Bruce Wayne is canonically a very handsome man (he is called a "pretty boy" and he is in his 40s, for fuck's sake), and he is pretty famous as a rich philanthropist who doesn't want to leave his awful cursed crime infested city. So, there must be a ton of people thirsting over him on the internet. Fancams, edits, fanfics and imagines ("kidnapped with Bruce Wayne 😍 by a Gotham rogue"), the whole charade!
And anytime one of the batkids stumbles on a thirst post, they have the most dramatic disgusted reaction, loudly gagging, before sending the link to the batkids chat, because if they must suffer, then they should all suffer. Clicking on a link in this groupchat is like playing russian roulette, and getting rickrolled is a good ending.
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pls pls heard me out...FIDDLESTAN! <3
ok, i got this ask ten days ago, and I've been thinking about it ever since. Because I got two other asks asking for fiddauthor, and I dON'T KNOW HOW TO LET THEM DOWN LIGHTLY BECAUSE I'M A FIDDLESTAN BITCH THROUGH AND THROUGH 😭😭😭😭 I LOVE THEM SO MUCH!!!!!!
Don't get me wrong, fiddauthor is great and makes sense and everything. But listen. Billford and fiddauthor are multidimensional ships, they are good! But FIDDLESTAN!?!? that shit is the WHAT-THE-HECK-A-HEDRON!!!!!!! Even though it's literally 100% speculation, the implications are FUCKING CRAZY!!!!!!!!! I jumped between three ships so far during this gravity falls thing, each time thinking one is better than the other. I've decided that FIDDLESTAN IS KING!!!!!! I'm sorry. I could rant about them forever. I've been listening to nothing but extended versions of disco music for the past week. (YES THEY HAD A CRAZY ROMANTIC FLING IN VEGAS NO I WILL NOT ELABORATE!!!! (yes i will. I will elaborate at some point. it will be like ten pages or text. or I will draw it. idk.))
Here is a sketchbook doodle from like a week ago. I'm gonna post another fiddlestan thing in a few moments, but my style changes like I'm a completely different artist every week without warning, so I'm gonna leave this by itself!
He comes into YOUR house, he steals YOUR identity, and he fucks YOUR research partner!!! Fuck you!!!!!!!!!!
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curse technique concept:
your technique can make anyone fall in love with you. it's not permanent, but the emotions are extremely real, and powerful, wearing off over time unless refreshed.
the technique is activated by eye contact.
you've also taken a binding vow - you cannot activate your technique at will, it's always on. this makes your technique much stronger than it should be.
so you run around with a blindfold, much like gojo, just to prevent making random people fall in love with you.
it's not so bad, really!
growing up, your parents would wear eyepatches - with only one eye making contact, the technique was half as effective!
except... if the effectiveness of the technique increases proportionally with the number of eyes... well...
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hot take ??
the only reason people say that "mafuyu and tsukasa have nothing in common" when presented with mafukasa parallels is because they equate mafuyu and tsukasa being similar to "tsukasa has depression" because the fandom equates mafuyu's personality to being depressed and nothing else.
it doesn't help that people (primarily younger people in the fandom) who DO believe in mafukasa parallels end up making the mistake of portraying tsukasa as depressed because as of right now he is not (although it's possible he was in past because of his Very Unclear Middle School Backstory but that's irrelevant)
anyways, mafuyu and tsukasa are narrative foils because their core personalities are built off of the concept of wanting to make the people around them— especially their families— happy.
they both developed personalities at a young age based on someone they looked up to. for tsukasa, it was seiichi amami's performance that inspired him to be a star— a hero that could cheer anyone up. for mafuyu, it was her mother taking care of her that inspired her to be a nurse— and you can see the similarities from there.
for mafuyu, her identity would first come into conflict when her mother expressed her want for mafuyu to be a doctor— suddenly, "everyone's" happiness didn't match what she wanted to do, leaving her in a state of disorder and eventual depression.
for tsukasa, his identity was something he nearly forgot in its entirety at the start of the main story— becoming arrogant and fully absorbed in a hero persona, forgetting the kind person he truly is. furthermore, his current character arc seems to be foreshadowing that what "being a star" to him is going to be called into question— maybe it is something more than just being the main character that saves everyone.
their insecurities are incredibly similar.
in mafuyu's first mixed, mafuyu feels insecure towards ichika because unlike ichika, she feels as if her lyrics have no genuine meaning to be expressed to other people— despite them being her very real feelings. this is brought up again in her second mixed as well.
in tsukasa's third focus event, something similar happens. when watching seiichi's performance, he thinks that his acting is "real" and feels inferior towards him, which is ironic because tsukasa has been method acting this whole time. when tsukasa is acting out rio or bartlett or really anyone at this point in the story, it's not just those characters— it's a reflection of his traumas.
just like mafuyu, tsukasa undermines his passions he's poured his feelings into because someone else's work is more genuine in his eyes.
now, then, foils have many similarities and parallels (and i could honestly list a lot more), but how i define them is that they usually have some kind of major branching difference that MAKES them foils.
for mafuyu and tsukasa it's pretty straightforward.
mafuyu's people pleasing behavior comes from external expectations and pressures— her mother's demands.
tsukasa's people pleasing behavior comes internally, from himself— if he can't meet his own standards, if he can't be the perfect big brother or the perfect star, then he is nothing.
and even then, there's some overlap.
tsukasa's behavior was indirectly encouraged by his mother praising him for being a "good big brother" over the phone instead of asking him if he was okay while home alone.
mafuyu's terrified to be herself around other people because she doesn't want to worry or bother them— she doesn't want to be a burden— and projects her mother's expectations onto them, not realizing that they would prefer the real mafuyu if they knew the truth.
and the concept of mafukasa being foils is most perfectly and blatantly portrayed in these two cards.
mafuyu, the marionette, sitting limp on the floor— puppeteered by her mother's demands and donning a mask to hide her true self.
tsukasa, the jester, standing above everything else— puppeteering silenced plushies— his feelings. he's not being completely honest with himself, and he doesn't even realize it.
mafuyu has cut her strings and ripped her mask in half. she has acknowledged her true feelings and expressed them to her mother, even if she had to run away in the end.
tsukasa has not yet cut his.
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shipping Lucifer and Alastor but not romantically or sexually or even platonically but in a secret fourth way. enemies to enemies who hang out with each other all the time. kismesis without the sexy parts. a QPR but in this case the R stands for Rivalry. they both built their own tower on opposite sides of the hotel to avoid each other but neither of them are ever in those towers because they spend all their time in the lobby bickering. they have at least five musical showdowns a week. at first Charlie steps in to deescalate whenever it looks like they're about to actually kill each other but they're always like "we were just talking what's the problem?" so eventually she just leaves them to it. any suggestion to either of them about rising above it or trying to stay away from the other is met with some variation of "I can't back down and give him the satisfaction of thinking he won! also he's fun to piss off" Vox tries to start shit with Alastor and gets smited by the king of hell himself because Lucifer "can't let anything happen to my daughter's hotel's bellhop!" Lucifer seems down after an argument with Charlie and Alastor convinces her to talk things out with her dad who "isn't nearly as entertaining when he's moping about." at no point do they show any signs of hating each other any less. imagine if one of the most important and stable relationships in your life was based on mutual loathing.
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