enough to distract you from what he said.
“You wanna know why I freaked the fuck out?” You take a step closer to him. “It’s because you—”
“Enough!” Colette cuts between the two of you. “You two obviously have some differences.” That’s putting it lightly, you thought. “You don’t need me to remind you that you’re professionals. So, stop acting out whatever lovers’ quarrel you have, and focus on the honeymoon phase, instead. Please.”
She sits down on the floor again, crossing her legs. “Need I remind you that our version ends with Siegfried and Odette dead, so you two better sell it to the audience while they’re alive.”
You and Doyoung slowly look at each other, both reluctant. He’s the first to drop his gaze as he takes his position behind you, readying himself for another showing of his strength that the routine calls for.
Before you leave practice that night, Colette requests that you stay behind. You prepare yourself, thinking that it’s a reprimanding from her telling you to act more hopelessly enamoured. But she doesn’t. Instead, she asks to see your fouettés.
That’s the thing with the role of Odile. She’s incredibly fierce. Maybe it’s due to the fact that she’s the literal daughter of a dark magician who can magic up some spirit to possess her. In Act 3, she’s supposed to flawlessly execute 32 fouettés in succession, without once losing her balance. Basically, 32 full turns on your toe and landing it perfectly afterwards, as if that’s not the most nauseating thing in the world to do.
In your audition, you did maybe three or four turns. Now, Colette’s basically asking you to do that, but times 10.
It’s a challenge, no doubt, and it’s one that you’re not sure if you can take.
You settle yourself. Feet in fourth position—dominant leg in front, and the non-supporting leg at the back. Your arms out in second to the side of you. And you push off of your back foot. If there’s one trick to keeping your balance, it’s spotting. Pick a spot anywhere in the room, and only look at that spot when turning.
The foot that you’re spinning on continually drop back down to gain momentum to push off onto your toe again. It’s no easy feat. You’re about 10, 11 turns in when you start to feel the effects of dizzying. Having the option to end now—though incomplete—but at least with the standards of your turns up to par, or fighting through to the very last turn, you decide on stopping now. 
You land the ending, coming down in a plié before rising up onto your toes in a relevé. 
Panting, you drop your arms to catch your breath. You look at Colette, trying to hide the eagerness in your eyes.
“I’ll need to see an improvement on those, too,” she says in an icy tone, “Don’t let me down.”
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You find yourself walking in the streets of the city at night on the last day of the weekend, heading towards the practice studio. Sure, you could wait a few more hours before it’s time for you to clock in, anyway, but you couldn’t. Not really. Especially not after the comment Colette made a few days back.
You press your card up against the reader and the familiar sound of the doors clicking open resonates in your ears. 
You settle into your personal practice room, making no effort to turn on the lights. The windows that line the entirety of one side of the room is enough to let the lustre of the moon shine through, bathing the studio in a pale light.
You pull on your pointe shoes, wrapping your toes in a bandage-like material beforehand. Unlocking your phone, you look for the audio file that Colette sent to you of the very orchestra that will be performing alongside you in a few months’ time. Each orchestra performs each piece differently, however slight the difference is. It’s better to practice directly to them to get a hang of their nuisances, Colette’d said.
The music blares out from your phone, the tempo fast and the atmosphere lively. Your feet instinctively take their positions, and you push off on cue with the music.
No matter how many times you try tonight, there just seems to be something off. Either the spins are alright, but you lose your balance upon landing, or your supporting leg just wants to give out, or both. For most of the tries, it was both.
You come out of a failed series of fouettés. Bending over, you drop your hands to your knees, simultaneously trying to catch your breath. Then, that’s when you feel it. The ever-so-familiar acute stinging in your leg. For a moment, it’s so overwhelming that it physically causes you to scrunch your face up until it wears away a little by itself. A cloud of defeat looms over you.
You pick up your bottle off the floor and decide to go fill it up by the fountain outside. This part of the studio is much more modernised than the rest. There are two main hallways connected by a square courtyard—the garden, as the architects called it. The garden is enclosed within four entirely glass sliding doors, allowing access from every side. You don’t really know who’s watering the plants in the courtyard, because if it was up to the dancers, you know that those plants would’ve died a long while ago.
The room allocated to you is along one of the two hallways, directly facing the south side of the garden. You step out, heading towards the water fountain that stands in the middle of the two corridors, facing the west entrance to the courtyard.
You’re pushing down on the button to fill up your water bottle when you hear a tune that you immediately recognise. It’s the same one that you were just relentlessly listening to—or practicing to.
There’s a slight crack in one of the doors opposing yours. Tightening the lid on your bottle, you decide to quietly make your way over to the room on a whim. Who else is here on a weekend night? And practicing to the same piece as you?
You discreetly try to peek your head in, the crack in the door only allowing you to see a slight sliver of the practice room.
At first you don’t really see anything. Just the sound of the vivacious music. Then, a shadow of a figure leaps high up into the air, flying past the tiny window of what you can see before you can register it. You don’t want to think it, but it can only be one person.
One other person who has a part in this piece.
The music suddenly stops.
“Stop hiding.” A voice calls out.
You freeze. Your hunched over positioning has you locked. Shit. What do you do?
“I know you’re there.” The voice sounds again. A bit ominous on their behalf, if you do say so.
Quietly, you push open the door, allowing yourself to see more than just a sliver of the room. The lights aren’t turned on. 
Crouched over in front of the mirror is the one and only person you didn’t want to see: Doyoung. 
His dark long sleeve shirt only thinly veiling his torso, contrasted by his light plaid pants. He watches in the mirror as you step one foot, then another into his practice room. The beam of the moon illuminated his face, making it visible to you even from a distance that he’s been here for at least a while with how the sweat glistened on his face and neck.
Say something. Anything.
“I didn’t know you practiced til this late.” You say, swinging your water bottle and holding it with both hands behind your back.
“I could say the same for you.”
Was that an insult or a back-handed compliment? Or you’re just reading too much into it.
Doyoung moves his foot out from under him with a groan, so now he’s sitting on the floor. He tears his eyes away from you in favour of whatever he’s looking at on his phone. A prolonged silence falls upon the room. If it was anyone else in the room with you, it probably won’t be as uncomfortable, but it’s not.
You rock onto the balls of your heels, about to turn back around and leave, but Doyoung breaks the silence.
“I’m sorry. For what I said the other day… and for what happened.” 
He utters the last part of his sentence so quietly that you can barely make it out. Half-stunned, half-confused, you stare at him. So, he does recognise you.
You steadily take step after step towards him until you’re at a normal distance for a conversation between two people, then you sit down next to him.
“I forgive you.”
“Like that?”
“Yeah. People are often surprised at what maturity can do for you as an adult.”
For a split second, you’d swear he was holding back a chuckle. “That coming from you?”
You twist off the lid to your water bottle to take a sip, “I’ll pretend I didn’t hear that.”
He leans back onto his hands behind him. A beat passes. “So, where’s my ‘sorry’ back?”
You set down the bottle in front of you. “If you’re expecting something back, then it wasn’t a real apology.”
He drops his head to the side to look at you. Eyes dark, a careful consideration of you sitting there next to him. Doyoung swallows tightly. There’s a steady rising and falling of his chest.
“I am really sorry. I never knew what happened after, then. I only found out when Rafael told me recently.”
“I guess… I didn’t expect you to know.”
A new wave of silence washes over the two of you, only this time, it’s by degrees less uncomfortable than the last.
Doyoung lifts his palms from the ground and crosses his legs, imitating your position on the floor. With his shift in positioning, there comes a shift in energy as well.
“Obviously, I want to do well. But I don’t want to look good owing to the fact of my partner’s lack of skill…” He says with an arched brow.
“Yeah…” you tilt your head at him, “Not the most desirable pitch. Try again.”
His lips twitch in an attempt to hide his smirk from you. “I’m saying… I’m willing to put our differences aside for this one time. For both of our sakes.” He extends his hand out to you, as if to initiate a business handshake, “Deal or no deal?”
You look at him, then his hand, then back at him again. Leaning forward, you fit your palm into his, “Deal.”
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ACT II THE PAS DE DEUX
You thought that ever since you made that deal with Doyoung that things might be different. That he might start acting like a normal human being with normal human emotions. How silly of you to think that. Truth is, he hasn’t changed one bit since that night you bumped into him. Practices are still wordless. You still barely see him outside of your schedules. And even when you do, he pretends like he doesn’t see you, in the corridors, in the canteen, everywhere. That’s not to say that everything stayed the same.
It’s the week following your run-in with him. A Thursday, so your schedule dictates that you have duet practice with Doyoung.
“Good,” Colette calls out from her folding chair, “You two don’t look like you want to murder each other for once.” She doesn’t know what happened between you but she doesn’t care for it as long as you and Doyoung can look like you can at least tolerate each other.
It’s intimidating when you think about it. How he can go from looking so deeply infatuated one second, then the moment the music is over, his face drops. Eyebrows straightened. Just absolutely no emotion shown through his expression. You can’t help but wonder which version of him is genuine: The one who seemed truly apologetic in the dimmed practice room, or this one. The version of him that he parades around everywhere he goes. How do you even begin to tell what’s an act and what isn’t?
Every time his fingers touch you, you still feel a chill running down you. Though, you’ve come to learn how to hide it better.
Practice is finished for the night. The teal of the horizon begins to blend together with the darker blue of the night sky. Doyoung wastes no time in gathering his stuff the second Colette said that you were done for tonight. You try to do the same but Colette stops you. Her slender fingers wrapped tightly around your arm.
“Before you go, Y/N.”
She takes her hand off of your arm. The red frames of her glasses sit low on her nose bridge and she angles her head downwards to look at you, as if you’re a particularly difficult to read section of a newspaper. 
“I still need to see you land those fouettés. I’m giving you one— …two weeks, before I have to intervene.”
One of her eyebrows are cocked, the brightness of her eyes do nothing but emphasise the severity in her tone. Her harshness isn’t something you’re not used to, but every time she exerts this power over you, you can’t help but feel slightly humiliated. Who wouldn’t? To have someone repeatedly on your tail felt like having them pry open a wound, and before it even has time to scab, they’re back pricking and pouring salt into it. Except that wound is found on your ego.
You take a deep breath in, and try to force your lips into an understanding smile. “Yeah,” you say in a cheery enough tone.
You suppose that’s the way it is in ballet. That’s how it is in many things in life. Everyone’s after perfection, and no one is able to execute it.
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This weekend, you decide to do something you haven’t done in three weeks: Stay in.
The last three weekends you’ve spent draining yourself away at the studio, but due to Karina’s request, you decide otherwise this time.
She sends you a message telling you that she’s 5 minutes away from your place. It’s no secret that the pressure of these last few weeks have been steadily building on you, especially to Karina. 
You open the wooden cupboard and pull a bottle of red wine from it, setting it onto the kitchen island in the middle of your open-plan kitchen. A soft orange paints the skyline, clouds pulling from each other like cotton candy. On one end of the island, there stood the doors leading to the balcony, enclosed by wrought iron fences. Technically speaking, it was a balcony, but in actuality, it was just a ledge—a glorified floor-to-ceiling window that you can open, really. 
You push open the balcony doors and the sound of the city fills your living space. The traffic a few stories down, people’s voices from the street or coming from the open balconies to either side of your complex. You stare off into the horizon, a flock of shadowed birds flies across your field of vision over the city.
Then, a ding sounds out.
You step back inside, walking across your kitchen to the other end of the island where the main door was. You slide open the door chain and push down on the handle. The door swings inwards, and stood outside in the hallway of your apartment complex was Karina, a bright smile on her face. “I got sushi!”
You pour the red wine into a glass that you set down on the counter, then another glass next to that. In one hand, you sit the bowl of one glass on the part of your hand that your fingers connect between, in the other hand, you wrap your fingers around the other rim and take a sip as you make your way over to the living space. Karina’s already sat down on one of the bean bags facing the TV. As you pass her, you lower one of the drinks to her and she takes the stem in between her fingers.
She hums tunefully to your offering.
You plop down on the leather couch next to her, careful enough as to not spill your wine. Throwing your head backwards onto the back of the couch, you sigh.
“What?” Karina asks with a slight smile in her eyes, taking a small sip of the wine.
You look at her through lowered eyelids, your head completely resting on the couch. “Nothing. I’m glad you came over tonight.”
She smiles. Shifting in her bean bag, she props one leg up as she leans forward to set down her glass on the wooden coffee table. “Come on,” reaching over, she puts her palm on your knee and gives you a gentle shake, “I know there’s something on your mind.”
Your lips purse together and pout to the side.
You met Karina a few months into your career as a professional dancer. It was a usual day for you, having recently returned to work from your injury. Every time you spotted Karina either on the barre or in centre, she looked so immersed into her craft. You remember being so impressed by her skill and control. Every movement of her arms looked so fluid, flowing from one position to another seamlessly. The power she held in her leaps were something else, as well. Her precision, even in the most consuming of movements, was something to be admired. Safe to say, it was to your surprise when she lined up behind you in the lunch queue and started making casual conversation. “Y/N, right?” She’d asked with a smile.
You found out that day that Karina went to the same conservatory as you. Though a grade below you, she was signed to the company as an mentee the year you graduated, so she never fully finished her course. She knew of you when you two were both enrolled at the conservatory, but your paths never crossed into more than just a polite smile and a nod territory. Since day one, she had a sort of optimism to her that you’d grown to love and appreciate especially throughout the years. In such an unforgiving and rigid industry, Karina’s softness continues to be your lantern leading you through the dark.
“So?” Leaning back into her bean bag, Karina prompts once again, glass back up to her lips.
You mirror her actions, taking a sip from the rim and disassembling the flavours in between your cheeks before swallowing. “Colette,” you mouth to her as if you two were sharing secrets you shouldn’t be.
Karina’s inquisitive expression urged you to elaborate.
You sigh, bringing your shoulders up and dropping them. “I can’t get my turns right, for Odile’s coda. And she basically told me that if I don’t get my shit together, she’s gonna have to ‘intervene.’” You arch your brow when you recall Colette’s words to you.
“Meaning…?”
“I don’t know—probably replace me.”
There’s a range of comforting words that Karina can pick from to say to you, but a small portion of them would be true. Her hand goes up to her bottom lip, tugging at them as she thinks—a habit that she’d never grown out of. 
“She won’t replace you.” Karina settles on the ‘not true’ section of the scope of her responses, her hand muffling her words. Both you and her know it. And it’s not due to the fact that Karina—or yourself, for that matter—thinks you’re not good enough for the role, it’s just how things are. It’s how Colette is: simple and straightforward. You can’t play a role? Someone else can—and they will. It’s never personal. Except it always feels like it is.
Still, you break out a weak smile at her attempt at reassuring you.
You lean your head back again, eyes now fixed on the ceiling and the base of the lamp that hung low over the coffee table.
“I think it’s my knee,” you admit for the first time out loud. You never wanted to talk about your accident because you were afraid that people might think you were making up excuses. This time, you felt like you were running out of options for explanations.
“Your knee?” At the mention, Karina leans forward in her seat.
“Yeah,” though unintentional, your words come out as a whisper. You clear your throat before continuing, “Every time after practice, my knee just starts hurting. Not insanely bad, but worse than before.”
“I didn’t know it was hurting before.” Karina has this expression on her face that’s almost like she’s interrogating you about this.
You can’t hide the sheepishness in your face and your tone, “It wasn’t serious.”
“Have you told Colette?”
You shake your head. 
“Y/N. You have to tell her.”
“And for what? To give her another reason to start looking for my replacement?”
Karina takes a deep, shaky breath in, like she’s uncertain about something. “Surely, she’d understand. Maybe it’ll at least throw her off your back for some time.”
Your eyes remain fixed on the ceiling. Maybe it’s a good idea. Maybe you should tell Colette. That’s an issue for another day, though.
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There’s many different ways to approach the character of Odile, but at the core of it, she’s a seductress. Everything that she does comes back to her motive to seduce—and more specifically, the Prince. It doesn’t come as a surprise to you or your choreographer when your expressions don’t match your intent. 
To pretend to be in love is one thing. You’ve got years upon years of teenage pining experience to fall back on. But the art of seduction? No one has time for that.
‘Look more sultry. Look more alluring.’ Raf had said to you. And to your credit, you try but it’s already hard enough to have to spin and jump and twirl and leap, and now you have to look tantalising doing that? And all that’s considering the fact that you even want to try.
Your hours on the clock has finished for the night, but you find yourself starting to stay behind on most nights more often than not.
Kneeling down in front of the mirror, you rifle through your bag until your fingertips find a small, card box. You flip open the tab of the box and pull out one of the cigarettes, noting to yourself that you only have two others left. Then, you rummage through the pockets of your jacket for your lighter. With your necessities in your hands, you amble out of your room, turning the lights off as you leave. The hallways are fuller than usual, with plenty of soloists finishing at the same time as you. You weave your way through a group of dancers walking down the corridor and slide open one of the glass doors to the garden.
The hallway floors surrounding the garden is taller than the cobblestone ground of the courtyard, making it so that there’s a ledge as you step a foot inside. You sit yourself down on the step, one side of your body leaning against the opened glass door. You slot the cigarette between your lips as you bring up both your hands. One of them sparking on the lighter as the other goes to cover the flame by habit. 
You go to pocket your lighter—again, habit—only to realise that you’re not wearing your jacket, so your second best option was to just put it on the ground next to where you’re sitting. Just as you’re about to pull the dampened filter tip away from your lips, a voice appears out of nowhere behind you.
“You should really quit that. It’s not good for you.”
The surprise of it nearly chokes you, coughing out quietly again and again as the smoke escapes your lips. You look behind you but you didn’t need to see to know who it was.
You manage out one final cough. And towering over you stood Doyoung. Eyes lowered, posture upright, as if he’s literally and figuratively looking down on you.
“Yeah? When did you start caring about what’s good for me?” You put your cigarette back in between your lips right as you finish your sentence, a clear edge of hostility in your voice. Doyoung watches your cigarette between your fingers as you take a deliberately long drag. You’re not even finished when he answers you back.
“When you became my partner.”
What a liar, you thought. That explains why he’s been ignoring you everywhere.
The conclusion that Kim Doyoung is nothing but a liar quickly turns into the fact that he’s a narcissist when you put together the ideas that he’s only talking to you now because you’re doing something—smoking—that he personally frowns upon. And he can’t be having his ‘partner’ tarnishing his reputation.
“Don’t you love when someone expresses how much they care about you with their show of apathy towards you?” You remark, almost with an impatience in your tone, but a playful sarcasm on your face instead. Smoke pours out of your lips with every word that you speak, and you blow the rest of it to the side. The heat spreading from your chest comes as a shock to you. Before this, you hadn’t known truly how much it annoyed you that your existence went by unnoticed by Doyoung, although you knew it had to be an act.
Doyoung squats down so that he’s near enough eye level with you, elbows resting on his knees. He tilts his head to the side, eyes scanning your face quickly, then the stick sat in your fingers, burning itself away slowly. “Don’t tell me you’re stressed because of me,” he mutters lowly.
You lean forward an inch or two. “Believe me when I say you’re the root of most of my problems nowadays.” 
Doyoung holds back a subtle smirk on his lips, but not enough that you can’t completely pick up on it. He eyes your cigarette again, “Then, I guess you better stock up on those.”
He stands up and walks across the hallways into his practice room.
You turn your body, facing the inside of the garden. Glancing to the side, you see that the stick has burned down to nearly the filter. You quickly stub it out against the cobblestone before it gets to burning your fingers.
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Days feel more like dreams to you. The repetition of what you do everyday is starting to blur the arbitrary line that separates every 24 hours from each other. And when you step foot into the shared studio between you and Doyoung, this very feeling engulfs you. 
Colette is sat in her folding chair, fingers typing away in a fit on her screen, and Doyoung is rummaging through his bag in the corner.
The conversation that you had with Karina crawls into your mind. Is today the day? You’ve been contemplating telling Colette ever since that night, but you haven’t been confronted with a chance, yet. You take cautious step after another into the room. The soles of your shoes making a light smacking noise as it lifts the linoleum flooring along with it with every step you take. You try to subtly keep an eye on Colette as you walk past her—making an effort to gauge her mood before you decide if you should tell her or not. She looks happy enough today.
You slump your bag down in front of the mirror, mind preoccupied with weighing the pros and cons of the decision that’s kept you up several nights in a row now. You’re so out of it that you didn’t even notice you set your things down right next to Doyoung, when you had to option to do so literally anywhere else.
He doesn’t say anything, simply looking up at you with a slightly inquisitive look. Then, he quirks his eyebrows when you meet his gaze. Though normally, you probably would’ve made some sarcastic remark about this, you didn’t today—or couldn’t.
You leave your things where they are, and step towards where Colette is—her attention still solely fixed on her phone.
“Colette, I have something I need to tell you.”
Your hands are brought up to your stomach, fingers interlocking with each other and then unclasping, and then locking again. She looks lost into her own world, not even a slight hum or a nod of the head to acknowledge you standing right in front of her.
“Colette?”
“Hold that thought,” she finally replies, holding out one finger towards you, head still angled down.
“It’s—”
“I have something exciting planned for you guys today!”
She jumps up out of her seat, catching you off-guard as you stumble one step behind you. Your lips mouth into an ‘Um’ shape, reluctant to ask her about what’s so exciting about today. Lucky for you, Doyoung took the pleasure in asking.
“What is it?”
“Costumes!” Colette exclaims, excitement practically bursting out of her. “They’re coming now!”
And right on cue, a metal clothing rack rolls in through the practice doors. The designer and her assistant both pushing the costumes in behind it. Right away, you spot your two distinct tutus and a couple of blouses for Doyoung.
The rack comes to a halt right in front of you. Colette instantly goes to grab a hanger with the Odette costume hung up on it. It’s both traditional, and beautiful.
The bodice of the costume fashions a plunging neckline, of which is lined with white feathers. There are crystals decorating the bodice, scattered all over the corset but primarily concentrated at the neckline. The tutu itself is showy, for sure. Bigger than any other tutu you’ve ever worn. There are multiple layers to it, and you’re surprised that it can even fan out by itself due to how heavy it looks. The bottom layers are made out of tulle, the surface of it outlined by embroideries in golden thread resembling those of feathers. On top of that, actual feathers are finely sewn into the waistband of the tutu, blending the bodice in. The whole costume, instead of being white, has the slightest hint of blue to it, making it so that it’s more of a bright white. It looks like the pure embodiment of heaven.
“Go on!” Colette urges, “Try it on!” She pushes the hanger into your chest, making you grab ahold of your costume. Then, she grabs multiple blouses off the rack and hands them to Doyoung, urging him the same.
The two of you listen to Colette, pulling your costumes on in front of the mirror. Your bodice is absolutely tailor-made to fit you. Colette can’t stop shaking her head and mumbling out words of awe and wonderment when she looks at you.
You glance over at Doyoung all the way across the room from you. His blouse the manifestation of royalty. His costume, like yours, consists of a white blouse with a deep neckline, with a fancy looking jacket layered atop of it. The jacket has the same matching gold embroidery all along the hems, the sleeves and the closures. The buckle in the front and the puffed-up shoulder pads adds to the regality of it all.
You study him in his costume. Looking him up and down, and back up again. He doesn’t notice this, or at least you don’t think so; he’s too busy ogling at himself in the mirror. His chest is slightly exposed by the depth of the blouse’s neckline, making it so that you can see the contours of his collarbones and his pecs. 
As much as you’d hate to admit it, he looks exactly like the part he’s playing—a Prince. 
The designer walks around you, holding up the waistband of your tutu. She clips the excess elastic together and she looks over to her assistant, mumbling something you can’t hear too well. “Nearly perfect,” she points at the black tutu still on the hanger, “Now try this one.”
After the designer finished marking down any adjustments the either of you needed, practice continued on as usual. During the midst of it, you’d forgotten all about the beginning of the session when you first walked in, that is until Colette of all people reminds you.
“Oh—you wanted to talk to me, Y/N?”
Your arms are held up above your head, hands trying to pull back loose strands of hair that’d flown free from the hours you’ve just spent exerting yourself. “Uh, yeah,” you quietly respond, a bobby pin clenched between your teeth.
You eye Doyoung, only to see that he’s doing the same. As soon as you meet his gaze, he looks away, back down onto his bag that he’s holding open to stuff his water bottle into.
Colette glances down at the watch on her wrist, “Well, come on, then. I have places to be.”
You take the pin out from between your lips and slide it somewhere into the back of your hair. “Um,” you mumble as you walk on closer to Colette. The same nervousness that had burned within you earlier returns, but this time, it’s even more amplified with the presence of Doyoung, for whatever reason.
Suddenly, you don’t feel like telling Colette anymore, and it’s not even because of her.
You try to speak as lowly as possible, almost muttering under your breath. Colette, however, doesn’t pick up on this too well, prompting you to speak a bit clearer.
You breathe in. “My knee. I know I’ve been causing you some trouble lately, but just give me some time. I’ll sort it out.” You don’t know if that was quiet enough so that Doyoung doesn’t hear and you don’t want to look in the reflection to see his reaction in case he did. “I promise,” you whisper.
Colette hears you this time, though, and her expression instantly softens. Her lips open, mouthing an ‘O’ shape, and her brows furrow in understanding. Colette lays a gentle palm on your shoulder, lips pursing together as she takes a deep breath in. Then, she sharply exhales. 
“If you really can’t do it, tell me.” She continues with a subtle shaking of the head, “We still have time now, but when it’s further down the road…”
You give her a firm, eager nod.
On the surface, you want to—need to—seem understanding. It was the reasonable thing to do. But deep down, all of what she’s saying just serves as a reminder of how replaceable everyone and anyone is. If you were to change how you viewed the situation, you can’t say that that’s a bad motivator, but it’s not the greatest one either. 
When you turn back around, Doyoung isn’t at his spot anymore. You’re looking at an empty room with the contents of your bag spilling out onto the floor in one corner.
Colette left moments after your conversation hurriedly to some meeting. You slump down onto the floor, knees tucked up to your chest and arms wrapping around them—not caring for your posture. The silence of the room rings in your ears, and that’s when you notice the sprinkling of raindrops against the window of the practice room.
The view outside is monochrome—all varying shades of grey. The sky was a light grey with pockets of white poking through, the buildings looked duller than usual under the gloom, and the streets were a dark grey, the rain further darkening the concrete. You watch one tiny bead of rain slowly run down the glass pane, rolling into other beads as they tumble down together.
“Is that true?”
Jesus Christ. Your shoulders jump up and your head turns to the door.
Someone sure has a habit of sneaking up on you unannounced. 
Doyoung’s hair is unstyled, the front parts of it covering his eyebrows and nearly touching the rims of his glasses. A white long-sleeve hangs loosely on his frame, with the fabric on his shoulder bunching up under the strap of his bag.
This is the first time that he’s shown up to practice looking like he’s actually showing up to practice. Usually, he’d make more of an effort to present himself—not that he even looks that much different. You hadn’t noticed this subtle change in his appearance until now, as he’s sneaking up on you, once again.
He approaches you gradually, a steadiness in his pacing.
“What?” You mumble with your eyelids fluttering as if you’re blinking back your consciousness, not even truly registering what he’d said—you’d been too caught off-guard with his sudden appearance.
“What you told Colette—is it true?”
He’s now a step or two away from you. This scene feels familiar, too.
For a split second, you truly have no idea what he’s referencing, but then it comes to you.
“About me sorting myself out? Yeah, I hope it’s true,” You respond in an attempt to hopefully deflect the conversation. A sarcastic expression draws on your face with your brows raised. You look away from Doyoung and into the mirror where you can see the two of you in the practice room as if you were a third person observer.
You were expecting a snarky remark coming from him but you don’t get one. Instead, you can see him just watching you intently in the reflection, as if he’s at a lost for words.
“About your leg,” he bluntly states. No audible emotion, no wavering in tone, just three plain, simple words.
It’s as if your eyes are drawn to Doyoung like how opposite poles of a magnet are drawn to each other. When you look at his face, there’s a solemnity to his features that’s teetering on the verge of unease.
There’s only one train of thought running through your mind. It’s that version of him again from that first night in the practice rooms. You can’t quite decide whether you like this Doyoung more, or the normal Doyoung more, but in this moment, you know you much prefer the unaffected version of him. 
You’ve never been one prone to sharing your vulnerabilities, especially not with someone like him. You’re not intending on starting now. “What are you asking me?”
“I think it’s pretty clear what I’m asking.” He says this in such a matter-of-fact manner, it’s hard to assess what his motive here is. Does he care? What is the goal here?
You’re trying to analyse the situation, but to Doyoung, he just wants to know. All the mental gymnastics you’re doing in your head—Doyoung does none of that.
“To you—probably.” Still, you continue to try to diffuse this weird tension between the two of you. You get up on your feet, clapping your hands together to get rid of any dust on them. You mutter out a quiet, “Well,” under your breath as you walk towards your things in the corner. Doyoung watches you in silence as you pack your things up; unlacing your pointe shoes, pulling them off and shoving them inside the bag.
You slide the strap onto your shoulders and get up to leave. As you walk by Doyoung, you feel the familiar touch of his fingers wrap around your wrist. The cold of his hands raise goosebumps all along your arm, and simultaneously freezes you in place. 
“Let me fix this.”
His voice is soft, and gentle, unlike his grasp on your wrist. 
Your eyes dart downwards towards his hand on you. You try to squirm free of his hold but he doesn’t let you. “Let me go.”
“Let me fix it,” he repeats.
“Fix what? There’s nothing you can do,” Your voice trails off.
Doyoung looks into your eyes, gaze unfaltering. The window to the side of him reflects in his irises, making his eyes appear glassier than normal. Without taking his eyes off you, he slowly starts to loosen his fingers around you.
“It’s my fault,” Doyoung says this in a way that’s as if he’s exhaling his words. The syllables following each other as he breathes out.
You look at him, and he doesn’t shy away and avoid your gaze. You’re looking at him and he’s there, fully. Just a few months back, you’re thinking of what you would give to have this very moment. To have him acknowledge his mistake, and to fully take responsibility like he’s doing now. Just a few weeks ago, you accepted that you would never get this—that Doyoung isn’t the type of person to bring you this kind of closure. And yet, here you are, with him standing right in front of you in a confrontation that you thought was impossible.
It’s not an apology, like that first night. It’s recognition. And now that you have both from him, you can’t help but wonder: why doesn’t it feel as relieving as you thought it would be?
“It was an accident,” you correct him. You speak those words aloud and they echo inside of your head. Those same words that you had to tell yourself over and over, the same thing that you had to convince yourself of through the years, now you’re here using them again.
“An accident that I caused.”
There’s an eerie feeling inside of you. This conversation isn’t productive, and it’d do more harm than good if you continue letting Doyoung play the blame game.
“It’s not your fault. And I’m fine now, aren’t I?” You lift your foot and stick your leg out slightly, turning it from side to side.
Doyoung watches for a brief moment before he begins again, “Just… Let me make it up to you.”
“And how are you planning on doing that?”
His eyes are back on yours and you notice the slight dip of his Adam’s apple as he swallows subtly. He sucks his lips in, lightly wetting them.
“Whatever you need me to do to make this right.”
Your stomach emits a faint grumble, but clear enough in the otherwise silent practice room that you’re sure both you and Doyoung heard it. You try to hold back a chuckle.
“Pay me back with dinner. That’s what you can do.”
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Doyoung and you first agreed on dinner at some restaurant close to the both of you. However, those plans were quickly replaced not long after they were made. Simply due to the reason that Doyoung usually cooks his own meals, and he didn’t want to smear his perfect record.
Originally, he was supposed to treat you to dinner the night he asked, but something came up, so it got moved to tonight. It’s been a week since you agreed to let him cook dinner for you and it hasn’t really crossed your mind until now. 
You’re standing right in front of your mirror, contemplating what to wear. Maybe you could’ve—or should’ve—given more thought to this. And it’s right now that you’re just beginning to question what tonight is.
It’s just a casual dinner between friends, you tell yourself. But, you’re not friends. At least you didn’t think you were to him. Or maybe it’s just what you said it was—something he can do to ‘make up’ for his mistake.
All of this is running through your head as you’re holding up outfit after outfit up to your reflection. Your bed is littered with shirts, jeans, skirts, dresses; anything that you’ve ever owned. You’re not sure what kind of message you want to send with what you’re wearing, and you didn’t know if it really mattered, anyway.
Eventually, you narrow down your options to two dresses. One of them being a fitting black dress; sleeveless. The other is also black, slightly more appropriate for a club setting with the way the neckline is cut. You settle on the more modest of the options.
Pulling it on over your head, you can feel a slight tinge of embarrassment colouring your cheeks. You look into the mirror, suddenly becoming increasingly aware of what you look like. Self-awareness isn’t something you’d lacked, especially as a dancer, but tonight… it was different. You felt aware of yourself in a different way for better or worse.
You attempt to shake this feeling off, reminding yourself that tonight is just another regular night—nothing special to it. It’s just dinner.
After making yourself feel a little less on edge, you grab a nearby matching purse and throw on a jacket, then, you head out. You make your way to Doyoung’s apartment not too far from yours. It’s about 15 minutes away by walking, even less if you’re taking the subway. Considering how small the city really is, it’s not a surprise that he lives so close to you.
You take a second glance at your phone to make sure you got the right address before knocking on the apartment door. Your fist raps firmly against the wooden surface. For the first time tonight, your head is blank. Don’t get it twisted, the nervousness is still in you like it’s seeped into your bones, but any thoughts—doubtful or not—are nowhere to be found; only the echo of your knocking ricocheting off the walls of your mind.
The wait in between you making yourself known and Doyoung opening the door to his apartment is painful. Excruciating anticipation waltzing in every muscle of yours. You consider turning back around, walking away before Doyoung sees you, but before you even have a chance to move, the door swings open.
And there he stood. Head a little bit below the door frame, eyes widened, and an open stance. His black button-up is undone at the collar, exposing just enough of his collarbones that you know he left them undone for that very purpose. One side of his shirt is loosely tucked into his jeans, which had a leather belt wrapped around it. His sleeves are rolled up to his elbows and you can see steam rising from behind him. 
“Hi.”
“Hi.”
You greet him first, waiting for any indication to be let in. Instead, Doyoung stands in the way of the doorway, eyes fixed on you.
“Uh—You’re not burning anything, are you?” You ask lightheartedly, a finger pointing over his shoulder to where the steam is.
It’s like Doyoung snaps awake with a shake of his head. “Oh!” He looks over his shoulder at the pot on the stove. “No,” he reassures you as he turns back to you. Simultaneously, his body moves out of the way to let you into his place, “Sorry—Come in.”
You step through the doorway into his apartment. It’s similar to yours; an open-plan kitchen with two other rooms and a balcony. Except, his balcony can actually be considered one. Through the glass doors leading outside, you see a small square table with a white tablecloth over it, two chairs set up on either side. There’s two empty wine glasses placed on top.
“You have a nice place,” the hesitation that you can hear in your own voice made you want to crawl up and fall through the floor. Small talk has never been your forte. 
Doyoung shuts his door quietly and he turns back around to face you. “Thanks,” he takes a shallow breath in. He drops his arms from behind his back to his sides, straightening his posture subtly. “You look nice.”
And there it was again. His change in demeanour. You’re so focused on the sudden flash of indifference on his face that you don’t even pay attention to his words. It’s not like tonight wasn’t already confusing for you, he had to go and add to that confusion himself.
You mumble out a quiet, “Thanks,” not knowing what to think of his compliment. You’re grateful for the tiny hum of classical music in the background as you and Doyoung both stand somewhat awkwardly away from each other. You divert your eyes away from him and spot where the music is playing from—the vinyl record player tucked away in the corner of the open room.
It doesn’t surprise you that Doyoung is playing classical music as he cooks—he seems the type.
“If you want, you can sit down,” he speaks up. Doyoung extends a palm towards the balcony, “Dinner’s nearly ready. I’ll bring it out.”
You pull your lips into a tiny smile as you walk past him towards the glass doors. Sliding them open, you feel a gentle evening breeze brush against your skin.
Not only is his balcony better than yours, his view is also better. The platform looks over the main street, and you can’t help but wonder how the hell did he manage to rent a place like this. Directly across the wide open road are other apartment complexes, but on the ground, there are countless cafés, bars, restaurants, flower shops—everything. The warm glow from the lights within these establishments light up the street in a mellow manner.
You pull out one of the patio chairs and sit yourself down, a gentle wind blowing past again and getting caught in your hair. The faintest whisper of the symphony from inside travels all the way to you. You take in a lungful of fresh air—as fresh as city air can be—and lean forward on your palms placed on the edge of the seat.
It’s not long before Doyoung comes out with two plates in his hands. He sets one down in front of you first, then the other in his place.
“Do you want a drink?” He offers softly.
“Yeah, sure.” You get the feeling that you might’ve answered him a little too eagerly.
He disappears inside and shortly comes back out with a tall tinted bottle in his hand. Doyoung takes a seat across from you, his attention fixated on the things set out in front of him. He takes your glass into his hands, pouring a red wine into it carefully. Then, he does the same with his own. Once he’s done, he sets the bottle down onto a little trolley to the side of the table which you hadn’t noticed before.
He takes his glass, tipping its rim towards you. You take that as a signal and mirror him.
“Cheers.” You clink your glasses together, a clear ring sounding out as a result. Doyoung notices that when you go to drink your wine, you are most certainly not pacing yourself the way you should. One gulp, and the cup is a quarter-full, having only been half-empty when he poured it out.
One drink then turned into two, which quickly turned into another. The evening had gone better than you’d expected, better than you’d hoped. You thought that it might as well be you and him eating in detention for how conversation-less it usually is between the two of you, but tonight proved you wrong. Frankly, you knew it had to be due to the alcohol.
The pair of you explored many different topics: the weather; if aliens are real; whether or not you believe in astrology; your biggest dreams; cereal or milk first; et cetera, et cetera. But the topic of the reason for this whole night never came up, or the two of you were just extremely skilled in avoiding talking about it.
“After I graduated from the conservatory in Seoul, I wasn’t set on what I wanted to do,” Doyoung’s words had a slight slur to them, barely noticeable if you’re not paying attention. He picks up his glass from the table, this being his third of the night. “I was 18 at the time. I took a year off to travel and by the time I turned 19, I found myself here in Paris,” he continues, an easy flow in his voice. He takes a sip of the wine, “And I fell in love with it.”
You’re leaning back into your chair, swirling around the glass in your hand. Before you can even think of what to say back to him, Doyoung speaks again.
“What about you? How did you end up here?”
He downs the entirety of the contents in his glass, face turned away from you. You lean forward onto the table as Doyoung sets the goblet down lightly. Tilting your head away from him, you watch as the red liquid swirls and ripple over in the bowl with the movement of your hand, creating a vortex.
You return your gaze back onto Doyoung. His cheeks are lightly blushed; the tip of his nose, too. You exhale sharply.
“I’ve always been here. Guess I knew what I wanted to be since I was little and… I stuck with it.”
“That’s impressive,” Doyoung comments. You can tell he’s half there and half not.
“I suppose,” you mutter under your breath. You’re confident that Doyoung couldn’t hear you.
There’s a beat of silence, with the music in the background finishing right at this moment. Then, it starts up again. You hadn’t been paying particular attention to Doyoung’s choice in music for the earlier part of the night, but this particular piece catches your attention. And it looks like it catches his, too.
The familiar introduction passage travels all the way to the balcony fadedly, despite it’s lively nature. You recognise it as the accompaniment to the Black Swan pas de deux that you have practiced with Doyoung numerous times now.
The two of you share a glance before Doyoung gives in.
“Shall we?”
You hesitate at first. This is silly, you thought. Doyoung extends a hand towards you. 
“I don’t have my shoes,” you counter.
“So, what? It’s just for fun,” he urges you playfully, hand now closer to you.
Then, you give in. You place your palm into his as he leads you back inside of his apartment. There’s enough space inside for you to move around comfortably, but not to perform a whole duet. The two of you half-heartedly dance along to the music, mainly relying on muscle memory for the piece. For the second time tonight, your mind is blank. You’re only tuning into the music and letting your body move the way it wants, no thoughts dictating your actions at all.
A part of the choreography calls for Doyoung to place his hands on your arms from behind you, and wrap them around yourself, which is then followed by Odile rejecting this show of affection. Doyoung’s touch on your forearms is delicate, like a feather brushing past you. Yet, there seems to be a moment in which he holds on and lingers in his position for a little longer than expected. In that same very moment, you didn’t want to move on with the choreography, sending him away with a firm denial of his fondness. The Prince’s fondness.
The first parts of the music comes close to finishing. The last vibrato of the violin sounds out as you spin into Doyoung’s arms, flesh out an arabesque, shift into fifth position, and lean your torso forward. Doyoung slides onto one of his knees, hands catching your waist as you tilt into him with one leg up in the air and arms behind you.
Your wrists flick downwards right along with the last notes of the melody.
Your faces are close to one another. You feel that if you were to lean forward even just an inch more, the tips of your noses would touch.
The music comes to a halt. That’s when the sound of your breathing alongside Doyoung’s becomes noticeable. You can feel your chest burn with every rise and fall. Doyoung looks deeply into your eyes in a way that he’s never done before in all the times you’ve finished this piece with him. It’s like he’s watching himself in the reflection of your irises.
“And this… is where you’re irrevocably in love with me,” you whisper, not being able to hold back a tug at your lips as you did so.
Doyoung chuckles. His hands are still gripping onto the sides of your waist firmly.
Your arms begin to feel heavier by the second, so you set them down, putting both your hands onto Doyoung’s shoulders. Your leg goes down as well, meeting the other on tip-toes against the floor.
Doyoung doesn’t look away for one moment, and neither do you. You’re still catching your breath when you feel a pull on your hips.
You stop breathing.
Doyoung’s face is now even closer to yours. You can see every minute detail of his features; the way his eyelids folded, the individual hairs of his brows, and his defined cupid’s bow. That was something that you never noticed about him, and now you can’t pull your eyes away from it.
He watches you observe him, and he does the same.
Without even knowing, you inch your face closer and closer to Doyoung’s. Until finally, your lips meet his. 
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INTERVAL
As the weeks went on, you and Doyoung found yourselves spending more nights at the studio than not. Nights would bleed into days, and hours would pass by where you either forgot or didn’t have time to break away to do practically anything, including finding time for dinner. To your surprise, someone took notice of this and decided to do something about it. 
You’d passed by Doyoung countless times in the hallways during these late hours where you’re both pouring heart and soul into your craft. Neither of you ever stopped to make conversation, with the both of you not knowing what to say.  And so, you didn’t.
Doyoung wouldn’t talk to you, but more so communicate through written words. The first time you found a note from him, it was stuck on top of a takeaway box. His penmanship small and neat, words that simply stated: “I ordered extra by accident.” You broke out a small smile as you picked the box off of the floor in front of the door to your room, believing in this accident.
The second time, a similar note on top of a thermos. Inside, a homemade soup that warmed you up in the cool hours of the night.
On another occasion, his note read something a little different. Alongside it was a lunchbox—not a takeaway this time. The note this time basically reprimanding you for smoking after he presumedly caught you on another night, and you couldn’t help but read it in his nagging voice. In the corner of the square piece of paper was a doodle of an angry-looking stickman.
You kept all of the post-it notes, stacking them on top of one another every time you receive a new one.
As you’re lining up the sides of the latest note against the pile you’ve been collecting, you catch a glimpse of your reflection in the studio mirror. A smile that you didn’t even know you’d been wearing appears on your face. Some part of you cursing yourself for feeling like a high schooler receiving love letters. Some part of you cursing him for making you feel this way. 
You tuck the notes into a pocket of your bag and return to practice. Maybe you should return the favour, you wonder. Despite trying as hard as you can, you can’t get the fact that Doyoung is just a hallway across from you the rest of the night.
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ACT III THE CURTAINS FALL
If you were to describe your relationship with Kim Doyoung… it’d be a difficult task. If the saying, ‘opposites attract’ were true, then you and Doyoung would be the same pole on a bar magnet. It felt like with every pull comes a stronger push. But all those speculations and theorisations come to a halt as an elbow nudges you in the stomach.
“Hello?” Karina pushes you slightly with her shoulder, knocking you a couple of steps back. “You’ve got to quit staring at him like that.”
“I wasn’t—”
With one raise of her eyebrows, Karina shuts you up. You take a few steps to close the slight distance between you and Karina again, your shoulders pressed up against each other’s. “I was just… zoning out.”
“Sure,” Karina replies brightly, “Zoning out just fantasising about our Prince over there, I bet,” her head nods towards Doyoung across the room.
Now, it’s your turn to give your friend a nudge in the side, wanting desperately for her to stop speaking before anyone else hears you. She can barely hold back her chuckle and all you can do is hope that everyone else is too preoccupied with trying to memorise the sequence to pay attention to your personal gossip. 
You were starting to dread these Fridays. With everyone in the company being in the same room at once, you felt like there were too many eyes on you. And Doyoung as well, but they don’t seem to be watching him for every mistake he makes like they do with you. Karina makes you forget about all that for a little bit, though, with her merciless teasing.
“Sorry! Sorry. I just never thought that you two would—y’know,” Karina leans into your ear, about to whisper the next part of her sentence before you stop her.
“Shh! What if someone hears?” You scan the massive stage as dancers line up row by row at the back.
Karina expels a shallow sigh, “Who cares! You two are grown adults, and it’s not like you’re doing anything wrong by kissing him.” She shrugs nonchalantly, watching as another lineup of ballerinas dance across the platform.
You try your best to ignore the acceleration in your chest at the mention of that. You’re not one to regret many things, but you do regret telling Karina about that night; she won’t stop questioning you like she’s some PI. 
You run a hand up your opposite arm, giving yourself a slight squeeze on the shoulder. “We still haven’t talked about it,” you mumble.
Karina turns her head towards you and narrows her eyes. You flash a quick glance at her, then another, somewhat uncomfortable with how closely she’s studying you. 
After a few moments of what felt more like hours of Karina intently just staring at you, it seems she has come to a conclusion.
She gasps a small breath, “Do you have feelings for him? God, you’re getting into character.”
“What?” You give her a light smack on the arm, “No! I don’t— I’m just bothered that we haven’t spoken in weeks. That’s all.” The words come out of you slowly and articulately, trying your best not to fall into the hole you’ve dug for yourself. One look at Karina’s face tells you that it’s not working as well as you’d hoped it would, though.
She turns her gaze back onto the stage in front of the two of you. Her eyes never leave Doyoung, now in centre stage, as she tilts her head sideways towards yours. “I believe you’ve fallen to what the professionals call, ‘method acting.’”
It was at this moment, that you knew you should never open your mouth about how your night-time practices are going nowadays to Karina if you still want to maintain some shred of dignity.
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It’s another one of your customary late nights again. Thanks to this role, you’ve gotten a lot more familiar with each and every crevice of this practice room in the past month than you have in all your years working here.
Dejection seems to be a recurring theme during your OT hours lately. Not that you can help it. Colette’s still on you for not making your turns, though she has toned it down several notches, which is more than you can ask of her. And confronting failure face-to-face continually doesn’t necessarily boost the morale, especially when it’s 10pm and you’ve spent the last few hours by yourself, in silence. Just occasionally cussing yourself; your pointe shoes for giving out; or the wall that you spin into, out.
You sigh as you sit with your legs out in front of you in the middle of the studio, fingers squeezing the tops of your knees. For the first time tonight, you felt tired. You hadn’t paused to even breathe during this session, and now that you have, the weariness you’d built up is catching up to you. Still, there’s a tiny spark of determination within you that refuses to be extinguished—the only thing that’s stopping you from ending it here tonight and going home.
As a last-ditch effort, you pull your knees up to your chest and push yourself off the ground. One last try, for tonight at least, or you’ll end up causing more damage to your feet than you care to admit.
You don’t bother with the music, you haven’t bothered for a while now. Hearing the same build-up over and over again started to feel passionless. And something about it stirs a visceral reaction within you that you really wanted to avoid as much as you possibly can.
So, you position yourself in the very centre of the room. Eyes fixed on the ones staring back at you in the mirror. You spread your weight evenly between your two feet, one in front of you and the other behind. One of your arms round out in a semi-circle out in front parallel to your chest as the other stretches out to the side. You lean your weight slightly onto your back foot.
The room echoes with silence. A deep breath fills your lungs. Your eyes burn holes into the mirror, paying no mind to the stray strands of hair that splay out messily. You roll your shoulders back and straighten your spine. With one last breath, you sink into the heel of your back foot, and with all the remaining strength you can muster up, you push off into the starting turn.
You manage a double on the starting turn before coming back down on your heel to propel yourself up again. Your eyes never leave the spot you’ve marked on the mirror as you make your rounds. Mostly singles, some doubles, and some rare triples. In your head, you’re trying to keep count, but it’s not the easiest when you have multiple other things requiring your full attention.
12, 13, 14. Your heel lands again as you whip your other leg out to the side of you, forcing momentum when you draw it through into passé.
You’re nearly halfway there, and that’s when you remind yourself to not lose the strength in your core. You straighten back up as much as you can between turns, and you keep counting.
You’re starting to feel the inevitable stabbing of your nail against your own toe as you’re making your way through the 20’s. Your breathing is also getting heavier and heavier.
Expectations were low. You often get to this point, but fall short of just the 32 fouettés you need.
26, 27, 28. 
You have to admit, there is a certain adrenaline that runs through you whenever you get this close. However, that’s the trap. You get excited, lose focus, and you don’t make it. So, as you catch a glimpse of your reflection, you try to steel the excitement threatening to boil over inside you. 29. 
This time, as you come down, you push off again onto your toes with more force than ever, your other leg providing as much assistance as possible.
You spin once, meeting your eyes in the mirror. But you have enough momentum to not have to come down again. 30.
And again. Your gaze lingers as long as it possibly can before you have to whip your head around. 31.
The last, final turn you need. Friction is stretching your force thin. You’re on the finishing turn, and with the last bit of exertion from you, you manage to make a full spin. 32. 
You land on your back foot, exhilarated at this small triumph that you shared with yourself tonight. Breath after breath, your chest rises and falls rapidly as you’re trying to blink away the dizziness.
Your arms fall to your sides, planting themselves onto your hips. An overwhelming sense of relief crashes over you as you watch your own reflection. A gentle smile starts to break onto your lips.
Then, something in the corner catches your attention.
Your eye darts over to the door. And what do you know—if this was any other setting, the very thought of being watched would be unsettling, but you should be used to it by now, you suppose.
“That was good.”
You hear it before you can clearly see anything. Perhaps your habit of not turning the lights on late on night does have its cons. But you don’t have to see for yourself to picture who it was in your head: Him and his devilishly handsome face.
On any other given night, you’d put up more of a rejection to his simple compliment and argue that you deserved a rating better than ‘good.’ But tonight, the urge just wasn’t there. 
“Thanks,” you breathe out.
He walks in through the doorframe, more of him coming into light as he draws closer to you. With every step that he takes, it’s like your heart threatens more and more to jump out of your chest. Why am I feeling like this? It is the first time you’ve spoken in person since you kissed, yes, but that doesn’t change anything, right?
As he walks closer and closer towards you, the urge to have that sturdy wall of sarcasm you normally put up around you returns. 
He stops a few steps short of being in reach of you. The planes of his cheeks highlighted by the glow of city lights outside. The man you’ve tolerated for as long as you can remember, Kim Doyoung, now standing in front of you, and it’s your knees that feel weak.
The thumping of your heart resonates in your ears—it’s so loud that you’re afraid even he can hear it. Trying to push all that down and stuff it into some locked up part of you, you try to think about how to navigate this conversation. Just two colleagues talking after ignoring each other after kissing each other; nothing to worry about.
“So. No lunchbox for me tonight?” You’re hoping that the cheek in your tone distracts from your undoubtedly rosying cheeks. But maybe acknowledging that was the wrong move—too late now.
“Actually, I was just about to leave it outside. But I saw you, instead.” He lifts his hand up and that’s the first time you spot the small, rectangular box in his grip.
You drag your eyes from the box back up to meet Doyoung’s. A beat passes.
Then, you muster up the courage. “Why… are you doing that for me?” You’ve asked yourself this question more times than you can count. Why is he being nice to you? That is strictly out of character for him, if you were to judge.
Doyoung crinkles his eyebrows, as if he’s offended that you’d asked him that question. “What do you mean?”
“I mean, why are you bringing me…? Every night we’re here. I haven’t asked you to.” You speak slowly, as if you’re carefully treading through a minefield that is Kim Doyoung’s mind and reasoning.
“Skipping dinner’s bad,” he extends his arm out with the box in his hand, signalling for you to take it off of him. You’re reluctant, but he persists. “What? I’m… taking care of my costars.”
Your eyebrows quirk up at his choice of words. He holds it out a few more seconds before his patience wears thin. 
“My arm is getting tired.”
And as his last push is met with nothing from you, he drops his hand to his side. Without a word, he scoffs and makes his way over back to where the door is.
“Fine, I’ll just put it in your bag.”
Subconsciously, you follow him as he walks over to the edge of the room, a bit dazed at the man in front of you.
He kneels down, shoving the box through the opening of your bag. When he stands up again, he seems a bit surprised that you’re literally right there behind him. Serves him right for all those other times he’s snuck up on you.
You stare at him and he stares back at you, his eyes widening at your silence, as if to say, “What?” in his typical bratty, condescending way. 
“You’re overcompensating.” You shoot out.
“What?” His slight annoyance is replaced by confusion.
“Don’t worry,” your cadence loosens up as does your posture. In a more lax manner, you take a few steps towards the barre on the wall, next to Doyoung. “I’m not some charity case you’re condemned to because you feel bad for whatever.” You place your palms behind you on the barre, feeling somewhat pleased with yourself for having figured out Doyoung’s motivations.
Doyoung himself is slightly amused at your deduction. He leans backwards with his elbows on the barre, his legs stretching out in front of him. He turns his head, eyes looking down at you. “Believe it or not, I don’t see you as ‘charity work.’”
You take a second to still your heartbeat that seems dead set on betraying you with how you felt his breath fan faintly against your shoulder as he spoke. You turn to look him in the eyes, either to prove something to yourself, or to him—you couldn’t be sure.
“Then, why all this?”
Doyoung returns your gaze intently. You hadn’t planned for it, and now there’s no way you’re letting yourself back down. The way he looks at you—into you—hitches your breath. The last time he looked at you like this… You’re not sure you can stop history from repeating itself if he doesn’t stop now.
For a moment, you can swear his irises swirled like liquid pools of obsidian, the sheen in them barely visible under the dimness. 
Before Doyoung even tries to come up with a way to talk his way out of this, he gives in. Into you.
In an instant, his lips envelopes yours. You wish you could say you were surprised, but deep down you were screaming at him to kiss you first. 
You melt into the softness of his lips. The depth at which he takes you in makes the peck from last time seem like child’s play. 
As both of you ease into each other’s touch, Doyoung’s eagerness becomes more and more apparent. One hand cups your jaw and the other settles on your nape, pulling you in as much as he can. Your lips fitted together like they were sculpted for each other. The way his mouth moved over yours as if they were connected to one mind.
Doyoung steps in between your legs, positioning himself in front of you with your back pressed against the wall. He never breaks his lips from yours, not even to take a breath. The hand that he previously had on your neck runs itself down to your waist, grabbing hold of it like he has so many times before. He pulls your torso closer to his, your chests pressed up together, your back slightly arched.
In all honesty, you would’ve expected Doyoung to be more the passive type, but you were gladly proven wrong. The way he presses his lips onto yours is with a force so strong that you’re sure it’s bound to leave your lips swollen and bruised. You don’t know if it’s intentional or not, but a groan rumbles in Doyoung’s throat, and you can feel it with a slight vibration. Your lips can’t help but draw themselves into a small smirk that he assuredly has to have felt.
It is only now that Doyoung pulls himself away from you, or more so pry himself away. In a way, you’re grateful because you don’t know how much longer you could’ve lasted before you completely lose yourself to his touch. 
His face parts from yours with both of you trying to catch your breaths as quietly as you can. 
With those eyes of his again, he switches between looking at your (only slightly swollen) lips and your eyes. He gently brushes the side of his thumb up your cheek, sliding under the hair that framed that part of your face. 
His eyes follow the movement of his thumb, before glancing back at you. Breathily, he whispers, “Does that answer your question?”
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It’s your lucky day. Karina had plans for lunch hour today, leaving you sitting alone in the middle of the canteen poking and prodding at your food. At first, you didn’t consider it entirely ‘lucky,’  but the more and more you thought about it, maybe it truly is. After all, if you tell Karina what happened two nights ago, she will no doubt hold it over you ’til the day you die. And not telling her isn’t exactly an option if she asks—she always has a way of getting inside your brain. And even if she doesn’t ask, she could definitely tell something’s up especially with how you’re having to bite back your own smile at random given moments of the day. So all in all, maybe you are lucky, at least for today.
That very sliver of luck lasted only moments, though.
Your eyes are down, staring somewhat blankly at your phone screen in an attempt to seem preoccupied. However, someone sees through your act—or maybe he just doesn’t care for it.
Doyoung slides his tray onto your table, swiftly taking a seat opposite you. You look up at him, watching his very nonchalant actions as if this happens every day.
“What are you doing?” You mutter, perhaps involuntarily. Some part of you is taken aback, another part is confused. Every single time—every one of your encounters with Kim Doyoung felt like a chess game. When you think you’ve seen through his tactics, he reveals that he already has several other countermoves calculated.
Doyoung does what he does best: ignore you. He places his hands on the table, eyes scanning over your tray and his briefly. Then, he lifts his gaze up onto you. “Are you free this weekend?” He asks with an expression on his face that’s a little hard to read. It’s a strange combination of politeness and formality that you’re not used to from him, at least not when directed at you.
“What?” Your response almost comes out as a chuckle. What is he up to? 
“Well, if you are, I have two tickets to a show.” He ends his sentence with a small smile on the corner of his lips.
Is he…? Now, you’re almost certain that today is your lucky day because thank God, Karina isn’t here to witness this.
Back to the situation at hand… what are you supposed to make of this? Is this a date? Or maybe you’re jumping to conclusions for even assuming he’s asking you out on a date. Yes, you two kissed, twice. But does that equal a date now?
God.
Does he like you?—Why does that matter? 
Stop thinking.
You open your mouth to start saying something, and Doyoung looks at you expectantly. You suck in a quick breath, then your lips purse together. But you have to say something.
“If this is because of the other night, you don’t have to—” You cut yourself off as Doyoung raises his brows, prompting you to go on. “What are you up to?”
Doyoung leans in closer, planting both elbows on the tabletop. He tilts his head slowly to the side, gaze fixed pointedly at you, “You keep thinking I have ulterior motives.”
The urge to push his head back with your finger entertains you for a second, before you shoo it away. “Because this is unlike you. 5 years, and I’ve never seen you speak to someone if you’re not forced to.” You lean back into your chair, folding your arms across your stomach. “You’ve always had a kinda cold, and mysterious aura to you,” you mumble, maybe more to yourself than to him.
That seems to pique his intrigue. “You think I’m mysterious?” His eyebrows lift, exposing his amusement.
“That’s not what I meant,” you refute bluntly. “I just thought you were keeping up an image. The whole, ‘I have no friends, but I’m still cool’ thing, you know?”
If this whole encounter was a chess game, then you just found checkmate. Doyoung looks at you a bit in disbelief, and maybe slightly insulted.
“You think I—Okay, no,” he shuts you down firmly. He places his hands onto the table again, “Now, the tickets.”
Truth be told, you’ve been thinking about him ever since that night, but you would probably die before ever admitting that.
“I mean, sure. But you’re not denying that you have an image problem.”
At the first sound of your acceptance, Doyoung slides his fingers underneath his tray and is preparing to get up out of his seat. He stands up and tucks his chair in with his free hand. Once again, doing what he does best, he ignores the latter half of your sentence, “Saturday night, 7pm.”
With that, he’s set off in some direction to wherever he’s going. He’s just taken a few steps away and before he’s out of earshot, you follow up, “And what if people talk?”
He doesn’t stop walking away from you with his back turned, countering, “Sounds like you’re the one with an image problem.”
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Saturday night, 6:55pm.
Shit.
Apparently, the entire population of Paris decided to get on this very subway all at the same time. The doors slide open but you’re having to budge and shove through row after row of people just to get off the car and onto the platform.
It’s a 10 minute walk and you have 5 minutes. If you don’t run to the theatre, Doyoung will inevitably be complaining about how you’re late for the whole night.
Running is a bit difficult though (and not to mention embarrassing) especially in the heels that you’re in.
You walk as fast as you possibly can out of the station and onto the city streets. The sun is just barely peeking out from the horizon and the lampposts begin to turn on as you weave your way through the avenues.
You’re just a crossing away from the theatre when you spot a particular silhouette. Their back is turned towards you, but you recognise that person as Doyoung. It’s in the way he stands, and the positioning of his feet. It’s undoubtedly him.
His head is down, presumably on his phone. The light turns green and you begin to cross. Just as you’re about to reach the other side of the street, you feel a buzz in your hand. You face the screen towards you. 7:02pm. And as you predicted, Doyoung is already starting his carping. A message pops up on the bottom of your screen, “Are you here yet?”
For whatever reason unbeknownst to you, your lips curve into a tiny smile that you have to force away, ignoring his message at the same time. You walk the couple of steps that separate you and Doyoung.
His back is still turned towards you, completely unaware of your being there behind him. He dons a long, black wool coat that amplifies his already broad shoulders, making him look and feel larger than life. To your surprise, the outfit you’re wearing coincidentally somewhat matches his—a long black dress with a coat over top. If people didn’t know better, they’d probably assume the two of you matched on purpose.
You hesitate before tapping his shoulder lightly with two fingers. His head turns around swiftly. And before you even get the chance to say anything—
“You’re late.”
You can’t resist the urge to roll your eyes and sigh. “By 2 minutes! And look,” You glance downwards at your shoes, Doyoung following your gaze. “You should be grateful I even made it here with two intact ankles.”
Doyoung eyes your heels, chuckling lightly to himself.
“What?”
“Nothing,” he looks at you with a satisfied smile on his face. “We should go in before we’re too late,” he suggests with a dip of his head towards the entrance of the theatre.
You mumble a quiet, “Whatever,” under your breath before you start heading towards the theatre ingress, Doyoung closely following behind you.
The theatre stands majestically. Every single element of it meticulously ornate, as is the rest of the architecture in the city, but this truly was something else. Its facade is adorned with intricate columns and statues sculpted to perfection. The golden lights illuminate the archways between the sculptures, leading to the interior. Every detail of the design echoed a timeless charm and glamour.
You’ve passed by this theatre more than a handful of times, but it’s your first time actually going inside. 
“What are we watching, anyway?” You turn your head around to voice, being cautious as you climb the steps leading to the open doors.
“You’ll see,” is all Doyoung responds back with.
It’s your turn to follow behind Doyoung as he hands the tickets to the man standing next to the entrance doors. You glance down at the tickets as the doorman studies them briefly before welcoming the both of you inside.
You give him a polite smile as you pass by, still following Doyoung. You make up the couple of steps between you and Doyoung so that you’re walking parallel to him.
“Swan Lake? Really?”
Doyoung smiles at you gently, “It’s a classic for a reason.”
Three beautifully devastating hours later, the ballet finishes. And Doyoung was right, it is a classic for a reason. No matter how many times you watch Swan Lake, it still manages to completely beguile you. The ballerina they casted for the main role was incredible, undeniably so. It’s then that you begin to question if you should’ve came here tonight.  All that it seemed to do was make you doubt whether or not you can give a performance half as enchanting as hers.
You and Doyoung are walking silently next to each other in streets illuminated by nothing but the warm glow of the lampposts. He insisted on walking you home, though he lives in the other direction.
“Penny for your thoughts?” Doyoung utters after a prolonged silence. He steps under the gleam of one of the lamps, highlighting the sharpness of his features as he looks back at you.
The mellow breeze of the night blows softly against you. “They were good.”
“We can do better,” he follows, resulting in you cracking a small smile.
“Cocky.”
“No—Just confident.”
“Fine, overconfident then.” 
He takes a big step ahead, balancing on one foot as he tilts his head to catch a glimpse of your face, forcing you to look at him. “And what’s wrong with that? I believe in us.”
Soon enough, the two of you arrive in front of your apartment complex. The chill in the night lingers in the air between the two of you. You mumble a quiet, “So,” under your breath, disguised as a sigh.
Stuffing your hands inside the pockets of your jacket, you rock forwards onto your toes. You suck in a long breath. “Thanks for the date,” you make it a point to highlight the sarcasm in your tone, but really, you were just trying to see his reaction.
Doyoung, however, doesn’t buy your facade. His eyebrows tick up and his eyes glisten with a hint of amusement. “A date, huh?”
“That was a little something called a joke,” you quickly follow.
“Well,” he leans forward an inch or so closer to your face. “Joking or not, we can’t end the perfect date without a kiss,” he mutters lowly as he looks into your eyes. 
You stare back at him, frozen. Your heart beats faster and faster with every second that he has his eyes on you. He raises an eyebrow, waiting for any sign from you.
Inching ever so slowly towards him, you drop your gaze onto his lips. Softly, you press a gentle peck onto him. When you lean back and open your eyes again, he’s wearing the faintest trace of a smile on his face that you’re sure has already burned its image into your mind.
“You should really find funnier things to joke about,” Doyoung utters. “Good night,” he whispers as he’s about to take a step back from you.
“Wait,” you reach out and grab ahold of his wrist. There’s an eagerness in your voice that you regret as soon as you spoke aloud. Doyoung looks at your hand wrapped around him, then up at you, causing you to loosen your grip. You know you’re probably going to regret this but—“It’s still early. Do you want to stay for a drink?” Your head and your heart has never worked against each other like this. You regretted it as soon as you made the offer, but your heart was just a beat faster than your mind tonight. 
There’s a brief moment of quiet where you’re sure he would say ‘no.’ But instead, he looks down at the ground, biting back his bottom lip before nodding along. “Sure,” Doyoung agrees with an easy shrug.
You lead him into the lobby of your complex silently. The air only seems to thicken with every second that you spend with him by your side, and it doesn’t help that the lift takes forever to arrive. You step inside, your heels clicking against the marble floor, and Doyoung follows along. 
He watches your every movement, from your pressing of the elevator buttons to you leaning back against the banister along the walls. You catch his eyes, and he doesn’t even try to hide his observing you.
A chuckle catches in your throat, “What?”
“What?” He echoes you with a certain smugness in his expression.
The lift stops right in time and the doors slide open. You let your eyes linger on Doyoung’s as you walk past him to exit into the hallway. Pulling out your keys from your pockets, you instinctually unlock your door in one swift motion and let yourself and Doyoung in.
Your arm reaches out to the side to flick the kitchen lights on. Stepping out of your heels, you slip off your jacket at the same time, throwing it onto the chair by the door. “Red or white?” You ask Doyoung, who’s slowly taking his own jacket off and setting it down on top of yours. 
You open the cupboard to where you store all your wines, scanning through your options. Doyoung sidles up to you, looking up at the cupboard himself. Then, you make the mistake of turning your head. 
He reaches his hand onto the handle of the cabinet, boxing you in between him and the wall. His gaze is fixed on the bottles, as if he’s really studying through each of them right now. The top buttons of his dress shirt are undone, the collar slightly crooked. A hum sounds from him, reverberating in the close distance between your bodies. His neck catches a sheen from the city lights filtering through your balcony doors behind you. And it’s only then you realise you’d just about made the biggest mistake of your life.
He angles his head downwards to look at you, an oh-so-innocent expression scrawled all over his face. “What do you think?” He asks with a feigned cluelessness in the lift of his brows.
You catch a subtle hint of his cologne—which was probably more effective than any other bottle that you had up in that cupboard in making you drunk. “What do I think?” you breathe out. Doyoung tilts his head towards the cabinet, but the look in his eyes told you he had no intention of opening up any of the bottles.
Doyoung drops his hand from the handle onto the edge of the countertop as he takes a step closer towards you. One step. And he’s cornered you between himself and the glass doors to the balcony.
“That’s what I asked, wasn’t it?” His voice is low and sultry as his eyes study each and every detail of your face.
For the last time tonight, you try to still the pounding in your chest, but it was clear that your attempts proved futile. “I think…” you start slowly, lightly tracing the tips of your fingers from up his hips to his collarbone. “Fuck the wine.”
Your fingers grab onto the silky fabric of his collar, pulling him close. His lips crash onto yours in an instant. Once you’ve given him the green light, there’s nothing holding him back. 
Doyoung’s hands roams every inch of your body as he kisses you as if you are the very air he needs to breathe. One of his hands grip tightly onto the flesh of your thigh, fingertips digging into the sides of it.
You wrap your arms around his neck, holding and keeping him close to you. For a moment, it felt like deja vu with the way he’s kissing you. So deeply and fervently. You throw your head back to catch a quick breath, but Doyoung doesn’t let even the tiniest fraction of a second slip away from him. 
He attaches his lips to your neck, leaving a trail of his kisses down onto your collarbones. His hand covers the small of your back, arching it into him as he sucks on your skin. 
You move your arms down behind your back, hands searching blindly for something. Then, a noise clicks in between your panting and the sound of Doyoung leaving desperate kisses on your skin. Doyoung pulls back slightly with a darkness in his eyes, as if he knows exactly what you just did. A smirk overtakes his lips, quickly taking yours into his again.
“You want everyone to know what we’re doing up here?” He mutters breathily in between quick kisses. God. You can feel his smirk against your lips when he envelopes you, twisting your stomach in ways you never thought possible. “I don’t mind.”
The click was the sound of you unlocking the handles. He takes a step backwards, pulling you along with him as he swings both doors to your balcony open. Immediately, a breeze brushes against your skin that only adds to the butterflies in your stomach. 
Doyoung presses you up against the cold, iron railing of the balcony, prompting a quiet ‘shit’ from you. The contrast of his warm palms on your thighs and the icy metal on your back sends chills down your spine.
His hands inch higher and higher up your legs, slipping under the chiffon of your dress. Meanwhile, his lips are never parted from you for more than a few seconds at a time. You open your arms, hands each gripping the top rail of the banister so tightly that your knuckles are beginning to change colours.
Doyoung moves your leg up, wrapping it around his waist. He trails his lips again over the delicate skin of your neck and chest. When the neckline of your dress gets in the way, he simply had no choice but to move onto the next part of you that’s uncovered by fabric.
Doyoung kneels down onto his knees. As he does so, his grip on your leg remained steady as he lapped it over his shoulder. He presses gentle pecks onto your inner thigh as he continues to lift the hem of your dress up, unveiling more of you bit by bit at a time.
Patience was never your strong suit. Doyoung, however, seemed to be the complete opposite. He takes his time peppering kisses all over the skin of your thigh as anticipation builds up within you. For a moment, you forget that you’re out on the balcony, but you’re reeled back into the present as another subtle gust of wind catches itself in your hair.
You bite down on your lip as Doyoung’s mouth inches closer and closer to the hem of your underwear. The anticipation practically pooling in between your legs. He lifts the dress up slightly above your waist, holding it in place as he grabs onto your hips with his big palms.
He leans in closer, moving excruciatingly slowly. You can feel the warmth of his breath so, so painfully close to you. He traces a finger along the lace trim, then softly presses his lips onto it—half of it touching fabric, the other half touching your bare skin. You wrap the leg you have thrown over his shoulder tighter around him at the sensation, or the lack thereof. 
Doyoung slides two fingers under the hem. He’s a tease. He runs the tips of his fingers downwards along the edge. Doyoung looks up at you watching him expectantly, smirking at the sight of you, breathing so heavily. He bunches the fabric together, pushing it to the side, and immediately, the chill in the night jolts you.
This is remedied by the presence of Doyoung’s lips on your clit. He first plants a gentle kiss, then, doing what he did on your neck and your chest, he swirls his tongue over it. His humming adding to the pressure building steadily within you.
You purse your lips together, desperate to not make a noise, and your leg tries to clamp itself shut.
Doyoung pulls away, licking his lips before tutting his tongue. “You wanted everyone to hear, didn’t you? That’s why you opened these doors?” He presses the tip of his middle finger up onto your folds, drawing ovals as he spreads the wetness all over your cunt. “Don’t get shy now.”
He latches his lips onto your clit again, and without notice, pushes that very finger up into you. The surprise of his movements forces a moan out of you, one that you couldn’t suppress.
Steadily, he slides in another finger, continuing to go deeper and deeper, —threatening more and more noises from you.
You let go of the rail with one of your hands, unable to hold back from the aching neediness you feel between you. Your fingers find themselves entangled in Doyoung’s hair, drawing him closer to you as you begin to move your hips against the friction of his touch.
He mumbles contently against you, “That’s it, princess.” Humming approvingly as you continue to grind yourself down into him. The entire length of his fingers disappear inside you and gradually, he pulls them out before picking up his pace.
Still, you’re straining your whines and whimpers, as if you’re embarrassed for him to hear them. You throw your head back as he begins to slide his fingers in and out of you at an increasing pace, a strangled moan catching in your breath.
He mumbles again, “Don’t hold back for me.”
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The next morning, you wake up in your bed. Pillows scattered over the floor, sheets sprawled out on top of you. You turn, facing the other side of the bed only to find it empty. A haze covers your memory of the night before, as if the events have been frosted over, sealing last night to the you in those moments only. 
A sudden pounding plagues your head and you begin to feel the ache all over your body. You shut your eyelids tightly, trying to will away the pain searing through your muscles, but it doesn’t work.
Sliding on your slippers, you shuffle your way out of your bedroom only to find your entire apartment empty. There’s a sinking feeling in your chest for a brief moment before your eye catches something on your kitchen countertop. A note.
You sidle over, and immediately you can recognise the paper that the note’s written on. The neat handwriting on it read, “I’m off to practice. I made some breakfast for you with what you had, hope that’s alright,” with a small smiley face on the bottom corner.
You glance back at where the note was, and sure enough, there’s a plate of pancakes sitting on your countertop.
Taking a deep breath, you put the note back down. The sudden need to decipher and ascertain what last night means overtakes you, and you know just what you need to do.
You head back into your bedroom, throwing sheets and pillows all over the place to look for your phone. After scouring around for 5 solid minutes, you find it tucked into your bed frame.
Somewhat half-awake, you scroll through your contacts to find Karina’s name. The tone dials three times before she picks up.
There was no way that you wouldn’t tell her what happened between you and Doyoung—you could only keep things from her for so long. After Doyoung had left you that day in the canteen, it took you a little over 24 hours to spill everything to Karina. She was neither surprised or impressed.
“How’d it go?” She answers the phone, no greetings or anything.
You take in a deep breath, certain that Karina can probably hear you. “I don’t know,” you blurt out truthfully.
“Good-you-don’t-know, or bad-you-don’t-know?”
“Good? I guess? Karina…” You sigh, for probably the dozenth time since you’ve woken up this morning.
Karina waits a few seconds before she speaks again, “Tell me everything.”
You recap how the night went, leaving some details out when it got to the later part of things. Though you can’t see her, you can visualise her reactions just from her squealing over the phone.
“This method acting thing is really working, huh?” She chuckles to herself.
“No!” You rub your palm over your forehead. “I don’t know. I don’t know if he likes me or if I like him. It’s… weird.”
“Be so serious right now,” Karina says bluntly, “You’re kidding me.”
“What if it’s just physical?”
“Is it just physical for you?
“No,” you’re quick to answer that, “I don’t think so.” Karina stays silent for a moment or two, and you can picture her eyebrows shooting up in that familiar way when she’s trying to prove you wrong.
“Listen,” Karina sighs, “Friends who fuck for fun don’t cook each other breakfast. And go out on dates. I’m sure it’s a thrill to have anyone’s hands on you,” The sarcasm heavily blanketed her last sentence.
“It wasn’t a date,” you weakly try to object while thinking over her words.
“Yeah, just two people hanging out casually ending in a hook-up. Not a date. Just saying, that’s never happened to us before.”
Karina spends some more time trying to open your eyes to the truth that you were so repellent to, to no avail. 
By the end of the phone call, you let yourself fall onto your bed, mind more muddled up than before. Not exactly what you hoped for in this situation.
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It’s been exactly 4 days since that fateful night. The date, as Karina kept referring to it as. You haven’t had the opportunity to see Doyoung this week, yet, which, thanks to partner practice, will change today. As soon as you step through the door to the studio, to be specific.
The moment you do, you hear a voice squealing out your name. Jerking your head upwards, you catch the eyes of Colette who’s making a beeline towards you.
“So, how was it?” She asks excitedly, catching you off guard for multiple reasons. 1, she’s never that cheery in the mornings. 2, you have no idea what ‘it’ is.
“How was…?” You trail off, letting her fill in the blanks of her query.
“The date!” Colette exclaims. And in the corner of your eye, you can see a head snap sharply in the direction of the two of you in the front of the room. You look over, and Doyoung’s standing there, in the middle of rolling up his long sleeves. Your gaze locks with his for a second or two, and a sudden embarrassment burns within your eyes that you’re not sure if you need to hide from him. You look back at Colette, her anticipation evident in her features.
“It was delightful,” Doyoung answers from across the room, rolling up the other sleeve. “Is that enough gossip for you today?” He says pointedly.
Colette widens her eyes at you. She leans in to your right side, putting her hand on your elbow as she mutters quietly into your ear, “I asked him earlier before you got here and he wouldn’t say anything.” She pulls away from you, “Did you have a nice time?”
You give her a polite nod with a small smile and she seems satisfied enough with that answer, mirroring your grin. Colette drops her hand from your elbow, letting you settle your stuff down.
Doyoung makes his way up to the centre, where Colette stands facing him. You shoot a quick glance back at them, a slight nervousness bubbling up inside you as they mumble among themselves, too quiet for you to make out anything they’re saying. As you’re pulling your pointe shoes out of your bag, Colette suddenly remarks again, “And to think you wanted to drop the role because you didn’t think you’d have chemistry with him, Y/N.”
You look back again at the two of them. Doyoung is facing away from you, stretching his ankles on the floor. You flash a tight-lipped smile at Colette before standing up and joining them.
Practice ended earlier than usual today—you’re not complaining about it though. Despite you never going home until later into the night, you’re still thankful that at least you have a slightly longer break today before you start your individual sessions again.
You dig through your bag for your purse, wanting to maybe get a snack or two at the canteen. You’re fishing around, and instead of your purse, you find your box of cigarettes. Your arms freeze momentarily. Flipping over the tab, you see that there’s only one left, having not touched them since the last time Doyoung caught you smoking and being his usual irritating self, chided you for it.
A small curve forcibly tugs on the corners of your mouth. You fold the tab back over, burying the box into a pocket inside the bag.
That evening, Doyoung freely waltzes into your practice room whilst you’re in the middle of practicing your turns. You haven’t been able to execute them as well as you had that one time, and you’re determined to perfect it.
Leisurely, as if he owned the place, Doyoung coasts through the door. He leans against the barre in front of the mirror as he takes a sip of his water from his bottle, eyes fixed on you in midst of a set of pirouettes. 
“I thought you got those down last time,” Doyoung speaks right as you land, appearing to be perfectly balanced despite the blur over your vision. He continues, “You can’t work yourself to the bone.”
“Once is a fluke,” you take a deep breath in.
“You’re plenty skilled.” He treads lightly towards you.
You look up at him coming closer, leaning your torso over to even your breathing again. “What? You’re done with practice so you’re here to distract me?”
Doyoung joins you in the middle of the room, taking a swig of his water. “I mean, nothing better to do.”
You plant your hands on the sides of your hips, eyes still locked on his. A beat passes by.
You drop your eyes from him, “Thanks for breakfast the other day, by the way.” You lift your foot from the ground slightly, pretending to be stretching it just so you don’t have to look at him.
“You’re welcome,” his tone is indecipherable.
The silence between the two of you quickly becomes awkward for you, desperate for some way to escape it.
“About the other night…” Doyoung’s voice softly begins as he sets the bottle in his hand on the floor.
“We don’t have to talk about it,” you reply trying to sound as nonchalant as you can, leaning your back into the wall of the pillar in the middle of the room. Truth be told, you were the furthest thing from nonchalant, but you couldn’t afford for him to know that.
Doyoung closes the gap between the two of you. He looks down at you, a hint of desperation in his eyes. “Okay, we don’t have to talk about it,” he repeats. He turns around so that his back is up against the pillar as well. “But we should do something about it.”
You glance over at him looking into the reflections of the two of you. In that moment, you’re not entirely sure what he’s hinting at. Then, you catch a glimpse of his hand, and suddenly your breath hitches. Without him even needing to say another word, your chest begins to burn, thanks to your sudden recollection that kicks in right at this moment. “Something like…?”
Doyoung pulls his eyes away from the mirror and onto you, watching as you take step and step closer, until you’re positioned directly in front of him. His gaze grows more intense as he continues to watch you, his smirk too. “That’s not quite what I meant, but I’m not complaining.” He finds himself putting his hand onto your hips without even thinking about it, as if it comes naturally to him. To be fair, he has already done so multiple times earlier in the day during your session, and it took all the will in you to focus on the choreography instead of his hands on you.
Your palms travel up against his chest, fingers clasping together at the back of his neck. You tilt your head slightly, “Really? This wasn’t what you had in mind?”
He purses his lips together briefly, and you can see his Adam’s apple bob slightly as he gulped. “You’re right. Let’s not talk.”
In a split second, your lips were pressed against each others. By now, the feeling of his lips on yours felt familiar enough that you’re sure your features have been moulded to fit his own. The softness of his lips contrasted by the pure desire driving his eagerness is a deadly combination. 
Your fingers inch their way into his hair, and his pulling on your waist. His palms slide downwards, and effortlessly, Doyoung hoists you up into his arms with your legs wrapping tight around him. 
The sudden movement catches you by surprise, making your lips part as you gasped gently. Doyoung settles his hands in the nook of your knees, and with you around him, he walks the two of you to the wall nearby, setting you down on top of the wooden barre.
His fingers push the strands of your hair back as he slides them up along your jawline. Your entire body pressed firmly against the wall, Doyoung buries himself in the crook of your neck. His hand caresses your cheek as he laid down kiss after kiss on your skin.
The whole time, you’re letting stifled hums and whines out, and every time you did, you can feel Doyoung smirking against you. You can’t help but to pull his hips closer to you with every second that goes by, desperate to have something. Your fingertips work their way around to the front of his waistband, hooking a thumb inside. If he didn’t sense your agitation before, he certainly did now. 
Doyoung pulls himself away from your neck. The visual of the low lighting combined with his disheveled hair, courtesy to you, was enough to drive you insane.
“You’re not very patient, are you?” He mutters as he runs a hand up and down your thigh tauntingly.
Can he blame you? Your mind has been driven to a place where you can’t even think straight anymore, only wanting to have your way in that instant. You bite down on your bottom lip, and slowly, with your eyes locked, you pull back the waistband of Doyoung’s sweatpants.
His eyes are filled with a deep carnal desire. Placed under his astute observation, you unhook your thumb from his sweats and instead, begin to peel off your leotard one strap at a time. He follows the movement of your hand as it slides the thin straps off of your shoulders, revealing your chest to him.
He hangs his head back, eyes closed, almost like he’s trying to not look at you. A quiet ‘fuck’ slips out from under his breath. You continue to strip off the rest of your leotard along with the thin, chiffon skirt that you had wrapped tightly around your waist.
Doyoung brings himself to look at you again, now with your entire torso bare. “Fuck, okay.” He sucks in the hollows of his cheeks as he brusquely pulls on the bunched up fabric and slides them off of you entirely.
You shoot him a quick look and he immediately pulls his shirt off with one of his hands. He takes your lips into his fervently as the tip of his thumb grazes against the underside of your breast.
Your hand travel down to the front of his trousers and not as discreetly as you’d thought. Doyoung groans lightly as you palm his bulge, even biting down on your lip when you apply more pressure.
“Okay, okay,” he whispers breathily, grabbing your wrist to direct it away before pushing down his sweats.
You try to keep your eyes on him but even in the bottom of your eyeline, you can see it spring up, hard and red. Doyoung wraps his long fingers around his cock, giving it a quick couple of strokes as he grunts lowly. 
The aching desire within you increases tenfold. And you couldn’t resist looking down, watching his hand travelling all the way up and down his length. A spark of frustration ignites within you, wanting desperately for him to just be inside of you right this second. 
Doyoung watches you watching him. He tries to stifle a chuckle, which catches your attention. “If you’re just going to jerk off, don’t waste my time here.” The movement of his arm slows down slightly, but his smirk grows wider.
“I would never want to waste your time,” he mutters tantalisingly.
Doyoung holds a firm grip around the base of his length. He looks down, having to stop himself drooling from the sight in front of him. He taps the head of his cock on your cunt, catching you by surprise and making you clench your thighs around him harder, which does nothing but elicit a chuckle from him.
Doyoung tightens the grip he has around himself, trying to still his shaking hand. And not being able to hold himself back any longer, he gently pushes himself into you, knocking the air out of your lungs. Your nails find themselves dug into the skin of his back as he drives further and further in. 
Your lips are parted, but you’re holding your breath. Doyoung’s gaze falls upon your face, watching every slight movement in your features as he pushes the last of himself into you. And though he hasn’t even done anything, yet, just the sheer size of him inside exhausts you. You rest your forehead against his bare shoulder, needing him to hold you steady with his arms. 
He plants a gentle kiss on the back of your head, “You’re so fucking pretty like this.”
And when you think your body couldn’t feel any weaker, your thighs tense up at the sound of his words. 
Doyoung lays his fingers on the nape of your neck, gently lifting your head and forcing you to look at him just inches away from your face. “You okay?” he mouths, earning an eager nod from you. You’re met with a small, pleasant smile from him at your response. 
He slowly drags himself against the tightness of your walls, groans catching in his throat. 
Doyoung begins to thrust his hips forwards and back, filling you up with his cock again and again. You let yourself wholly collapse into his chest standing up tall against you. The friction very quickly proves to be not enough for you, causing you to move your hips in unison with his.
A string of curses and moans falls from Doyoung’s lips as he picks up the pace. His hands also tighten around you, to steady himself or to steady you, it’s hard to say. He, once again, buries himself into your neck, panting into your skin and leaving subtle bite marks on it.
You snake a hand around to your clit, rubbing in synchrony to the rhythm of his hips. The stimulation overwhelms you, your mind solely focused on the desire to cum. Your head is propped up on Doyoung’s shoulder, and every time you moan into his ears, his heart skips a beat and he thrusts harder into you.
He mumbles your name over and over again, followed by a series of ‘fuck’s and ‘shit’s. His breathing, as well as yours, become rugged and uneven.
You can feel the pressure steadily building up within you, the circling of your fingertips becoming more violent by the second.
The bubbling of anticipation inside of you brings you closer and closer to the edge. Your body threatens to tremble even when propped up by the strength of Doyoung’s arms.
“I’m so close,” you manage to whimper next to Doyoung’s ear. And unbeknownst to you, that completely unravels him. Desperation taking over, he plunges himself deeper and harder into you.
The sudden change in tempo almost urges you to sink your teeth down into his shoulder. Your fingers are beginning to cramp but you’re so close to your orgasm, it’s practically within reach.
You lean your forehead onto Doyoung’s shoulder as weariness begins to take over your muscles. You just needed a little bit more to push you over the edge, and the sight of him ramming his cock inside of you made you fall apart.
Your walls clench so tightly around Doyoung that it’s physically hard for him to continue thrusting into you. Even if you tried to quiet yourself down, the overwhelming pleasure takes over any logical mind and you’re screaming out his name. Preoccupied with your own pleasure, you hardly noticed the stiffening of Doyoung’s arms around you, until you felt the warm ropes of his cum threatening to spill out.
For a moment, the whole world seemed to go quiet. Time stopped for a minute or two as your body slowly comes down from such a high. Your chests rise and fall in unison, both desperately panting to collect your breaths again.
You lean your head back against the wall, your half-lidded eyes meeting Doyoung’s. Your lips hang slightly ajar as the thumping of your chest increasingly gets louder and louder in your ears. You rest your forearms on his shoulders, weakly interlocking your fingers together.
You pant. “Do you fuck all your costars like that?” Lazily teasing with half of a smirk.
Doyoung leans in, still inside of you, unthinkingly pecking the side of your lips. He whispers into your ear, “Just the one I like.”
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ACT IV THE CODA
The stage of the theatre you’ll be performing at a week from now isn’t much vastly different from all the ones you’ve previously performed at. However, the role that you’re playing this time is leagues away from your prior roles. This self-applied pressure weighs down on you up on this very stage. The bright, hot stage light shining on you doesn’t help with the feeling of unease either.
“One last run-through, everybody!” You hear a distant voice call out—from where, there’s no way to tell. Except from where you are stood on stage, everything else surrounding you is shrouded by utter darkness.
You take your position, prepared to act out the last scene of the ballet one more time. What’s one more to the couple dozen times you’ve done this today?
The symphony begins brightly, instruments layered on top of each other in harmony. You make your way across the stage, running in the ballerina way to run on your tiptoes. A huge cardboard cutout of a cliff faces the audience, and behind it are steps leading to a platform about 10 feet high. Following the buildup of the music, you climb gracefully up the steps, or the cliff, and the violin cue prompts you to jump off the platform and onto a soft landing mat about halfway down.
You land on your feet, nearly unstable enough to topple over but you don’t. Quickly, you scramble to get off of the mat so that when Doyoung jumps after you, he doesn’t completely crush your body upon impact.
Karina stands in the wings of the stage, waiting for you to come over to her. When you do, she places an arm around your shoulders. “Feeling better?”
You give her a shake of the head, “That jump never gets better, no matter how many times I do it.”
She shakes your shoulder gently with her hand, “Well, you have the whole of tonight to recover.”
A thud sounds from behind you and as you turn, you see Doyoung already stepping off of the landing mat, as if jumping from 10 feet up in the high has zero effect on him.
Not long after he gets on the ground, the music stops abruptly. Then, a familiar voice follows, one belonging to your director.
“Alright, that’s enough everyone!” You hear Colette’s disembodied voice booming out of a speaker from somewhere in the auditorium. “Get some rest, you are all coming to tonight’s company dinner. No excuses.”
Excited murmurs and mumblings surround you and Karina from the other dancers. With your head turned, you catch Doyoung’s eyes for a moment. He locks onto you, before breaking away with an uncharacteristically bashful grin on his face. One that speeds up the beating in your chest.
Karina laces her arm through yours, the contact causing you to come back to. “Come on, you’re helping me figure out what to wear for tonight.”
You share a chuckle with Karina as the elevator takes you up to the penthouse where your company dinner is hosted. The lift dings and its doors slide open, revealing the modern furnishments accompanied with the dark oak and golden accents of the wall panelling. You and Karina step out into the penthouse, every inch of it screaming luxury. You wonder how much money your company splurged to rent this place out—though you probably won’t want to find out. 
Floor-to-ceiling windows line one of the walls, the view of the city underneath breathtaking. “This is insane,” Karina mutters lowly beside you. She turns to you, a wide smile on her lips that shows her teeth. 
Taking in a deep breath, you simply nod, still bathing in the air of glamour all around you.
Off to the side is a long table piled with entrées and small desserts, a few people lining up around it. You nudge Karina with your shoulder and point a finger towards the table. Without exchanging a word, the pair of you make your way over to the food bar.
About an hour into the event, most everyone has arrived. Not that you kept paying attention after you spotted a certain someone stepping off the elevator.
Colette stands at the end of a glass dining table, carefully climbing up onto one of the chairs. A champagne glass in her hand, she raises it high and clinks a butter knife against it. The ring sending the room into silence.
As every one of your colleagues turn their heads towards her, you all instinctively gather around the dining table, waiting for the beginning of a speech that is guaranteed to follow.
“Thank you all for making time for tonight,” Colette wears a pleasant smile as she speaks, “I know you’re all very busy with the show next week.” It doesn’t take long before you’re zoning out onto some vase with a meticulously curated bouquet placed within it.
“And especially thank you to our principal dancers, Y/N and Doyoung,” at the mention of your name, your attention reverts back to Colette, hoping you reacted quick enough that she didn’t catch you looking off. “For taking this tale and giving it the passion to make it our own.” She lands her eyes on you, stretching her lips wide into an adoring smile.
You reflect her expression, raising your glass in acknowledgement before she turns to Doyoung on the opposite side of the circle you’ve formed.
Your eyes dart towards the sign signalling where the bathroom is. “Hey,” you whisper to Karina standing next to you, “Can you hold this for a sec?” Handing over your glass to her as she takes it in her hand.
Discreetly, you weave your way through the mob of people towards the bathroom by the elevator. “And of course, thank you to our corps de ballet,” you hear Colette’s voice trail off and get shut out by the heavy wooden door as it closes behind you.
The bathroom is lined with elegant, black tiles with gold carvings alongside the edges. Three stalls stand on the left side of the room, with a singular, large, modern sink on the opposing wall. 
You make your way over to the edge of the sink, your reflection meeting you in the mirror. Suddenly, sounds of cheer fill the room and you catch a movement to your right. The door is slightly ajar with a figure pressed up against it having already made their way in. 
“What are you doing here?” You blurt out.
Doyoung leans back, completely shutting the door and the noise out, “It’s a public bathroom.”
You turn your body entirely to face him. “It’s a women’s bathroom,” you correct.
“I know,” he shrugs as he walks over to you.
Your eyebrows furrow themselves and your chin tucks inwards slightly as you regard him with some judgement visible on your face. “Oh, great, make yourself comfortable, then.” You quickly check the stalls for anyone else in here by pushing on the doors with the tips of your fingers. Thank God no one is in here.
Doyoung looks down at you, seemingly amused at your reaction.
“What?” You utter with a slight edge of agitation.
“What?” He repeats, though much more relaxed.
You fold your arms, giving him a look.
“Can’t I pay my favourite costar a visit?” He tilts his head, tiny strands of his hair falling out of place.
“Not in a bathroom with everyone else we work with outside—No. Did anyone see you?”
Doyoung dismisses your question with a shake of the head, but you’re not sure how confident you should be in his answer. “They’re all excited about the bonuses that Colette just announced the company’s paying out.”
His elaboration gives you a little more reassurance.
Still, cautiousness rings in your bones. “What do you want?” 
Doyoung stays silent for a second, studying your features before responding, “Why do you look pissed at me?”
“I’m not,” you counter.
“You are.”
“I’m not.”
Doyoung doesn’t give another rebuttal, but instead looks at you knowing that you yourself know you’re full of shit.
He holds your gaze until you finally speak up. “I’m just nervous,” you confess.
“About?” He strokes his hand up and down your arm, then giving you a squeeze right above your elbow.
“I don’t know,” You allow your body to lean into his touch. “I don’t want to mess things up by people finding out that…” Even without finishing your sentence, Doyoung knows what you were going to say.
He places both hands on your arms, pulling you closer to him until he can plant a kiss on your forehead. “Even if they find out, it won’t change anything.”
Hearing this, you know he’s right. There’s nothing for you to be nervous about regarding your secret rendezvous with Doyoung, but the things we are nervous about often has no rational rooting.
You manage out a faint smile before Doyoung envelopes you in his arms.
“I know a way to destress, now that I think about it,” he murmurs in your ear.
You pull your head from resting on his shoulder, looking at him with an expression on his face you know too well.
“And what is that?”
His smile reaches the bottom of his eyes, curving upwards and carving into his irises. Using the side of his finger, Doyoung tilts your head up at him, lining your lips up with his as if he’s done so thousands of times before.
He gently presses a kiss onto your lips, soft and delicate like you’re a fragile paper crane that will crumble under too much pressure.
“Mh, tired today?” You tease, not used to this display of tenderness from him.
“And what if I am?” Doyoung leans back, taking in your visage fully. “It’s hard being the centre of attention all the time—”
“Shut up,” you sternly spit, taking his lips into yours again. “I have a hard time believing you don’t like the attention,” you mumble against him.
“Well, that depends who it’s from,” Doyoung’s hand runs the entirety of your back, tugging lightly when he reaches your waist.
“And coming from me?” Shameless. Absolutely shameless in your attempt to pry some sort of accolade from him.
Doyoung brushes his thumb along the ridge of your lip, “You know the answer to that,” eliciting a smirk from you.
You peel your torso off of him, hands pushing on his chest. “Let me give you some attention then.” Even without looking down, you skilfully undo the button of his dress pants, sliding them down just enough that you can slip a hand inside.
Pressed up against his body again, your fingers slide down along his v-line inside his briefs.
As Doyoung mutters a breathy, “Fuck,” your attention is turned back to the door.
“Shit, what if someone walks in?” You pull your hand back, as if someone actually did.
Doyoung offers with a roguish charm, “I locked the door.”  
You slap a hand onto his chest, not too hard. “You planned this,” you say, more like an accusation than a question.
He shrugs idly, looking pleased with himself.
“Motherfucker,” you mumble under your breath but you’re so close to Doyoung that he hears you loud and clear, only chuckling at you in response.
Your hand slips back down, fingertips feeling the base of his dick, half-hard. You snake your fingers around the contour of his shaft, wrapping your thumb around the other half of it.
Doyoung watches your hand writhe around, curses slipping from his tongue. 
There’s not much quite satisfying as watching Doyoung fall apart at your mercy. Your hand strokes what you can of his cock, slowly as you begin to feel more and more of his blood rush to it.
Doyoung has his head tilted back, exposing his neck wholly. Every dip of his Adam’s apple as he groans made visible to you.
“Fuck,” You hear him whisper next to you.
You pumping your hand up and down has made him fully hard, the tip of his cock pressing right up against his pants.
At the sight of this, you decide to stop.
The sudden absence of your hand snapped Doyoung out of his trance. “What?” He exhales.
You pull his trousers back to where it sat on his hips, “We’re in public,” zipping it up again. “You want to walk around after coming in your pants?” You raise your brows at him.
He scoffs, hands supporting himself on the edge of the sink, “So, your solution to that is making me walk around rock hard instead?”
You push yourself up to peck him on his cheek, “I’m saving you tonight’s laundry.”
The water turns on as you run your hands under it, washing them quickly before shaking them dry.
Doyoung watches you in disbelief, and still half-dazed.
Seeing his disheveled hair, you push some of the strands back—flashing him an innocent smile before unlocking the door and heading back out to the dinner.
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There’s less than 24 hours before the premiere of the show you’ve spent the last 2 months working yourself tirelessly for. Logic would dictate that you should probably get whatever rest you can while you can. But you’re not a big fan of logic, and neither is your body judging by the fact that you cannot fall asleep despite it being 2am.
Unsurprisingly, you find yourself in the practice room that you’ve more or less confined yourself to. But tonight, you haven’t been doing anything in here. If alternating between staring in the mirror and staring out the window counted as anything, then you’ve been productive tonight, but otherwise, not so much.
Your mind’s been racing nonstop. This is your first show as a principal dancer. Every other show you’ve done previously, you’ve had a minor role in. It’s only natural that you’re nervous, you keep telling yourself.
More and more of the city lights are turning off one by one. The city sleeps, and it feels like you’re the only one awake to watch.
About an hour ago, you sent a message saying goodnight to Doyoung. For some reason, your mind keeps coming back to him. 
You continue to sit in silence, with the only thing occupying your mind being your thoughts.
15 minutes pass, and you’re still not feeling the effects of tiredness.
“Y/N?” You hear a voice disrupting your train of thought. Snapping your head around, you see the outline of the person who’s been inhabiting your mind continually.
He walks through the empty studio, the lights off once again, over to you sat by the windows. 
“Why are you here?” You mutter faintly as Doyoung sits down on the ground next to you.
“I knew I’d find you here.”
You look at him in the darkness, your arms folded around your knees, “Couldn’t sleep.”
“I know,” He says gently, letting the silence hover over the two of you.
He doesn’t begin to say anything else. 
A minute passes. Then, two. Then, five.
It’s somewhat weird to think that just a couple months ago, there’s no way that you could sit in silence with the man beside you and not pick a fight with whatever minute thing you could think of—like how he breathes too loud, or sits too strange. But now, it feels like the most natural thing that you can do.
“Are you scared?” You finally break the quiet.
“Scared?” Doyoung turns his head towards you, “No.” He contemplates for a moment before continuing, “Anxious, yes.”
“Why?” You meet his gaze, “You have nothing to be anxious about.”
“That’s what I keep telling you,” he eases with a grin.
You turn over his words in your mind.
Before giving you too much time to dwell on what he said, he begins again, “After tomorrow, you’d have thousands of admirers. Thousands.”
That puts a small smile on your face, “You’re saying that as if it doesn’t apply to you as well.”
“I wouldn’t care for them,” he follows without missing a beat, “The only admirer I need would be up on that stage with me.”
Mock aversion visible on your face, “Who? Because I’m definitely not one of your fangirls.”
“Yeah, yeah, you say that,” he rolls his eyes away from you.
Once again, the pair of you let the solitude linger around. A shift in mood rolling into the room with it.
“You know what I admire the most about you?” Doyoung’s sudden edge of sincerity rendering you somewhat taken aback.
“No, and don’t tell me,” you struggle to hold back an awkward smile, turning your face to the window.
Doyoung nudges you with his fist against your arm. “I’m trying to be an honest, heartfelt person here.”
“Don’t.”
He looks at you, evidently annoyed by your dismissals. “Fine, you want to know what I hate about you?”
You pause for a second, “Give it to me.”
“I hate that you won’t believe me when I try to tell you how good you are.”
You say nothing. It’s less that you’re choosing to say nothing, but more so that you don’t know how to respond to that.
“I hate that you won’t believe yourself.”
There’s an unseen vulnerability that meets back at you when you turn to look at Doyoung. The feeling that bubbles in the pit of your stomach isn’t one unfamiliar to you. In fact, you find yourself feeling like this more and more as time as pushes you towards this moment in your life. The feeling that Doyoung wholly and entirely understands you. The feeling that you can bare your soul to him, and he wouldn’t shift his ground.
“That’s not true,” you quietly manage.
Doyoung breathes a deep breath, his lips stretching weakly into a curve. He extends his arm out, “Come on,” offering it to you. “Dance with me.”
Singlehandedly, he pulls you up off the floor, leading you to the centre of the room. “Hold on,” he utters as he picks his phone from out of his pocket. Tapping on the screen a few times before a soft melody begins, and slipping it back inside the pocket. With one hand wrapped around your waist, he lines his other hand up with yours. Gently, he folds his fingers, lacing them in between your own.
Rather than opting for all the complex routines you and Doyoung have learned and mastered by now, he begins to guide you through a simple waltz. Just step, step, and step. Over and again, the pair of you orbiting in your own circle along to the soft hum of the music. 
Doyoung holds your hands closer to him, kissing your knuckles. “Whatever happens tomorrow, know that I will be right there by you.” 
His words, for some reason, carries so much weight with them. The phantom touch of his lips on your fingers a reminder of all the ways he’s been with you through this tempestuous happening. 
The moonlight illuminates his back, a bright halo outlining him.
For what might be the first time, you wholeheartedly believe him. 
You can’t offer Doyoung more than a beam, allowing yourself to accept what you know to be true. 
So, you simply melt into his touch, letting him guide you through a waltz in the dark.
⋆˚☆˖° ⋆。゚🦢 。⋆。 ゚☾ ゚。. ݁₊ ⊹ . ݁˖ . ݁
note . . . thank you for taking the time to read this piece of work by me. truthfully, it took so much to write this, and even though it is definitely not the best seeing as i started this project more than half a year ago, finishing this still gave me some sense of accomplishment. that said, whatever your thoughts are, please let me know! i love feedback and thrive on interactions and comments. thank you again!
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grace-williams-xo · 8 months ago
Text
RAMBLING THOUGHTS AFTER FINISHING PART TWO. GONNA ADDRESS MY P1 THOUGHTS FIRST. SPOILER WARNING.
1 & 2: I think Debling could’ve worked in the second half, and I’m kinda sad Cressida didn’t get a happy ending. The Creloise fell of a CLIFF after ep 5 but I think it could still be saved
5: no cishet man has ever loved his wife more than Anthony Bridgerton I’m gonna be ill
6 & 12: kanthony’s absence was felt BAD in the finale, I think their reactions to LW were sorely needed. Also Jonny and Simone have both said they’ll be at every sibling’s wedding and stick around for years but they missed Francesca’s??? Also felt their absence too much then. They’re both booked and busy I think we’ll continue to only get a couple episodes a season from them
8: Francesca did get to thrive happy in pt 2 my baby I love her
9: I think they managed to disconnect the mondrich plot even further like 😭 once again, I don’t mind them their plot just feels very empty
10: Pen and Delacroix CONTINUE to be my fave duo I love them so freaking much and they can never get rid of it
13: Portia’s growth this season continued to be 10/10 I loved her and Penelope’s relationship it really showed what it’s like to be closely related to people you oppose and the process of needing to forgive and understand them for your own peace of mind
14: that was not how I was expecting Colin to find out about Whistledown
15: Marcus felt a little rushed in part two but I think I need to watch the whole season together to fully decide
17: this was indeed the longest 27 days of my life I got Covid day after it dropped lmfao
MY ~NEW~ THOUGHTS:
We finally got character development from Cressida and if they write her out I’ll be inconsolable (as will Jessica Madsen)
I hope they paid Golda Rosheuvel good for her feet exposure. Worth more than titties in this economy
I feel the need to tell everyone that £5000 in 1815 is in the realm of £500,000 today and we cannot brush over the fact Penelope has made herself the equivalent of a literal millionaire
Anthony has two moods ‘I’m obsessed with my wife’ ‘I want to win this game’ like it is comical how drastically different his facial expression is in the game of charades compared to pretty much every other scene
Anthony saying the marriage is perfect and not hard work and Kate being like BOY I will humble you,,,, doing the lord’s work I love her so much
At some points I felt like Francesca was fighting Anthony for ‘Violet’s least favourite child’ award lmao
John saying he’s off to look at the wainscotting was unfairly funny
Cressida in the red dress is even better than I imagined fuck even if she’s not gay then I am
Peneloise back together the universe is healing I love my babies all we need now is creloise lovers and peneloise friendship simultaneously I don’t like it being one or the other sue me
However much Brimsley is getting paid isn’t enough,,,, Hugh Sachs the man that you are
I adored Penelope’s wedding dress so much and as bitter as I am still about no kanthony wedding in s2, it felt kind of right somehow for Polin to be the first wedding we properly see in this show
Most of the costumes and makeup feel like they got worse,,,,, big ‘I hired a 14 year old’ energy. I don’t need historical accuracy but I would like a modicum of care and the costume/hair/makeup dept looking at a single historical reference from before 1850,,,, please
We all got the bi Benedict we’ve been asking for and I appreciate it, and recognise that he needed Tilley to explore that, but I still would’ve preferred if they first main queer experience was not a threesome
If they go straight into benophie in s4 (which idk, I’m so torn bc I feel like F, E and B all could work well next season) then I also feel like bi Benedict was just them throwing a bone for 5 mins but meant nothing
The CONTENTIOUS Michaela Stirling,,,,, I was undecided until I saw it but that was the definition of gay panic from Francesca and it worked so well I am so excited.
As your resident peerage expert, it is much easier for women to inherit titles in Scotland than England so I wonder (not that anyone on this show knows anything) if that was a reason they chose Francesca to be sapphic [general peerage info and female inheritance info if you care]
On the above, if they can canonically end racism with one marriage then they can end homophobia with one marriage as well
We all know Eloise was the easy and obvious choice to be the queer love story but part of me does kind of like them not taking the easy route, and them going something more unexpected, but that doesn’t mean I don’t want Creloise/Sapphic El like they had eight children let’s be honest
Finch’s sneeze and Phillips’s “now Varely! The bugs!” were unfairly funny
Everything Lady Danbury said to Penelope about suspecting her and what not felt very in character and you can fight with the wall idc
Did they tell us the name of Polin’s baby boy???
Hyacinth saying she thinks of Gregory as the family pet,,,,, girl you an icon walking amongst mere mortals
Predictions I got right:
Anthony didn’t kill Colin, but “are you gonna duel your own brother” lmao I was on the right track
I knew Polin would win the Featherington baby race and I love that for them (but why were Prudence and Phillipa pregnant most of the season, barely showing, Kate was showing almost immediately, and then in the epilogue the sisters all had baby’s similar-ish ages???? Give the writers room a calendar please)
I SAID FROM DAY DOT THAT THE FURNITURE THEY BROKE FROM SEX WAS A CHAISE I CANT FIND THE POST BUT I KNEW IT I FUCKING KNEW IT WHERE DO I COLLECT MY PRIZE SOME OF YOUR GUESSES WERE TRULY FUCKING COOKED
Okay that was too long if you made it this far I’ll make you cookie ily
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bisnes-socks · 3 months ago
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i added my thoughts to the takavoltti lyrical analysis here but today i want to talk about why i think takavoltti is one of käärijä's most finnish songs ever.
this got a bit long, so just so you know what to expect going in: what i mean by most finnish is that there are references and tone of voice that are very specific to finland, there is complex use of the finnish language AND there are melodic/musical choices in the song that sound very finnish to me.
okay, here goes.
the dialogue that opens the song is already a sort of key moment to this finnishness of it all. when he says "emmä tiedä, kolisee jos kolisee, mut mun on pakko sit koittaa vetää tosi matalalla" he is doing a bit of a voice but more than that, he is talking in a way that is not quite his. his inflection, the rhythm, those are not natural to him or his dialect. you can hear it particularly when he says "koittaa vetää tosi matalalla". i don't know if it's at all easy to hear if you're not finnish, but it's not.. a serious voice or tone. the other two voices, one of them is modified to be high and the other talks like a sports announcer. the whole scene is quite comedic and it's a very specific genre of comedy that is very finnish indeed. it's also the type of thing he has been doing since always. (EDIT: OKEI MORE CONTEXT IN A REBLOG HERE)
funnily enough, you guys know köpi kallio now, the therapist in skit and autiomaa video? yeah köpi and his long time partner in crime viki are good examples of this type of humour i would say. they have their own podcast/show called viki ja köpi show but before that they were radio hosts and have been working together for ten years. the character voices and the whole vibe of the scene in the beginning of the song is very viki ja köpi to me, very ylex type comedy (yes ylex the radio station who did the ruisrock interview who still isn't back from the war).
and the small comedy bits stay in there through out the song, and they continue to have the same delivery instantly recognisable as comedic.
and that isn't to say the subject matter can't be serious. i think, again, this is something that feels inherently finnish to me. other finnish people feel free to chime in because this is hard to explain, but our culture is one where coping through making light of things is quite normal. and our sense of humour tends to be on the darker side, at least if you compare it to the american style of comedy that has taken over globally. so to make a song about there being too many demands on you and how you have a problem with setting boundaries and agreeing to insane shit, but to do it by interjecting the song with jokes just idk.. it sits in our culture lmao.
i honestly don't know how to explain this better, but quite dark comedic elements like this (after all he gets properly fucked up in the stunts it seems) in a song with a serious subject matter is something we've been doing for decades in this country (juice leskinen, for example) and it is something so loved by finnish people. we love a song that is just fucked up on multiple levels. käärijä is just adding his own style to this cultural history.
okay, onto the language.
the verse opens with "tekevälle sattuu" which is a finnish proverb.
quick finnish lesson: the word sattua in finnish means both to hurt and to happen. the word tehdä means to do but tehdä kipeää means hurting. like.. now that i think about it tämä tekee kipeää = this is doing (me a) hurt is valid and correct finnish lmao.
tekevälle sattuu, the proverb, actually means "things happen to those who do" but he is playing with the different meanings here, because he goes on to say "ain sattuu ku tekee" which can both mean "things always happen when you do" or it can mean "it always hurts when you do". then he goes on to say "ku tekee, ku kipee, ni kipeetä tekee" which is once again playing with words, because kipee here means both pain but also being sick. "ku tekee, ku kipee" would translate as "when you do as if you're sick" and "kipeetä tekee" means that it hurts.
so to recap (i'm not trying to provide a smooth translation, but highlight his wordplay:
tekevälle sattuu = things/pain happen to those who do [things]
ain sattuu ku tekee = shit happens/you get hurt when you do [things]
ku tekee, ku kipee, ni kipeetä tekee = when you do [things] like you're sick [in the head], you get hurt
so this is all to say two things: he's using the finnish language in a very clever way that really only becomes clear if you know the language and all of these idioms and proverbs. and also that he is very good at what he does. it has taken me four paragraphs to explain 13 words.
and he doesn't even end there. "oon yllytyshullu, ain hulluksi yllyn" is more play on words. jesus, jere. okay guys, stay with me.
yllytyshullu i explained in my previous analysis, but recap: yllytys means incitement and hullu means crazy. yllytyshullu is someone who does crazy shit when prompted.
"ain hulluksi yllyn" here he is using the word yltyä which is the same root as yllytys, but yltyä means usually more like.. to intensify. (for example: sade yltyy = the rain is getting heavier, or tuuli yltyy = the wind is picking up)
so to say hulluksi yllyn, he's saying like.. i let myself be incited and/or i always take it to the max, to the point of crazy.
and then he uses very clever rhyming words: "ja tää hullunmylly on kylmempi kylpy". hullu means crazy, mylly means mill, hullunmylly is basically a hullabaloo.
as you can tell, all of this is like bordering on impossible to translate accurately into a smooth translation. and that's just the first verse, but i'd be here all night if i explained the whole entire song 😭
and this to me is a very clear sign that no matter what sort of an audience he has internationally, he's not compromising on his language. and i find that admirable and, as a finnish person, very comforting too. this song is sort of reassuring, like he is reinserting himself very firmly into finnish culture, with the language and the comedy that do not translate very well. 
and if you look at the pre-chorus and chorus, the specific references keep coming: calling him kärtsä (finnish people have a lot of nicknames for him), "hyppää kybäst pommi" the slang use of kybä to mean ten meters, he mentions duudsonit (the dudesons) and he mentions jorvi hospital. all of these feel like he is signalling to a very finnish audience. (also "oon syypää sun hymyyn" could count as a cheek reference, cheek used to be like the biggest rapper in finland).
okay, time for melody and music speak. i only have one simple point here: melodically and musically speaking that has to be the most suomi iskelmä chorus i've heard from him. ever.
you could take that melody and insert it as the chorus to like any song on iskelmä radio. iskelmä is a finnish schlager music genre. kind of impossible to describe but something that finnish people will instantly recognise. the opening, with the piano synth could also open an iskelmä song.
very suomi, very iskelmä.
so.
all of this is why i think takavoltti is about as finnish as it gets. a suomi iskelmä about having serious issues with boundaries that uses clever finnish and paints a comedic picture of a banged up black-eyed käärijä who has dislocated his shoulder but is still showing thumbs up is like.. so much finnish condensed into three and a half minutes.
i know not everyone thinks the song is hilarious but i do. it's both hilarious and very serious and that's how we like it here.
and of course the fact that there is an "ai vittu" in there. we like that too.
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purinfelix · 3 months ago
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HII!! can i request a mistletoe?
So i was thinking of the scene in notting hill where william(random guy) and anna(famous movie star) meet for the first time at the bookshop and later william spills orange juice on her, he take anna to his flat to change and before leaving anna kisses him (idk if i should be more elaborate with the plot help)
maybe you can write something smiliar or with this plotline for franco?
<3 love you
out of reach ᯓ★ - franco colapinto
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w/c: 1.2k a/n: OHHH NOTTING HILL IS LITERALLY ONE OF MY FAV FILMS EVER I LOVE U FOR THIS - this req literally gave me an excuse to go rewatch this scene so tysm (also this started out as a blurb but .... here we are)
this is part of my 1k event - check out the rules here!!
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It was your day off - or at least, it was supposed to be.
You had it all planned out, since being one of the hottest up-and-coming actresses meant time to yourself was extremely scarce. Starting the morning a little later by letting yourself sleep in, then going for a walk downtown through the morning markets and vintage stores, even dropping into a small travel-book store that caught your eye. Not so much because of your passion for travel books but rather for the boyishly charming store clerk who you locked eyes with through the front window.
But that was where you encountered your first issue, when the only other customer in the store recognised you and proceeded to ask you for a signature, while you were trying to pay for a book. Of course, you obliged, but to your surprise, the clerk continued to ring up your ridiculously overpriced book without even seeming to recognise you, or at least, he pretended not to - instead going on a tangent about how, really, your mistake was buying such a poorly written book, though you chose not to heed his advice just yet.
With just the little bump in the road cleared, you were free to return to your perfect day, a fact which lasted all of ten minutes before being interrupted. Only this time it was by a total idiot running into you with a coffee cup full of orange juice - and who even orders orange juice from a cafe? - spilling it all over your white shirt.
You were prepared to lose it until you peeked over your dark sunglasses, a weak attempt at a disguise, and caught the eye of none other than the boy from the bookstore. Immediately he began rattling off apologies, and whilst a small part of you found it a little cute, they did little to fix your sour mood. That's when he mentioned that he, conveniently, lived just a couple steps away from the street corner the two of you were standing on and that you could come over and clean yourself up.
So that's how you ended up here, in the entryway of some stranger's house - a charming stranger, but a stranger nonetheless - soaked in orange juice while he scrambled ahead of you to clean up the mess he lived in.
"Right," he huffed, noisily shoving empty pizza boxes into the nearest bin, "come on in, the bathrooms on the top floor."
You do as he says, offering an awkward smile to show appreciation for him allowing you to come over but also how weirded out you are by this whole interaction. Once upstairs, you hastily change into the only spare clothes you have - being a sparkly top and skirt combo you had been planning on wearing to tomorrow's press tour, but would have to do for now.
As you tentatively climb down the creaking stairs, you're met with the sight of the stranger clearing his dining table - which is covered in half-empty cups and unwashed plates. When he hears you though, he spins around with a bewildered expression, lips slightly parted as his eyes follow you.
For a minute you just stand there, watching his expression as the side of his mouth quirks up into a smile and as strange as it seems, you feel almost shy under his gaze.
"Oh, sorry," he finally says, breaking the silence, "do you want something to drink? Coffee?"
"No, thanks."
"Tea?"
"I'm good."
"Mate?"
"Ma- what?"
"It's from Argentina, where I'm from, it's really good, I drink about two litres of it every morning," he begins excitedly rambling once more, picking up a cup and flask from his counter and bringing it to you. "I know it doesn't look like much but it really flushes you out, like if you eat something bad in the morning just a couple sips of this and you're-" he gestures with his hands to demonstrate the laxative effect of the drink and you can't help but let out an amused laugh as you shake your head.
"Right, well, how about something to eat?" He moves swiftly, setting down the cup to open his fridge and from where you're standing you can just see inside it - though there isn't much apart from a couple old apples and a half-eaten mandarin.
"An apple?" he offers.
"No," you smile.
"Do you always say no to everything?"
You think for a little before replying slowly, "No." He nods, understandingly.
"Well, I better get going," you say. "Thanks for your," you pause, searching for the right word to describe this experience, "help."
leans his head against the corner of his fridge, green eyes on yours. "And before you go, can I just say," he begins and you brace yourself, finally, for him to make a comment about how he recognises you.
"Once you read that book, I don't think you'll be coming back to my store anytime soon, it's awful, really."
"I'll keep that in mind," you say, smiling in relief as you begin to move towards the door, and once he realises this, he moves quickly to open it for you.
"It was nice meeting you," he breathes out as the two of you stand in the doorway, "strange but nice." You nod in agreeance, and in amusement at how awkward he seems - but also how charmed you are by it. Standing there, with seemingly the only man in the world who doesn't see you immediately for the films you've been in or the characters you've played, you feel an intense force drawing you towards it.
And before you realise what you're doing or have the sanity to stop yourself, you're up on your tiptoes, with one arm wrapped around his neck, pulling him into a kiss. He doesn't seem any less shocked by your sudden actions than you do, but soon, you feel a strong arm wrap around your waist.
Pulling away, you let out a quick breath, mostly in disbelief at what you've just done, and when you look at the dazed expression on his face you can assume he feels the same.
"I'm really sorry about that strange but nice comment from earlier."
"That's okay, I thought the," you pause to mimic his actions from before when describing the mate, "bit was a real low point."
He laughs before saying abruptly, "Franco."
"Sorry?"
"My name, it's Franco."
"Well, Franco, it was nice meeting you," you turn to grab the doorknob with one hand but pause to turn to him again, "Oh, and I'd appreciate it if you didn't tell anyone about this."
"Right, of course, no one," he nods eagerly, "I mean, I'll tell myself but even then I might not believe it." You can't help but let out an amused laugh as you slip out his door, and back into the sun of the late morning - and as you do, you're unable to stop yourself from smiling.
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soracities · 1 year ago
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how do you know when you're getting good at poetry? everybody dunks on halsey and rupi kaur's poetry, and i never really got why and idk if that's what i sound like
Honestly, I don't think there's ever a point at which you "know" you're getting good at poetry--I think "good" and "bad" are kind of vague and amorphous (and distracting) categories that don't do much in helping us understand the feel and impact of certain writing, chiefly because they can also be deeply subjective. How a poet views a particular work and how a reader views it will be very, very different because their relationship to the work is different. I also think "good" is a sort of external category that does not (or should not) carry into the act of writing itself--when you make "is this good?" the chief consideration as you write, you're not actually present in the writing: you're focused on the finished product, not the process, but the process is the most important thing: that's where the poem actually meets you. I think growth, in writing, is less about knowing if you're "good" in this regard, and more about being able to have confidence, or simply just trust, in the writing as it happens.
There's a famous saying somewhere that a work of literature is never "finished"--it just stops. I think skill, when it comes to writing, lies in recognising where this point is, in learning and developing how you navigate what it is you want to say, and how you say it. Some poems, eventually, reach a point where you can take them no further and you know there is nothing more to be said in them or through them. Some poems reach a point where you can take them no further, but there is still something left to be said in them. Those poems get revisited, worked, and reworked again, until they (maybe) get close to the first category: this may mean you work on them for a few weeks, or for years--but either way you are prioritizing the process of making the poem, not how it will be received. "Is this a good poem?" in my view at least, is not really the relevant question--what's relevant is "is this true to what I wanted to say?" Leonard Cohen famously wrote over 100 drafts of "Hallelujah"--I don't know if the central question for him here was just a matter of his skills as a songwriter.
Regarding Halsey and Rupi Kaur, I've only been able to read Halsey's poems through previews on Google Books so I don't know what other people's critiques are--based on what I saw, though, I don't know if it makes sense to criticize their quality as "poems" when she is primarily a songwriter and a lot of those poems wound up as songs. I'm more familiar with Rupi Kaur's writing, though, and others like her (Atticus, Michael Faudet etc), and while I have a personal policy of not getting into Kaur online (there's an ask here which is about as much as I'm willing to say regarding my feelings on her writing)--I can get into this trend or poetry "style" as a whole. And to be honest I think the chief issue here with poetry like this is that poetry, by definition, involves a deep and intimate relationship with language: this holds true regardless of whether the poem is simple, or complex, whether it's 5 lines long or goes on for 50 pages. As I said in that previous ask, it's not something you can reduce to a formula, nor is it a matter of mere reportage or a collection of statements: what makes a poem has nothing to do with line breaks (prose poems exist), but everything to do with how the language moves, how the language of a poem engages with its own content, with itself, and, as a result, with the reader.
The kind of work that proliferates on Instagram does not have that kind of engagement with language--they are, to me, pieces of information more than anything else. They reduce language to a series of stock phrases that act, not as actual words, but as images (and I don't mean this in a visually evocative way). It tries to evoke something that requires a thoughtful and sustained examination in order to be expressed, by surpassing the reality of what that examination actually requires. It tries to ape the effect of a powerful poem without the work that goes into actually being able to make that kind of a poem in the first place: and that work is a sustained encounter and confrontation with the language used and its relationship to what it tries to convey, in understanding that words are not interchangeable blocks you move around willy-nilly but that they have weight and intention, that they interact with each other to build up an idea or a feeling or a landscape in the most accessible way (insofar as language can make anything accessible, at least). But this is rarely, if ever, felt in IG poetry because it refuses to recognize or respect the demands and requirements of the medium it uses.
And because it is lacking in this engagement and recognition, these poems are also, for the most part, lacking sincerity--and this, to me, is one of the most crucial things when it comes to writing. I recall one IG poet whose work was in the same class as someone like Atticus, but I also recall one of his poems which genuinely moved me--and it moved me because, unlike everything else on his account, that poem felt sincere: the structure and the language wasn't any different to anything else he wrote, but in reading it, it was not a question for me of whether it was "bad" or "good"--what made the impact was that it was honest: and the difference showed. You can't come into a poem with ulterior motives. You can't come into it without an understanding, or respect, for the language you use. I'm absolutely not policing what people should or shouldn't read, and I'm not saying people are wrong for liking these poems, either, or that Halsey, Kaur, Atticus et al., are wrong for writing them. Expression is expression, and what speaks to you speaks to you. And to be honest, it is a different kettle of fish when you are writing something purely for yourself (and I think allowing yourself to partake in any kind of artform, without worrying about needing to be good at it, is deeply important for the human spirit)--but because they are putting their work out publicly, if we are going to be evaluating what they write and how they write it, that evaluation has to be rooted in an understanding of the art form they intend their work to be a part of.
For me, these are the main issues I have with these writers and their work and why I just do not like them. But I also want to stress that, ultimately, what you sound like in your own poems, anon, does not matter as much as being sincere to yourself does. As I said, I don' like using terms like "good" and "bad" and I think that often they're fairly reductive (and sometimes outright pointless) categories to use when we talk about and assess poetry--more than anything else, the key to building a robust and informed discernment when it comes to poems is to simply just read--read a lot of it and read widely. The broader and richer your repository of poetry (and literature in general) is, the more informed you are when it comes to all the different ways language can move through a poem, and all the different impacts it can have as a result. It deepens and enriches your understanding of all the different ways of looking at something, questioning something, expressing something. Your vocabularly grows and deepens; your net of associations--visual, linguistic etc--strengthens. And when this understanding grows you are able to place the things you read into a much wider and far more informed context. And this in turn allows you to grow as a reader and a writer. I hope this helps you a little, anon 💕
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shinakazami1 · 4 months ago
Text
Transcript of IGN Handsome Jack QnA
This thing doesn't have the whole text but - questions and some of my fav Meg-Jack interactions :^] I tried to write their speech patterns as close as possible
youtube
Transcript under the cut:
0:30: Question: Is Buttstallion the best horse ever Jack : Well it’s my horse. That I made her ( <- FACT CHECK: he bought her) out-out of diamonds, so…
0:45 Q: What it’s like wearing a face (mask - though in video it's funnily shown) J: It’s not a mask, it’s a freaking face! Do people think I’m wearing a freaking mask on my face? MEG!! I’m kidding. You’re cute tho. You know what it’s like—do you ever put a onesie on right out of the dryer? (whisper) it’s like that. (normal volume) It’s cosy. It just feels right. And a cool thing about wearing a face is – you can swap them out with however many people you kill in course of an afternoon or a week or whatever. You get off that face – you put on another one! (laughs mid-sentence) It’s fantastic. I can look at whoever. I could look like you Meg if I wanted to. I might later. Wear your face.
1:43 Q: Boxers or briefs? J: Commando!
1:50 Q: What dead celebrity would you bring back? J: Tom Cruise. (learning he is still alive) He’s not dead. Oh. Well-well let’s kill him and then I can bring him back to life or whatever.
2:10 -2:52 (Off top) J: Where did you get these pretzels Meg: From the Hyperion vending machine J: They’re delicious. (long silence) They’re good. (longer) I promise someone will clean it up – my God that’s what happens If you drink beer at lunch, people!
(….) J: Pandorian, people are dumb but loyal. M: I’m loyal sir. I’m very, very very- J: Nah, so much of this. M: Oh yes, sir.
2:15 (Answer 3:25) Q: Do people recognise your voice in public? J: I’m all over the fucking place. I’m in megaphones, I’m in-in like convenience store, vending machines so—yeah. Yeah uh, I have to say. Yeah.
3:48 Q: Favourite type of weapon? J: What do you think, Meg? M: Uhh-anything that kills, sir. J: Well, I would say Hyperion would be a good start, wouldn’t you. M: (louder, nervously) That would be a very good start. J: There you go. Smart… uh. (Awkward horrible silence he prob wanted to say ‘smart girl’ and im glad he didn’t say it cus Jesus Christ man how much cringe can you spout out of your mouth). Anything made by Hyperion and anything that and anything that inflicts, like you said. Fairness to you. The most damage possible.
4:09 Q: (person wanted a greeting for her cat Tunses) J: Hey Tunses.
4:30 Q: Which Vault Hunter do you hate the least and which the most? J: I try not to play favourites. I hate them all the same. M: They’re all pretty terribl- J: (growling) They’re all equally hateable. M: They’re all pretty terrible. (you go girl say your lines) J: Each and every one of them. M: They all want to kill you, sir. J: God I hate them so much.
(Off top) J: (soft laugh) I enjoy your company M: You would make a great voice actor, sir. J: You know I’ve heard that! Yeah yeah yeah – people tell me sh# t all the time. You know. Like : , uh- I (chuckles) get that you, babe- M: You can cook, sir?! J: I- uh, um, I, uh – yeah. I'm really quite handy in the kitchen. M: Yeah? J: Yeah. M: What do you like to make sir. J: I find it- I find it z-zens me out after coming home and washing all the blood out of my clothes.
5:25 Q: Why are you so perfect? J: I don’t know, ask my mom. (pause) You can’t – you can’t because she’s dead, I killed her – but if she was alive, you could ask my mom.
(offtop) J: (playing the game) Where is my oxygen level? M: So, your oxygen level isssss – where the hell is it? J; Come on Meg – I cannot with your (Meg breaks out laughing) you stupid little sh#t like this (they both laugh) and you’re letting me dooown. M: Oh my God I’m the worst!! J: No it’s right over (chin upfront sounding voice idk how else to call him becoming a goblin) it’s right over there, did your little brain fall out of your head, Meg? M: Sorry, should be on your map. J: (genuine soft sounding) Why am I so mean to you? M: I don’t know, sir. J: (still soft, but cool persona) AAA that’s cus of what- that’s what I do.
J: How does Handsome Jack butt slam? M: I think youuuu- J: Anyway he likes (laughs) M: (chuckles) Yes, yes, exactly- J: Joke right there. Welcome
(…) J: That’s what the hip kid say. Instead of , they say (he becomes sonic and laughs like him). Did you know that? M: No, sir J: Yeah. That’s what they do.
(…) M: (after Jack killed a few monsters) Good job! J: Thank you Meg! Thank you for being such a loyal supporter. M: Absolutely sir: J: Really appreciate you, Meg. M: You do sir??? J: Claptrap (HEEEELP THE TIMING??? WHY DOES HE SAY THIS) M: That’s great. Oh- J: I appreciate you Claptrap.
(…) J: Gotta get some things- M: Yes. J: Gotta get some uh- hopefully some grenades. I love- I love the grenades! I got to say, I’m a huge fan (starts chuckling) blowing sh#t up.
7:25 Q: Is Handsome Jack happy? J: (laughs) That’s a great question. It’s deep, isn’t it? Um, there’s a lot of smiling going on here (chuckle) but really, I’m dead inside. It seems like everything I say has just a weird connotation to it. Some kind of inappropriate connotation to it. (sincere) Did you- did you ever noticed that? M: No, sir. J: Good answer! (laughs)
(Offtop) J: Ah for f#ck sake (kills a skag) M: That’s where you’re supposed to go. J: That’s – so I got to go outside. M: Yeah, you have to go outside. J: So you were right. Before. First time for everything, Claptrap. M: Yes. Yes sir. J: Yes siiiir.
(…) M: You’re doing great, sir. J: Atta girl. (pause) I got- I got to stop saying that. (laughs) Okay (nervous chuckles continue) M: And you got another badass rank so you can use that as well. J: Oh, okay – that’s see- now that is some useful information. M: (joyful and surprised) Really?? J: Yeah!
(…) J: (Asks about a game feature. Ben, someone out of the mic, answers before Meg in a monotone voice) Why is Ben so much smarter than you. Ummm- (nervous chuckle turning into silent cry-laugh between Meg and him) M: I’m doing my best sir. J: Ay-ay.
(…) J: What the f that just happened here. That just- I just picked that and now I can-okay. M: You have- you have- you have multiple. So it-do-does it— J: Oh, you’re God, how do you make so much sense when you say things. (…) J: (talking about enemy name pronounciation) Had to do an r-roll with that criiiticic crrrretin (??? im sorry I cant hear it well 9:15 pls help ) M: That’s very – that’s very fancy, sir. J: Mmm. You know what I am? M: What are you? J: I’m so fancy. M: You’re- J: I’m schmancy. (Meg snickers) You cut that one out too, Ben. That was- that was some bullsh#t (laughs) M: You’re so fancy, we already know.
(…) J: (About game dialogue) I don’t know who that is but I find them (emphasis) extrrrRRREMELY annoying. M: Oh they are the Vault Hunters si- J: (immediately) God they’re f#cking annoying, aren’t they. M: They are really, really annoyin- J: I feel like they’re trying too hard, that’s the thing. That’s the thing that’s standing out for me here. M: Yes, I think you should kill them. J: It’s one thing to be naturally funny and then there’s another – it’s another thing to- to be like – you know what I mean like – put yourself out there too much, feel like you’re overcompensating is the world I’m looking for. M: Don’t think you have to worry about that at all. J: (smooth convo swap) You know what I’m liking the most about this game? M: What do you like- J: The lack of Claptrap. M: Oh-uh, well, he is, he’s in here, if you want to- J: Listen, that’s fine – I’m in a good mood run right now, you don’t have to ruin it byyy talking about how I’m going to run into Claptrap. M: (silence) Okay sir. I’ll be quiet, sir. (pause) Yes. (pause) OH!! There’s Claptrap (in-game) Claptrap: HELLOOO- J: Oh you little son of a b#tch. Welcome to the pit of pseudo-solid sorrows, that is some alliteration. That’s a literary term for (long sign) all you people that didn’t finish school. Meg. Arena – of, partially see-through Triumph, the Hippodrome of marginally tangible everything else. (quieter) Do that make any sense to you? M: (joyful) No sir.
(…) Axton (in-game): Is it going to be a LONG story? Gaige (in-game): Yeah, just give us the Bluff’s Notes. J: (Jack is mimicking Axton’s voice) Wait, is it going to be a loooooong story? M: Yeah, they just keep talking- J: Axton is a handsome guy. M: Kinda looks like you sir- J: A little TOO handsome, if you ask me. M: He’s not as handsome as you. J: Well- I mean (chuckles) good luck with that, right. M: I mean, he might sort of be but- J: Oi! (pause) Slow your roll, sister. All right – wait, I was too busy talking, cus I love the sound of my own voice, now the f#ck am I doing? Am I loaded for bear? (Meg is trying to talk) Oh wait- M: I feel you are. No, you’re full (on amo), oh- J: Oh yeah, okay. That’s what she said. (immediately quickly nervously) Joking there. Okay if you want to, TAKE IT MAG feel free take it. M: No, that’s- J: (forceful) TAKE the joke, MAAG. M: I-I- J: Take the joke or you’re fired, Mag – or wait actually – take the joke or I’ll set you on fire, Meg. M: (playful) That’s what she said, yeah? J: God it just-it just sounds so much better coming from you for some reason.
(…) J: I think living on the moon would kind of suck. M: Why? J: I mean uh- I mean if you had to run like this all the time, you’d think it would be more advantageous or better than uhh, running –uh, say with like, uh, gravity? M: (smacks lips) Yeah, but you can do- J: Yeah but gravity Meg, is something it’s-it’s a force of energy that keeps the- it’s the Earth and the moon create, and it keeps things on the… neverm- ff, M: That was a great explanation, sir. J: (defeated) That’s fine. M: I have no idea what the hell you just said. J: (chuckles) It’s really – it was really scientific, wasn’t it? - M: It’s a thing! J: It’s a thing with the… M: I think it’s a good place to wrap this up.
(….) J: You want to do another-another thing? M: Uhh, I don’t, I don’t think we have time to do another thing, sir. J: Is that because I’m so busy and important that I have to go do stuff that is, I have people to do, and places to see- M: You’re- J: Places to see and people- I mean, places to go, people to see, things to do. M: All that. J: Yeah. M: All that more. J: Correct (laugh) Well listen, kids, first of all – you’re welcome, because this has been a real treat. Sorry about- what was your name again? M: Meg. J: Yeah, she tries real hard but uhh- let’s face it. Uhhh I don’t know. We will see. M: Thanks. J: You still might get a retirement package out of this. M: Oh- that’s great. That’s uhh- J: But it’s been a lot of fun, will go to build homeless shelters, and, (pause and rapid speech) dig wells. M: In Africa. J: Yep. M: And by Africa, we mean Africa on Pandora. J: (giggle) Yes.
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5hrignold · 27 days ago
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notes/remarks about jax in episode 4 (it’s a Little Bit long)
-its kinda believed that his only moment of trying to be a tiny bit better to interact with in the episode is when he asks pomni how she is after everything but i feel like even the beginning of the ep suggests him doing this . this has been stated 6000 times but he was making an attempt to participate in something with teaching gangle how to play baseball, and when ragatha got pissed at him for breaking her comedy mask he went “why are you always making me out to be a bad guy???im not a bad guy” and then when he follows gangle into zoobles room he just seems relaxed and docile, he keeps smiling throughout the entire interaction even when the focus isn’t on him, and he only ever looks annoyed when caine barges in . not necessarily jax-related but i noticed that was what happened in ep3 too! everyone just hanging out together and actually bonding on purpose and it being interrupted by caine taking them on an adventure. it’s interesting to me idk
-he’s put off by the direction of the adventure right off the bat. after pomni raises her hand and asks caine for a less intense adventure he’s frowning at her because in his mind she just ruined what sounded like a really fun violent thrilling adventure - especially after the way hes been kind of disappointed after the past two ones . despite this he is back to smiling and joking again by the time the suggestion box is brought up
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his pout and angry eyes r so fucking cute god help me
-the part where zooble replies with “good” after he mockingly says that their submission was genuinely hurtful is special at least to me cuz it’s one of the only moments where instead of flat out ignoring it or getting angry at it, jax actually recognises and engages with someone expressing their distaste for him. and also onto a more possibly nothingburger thing that drives me crazy regardless that got pointed out to me through a youtube comment
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this. this cycle of expressions here? if you squint really hard you can see the moment his feeling are hurt with your own two eyes!!!! at first i thought the comment was just about him looking down at gangle, but it’s actually the thing immediately before that where his smile drops slightly and he looks down, and then back at zooble for a split second. extremely small thing that might not even be real that i probably wouldn’t have noticed for ages if ever but regardless. Drives me up the wall. also this maybe possibly puts the “genuinely hurtful” line in a different light. i personally think that was actually just him joking and not really thinking about it though
-his “im really doing this” look. also the fact that he even went into it willingly gives me some questions like. does he actually just never skip on adventures ever no matter what they are just because he would So strongly rather not be left alone. did he see what happened to zooble and just assume the same would happen to him if he tried to get out of it
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-it’s cute to me how fast he was to try and derail the adventure like he was probably calculating and remembering everything he knows about kitchen hazards/accidents and stuff. imagine all the fun he could’ve had with that if he was left uninterrupted
-it hurts
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-he probably would’ve said “what are you gonna do about it though” as a response to anyone here but also this was definitely more initially enticing to him because typically he sees gangle as the one member who’s the most defenseless against him and will mostly take whatever he does. now him saying this was either him being like lol imagine YOU actually doing something to stop me; or a genuinely curious invitation as to what she was actually going to do after saying that. but either way whatever it was gets almost completely shattered after he hears caine agree to put a punishment in place, followed by gangle giving jax his first orders of the day. i deeply enjoy how genuinely unnerved he looks here. like i can imagine hes probably never been in a situation quite like this since he entered the circus -which kinda connects into another thing with jax in this episode that i think about a lot that’s just . was this entire episode how he felt in his real life before the circus. it’s pretty much a given that he could not and did not act at least exactly the way he does now in the circus in his old life, especially considered how he was still like sorta fresh into adulthood before getting trapped. this ties very very very deeply into my personal ‘jax cannot function in the real world is prone to becoming depressed and aggravated when he’s tested to even the smallest conditions against him’ belief. before this the only real support for this was how moody he got in ep 2 but the way he reacts to his circumstances in this one just. absolutely takes the cake im so fucking grateful
-“we wait until after hours for that” and then he immediately looks up at the clock to see how much time he has to wait until he can freely talk about how hates this one guy. Pointless animal
-i like how deadpan and honest he is in the scene leading up to the reevaluation where he’s talking with gangle. like he’s not in the mood for playing with the others but he’s not completely exhausted and flustered yet either he’s just. normal. neutral. extremely rare and specific angle of him we probably won’t ever see again. it’s like a complicated and intricate dish of food that you have to like wait until a certain time of year to be able to prepare. the “i like you better when you’re sad” is at least in my mind and my perception of him, the one single time in the show where jax’s behaviour is sincerely meant to be mean and malicious. there’s no jovial tone to it it’s not meant to be funny even to him, he just says it so flatly and with such purpose that it’s so obviously true, almost to the point where it feels like he didn’t even mean to say it but he sure did. this moment could also demonstrate the barely-theory of jax acting worse and more cutthroat the more bored/upset/angry he feels himself. extremely good moment of him Just being an Asshole with no fun side to it whatsoever . there should be more of those i think and there probably will be
-nothing to say about the reevaluation itself except that the flashing makes it pretty hard to see but you if you like zoom in / look closely you can tell that he’s quivering and his ears and eyebrows slowly lower. it’s way way clearer to see if you find the behind the scenes video for it and look there cause it doesn’t have the flashing. Personally i lost my shit when i first realised this and also i lowkey think this scene may have been my awakening for him being my favourite it just took about 3 weeks to take root
-the part where he gets out and sees the clock hasn’t moved at all is the first time in the show jax has actually raised his voice like Ever. hes never once reached the point of yelling at someone out of frustration before this
-i actually think he was super affected by ragatha saying she hates him while on the stupid sauce. both this and the moment with zooble earlier on in the episode supports the idea that he doesn’t exactly understand that the others mostly dislike him, or at least tries to never ever think about the possibility of it. him concluding that she’s drunk or something and stepping over her was both a tiny sarcastic remark and also something to make himself feel better and give a sort of explanation for why she said that. like oh surely that’s not how she really feels about me! no Pal
-AGAIN. everyone and their mother has talked about this but the part with him going up to pomni and asking how she is is like. I view everything as being evidence but this is like the most explicit “there is no other explanation other than this” evidence for the idea that jax almost solely relies on the other circus members no matter what the nature of the attention/reaction from them is. he purely seeks out anything he can get from them to feel seen and noticed and real. the most peculiar part of this interaction to me is that he doesn’t spin it around to talk about himself really except for the “wish i could say the same” statement. like you would think he’d be like Ughhh my day has been awfulll but no he apparently just wants to know if pomnis good? ???? thats the one thing that sorta perplexes me here lowkey
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ropebunnykant · 25 days ago
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aw, man. i actually don't like conflict or negativity, and i hate that some ppl seem determined to pit the couples against each other in the first place, but i've seen/read two things in particular today that have got my hackles up (the poll being one) so i'm gonna say it: i don't think i've seen a single post that enthuses about kb at the expense of fs (maybe one anon but that's bout it), whereas the number of times scrolling through the tag i've seen ppl feel the need to crow about how much more invested they are in fs, how fs are carrying the show, etc. - yes, we all vibe with different characters/dynamics and that's fine - vibe away! nay, enthuse away! but, shocker, you can actually do that without invoking your lack of interest in kb (which, frankly, is your loss!). and, since i'm being blunt, there are, imo, two fairly obvious main reasons for the scale of the disparity (so beyond general variation in taste), and neither are particularly flattering for those in question, so i'm not gonna say them out loud! and that's because i recognise some things you can just keep to yourself, and that way everyone gets to have a good time! sorry to be bitchy, but when stuff like that is in the general tag it's hard to avoid, and even though i know i should just brush it off (cos everyone's entitled to their wrong opinions!), it gets me down nonetheless.
yeah, i'll never understand the need to pit them against each other for one reason or the other tbh. like you said, everyone has their own feelings and opinions and sometimes you're just gonna be drawn to one couple over the other, or one character over the other! i know i personally enjoy both fadelstyle and kantbison, and i adore all of our main four characters in their own ways. it's funny cause in the first few episodes, i was sort of flipping back and forth in terms of who i was more invested in, which was honestly a shock to me because while i have enjoyed joongdunk in the past, their shows and characters haven't compelled me in the same ways that firstkhao's have, so i went into thk figuring that they would be the ones to hold my attention the most. and while that did end up being the case, fadel and style have ALSO become beloved to me in their own ways and there was even a period in the beginning of the show where i was MORE invested in them! but kb have definitely captured my attention the most and again, it does just come down to personal taste - i find the layers of their story to be personally more compelling, and i find kant's character specifically to be incredibly fascinating because of the absolute lack of agency he really has in anything he does up until now.
but again, it's all a matter of personal taste. i recognize not everyone is going to view these characters the same way i do or have the same attachment, and that's okay! and it's very odd to me the way that a lot of people who prefer fs will choose to hate on kb or flaunt which one they prefer more. like if you post about the things you love, we'll get the message either way without you needing to bring down the other pair and make others feel bad for enjoying them. i don't think anyone before now has really questioned which couple i prefer, but the only time i ever actually acknowledged that (outside of this ask) was to say that i was SAD fs didn't interest me more because i do genuinely enjoy them as characters, but kb take up so much of my brain that i just can't focus on them as much.
and it's not to say if you wanna be a hater, you can't be a hater, like that's fine. but at the same time idk. people that DO like those things don't wanna see that when they're just trying to enjoy the tag of their fave show, yknow? but that's also why i at least prefer to keep to my dash instead of going into tags, cause i prefer keeping it to those i trust to keep it tasteful than those that will go into main tags and shout their hate for things from the rooftops sjdfsdkj
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pixie05love · 2 months ago
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I've read 287, and I wanted to ramble about Igaguri and Isagi because... I got nothing else to talk about from this chapter besides that, honestly (the loml Ness has not made his comeback yet, I want to scream and die)
I wanted to yap about these panels:
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In this chapter, the art style peeked here imo. Finally, Nomura put some respect on Igaguri, and I liked it since he's always been more of a comedic relief than anything else. So, I'm glad to see how seriously this scene was taken in the visual aspect. It helped to make me feel bad for him.
(Sorry guys, I don't hate him, I do find him a bit annoying at times, but, well, that was his purpose, i think? he's also part of the cast, so he has to have his moment, too. Let the monk have a few panels before he leaves)
I also liked Isagi's words for him, but...
I had mixed feelings with this line in particular:
"I'm only here because you were here."
At first, I thought it didn't make any sense for him to say that because... did Isagi and Igaguri really have such a strong friendship? Or did Igaguri impact him that much for Isagi to say that?
I tried to think of relevant scenes between them and compared them with other characters like idk Bachira, Rin, Kaiser... because I think these characters were more impactful on Isagi's character than Igaguri.
But I thought it was an unfair comparison.
Except for Bachira ofc, Rin and Kaiser are not Isagi's friends, and unlike Igaguri, they've never got to see Isagi grow to the one we know now. I think this is why we don't doubt Bachira's friendship with Isagi since they've grown in this together. Therefore, it's only fair to accept that Igaguri also had some sort of friendship with Isagi just... not as strong as with Bachira, I suppose.
Igaguri had been with Isagi since the very first day they got in Blue Lock. They saw their most pathetic side when they realised they were the worst players, they saw eachother fail matchs, they shared their questionable for a growing teenage meals, they also worked to reach higher positions to play and train together again on the NEL with the number one striker Noa... They practically saw each other grow! (yeah, I'm surprised too that Igaguri made it to here, but if Noa substituted Kunigami for him, it must have been because he, for once at least, saw potential in his plays [the foul tactic worked on RIN two times so... I think we can say he worked hard for that moment xd])
They did share moments together, and if I'm not wrong, I think Isagi came up with some tactics while training with Igaguri (I'm sorry, I don't remember how exactly the scene went. I just have a vague memory of it happening :/)
What I'm trying to say is that, in this scene, I think Isagi was acknowledging Igaguri's value as an individual.
Just right after Igaguri was begging Noa to let him stay because he hadn't any value in the market yet, meaning, he was worthless (because that's what a capitalistic society wants you to believe, so you think of ways to explotait yourself to move as much money as possible for them). Just when Igaguri's fate was scripted again by another superior figure (Noa) like his parents did with him (or God fated for him, as you wish to view it), enforcing this sentiment of worthlessness on him:
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Isagi comes to pat his head and reminds him that he does have value for him. Isagi recognises Igaguri, despite Noa's words or the numbers on the charts, because Igaguri's individual made his possible.
Honestly, I think that resonated a lot with me. These kids are being treated like any other product from the market, expecting them to rationalise all their actions in order for them to detach their feelings from everything they go through, making it easier to manipulate them into accepting this materialistic view of the sport that gave meaning to their lives.
So, Isagi (the one who now calls himself a machine that only wants to score goals, victim of said society) reminding Igaguri that he is not worthless and that he's actually glad of meeting him despite what the world may value or not from him... idk but it was SO emotional!
I think everyone must have felt, at least, a tiny little bit bad for Igaguri here.
Although, I do think they should have had more scenes together, and Kaneshiro should have explored more Igaguri's characters because religion and fate are very recurring themes in bllk
It would have made their interaction even more emotional and meaningful. I think this is why it threw me off at first. Igaguri was not AS impactful to Isagi as the scene tries to make us believe... (unless I've forgotten some scene between them that proves otherwise ofc)
this sucks tbh because I don't think we'll see Igaguri again after this one bruh
I still think their moment together was good. Nomura did amazing, Kaneshiro could have done with Igaguri better IMO
but that's it. I don't think I added anything valuable with this post but I wanted to get this out
Have y'all a good day, evening or night<33
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ii-meeple-confessions · 14 days ago
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Cobs is obviously a terrible person and I hate him (As a character.but as you can probably tell I love his writing…ouu) But I think people aren’t really seeing the bigger picture.He’s a lot more than just some evil guy who is evil for the sake of being evil 
Well like yeah he’s absolutely awful but nobody really goes in depth about just how sad and hopeless cobs is. 
Cobs’ job is literally all he really has.He doesn’t have a good relationship with his parents, He doesn’t have any friends, no people he cares about, so all he can do (or at least all he thinks he can do) is dig himself deeper into a hole as he becomes more corrupt and powerful and just. more unforgivable.And that’s really sad.It really bums me out when a character is unforgivable because I know that it didn’t always have to be that way. 
Yeah to add onto that, just the thought of being deemed irreedeemable is absolutely horrifying because you literally cannot ever come back from that. 
Maybe cobs knows that he’s gone to far but recognizes that he can’t really ever be forgiven so he just doesn’t even bother.Or maybe he jus doesn’t care 
I wonder at what point in time would cobs have been able to actually better himself. Where he could even have been considered a good guy. A time where he could have been actually able to change and grow as a person and fix his mistakes. A time where he was just a corn that’s passionate about tech who had good intentions and wanted to be the guy to make these amazing advances in technology. That time was probably before he created mephone3gs because of everything that happened with the shimmers 
Since his job is all Cobs has, the thought of losing it must be horrifying to him because then he will have left nothing to do but face the consequences of everything he’s done and recognise just how terrible he is. And he doesn’t wanna do that. Kinda similar to how Mephone tends to hide his true feelings behind the reality show; so once everything was gone he began to finially kind of reflect on everything and start to really wallow in his guilt and misery. (Though mephone isn’t nearly as bad as cobs because he’s at least redeemable!!!) So when cobs started to be all scary and lash out at mephone after warning the shimmers I think there was also a lot of fear behind that anger.He’s sooooooooooo becoming desperate because he CANNOT lose the one thing (his job) that makes him feel like he’s still holding onto his sanity.his morality
Cobs is one million percent repressing every single emotion that could ever make him feel vulnerable. But those feelings of guilt and maybe even feeelings of longing for a sense of comfort or desire for things to turn out better would rise to the top once the company begins to flop. (Doubt he’d make an effort to change though)And as we see in the show, Meeple as a company was kind of falling off anyways!!!!!!And he didn’t like that!!!!!like dude nobody wants your products anymore!!!!!!!!!!!My guy even tried to yoink mephone’s show jus becsuse he thought it would help the business. EUGGHHHGHHH he was really becoming desprate 
Idk man I just think he’s sad 🙁 Typing this up in my notes app really late at night sso it may not make sense idk.proofread it like 3 times though so hopinv it’s an okay analysis 💔honk shoo mimimimimimi
Cobs makes me so sad though and I really wish people would think about his character a little deeper because he’s more than just some evol guy who just doesn’t gaf about anyone. (SAD evil guy who doesn’t wanna gaf) 
I really like to think about what makes bad people, well, bad people. Cobs makes me ponder a lot.Makes me have thoughts that i think about thinkingly
For the record NONE of this is AT ALL an excuse for what he’s done .Cobs SUCKS and i’m so glad he didn’t get a redemption arc because that would have been BORING and he doesn’t deserve it.Make that man evil and tragic forever ‼️‼️oh wait nvm he’s dead!!!!!!!!!!!!!(I yelled hip hip hooray when he exploded i hate that guy)
-Dreamer anon 
^ I have sent like a million katrillion messages on tbis blog so maybe i give myself a name
.
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casscainmainly · 21 days ago
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If it helps at all, I've never gotten the impression that you hate (or even dislike) Bruce. In fact, I usually get the impression that you have a pretty deep appreciation for every character I've seen you discuss. I really appreciate that your approach to meta analysis seems pretty balanced and fair to all of them, even when you're criticizing them.
Do you have any thoughts on the fandom flanderization of Bruce into the sweet, openly demonstrative flawless father of many? Because it makes me absolutely rabid (and, frankly, probably colors my feelings about him, because it makes me want to hyperfocus on instances when he's a terrible dad)?
I would ask your feelings on the flanderization of Cass, but I think fandom Cass is actually just a black hole of absolute nothingness moreso than an exaggerated parody of her actual self. There's almost nothing of her left to analyze. Flanderized Steph at least has happiness and waffles, as meager as that is. Cass is just sort of... there. Sometimes.
This is really nice, thank you <3. I just find conflicts more interesting when it's not 'one side is completely wrong'. Idk with a medium like comics (where you can read most characters' internal thoughts), it's especially fun to seek out every characters' motives and try to understand them.
As to your question, I don't hate Good Dad Bruce on principle - for many people fandom is escapism, I totally get people wanting cute fluffy father stuff. It's when people claim Good Dad Bruce is the only correct interpretation, and that everything else is OOC or 'bad writing', that it becomes a problem. I think a lot of people (myself included) like the Batkids, so it pigeonholes Bruce into the 'father figure'. Good Dad Bruce is not interested in Bruce Wayne, but only Bruce-as-father-to-my-fav. It's unfortunate because at some point it's not Bruce anymore. He's a character so deeply informed by trauma, glossing over his trouble with expressing affection and parenting reduces him into a really empty character.
Good Dad Bruce and Bad Dad Bruce are two sides of the same coin, an unwillingness to engage with Bruce's complexities as a person. It's not as insidious as 'angel Cass' / 'normal Duke', but perfect Bruce is an example of fandom being unwilling to let certain characters mess up before just demonising them. He's either perfect or irredeemably evil. A lot of fandom skews young too, so I think there's an element of struggling to humanise a parental figure. It's a shame because Bruce's good dad moments work better when you do recognise his flaws. Those moments in comics are all the more sweet because they're not constant, because it's Bruce struggling with himself to give his kids the love they deserve. Acknowledging the struggle makes him a better parent to me, honestly (just because it shows it's not natural to him, he has to try really hard).
So yeah I agree with you, and honestly Good Dad Bruce ruins the characterisation of almost all the other Batkids (Cass and Jay in particular). Hope that answers your question! As bad as Good Dad Bruce is nothing is touching therapist/angel Cass for how much it raises my blood pressure!
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chipped-chimera · 5 months ago
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Aquarium update - I have a Betta again! Got kind of burned last time so I travelled wayyyyy north from where I am to get her, along with some cories. It's been about two weeks since, judging my water changes (do about 25% a week, not because the water needs it but more because any longer and my filter gets gummed up) and she's been doing really well. She's changing rapidly, but she was very juvenile when I got her (like literally only a bit bigger than some of my green neons which max out at 3cm) which I expected, since marble gene. The contrast of a few weeks though is kinda nuts.
Not quite named yet, since honestly I was so burned from last time (RIP fish Karlach 😔) that I've been hesitant to name her or even share anything about her online. Also because I literally have no idea how she's gonna look in a few weeks as she matures.
I was thinking maybe Arita or Imari since her patterning reminds me of Asagi Koi and Imari-Arita Ware ceramics? Leaning towards Arita since it sounds a bit 'sassier' I guess (idk, vibes) and she definitely is that. I'll take suggestions though!
Anyway more fish rambling below -
Honestly I was so hesitant to get her, but I was already putting in replacement Cories after a mystery disease decimated my Corydora population, leaving my admittedly kind-of-fat female Three Lined solo. Whatever contagion was in the tank is either gone or dormant (since a lot of fish disease I know is entirely reliant on how stressed a fish is - they can still be a carrier but completely fine) after basically doing every treatment I had at my disposal. I think it was a mix of parasitic and bacterial, maybe fungal? Hard to target given all my tank tests consistently returned a big fat 0ppm for all the bad shit. My tank is about as clean as it gets - I only change about 25% weekly and that's more to clean sludge out of the filter, it never really needs it. Admittedly some of the deaths I contributed to because I wasn't aware how much my tank PH had changed over the months (test your PH regularly guys), apparently the huge chunks of wood have exhausted all their tannins cause I've gone from acidic to more basic. It seems to be holding about 7.8, apparently related to the Seiryu stone in there. Basically water changes caused the PH to flux to much, contributing to stress for the Cories. Yeah I feel bad but I'm also not blaming myself since a. Literally first tank b. I am learning the fish hobby is really annoying for consistent information. Like literally information that doesn't contradict itself half the time. A lot of that is the reason why I've been slowed down in figuring out what is going wrong and that ultimately has resulted in a lot of loss.
Important part though is everyone seems to be doing fine, and I've learned enough now to maybe recognise stuff a lot faster. One of the Pandas, after my first water change developed a big fungal streak down it's body (I'm guessing it scuffed itself in a panic somewhere) but had that treated easily within about 3 days with just Pimafix. No seriously, they're doing well. Well enough they apparently spawned? Saw the betta striking some mystery thing on the glass. I thought it was a freshwater limpet (they've been in there, just haven't seen them in a while) and realised no, actually an egg. Not opposed to this since I'm pretty close to stocking limit (at least in a regular, unplanted tank) so I'm down for the population control.
Betta really is a little predator though. She's honestly weird for a Betta in that she doesn't show interest in food. At all. She might nibble at a fallen bit but couldn't care less about anything I put on the surface or during feeding time. Been monitoring her weight, and she's definitely not underweight. Guess I have enough random critters in my tank (Planaria, about a million scuds since my last-ditch effort treatment to save a Cory decimated my shrimp population. I lost my favourite orange/red shrimp too 😭) to sustain her? Worry is of course I need to re-establish more shrimp. There are some left but nowhere NEAR what I had before. I've seen her chase a few who appear, she definitely has them on alert but they tend to be too big for her anyway. And too fast. Juveniles though ....
I do have a HUGE amount of hiding places for new, young shrimp (just moss. So much moss) but I think I'll maybe raise them in a netted isolation box until they're big enough that she's no longer a threat maybe? Idk. That or I get technically-not-allowed Cherry Shrimp from someone local, since they tend to be adults. Juveniles are kind of my only option at my local store.
Anyway that's the ramble!
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ca-suffit · 7 months ago
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what are your thoughts on lestat/gabrielle bc parent-child incest is always abuse yet sometimes it feels like fans treat that r/s and akashastat as jokes, maybe bc they can’t recognise female abusers or bc they don’t understand abusers (i.e. lestat) can be and often are victims of abuse themselves.
I already know this is gonna be a rly long reply bcuz there's a lot to talk about to answer this.
gonna put it under a cut for what the topics are. don't click if u don't want to read about incest and abuse obviously.
first, as I've said in other asks here and there, fandom does have a lot of problems with criticizing at least white women in fiction bcuz it's too much of a mirror held up to what fandom spaces are usually made up of to begin with. this is also why darker topics become jokes. it's all a way to create distance for engagement, whether the distance is not to look at urself or maybe ur own trauma (it's usually both here). I've seen a lot of this in the book side of the fandom over the years. it's also why lots of stuff is focused on surface level words ("it's gothic fiction," "they're all monsters") instead of any in depth exploration.
secondly, not to sound like a shitty book person, but incest *is* a major part of gothic fiction. the intention *is* to be repulsive, horrifying, and taboo. ppl should obviously take care to avoid topics that u find overwhelming and might harm ur mental health, but otherwise this *is* part of the genre.
lestat and gabrielle also....don't rly get that much into it tbh. the fandom makes it sound like more than it is. idk if the show is gonna make it more but I doubt it. although there was a dig about it in the trial script that I never saw anyone mention btw
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"if u want to kill ur lover, or fuck ur mother, it'll have to wait."
I personally find the shifting power dynamics between human life and vampire life to be rly interesting. I don't think it's something the books explored enough tbh. bcuz lestat and gabrielle are the only vampires who came from being a human parent and child to the child then becoming the vampire parent to his own fledgling vampire mother.
it's clear in their human life that their parent / child boundaries are fucked and tbh that's the worst part for me. especially bcuz the fandom doesn't want to explore that bcuz ppl don't like to criticize gabrielle, as mentioned above. her life is awful so ppl give her a pass a lot. but she starts off as the human parent and she's a p bad parent in a lot of ways tbh (cuz she never wanted to be one).
anyway. I always saw the vampiric era incest as a metaphor for their broken relationship otherwise. like I said before, the fandom makes it sound worse than what even happens too. they never fuck each other. at most they kiss and think or say things that are inappropriate about each other's bodies and their feelings towards it, but modern day stories have had a lot more brutal depictions of incestual relationships between mothers and sons tbh. not saying that to downplay it or say "get over it" or w/e but just to touch on that, cuz it does get weirdly annoying here about it sometimes. ppl act tough about their love of "gothic fiction" all day for other topics in the books that are rly more graphic than this, then act like this is the one thing that goes too far? It's fucking weird, although I have theories about why that happens too.
back to the point tho. they're kind of a "failure" mother and son in life, so that's how I tend to read why this happens in the first place. lestat wants a mother and gabrielle wants to be a man (she directly tells him at a point "u are the man in me").
this is from TVL, before he leaves for paris (when they're both still human)
"I tried to take her in my arms. She stiffened at first but then I felt her weaken and she melted against me, and she gave herself over so completely to me in that moment that I think I understood why she had always been so restrained. She cried, which I'd never heard her do. And I loved this moment for all its pain. I was ashamed of loving it, but I wouldn't let her go. I held her tightly, and maybe kissed her for all the times she'd never let me do it. We seemed for the moment like two parts of the same thing."
after he makes her a vampire, they're kissing each other a lot in that first night. lestat saved his mother from dying and created his first vampire, which he wasn't sure he could do, and she isn't sick anymore and has more freedom than she knows what to do with. she's no longer his human "mother" either. he mentions a lot in these moments that there's no hesitance when they kiss each other like there was before. bcuz they're both happier in their individual issues and this is how they can express that as vampires now. he feeds her blood from his mouth later on in their first night and it comes across like more of a nurturing action than something weird and sexual.
so there's obviously incestual themes present but, to me anyway, this always felt a lot more sad than anything. like they don't know how else to meet each other's needs so they do this as vampires to act out a type of intimacy that otherwise they don't rly have still?
but ya. lestat did not become who he is from nothing. both his parents were abusive in different ways and akasha abuses him too. he constantly has vampirism forced on him against his will and tries his best to ignore how it makes him feel, especially about his own body. he has a lot of trauma attached to how he looks too and it's a whole thing. gabrielle and magnus tap into that in ways too.
fandoms don't rly like to look at cycles of abuse bcuz it's easier to say someone is just "bad" than to feel like maybe ur a bad person too if u sympathize with them. that's why ppl here are working hard to usually make any of these characters either the abused or abuser, depending on which side they relate to the most. it's almost always a combination of both in everyone tho.
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