#ideas for stories

[los-ninos-tortugas]

I already started a Mikey-centric one-shot that sort of brushes on this topic but doesn’t take it any further but you know what? A Raph villain arc a la the Teen Titans “The Apprentice” arc could be incredibly interesting.

Really, I want to ask “how far will Raph go to protect his family?” Because what made the apprentice arc so compelling to me when I watched it as a kid was that it was a hostage situation where the hostages didn’t know they were hostages. The titans were genuinely hurt and confused by Robin’s seemingly out of nowhere betrayal, so now imagine that with the Mad Dogz. For Raph, who has always been their shield to suddenly turn on them in a way that appears to be of his own free will and he won’t (can’t) tell them why?

Raph’s protectiveness has always been really interesting to me because it’s a bit of a double edged sword. He puts so much responsibility on himself that he doesn’t necessarily need to and in turn his younger brothers start to grow too dependent on him and Raph has shown on occasion to genuinely doubt in his brothers’ abilities to take care of a problem themselves (even though they generally can). Raph is self aware enough to know that this is a problem he kind of caused and he does learn to trust in his brother’s’ capabilities but he never stops being just a little bit too okay with throwing his life on the line if it means protecting them. (We all get on Leo’s case about being a self sacrificial idiot but he had to learn it from somewhere)

The movie does put the boys through a bit of an arc of learning to get by without Raph but Raph also wasn’t cognizant for most of that so it doesn’t have quite the same oomf as what I’m suggesting here.

To put Raph in a situation where he has to fight his brothers and actually put his all into fighting them- no pulled punches or going easy or else the villain behind all this will activate the secret poison mcguffin that will kill Leo, Donnie, and Mikey is just so antithetical to his nature. In order to protect his brothers he has to hurt them.

I’m not really gonna do anything with this idea I have way too many other WIPs on my plate already but you know, food for thought for anyone else who wants it.

[yandere-writer-momo]

I’m going to give out some free ideas for other people to write if they want to make their own AU for any fanfiction:

Robot replica of your favorite character that begins to deviate from their original task and becomes obsessed with their owner

A doctor that murders serial killers that end up under their care. The doctor believes they are the hand of justice and that they are making the world a better place until they almost kill someone innocent. They spiral into darkness and self doubt. They then feel that they have to repent for their actions by doing anything the victim asks (it becomes an obsession).

A victim that survived their family being massacred by a serial killer. They decide to get back at the serial killer by destroying their family. But the victim falls in love with the serial killer’s child who is unaware of the monster that their father is. (Plot twist could be that the serial killer never was the killer and that’s why they were never caught. It was the victim).

A bounty hunter that goes undercover as a go go dancer in clubs. They’re in a constant game of cat and mouse with an assassin they’re supposed to kill. They’ve been chasing each other for years. (Enemies to lovers).

[who-canceled-roger-rabbit]

Some spins on the "mostly male team with a token woman" trope:

The woman is trans and stayed in her old circle of bros even after transition

The woman is the only one in her circle of "girls" who didn't turn out to be a trans man

[roseworth]

i think theres this idea in the general public that the "best" fanfic gets turned into real books like 50 shades of grey. but the truth is that the best fanfic can never be published as an actual book because its intricately woven into the canon material so its inseparable even if you change the names

[thatboreddrake]

So y’all know the classic edge trope of “my blade cannot be sheathed until it has tasted blood”? What if a magic sword that has that requirement, except it’s sort of inverted. A sword that, instead of being inhabited by an evil spirit which once awakened cannot be lulled back to sleep except by blood sacrifice, was inhabited by a benevolent spirit who would not allow the sword to be drawn unless bloodshed were the only possible solution. A sword whose power could never be misused because it would only allow itself to be used in situations where it was justified. What about a Paladin who spends their entire journey fighting with a sheathed sword, incapacitating but never killing or maiming. The party believes that the Paladin has taken an oath of no killing, until they face the big villain. And it is in that moment, and that moment alone, that the sword will allow itself to be drawn.

Idk, this image set my mindwheels a-turning.

But do y’all see the vision?

[liquidstar]

If my mom sees a significant amount of blood she gets lightheaded, and has fainted on some occasions. Once it happened when we were kids, I wasn't there to witness it but I heard the story from my dad. Basically my brothers, around 7 or 8 at the time, were playing outside while my mom was making their lunch, and she accidentally cut her finger. It wasn't anything serious, but it drew a fair bit of blood and she passed out. My dad saw this and rushed over, but he didn't really know what to do so he just sort of started slapping her to wake her up (not recommended, but he had no idea and panicked)

At that exact moment my brothers both came in from playing, and all they saw was our mom unconscious on the floor and our dad slapping her. So, like, without even saying a word to each other they both just INSTANTLY start whaling on him, like, full blown attack mode to defend our mom. Which obviously didn't help the situation, but she did wake up and everything was fine.

Now our dad says that he's actually really glad they attacked him over what they thought was going on, because it means he raised good boys. And I still think that's true, they're very good boys.

[cheeseanonioncrisps]

A murder mystery film set in a medieval village. After an outbreak of plague, the villagers make the decision to shut their borders so as to protect the disease from spreading (see the real life case of the village of Eyam). As the disease decimates the population, however, some bodies start showing up that very obviously were not killed by plague.

Since nobody has been in or out since the outbreak began, the killer has to be somebody in the local community.

The village constable (who is essentially just Some Guy, because being a medieval constable was a bit like getting jury duty, if jury duty gave you the power to arrest people) struggles to investigate the crime without exposing himself to the disease, and to maintain order as the plague-stricken villagers begin to turn on each other.

The killer strikes repeatedly, seemingly taking advantage of the empty streets and forced isolation to strike without witnesses. As with any other murder mystery, the audience is given exactly the same information to solve the crime as the detective.

Except, that is, whenever another character is killed, at which point we cut to the present day where said character's remains are being carefully examined by a team of modern archaeologists and historians who are also trying to figure out why so many of the people in this plague-pit died from blunt force trauma.

The archaeologists and historians, btw, are real experts who haven't been allowed to read the script. The filmmakers just give them a model of the victim's remains, along with some artefacts, and they have to treat it like a real case and give their real opinion on how they think this person died.

We then cut back to the past, where the constable is trying to do the same thing. Unlike the archaeologists, he doesn't have the advantage of modern tech and medical knowledge to examine the body, but he does have a more complete crime scene (since certain clues obviously wouldn't survive to be dug up in the modern day) and personal knowledge from having probably known the victim.

The audience then gets a more complete picture than either group, and an insight into both the strengths and limits of modern archaeology, explaining what we can and can't learn from studying a person's remains.

At the end of the film, after the killer is revealed and the main plot is resolved, we then get to see the archaeologists get shown the actual scenes where their 'victims' were killed, so they can see how well their conclusions match up with what 'really' happened.

[crowkip]

yeehaw, baby!

[stargirl230]

you’re my hero!

bnha doomed yuri was not on my 2024 bingo card

(no reposts; reblogs appreciated)

[gravitycoill]

lil comic i’ve had in my head for a bit

[five-rivers]

Group of friends who are close because they all have the same superpower except no they don't.

[stars-obsession-pit]

“Mom, why do you think ghosts are intrinsically evil?”

“It’s what the science says, of course!”

“No, I mean like, what were the studies? What did they actually observe”

“Ohh, I get what you mean, Danny! Well across all reputable reports of encounters with the ghosts strong enough to matter, they’ve always attacked first and never responded to attempts at communication! There’s no reason for them to do that if they’re not evil!”

“Huh…”

…

Danny, learning about Ghost Speak and how humans can’t understand it: hmm.

Danny, learning that ghosts greet each other and bond by fighting: hmmm.

[saints-who-never-existed]

“In the war film, a soldier can hold his buddy—as long as his buddy is dying on the battlefield. In the western, Butch Cassidy can wash the Sundance Kid’s naked flesh—as long as it is wounded. In the boxing film, a trainer can rub the well-developed torso and sinewy back of his protege—as long as it is bruised. In the crime film, a mob lieutenant can embrace his boss like a lover—as long as he is riddled with bullets. 

Violence makes the homo-eroticism of many “male” genres invisible; it is a structural mechanism of plausible deniability.”

–Tarantino’s Incarnational Theology: Reservoir Dogs, Crucifixions, and Spectacular Violence. Kent L. Brintnall.

[greentrickster]

Daughter of fantasy villains decides to rebel against her parents by actually going through with her arranged marriage to a local golden retriever of a prince instead of running off with some local villain-to-be or conquering said golden retriever’s kingdom and ruling it solo like her parents expect her to. Plus, sue her, she’s into the clean-cut earnest look.

At the same time, local prince charming discovers that he’s actually very into the gothic fiance his parents have landed him with in order to try and establish peace with the local evil lair down the lane, he would never have guessed a spiderweb pattern could look so fetching on a ball gown...?

Meanwhile, two pairs of parents in a tizzy because they both expected their offspring to whole-heartedly reject this union and give them an excuse to conquer their goody-two-shoes/evil neighbours, they’re not supposed to actually like each other-!

[versias]

The Joker is Dead (and always has been)

Danny is attending Gotham U and gets caught up in a Joker escapade and realizes the clown is, in fact, a ghost.

Suddenly everything makes an insane amount of sense: the fact that no one has killed a psycho with seemingly human-normal abilities yet, that Arkham can’t keep him for more than a week, the obsessive behavior, the appearance.

Honestly, Danny should have clocked this before he even met the spook.

And Danny doesn’t want to step on any toes, really. The Bat and the Joker have A Thing going on. But, the Batman just isn’t equipped to really put a ghost away. No wonder there’s a breakout from Arkham every couple of months. How many other Gotham rogues are obsessive ghosts haunting the city?

Joker doesn’t display any of the usual ghost powers he associates with his own “rogues”—who’ve really become more like unwanted relatives over the years what with their dropping in uninvited, making a mess, and then ditching before they had to help clean.

It strikes Danny, as he’s being tied up by the clown-costumed goons, that maybe the Joker doesn’t know.

Huh.

How does he broach the topic in a sensitive way?

“Hey, uh. Not to be rude but… You know you’re dead, right?”

Danny winces. Not like that, probably.

The Clown Prince of Crime stops in front of him, the crazed light in his eyes dimmed slightly by confusion. He glances back and forth between Danny and the students around him who are shying away from their insane classmate. (Which is. Fair.)

A menacing giggle warbles from the specter’s throat. He leans into Danny’s bubble, that eerie grin stretching somehow wider.

“Ohhhh really?” The clown draws it out and Danny can hear the crackle of static in the high notes. Honestly. How did no one figure this out before? “And are you gonna kill me, hmm? Have I got a widdle hero in my bait tank?”

“No, no, I mean, it’s not… you’re not… like? You’re not alive,” Danny rambles, trying to clarify and failing utterly. “You’re already dead.”

The Joker tilts his head, eyes dilating and glowing toxic green. He considers what Danny said, then throws his head back and cackles like a hyena.

The ghost doubles over, even, laughing so hard it sounds like he’s gonna bust something. He puts a white-gloved hand on Danny’s shoulder for support and squeezes, just shy of hurting.

After an uncomfortably long moment, the ghost wipes imaginary tears out of his eyes and pats Danny on the back so hard he stumbles and falls to his knee.

“You’re a riot, kid! If I didn’t have a date already planned…”

He trails off and ambles away, still chuckling and muttering to himself. “And they say I’m crazy! Wait til Bats hears about this!”

Danny watches him go, despondent.

It’s always harder when they don’t know.

This is gonna be a mess.

[uwudonoodle]