#idk if all those are quirks

[coffinpal]

Hi ! I found your redline au and just fell in love with it, my questions are :

What are their relationships with April O'Neil and Casey jones like?

Any neat little habits/quirks they have?(like Leo's footstomps which are just the cutest)

Have a great night!

ahh I'm happy you've found us! tysm!!

april and casey are going to be introduced pretty early so we're holding back refs and info on them until they are- but i went ahead and drew april anyway i love her alot

ofc she's besties with the purple one. they are nerds. april and casey will be like family to the turtles and splinter and theyll be included in a lot of the adventures we have planned for them. they'll have their own arcs too!

april is about to be introduced at the end of issue 1 and issues 2 and 3 will focus on her. issue 4 is casey's debut. i didnt draw him because we're still figuring out his hairstyle :,D

2. Raph likes to collect pink and red things if they're on the surface, he keeps his collection in his room.

Leo stomps and moves his closed fists up and down, he also waves his hands with his palms out in a waving motion. He usually does this when he's excited or really happy.

Donnie is an anxious bean. He can be sarcastic with his brothers, but any interactions outside his family make him intensely nervous. He also relishes anytime someone talks to him as if he is a human.

Mikey is very cat-like! Very animalistic but not feral.

He also has a large chip in his front tooth from an injury he suffered when he was small.

3. You have a nice day/night as well!! I appreciate the ask!!

[fumifooms]

Makima, devils and self-fulfillment

Dumping some Makima and CSM thoughts after a part 1 binge bc I think about her forever and ever. I’m sure I’m forgetting some devil lore, feel free to correct what i get wrong/what’s been confirmed. On the table of contents there’s why & how Makima got fixated on Chainsaw, her revealing liking for the country mouse and discussion of her nature & emotions & desires. Was the scorpion doomed to be a scorpion?

The most of this post was thought of during a conversation with @saccharineomens and I don’t think it makes sense to jump into the spiral it sent me on without first laying down the interesting groundwork theorizing she did:

"Thinking about how makima herself wants to be deified. I wonder whether she recognizes the difference between Love As Worship and the love that Aki, Power, and Denji had. She says she wants to help humanity by having Chainsawman eat the “bad” devils, but why does she want to help humans? Because she was ordered to by the Prime Minister? No, her drive seems much more personal than that, it seems like she teamed up with the PM for contractual reasons. (In the most recent chapters we see governmental members wanting certain devils to be eaten, too. What was Makima’s relationship with them? She’s too independent to just follow THEIR orders, she’s Control.)

So is she wanting to better humanity for the accolades, or out of the goodness of her heart? She sees the big picture. She sees any small sacrifice as worth it for the end result, and she’s ruthless. Perhaps she thinks that a more sedate human race would be easier to control? But Makima doesn’t loathe humanity. She never acts like she sees all humans as lesser. She loves humanity’s creations, like good food and movies. She just wants Good Things all the time

She says she prefers the country mouse BUT adds a story where she helps exterminate country mice like vermin. She likes the simplicity yet rejects the idea of being simple. Makima the complex individual you are"

~

The story itself seems to prefr the country mouse. Well- it strikes a balance, shows that a risk to live good & fully can be very worth it, but still that stability over ambition is preferable, proning having a simple happy life over fame, a simple job instead of a dangerous one, etc etc. And I do find Makima’s answer on this so so interesting, she prefers the country mouse, but this preference isn’t out of affection or sympathy but because of how relaxing it feels to exterminate them when they cause problems.

Order satisfies her. Her order satisfies her. She likes the action of rooting out disorder. Maybe this is the devil part, like how Power especially wants blood and drinking it, I feel there’s an itch to every devil, and for Makima it’s a very rigid world view/morality/standards & making things follow her rules and submit to her order.

And maybe this is why she’s attached to humans too, why she felt it was worth it to stick with the government- because devils are chaotic by nature (it’s a whole plot point that hell is essentially a free-for-all battleground for example), meanwhile humans are the species that universally rule Earth with systems they invented and instilled. They made then enforced rules, complex and intricate webs of them. She feels alienated amongst devils but she understands the humans’ need for an orderly organised society, and now she wants to be part of it. Control and conquest require social dynamics after all, requires civilizations or groups. War is chaotic while peace is, well, peaceful— Makima resents her sisters for being death, famine and war, things that throw the world in such chaos. She wants a world of perfect order, no matter how much collateral damage there will be if the end result is control.

This is even more interesting if you consider that yes, Makima is untouchable of her own design, she deifies herself with her omnipresent amount of control and the sway over others that she seeks and encourages— There is this urge to dehumanize her for it, that yes, she is the devil of control and that means she was never going to be any different, have any more feeling be any less uncanny. And I love part 2 so much for this, because it shows us the war devil and the famine devil and we see how frankly uncharismatic with poor self-discipline they are, Nayuta too, and it helps us realize just how much Makima’s success was self-made.

She admires Chainsaw Devil, the Hero of Hell, because he had his own code and his own rules and he made Hell, the chaos pit, submit to them unfailingly. Wherever he goes he decides what he does and what happens to the people he encounters but does so consistently, he has his mechanism and his rules that he always obeys, and he fulfills them every time. It’s still a mystery the why of Chainsaw Devil’s behavior back then and how it works exactly, maybe Pochita left hell because he was tired of these rules he lived by like chains, but still, he was a servant to his code. Makima would have been glad being killed and eaten by Chainsaw Devil because it’d have been becoming part of his design, his conquest, his domination, she’d have been part of that —his— order. Through her death she would be shaping his world and be part of a conqueror’s making history. Like how she appreciates the country mice that die for the sake of order. Like how sacrifices must be made to herself, like listing the name of every person whose life was lost to the Gun Devil— All for the ~greater good~, for her vision for the world. Conquest always thinks its reasons are justified.

And she does mention with the country mice thing that she goes out to a friend’s farm every year! She has a human friend?? That she visits yearly and she genuinely likes it?? Ultimately she lives a busy city life because of her goal and drive and her urge & satisfaction with overseeing shaping the world herself, but part of her, like so many characters including Angel and Aki and Reze, wishes she could live a slow peaceful country life. Moviegoing and dogs and mice in a farm- Wouldn’t it be so much simpler if Makima could find fulfillment and happiness in being a farmer, in keeping control of her own farm, getting satisfaction from exterminating vermin and expertly getting everything right, the right crops grown at the right time on the right soil? Here, too, in a way it’s trying to have full control of an ecosystem, but her goals would be easier to achieve and better, without ceaseless sacrifice or much pressure. But Makima wants grandiosity and her goal does matter to her on a fundamental and moral level, she does think she knows what’s best for the world, and with the power to change it why wouldn’t she strive to? Visiting the farm is just a break, just something she does in fall to help out and just in time to see the vermin extermination. It calms her, then it’s back to actual work.

In capitalism, even the one at the very top of the ladder is ultimately alienated from others and often unsatisfied by their lifestyle, always wanting more and more power because surely that’s the extra edge they must be missing to be content— like how Makima thinks she wants to dominate Chainsaw Devil instead of being his equal. And she says it herself too, she likes humans the way humans like dogs…….. And she keeps so many dogs :( Makima prefers the country mice because they’re calming to root out, maybe because she usually mainly deals with city mice. It’s very easy to equate humans to the mice in this allegory because it’s pretty direct and she’s already likened humans to lesser animals compared to her. She’s self-isolating by design for her design but she still craves relationships and contentment, and the dogs are the embodiment or her want for bonds and occasional simplicity because there is no possible ulterior motive, no way they tie back into her wider plan. They’re her personal life— something that feels so alien when speaking about Makima. Personality and individuality and likes and preferences and friends they visit every year. She likes how easily she can train a dog and how they become putty in her hands, at her beck and call, how much they love her and how much she enjoys their love. How simple and straightforward and easy it is. She keeps them because she likes being loved by them and loving them, and she’s gotten and raised so many. A conqueror always wants more and more and more, is never satisfied.

Devils and agency

Like Power the blood devil wanting blood and having a fixation on drinking it like with Denji’s, or how it was shocking that the violence devil was pretty tame and nice and how he himself theorized it was because he was a fiend and possessing a human body… There’s something to be said about nature vs nurture with the devils. The way they reincarnate and always embody their fear makes it seem categorically like nature, that they always always end up fulfilling the role they were named after and born to fill… Outside influence they’re helpless but to conform with. Like the humans accepting their spot in the social ladder and the shittiness of their living conditions and job under capitalism. Makima craved being equals with someone despite being the control/conquest devil, Angel Devil despite claiming to be a devil who likes to see humans dying was haunted by their deaths and wanted to avoid ones like Aki’s. The Ghost Devil being ironically haunted by Himeno, seemingly helping Aki in her memory out of… Lasting affection? Or maybe it was less about being haunted itself and more about it recognizing how Himeno haunted Aki, and acknowledging that, with the memento, paying her respect to the ghost of her. It’s Angel Devil’s devil nature that makes him like human suffering, so then is it his angel nature too to still care about their deaths? Is there truth to this or is that just personality, just our confirmation bias haunting every part of their identity like it might in their own view of themselves too? We do know different reincarnations of devils do have different personalities after all.

Yoru, war devil, is the most interesting one when talking about the nature vs nurture debate with devils. There is how through her we see the perhaps the most the consequences of a devil stopping being feared— we see a horseman for a concept as universal and horrifying as war be reduced to some bird who needs a contract with a human to have any power even just on the situation when meeting Asa. And through the story we get to know her better, and it becomes clear that her goal is fueled in good part by simply wanting to be remembered and respected through fear. Liked, validated, seen a powerful. But what is more isolating than war? Or control? We also see Nayuta accepting others’ house rules. If part 1 shows perhaps the futility of running away from the truth, with Denji’s memory, with escapist coping mechanisms, with passivity and denial under a corrupt system and with abusive relationships- running away from your own feelings and from the reality of things and from all that you are, more complex than simply human or devil or both or neither— part 2 builds upon the theme of cult of personalities, the chainsaw church, etc. The apocalypse is coming, but this celebrity superhero might save us all, or doom us all uh, dunno. The hero of hell reliving the cycle of pressure from responsibilities and expectations, maybe the part will end with Denji running away like Pochita did~

But yes, on the reverse, I think Famine is a very interesting example of how a devil’s namesake may be more innate than coerced by circumstances. One would think that a famine devil would only like inflicting famine upon others, not being famished itself, but Famine has a bottomless stomach that can never, ever be satisfied, sated. I struggle to find a psychological explanation for this, except that maybe instead of her being hungry it’s her feeling empty when she’s not eating, tasting and having that high sensory experience that releases serotonin in humans, sort of like drugs? But I do take this as a step towards the compulsion theory overall, feels like a reach in the consistency otherwise. And compulsion does not mean it’s something that they like nor that it’s something that they fight against, pretty neutral, just a nature that nudges you towards one path. Maybe it’s even just their go-to for entertainment. Maybe it’s the only thing that makes them feel right and whole. But still the debate remains, what is it, a compulsion or an urge or an itch or an active desire or a conscious chosen want? Does it change anything in practice?

And because of all of this earlier, devils being self-fulfilling prophecies with their role is not in unsignificant part nurture, because doing their atrocities is how they stay remembered— feared, powerful, known— hell and devils are a very isolating place and breed after all, and we do see devils can want companionship. Existentially, it’s their purpose and how they justify their place in the world, in the terrifyingly vast and unknowable cosmos.

We still know so little of what makes Chainsaw Devil so special, why his carnage is so self-controlled. Despite a chainsaw maybe being possibly one of the most "nature" thing you can be— a tool to cut things, a human tool that can be helpful for many things, something to be wielding by another at their judgement on what they decide, but mainly something to cut, a tool suited for carnage, to hurt and to destroy. A blade with a toothed chain, spinning around and around and around endlessly on the same road at the same pace. Such a…. Innately circular concept. And yet the Chainsaw Devil is his own, not driven by an urge or by chaos but his very own brand of order, his own unique assigned purpose, a "if you call i’ll come running to help" policy equalizing everyone. He chooses to withhold his destruction and interference otherwise, and then he chooses to be used. If it’s a choice, of course.

Maybe this is what inspired Makima so much, that Chainsaw Devil could decide what to make of himself despite expectations or innate role. Because even Hell he decided & managed to subjugate under his will and whim, with a precise vision and process. When Chainsaw Devil acts like Denji or is defeated, Makima clicks her tongue and loses her admiration and respect. Makima admired and liked Chainsaw Devil, but only as long as he matched her great image of him in her mind, as long as he followed he rules for what she thinks he should be like. She admired him for his unrivaled self-made success, but once he stepped out of that to truly embody self-fulfillment and agency, disappearing from hell to live on his own road at the beat of his own drum… Well. Surely that was a mistake she has to correct. However their second battle ends, the better conqueror will have prevailed and she’s happy about that, all in the spirit of domination and subjugation.

Imo Makima’s biggest tool, similarly capitalism’s most helpful effect for its own purposes, is complacency. Resignation and passivity helps uphold the system and go along the flow of the will of the people in power. Aki and Reze go along with orders even when knowing their job is trash, etc. In Angel Devil especially we see him go along with the flow uncaring about anyhing, and we discover it was in part due to Makima taking away memories that motivated him. If every devil decides this is just how things are and how things should be that’s what they’ll continue to be and do mindlessly, not pursuing a better life like Chainsaw Devil and Denj and not seeking to change the world like Makima. I think even Makima veils herself to a lot of things, she doesn’t like to think deeply about some things, like her desire for connection, or how making bad movies disappear is strenuous and unsustainable and requiring sacrifices at best— how her judgement is as subjective as anyone else. How liking the country mouse and her friend back at the farm and her dogs could be not devoid of sentimality. Wanting bad movies erased is her one biggest show of selfishness, of pettiness and individuality, it’s about her tastes, simple as. About how she can have tastes, and cry seeing a scene of people hug, and want things that aren’t logical, her ideology and mind twisted into a pretzel to avoid acknowledging that she doesn’t live and breathe purely for the mission she’s made a single-minded robot out of herself to accomplish. Nayuta is assertive and selfish and loud, Makima is manipulative and strategically both for her goals and for coping hollow.

Everything in her plans and goals she says is for the greater good, necessary evil, manufactured happiness the way she’ll have decided for people— and that’s the thing isn’t it, like with War, it’s the crack that shows it was all truly about herself after all. Her self-made deification still had the flaw that a self made it. Makima is not omniscient, and it’s not Chainsaw Devil the not-so-fellow-kindred-soul conqueror who gets the best of her, but a city mouse, a dog, someone she would have never thought to respect, Denji.

[20001541]

AFO animation that the official MHA Ultra Impact account posted

[reanimatedmagpie]

immortals whose body did not Quite adapt to the immortality evenly or whose immortality did not take into account everything there is to take.

Immortals with fake teeth, with completely shot sense of taste because tongue cells are fragile and lose sensitivity within a few decades. Immortals whose eyesight's kinda shit. Immortals with bad joints and strain injuries. Immortals with replacement hips. Immortals with so so many surgery scars. Immortals that can't hear as well anymore or at all. Immortals whose immune system hasn't quite held on the entire time, with bone problems, broken noses, worn out or even replaced livers and other organs. immortals subject to time anyway despite being denied the grace of really aging.

Bodies that were not built to go on forever being forced to anyway.

[nombitenary]

keep forgetting i made shifters into like a species and not just a description for what chris can do. wild. they are like a type of predator animal in my universe and if anyone has questions i am Very inclined to answer!

[floorpancakes]

if i ever figure out how to mimic the 60s and 70s shojo horror artstyle im drawing xxxholic fanart with it raaah

[gatalentan]

i had a passing thought, as a person who wears a comical amount of layered necklaces, that melissa probably jingles a bit when she walks around, because i sure fucking do, but in going back to look at gifs from the @notsosecretlyalesbian melissa museum, i think half the time most of them are glued down, like with wedding jewelry?? they don't move, or all but one don't move?? that makes so much sense as to how she keeps them in such specific configurations. it's not all the time, but a lot of the time. and that's somehow funnier?? she really said i'm wearing these to look hot and i will NOT sound whimsical when i do so, fuck you

[ssreeder]

HELLO! okay so obviously keep working on liab, I love liab so much, however. Just out of curiosity- if you were to write a mha fic would it be ship focused or no? and if yes which one? (I'm partial to dkbk myself but i don't discriminate against a good story, you know?)

i hope you're well!!! you deserve a little treat!!

I ALSO LOVE LIAB!!!!

but I can give you my MHA fic idea and kind of ramble through what I was thinking? I’ll add it under the cut

so to answer your question it won’t be “ship focused” but it won’t not be shipped focus haha because even in the anime Bakugo & Izuku obviously have *gestures* all THAT going on the entire time so once I start writing who KNOWS (I also adore kirishima and bakugo friendship and loyalty so I wanna write that too & shoto and him adjusting and trying to be a good friend and seeing bakugo as a friend and being loyal and steadfast with him)

I love dkbk & their roughness in the beginning and Bakugo struggling to accept that he doesn’t have to isolate himself to be great & he can allow others to get close and it’s not going to hold him back or weaken him in anyway. And Izukus relentlessness and just complete acceptance of people despite their worst qualities. 

Ok so I’m thinking of starting the fic at kamino when Bakugo gets kidnapped instead of “recusing him” the Hero Public Safety Commission opts to give Bakugo the choice to essentially do what Hawks is doing (trying to infiltrate the LOV) because Bakugo is already on the inside and shig is becoming a very real threat and with AFO popping up it’s even more important for them to be in the know.

&I assume they’d use someone’s quirk to communicate with Bakugo or intercept him during the rescue and of course Bakugo would agree because he wants to be a hero and he’d do anything to accomplish that.  

the students would see him go back with the LOV & of course Izuku and the others aren’t happy about it and I can’t imagine All Might is ok with it or the school but I’ll work out the logistics of how everything works when I build the background lore haha. I love that part of writing but like I’ve said I haven’t given it too much thought 

But essentially I’ll get to write bakugo in the LOV with all those dynamics and clashing personalities but of course I love angst so it’ll be angsty because AFO isn’t captured here and of course I’ll do some terrible stuff to Bakugo & I LOVE hawks & Dabi so I’ll probably fuck them up too and it’ll be a mess. Idk I’m excited I have some fun surprises and twists already planned out I just gotta do the actual WORK before the writing haha.  

Idk I’m excited idk if it’ll be good or anyone will read it haha but I’ll give it my best because I love the passion Izuku has for Bakugo and protectiveness he has and just ahhhh I love it. But I really enjoy all the character dynamics I love writing big emotions haha and angst

THANKS FOR THE ASK AND LETTING ME RAMBLE ABOUT THIS!!! Sorry for my incoherent yelling. 

[pepprs]

beaver gnawing on wood noises

[iwatcheditbegin]

Controversial opinion; but this fandom is full of insecure freaks who don’t know how to accept themselves and need Taylor to be just like them.

[microwavestim]

i think im coming to terms with the fact that i was in fact abused in real time. like in this very moment

[waywardsalt]

fe engage absolutely just leaned into being absolutely totally okay with more than a few of its characters being silly freaks

[virtue-boy]

ahhhh I gotta say it I Saw the TV Glow was really mid sorryyyyyyyy

[snekdood]

also if it makes me seem weak to you bc i dont actually wanna kill things-

dawg.

imma say this as if im your close personal friend whos very concerned about you, your wellbeing, and how you've been lately-

you sound like an actual nazi.

[ozarkthedog]

𝐩𝐡𝐨𝐧𝐨𝐩𝐡𝐢𝐥𝐢𝐚

summary: Joel Miller loves how responsive you are.

warnings: 18+ mdni. feral!joel miller x afab!reader. smut. feels. dirty talk. pussy & cock pronouns. Joel calls himself “Daddy” one time.

word count: 867

author's note: idk what this is. it probably doesn't make sense but i'm posting it anyways so i can work on other things. xo.

𝐌𝐚𝐬𝐭𝐞𝐫 𝐋𝐢𝐬𝐭 ⋅ 𝐅𝐢𝐜 𝐍𝐨𝐭𝐢𝐟𝐬 ⋅ 𝐉𝐨𝐞𝐥 𝐌𝐢𝐥𝐥𝐞𝐫 𝐌𝐚𝐬𝐭𝐞𝐫 𝐋𝐢𝐬𝐭

Joel Miller loves how responsive you are.

He's being a tease, but with the unholy moans he is pulling from your lips, he can't seem to stop. All of your airy gasps and desperate whines make every inch of his cock throb.

"He makin' you feel good?" Joel asks, kissing the underside of your jaw, scraping his graying scruff along the soft skin. "With all those pretty noises, he must be."

You clutch your limbs around his broad, sun-kissed shoulders and sturdy abdomen as he devastatingly fucks you into his matress, forcing you to cling to him for support as he saws his hips back and forth.

An intoxicating thrill of power surges. Joel's lips quirk, tugging into a grin. It's selfish, but he loves how much you depend on him.

"Thatta girl, takin' e'ery inch just like I knew you could." he husks, enjoying the shiver his praise gives you.

Every shove of his hips leaves you breathless and panting. It's as if each thrust is your very first. Joel splitting you open, for him and only him.

Your 'O' shaped lips, the way your brows pinch above your wary eyes, and the delicate mewls set him ablaze. Joel wonders if he should be concerned with how much he wants to wring every sound from those pretty lips, which are still swollen from earlier in the night.

As you sat naked between his thighs, swallowing his cock, your muffled moans were enough to have him leaking over your tongue. The way your hands curled around his thick, hairy thighs like you couldn't get enough, forcing yourself to gag when his bulbous crown hit your tonsils.

Joel tenderly cupped the back of your head, prepared to soothe your insecurities. Still, you stayed latched, happily drooling down his veiny shaft.

A giggle rumbled through the tight confines of your throat. It caught Joel off guard as you smiled up at him with spit-drenched lips and eyes so bright they sparkled like a Texas midnight sky.

From that moment on, Joel knew he didn't want anyone else.

He wants to play your body like the aged acoustic leaning against the wall in his bedroom. Strum and pluck all the right spots that create the finest tunes and melodies.

Joel eases off his elbows and kisses his way down your body before sitting back on his heels, watching with intrigue as he withdraws from your silky vice lock; your begging cries are a choir of angels to his ears. His girthy tip is still notched at your opening, keeping him warm and safe while you squirm and sob under his stormy gaze.

Turmoil sinks beneath his skin. He wants to comfort your cries and give you all that you ask, but never cease those sinful sounds.

Joel hooks a thumb past your lips and presses down on your tongue, keeping you open and pliant. He rests his forehead on yours, staring down into your watery eyes.  

"Shh, s'ok. Daddy's got you," he purrs before sharply thrusting into your velvet cunt.

A choked sob catches in your throat, your lips forced to close, but Joel's thumb doesn't move; he wants to hear it all.

"No, no, lemme hear those pretty noises," he shakes his head and cants his hips, spreading you even wider for him.

A wave of intangible moans vibrates his thumb. It makes him hard, so hard, it feels like his cock will never soften. Every rapturous moan slinks up his spine until it punctures his skull and takes root in his brain.

"Such'a good girl, come on, get him all messy," Joel grunts, cutting himself off with a groan as your cunt grips his girth.

His lips pull into a feral snarl when a fresh wave of sticky arousal coats his heavy sack, enticing him to quicken his pace. It's brutal and unforgiving, bruising his pelvis and the backs of your thighs, but your corrupt moans are a drug; he only wants more.

If it wasn't for his stubborn hold on your hip and jaw, he would've fucked your blissful, ragdoll body up the bed, grunting like a wild beast.

"Gettin' real tight. She tryin' 'ta milk me dry?" Joel demands, lightly squeezing the back of your neck when your eyes begin to flutter from the impending pleasure.

A wet hiccup breaches your lips, and you dumbly nod.

Joel covers you with his body, shielding you from the outside world. He slides his thumb back further, pressing down on the meat of your tongue. His cock pulses and grazes your cervix when you gag on the imposing digit.

"Thatta girl." He splays a hand on the crest of your plump mound before landing a heavy thumb over your swollen, glistening clit. "Come on, show me how tight she can get."

Joel draws tight circles around your tiny, slick coated button, relishing the way your body stiffens and erupts with a hoarse cry as you shatter in his hold. He has to bite his cheek to avoid coming just from the perverse noises that spill from your parted lips.

In a depraved way, Joel thinks he wants to be haunted by your obscene melodies for the rest of eternity.

feel free to scream at me -> 💌

reblogs & comments are extremely appreciated! follow @ozzieslibrary for new fic updates!

[s-4pphics]

candy crush. (e.w.)

SYNOPSIS: you’re too sweet, and ellie hates it. 

WORD COUNT: 4.3K

WARNINGS: recordshopmanager!ellie, crumblcookiebaker!oc, hurt/comfort, ellie’s a cunt, ocs too sweet, FLUFF?? FROM ME??? HUHHH, crushing, slight suggestive thoughts

A/N: idk where this came from lol

Ellie’s reorganizing the vinyl selection when a delicate hand lands on her shoulder. “I know your miserable ass doesn’t enjoy company,” Dina hisses in her ear, purposefully hushed, “But you got company.” 

Ellie’s eyebrow quirks with confusion, leaving the earplug that blasts Head like a Hole to dangle over her shoulder. Her eyes glaze over the semi-filled shop, narrowing in on every face until she locks eyes with you from behind the guitar displays. The eye contact only lasts about 1.5 seconds before Dina smacks her leg. 

“Don’t look. You’re gonna make it weird.” Dina quietly snaps from beside her, occupying her hands with some misplaced records. 

“You know her?” 

“I see her around sometimes. I think she works nearby,” Ellie catches her smirking from the corner of her eye, “… I think she likes you.” 

“Fuck off.” 

“I’m dead serious. She’s been staring for the past 10.” 

“At who.” 

“At you, dipshit.” 

Ellie can’t help herself. She takes one experimental glance in your direction; discovers you typing away at your device with a black mask pulled down under your chin, bottom lip trapped between your teeth with worry. Your apron and tiny name tag indicates you probably work somewhere close by, but she can’t pinpoint where. You’re too far and her vision is failing.

“Get her numbe—“

Ellie’s head whips to face Dina, “If you don’t shut up, you’re fired.” 

“Abuse of power,” She snarks in return, “C’mon! She seems so—“

“D-Do you guys have any acoustics for sale?” 

You’re a ninja, for sure. Both girls' heads snap around to face you — who stands a bit too close for Ellie’s liking — phone desperately clutched to your chest and eyes wide as a doe. Mainly locked with Ellie’s before they drop to your name tag.

Crumbl. 2 shops down. 

Fuck. 

“Why, yes!” Dina says excitedly when Ellie doesn’t reply, “Most of ours have been used, but they’re still in great condition. Are you interested in renting or purchasing?” 

“Purchasing… I think.” 

“No problem. I can show you some that we have on display, and if you don’t like those, we have some stocked in the back!” 

Ellie’s forehead creases. Dina has never been this active in making a sale, let alone interacting with any customers. Ellie is always the one who’s forced to pick up her and Riley’s slack in the shop. She catches the light traces of disappointment that overtakes your expression at Dina’s interjection, but eventually, you’re led over to the guitar displays.

Ellie sighs in relief. 

That brief exchange gave Ellie everything she needed to know. She doesn’t find gratification in denying proposals at work, but after months of being hit on by a multitude of customers — the men particularly piss her off— she’ll be as stern as she needs to be to get the point of denial across. Sure, it makes her look like a cunt to the general public, but she’ll take that over being chased after on the clock. No questions asked. 

Ellie assumes that you’ve found what you needed because on your way out, persistent stares are thrown in her direction up until your departure. She dodges them with mastery. 

She would hate to have to embarrass a strip neighbor. 

Three days later, you stumble upon the record shop once more. Dina isn’t here to save Ellie this time, and Riley’s passing time in the break room. Your uniform is lightly dusted with white, presumably flour, and your mask is down, phone clutched to your chest like it holds all your secrets.

Your mouth drops open around a small smile when you approach the service counter, but Ellie interrupts before you can greet her. 

“What can I help you with?” 

She assumed her annoyance would be guarded by professionalism, but your smile drops at its corners at her tone. A light flinch that Ellie prays is enough to deter you from spending your breaks here. 

It doesn’t. Your eyes still shine like the star that you aren’t. 

“I, um… I actually wanted to talk to you. If that’s okay—“

“Is it regarding the purchase you made a few days ago?” 

Dina slid Ellie a notice on the down payment you made for your used dreadnought since you weren’t able to pay in full. The scolding she received about “taking care of you” whenever you returned made her teeth grind together. 

“N-No. I just—“

“I’d appreciate it if we kept the conversation about that,” Ellie uses the scribbles on her notepad as a distraction, “Did you have any questions regarding the instrument? Or if you’re interested in taking part in the lessons we offer, I could redirect you to Riley. She’s in charge of—“

“I just wanted to see if you were… interested in sampling out some cookie flavors I came up with? I’m a baking and pastry student and—“

“Look,” The tip of Ellie’s tongue sharpens into her cheek, irritation evident when you two are eye-to-eye. “I’m not sure where this proposal is coming from, but frankly, I’m not interested.”

The drop in your expression doesn’t stop Ellie’s relentlessness. 

“I don’t know you, and I don’t know why you thought I’d be a good candidate for… taste-testing, but I’ll politely decline. No thanks.” 

Her declination doesn’t sound polite in the slightest; quite snippy and condescending from your perspective, and it forces your windpipe shut. Only for a second before a strangled gasp leaves your lips. You’re not sure if it’s out of shock or lack of breath, but it aches in your lungs all the same. 

Ellie’s glare sends holes through your back as you rush towards the exit, the small bell singing through the store and alarming your leave. 

All Ellie can hope is that you got the message. 

It’s a new week, and therefore, a new Crumbl cookie line-up. Dina won’t stop raving about the carrot-cake cookie which doesn’t resemble a cookie at all. It's tiered and way too soft and stacked with icing that’s sweet enough to rot teeth from the gum. 

It reminds Ellie of you, for some reason; Somehow still managing to be a nuisance without trying. 

Even more so now since Dina’s been using her 45 to walk down and see you. To talk to you. Dina has yet to cough up what about — not that Ellie cares. It’s just weird that you two suddenly have so much in common after knowing each other for all of two days maximum. Whenever Dina clocks back in, she tortures Ellie with dramatic retellings of your stories. 

It’s Thursday; a quiet day for the shop that Ellie uses to her advantage when the sun is at its peak. Searching through cheap magazines and playing Candy Crush on her phone. 

What a time for you to come barreling in. The formerly enjoyable shriek of guitar suddenly sounds like nails on a chalkboard at your appearance. No longer are you in all black. You’re in a sundress. An orange one. You look like a popsicle. 

And you bear gifts. Ellie’s mood turns even more sour when she sees two bright yellow gift bags with smiley faces on them and a tray filled with coffee stuffed in your hands. 

“Good morning!” 

You’re smiling, gleaming, and Ellie’s nose turns up. She plucks one of her earplugs out and closes her graphic novel. 

“How can I help you?” 

You set your bag down on the display case of her prized arch top, and she sighs in exasperation. Annoyance sparks when she notices one of the bags has her name on it, flowers and hearts and sparkles surrounding the tag. 

“Can you not put your belongings on the displays, please? I’d have to clean up after you since none of my employees will.” 

You’ve already moved your bags and exclaimed apologies before Ellie could finish her sentence. She’s seconds away from shoving her earplug back in to tune you out, but you’re fast. Persistent. She hates it.

“I’m really sorry about that,” You say gently, and Ellie shrugs you off, “I, um. I-I came to, uh…”

Ellie blinks rapidly, “If you’re here to apologize for last week, don’t bother. It’s not needed.” 

“Not at all! Well, I’m just… I wanted to drop by and—“

“You’ve gotten quite comfortable with just… dropping by. Have you realized that?” 

Ellie’s squint is harsh and scrutinizing, and sorrow overshadows the light in your pupils. 

“Since it’s obvious that you’re not understanding me, I’ll put it like this,” She leans a bit over the counter, front fully pressed against the glass and palms resting on the stainless steel, “I’m not interested in anything you have going on. Stop using your breaks as an excuse to come see me. I don’t wanna go out with you. And I don’t want to do a taste test. Drop it already.” 

Ellie watches your lip quiver with a harshness exclusive only for people like you, tears welting in your eyes and your fingers pinching at the hem of your sundress. Insecurity is practically seeping from your pores, and your gaze drops shamefully to the floor. 

Ellie’s just about to tell you to kick rocks when the STAFF ONLY door swings open and exposes Riley. Her break ended 20 minutes ago. 

“Hey! You’re early!” 

Ellie scoffs, “No, you’re late—“

“Not you. Be quiet,” She waves her off and smiles at you, who’s smiling back at her with guised genuity. A complete 180 from the you seconds ago. Since when were you and Riley on speaking terms? Friends?

She jogs from behind the stand, “Dina told me you weren’t coming til 3!” Riley throws her arms around your shoulders, and your hands tremble where they rest on her forearms. “Are those the goods?” 

“Yeah!” Your voice sounds heavy. Like you’re guarding a breakdown, “I-I had some time so I stopped by a little early.” 

“I got some to spare til Dee gets here. Hang out with m—“

“Actually!” You intervene shakily, “I have some other drop-offs to make. I really appreciate you guys doing this for me.” 

“Are you sure you can’t stay? Watch me get my Food Network judge on?” Riley suddenly points in Ellie’s direction, “Who knows. Sourpuss might even pop a grin once she tries one.” Ellie’s cheeks run red-hot.

“Sorry, Riley. Maybe next time,” You’re already wobbling towards the exit, “But, please call and tell me what you think! Dina, too! Any feedback is appreciated!” 

“I’m sure they’re delicious, Monster!” Riley compliments playfully, “Text me when you’re home!” 

When the door shuts, Ellie sees Riley’s back stiffen at the sight of you frantically wiping your face through the glass. 

“What the fuck did you do.” 

“I didn’t do shit. She’s loitering.” 

“Lo— Oh my fucking god, you’re an embarrassmen—“

“No, she is. Taking up space for no fucking reason to come and see me. She’s loitering—“

“You’re blowing a fuse over fucking cookie samples?” Riley stares at her like she’s nuts, “And not to burst your self-centered bubble, but I told her to come. She’s been asking all the stores on the block if they’d like to taste ‘em.”

Ellie pauses, expression softening only slightly when Riley continues, 

“I told her you don’t like chocolate, so she made a peanut butter version for you.” Riley shakes Ellie's special, slightly smaller bag as a means to taunt her, and the freckled girl’s face burns red. Glows even harsher when her friend throws in, “You cunt. She’s a sweetheart. Not everyone is fucking obsessed with you.” 

Riley leaves Ellie to simmer in her discomfort, slamming the break door shut. The day seems to drag on longer than usual. 

-

-

-

Ellie’s organizing the break room when she comes across her small baggie that Riley left behind. She would’ve expected her friend to take them home after Ellie’s dramatic blow up, but there it sat on the counter, untouched and jeering. 

Tempting enough for her to rest the broom against the counter and inspect its contents. Wafts of cinnamon and peanut butter hit her through the small opening of the bag, and her heart gives a squeeze. The cookie is iced to perfection — an entire scenery on the light brown canvas. So many flowers and trees and the blue hues of the sky; almost too much detail. It looks printed on. 

You’re artistically talented and the cookie smells divine. 

One nibble wouldn’t hurt. She’s sure the damage she caused is already irreversible. 

But when she cradles the carefully swaddled cookie, a small note falls from beneath the bunched cling wrap. She knows she shouldn’t. She should really, really leave the neatly folded piece of paper where it lays. Down the cookie. Trash the bag. 

She takes the cookie and the note back to her seat at the table. The cookie isn’t what she unravels first. 

“thought I’d make you a separate batch. Riley gave me the heads up about your chocolate disdain. I’m too paranoid to ask for your number in person, so I thought I’d use bait instead. I hope it’s convincing enough. Please let me know if it’s decent. Thank you for tasting.”

Signed with your name and a smiling heart with wings. Ellie’s heart shatters, remaining shards dangling from the rim of her ribcage. She can already see her friends glaring through her chest when they visit the apartment to berate her tomorrow morning. She already knows what they’re going to demand from her, but she’s three steps ahead. 

She ate the entire cookie in two bites right where she sat. It was delicious. Almondy, not too sweet, gently spiced. Probably the best she’s ever had.

Ellie has never been to Crumbl before. 

The viral spot is always bustling — too crowded and filled with loud teenagers with a sugar rush for her taste. Plus, she’s already on the clock when they first open. But the record shop is closed on Fridays. 

She put an extra bit of care into her appearance. She doesn’t recall the last time she did her hair. Half of it is pinned up and her button-up is neatly pressed. Jitters rustle in the pit of her stomach and her forehead is a bit damp, mainly because she can see you through the goddamn window. 

In uniform, you stand at the register with the same beaming smile from last week, talking and giggling with your coworkers, and Ellie instantly feels guilty. Your day seems off to a great start, and here she is… About to ruin it. She almost turned around at the thought. 

But the small bell above the door blares loud, and your bright smile drops once you recognize her, and with that, her stomach. Ellie mentally notes the bags forming under your eyes and the tension in your shoulders. It looks like you haven’t rested for days. Her heart squeezes. 

Your movements turn robotic; stiffly perched on the sides of the iPad stand as your thumb works on the screen. You haven’t looked Ellie’s way since. She approaches the counter with her tail between her legs, fidgeting with her middle finger. 

“Um… hey.” Ellie’s quiet. Out of place. Afraid. 

“What can I get for you?” 

Even with the stiffness, you somehow still manage to sound as soft as a cotton ball, but Ellie’s body locks. The scenario hits her like a brick wall; she’s doing exactly what she accused you of doing to her last week. Bothering her at fucking work. She should’ve never come to your place of business to coddle her ego. She feels like a hypocrite. You certainly see her as one. 

“Um… A cookie?”

“… What flavor.” 

“Uh… peanut butter?” 

You swallow thickly, voice hollow, “That’s not on the menu for this week,” You point towards the display of cookies that were big enough to feed a family, “These are the six we’re serving until Sunday. You can also look at the menu on the screen.” 

Ellie follows your pointing finger. How the fuck does this place work? Weekly flavors? What the fuck does that mean? She quickly examines the names of cookies that flash across the screen: raspberry cheesecake, pink velvet… Mom’s recipe? Odd name for a dessert but she lets it slide. 

“W-What’s your favorite?” 

You’re a baker, for fucks sake. You’d have better taste than anyone, better than her, she’d painfully admit. 

She watches your fingers clench around the screen, tapping mindlessly. 

“Um… raspberry cheesecake.” 

“I’ll get a dozen.” 

“O-Of the same flavor?” 

She shrugs like it’s obvious, “… Yup.” 

You give her one skeptic look before tapping at the screen. “It might be a little wait. About 15 minutes. Do you mind?” 

“No.” 

“Cash or card?” 

“Card, please.” 

More tapping, “That’ll be $41.65. Swipe or tap whenever you're ready.” 

A financial dent over a box of cookies was not on her bucket list. You hand her the receipt, and before you can rush to the kitchen, Ellie exclaims, “When’s your break?” 

“Excuse me?” 

“W— um, when’s your break?” 

Your coworkers are suddenly very interested in Ellie, all four of them eyeing her like venomous hawks. Her cheeks burst into flames. 

“Um… I don’t think that’s any of your concern.” 

And you’re right. Anything involving you is short on Ellie; it was never her business, but a burning in the pit of her stomach desires to learn. Needs to catch you at the right time to give you a proper apology even though she doesn’t deserve the time of day. She doesn’t know what to say. 

You use her floundering as a scapegoat and hustle behind the slamming doors. Just as Ellie rushes to leave empty-handed, one of your employees — Abigail reads across her name-tag, keeps professional, but Ellie’s skin burns with the fire in her eyes. 

“We’ll have those right out for you,” monotone, but gruff. It makes Ellie wonder if you told any of them about her — she doesn’t doubt it. 

“You can wait outside.” 

One stiff nod, and Ellie’s booking it until her feet plant on the packed sidewalk, nearly bumping into a couple with interlocked hands. It takes 25 minutes for the box of cookies to be rigidly placed on the lounge table by another employee. Ellie scurries into her truck with a boiling face and pulls out into the road. 

When she makes it to her apartment, she eats three mini cheesecakes in one sitting.

She sees why they’re your favorite. 

The following week was filled with glares and curses from Dina and Riley — your newfound friends, evidently. They have a way of making Ellie feel like a worthless dunce. They both have rubbed in the tales of you being a thrill to be around; the life of the party whenever they hang out. 

It makes her nauseous. And sad. 

But her sadness swiftly shifts to bewilderment when she catches you smoking near a lamppost after closing. Still in your uniform with a bag over your shoulder, pants dusted in white, proof of your labor. It’s dark out, the only illumination coming from the light stood tall above you and the orange gleam of your cigarette. The sight shocks her. You didn’t seem like the type. 

Maybe that’s where Ellie went wrong with you: constantly assuming… who you are. Your desires, your intentions with her, her friends. She’ll admit her wrongs, of course. 

But it has to be to you. 

Ellie scares you when she approaches, inhaling the nicotine a bit too roughly because you start heaving. Shoulders hunched and jumping with every cough. 

“Uh — fuck, I’m sorry! I-I thought you could see me coming! I didn’t mean — fuck —“

You’re still choking, but you hiss in between, “What the fuck do you want!” 

“I’m just — I’m sorry about —“

“You’re not — cough — you’re not sorry! You made your point clear. I don’t why you keep — cough cough — following me. I left you alone like you wanted!” 

“I DON’T WANT THAT!” Ellie shrieks in panic. 

It’s a heavy-handed admission. A weighted confession that was said too aggressively given your flinching away from her. She takes an instinctive step forward. 

“Your cookies… tasted fucking incredible. I’m also an asshole.” 

The drag you take from your cig while she rambles is almost comedic. Brows cinched at the middle of your forehead, gauging her. You’re not convinced, but you’re not fleeing like the first time. She takes a leap, and a large step towards you. 

“I feel really… really bad,” Ellie’s much quieter, eyes unwavering and the softest she’s ever shown you, “I shouldn’t have… said all that. To you. I’m just so used to being harassed at work. I’m sorry.” 

Maybe nicotine calms you. Your body language isn’t as taut compared to when Ellie first initiated conversation, and your eyes soften at her reasoning. 

The rasp from your timbre melts her skin like butter. “I didn’t know you went through that. That sucks.”

Ellie shrugs, “I didn’t know you were… nice.” 

She made the mistake of attempting playfulness, “Maybe ‘cuz you wouldn’t let me talk.” You snark while ashing. 

“I’m sorry.” Ellie implores. 

You take one last drag before stomping out the flame. “Me too. For bothering you.” 

Ellie cringes at your choice of words, but nods in acceptance. “Are we, uh… okay, now?”

A small smile grows on your face. It’s cute. Makes your cheeks puff out like a hungry squirrel. 

“We’re good.” You extend a fist out to her, and she connects her own at the knuckles. 

When they drop, Ellie nervously stares at her shoes, “Do you want a ride home?” 

“I’m alright, thanks.” 

“C’mon, I don’t want you waiting out here by yourself.”

You pause before asking, “What’s the catch?” Your brow arches mischievously.

Ellie doesn’t hesitate, “More of those cookies.” 

A giggle escapes you. Soft and airy like a feather. Ellie feels a tight clench in her chest. A thumping from her ribcage. Has your smile always been this vibrant? She mentally kicks herself for not noticing before. 

Ellie escorts you to the passenger's side of her passed down pick-up: opens the door for you and makes sure you’re buckled in before starting it up. She learns you’re a metalhead when she cranks the radio to the highest volume. 

… How quickly can crushes develop? 

Two months. Ellie’s spent two months finding every excuse to spend time with you. She welcomes your visits to the record shop and silently thanks the heavens above when you call after her shift to talk about your day. Listening to your rambles about customers and their weekly cookies has become the highlight of hers. 

She’s also found comfort in watching you fail at playing guitar. You’re adorable whenever you strike an incorrect chord or break a string. She’s more than willing to guide you through your trials: late-night invites to her apartment to practice. One of your goals was to learn how to play the entire Vanara soundtrack. 

Ellie assumed she simply enjoyed being in your space. She does, but something shifted between you during one specific session. It was past midnight, and Ellie could tell you were getting tired. She innocently suggested for you to spend the night so you wouldn’t have to Uber at such a late hour, and you graciously accepted her offer. When you started to get comfortable on the couch, she tuts in disapproval and invited you to share her bed because it was more comfortable. 

What a mistake. 

After showering and changing into comfortable clothes, you both crawled into bed and swiftly drifted off. When Ellie’s eyes opened the following morning, her heart immediately traveled up to sit in her throat. If anyone told her she’d wake up with you completely sprawled out on top of her with your warm breath hitting her neck and her arms wrapped around you, she wouldn’t have believed them. She was completely frozen beneath you, but not for the reason she’d assumed. 

Ellie was scared to wake you up. Ellie was scared you would move away from her. 

She was pulled between waking you up and pulling you even closer. You were soft and warm and you smelled like her cinnamon body wash. A literal human cookie. She caressed your back as delicately as she could, and you nuzzled into her shoulder with every swipe. She hoped the harsh thrashes from her heart wouldn’t disturb you. 

They didn’t. 

You took a piece of Ellie when you left her apartment that morning. She’s not sure which part you stole, but she hasn’t felt the same since then. A pull towards you that’s electric, sparks her to life, keeps her up at night. Whenever you’re away, at work, not next to her, she’s desperate to pull you close. To breathe in the natural scent of you. 

Evidently, crushes develop rather quickly. 

“I thought baking was supposed to be fun.” Ellie huffs from where she lays on her bed. 

“It is fun! My favorite past-time, actually,” She watches you pace around her bedroom, guitar still strapped securely around your shoulder, “It’s just stressful when you have chefs constantly breathing down your neck. It’s so hard to be creative because they nitpick everything.” 

Creating a menu is much harder than Ellie assumed. She’s become the person you’ve come to whenever you’re fired up from classes, ranting and raving about the apparent dickheads that judge your creations. After testing your recipes for as long as she has, how could anyone turn down a dessert from you? 

You’re such a hard-worker. Focused, determined… pretty when you’re brainstorming. Pretty when you’re talking… Pretty when you’re smiling. Standing. Staring off into the distance. 

“Hm.” 

It’s all Ellie can say. She’s been trying to mask her rampant stares at your bare thighs for the past… however the fuck long. They look so soft. So pliable. So easy to stretch and pry and yank at— 

Her guilty pleasure went from collecting Pokémon cards to gawking at your legs whenever you wear shorts. 

Ellie’s definitely crushing. 

Crushing very, very hard.