#idk if you can even call it a relationship

[fxstpace]

nice boys don’t kiss like that

summary: when your former rival chances upon your diary and reads all the unpleasant things you’ve written about him, he takes it upon himself to change your mind.

pairing: kim mingyu x fem!reader genres: fluff, developing relationship!au, rivals to lovers!au, pining, kind of suggestive? idk word count: 3.3k

↳ warnings: profanity, making out ↳ a/n: inspired by this scene from bridget jones’s diary. reposted from my old account.

It is on a twilit Saturday evening, at precisely 7:01 P.M, that Kim Mingyu is accosted by a notebook for the first time in his life.

He lets out a startled grunt and finds himself with an armful of things—a denim jacket, a crumpled grocery shopping list, an empty box of Tic Tacs, a woollen beanie with a questionable brown stain he thinks is ketchup; all presumably from whatever depths of your drawer he can see you hunched over, searching for something that remains stubbornly elusive. The offensive projectile whizzes past his shoulder and lands on the polished wooden floor with a thud.

Mingyu stands at the doorway to your bedroom, having bypassed the living room and hallway that leads to the kitchen in favour of pressing heated kisses to your cheeks and collarbones. He watches you, bemused. A few weeks ago, he might’ve laughed at your frazzled state with derision. Now, he still wants to laugh, but more in an affectionate way.

You turn around swiftly, nearly tripping on a stray stocking on the floor, and he bites back a smile when you mumble a string of curse words under your breath. 

“Hi,” you say, breathing heavily. “I’m really sorry.”

Then you slam the door shut on his face.

Well, Mingyu thinks. This is the first time a girl’s closed the door when I’m in her apartment.

Faced with nothing else to do except wait for your arrival, he drops the Tic Tac box on the floor, hangs your jacket and beanie on the back of the sofa, and almost stubs his toe on the corner of the notebook.

Wincing at the close call, Mingyu glares at the book like it’s the cause of all his troubles. DIARY, it reads, embossed in ornate gold letters. The cover is a rich shade of red, rough and leather-bound. He picks it up; it’s rather heavy, and judging by the frayed corners and the random bits of paper poking out of the sides, it seems to be quite old too. Regardless, it is well-cherished—he knows this because he knows you, and you’re the kind of person who wears your heart on your sleeve.

Which is why he knows opening it is a bad idea. 

Mingyu shrugs and places the book on the coffee table, taking a seat on the plush, olive green sofa opposite it. He leans his elbows on his knees and interlaces his fingers under his chin. From the inside of your room, he can hear muffled screaming—should he be worried? The screaming stops. Mingyu lets his tense shoulders relax.

His eyes zero in on your diary once more. He shouldn’t open it—he really, really shouldn’t. It would be a horrible breach of your privacy. Your trust in him would be broken forever, and even if he somehow manages to win it back, it will always be a stain in the fabric of your still-developing relationship.

But.

One tiny peek can’t hurt, right? He’s only waiting for you to come out of your room, after all. Just one little look, and then he’ll close the book immediately. It can’t possibly hurt. Curiosity is both a blessing and a vice, he figures, and since he’s already stacked up on vices, there is no harm in adding to his karmic points.

So he picks up your diary and flips to a random page, freezing momentarily when he hears an irritated grunt and the sound of something hitting the floor from inside your room. Your handwriting is a lot messier than it usually is; you probably save your best penmanship for official things, and your personal diary is not one of them. That, or you were just frustrated.

12th June I fucking hate Kim Mingyu. I hope I never have to see him and his stupid handsome obnoxious face EVER AGAIN. I’m so DONE with him.

Mingyu’s cheeks prickle with heat. He’s thoroughly invested now. He turns to another page.

14th June Ran into KMG again today. He spilled coffee all over me what else is new but. he actually apologised!!! Crazy. Maybe he was just in a good mood. Either way, my new blouse is ruined so fuck him.

The strangest thing is that Mingyu actually remembers that day vividly. You were wearing a gorgeous cream-coloured blouse, and he was so caught up in staring at you talking animatedly with your supervisor that he zoned out completely and accidentally spilled his coffee on you because he tripped over his shoelaces. Now, knowing that your blouse was new at the time brings up a slight twinge of guilt. He’ll ask you about it later.

22nd June KMG is actually…… kinda nice? He supported me in the meeting today with the clients when they were being so tiresome. He has a nice smile I guess.

Mingyu smiles widely. 

23rd June Nevermind. I take back everything I said. Kim Mingyu is a prat with zero social skills. I mean, would it kill him to say hello back??? I get that he’s busy but i thought we’d made progress. One thing is for sure. Kim Mingyu is NOT nice. Not even a little bit.

His smile falters.

The next page contains a similar anecdote—something about how he always vehemently disagrees with everything you say, and how despite his good looks he was a complete and utter asshole. Further investigation reveals the same thing: you hate Kim Mingyu with a burning passion.

And… Well, he couldn’t lie and say the feeling wasn’t mutual at one point in time—but it has mellowed down since then, gently and slowly, like a fallen leaf being carried by a soft wind. There came a day where Mingyu found himself glaring at you, not with disdain in his eyes, but with a steady thrum in his chest where his heart lay. Later, he would realise that he didn’t hate you—not even a little bit.

He assumed you felt the same way. Why else would your smirks, so full of malice, melt into grins that could light up a whole town? Why else would you agree to go on a date with him when he asked you out, one day, after work, tripping over his words like an elementary schoolboy? Why else would you invite him home and ask him to spend the night?

Of course, it doesn’t explain why you’ve locked yourself up in your bedroom currently (frankly, he’s a bit befuddled about that). But the sentiment must still be there.

It’s a diary, he reasons. 

It’s your diary, his brain screams back, and that’s the real issue here, isn’t it?

Diaries are full of crap, anyway, he thinks to himself.

Diaries contain the Real Thoughts And Emotions of a human being, his brain hollers back.

Mind swirling, Mingyu closes the book and places it back on the coffee table, barely aware of his movements. Have you been lying to him? No, there’s absolutely no way—he trusts you far more than that, and besides, what would you even lie to him about? There are no benefits to stringing him along, and you’re not the kind of person who would do something like that, anyway.

You must have had a change of heart, then. That’s the only conclusion he can think of. Your diary entries come to a standstill after 27th June, which means you haven’t opened it in a while. It’s also around the same time you stopped picking fights with each other. Something must have changed by then; Mingyu is glad it did.

Satisfied with his deduction, Mingyu stuffs his hands in his pockets and crosses his ankles together. Behind your bedroom door, you remain suspiciously silent. He considers knocking on the door once to make sure you’re okay—or if you need any help, because staying put inside your room for over twenty minutes is certainly not normal when you have a guest and potential boyfriend over. 

Almost as if you’ve heard his thoughts, the door to your room swings open. You stand at the doorway, breathing heavily.

“Hey,” Mingyu says, quickly standing up. “Everything good?”

You beam at him. “Perfect. Sorry to have kept you waiting, I—”

Your gaze drops to the coffee table, landing on your diary. Mingyu keeps his gaze fixed on you. You look back at him, lips parted. 

“Um,” you begin. “It’s— It’s just a diary.”

“Clearly.” Mingyu fights back a smile.

You chew your bottom lip nervously. “Did you read it?”

“I did,” he confirms, nodding. “I’m sorry. I was just curious—”

You groan, lifting your hands and covering your face with your palms. “Fuck.”

Mingyu reaches out and encircles your wrists with his fingers, gently tugging your hands away from your face. He finds it oddly endearing. “It’s only a diary. I’m sorry I read it. I shouldn’t have.”

“I don’t care about that. You… you probably read all the horrible, mean things I wrote about you.”

“Well,” he says, shrugging a little, “some of the entries were definitely… interesting.”

You blink. Unable to help himself, Mingyu drops a light kiss to the tip of your nose.

“I don’t hate you, you know,” you tell him.

“Mhm.”

“I’m serious.”

“Mhm.”

“Mingyu.”

“I’ll tell you what I think about your diary later, ‘kay?” he says, hooking his pinkie finger with yours. “Come with me.”

“What? Where?” Confusion paints your features.

Mingyu huffs out a laugh. “Just trust me.”

Mingyu places the brand-new diary he’d bought for you on the dining table with a flourish. “D’you have a pen?”

You eye him suspiciously, gaze darting between him and the new, dark green notebook on the table. He grins, carefree and indulgent. Still wary, you hand him a blue ballpoint pen from the pen stand placed above the drawers to the left. He hums and uncaps it.

Flipping open the book to the first page, he bends down and writes slowly.

This book belongs to Kim Mingyu and

Mingyu stops writing and holds the pen out expectantly to you. “Here. Write your name.”

Confused, but curious, you oblige. Your name, written in your handwriting, next to his own semi-legible scrawl, makes a warm, affectionate feeling bubble up inside his chest. He wonders what it would look like when both your names are signed next to each other on a marriage certificate. Then, he wonders when and where your wedding would take place. A summer wedding sounds nice, but the sweltering heat might be a bit of a problem. Winter weddings are beautiful for sure, but neither of you is a big fan of the cold.

He’s in the process of thinking of names for your children and pet dog when you break him out of his daze. 

“Hey. What’s all this about, hm?” You nudge his shoulder lightly with yours.

Mingyu says, “It’s a diary, but for both of us.”

You glance at him, eyebrows raised questioningly. He swings an arm over your shoulder and draws you closer to him, smiling when flyaway strands of your hair tickle his cheek. 

“In your old diary, it was pretty obvious you, uh, didn’t like me much,” he explains, holding up his free hand when you open your mouth to protest. “I don’t blame you. We were assholes to each other most of the time. But we’ve moved past that. At least, I hope we have.”

Your reply is instantaneous. “Of course. Of course, we have.”

Mingyu trails his fingers absent-mindedly over your arm. “Right. And… It’s kind of silly, I guess—I don’t know—but I thought—if we kept a new diary together, one that we could use to document our journey, with both our perspectives in the same place—I thought it would be nice.”

Your mouth parts and you look at him, an indiscernible expression on your face. He shifts from one foot to the other, feeling suddenly nervous. You don’t betray any hint of emotion on your face, but Mingyu’s heart hammers inside his chest. What if you think he’s being silly and overly sentimental? What if you find the idea ridiculous?

“We don’t have to if you don’t want to,” he quickly backtracks. “I know we’ve only just moved past the idea of being more than friends, but—” He stops himself.

“But…?” you gently prompt him, twisting around to see him better.

Mingyu swallows. “But I can’t imagine not being with you.”

He hears your sharp intake of breath, and in the next moment, the breath is knocked out of his lungs when you throw your arms around his neck and pull him in for a tight, rib-squeezing hug.  Automatically, his arms circle your waist, and he presses a light, barely-there kiss to the junction of your neck and jaw. 

Eyes shining happily, you pull back slightly with a wide grin on your face. “You’re so hopelessly romantic, it makes my chest hurt.”

“Consider this your trial run. If you don’t like it, I’ll stop.”

“Don’t you dare.”

He sighs, content. “Okay, I won’t.”

“What should our first diary entry be about?” you ask, loosening your hold on him.

“About how you ditched me inside your house for almost half an hour after you invited me over.” He’s only half-joking.

You look away, embarrassed and sheepish. “I can explain.”

“I’m sure you can.”

“I’m being serious, Mingyu.”

“So you’ve said,” he agrees breezily.

“Actually,” you begin, a tad shy, “I was thinking it could be about this—about how you bought us a diary and then kissed me in front of the dining table after we christened the book.”

Mingyu’s eyes widen, but before he can get a word in edgewise, your lips are already centimetres away from his. “May I?” you whisper.

“Yeah. ‘Course,” he murmurs back.

The kiss makes him feel dizzy, like he’s had one too many bottles of soda—fizzy and light-headed. Your lips are soft, mouth warm; you taste like chocolate, and he licks into your mouth desperately. His fingers dig into your waist, bunching up the material of your t-shirt, and you run your hand through his hair, tugging gently. He’s kissed you before, of course, but something about this time feels important, a core memory sort of thing. Later that night, he’ll sit beside you on your bed and watch as you write in your shared diary, and he’ll make fun of the way you chew on your pen cap when you’re thinking of what to write next and you’ll shut him up with a kiss.

But for now, he indulges himself whole-heartedly. You let out little gasps which he swallows with his mouth. He tilts his head and kisses you deeper. Only when his lungs are burning does he pull away, and even then, not without a parting peck to the space in between your eyebrows.

“Mingyu,” you say, breathless. 

“Yeah?” he responds, unable to tear his gaze off of your kiss-bitten lips.

“I really am sorry about what I wrote about you,” you apologise, looking down once and then back at him. “It’s only a diary—everyone knows diaries are full of crap.”

“I know.” Mingyu smiles tenderly. “I’m not mad.”

“You should be. I would be, if I was in your place.”

His eyes dart back to meet yours, and he grimaces. “If you really think about it, I’m the one who should be apologising, not you. I shouldn’t have read your diary, no matter how curious I was.”

“I… don’t really care about that, weirdly enough,” you say thoughtfully. “I was more worried about the fact that you thought I hated you and you were gonna leave me. Not so much about you reading the diary itself.”

“Pfft,” Mingyu says, affectionately condescending. “If I left you, where would I go?”

Your mouth parts as you stare at him, dumbfounded. “Jesus. How do you say things like that unironically?”

“I could compose whole sonnets about you and it wouldn’t be enough.”

“That’s ironic, I hope.”

He tilts his head and pulls you close. “Only one way to find out.”

When he captures your lips with his this time, it’s with colliding bodies and biting teeth. He runs his tongue across your bottom lip, and you shudder in his arms, moaning. Somehow, you stumble back into the living room, a mess of tangled limbs.

Briefly pulling away, Mingyu sits down on the same sofa he’d occupied earlier and clumsily pulls you onto his lap. You brace your hands on his shoulders for support, lifting your head up when he presses an open-mouthed kiss to your jaw.

“Fuck, Mingyu,” you gasp, eyes falling shut.

He hums against your skin. “Tell me what you were doing in your room for so long.”

“I was—ah—it’s embarrassing.”

Mingyu stops his movements. “I won’t judge you.”

“I know,” you say, teeth worrying your lower lip. “I’ll tell you someday.”

When you purse your lips, ready for him to kiss you again, Mingyu lets out a soft laugh. “Sweetheart.”

“What?” 

“I think I need to correct some of your… perceptions of me,” he murmurs, rubbing his hands up and down your back.

You furrow your eyebrows. “What?”

“I’m sorry about your blouse,” he whispers. “You looked really pretty wearing it, you know. Got distracted. Couldn’t take my eyes off you.”

“Mingyu, I don’t know what you’re talking—” You gasp when he kisses the column of your throat.

“I’m sorry for being obnoxious,” he continues, lowering his head and pressing his lips to the pulse point on your neck. “But I’m not sorry you think I’m handsome.”

“Only your face,” you mutter, but you tug on his hair to get him to tilt his head up. When he does, you kiss him again, your hands warm and placed on the junctions where his neck meets his shoulders. 

“I’ll support you in more than just meetings,” he says, pulling back. His breath ghosts over your lips, prompting a shiver to pass through your body. Your eyes widen when you finally, finally realise what he’s talking about. “I’ll tell those stupid clients to shut up and take it.”

You laugh, bright and happy, and Mingyu wants to bottle the sound up greedily. “That sounds kinda wrong,” you say.

He shrugs, his smile turning lopsided. “I’m sorry for ignoring you when you said hi to me. I won’t do it ever again.”

You laugh again, teeth flashing in the warm glow of the living room lights.

There’s an odd feeling in Mingyu’s chest—something warm and golden—something he can only describe as being terribly, hopelessly lovesick for you.

He whispers your name again, kissing the corner of your mouth. “Tell me what you were doing in your room for so long.”

You groan again, your previous amusement turning into embarrassment. Your next words are muffled by his shoulder, your lips warm against his clavicle as you mumble something only you can understand.

“What’s that? I couldn’t hear you,” Mingyu says mischievously.

 Another sound of mortification.

“I won’t laugh,” he says. “Promise.”

“Underwear,” you mumble, just loud enough for him to hear. “I was searching for a better pair of underwear than the one I had on.”

To his credit, Mingyu really doesn’t laugh. It takes a lot of effort, though, and he has to bite the inside of his cheek to prevent his giggles from escaping. 

You lean back and narrow your eyes at him. “Oh, go on. I know you’re dying to laugh.”

He shakes his head, cheeks blown out like a pufferfish. You stare at him quietly.

Minutes later, he exhales shakily. “See? I didn’t laugh. I’m a nice guy.”

His lips find yours again, slower and more languorous this time. After all, he has all the time in the world now—to hold you like this, kiss you gently—and he plans to cherish each second. Your tongue swipes his lower lip, and he parts his mouth willingly. He feels like putty underneath you, as he uses one of his hands to cup your face and deepen the kiss. Your lips move against his, already familiar, but he could never stop craving it.

When you pull back to breathe, your eyes are wide and your lips are swollen—a fact that Mingyu notes with pride.

“Nice boys don’t kiss like that,” you breathe out.

“Oh, yes, they fucking do.”

[yanderefarm]

I know requests are closed but 1. I need to write this down before it falls from my skull and 2. I just want to offer you this general concept for the brain worms not as a request.

Achilles is well and happy to be tortured, yes, but what if despite that(or more likely because he knows he'll get beat more) he is very resistant to being feminized. Gotta make him a pretty princess but he hisses and yells that he is a man and you can't change him. But no, no, it's not changing him, it's revealing his true self; a pretty little pet who is so obedient and feminine.

-🪼

god i love this idea so much. i love forced fem so much!!!

idk why achilles just makes me wanna go hard even when i shouldn't.

cw;; blood, nsft, torture, forced fem, non con undressing, humiliation

i really like nonsexual forced fem like i feel like if it was for sex they could at least justify it in their mind but forcing them to wear something around the house or out in public is so much worse. they can't justify it and they can tell themselves over and over it's for you but when you're not even looking at them it doesn't feel like it's for you anymore.

achilles got out of the bath and stared blankly at the lacey panties and pretty skirt you laid out for him. this wasn't right he was sure you had set out another suit for him. he raised his voice just enough to call for you but it seemed you weren't listening. he wrapped a towel around his waist and picked up the clothing. he came to find you in the living room. you were with a friend. it was one of your work friends who knew about your relationship with achilles but that did nothing for his embarrassment.

"why aren't you dressed yet?"

"i... i couldn't find my clothes."

"chilles i can literally see them in your hands."

his eyes darted away. you let out a heavy sigh and stood up. achilles instinctively flinched as you approached him but you didn't care instead you ripped his clothes from his hands.

"I'm sorry about him. he clearly isn't getting it through his head." you grabbed the corner of his towel and before achilles could open his mouth you ripped it off exposing his lower body to the open air.

"god you're so embarrassing." you didn't even sound amused just annoyed. "now get your clothes on."

achilles turned to leave, his face burning red, but you grabbed his arm firmly. you pulled him back to the middle of the room with an annoyed look on your face.

"i don't trust you not to wear what i gave you. put it on right here."

achilles swallowed hard, he couldn't bring himself to raise his head because the overwhelming embarrassment was too much.

"you-you have my clothes, sir."

"mhm. so ask nicely for them."

"may i please have my cloth-"

you huffed in annoyance, indicating he'd done it wrong but you didn't raise your hand to strike him. like you were so disappointed in him that he wasn't worth hitting. that hurt worse than the actual pain would have.

his breath hitched as he opened his mouth again to try and correct himself but you cut him off. "what should I hand you first?"

"th-the under-"

you huffed again.

"my-my panties... please hand me my panties,sir." it was the most humiliating way he could think to phrase it and it seemed to please you as you handed him the thin lacey garment.

achilles closed his eyes tight trying to pretend he wasn't getting dressed in front of another person. there was no pretending away that his cock had gotten hard even as he pulled the lace over it. you helped him out, fixing his leaking member into the slightly too tight underwear.

when he finally opens his eyes again you're holding up the skirt. underwear is one thing but that skirt is too much.

"please- i.. i don't want to."

you roll your eyes at that.

"do i have to put it on you" you sound so disappointed.

"i don't want to... I'm not a woman."

"why are you being so difficult? you're usually so well behaved." you look at your guest and then back to him with a scowl.

"oh. do you think he'll help you? do you think if you throw a little fit, act like I'm forcing you, he's going to help you? do you think he'll save you? do you need to be saved now, achilles?" every word you say is filled with venom. you must know exactly how much your words are getting to him, the way they make him feel guilty and disgusting. you even manage to look hurt behind all that anger in your eyes.

"no i- i- please.... i just don't want to b-"

"could you go wait in the car... im sorry about this." you let out a deep sigh. your friend leaves the room so it's just you and achilles.

as soon as you both hear the front door shut achilles attempts to open his mouth only for you to punch him in the stomach as hard as you can. you watch him crumple to the floor in pain as one of his wounds reopens. you kick him onto his back so you can climb over top of him. you sit on his chest with the skirt in your hands and all achilles can do is kick and flail.

"you stupid fucking girl. you embarrass me in front of my guest. you tell me-" you elbow him in another wound making him howl in pain, his legs straightening enough for you to shove them down. "you tell me no? and now, you're fucking fighting me."

you elbow him one more time to get him to give up his struggling. his body goes limp as he sobs underneath you. you make sure to pull his legs in the most painful way as you start forcing his skirt onto his body.

"you are a pretty girl. you're my pretty girl. and no amount of throwing fits or asking others to save you is going to change that. do you get that?" you yank his skirt up over his legs.

you notice that the wound you'd been elbowing has reopened and he's bleeding all over his shirt. he knows he's in so much trouble but all he can do is sob.

"im not a girl.." you hear him mutter through tears.

"you don't get to decide that. you don't get to decide anything." you slowly pick yourself off of him.

"I'll clean you up and change you since you're such a big baby. and when i get back from hanging out with my friends you're fucking in for it. maybe while I'm gone you can come up with how you're going to apologize."

achilles just laid there, bleeding and sobbing. everytime he tried to close his eyes he would feel a breeze over his legs and fresh tears would flow from his eyes. the humiliation of being forced to be your pretty girl was one thing but knowing how angry you were at him, how much he'd disappointed you hurt worse. he didn't want to be a girl he didn't want you to be angry at him and yet here he was. the old wound soaking his shirt and giving him a stabbing pain everytime he let out his shakey sobbing breaths seemed like a fitting punishment. of course that was for you to decide, not him.

you cleaned up his wound and changed his shirt in silence. when you pulled out the pink bedazzled shirt you gave him a look, daring him to say something but he didn't. you were clearly still angry at him but you treated him just as gently as you always did. he couldn't help but lean into your touch as you cleaned up his face.

"'m sorry..." his voice was small and weak.

you let out a heavy sigh before you picked him up with ease and brought him over to the couch.

"... i know you're sorry, sweet girl." he flinched at your words. "you were very bad, though. so when I get home you're losing all rights to boy mode. no more suits, no more he/him, no more achilles. I'll pick you out a pretty girl name."

he whimpered softly as his chest got tight.

"do you understand?"

"y-yes sir..."

"now say I'm a good girl."

"I'm... I'm..." he struggled to say it, his breathing ragged, but when he looked in your eyes he could still see the disappointment from before. "I'm a good girl."

"yes you are." you leaned in and kissed his forehead. "be a good, princess."

[kinardsevan]

so my initial theory was that the lightning strike parallel would have Tommy on the crane and that's how we would get some resolution. I really still love that idea (obviously. i wrote it twice.)

however, now (after zooming in on the instagram promo to an obnoxious degree), I'm not as sold on this version. BUT. there's another thing living in my head.

at some point, someone has to ask Buck why they broke up, and we know that we've got him "on a pendulum" with his reaction, and "cracks starting to show".

which brings about my new theory:

I feel like the conversation is ultimately going to happen with Maddie, since she's the Voice of Reason in his life. Maybe it's after he's been baking with Jee-Yun, idk. Anyway, I know the minute he says "I asked him to move in with me", she's gonna have the response of "...and have you figured out if you love him yet? Had you told him that?" which either will bring about his own feelings realization, or (hopefully) he'll have already come to that conclusion. but mostly, I'm imagining Maddie being like "wait, so you told him you wanted to move in together but you hadn't even said I Love You yet?" queue Buck being like "I thought it was in the context" and Maddie going all Big Sister and being like "okay what actually happened?" this then leading to Buck giving her the rundown of what was said, how Tommy told him he would break his heart and Maddie having to be like "well of course he's afraid, blah blah blah" (or some version of that, with the blahs being whatever reason she gives to him that actually makes sense). At which point, we get to the end of this conversation, and Maddie tells him "you need to call him, Evan. you need to be honest about how you really feel."

and what does THAT get us?

see, something occurred to me when I realized this option: the breakup parallels the first date. but the first date isn't the resolution to that episode, nor is it REALLY the start of their relationship. you know what is though?

the coffee date!

which is how we get them back at a cafe, mirroring their conversation about Buck "not being ready" and Tommy telling him he didn't want to pressure him.

To that end, we get the resolutions to those statements in new forms: we get Evan telling Tommy that he's not the guy who didn't know what he was ready for, and that he knows exactly what he wants, which is Tommy. He knows that because he's able to tell him that he's in love with him, flaws, trauma, and all. I think the way you can counterbalance that with the not wanting to pressure, is by Buck rescinding his offer to live together. at that point, we get a reflection of his understanding that Tommy has trauma (maybe Chimney knows the story and shares it during Buck's conversation with Maddie). anyway, he tells him that its his turn to go at Tommy's pace, at which point we can get a "are you sure about this?" "yes, I'm sure", and then Tommy's the one this time that reaches out and lays his hand over Evan's.

that's all. thanks for attending my second TEDtalk of the night. I'll see my way out (and back into the fic I'm trying to write this into).

[neverpathia]

fuck this shit

have my voice of the broken

and please ignore how elementary my art looks

it's not the full design unfortunately, but a little guy is a little guy, I hope. + the original pencil-and-paper lineart.

now I was gonna go by a specific order, like starting from voice of the hero and all, but broken just resonated with me too much and I thought we could make a pretty neat design out of him so there we have it.

okay I have quite a bit to say about him

come on, the fact that he's the most like me out of all the stp voices surely says something. tower route isn't exactly how my very first playthrough went, true, but once she beat the ever loving crud out of me and the rest of the route unfolded

I had to do a double take he's so real wtf

everything Broken says is something that has definitely passed through my mind at some point or another, especially when it came to a few relationships of mine. the way he just defaults to surrendering. taking the easy way out, the ONLY way out, which is in fact only digging yourself deeper into the problem. somewhere in your subconscious, maybe you know this. but what other choice do you have? she's above you in every way possible. don't you want to please her? isn't this how it's all supposed to go? and, besides, you don't want to taste the alternative.

defiance can't be an option anymore. it's a path fraught with danger and fear and the Broken is blindly submissive because it's the only thing he can be. he can't let himself think like a person or feel like a person or even be a person anymore if it's all just going to get taken away from him.

maybe he's bitter. maybe he hates the world. maybe he wants to let himself feel something that's not simply her, and her, and her.

but it's too risky, too dangerous. and it's so much 'easier' to just...not. just do what she asks, because there's a course of action put before you, and you won't be hurt if you do what she says. and you don't want to be hurt. and everything she's already doing to hurt you is so much better than everything she CAN do if you defy her.

and she loves you. in this twisted, unbalanced, unfair way of hers, she loves you. call it love because you don't want to know what else it can be.

you hate this love. it suffocates you. it drowns you. it seeks out the cracks in your soul. it enters them. it expands them. but it's the only thing left in there anymore.

it may look like a choice when you reciprocate it in the same unjust way. it's turned against you and you're just blocking off your escape, that's what they see. but what does the Broken see? safety. protection. an escape from whatever she can and has thrown upon you if you don't.

you can have "whatever you want" at the cost of a "you."

I feel so bad for him, but I can't help but feel that I...am him. Just 'choosing' to submit and keel over and accept your comfortable little prison is kind of real. It's 'choosing' safety and sloth at the cost of my autonomy, but since when had it even been a choice? external circumstances nudge you towards a corner. your own willpower, or rather lack thereof, backs you further into that corner. the Broken is too familiar.

and yet the way he always makes it a point to hear others out. he empathizes. he soothes. because he doesn't want them to be Broken like he is, or rather, he's the only other one who's just as Broken and he knows how much it sucks. to be at war with yourself all the time yet you yourself are stuck and stagnant and unmoving in everything you know you hate as much as you try to pretend you love. everything you do, every second you live, as wrong as it always feels. he wishes for a choice where he has never had one himself and he can, in a way, live that choice through others.

maybe I'm just projecting idk

fyi there's a reason I gave him that particular hairstyle. it's tied together and weighed down with two teardrop-shaped ornaments. like how he's so restricted and it's heavy, it's so heavy, being sad all the time is a bitch and you can only be tired. yet the braids are still ornate. still straight and silky smooth, still beautiful. but what then? and what if a few strands threaten to escape? it means nothing, it's still what it is. helplessly fixed in place, but who would think about it.

[n1ghttrouble]

F1 DRIVERS IF THEY WERE REGULAR GAY DUDES

(gay people I know/have met)

Before we start, pls know this is just for funsies and not like a guide or sumn for how to write them or wtv, of course, if any of these strike inspiration you're free to use these characterizations for any works.

Most of these are mixes of people I know irl, so none of it is meant as a diss or anything. ALSO there is a theme you'll start to notice in a lot of these bc I hang out in very specific groups lmao

tags contain everyone mentioned

Continue below cut

Max: First of all, bottom but could top for the right guy. Pup, sub, twinky but he’s not feminine enough to ever be called one. You either find him in the club or at home nursing a hangover, or in some older guy’s bed. Doesn’t use anything but alc but somehow knows where to find everything anyway. Also a nerdy gay (gamer loser boyfriend). Has a d/s contract. (also could be defined as “boy/boi” but that term is a bit controversial so)

Charles: Verse, always depends on his mood (and who he’s with). Drag queen, twunk, big into the leather scene. Big party gay, does poppers and coke, very careful about who he gets it from though. Always up to some shit and no one knows what his real job is or if he even has one, probably has a sugar daddy on the low (or he’s a circuit gay, both make sense). 

Carlos: Top, changes between dom/sub tho. Otter, leather daddy, brat tamer. DL kinda, in the sense that he keeps it strictly to nightlife but open to having a full-time relationship w a man. Strictly into twinks and slightly younger dudes. Has a d/s contract for sure.

Oscar: Verse, tops more. Only subs for people he really trusts (even as a sub he tops often). Pup handler/trainer (a pup when he’s a sub), twunk. Not big into parties unless he’s going with his dom, since he knows someone’s going to look after him and he can just relax. Newbie in the leather scene but into it. Has a very light d/s contract with a dom, essentially for learning (but also for having fun of course).

Daniel: Definition of verse, both in top/bottom and sub/dom. Jock, such a jock, like it’s not even funny. Pup handler, not into being a pup when he’s sub tho. Also lowkey a spunk monkey but I hate that term so no. Lives at pride events during June. Party gay once again, but on another level, he basically lives at the nightclub. Nobody knows how he has the energy (it’s drugs and red bull). Probably a circuit gay idk what other job he’d have the time for, maybe porn star. Has multiple d/s contracts.

Lando: BOTTOM do not argue with me abt this I don’t want to hear it. Sub but he’s so bratty he might as well be a dom if his top is a softie. The literal definition of a twink. Circuit gay and a DJ, also camboy on the side. Into the leather scene a little bit but intimidated by how much time you have to put into it. Does drag sometimes when he has the time. Obviously a clubber, does poppers, coke, and really anything in the club, but still careful. Wants a d/s contract but doesn’t have time for one.

George: Bottom, topped once and got tired of having to do so much. Essentially a pillow princess (even tho that’s a lesbian term but we’re using it for this). Twink, sub most of the time, can be bratty, into the leather scene. Not the biggest partier but he gets dragged along as the sober friend and then ends up hooking up with someone random. His friends make it home with or without him. Nerdy gay but not in the same way Max is. Very much an activist.

Lewis: Verse, tries to convince everyone that he’s strictly a top though (it never works). Jock (??) I don’t really know actually he’s a bit of an enigma when it comes to this. Very into the leather scene, like very into it. Makes his money modelling and uses the money to party and run charities. Runs at least five pride events around the world. Activist through and through. In an open relationship of like fifteen years. Young gays always call him a dilf and he tries to tell them he is not that old (has like three crises about his age a week). 

Fernando: Top when it comes to younger guys, verse when it comes to his husband. Bear, this is not biased at all, I definitely do not have a thing for bears and him, shhh. Leather daddy. Goes to leather events and average bars, hasn’t stepped foot into a nightclub in years. D.I.L.F. Open relationship with his husband & also a d/s contract. One of those really nice older gay guys who just seem so approachable and has answers to everyone’s questions.

Pierre: Top and dom. Surprisingly vanilla but he can get down with some basic kinks. Fuckboy™, everyone knows he has at least five twinks in his bed every week. Goes to parties but it’s to seek out more hookups. His phone is always the culprit of a distant grindr notif. Definitely uses one of those dating apps where you can see every guy’s location and can just go hook up wherever they’re at. (I swear I’m not dissing him but someone had to be like this)

Lance: Bottom, sub. Twink, unsurprisingly vanilla. One of those guys who has enough of his own money to not need a sugar daddy but has one anyway. Hosts a lot of parties but he’s rarely seen at them unless they’re very luxurious ones. The gay friend™, mostly has female friends and takes them out when their boyfriends are being assholes or they get stood up by a date. Fashion gay also.

Nico R.: Idk probably verse but I can easily also see him being strictly top or bottom so. Leans more to dom but def enjoys being sub too. If we’re talking about younger nico then twink 100%. Used to be a party gay and went to events at like 18-23 but got bored of it after that and settled down with a guy who definitely isn’t as relaxed as he is but he doesn’t mind it. (They fight about it all the time)

Sebastian: This guy is a bottom bro💀. Sub but like so bratty that sometimes it leans to the dom side. TWINK. Kind of into the leather scene in the sense that he goes to the parties and wears gear but he’ll rarely engage in the kink side of the community (not saying he’s vanilla).  Flirts with everyone in the club he can get his eyes on but rarely actually goes home with someone (he’s picky). I’m basing this off like red bull seb btw bc it’s the most fun era of his.

Mark: 100% top. He’s like a loser top tho even though he’s also a brat tamer but sometimes he doesn’t have energy for all that. Dom but like I said, sometimes he just cba to actually dominate. WOLF WOLF WOLF IDC WHAT ANYONE ELSE SAYS. Into the leather scene yes bro is freaky w it too. Idk what I’m saying I’m tired. Um, so anyway. Yeah he doesn’t really go to parties unless his sub wants to go and he feels like tagging along. Has a few regular guys he fucks around with but doesn’t expand his horizons much. Also has a romantic partner.

Jenson: Completely depends on who he’s fucking and this goes for everything kink related. He’s a wolf too but tries to hold on to his twinkness from when he was younger. SLUT. Somehow hasn’t tired of partying and is still a circuit gay, has been one since he was like 22. He’s a fuckboy slut idk what more to say really, he’s just living his best life and I honestly love that for him. (this is very much exactly a guy I know sorry to that dude but)

any driver not mentioned is one I either didn't think of or just don't know well enough to give any kind of opinion on. Also if you need clarification for any terms pls ask and I'll explain😊

[liauditore]

what’s your thoughts on ouran? you mentioned you had a love / hate relationship with it and i think that would be interesting to hear

Oh god post that usually would be reserved for my sideblog incoming. Heads up this one might get uncomfortable, heed the tags. LONG POST.

TL;DR: it's a fun show that's neck deep in the misogyny sauce

I had the true ouran experience of watching it when I was 12 and thinking it was really funny but ultimately finished the show feeling mildly disappointed as well as being Very put off by one specific episode.

As a 12 year old I didn't really have the words to explain why but over the years I thought back to ouran again and again and the more I thought about it the more. Angry isn't really the right emotion I guess. Eyebrow raised emoji-y is more accurate.

Now that I am a bit older and wiser and have read more shoujo, I think the majority of the annoyance and confusion I felt towards ouran, especially nearing the end of the show, came from the fact that it pretty much bait-and-switches its own stance on gender roles, classism and judging by appearance. Please note that I have not rewatched ouran in many years so take all this with a grain of salt and forgive me for anything I'm straight up misremembering.

Haruhi, to me, embodies a very quintessential shoujo protagonist archetype. She's not necessarily radicalized against gender roles, but doesn't place the same importance in gendered performance as her peers. She's also viciously ambitious and doesn't downplay her own intelligence, qualities that her female peers around her have been conditioned to avoid in their cartoonishly extreme upper class upbringings.

However, the other girls' education being a direct result of their education is never really examined. All the other girls at ouran are presented as vapid and "boy-crazy" over the host club. Renge, the only major female character aside from Haruhi herself, is delegated to being comedic relief (and of course, the humour surrounding her almost always has to do with her obsession with Kyoya) with some not so subtle implications that Haruhi is above her girlish antics because Haruhi is... Better, to put it bluntly, in every way including her ability to appeal to men, which can be seen through Kyoya's neutral to distasteful opinion of Renge vs his somewhat unsubtle care and attraction towards Haruhi.

This very unflattering depiction of women other than Haruhi extends to the very queer-coded* Lobelia academy girls, who the host club spends an episode "rescuing" Haruhi from and, once again despite their group leader's more masculine look, reacts in shock and horror at their feminine interests. Eugh, makeup! Disgusting!

*pressing the "nuance" button on this one because we can't expect to apply our understanding of queer signalling on a Japanese highschooler, but the Lobelia girls are. Fairly blatant enough I feel that I almost don't even want to call it coding.

The girls in the show who aren't Haruhi are either boy-crazy and therefore stupid, side characters whose episodes are often tied to getting with a male love interest (who is always depicted as "plain" compared to the desirable men of the host club), rivals in love against Haruhi (like Eclair) or silly evil lesbians.

Speaking of the silly evil lesbians, I do think it's interesting how many times the show feels the need to restate Haruhi's heterosexuality through her endless amounts of blatant disinterest in her fangirls. I briefly wrote once on how patriarchal standards have an amount of gender-nonconformity that can be accepted with women, but violently withdraws that acceptance when it can be even slightly confused with signalling queerness. Every second boomer dad wants a tomboy daughter, yet none of them seem to want trans sons. Idk, food for thought.

It's also fascinating to me that Utena is so much older than Ouran, yet almost feels like a direct response to Ouran's pitfalls at times e.g. the "not like other girls" logic of Ouran's world that pits women against eachother. The only women deserving of sympathy are those who don't act as a "threat" to Haruhi's desireability, everyone else is stupid and beneath her or an evil bitch.

The one woman who is always shown as intelligent and worthy of respect outside of Haruhi herself is Haruhi's deceased mother. Interesting that she had to be dead and more of a concept and motivator for Haruhi instead of.. a character.

If the show was just a marina and the diamonds girls simulator that would be one thing but what I find even more insidious is that not only does it not respect its female cast, Haruhi herself is almost. Instructed? In the show to uphold patriarchal rhetoric, when she entered as a neutral force. With the fact that she acts as the audience stand-in, I find this just the smallest bit troubling.

ESPECIALLY. when talking about the specific episode that really gave me the "I don't like this alot but I can't describe why" feelings when I was 12. Everything else in the show I can look past but this episode genuinely pissed me the fuck off when I was 12 and pisses me off even more now.

I'm talking of course about the "better remember your place in society or men will rape you!!"

In episode 8, the host club visits the beach but instead of the fun beach episode I thought was coming up, 12 year old me was hit was Haruhi being scolded by Tamaki for trying to defend a group of girls from ruffians, simply because she is a girl. Haruhi obviously gets mad.

This in of itself is fine, Tamaki's been shown to be an idiot and very deep in the misogyny/classism sauce, and the way this show mocks that is why I really like him.

But Tamaki is supposed to be IN THE RIGHT this episode, as later Kyoya pretends that he's going to rape Haruhi to teach her a lesson about why women shouldn't confront men I guess. Which, of course, implies quite a lot of very strange things in a show made for young girls, including that if you just abide by gender expectations that are Good and Keep You Safe you... won't be raped? Haruhi even thanks Kyoya for PRETENDING HE WAS GOING TO RAPE HER ?

It's this. Very strange and hypocritical moment for this show and really, really soured Kyoya's character for me -- which is a shame cus I do think he's one of the most interesting club members. I'll never not fume about this episode man I literally got into fights with friends over this episode being garbage as a kid and it was one of the smartest opinions I had at that age.

It's also gross to me that this whole thing revolved around, in the first place, Haruhi trying to defend other girls. In a show that keeps isolating Haruhi from them. So to recap 1. DO NOT seek out relationships with other women, they are vapid and won't understand you, certainly not more than the men in your life and 2. If you defend other women (from men), you're being stupid. Get a man to handle it instead, because it's men's duty to defend women, not yours. and if you violate this natural order you deserve to get raped. Hashtag some gender roles are good, actually.

I also have more thoughts on the way it's presented as if being raped as a woman is the worst thing imagineable but Renge's stalker tendencies towards Kyoya are played up for laughs. Shrugs.

The episode even ends with Haruhi saying she wasn't afraid because she knew Kyoya wasn't going to do it, but then ending up in a curled up helpless ball anyway because of. some thunder. really awesome. While I don't have any problem with exploring Haruhi's vulnerability, we never see any of the boys in such a state, reinforcing that this isn't about dropping the facade of unemotional masculinity but Haruhi being... a girl. Barf.

Even completely disregarding that episode, the messaging is. Strange to say the least. I do think this one might be the thing that gets me shot because Tamaki Does come around to appreciating Haruhi as a person and not simply a "woman", but the fact remains that she still acts as a "love interest" from beginning to end. And the whole dynamic of. Haruhi going from completely disinterested to fond of Tamaki over time, and Tamaki learning to abandon his playboy ways and see Haruhi as a person is totally fine and okay. BUT it is a little bit. Oh so NOW you want to talk about seeing women as people.

I feel that I've been. very focused on the hate part of the love hate and I'll be real nowadays that is very much the dominant half. I still like the show just for nostalgia value, the humour, as well as the host club members themselves. Morii and Honey specifically have a really awesome dynamic and I wish we got to see Honey go berserker more but it is what it is. Kyoya, rapey moment aside, is also really fun and maybe one of those characters that made me realise what kind of tropes I like. I will not stand a word of Hikaru and Kaoru slander, those boys are awesome and their incestuous club personas are a great parody of how performative the club really is, and through that how performative society as a whole is when dealing with attraction as a concept. And I actually really like the side characters too, the emo catboy and Renge in particular.

But I'd be lying if I said it wasn't perhaps one of the most anti-feminist bait and switches I'd ever seen in my life.

Haruhi's not even gender-nonconforming!! She's just a normie with a normal amount of care put into gendered presentation but because she's in the psychopath rich people school she SEEMS gender-nonconforming!! Which is fine as I've said before I think a lot of shoujo protagonists are like Haruhi in that their gender is more "I just work here" at best and something used to oppress them at worst, but Haruhi goes out of her way to present more feminine the moment she leaves the school gates.

Big words for this show to come out swinging saying gender roles and expectations attached to them are dumb when its so terrified of actually tackling them. I don't require everything I watch to be queer queer gay gay homosexual transgender beam attack but like?? Why have Haruhi say she dgaf and then have her present feminine anyway? Especially when it's been highlighted to us that her family is dirt poor, yet she still has the money for hair extensions? You're telling me she decided to cut ALL OF HER HAIR OFF FOR A TINY PIECE OF GUM. for no reason at all when she could've easily just cut it into a bob??

FTR I do still like Haruhi which is what makes this all the more frustrating, especially since she's one of the few female anime characters who we're told is supposed to be masc-presenting and actually could pass as that. Mf questioned the system of gender and then proceeded to do fuckall with it. Gets forced into crossdressing but underlines it with "but im not a lesbian" the whole way through. What cowardice. What theory and no practice. What bark but no bite. What a non-theme. Haruhi is the opposite of punk. Centrist ass take of an anime.

Ahem. Biases aside. I just feel like it fails as a romance, fails saying anything substantial about gender or class and ultimately ends up being meaningless fluff at best and pro-rapist and anti-woman at worst.

[officialpenisenvy]

Since it seems down your alley and idk if youve talked about it before to my knowledge im really curious about your thoughts on trans exclusionary radical feminist fixation on pederasty (see: germaine greer’s the boy) + lesbian desire in relation to the like, archetype of the ganymede + the relation between that and sexual objectification of transfems and the utilization of said ganymede archetype in art as a sort of “agencyless transfeminine” 

okay so i want to say first of all that this is just me talking out of my ass and basically reflecting out loud (most of my blog is, but especially right now), so i don't know how coherent this will be, and i apologize preemptively if any wording on this is questionable or offensive, that is never my intent. i haven't looked into or researched this subject, so if you have any recommendations i would love to hear them! ramble answer under the cut

im very familiar with germaine greer's the boy, i have read it (as much as anyone can be said to have read what amounts to a pederasty-themed photo album) and reflected on it for some time: while the purported effort of the book is to "reclaim" pederasty from gay men towards women, i feel like the very desire to enable women to be pederasts is entrenched in greer's radical feminist background. trans-exclusionary radical feminism is built around bioessentialism, the assumption that men are ontologically different from women, and specifically that men are essentially evil, strong and predatory whereas women are essentially good, weak and preyed-upon: the young boy, however, somewhat disrupts this paradigm, being as he has been historically and culturally objectified and preyed upon and victimized in the same way women have. though he will inevitably grow up to become the evil strong man who harms women, therefore, the young boy can still be enjoyed by the woman while he is weak and essentially harmless, a more even relationship than that between a woman and a man that still allows a potentially heterosexual woman to satisfy her desire for a man; i don't need to specify that in real life we know any relationship between an adult and a child cannot be even and is more often than not deeply harmful to the child, and that the vast majority of adults who do sexual harm to children do so not necessarily because of physical attraction but because of attraction to their helplessness.

all this above is my attempt at finding a terf-ist rationale for female pederasty, but it does also somewhat mirror societal attitudes to the young boy, especially in a gay male context — starting from ancient pederasty up to basically the present day, the young boy is consistently the feminine or feminised party, at least in part due to his fragility and weakness in comparison to the (necessarily) stronger adult lover. the young boy, who i will now start calling the ephebe in this more archetypal context, therefore becomes a very powerful cultural figure of androgyny: ganymede's gender is important insofar as zeus chooses to bring him up to olympus and train him up as a cupbearer (a social role unthinkable for a girl), but his vulnerability and sort of waifishness are properties both of the ephebe and the girl/woman, and the same goes for all other popular depictions of ephebes, they are young boys noted for their beauty and androgyny who are functionally interchangeable with girls. as many queer people are, i find androgyny to be very attractive in all its variations and potential combinations, and i think that's why im so drawn to the ephebe as an archetype (needless to say i don't want to fuck actual young boys): the fascination with this concept of a beautiful boy who's devoid of most stereotypical characteristics of masculinity and who's somewhat forcibly put in the social role of a girl is to me a similar drive to the one that makes me attracted to very masculine women, i really enjoy the deliberate blurring of gender lines (and it would be pointless to hide that i also enjoy the element of coercion, though that is a recurring theme in my sexuality which is not limited to the ephebe).

obviously, all this discussion is separate from attraction to actual trans women: my attraction to trans women is motivated by them being women, so my enjoyment of a fem trans woman is paramount to that of a fem cis woman, my enjoyment of a masc trans woman is paramount to that of a masc cis woman (so coming from that place of liking androgyny), and so forth. of course, whether or not one is attracted to trans women is secondary to whether or not they actually treat trans women as women and respect their identity — plenty of people are attracted to trans women and behave like absolute monsters towards them.

like you said, trans women are horribly objectified and sexualised: to my understanding there's two broad categories of sexual objectification trans women face, being forcibly put in a submissive position (so basically recycling the ephebe archetype, especially coming from people who see trans women as particularly feminine boys), and being forcibly put in a dominant/active position (especially from people who see trans women as men and thus inherently sexually domineering, and who potentially fetishize their genitals as well). the forced submission, while obviously horrible and transmisogynistic and often meant as punishment for the transgression of manhood, isn't in practice terribly different from the forced submission cis women tend to experience to a lesser degree, so it can be in some measure rationalized as assimilable to the sexual treatment one would receive if she were as a cis woman (intersectional parenthesis demands i point out that cis and trans black women sexually interacting with non-black men are more likely to be put in a place of forced domination than forced submission). the forced domination, however, is pointedly and manifestly transmisogynistic in a way that specifically portrays the trans woman in question as "really a man" and "really secretly dominant", often with a very phallic emphasis, and this can be an obvious source of discomfort and dysphoria for trans women, some of whom will try to counteract that by making themselves deliberately more submissive and pliable and non-dominant, basically embodying the feminine and ephebic archetype of passive sexuality, or the "agencyless transfeminine" like you said.

i am not sure any of this makes sense, i hope i was able to be at least somewhat coherent for you anon! i would really love any input or criticism my transfem followers might have on this, since im obviously only speaking from what i have seen and am not a trans woman myself but just a tme yapper on the internet — again im very sorry if any of this comes off as offensive or insensitive, please let me know so i can correct myself if needed.

[heterosexualomegaverse]

Personal top favorite fics on ao3 of all time

- living's just a waste of death by author tothendoftheline

Best Political Animals fanfic out there. I consider it the canon ending. I think all my longest comments ever I posted on ao3 were on this fic. It's a mostly canon compliant detailed exploration of what TJ's life would actually be like. How his (childhood) trauma effected him. His time as a white house kid, his sexuality, his addictions. It starts pre-canon and goes on long after canon has ended. TJ starts working on himself, his relationships with his family change, he gets new friends (kinda). Idk if I'm selling it well but I love it so much.

- Known Associates by author Thingswithwings

Fic that made me ship Steve and Rhodey lol. Though Steve calls him Jim. Was rereading it yesterday and damn its so good. an (I think) realistic depiction of queer life in the 1930's and 1940's then the movie plot happens and Steve is in 2012 and now has to figure out what/ who he is in this century. Also got a plot about kinda being experimented on and turned into super soldiers.

- The Barnes Files by author PaintedDoe

Bucky Barnes' therapy sessions in transcript format. (can you tell I love character studies)

- Flawed Perfection by author Squiggles13

Also part of a series but I haven't read the other parts yet. This one also mostly starts as Bucky going to therapy but then the tfatws plot happens but changed to be way better.

- Teach Me by author stucktogether

Steve/Bucky college au. Steve things he's straight but can't seem to keep his eyes off of Bucky. It's isn't until they've fooled around a half dozen times or so that he things he may just be bisexual. This Bucky's also got some deep lore.

- Treading water by author sparkagrace

SteveBucky olympic swimmers au where they were childhood friends that got separated at 12 but reunited at the olympics, except Bucky's presence brings back a lot of feelings that Steve can't deal with. This one gets real angsty. It has a sequel that is even more angsty.

- (A series) 'Til the End of the Line by author ohstars

SteveBucky with marvel canon except what if they were gay. Until endgame where shit is changed a lot cuz you know the time-travel staying in the past obviously doesn't happen. It does go on after that. They finally come out to the team (cuz they were closeted to whole time with Sam being the only one who knows) They have kids together, get married and then there is some time travel shenanigans and a lot of stuff until they both die of old age.

- The Island Man by author Amber_Skye

What if Steve Rogers was never found in the ice and got rescued by shield, but instead got out himself, but still only in 2012? And no one believes he is actually Steve Rogers Captain America? He ends up homeless doubting his own mind. Maybe he really isn't Steve Rogers? Maybe he really is crazy

anyway idk why I wrote this. I just wanted to list some of my faves. didn't really put a lot of thought into this, it's late and I'm tired.

[blondiesdomain]

He's a 10, but you have to initiate EVERYTHING

[noelledeltarune]

EVERY SINGLE DAY there are MILLIONS of characters in their late 20s who get falsely accused of being father figures to teenagers when in reality the description of "weird older cousin" or "step-sibling that moved out before you were born" is 1000000x more apt

[lucabyte]

Perceptive kid, I wonder just how much they pretend not to overhear.

[oceanwithouthermoon]

maybe its just me but i cant stand when people are like "it just doesn't sit right with me how teruhashi thought about aiura 🥺" like yes... its not supposed to ??? because her thinking badly of other girls and prioritizing male validation over everything is one of her main flaws ??? can we talk about that WITHOUT making it seem like shes not allowed to have a single actual flaw without suddenly becoming an awful person? nobody can handle complex female characters at all and its so fucking annoying

[kuijoon]

As much as I love romantic sampo ships like sampard, platonic ones mean sooooooooooo much to me.

Like- Hook and Sampo. I LOVE THEM. THEY’RE MY EVERYTHING AND THEY NEED MORE CONTENT. Hook saying Sampo’s the only cool grown-up and the only one to always play with her and the moles 😭. Sampo always looking out for her and stuf… I’m actually going to kill myself

Serval and Sampo being friends in the past too… he probably thought of her as a real friend but then Gepard told Serval to stay away from Sampo and now they don’t talk anymore

Natasha and Sampo seemingly completely trusting each other. Her knowing Sampo is extremely shady but she still asks him to deliver the letter to her parents (and he actually fulfills her request!!!!!!!!!)

Also his relationship with Sparkle is so interesting to me. Like Sampo can’t stand Sparkle but still sucks up to her if money’s involved. Sparkle liking Sampo to an extent even though she says he has too much restraint (I even heard someone theorize that she seeks some sort of acknowledgment/ attention from him as an older fool since Black Swan mentioned her wanting to be noticed and stuff) She also backs down when the joke about visiting Belobog seems to displease Sampo and actually abides by some sort of rules while working with Sampo despite having stated to despise them (possibly because she sees Sampo as a potential threat and doesn’t want to piss him off too much). Other than that we have their conversation at the end of Sparkles companions quest. Here Sampo talks rather lightheartedly with her and even compliments her to some extent (“I love that line you said”). Now because of him sucking up to her because of money idk if it’s him being genuine, being nice to her so he gets his mask back or just playing it up to the audience (especially since they’re both aware of said audience and are probably omitting imporatant info on the catastrophe on jarilo-vi because of that)

Also I genuinely love the idea of Sampo knowing random people across the galaxy. Like him and Argenti? Friends. Him and Boothill? Went on several heists together. Him and Jing Yuan? Aren’t in direct contact but when the astral express was off to visit the Luofu Sampo told the trailblazer to say hi to Jing Yuan for him.

[bumblingbabooshka]

I hate when Chakotay is watered down to be Janeway's yes man because their disagreements are actually very interesting. [A lot of rambling analysis of this debate in particular below]

Chakotay in Parallax is very interesting in that he has to navigate a lot of different dynamics. Balance a lot of plates while being watched keenly by everyone around him. Immediately preceding this scene we see him ask B'Elanna for her opinion on the bridge - both as a chance to show her knowledge in his bid to make her chief engineer (because she wouldn't get a chance to otherwise as Janeway has clearly indicated that at this point she views B'Elanna as a troublemaker who won't be considered for the position) and because he just thinks she's a better engineer than Carey and wants the best possible chance of them succeeding. Janeway sees this as unacceptable. Carey is the chief engineer and so he should be called and Chakotay NOT asking for his opinion is an insult to Carey, Janeway, and might make the crew doubt Chakotay (and by extension the Maquis') loyalty to the Starfleet crew.

At this point it seems that to Janeway integration ["They're not your people"] means the path of least resistance, specifically tailored towards the Starfleet crew. She wants Chakotay by her side to keep the Maquis crew calm but also seems unwilling to consider them for important positions aboard the ship. Though she says that the Maquis are not Chakotay's people, not his crew, she certainly doesn't seem to consider them hers [Compare this to later instances where she stresses 'our' crew, here she simply says they aren't Chakotay's: Whose crew are they? Are they crew at all?]. This less leaves the impression of "We need to be a cohesive team" and more "You're not in charge here." She essentially accuses Chakotay of playing favorites. In her mind Chakotay's actions are not conducive to integrating the crews which would (again, in her mind) mean the Maquis being docile and accepting, obedient and content - not making trouble for the Starfleet crew. Chakotay counters Janeway's accusation with one of his own: That he IS trying to integrate them into the crew but her not allowing the Maquis any opportunity to prove themselves or succeed, not showing any trust in any of them (except, implicitly at this point, him) is making things difficult. At this point the Maquis crew are ready to mutiny on his word at any time. He knows this for a fact. Aside from that looming threat (the threat being that tensions are high and if nothing changes and they remain high there might be a mutiny even without his word) - Chakotay knows these people and trusts them. Though Starfleet and Janeway think of the Maquis as a violent bunch of criminal terrorists, Chakotay and a good number of the Maquis joined because they believed in the cause they were fighting for. These are people Chakotay knows WILL fight fiercely for what they believe in and conversely, AGAINST what they perceive as injustice. Even if they're not in the majority - they're used to picking fights which seem impossible to win. At this point Janeway admits that she ISN'T making it easy for Chakotay to integrate the Maquis - specifically talking about practical concerns; how she doesn't feel she can let Maquis crew have roles of importance on the ship because they lack the ability to hold them. "They don't have the discipline, they don't have the training," - asserting that they just aren't prepared for any such roles and it doesn't have to do with them being Maquis specifically. Ostensibly, she's treating them as she might treat anyone unqualified for the job.

Chakotay maintains that some of them, like B'Elanna, have the ability to be trained - challenging her point by saying that IF they're trained there's no reason for any Maquis member NOT to be given a more prominent role on the ship. He isn't suggesting they just unqualified people important jobs. If the problem is that they aren't trained, let's train them. These people have the ability to succeed if you give them the tools they need and a fair chance, he insists. Janeway then switches gears and her argument becomes not "The Maquis are untrained so they can't be given those jobs" but "The Maquis crew are unworthy of those jobs when compared to Starfleet personnel" saying that it'll cause insult and upset among the Starfleet crew if any member of the Maquis were to be promoted above them. Again, her idea of integration is based more on Maquis subservience to the Starfleet crew than it is the two crews working together. (Not that I believe she looks at it that way, it's just where her 'path of least resistance' leads) - though she accuses Chakotay of being too focused on "his" crew, she is admitting here that she believes her real crew are the Starfleet officers aboard, not the Maquis. She also admits here that the system she wishes to maintain (and is asking Chakotay to enforce) is one where there will ostensibly never be any chance of a Maquis crew member being promoted because no Maquis crew member will ever be more qualified, more worthy, than a member of Starfleet. We can see how it'd be difficult for Chakotay to convince his crew to remain calm under these circumstances. There's also Tuvok's behavior toward him at the beginning of the episode where the Vulcan nearly goes over Chakotay's head and when he doesn't do so (as Chakotay reminds him that HE'S the superior officer, the First Officer in fact,) Tuvok acts as if him backing down (partially) and conceding (partially) to Chakotay's authority is a favor to Chakotay.

Tuvok in this conversation is downright insubordinate to Chakotay. Despite Chakotay being the first officer, he doesn't take what he says seriously, argues that his own opinion on what should be done should be followed rather than Chakotay's, lectures the first officer about his conduct, and then almost seems to threaten him with a report. In Starfleet's rigidly hierarchical rules, acting like this to a superior officer (ESPECIALLY the first officer) wouldn't be tolerated and Tuvok knows this perfectly well. He isn't a rebellious character and clearly in other episodes adheres to these Starfleet hierarchies and codes of conduct very strictly. He values them highly. But Chakotay, a Maquis, shouldn't be First Officer. Why should he be given respect for a title he didn't earn? [Affirming Janeway's argument about how Starfleet officers won't be eager to follow a Maquis senior officer] Even though Chakotay tells Tuvok off for it ["I don't have to explain myself to you"] he doesn't threaten to put Tuvok on report or explicitly mention his insubordination. It's unclear if this is Chakotay's personality or if he just doesn't feel he CAN do that. Tuvok is one of the three most senior officers aboard and very close to Janeway. Chakotay has to think of the optics of any situation at all times - we see seconds after this conversation that rumors have already started swirling around B'Elanna being relegated to quarters that've fanned the flames of mutiny. Though we know Tuvok has personal reasons for behaving the way he does toward Chakotay (which he later admits), I really don't think it'd be out of the ordinary for this to be how most Starfleet personnel would treat the Maquis if they weren't outright hostile: Like they're only pretend crewmen. To a lesser extent we even see this with Janeway: In the following staff meeting, she clearly doesn't consider B'Elanna a viable option when Chakotay brings her up and almost ignores the suggestion entirely.

It also, again, leaves Chakotay in an impossible position. If he doesn't protect and fight for the Maquis crew, they won't ever be considered a true part of the crew and dissatisfaction will likely spread among them. Dissatisfaction which the Starfleet crew will then use to further label the Maquis as insubordinate, uncontrollable, unfit. Not to mention that if he doesn't advocate for them, he might lose their trust. However, if he DOES try to help the Maquis crew advance the Starfleet crew will view this as 'favoritism' and will further distrust him, won't respect the people he puts forth as worthy. Janeway seems to be intent on not advocating for any of the Maquis crew and also seems unwilling to ask that the Starfleet crew grant leniency. She implies that the Maquis crew need to learn to get in line and keep quiet and it seems almost like [we must remember the optics] she has Chakotay as the only Maquis in a position of power to facilitate that. Chakotay recognizes and pushes against that, saying that he won't just be her token Maquis - there only so she can point to him and say "See? We don't discriminate against the Maquis here." effectively a tool used to shut down any arguments of unfair treatment and a tool to quell the Maquis if any talk of mutiny DOES arise. In this model, Janeway can just tell Chakotay to calm them down and they'll listen because they trust him. She also doesn't have to really listen to anything he says: A token First Officer has no authority; his words don't hold weight. [Chakotay isn't Maquis anymore, they aren't his crew anymore - ok. What is he then? What are they? Nothing, without respect.] This plan seems untenable, as much as Janeway frames it as sensible: "I can't make it easy, Commander. Surely you can understand that," and alternatives as impossible "How am I supposed to ask them to accept a Maquis as their superior officer just because circumstances have forced us together?" - in the long run, how would this be sustainable? In any power structure, you cannot expect a group of people you're unwilling to grant trust or agency to obediently follow you forever. This proposed form of 'integration' in which the Maquis are kept on the bottom rung and told intermittently to stay there quietly by the only one of them granted permission to stand at the top would never be sustainable - especially with a group like the Maquis who again, were founded on the belief that its members should fight against inequity and are already on the verge of mutiny.

I specifically find the statement "How am I supposed to ask them to accept a Maquis as their superior officer just because circumstances have forced us together?" to be interesting because personally I'd say that being forced together for the rest of almost everyone's natural life is a pretty good reason to ask people to adapt and Janeway does understand this but only applies it to the Maquis - the Maquis are the ones who have to adapt, not Starfleet. The only thing the Starfleet crew have to do is tolerate their presence on board.

At this point Janeway again claims that if Chakotay can show her a 'qualified' Maquis candidate she'll consider them. I believe this is true but we already know that Janeway's standards for qualification will likely not fit the vast majority of the Maquis and Chakotay ignores the claim in favor of putting forth B'Elanna again, firmly. Janeway predictably dismisses her as unqualified and Chakotay disagrees, arguing that he knows her. He's worked with her. He KNOWS that B'Elanna can excel at the job even if she doesn't meet Starfleet/Janeway's qualifications. He doesn't value those qualifications over what he's observed about her - just as he didn't value Carey's title over what he knew about the gap between his and B'Elanna's abilities. Then, Chakotay switches gears. He admits that Janeway's right - he does view the Maquis as his crew but that's because Janeway (almost self admittingly) doesn't and if he doesn't, who will they have? [What kind of captain, kind of man, would he be?] "You're going to have to give them more authority if you want their loyalty." "Theirs or yours, Commander?" Janeway frames Chakotay's words pointing out the flaws in this plan which I outlined earlier, as almost a threat (if she doesn't have Chakotay's loyalty it'll most definitely mean mutiny). Chakotay asserts that it wasn't a threat, he's only trying to help by telling her how the Maquis crew will react to what she's telling him. "I'm sorry you can't see that" - not an apology for what he said but that she isn't willing to budge, not willing to listen to him and acknowledge that she might be as biased towards her crew as he is towards his. Chakotay is trying his best to acclimate his crew but if Janeway isn't willing to do the same, to talk to her people as he's talking to his, then this will not end well and that isn't a threat. It's just the reality of the situation. He then asks permission to leave, showing he is willing to observe Starfleet protocol (just as when he asked permission to speak freely), and Janeway lets him go, exhaling at the intensity of their debate when alone in her ready room.

[pleasedontcareaboutme]

It's missing my father hours rn so imma just dump a bunch of pictures here and cry

( sorry i don't know the source of anything I just had them on my phone)

(also dont read the tags i just need to let it out lol)

[mugentakeda]

the tapping of his fathers pacing on the tile is almost enough to drive him mad.

“don’t let your brother’s incessant whining cause you to falter. this is merely a short visit to discuss the matter at hand, and then you’re on your way right back to ba sing se. he will try and whisper doubt in your ear.” the firelord stops to shake a finger at him. “do not listen to him for anything! i will help you in the best of my ability to have this taken care of.”

“i’m not,” iroh snaps impatiently, digging his palms into his eyes. “i’m not listening to him, father. he doesn’t care for lu ten and he doesn’t have to. he has his house and i have mine. empty words have little meaning to me at the moment.”

his father purses his lips. the sting of his stare digs down to the core.

“you say that,” azulon snaps, “but i believe this to be a family affair. its possible lu ten was taken advantage of because he was too busy protecting ozai’s wife and ozai’s children to protect himself. if that’s true, then ozai owes him. i don’t give a damn if he cares about him as his nephew or not. lu ten honored his house, so he shall honor lu ten in return by shutting his trap for once.”

iroh doesn’t have the strength to respond. he’d left ba sing se in a rush after receiving the news, and ordered the shipmen to get him back home on the double. he’s sick, he’s tired, he’s terrified and angry, and he misses his son something awful. the last thing iroh cares about right now is what ozai does or has to say.

there’s a heavy, sad sigh from above him. azulon slowly makes himself comfortable on the sitting cushion next to him, grunting as his bones creak. he sets the knocked over teacup straight again and refills it. the familiar heat and fragrance does nothing to soothe iroh, however.

“there is nothing i can say to make you feel better as of right now,” his old man mutters, sitting the teapot back down with uncharacteristic gentleness, “nor can i say anything sure about ursa or the children. but lu ten, he…. he is a remarkable young man. thick skinned and ornery. lightning generation at only 21, can you believe that? he beat you by a whole year. you must have faith in him.”

“it’s not about having faith in my son, father, of course i have faith in my son. but i have no faith in whoever has- has stolen him from me!” iroh suddenly exclaims, gesturing wildly. azulon flinches as his hands come dangerously close to knocking over the tea again.

your boy flagrantly disrespected you and stayed home to laze around, ozai had hissed, his narrow eyes locked straight up at the throne. both were kneeling before their father’s throne, side by side. i don’t know why you even bother. if he thinks he’s so grown up then he can save his own skin.

iroh didn’t bother to respond. he has nothing to say to his brother even on the best of days. all his life, he’s been nothing but a background character to iroh. always insisting on holing up in his room or office, never joining family dinners or celebration banquets. never one to offer his congratulations, but expects his older brother to offer his. yet, he always liked to think his word was of any significance to iroh. that he was always to be heeded. respect to his elders only means something to his little brother if there’s something to be gained.

flagrant disrespect. lu ten did not disrespect him if iroh never directly asked or ordered anything of him in the first place. he implied it, and lu ten pushed back. it hurt, but it would’ve also been the boys first true venture outside the fire nation. so iroh understood the hesitancy.

iroh would’ve just had lu ten by his side in his war council anyway. he would’ve never seen the battlefield or the city until iroh leveled it. not a spot of green would be spared by his men.

he had envisioned himself shooting a hole right through the flimsy palace wall with his lightning, and his son by his side. winning.

nothing has gone the way you made it out to be, great spirit. i don’t feel very lucky, as of late. the evening sun peaking through the tall windows of the corridor offer his thoughts no response. the general sighs heavily, and continues on his way.

the royal procession had gone through the beach house, along with the rest of the island. not a trace left behind. no sign of a struggle, either.

the procession claims it’s like they vanished out of thin air, sir, jee had whispered.

delicate situations such as this one call for holding the ones you trust most closer than ever. thus, iroh took only his personal guards from ba sing se back with him. jee is a rugged and introverted man, one that iroh knows can keep a secret, so he has been acting as his messenger man and valet for the time being.

another member of his most trusted circle is one of his longest working servants, one that belongs to iroh’s house personally. her name is su, and she is a stout woman around his father’s age. stern and silent, but trustworthy. she was the one that kept a close eye on lu ten from a distance during the periods of time iroh wasn’t around in his youth. she had been the midwife at his birth, she had been the one to pick the wet nurse.

and she had slipped iroh a journal outside of lu ten’s room. leather bound and stained in a deep red, with delicate embroidery of lotus flowers decorating its cover. it looked like something the lady ursa would gift him.

i came across this left behind in lady ursa’s garden, your highness, she had murmured fiercely. i snatched it right up and held it for you upon your return, lest it fall into the wrong hands.

the dark, warm silence of iroh’s own chambers is a small comfort, but the cold leather of the journal in his hands chains him to the cruel reality.

one of the vows iroh made for himself when lu ten came into puberty was that he would never violate his son’s privacy. he’d like to think that his son’s life possibly being in danger is a good enough reason to break it, but it still feels… wrong. especially now that he’s an adult himself.

it’ll be like eating a dollop of wasabi, he tells himself. spicy and painful one moment, then fading tingling the next.

with a sigh, he cracks it open to the back page. a few lines of familiar scrawl.

and the reason i torture myself trying to ignore all these things about him that bother me is because….

he looks away, shame crawling up his back. the candle sitting at the corner of his desk flicker along with his irregular, fear ridden heart.

a dollop of wasabi, he reminds himself. he opens his eyes again with a long breath and looks back down at the journal once more.

…well, that’s the crux of it. i just don’t know how to finish that sentence anymore.

that tells him a whole lot of nothing.

iroh flips the page back again, and is immediately overwhelmed by completely filled pages. then startled, by the sheer amount of times his own name pops up to his searching eyes among walls of scrawled text.

unease curls in his gut, like a dragon slowly rising from a slumber.

the ink doesn’t look too old. and su had said she found it in the lady ursa’s garden. and then jee said the royal procession claimed the fours’ trip to ember island was only to last three days, tops.

and as far as iroh knew, lu ten had been keeping quietly busy after iroh’s departure to ba sing se. lu ten willingly buried himself in paper work, always hunting for things he had the power to make into his business. training with lightning generation was grueling, and took hours, on top of the meditation necessary. and it takes a clear mind to even work with lightning, so…

had he done something recently to upset lu ten, and didn’t realize it? what things about iroh did lu ten torture himself trying to ignore? dramatic wording like that is difficult to overlook.

the general thinks back to how well his son can hide his emotions. lu ten’s court face beats even ozai’s, so it made him a gnarly pai sho opponent, but… he never did the backhanded comments. he can lie, but he’s a man of action before a plotting one. so you’ll never see the storm coming until it hits you directly in the face.

the letters he got back from him in ba sing se were… neutral. unbothered. he hadn’t seemed very troubled at the palace gates during his departure, either. tired and a bit wary, maybe.

but now that he thinks about it, the way lu ten looked at him had been… strange. his eyes had an emotion swirling in them that the general couldn’t read.

he rapidly rolls over the most recent letters in his head, the days right before leaving, trying to think of what he might have done to set lu ten off-

…the tiff they had on the evening before iroh’s departure.

he had forgotten about it completely.

spirits, he’d forgotten about it by the time he stepped foot on the shore. the elation of finally arriving at ba sing se, the first big step toward fulfilling the biggest thing he’s wanted to accomplish his entire life, the ultimate win, decades of planning and dreaming, inspired by agni herself…

he’d been caught up in the heat of the moment.

it didn’t even turn into an actual argument, that’s how small the tiff had been- a few things thrown back and forth during their private dinner, and the rest of it had been spent in awkward silence. iroh had let his hurt get the better of him, and he got testy.

the only thing that spoiled his ongoing luck, his relief of finally being able to go and crush his country’s most stubborn opponent, to make the second biggest win since sozin- was his own son not joining in, or showing any interest.

and that wasn’t even it. the closer iroh and his advisors got to bringing their planning to a conclusion, the more withdrawn lu ten became. whenever iroh brought it up, his son would close like a firelily in the night.

i assumed you were above teenage rebellion, iroh had muttered. i understand you want accomplishments of your own, but-

teenage rebellion? you’re joking, right? why do you always insist on- on patronizing me whenever we don’t agree on something? if you think you’re gonna guilt trip me into changing my mind, you’ve got it all wrong.

the disbelieving, ever so slightly shriller tone lu ten’s voice took on reminded iroh of his mother. she always had the habit of raising her voice a few pitches when she got upset. it reminded iroh of a coyote-eagle, once upon a time. the older lu ten got, the taller and leaner his face and physique became, the more time they spent apart, it’s like a vivid repeat of his mother. he even became a hand talker when iroh hadn’t been looking, just like fuhua.

(are habits hereditary, or had fuhua died after running away, and came back to haunt him?)

it’s probably best to start a bit further back in the journal. it might provide the context this father needs. he flips the pages for a few moments, and stops at random.

i spoke with a gentleman from the earth kingdom today during my observational trip through the colonies closest to the homeland. if you didn’t look close enough, you would’ve thought him to be any old fire nation fisherman, but i know green eyes when i see them.

his wife was a sailor that hails from caldera city. they met across the seas, in a neutral port town. they have two young twins, just barely older than zuko and azula. isn’t that something?

now, that is something iroh never bothered doing when he was a young man- it’s only now that his joints won’t let him run around chasing skirts anymore that he’s become a people person. but he’s proud of his boy for taking that initiative and having such a sense of responsibility, to go and mingle with the common man. an empathetic ruler that’s popular with his people will have the surest and furthest reaching authority, after all. iroh couldn’t name a single councilman off the top of his head that would be willing to even breathe the same air as a commoner, much less a colonial mutt.

however… this isn’t a colonial. he’s too keen on the idea of his family members’ abductors being petty, revenge seeking crooks from the earth kingdom to be okay with the idea of his son even conversing with one. for all they claim to be true and steadfast, them sneaking in and attacking an unarmed woman and her young children in their beach house just to get back at iroh is all too realistic of an idea.

but lu ten wasn’t unarmed. lu ten is one of the strongest men in the fire nation, and iroh isn’t even being biased about that. it takes prodigy to conjure lightning, and mastery to control it. and lu ten was very protective of ursa and the children- almost too protective. back in the day, during celebration parties at the palace, lu ten would damn near prowl around a pregnant ursa to fend off the careless crowd, lest they bump into her and jostle her. and he’d only been just a young teenager himself, so it was like watching a polar bear puppy that thought itself a snarly guard dog.

then a few years ago, there had been an incident where lu ten claimed zuko’s instructors were smacking him around. he’d grabbed both of the men by the collar and dragged them both viciously through the palace and right out the door- only after the sharpest scolding iroh’s ever heard since his mother was still alive. he’d never seen his son so angry. he’d chuckled at the way those old instructors had babbled apologies and fell to lu ten’s feet, while patting ursa’s back gently as she floundered.

no, it’s doubtful that an old fisherman had anything to do with it. earth kingdom or not. this is just something he needs to talk to his son about once he’s found. it would take a group of very strong benders to take lu ten down, at the very least.

he was wisecracking and friendly. we talked about his business, the officials that take care of the town and the surrounding environment, how he met his wife. he even shared his lunch during our time together- grilled fish, fragrant with sumac and citrus, and a chilled earth kingdom style mint tea. it was refreshing and unique, and i want to do it again. you’d think the fire nation would pick up these little things as it expands, but it just drowns it all out. i’m not sure if that’s a good thing. what made the food good was its earth kingdom style and seasoning, after all. what made the man interesting was his earth kingdom raised manner.

…what made lu ten think it was a good idea to write such things in a journal, and then be so careless to just forget it in ursa’s garden? he’ll have to thank su for her keen eye. if someone lacking critical thinking happened to pick this up and turn it in to his father, he’d have to deal with his son having allegations of sedition on top of everything else.

iroh, personally, is more than happy to let all traces of chilled tea get drowned out. it’s a frequent and light hearted debate between a father and son, the do’s and don’ts of tea. iroh is a stickler for tradition and enjoying the natural flavors. the fire nation boasted only the most fragrant flowers to enhance only the most delicate flavors of only the finest tea blends, after all.

his son claimed it all tasted like dinky dirt water, and stubbornly stuck with his cold hibiscus teas with herbs, and his heavily spiced and creamed saffron teas. it had been a big joke back then, but now… not so much.

a whole lifetime of a father making his son tea, sharing one of his passions. conversations over tea, tea for soothing a sore throat after screaming matches with councilmen, tea to wash down sea water accidentally swallowed at the beach. traditional methods, ceremonies, porcelain pots precious enough to buy a whole town- but it’s dirt water. yet an old fisherman from their greatest enemy shares ice water with a few mint leaves in a tin cup, and its unique.

and he wants to do it again.

the personal betrayal somehow hurts more than the blatant treachery written out plainly on the paper.

to be honest, i think that it’s a great shame that a good man like that has to be careful on his own property-property he paid for with his own money and built with his own hands- due to being from the earth kingdom, even if he has a strong marriage to a fire nation citizen. i thought about it for a long time, and realized that even if he wasn’t loyal to the crown, i didn’t mind. i don’t get angry at the idea, and i don’t think i ever have. i didn’t even think about it until i left. he made good company, offered to share his food with me, and introduced me to his beautiful children as if i was his new neighbor. i think community like that is something the fire nation needs. especially the nobility, who you’d think all have iron sticks shoved up their asses.

interactions like that are the most important ones to me, because they challenge me the most. i hate to cheapen that by thinking i just enjoy being challenged to spite my traditions and elders, or to be contrarian. that’s what coming of age means to me- looking inward, and asking the big questions.

…this can’t be why lu ten has been so distant lately.

the general slowly shuts the journal in dull horror. how long has this sickness had time to fester his son’s soul?

he swallows hard, and gingerly slides the journal in the folds of his robes. under no circumstance can anyone get their hands on it.

and later, when his gut quits churning and the candles around him quit threatening to set his room on fire, he’ll read this whole journal, front to back. brand every sentence, every symbol into his eyes. then he’s gonna burn it, bring his son home, and ask him what the hell he’s thinking.

the next morning, after letting the foul scent of burnt leather fade from his chambers, iroh finds jee.

“what can i do you for, your highness?”

“i need you to bring me the finest bounty hunter money can buy,” iroh murmurs. there’s a madness in his eyes and in his grip now that he’s had time to ponder the contents of his son’s journal, and what they entail. “and no matter what, it stays between us. i do not care what measures you must take to keep it that way.”

jee swallows hard and salutes with purpose. the poor man must be able to his see stress all over his face, but he’s barely containing himself the way it is.

this was no kidnapping. the blasted earth kingdom has everything to do with it, naturally, but it was no kidnapping.

jee returns to him that evening, followed by a lovely young woman, head to toe in black leather. her gait oozes confidence, and her narrow eyes scream danger.

this is definitely not the kind of finest iroh meant by finest bounty hunter money can buy, but he’ll take it.

“…i’ve, uh. fulfilled your request, your highness,” jee says. he looks flustered, and is clearly refusing to even glance at the woman.

“with a few breaks in between, i’m guessing. your collar is uneven, soldier,” iroh deadpans. he’d call it a shame if he wasn’t curbing an episode at the moment.

jee makes a faint noise of distress and fumbles with his uniform, blushing a deep red. iroh realizes that was the wrong thing to say at how the fair lady scowls at the crude jab.

she shoves past jee with an aggressive shoulder clip and crosses her arms before the general.

“i was promised a shitload of coin in exchange for some missing royals,” she says, voice clipped. “i don’t like to work with your kind, but good money is good money. and i can promise better and quicker results than any phony bounty hunter in the world- my companion is a shirshu. she can sniff out a rat from a whole continent away.”

a shirshu, eh? it would seem my luck has made its return after long last.

“impressive,” iroh praises truthfully. he’s a weak man for crass and foul-mouthed women. “i’d like to take a look at this beast, and then we can discuss the details and prices. i also hope you’re alright with keeping this transaction under wraps, my dear.”

she sneers. “you can call me june. and i’d highly suggest keeping a few steps away from my nyla, for your own good.”

jee clears his throat. “i’d listen to that one, sir. her creature is something else.”

iroh hums pleasantly, and keeps a few paces behind june as they go. a strange calm has washed over him now that the universe finally makes sense to him again; he has a few more people he’d like to question, and he’ll be all set. then sooner, if he’s lucky, rather than later, his sister-in-law, his nephew, and his niece will all be found and returned home, safe and sound. his son will be in his arms, whole and unharmed. ba sing se will simply have to wait.

and if they’re lucky, the dragon of the west won’t have thought up a better solution to finally grinding their sorry ashes into their own dirt by the time he gets back. but regardless, he will win.