#i've written this same thing in slightly different ways a million times. and i will write it again

[ohbo-ohno]

if the 1k game is still open, I’d like to throw in my two cents!

Ghost (or Ghoap) with Forest and Only (allotted amount of time) to escape before (bad thing happens)

I’m sure there’s plenty of ways to go with that!~ please take your time and remember to drink water today!!!!!

~🦋

1k game here - no more please!

i will drink water just for you babe. also i did ghoap x reader & forest & trying to escape, but ended up not including an allotted amount of time, hope that's alright!

1.5k of ghost watching soap and reader run from him during a zombie apolocypse. except the apolocypse is really more of a background thing and i just throw in mentions of zombies. no smut! (cw for a very brief mention of cannibalism, a sprained then broken ankle, kidnapping, and very light puppyplay at the end)

"You fucking idiot, Johnny," you hiss. "You're gonna get us killed!"

"Me?" He snarls, whirling around to glare at you, hackles raised. "You're fuckin' shoutin' like you want the bastard to find us!"

"Shhh! Could you be any louder?!"

"You goddamned feartie, I hope he kills you first!"

"What the fuck did you just call me?!"

Ghost just barely manages to bite back a laugh at your offended tone, the way you're nearly spitting at Johnny, even at nearly a foot shorter than him. It's like watching a kitten try and fight a dog - cute, but you know the dog could crush the kitten if things went a little too far.

But Simon doesn't mind watching you hiss and spit at Johnny, certainly doesn't see a need to step in any time soon.

He hadn't expected to find much more than a few corpses when the motion sensor around his property triggered an alarm in his base. He figured it was probably a few zombies, easy enough to deal with.

But then he spotted the two of you - a big Scotsman and his far smaller girl, bickering playfully and totally unaware of him in the shadows.

Originally he'd planned to kill the two of you. He's got enough food stored to make it through the winter, so he wouldn't have to bother with freezing your bodies for later. It would be almost comically easy to kill you, take a couple shots from far enough away that you'd never see them coming, drag your bodies off his property, and forget all about you.

But then Johnny - who's name he only knows because you use it frequently - had spotted him. And wasn't that interesting? It's been a long time since someone managed to spot Ghost while he was trailing them.

He'd noticed Johnny's injury soon after that. The two of you had taken off running - he's not sure why, but apparently you haven't had the best experience with strangers - and Johnny had limped beside you, his right ankle clearly giving him trouble.

That was near sunrise. Now, there's an hour or two before the sunsets.

Simon would like to have the two of you in his base before night falls. No point in risking losing one of you to a zombie, not when you're already vulnerable.

He's been herding the two of you in the right direction since about noon. The two of you had picked the right direction to run, almost making it fully out of Ghost's territory before he started redirecting you. It was easy to land a few shots in the dirt in front of you, send the pair of you scrambling in another direction.

You're closer to his base than either of you realize. Ghost's muscles twitch at the realization, the thought of having the two of you locked up fueling his adrenaline.

He already knows you'll both put up a good fight. He can't wait to see which one of you gives in first. He thinks it might be Johnny, can already picture the man being good after seeing how Ghost might treat you.

He tunes back into your argument as the land becomes more familiar, unable to resist smirking as he sees the path that Johnny's about to walk.

"I told you we should've been more on the lookout for other people."

"Don't even start! Ye know as well as me that the bastard came out of nowhere, don't act like we woulda seen him anyway."

"Well, now we'll never know."

"Exactly! So why're you still naggin' me about it?"

"Oh, really, I'm nagging? Really, Johnny?"

"Yes! What, you think saying it twice makes it less true?"

"Oh, fuck you, honestly, I don't even know why I bother helping you."

Johnny laughs, loud and very obviously fake. "You're helpin' me? Oh, now you've really lost it, lass. I've been dragging dead weight since this whole thing started! You know, I'm getting awful tired of-"

Johnny's just a few steps away, make that final little stretch as he talks, and Ghost holds his breath, waits....

Bam. Before he can finish his complaint, he's yanked into the air. His bad ankle is wrapped up tight in rope, a trap tugging that leg into the air and leaving his torso resting on the ground.

He grunts loudly, though not as loudly as Ghost had expected with his injury.

"Holy shit!" You nearly shout, rushing to Johnny's side and abandoning your argument. "Fuck, are you alright?"

The Scot makes a half-wheezed sound of affirmation, eyes squeezed shut.

"Fuck, alright, don't move. I'll get you out, alright?"

Before you can figure out how to make that happen, Simon steps out of the treeline. You catch sight of him immediately, eyes going wide as you clearly fight the urge to run and abandon your partner. You just barely manage to stop yourself, shifting into what looks like it's meant to be a defensive possession.

Ghost tilts his head, smirks behind the mask. "Where do you think you're goin'?"

Johnny's face is twisted in pain, leaving you to respond. "We don't mean any harm, alright? Just... just let me get him down, and we'll go."

Simon slings his rifle off his back, holds it casually in his arms. The way your hands twitch, the panic streaking across Johnny's expression... fuck, it gets him hard.

"Why would I let you do that?"

There's a little furrow between your brows, and Johnny starts to really squirm in is bindings.

"We won't tell anyone about you," you try, inching around Johnny's prone form. "Promise. You let us go, you'll never have to see us again."

That, Simon thinks, is the problem.

He hauls his gun up, takes quick aim, and shoots the rope tying Johnny up before either of you can properly panic. You both still scream when the branch falls, clattering to the ground on top of Johnny.

You're quick to help him up, your argument apparently entirely forgotten as you let him lean most of his body weight on your shoulders.

Ghost slings the gun back over his shoulder, pulling a length of rope out of his pocket. "Both of you, on your knees. Hands behind your heads, eyes closed."

"Oy." Johnny tries to move in front of you, but his now mangled ankle has to be kept completely off the ground for him to even stay standing. "You can't... we'll go, like she said. Promise, mate."

"Knees."

He'd be lying if he said he wasn't disappointed neither of you put up even a bit of fight. But he doesn't complain as he watches you fall to the ground first, letting Johnny use you to help himself.

"Good," Simon hums when you both settle, forms stiff but in the correct position. "Either one of you even twitches, I'll break your legs and leave you for the zombies."

You both shudder at that, and Ghost feels his cock throb in his jeans. He adjusts himself, then steps forward with the rope.

He's quick, not giving either of you time to properly react. You both get a matching loop of rough rope tied around your necks, just tight enough that the skin is already rubbed a bit raw, just from the initial tie.

"Don't move," Simon growls when Johnny jerks away, gripping the man's wrists and tugging them in front of him. "You want to die out here? Watch your little girlfriend get eaten alive?"

He flushes, teeth gritted in what's probably a mix of rage and pain. Sweat drips down his face, streaking through the filth. "She's not my girl."

"Johnny," you hiss, shifting restlessly on your knees. "Seriously?"

"What? Yer not."

"Is that really what you want to be focusing on right now?"

"Oh, would ye rather talk about the goddamn collar and leashes the bastard's given us?"

Ghost gives said leash a rough tug for that, finishing off the loops around Johnny's wrist and moving in front of you. "The bastard's right here."

You sit still, eyes still closed and limbs loose as you let him move your arms around. Johnny's the one who starts squirming, scowl deepening. "Really? Couldnae tell."

"Lotta sass from a man wearing a leash." Ghost yanks it again, nearly sending Johnny sprawling to the ground. He just manages to catch himself on his bound hands, and Simon finishes off yours.

He steps back, holding the length of rope stretching from your necks in one hand. He tugs solidly, smirks when you both stand as quickly as you can. "Up, now. Time to go home."

He doesn't spare either of you a glance, turning around and starting the rest of the journey home. He shows a bit of kindness, keep his pace slow since he can hear the way Johnny's breathing grows more ragged, hear his limp against the dead leaves.

Neither of you tug or try to run away, and Ghost can't help but smile at the obedience. He mentally crosses leash training off his to-do list. He had been looking forward to that one, but he's sure there'll be plenty of other interesting experiences with the two of you.

He's never trained two pets at once. He can't wait to see how it goes.

[castiwls]

gulity as sin? - d.w

Paring; dean x reader

Prompt; 'Without ever touchin' his skin. How can I be guilty as sin?'

Requested;@lailawinchesterr & anon

Notes;i love dean and i love this song so I fear I got a bit carried away🫢 also lowkey maybe the spiciest thing I've written here

Masterlist | Taylor Swift masterlist

The sound of the motel room door clicking shut pulled your attention from the article you’d been slowly reading. “Hey.” Dean nodded before placing a bag down on the small table. “They didn’t have much but I managed to get enough for the next few days.” he sat down on the edge of the bed reaching for the remote as you hummed quietly in response. 

After a moment you returned your attention to the article on your laptop the quiet hum of the TV fading into the background. Dean mindlessly flipped through channels for a while before letting out a sigh of defeat and placing the remote down. Turning to face you a small smile grew on his lips. Your brows were furrowed in concentration as you stared at your screen. 

He watched you for a moment, his hands itching to reach out and touch you. Your relationship over the last few months was something you weren't sure how to describe. Whenever you were alone he was almost always all over you. It wasn’t often you were both alone for a long period of time before he was pulling you away from whatever you were doing with only a few words.

However, when you were in public he acted as if nothing had ever happened. Yet you’d noticed the looks he’d send over men at bars. The way he would shift slightly closer, placing a hand on your thigh almost in a silent act of claiming what he saw as his.

The thought alone left you feeling giddy. It left you with the type of excitement you’d get over your high school crush brushing against you in the corridor. The small glimmer of hope that maybe whatever was happening behind closed doors wasn’t just in your head.

But a small part of your brain kept nagging that you were imagining it. That you were simply making this up in your head and that his actions meant nothing and he was simply protecting you from drunken men. He didn’t see you in that way. 

So why did he seem so different when it was just you both?

Kicking off his shoes Dean quietly turned around to sit fully on the bed. Too engrossed in your laptop your failed to notice the way his hand slowly moved a few inches until it made contact with your outstretched leg.

A small noise of surprise escaped you at the touch and you finally looked away from your laptop. Dean didn’t say anything as he silently drew shapes with his finger on your leg.

Your laptop now forgotten you stared down at him, your breath caught in your throat as you felt his hand slowly move up your leg. Quietly you pushed your laptop away causing him to finally look up from his hand.

His expression was unreadable as he watched you for a moment before he made his way up the bed towards you. This was far from the first time you’d been in this situation with him and part of you knew you should walk away now.

Stop him before he managed to pull you under his spell again. No matter how many times you and Dean did this song and dance it always played out the same. 

Your breath hitched as he placed an arm besides your head, the other now on your thigh. He leaned in slightly causing you to slowly slip down the bed until you felt your head hit the firm pillows of the motel.

His hand slipped down from the headboard to beside your head as he quietly leaned over you. “You’re so beautiful.” His voice was quiet as he moved one of his legs over your body, nudging your own apart with his foot. 

His leg landed in between yours allowing him to lie parallel to you, His nose brushing your’s for a moment. “Dean…” His name was a whisper on your lips as you stared up at him. A million thoughts ran through your head as you felt one of his hands gently brush down your body.

He shushed you quietly placing a small kiss on your jaw before placing another on your cheek. Moments like this fed that small glimmer of hope that whatever this was between you two was real.

The feeling of his lips on your face reminded you that he was real. That this wasn’t in your head. “Stop thinking so hard.” His lips brushed your ear as he leaned up slightly. “I can practically see the cogs turning in your head.” He shook his head fondly before smiling. 

“You know you can turn your brain off sometimes right?” He leaned slightly closer his smile slowly slipping into a smirk. “How do you suggest I do that?” You whispered feeling butterflies erupt in your stomach. 

His eyes fell to your lips for a moment before he met your gaze again. “It’s not something you can do.” You frowned in slight confusion, ready to snap back at him. Your retort seemed to die on your lips as he whispered. “But I can.” Before pressing his lips to yours.

It was almost like your world exploded as he became the centre of your universe. His lips moulded perfectly against yours as one of your hands slipped onto his shoulder.

The world seemed to cease to exist around you as your mind caught up with your actions. He’d never kissed you before. Sure you’d been close before but never this close.

After a long moment, he pulled back placing his forehead against yours. You barely had time to catch your breath before he was leaning in again and stealing it from you.

You weren’t entirely sure what this meant for you both but you did know it meant one thing. You were completely and utterly in love.

[helmetjellyfish]

hello! this post is going to be a little different from anything i've written before, because today we're looking at fish.

this fish, to be exact.

this fish is one of the many prehistoric creatures we see in minato's dreams from ch. 48. the translation team did a wonderful job identifying several creatures and explaining them in general, but i haven't seen any specific discussion about this one yet. so i figured i'd talk about what i think this fish is and what i think it represents.

the rest of this post will be under the cut, because there's lots of images and it's going to get quite long. here we go!

so what fish is this?

let's start by looking at these three images for reference:

(you may have noticed that the head shape of the fish in the first image is a bit different from the one in the second. however, since the rest of their bodies are very, very similar to each other, i'm assuming that they are intended to be the same fish and the head shape of the second one is closer to the 'correct' bodyplan.)

to begin with, we can see that the fins are attached to the body with these fleshy lobes, meaning that this fish is probably a "lobe-finned fish" belonging to the clade Sarcopterygii.

Sarcopterygii can be split up into three more clades:

Actinistia - the coelacanths and their close relatives

Dipnoi - the lungfishes and their close relatives

Tetrapodomorpha - the tetrapods (four-limbed vertebrates) and their close relatives

just based on morphology, we can narrow it down to Actinistia. so coelacanths! the thing with coelacanths is that one of their most notable characteristics is their weird tail:

this is a replica of the West Indian Ocean coelacanth (Latimeria chalumnae), which is one of the two species alive today. here you can see that the tail is split up into three lobes: the top and bottom lobes are the same width and length, while the one in the middle is smaller and protrudes further out. their tail is diphycercal, which means that the vertebrae extend all the way to the tip of the tail and the tail itself is symmetrical.

both living species of coelacanth have a diphycercal tail. in fact, almost every single genus in Actinistia has a diphycercal tail. but our fish doesn't. its tail has only two lobes, where the bottom one is much bigger than the top, which is a heterocercal tail. why is that?

it turns out you have to look really, really, really far back in Actinistia to find fish without diphycercal tails. and when you look back far enough...

you find Miguashaia, a fish that lived during the Devonian period 365 million years ago. a fish that also happens to be the most primitive coelacanth we know.

in other (slightly more overgeneralizing) words, it's the oldest coelacanth, so old that it doesn’t even have one of the main features we now associate with coelacanths. neat!

okay. why do i care about this fish?

isn't it odd that we see this same fish following minato for multiple pages during the dream sequence, when most of the other creatures only appear for a single panel or two?

it's especially weird by the time we get to the reunion with nagiko, when we stop seeing any other prehistoric creatures in the foreground (save for the basilosaurus skeleton). but this fish still stays next to minato, and neither him nor nagiko seem to acknowledge its presence. it... doesn't really do anything either. it just hangs around at minato's side or right behind him, like it's watching over him.

doesn’t it look a bit out of place in this scene?

and then what’s stranger is that we see it again later on. when haruno voices his concerns about minato's mental state in ch. 50, the implication being that he thinks minato might follow his wife to the grave, we get this panel to go with it:

there’s the whale skeleton and lion’s mane jellyfish, both of which have been previously used to represent nagiko. there's minato, reaching out to the jellyfish with the hand he wears his wedding ring on. and then there’s... the fish again. as before, minato doesn't interact with it at all. in fact, his back is completely turned to it, but the fish is still continuing to watch him from afar.

i already had some suspicions even before ch. 50, but this panel is the one that made me go "oh, okay, so that's definitely supposed to be a person, right?".

nagiko isn't the only character in the story who's connected to a particular deep sea creature or two: there's nagisa with the flapjack octopus, shizuka with the basket star, ryou with the cookiecutter shark, etc. we haven't had anyone with a prehistoric species yet, let alone a prehistoric coelacanth, but we do have someone who's depicted with modern day coelacanths pretty frequently:

so who would be a likely candidate for its ancient relative: a fish that's distinct enough from its kin to be recognized as a separate entity, while still sharing many visual similarities?

who's the person that's the most likely to come to mind whenever minato thinks of nagiko? a person who had always been at his side in his younger days? a person that minato can't truly see or talk to in his dreams, because he remains out of his reach?

a person who still continues to haunt him, even now?

wonder who that could be.

[allthecastlesonclouds]

castles pls ramble about your wips /is there anything you're working on and/or excited to share????

omgggg yes i have been STRUGGLING this past two weeks because i. uh. sprained my right wrist (my dominant hand) and doing Anything At All hurts so i have SO MANY thoughts in my head and nothing's going to come out of it until i'm healed

fight or flight has been a really interesting fic for me to write specifically bc i. didn't grow up religious? my mom's atheist and my dad's catholic and i've never gone to church, but religion is really interesting to me, and the topic of fate and God is really intriguing. i like looking into faith and fate and learning about the different ways people see things, and i wanted to write a fic that felt. A Lot. like my dad's Catholic Childhood ExperienceTM and where he and his siblings are now in life, since all of them fell to different religions different ways and still keep in contact. i also wanted to touch on suburban family relationships in general bc goddamn those are fucked up.

fight or flight was originally going to be a lot more Kristen Vs Mac and Donna– the document title's still a pun based on that– but the more i thought about it the little it fit with her character: as much as kristen is bold, she's much more of a say something and run character– she doesn't quite know what'll happen after she says anything, does she? and she doesn't think before she speaks, so if anything goes wrong, she's likely to flee.

i've also started revamping my Coffe AU! it was, essentially, a modern coffeeshop au where different characters were in slightly different scenarios and the bad kids didn't quite become a friendgroup until after college, where adaine and ayda ran a coffee shop and the sig figs were Vibing and riz? worked five million jobs? and aelwyn actually gets therapy. the pacing of the fic was bad, though, and it was overall unrealistic, so i'm planning out a slightly different fic– they're all going to the same excessively large college, and keep meeting up at the coffee shop Ayda and Adaine run for said college. goldenhoard was the main villain in the first one; kalina was fully a housecat; cass didn't even EXIST because i wrote it before i got a dropout account and i only could watch up to ep3 of sophomore year! that's all changing, though; the gukgaks still have a cat named kalina but she Is Named After Someone

the "fic", if i ever get around to writing it, would be an actual longfic, written from one person's perspective, and a series of oneshots for a buncha other characters. the longfic was originally from adaine's perspective, but i might go fig this time around bc my girl adaine is Hard and i want the challenge of writing from the perspective of someone who isn't the Main Character of the story.

(also. coffe!aelwyn my beloved. she's trying so hard.)

i had a riz + mordred fic in the works, but since it seems mordred is going to be in jy a lot, that one's on hold until the season goes. i wanted to write it because the premise made me laugh: it was riz really sweetly bonding with different members of mordred and then him and zayn. awkwardly staring at each other as they realize their adaine's-best-friend title will never belong to either of them again and will forever be ayda's.

i wrote a drawtectives fic recently, which i know you're not in the fanbase for but i started a second one, from york's perspective, which cycles around rosé going back to college and york learning how The City is different and what family is to him (and also learning to cook bc grandma is the Only Competent One) AND i want to round out the trio, since the first was a rosé fic and this ones a york and so the third would be a grendan one, which is about getting york to his fashion shoots, i think? that one's a lot more up in the air, because. i want them to be Mostly Separate and so i want to see where york takes me.

and, in the drawtectives vein, i'm working on episode transcripts! pre-sprain, i could do 10 pages per hour, but now i'm down to 4-6, depending on the complexity. it's the only thing i don't struggle to do bc it's mostly writing names and correcting (or messing up) some grammar. i finished s1 on the... 18th? 19th? and i'm about 25 minutes into s2ep1 so. it's gonna take a while. but GOD i'm becoming a lore keeper for this. and also my vocal recognition for These Four People Specifically is. so good now. i can recognize their hums, it's insane.

and my friend (the most lovely and also basically inactive @mug-fullof-roses) and i are making plushies! just four drawtectives (the guys and also eugene), and we're still in the fabric buying but i think i'm going to try to find some good patterns over break because. clothing??? help??

and!! bringing it around again!! i've sketched out the dumbest comic for dance au bc something happened in my dance class that had me going "bad kids right here" the entire week. my hiphop teacher started playing that billie eilish song from the barbie movie, stared at the computer for a solid five seconds, then went 'sorry this isn't it' and tapped the computer once to change it to whatcha know bout me by nicki minaj. god. wild. love her dearly.

i have So Many Quotes from dance i might just make a danceau incorrect quotes post bc. we wild.

[ratralsis]

Strings: Mini-Prequel and Mini-Sequel

In the time between my first attempt at writing the story I'm currently calling "Strings" and the version that I just posted, I took a couple of short-story-writing classes from the same school that I then took two longer novel-writing classes from.

Because I lack creativity, or possibly because I thought it would be fun, I decided to use characters from Kevin and Marigold's little story in a couple of the prompts.

One prompt was to write a 250-word story based on the phrase "Love Hurts." This is what I wrote.

Henry tilted his head from side to side, his neck cracking loudly. He yawned, alone in his car with his briefcase and a fast food bag, still slightly warm from holding the dinner he'd eaten while driving. He grabbed the briefcase and walked to the door of his house.

He knocked. After a moment, the door was opened by an older woman who looked almost as tired as he felt. "You can't keep doing this," she said.

"It won't be forever, ma," he sighed, raising his arms for a quick hug. The briefcase made the motion clumsy.

"Until when, then?" She asked. "Until the girls are old enough that you just leave 'em by themselves all day?"

His shoulders dropped. He looked past his mother at the curtains. Pale blue. Emily's idea, bought just over a year ago. Before the twins, when it was the two of them living here. Now it was the three of them. It had never been the four of them.

He swallowed that thought along with a piece of hamburger bun that had been stuck in his teeth. "What do you want me to do? I gotta work. I'm all they've got."

"No, for half the day, I'm all they've got," she said.

"And I appreciate it," he said. "But we're both too tired for this right now. Can we talk about it this weekend? Please?"

"Fine," she said. "They're asleep, God only knows how much longer."

"Alright, ma," Henry sighed. "Good night. Love you."

This is much of a prequel as I ever plan on writing for Marigold. 250 words, all of them very carefully chosen as I pared down a much longer piece until it fit that requirement, about Henry as a young man, and Marigold and Lily as tiny babies who don't even really appear.

Henry's struggling to get by. He's working overtime at the law firm, trying to establish himself as a lawyer or possibly still trying to pass the bar, I'm not really sure myself, at age 26 or so, while the girls are still too young to be left alone. In another year, he'll have remarried, and in a few more, he'll have divorced, and then a decade or so of peaceful days before one of his daughters dies in a car accident.

It's not worth writing more about him. I love Henry as a character, but his story, to be blunt, doesn't interest me much. As a character, he's fascinating, though. He's worked hard and found himself thrown about by fate and chance in a million different directions, and through it all, he's perservered, and worked hard, and done his best to keep his chin up. When we meet him in the main story, he's 47 or 48 years old, still working, making somewhere around $100,000-200,000/year in his day job (but not, like, millions), living in a big house with a big yard, but he's living by himself, and finds himself facing life as an empty nester while also knowing he's going to have to keep working for probably another decade or two before retiring. He's not sure he made the right decisions, but he did what he thought was right, and now things are the way they are and nothing can change the past.

But what's the conflict in his story? If I actually wrote it out, it would just be "Decent, hard-working guy keeps having bad things happen to him and his family," and that's not an interesting story.

So no prequel for Henry, but I absolutely love the 250 words I did write. "It had never been the four of them" is one of the best sentences I've ever written.

A while later, as a POV exercise, I wrote this three-part story. It's a sequel to the main story, and I really enjoy it, too.

Part 1. Marigold arrived home later than she had planned. There was no way to sneak into her apartment after the guests had already arrived. She tried to look on the bright side: this way, she could avoid the suspense of having to wait for them to show up.

She had helped Kevin set up the Christmas decorations earlier in the week, so those were no surprise. The bright paper streamers along the walls were his idea, as was the tree in the corner that took up a bit more of the room than she would have preferred. It did look nice, though, she had to admit. Extra chairs had been placed at the table, but nobody was sitting at it.

She hadn't known what food he was going to be preparing, and the spicy smell of it hit her like a wall as she walked in, guitar on her back. Her heart in her throat, she scanned the front room, hoping to see Kevin first. She saw him, but he was standing near the kitchen, chatting happily with the guests of honor: his parents.

Part 2. "Oh, there you are," Kevin said, turning to face her when he heard the sound of the door. "I was just finishing up the grand tour, such as it is."

"Oh, great," she said, giving them her best stage smile. "Let me put my guitar away, and I'll be right back for introductions, okay?"

Kevin smiled back and nodded. His parents said nothing, staring almost blankly at her. She darted into her music room and placed the guitar case against the wall. She could fuss with it later. She closed her eyes, took a deep breath, and came back out. Kevin and his mother had disappeared back into the kitchen, leaving his father standing by himself. She walked over, stuck out her hand, and looked up at him. He was as tall as his son--nearly a foot taller than she was.

"So, I'm Marigold, and you must be Mister Stiles."

He took the offered hand and shook it. "Please, just Kevin," he said. "I think we can be on a first-name basis."

"Sure, but, that's also what I call, you know, Kevin Junior?" She kept smiling, though it felt a bit strained at this point.

Part 3. "I'm sure I can figure out which of us you mean from context clues," he said. "So, my son told me you're a musician. Tonight's performance ran late?"

"Um, well, sometimes that happens when I'm playing a reception," she said. "I'm paid by the hour, so when the family is willing to keep paying me to stick around, I… let them. Plus, they're more likely to leave me a good review if I'm a good sport, you know?"

He furrowed his brow slightly and looked closely at the petite woman in the pink dress in front of him. "Certainly. And that's what you wore to a wedding reception?" He asked.

She bobbed her head to one side and continued smiling. He wondered if this was her best dress. "Yep," she said, after a moment. "Sure did. I'll be right back, I'm just going to get a drink."

She was back in only a moment, full glass in hand.

"I like the decorations," he told her, gesturing.

"Thank you," she said. "They were Kevin's idea, actually."

"I know," he said. "I still thought you should know that I liked them."

"Okay," she said, and downed most of her glass.

I can't remember what all of the rules were, but I believe Part 1 was required to have no dialogue, part 2 to be from one character's point of view, and part 3 to be from another's. Part 3 is meant to be from the point of view of Kevin Stiles Sr., though it's not as obvious as I wish it were given how short the story is.

I loved writing this, because I loved showing Kevin's dad as this very uptight and stiff conservative sort of guy who looks down on Marigold's line of work and lack of education (she's a high-school dropout with a GED, remember), sees her as irresponsible (for showing up late to an event like this Christmas party), and wonders if the outfit she has on is really the best she has (maybe it is, maybe it isn't, but it's what she wore to a wedding reception where she played acoustic guitar for just as many hours as her client was willing to pay her to). He's not a bad guy, but he's not willing to meet Marigold at her level or engage with her as an equal. He doesn't accept that she's going to have trouble calling both him and his son "Kevin," because, even if this guy says he'll know who she means, when they're at the dinner table and she says "Say, Kevin," both Kevins are going to look at her and she's going to have to point at one of them.

Marigold also has a rough relationship with alcohol in the original story. After her car accident, she quit drinking. It's the real reason why she refused a drink from Kevin on the night they first met. Her "I don't drink while I'm working" excuse was a lie. She doesn't drink alcohol because the last time she did, she thought it was a good idea to get behind the wheel of a car and her twin sister died. It's based on a guy I knew whose drunk driving accident scared him sober, but I don't know how common it really is.

Yet, in this sequel story, she downs most of a glass of something that presumably has alcohol in it simply because Kevin Sr. is being kind of weird to her and she's having a hard time coping with it. So either

A) She's gotten over her fears of alcohol and now drinks on occasion, B) There's actually no alcohol in her drink and she just finds the act of drinking ANYTHING to be calming, or C) I thought it was funny and knew nobody else in my writing class could possibly have read her story and known she didn't drink.

Take your pick.

While I truly love the character of Kevin Sr. as seen here, as the guy from whom Kevin Jr. gets his serious and boring sides from, a stereotypical no-nonsense German dude (Kevin is 1/2 German, 1/4 English, and 1/4 Mexican, though only the 1/4 Mexican part is specifically mentioned in the story; Marigold's ethnicity was spelled out in an earlier draft as being equal parts South Korean, Syrian, Northern Indian, and Puerto Rican, but I decided for this draft that it was more fun to just leave her as "light brown" and never let the reader actually know), but going on from there, it's not the most interesting story. It would just be Marigold having a very awkward night, and while I did truly love writing from her POV after so long writing from Kevin's, and showing her fears and insecurities for once instead of Kevin's, as well as showing how Kevin appears to her from the outside for once, where does it go from here? Eventually, Kevin Sr. and Mary will leave, and Marigold will sigh heavily and say "Wow, that was rough" and Kevin will say "Haha what" and then they'll… live happily ever after, probably?

Again, there's not much conflict there. I don't want to bring back anything from Marigold's past to threaten the happiness that she and Kevin have together. No childhood friend is going to appear and threaten to get her canceled online. Her probation officer isn't going to show up and threaten to lock her up because she crossed state lines. Her career isn't going to fizzle out and force her to get a real job. Kevin's not going to lose interest in her and find solace in the arms of another woman. They're just going to be a boring couple like every other boring couple from here on out. They'll have ups and downs. Maybe Marigold will eventually be able to have kids, and maybe she won't. Maybe they'll adopt, and maybe they won't. Maybe they'll drift apart in ten years and get divorced, and maybe they won't.

I'm really and truly happier not knowing. I'm happier leaving them just as they are, a young couple starting their adult lives together, unsure of themselves but sure of each other, doing their best to face things one day at a time, just like everyone else.*

*I love this kind of ambiguity in storytelling sometimes. It's why the second chapter ends with Kevin saying that he isn't sure if five minutes will be enough time to make up for two months of not having kissed Marigold. What happens next? Does he give her a little peck on the lips? Does he shove his tongue into her mouth? Do they fuck right there on the loveseat?** It's whatever you want it to be. I'll never tell.

**They probably didn't fuck on the loveseat. They really did only have five minutes, after all. But given that Kevin reflects on how he's seen Marigold's spiderweb tattoo before when she shows it him a few months later, it's reasonable*** to assume that, at the very least, he's seen her in her underwear.

***My headcanon is that Kevin's social awkwardness and Marigold's fear of letting someone get too close to her mean that neither of them has as much experience with sex as they want the other to think they do (it's entirely possible that they began the story as a couple of virgins), but it's not on the page, so it really is just headcanon, and mine is no more valid than anyone else's if it's about things that didn't make it into the story.

So there won't be a prequel or a sequel, because I've already written them, and they were a lot of fun, and there's nothing else to say about Kevin Stiles and Marigold Spade that I want to say.

For now, at least. If I live long enough, I may change my mind.

This is already more of an afterword than I had planned. There won't be more.

[brokenrobot2004]

DeerHead EMC-V2

My 3D printer is probably done for good (or for a very long time) after I've looked into it's situation further and tried a few more things to get it functional again, but I wanted to keep working on this robot so bad that I'd gotten corrugated plastic, and paperboard to try and do a cleaner recreation of it's original form, in something that won't collapse beneath itself; I think it's working awesome so far, currently any problems I'm experiencing are now due to my own design flaws, one pesky servo (One for the in-and-out movement of the back right leg that seems over-greased, even after I'd tried to clean alot of it off which was maybe a dumb idea but it was worth a shot; it can move, but moves very slow and often if I try to make it move too far from it's last position, too fast instead of easing into it slowly, the power surges), and my servo controller being quite noisy, leading to it having jitters that sometimes get so bad they make the Arduino reset; if there's no way to get to the bottom of that without replacing the controller, I feel like I probably will eventually just because it seems like this one (PCA9685) isn't really supported at all anyways compared to other controllers out there and I've already thought of replacing it earlier on in the project but wanted to power through! I think it's good enough to work on for the time being though :] though at the same time, the animations I'm doing are being based in Tim's Servo Program, which is written in binary specifically for this controller; meaning if I got a new one, it better be early on and not after I've done most of, if not all of the core animations! (Sitting, standing, walking and turning, walking at different speeds, anger, sadness, excitement, fear, kicking ball and other ball-related interactions, things along those lines; just baseline animations!)

I only have one picture for now, taken with my ultra-HD 4K 10 million billion trillion megapixel laptop camera XD I took another one, but the stupid camera app seemed to eat it, since it wasn't in the gallery. He's way more chihuahua-like in head shape now too, featuring big floppy ravioli ears like little puppy chihuahuas have in particular ^_^ which wasn't entirely intentional, but because they turned out that way I think it's super cute so I'm happy with it anyways! I tried to make a walking animation for him, which I filmed, but the video has my face in it; I may censor my face and upload it to YouTube sometime, alongside the video there is of EMC-V1 walking; which surprisingly, turned out better than when I made this iteration walk which I'm a little worried about ,':1c I actually think that's soley because I didn't remember to make the dog enter a slightly-crouching stance to take it's steps, like an Aibo does, which was written right on my sketchbook but I was too tired to have skimmed past it because by the time I was finished actually building the new body, it was very late O_o'

Epic laptop camera moment!!! Surely you can comprehend the writing through those like, five pixels? Looks like it was taken on a 3DS, the bloody thing! ToT Anywho, that's the scoop on DeerHead for tonight!! I'm hoping I'll get him to successfully move around without help soon, but if not, I feel like I should get a servo controller that's more specifically meant for projects like this and have software to work with, or compatible Blender add-ons (Robotics and Blender working as one?! I'd nearly want to jump for joy if I got to use that kind of workflow!!) anyways; then I wouldn't have to deal with those rather nasty jitters too, and only having the servos rapidly jerk through the basic frames of animation because I don't currently know if there's a way I can make smoothing happen on Arduino, and I'd otherwise have to boot up the raspberry Pi and stick the animation into there, and be at the mercy of it working.. Actually, the more I think about this process, the more I want to get a new servo controller XD I'm going to look into that a little bit!

[cybermoonmoon]

“...the math holds up”

On the Home front have a cough this after the easing of all those symptoms. This from that all winter long flu. A pal here commented that Flu was likely the COVID-19 itself, and I made it through.  Perhaps.  I've read of cases exactly like this where 2020 winter "Flu" patients after recovery had COVID antibodies.  This with them never knowing they had it.

Still this cough. An old radio comrade said she has the same, and its likely stress.  Makes sense what with seeing the shutdown of the world capital I live in. Also being on the cusp of witnessing hundreds of thousands to more than a Million die. I've been reading as much as I can from both sane, and profoundly insane sources. They both come up with the same numbers. 

However, for extremely different reasons.  The nutters say deliberate population culling. The sane say it's just a straight up Pandemic being badly managed. Either way this is deep shit. The math holds up...it's happening as we watch.

So here we are in rather extreme historic circumstances.  The unemployed are entering Great Depression numbers.  Societal stability in hot spots is still intact, but stressed...so far. 

'Seeing satellite images of mass graves in China, and North Korea,...lately Iran as well. These are not honest about their loses.  Btw some still say it's just a cold.  Amazing. Not even #45 sez that anymore. Both some acquaintances, and overheard conversations say it's nothing. 

Add to that people's favorite hates. It only kills black people Chinese poor people liberals Queers old people sinners all that. Human Beings are such shit.

On the upside with industry shut, and people not stinking up the planet as much. Nature is making fitful returns. The skies are clearing for the first time since the industrial revolution. Animals are wandering city streets, and the seas seem to be cleaning themselves faster that ecologists thought possible. The Earth Abides.

If we had actually disappeared from the planet. It would be near totally healed in just a few years at the current rate. As I've written I assumed it would take millions of years.  Weeks it turns out for a first stage healing.  Just a few years less than a decade likely for near total healing. This is hopeful...perhaps we'll learn from this. That, and stop shitting as much all over the damned planet.

I'm doing my part by shutting down my useless unread blogs that are taking up digital space everywhere. For now, just this slightly noticed Tumblr page stays.  I'd let my Facebook page go for now. But there's no way to actually turn the damned thing off. 

I already miss my friends there...which is most of them in these elder days. Also many of my deceased friends still have ghost pages up years after their passing. Me the same it looks like.  So I guess I have the option of going back. ...we’ll see.

Speaking of which the COVID total is now officially at One Million.  Actually, that's what's been tested or who died.  The actual number is 10x to 20x's that number. Think 15,000,000+ to over 25,000,000+ infected if you want truthful numbers. By 2022 could be a million deaths...this is now science fiction.

Btw the suppression of case #'s was and is an economic ploy. This from early in the Pandemic to keep business open. That or as #45 attempted to use as a strategy for an early re-opening.

40,000+ tested cases in NYS, and the Emerald City region where I’m posting from.  The true number is 800,000 untested cases.  A nearby hospital is stacking the dead in refrigeration trucks.

As for business as usual. This goes along with our owners' public attitude that the poor, and elderly were more than expendable for the good of the economy. They'll be "...glad to die for the economy" it was said. Hopefully current gerontocracy, rule by a small number of very wealthy mean old white guys. If we're lucky these persons that want us dead will themselves leave via COVID for the unknown country...goodbye, and blessed journey.

'Of course the Millennials won't be much better. However at least it'll be a different bunch of jerks in our faces with different, but just as destructive obsession's.

So you see it's going to work out swell. Otherwise, I'm fine.

(From my 2020 Covid Journals.)

[karanseraph]

Today's Double feature is Age of Extinction (2014) and Transformers One (2024).

General notes: these movies are made 10 years apart. Interesting. That means that like Transformers One came out in the 40th Anniversary year of the brand that Age of Extinction must have been around the 30th Anniversary, when there was that whole Thrilling 30 thing.

Transformers is animated adventure type genre movie while Age of Extinction is a live-action (with animated robots) movie in a sort of action blockbuster genre.

I didn't see many parallels between the two movies, not in the way I did with the other double features, where there's some clear parallel or an example of reversal from one movie to how the same element was treated in the other movie.

I've been trying to think how to word or to technically describe the difference in the whole feel and structure of these movies. It's kinda like if we imagine them as novels, then Age of Extinction was written in an omniscient POV which can show us directly things that happen millions of years ago or can show us different events from around the world that are happening at the same time. The audience doesn't experience the actions of Cemetery Wind team through the Autobots or Yaeger family, but the audience sees the actions of Attinger and his Rogue CIA group even before the Autobots learn the details. Which, I think lessens the impact when the protagonists do learn what is happening, because the audience already knows. We already know Ratchet got killed when Optimus finds out about it, for example.

In Transformers One the POV is somewhat more limited. The flashbacks and lore-drops have a diegetic presentation as Alpha Trion's recordings and presentations show the audience these past events as the characters are also learning of them. I feel this has more impact.

IIRC there are a very few instances in which the audience sees events in Transformers One other than when Orion or D-16 are present. I think there are a few scenes in which Sentinel reacts to the race or speaks with Airachnid that arguably is not in the usual limited POV following Orion and D. But most of the movie does follow them. There's even a fade-to-black when they are knocked out and taken by the High Guard. We don't witness how they are transported and find ourselves the audience there looking at Starscream on his throne. We also, don't see what happens with Elita between the time she's fired by Darkwing and when she enters the train where Orion, D, and B are hiding. But, we do later see her encounter with Airachnid when Orion is not present but only in contact over comms. It's not strictly one or two perspectives, but it is limited and expands only as needed to show a significant event.

Age of Extinction (and most of the Transformers live-action movies) jump around showing us what people all over the planet are doing. It's like the movie equivalent of reading a Dan Brown novel.

Whereas Transformers One, we could imagine, is more like reading a YA Science-Fiction/Fantasy novel that closely follows a few characters.

I think in terms of the ranking of the movies, Age of Exitinction is maybe very slightly above Dark of the Moon for me. Both movies still probably have way more human characters than they need and have some genre and tonal differences. And Age of Extinction has the time-skip/new team hurdle to get over. And Age of Extinction also has the weird episodic muti-ending feeling. *BUT* Age of Extinction has scenes of robots talking to each other and not just being props in the background. Bee doesn't talk/radio as much in this movie, I felt, but when we get Hound, Drift, and Crosshairs interacting with each other as well as Bee and Prime it's something that was missing from the previous movies. Like, some of the characters like Jolt, Dino/Mirage, Sideswipe had some actions or one-liners, but they didn't really have much interaction or personality. The bots in Age of Extinction have enough personality to have rivalries and disagreements but work through that to still save the world. Road Warrior Megatron + Sentinel Prime were much better than Galvatron. He was a lame villain. And those KSI bots were so generic (but intentionally because mass-produced knock-offs in universe) the way so many generic Decepticons showed up in scenes of Revenge of the Fallen or Dark of the Moon. But, Age of Extinction also has Lockdown and he felt like a villain with swagger.

So, this thing that Age of Extinction actually did better than the previous movies was then 10 years later done *even better* by Transformers One, in which they just made all the characters the bots, whether the main protagonists, antagonists, minor supporting characters, or background extras.

Since I found out that Transformers One is on Paramount+ in my region, and since I still have access to this service, I've been watching it every day and then watching some other Transformers content I have access to. Back-to-back like.

It's only been a few days.

The first day I watched Transformers One and then about 6-ish episodes of EarthSpark 'Season 3 '. Transformers One IMO, is the superior work. I don't hate EarthSpark (the obvious shift between seasons 1 and 2 does frustrate me). It generally does a lot of things I like. One of them is that it has an interesting animation style in which the 'Transformers Bots' come out looking very toy-like and the special effects 2D in style and it makes me feel like the whole thing is someone playing with toys, but in a good way (except one of the kids I'm playing with wants to go in a direction I don't like). Anyway, Transformers One is just a more epic thing all around. It's from the same era but made with different style and design. Less like toys (weirdly, considering Director, eh?) and more like an animated Science Fiction/Adventure in general. Also, arguably deeper resonance in the characters and their arcs.

The next day I watched Transformers One and then Rise of the Beasts, which only came out a little more than a year before. So, similar era of media, again. Animation vs 'live action' (but we know those bots are all animated just in a 'realism' style). The characters look pretty good to me in both. And the plots and characters and their arcs are different, but both are interesting and have resonance. I mean it's like the 'brothers' that turn into enemies with one, but then in the other it's largely about these two (three but Primal is so ahead of the others) guys from different planets trying to do their best for their own families and coming together to fight a destructive force. So, both movie are pretty epic. I kinda want others to watch these back-to-back to see what they feel, because one movie is like the one splitting apart and the other is about separate people joining as one.

Now, today I'm watching The Transformers: The Movie (I believe I own this one) and Transformers One back-to-back double feature. I'm still in the midst of this. But I think TF:tM holds up. It's 80s as Hell, right? 1986 up against 2024. But if I think about it in terms of "was this good or typical of its time" then both movies looked good in their era. Both animated, though different in technique and style. Both make use of Quintessons while the main foe is someone else. Both pretty epic plots. Both have that sort of cultural resonance where Transformers One does have those sort of Prince of Egypt vibes (I see what you did TFWiki) or like shades of Set and Osiris or vaguely The Lion King where there's a pair of close characters who split apart dramatically with betrayal. And Transformers: the Movie is very Hero's Journey itself borrowing heavily from Star Wars. Both these movies made use of some amount of celebrity casting and it worked. Transformers One several more girl or woman type characters than Transformers: The Movie, but that's also likely reflective of the eras in which they were made. Transformers One still mainly has the one main pink heroic girl and dark bad girl characters which is a thing with this whole genre of the action toyline adaptation, but yes, many other different types of bots in the background.

I think maybe Bumblebee tomorrow?

[skyland2703]

Mixed OTP asks: Javelia; Dino Fury: Who is the big/little spoon? Which member is more likely to accidentally spend $300 at Target? Who said, "I Love You," first? Have an AU thought? Double Date? Thoughts? Who?

AAAAHH THANK YOU FOR THIS!!! This got a liiiiittle out of hand...

Who is the big/little spoon? Amelia is the big spoon. She loves cuddling Javi, and Javi can just roll into a little ball under her embrace and just MELT. He feels safe when she's around, but when she's in a bad mood, he doesn't mind taking the role, so I guess they're a switch?

Which member is more likely to accidentally spend $300 at Target? Amelia. AMELIA AMELIA AMELIA. if she sees anything that looks even the slightest bit *shiny* or intriguing to her, she'll get it. Not to mention anything that has a label even slightly related to the paranormal. Javi: You blew up FIFTY BUCKS on this GPS? Amelia: It's a ghost tracker Javi: what's... what makes it different from a normal gps? Amelia: See that ghost sticker there? It's for ghosts! Javi: Please tell me you kept the receipts T_T Basically he adores her, but sometimes even he finds himslef scratching his head. He tries his best though. Ie: He goes shopping, she doesn't. NO.

Who said, "I Love You," first? They'd both thought it would be Javi who'd say it first, he's the more emotional one of the two, but it was actually Amelia. One day, overthinking stuff, she realised just how much she loved him. And she wasn't the type to let the realisation brew. The second she realised it, she tracked him down, wherever he was, and confessed. Turned out, Javi had been feeling the same, but he'd been a little shy in confessing.

Have an AU thought? Only about five million... But if we're talking about One... Okay I've written the Ghost!AU already so I can't say that, right? Okay wait, wait, here's this that's been dancing around in the back of my mind for about... a week now. Coffeeshop AU where basically Javi's the barista and Amelia's a regular, and a total meet cute where it's love/attraction at first sight? I don't have many ideas yet, but Barista Javi with a starbucks cap, and tattoos can't leave my mind... not to mention he can't work a coffee machine to save his life— Jane hired him because she was short on time— and Amelia, who is in fact not a barista, yet knows how to work it, and on his first day he messes up, and she comes in to help him, simply because she's nice... and wellllllll! SPARKS FLY✨

Double Date? Thoughts? Who? Javi and Amelia are ALWAYS up for a double date. Mostly because they have a nice couple to go out with, who are not too gross, (and don't involve Javi's sister)... yeah you guessed it right. Zayto and Aiyon didn't understand the idea of a double date at first, and they handed the task of explaining it to Izzy— who also by the way went on double dates with Zayto and Aiyon and Fern— and it worked. They've made Bowling double dates a regular thing now. ALSO Javi doesn't want to go on a double date with Izzy and Fern he's just not ready yet.

[samuel-de-champagne-problems]

It's Delicate: Part II

Summary: Spencer Reid finds himself at a gas station at 2:00 am, thinking he’s only leaving with a cup of crappy coffee. But something taped to the door catches his eye. Spencer leaves the gas station with more than he intended: the chance at a friend, and maybe something more along the way.

Word Count: 3.6 k

Author’s Note: Here's the second part in It's Delicate, my first chapter fic. I've planned out kind of where I see this eventually going! Thank you to anyone who reads, likes, comments, and reblogs. It really means the world to me.

Content Warnings: Expletive language (3 uses), mentions of drug use, sexual innuendo

READ PART I

It's Delicate Masterlist

It's Delicate

Sitting on the plane, Spencer looks out from the little window. For hours, there’s been nothing but corn fields and clouds. It’s eerily peaceful, being there high above the clouds. His whole life Spencer has felt this distance between him and everyone else, but nothing makes that feeling more prominent than being strapped in a glorified metal box 35,000 feet off the Earth’s surface. But the thing is, Spencer does need to be flying above the trees to feel lonely. He can do that with two feet on the ground.

Luke sits across Spencer, the table between them and a deck of playing cards are spread out across its surface. He has to nudge Spencer’s leg from under the table, trying to bring him back to reality as he stares out the window.

“Whatcha thinking,” Luke asks, Spencer has been noticing more and more that Luke is one of the few people that actually listens to him.

Spencer, whose mind is racing too fast to even formulate an articulate thought, attempts to dodge Luke’s question with a noncommittal shrug.

“Reid, these cases are hard for all of us, you gotta know that man,” Luke says, laying down a four of a kind.

Spencer narrows his eyes, shocked that it hasn’t clicked yet for the rest of the team. He cracks his neck, preparing to answer Luke.

“We almost locked up an innocent man, Alvez. I almost sent another man to the same fate as myself. What kind of fucked up message is that?” Spencer says, throwing down the cards on the table. He doesn’t wait for Luke to respond.

“I fold,”

Spencer walks off into the small kitchenette to make a cup of coffee. He doesn’t want to think about his increased reliance on coffee, because he knows it’s a hot cup of coffee or a cold needle of Dilaudid in his veins. Spencer checks his watch, it’s 10:17 pm, maybe too late to find a meeting at a church or rec center somewhere.

He sneaks a peak at his phone, which was still unfortunately on Airplane Mode, he hasn’t even gotten a chance to see if Y/N has responded. He doesn’t know much about her, just as much as she knows about him.

It’s a brave new world for Spencer and he’s knee deep into the unknown.

Spencer can feel Luke’s eyes on him. He just knows that the minute he gets home, a certain tech expert will be ringing him. He knows that it’s Luke’s way of caring, but for someone who’s been alone for so long, having people that actually care is almost drowning.

Walking back to his seat, Spencer hands Luke a coffee. He smiles slightly; it’s the awkward smile that he used to make when intimating police chiefs and idiot cops would look him up and down like he’s a TA. It’s a peace offering for Luke, who despite his tough looking exterior, is one of the kindest people Spencer knows.

“Look, Reid. I’m sorry that we didn’t put it together. It’s just that man that we caught, he’s not like you. He’s not innocent of crimes, he’s just innocent of this crime,” Luke says in an attempt to make Spencer feel a little bit better.

“The thing is Luke, I’m exactly like that man,”

Spencer returns to staring out the window. The cards and the coffee on the table are long ignored for the silence that is found when you’re high above the clouds.

--

Spencer hears Tara and Emily murmur quietly about going out for a round of drinks. Luke accepts, while JJ and Matt decline, eager to get home to their families. Emily looks over at Spencer, her eyes silently scanning him, his body language. Spencer knows that there’s nothing he can hide from Emily, so there’s no use in trying to pretend he’s alright when she can take one look at him and know that nothing is right.

“You guys have fun, I’m going to head home and get some sleep. I plan on visiting my mom tomorrow and mornings are usually better for her,” Spencer says, slinging his go bag around his shoulders and making the trek back to the security to check out.

He walks slowly, enjoying the sound of the crickets chirping as he trudges along. Spencer tries not to think about the man, Richard, who was almost locked up for a crime that he didn’t commit. Spencer is pretty sure that being the person to throw an innocent man in jail is worse than being the innocent man in jail.

Spencer’s phone buzzes loudly, disturbing the silence of his walk. He looks at the phone to see a couple of messages from Y/N. Spencer slides open the lock to his phone and hits the button to read her messages.

Y/N: Spencer...that has a nice ring to it. So tell me a little bit about yourself. Your big three, but as books. Go! 🌞🌙⬆️

Furrowing his brow, Spencer reads the message over again. He does not have a clue what “big three” means, but it seems like some sort of pop culture thing that he’s not skilled in. He wants to text Garcia for a translation, but he’s also not too keen on telling her how he came across Y/N’s number.

Y/N: I assume you’re working, but I'm kind of impatient so I’ll give you mine 🙃 I’m a Little Women sun, an Emma moon, and an In Cold Blood rising.

Y/N: Oh no….I hope my astrology didn’t turn you off

Y/N: Not that I was trying to turn you on

Y/N: omg Y/N please shut the fuck up

Astrology? Spencer isn’t one to judge, but he’s a scientist first and foremost. The idea that there is something written about him in the stars seems like ludicrous. He decided to ignore the other messages, particularly the ones with a little more than slight innuendo.

Spencer: Y/N- I’m sorry I just got out of work. As for my big three, I’m not sure about astrology. I don’t particularly believe in pseudoscience. But those are good choices. In Cold Blood is an excellent choice. Capote spent years researching the case. In fact his prose and technique inspired the entire “Nonfiction novel” genre. The world of journalism and true crime would not be where it is without Capote’s work.

Y/N: Oh my god. You are a total nerd. 🙀

That stops Spencer right in his tracks. He’s only a couple of yards away from the Volvo at this point, but somehow it feels a million miles away. You are a total nerd. The words replay in his mind as the small gray bubbles pop up again. Spencer can feel his heart constrict at Y/N’s words. It’s ridiculous, he’s nearly 34 and is getting upset that a stranger called him a nerd. Spencer unlocks his car and tosses his go bag, phone included onto the passenger seat.

After a couple of minutes his phone buzzes again. He’s half tempted to answer it, but the way his heart seems to beat faster tells him to ignore it.

Y/N: I fucking love it and I think you’ll love this too

Spencer’s entire demeanor changes as he reads the message. He’s always had difficulties reading emotion in writing, especially when he can’t analyze the handwriting. Sometimes, it’s even harder to judge inflection during conversations. Maybe that is why Spencer has spent all this time studying people, studying the way that their minds work. Before he can get too lost in his thoughts, another message pops up.

Y/N: Meet Capote and Second Cat

Y/N: They are the loves of my life

Spencer: They are very...distinguished looking. Capote is an excellent name choice then. Second Cat is also quite catchy.

Spencer hesitates before sending the message, he notices that Y/N uses what Garcia calls “emojis” quite frequently. He assumes that it’s some sort of “texting lingo” that expresses emotion in small graphics. Great, he thinks. He already has a difficult time deciphering Y/N’s cryptic wording and now he’s got to analyze these emojis.

Maybe he should profile her. He re-reads the message and settles on a “😄” because he figures that he can’t go wrong with offering Y/N a smile.

Spencer: I don’t have a cat, but when I was a kid I always wanted one, they’re quite good companions for those that live several different kinds of lifestyles. From active to sedentary, they are adaptable and independent. Honestly they are the perfect pet.

Y/N: Is this your way of telling you’re a crazy cat man? 😜 🙀

Spencer, still sitting in his car that’s parked in the parking lot, chuckles at Y/N’s response to his message. Maybe it’s just easier to ignore his rambling when it’s done through 1s and 0s and there isn’t a face to the words.

Spencer: I’m actually more of a fish guy

Y/N: Like a “I-like-to-go-fishing-and-post-picture-of-myself-kissing-my-catch-on-Tinder” kind of fish guy or...I can’t think of any other kind of fish men

Spencer, not totally understanding the obvious joke that Y/N is trying to make, settles on something that he hasn’t really ever tried: being himself.

Spencer: Not quite sure what a Tinder is, but I think fishing is terrifying and kissing a fish is something out of nightmares. But his name is Leo

Y/N: DiCaprio?

Spencer: Uhh, Tolstoy

Y/N: Good😉 ⚔️🕊️ 🇷🇺

Spencer glances at his clock on the control panel, it tells him that he’s been messaging with Y/N back and forth for nearly 22 minutes. He nearly forgot how tired he was.

Spencer: Y/N- I’m so sorry but, I just got to my car to drive home from work. I’ll text you tomorrow morning about the book club, maybe we can figure out some things.

Y/N: OMG Spencer!! you should have told me. I’ve been talking ur ear off. sleep well and yes please tomorrow we can talk about the book club

Y/N: Good night, Book Buddy 😴

Spencer wants to respond to Y/N, but he doesn’t know what to say. She seems to text so easily, and judging by that, she must be around Spencer’s age or a little bit younger. Besides JJ and Penelope, Spencer has never had a friend close to his age. It’s a strange new territory for him and he’s walking in head first into No Man’s Land.

He starts his Volvo, the check engine still lights but, reminding him once again to go get it fixed. Driving away from the parking lot, Spencer hands over his ID to Gina, the security guard. She checks his ID and gives him a tired smile. Spencer, as he drives home to his apartment, thinking about what books he and Y/N will read together. He wonders what kind of books are her favorite, if they have any authors that they can obsess over together, or if what she thinks a poet’s prose is.

The summer air rushing in through the window is nowhere as warm and as comforting as thought of Spencer finally having a friend that isn’t able to read the scars of his past in the text bubbles that pop up on her screen.

--

When Spencer opens his eyes for the first time that morning, he isn’t sure where he is. Sometimes, before he can stop his thoughts from travelling there, Spencer thinks he’s still in jail. He hates the feeling of terror that rushes over him but he hates the idea of being vulnerable a little bit more. But the softness of his pillows and the coolness of his cotton sheets remind him that he’s not sleeping on a hard cot with only a layer of fabric over his body. The light streams in through the half closed blinds, and Spencer judges by how brightly the sun shines in, it must be around 9:45 am.

He supposes that he prefers the way the sun’s rays paint horizontal bars across his face more than the vertical bars that cast gray shadows over his cell at Milburn Penitentiary.

It’s a day off from work, so Spencer didn’t set an alarm, instead allowing his mind and his body to catch up on some much needed rest. The nightmares have been getting better, but his dreams are still haunted by the way that he hardly recognizes himself anymore. Deciding that it will be a day spent in pajamas, Spencer goes to his bookshelf in his bedroom to pick out a couple of novels to read while he drinks his morning coffee and defrosts some of Luke’s strawberry pastries.

Before heading out of his room, Spencer stops himself in the doorway. He replays the events of last night. He declined to go out with the rest of the team, while he walked to his car he thought about the crickets telling the temperature, and he read over Y/N’s messages.

Y/N.

He promised he’d text her back in the morning about their book club. Last night, she didn’t seem to mind Spencer’s long messages and awkward phrasing. He still doesn’t really know how this Book Buddy thing would work, but since he found Y/N’s number on the flyer, he can only assume that she knows what to do. He leaps on his bed, landing with thud on his belly, to grab his phone that charges on his nightstand.

Spencer settles at his kitchen table, a cup of steaming hot Dark Roast coffee in a Captain Spock mug in one hand and, surprisingly, his phone in the other. He scrolls through the messages from last night, Y/N’s cat and emojis tempt a smile to Spencer’s face.

Not entirely sure how to start the conversation again, Spencer looks around for inspiration until his eyes land on a certain fish tank in the corner of his apartment. He snaps a quick picture of Leo and attaches it to the message.

Spencer: Good Morning from Leo & Spencer

Spencer sets down his phone after a moment when he realizes that Y/N is probably not going to answer him back in a couple of seconds. He takes out a strawberry pastry from his freezer and puts it into the toaster oven on a non-stick baking sheet. His thumbs run across the texture of the book he started on the plane ride after his and Luke’s ill fated poker game. It's a thin book of collected essays on the meaning of life. Camus, to Spencer, is a little pessimistic with his droning on about the meaninglessness of life. Though Spence has seen the absolute worst that humanity has to offer, he still has to believe that there’s a deeper meaning behind it all.

His toaster oven rings, altering him so that his toasted strawberry pastry is cooked. He plates his breakfast and pours himself another cup of coffee- he’ll need it to get through Camus’s section on Absurdism this early in the morning. But the flash of Spencer’s phone screen sends him reaching for his phone. Y/N replied to his message.

Y/N: hi leo!!!

Y/N: and you too Spencer :) Did you get a good night’s sleep. You got back late it seems.

Spencer, taking a bite of the strawberry pastry, ignores the burning sensation in his mouth. He types out a response to Y/N as he washes down the bite with a swing of coffee.

Spencer: I did, thank you. Can you tell me a little bit more about this book buddy thing. From what I gathered from the flyer it’s like a little book club of our own and we meet at the bookstore?

It doesn’t take long for Y/N to respond. The little gray dots pop up almost immediately after Spencer’s message is delivered.

Y/N: That’s about right! Is it okay if I call you? Kinda easier to talk that way 🤷‍♀️

Spencer reads over the message a couple of times. He doesn’t really like to talk on the phone and only does it out of necessity. He’s pretty sure that his voice is grating and his vocal fry is quite irritating. Yet, he finds himself replying “yes” to Y/N. Soon enough, his phone buzzes in his hand and Spencer has to remind himself how to pick up a call.

“Spencer? Um, this is Spencer Reid, right?” the voice says. It’s a woman’s voice and he can only assume that it’s Y/N, considering it is her phone number calling him.

“Y/N, uh hi. This is Dr. Spencer- I mean this is Spencer,” he says, nearly forgetting that Y/N doesn’t know him as Dr. Reid, but as just Spencer. It’s been a long time since someone has known him as Spencer.

“Oh great! It’s wonderful to finally have a voice to your name. So about these buddy reads. You seem to have a good grasp of what they are,” Y/N’s voice trails off a little bit at the end and Spencer finds it natural to fill in the silence.

“Yes, the flyer was quite informative. But I was wondering, do we read the same books or do we read different books?” Spencer asks, trying to restrain himself from scaring Y/N off. But something about her made him think that she didn’t scare easily.

Y/N chuckles lightly in the speaker of her phone, “that’s a good question, uh, I was actually going to ask you what you would rather. We can read the same books, or if it’s okay with you we can choose what the other would read for that week,”

“Oh really?” Spencer says, very much aware how his voice rises a couple of octaves. He can’t trust himself to hold back on rambling over the phone Y/N, so he resorts to using his strained, brittle voice that’s full of hesitation and restraint.

“That’s the plan, so whatcha thinking, Spencer,” Y/N says playfully, like she can sense that phone conversations maybe not make him feel at ease. There’s something so natural and silvery about her voice; it reminds Spencer of an audiobook reader. While he’s not too keen on audiobooks, he’s sure that he’d listen to anything she reads or has to say.

“Um, I think it sounds interesting to pick out books for each other. I tend to gravitate towards more technical books or even books that aren’t in English so, uh, I think it would be interesting to get out of my comfort zone,” Spencer says, cringing internally at using the word “interesting” twice in a couple of sentences.

“Well, as long as you don’t pick out something in physics or anything by Ayn Rand then I’d say we’re good,” Y/N says. Spencer thinks it’s a joke, but he’s not too sure how to respond.

“Will you still be my Book Buddy if I read 1 out of 2 of those?” Spencer asks, hoping she’d get that he is trying to continue the joke.

“Oh no Spencer please don’t tell me you’re an Ayn Rand fanboy,” she says, and by the airy way she laughs, Spencer ventures to guess his joke landed successfully.

“So,” Spencer starts, he never has made plans with people outside of his team, and on top of that, there’s something about Y/N’s quickness that makes him a little nervous to meet her.

“I’m talking your ear off, aren’t I? Please Spencer, if you’re going to be my Book Buddy, you’re going to have to get used to me talking a lot, especially you pick out good books, which, I already have a feeling you’re going to be favorite Book Buddy,”

For once in his life, Spencer doesn’t really know how to respond. He lets out something in between a strangled laughter and a noncommittal chuckle.

“So,” Y/N says, mirroring Spencer’s earlier words, “so are you free tonight, I can meet you at the bookstore..”

Y/N’s voice trails off and Spencer leaps to finish her sentences. It doesn’t feel like his interjecting or interrupting, but like he’s snapping a puzzle piece together.

“Does 7 work?” “7 is great, Spencer. It’s a date,”

Those three little words send Spencer’s eyes flying wide open. He scrambles to come up with answer to louden the silence that falls, but he swears he can hear a string of quiet curses before Y/N manages to squeak out a small “goodbye,”

Y/N’s last words play back in Spencer’s ears. He scolds himself for being so weird and awkward that the very idea of going on a date with him would send Y/N in a tizzy. It’s not a date, because Spencer can’t think about it being a date. It’s not a date because of the looming photo above his mantle that freezes his future in the past. It’s not a date because of the nightmare of vertical bars that haunt his dreams

It’s not a date. It’s so not a date because Spencer would call Luke to come over to help him if it was.

“Hey Luke,” Spencer says, trying to control the nervous waves in his voice, “no man, I’m fine, it’s uh, easier if you just come over. I’m fine, really,”

Y/N: I really hope you're not an Ayn Rand fanboy 😉

It’s so not a date.

--THANK YOU FOR READING--

TAGLIST

@shemarmooresfedora

@april-14-blog

@willowrose99

@calm-and-doctor

@spideygenius

@nomajdetective

@measure-in-pain

More Amazing People I Want to Share This With :)

@alltooreid

@rigatonireid

@goldentournesol

@ssa-m-187

@dreatine

@aperrywilliams

@reidyoulikeabook

[watatsumiis]

ALL OF THE QUESTIONS!!!!!!! for ur ask game

Ohoho!!! excited beeps!!! Thank you so so much, im p excited to do this woo

Answers under the cut!

1. Who are your favourite character(s) at the moment?

I definitely have had some pretty strong Harbinger brainrot over the past few weeks (Dottore, Pierro, Pantalone and Capitano especially), but as always Ayato and Zhongli hold a very special place in my heart!! Yae Miko and Tighnari also got me going a bit feral right now ngl

2. Who are your least favourite character(s) at the moment?

There are definitely a few characters who I can't stand (female pyro vision wielders---) but I feel like that's more to do with how they've been written in the game, I feel like I could be convinced to like a lot of them once I've read some good headcanons and such!

EDITED LIKE 8 HOURS LATER BECAUSE I REMEMBERED HOW MUCH I HATE THE R/AIDEN SH0GUN YUCK YUCK YUCK DEFO LEAST FAV OF ALL TIME EVER

3. Which character(s) do you lowkey despise but can't stop thinking about?

SCARAMOUCHE he's a gross little rat and i want to pull his hair -- also same with Al Haitham i just grrr bark (dont come for me i defo dont actually hate either of them asdjkhksdfg)

4. Which character(s) do you identify the most with?

I have pretty strong connections with a few characters throughout the series, but I vibe really hard with Xiao and Gorou (if you couldn't already guess--) and sometimes Sucrose! There's also something about Albedo that's got me like. Hm. Nods. Same hat.

5. What are your favourite headcanons you've come up with?

My appearance headcanons for Capitano are definitely right up there - if MHY disappoints/diverts a lot I think I've come up with enough original content and ideas for him to just make my version a fully fledged OC.

I'm also pretty fond of a lot of my neurodivergent headcanons for certain characters (OCD Pantalone isn't something I've seen around but it's definitely something I incorporate into a lot of my writing with him).

OH ALSO Adepti being empaths !! That's a very special headcanon I hold dear to my heart, I dunno why I came up with it but I really really like it, especially with Xiao.

6. Favourite headcanons belonging to other people?

I saw a Pyro Delusion Pantalone headcanon the other day that was really really super cool, I'd never even considered him having a delusion until I saw that and it vibed!!

Generally I enjoy any trans or ND headcanons for characters too, even if they don't line up with how I view them/characterise them it's really nice to see such a broad range of ideas for one character!

ALSO DESI KAEYA MY BELOVED AUGH

7. Do you have any self-ships (romantic or platonic)?

So many. So so many. I have a variety of 'sonas' for various AUs/timelines (though the one that I've made the most content for is. An arranged marriage AU with Ayato jkdskjhgf) and I make a lot of varying content for them (which I probably won't be sharing here because I'm shy but just know. I love them.) with all different characters and different relationship dynamics, I've been shipping myself (or versions of) with fictional characters for years and it's a huge comfort to me and such a fun fun way to experiment with writing different scenarios and such!

8. Thoughts on alternate universes (AUs)? Any favourites?

I LOVE AUs so much i have about a million myself and I adore seeing the kinds of things others come up with !! A lot of my writing tends to be done in a non-canon AU where the events of the game havent/don't happen just to keep things simpler hfkjhsdgk

I'm always an enjoyer of modern AUs, but at the moment i'm holding a particular fondness for the 'Fatui adopt Kaeya AU', which lowkey may have slightly inspired the last fic i started working on ehe

9. If you were from Teyvat, where would you live?

Mondstadt!! It just seems chill and nice and there's such a wide variety of people there, the vibe seems accepting and laid back and it seems like lots of people from different walks of life congregate there! Failing that maybe Sumeru just because mmm pretty

10. What kind of Vision would you have?

Anemo, probably! That's the one i most commonly write my sonas with! Though I don't think I'd be entirely opposed to a Dendro vision in some cases too!!

11. What weapon type would you use?

Hmm I guess maybe catalyst? (something something not another god damn anemo catalyst short model boy)

12. Favourite fandom tropes/goofs?

One i always find funny is like. siblings with big age gaps getting along great (Albedo/Klee, Ayato/Ayaka, Jean/Barbara, etc) but ones closer in age constantly trying to MURDER each other (Diluc/Kaeya, and Aether/Lumine r the only ones i can think of rn).

I also love the found family tropes I see around, and the Nahida and Scara content I've seen recently have been top notch!

13. Least favourite fandom tropes/goofs?

It's a common thing with a lot of games and characters where the fandom reduces them down to a core trait or two and act like it's completely canon, or take certain lines and such out of context and base their entire characterisation off of that - on a surface level theyre silly and fun but when it's literally everywhere

A few i can think of off the top of my head are like 'senior citizen zhongli' where he's reduced to nothing but a bumbling old boomer and the whole 'stalker/obsessive ayaka' bit.

14. If you could change anything about one characters design, who/what would it be and why?

I think some of the adepti should have more non-human traits (xiao deserves horns tbh) and as a general statement i'd love to see characters with facial/body hair and more variety in body types or at least skin tones! I understand it's not exactly like realistic but it would be nice

there was also an interesting detail with Zhongli's design that was fixed - he wore his vision backwards! I think it was super neat and an interesting reference to the fact that it's not a real vision, but sadly they fixed it :(

15. What's your favourite voice line from the game?

I know a lot of people joke about Zhongli's idle lines being really annoying (and while hearing the oSmAnThUs WiNe line 8 times in just as many minutes can get really irritating) but i find them kind of comforting - I play in English and really enjoy the cadence of his voice, it's super comforting to me, so most of his lines are big faves - I also find his 'disliked gift' line super funny where he tries to redirect the player by telling them stories ashkjgf

I also like how Kaeya teases you for standing around (though it kinda makes me wanna flick him), and Tighnari's "who ate a poisoned mushroom this time?" join line is fun!

Link to the ask meme!

[www-artforoddballs]

Alright, so notice. Most of you probably know this, since you're following me for the Autistic Levi stuff (thank you, we're closing in on 100 followers!!!!), but people with autism can have "tantrums". I've kinda touched on this in a previous post (it's a full meltdown, but you can see that post here https://www-artforoddballs.tumblr.com/post/644803780958879744/autistic-levi-angstkinda-i-guess-this-is-him). For those of you who DON'T know, an autistic tantrum is not the same thing as what you'd think of in regards to a toddler or kid, it's just the word used for it. This is a mistake my mother and I made when getting the paperwork done while I was going through testing that later got cleared up lol

I had a tantrum yesterday, and so I figured that I could post about Leviathan having a tantrum, since it's still ready on my mind. I don't care if anyone else is proud of me for coping with it as well as I did, since it's a major improvement from last time I had one, but I am proud of myself!...with that in mind, here we go!!

There will be some angst in this post, like the last post in relation to this one, but like the last post, it turns out fine.

However.

Trigger warning for things such as self harm, both physical and verbal. If you or a loved one is self harming, either reach out to someone for help or reach out to that person to help, yeah?

OK on with the post.

-------------

First of all, Levi's autism is part of why his brothers always agree to help when there's a raffle for tickets or something like that on the DDD messages, because he can get overwhelmed if they don't at least help, even if he doesn't win in the end.

They figured out that his autism was the culprit for this shortly after his diagnosis.

Now when I'm writing for Levi, I like to think that his diagnosis was around the early 1990s since, while autism was a separate diagnosis in 1980, it didn't really start becoming fairly accepted and expanded upon until 1987. Hence why everyone is mostly used to it by now, but are still sometimes off put by his odd behavior; for them, as beings that have been around since...the beginning of the universe, pretty much as far as we know, but for at LEAST since humans were around (so at VERY least 2.5 million years now, but potentially up to around 7 million years (if they haven't been around since the beginning of creation)), this would be like...I dunno, give me a second.

Waiting

Waiting...

Okay, so from 1990(earliest year I have in mind) to 2019 (the year it was released) is 29 years. That's a minimum of 1/86,206.89th of their lifespan, and a maximum of 1/475,862,068.96th of their total lifetime.

So this is a VERY recent development for them on the grand scheme of things, but I digress.

So they're still figuring everything out, especially as the human race continues to learn about the condition itself.

So the first time Levi threw a tantrum and they recognized it for what it was...it was certainly interesting.

What had happened was exactly the situation described; Levi had wanted to go to a concert in the human world and they were raffling off free tickets. Except, unlike now, his brothers hadn't offered their support. They hadn't in the past, why would this time be any different?

Except now they viewed it through a different light. Leviathan had an image in his head that he desired so badly and had asked his brothers to support him, hopeful, only to be rejected at every turn. That he was used to, but it was still upsetting.

He put that to the side, though. He really wanted to see this band, and these were VIP tickets where you got to hang out with the band for a few hours after the concert! They'd cost a LOT of human money, and while they COULD afford it, he knew Lucifer would be bringing hell down upon him if he used that amount of family funds on a concert. And his anxiety was already somewhat raised, so he decided to enter the raffle on his own.

He sat there for hours, waiting for the results to come in. He'd hyped this up in his brain the entire time; He'd win, go to an amazing concert, have dinner with the band, maybe even make some friends....!...and then the results came back. He hadn't won.

As per usual, our snek boi went into one of his rants about how unfair it was, but instead of going on a rampage or something like that, locked himself up in his room and cried, hating himself for getting so excited over nothing.

As I mentioned before, I've made another post about a tantrum/getting too overwhelmed slipping into something even more dire, as that's almost always what happens to me. This would be in the 90s, so this would be their first real incident with one of these moments where they had the proper diagnosis, so bear with me, there will be some angst here, but like the other post, it'll be fine.

So Mammon ends up feeling bad for rejecting his little brother, and, not knowing it was too late, decided to go to his room and offer his support. It was almost Leviathan's birthday anyways, and Mammon knew how rejection felt and how much it sucked. So, he knocked on Leviathan's door.

No response. He knocked again...still no response, but a quiet sob.

Right away, Mammon switched from semi-carefree to worried. "Levi...?"

Again, no response. He decided to just go in and check on his brother...

The door was locked. And he smelled blood.

"Leviathan, I need you to open the door," Mammon said with a half hearted chuckle, his voice now becoming slightly strained. "Because if ya don't, I'm gonna have t' break the door down."

"Just go away!" Leviathan cried from inside his room. "Just leave me alone, you jerk!"

"I ain't goin' anywhere. Either open the door or I'm gonna break it down. Those are your two choices."

A moment of silence, before Mammon sighs, stretching, as he transforms into his demon form.

"Alright, option two it is."

He rammed into the door repeatedly, before the wood finally splintered and fell to the ground with a loud thud. Mammon quickly looked around, eyes widening as he saw Leviathan digging his own sharpened nails into his arms, multiple raked wounds, made by the same culprit, carved into his skin.

"Levi...look at ya..." Mammon said, voice faltering, tears welling up in his eyes. "I...how long has..."

"Just shut up! Don't act like you care about me, I'm the freak of our family, remember?! I'm the one whose brain isn't right, I'm just a shut-in, good for nothing, re-!"

He was quickly cut off by Mammon going to him and hugging him.

"I don't care who you are. You talk about my brother like that again and I'll kill you. Alright? You're a little off, but you ain't a freak, and your brain works just fine as is. You're perfect just the way you are, and if anybody else says any different, I'm gonna beat them the fuck up. Including you. Got that? So what if you've got that fancy lable on ya now...? Labels like that matter, but it didn't change ya. You're still my cringe, annoying as hell little weirdo of a brother...and I wouldn't have ya any other way."

Leviathan fully listened to Mammon talk, before clinging to him, breaking down sobbing again, and trying to explain what happened through his tears, the older demon gently rubbing his back and allowing him to cry it out, making sure no more harm was done.

A while later, once Levi had calmed down, Mammon ruffled his hair.

"Let's get you cleaned up, yeah? Lucifer is already gonna kill me for breaking your door, but he'd be even more pissed if I just left you here with those wounds."

So they did. And Mammon, after telling a VERY angry Lucifer what had happened hours later, had surprisingly NOT gotten chewed out by the eldest brother. Instead, that day, the entire family had a long discussion, and they all agreed that if it was something as small as entering a raffle, or even if it was bigger but not an inconvenience to anyone in the slightest, they'd all help out from then on. It's not like it was hard, and it would save Levi from hours of stress and negativity toward himself and others around him.

They also made a plan for if a tantrum were to happen while someone was around, or if he became too overwhelmed and started to spiral...because, as annoying as he could be, Leviathan was still family. And they loved him, oddities and all.

---------------

Alright, so...that was the post! I hope it was okay. I know I've written about this type of thing before a little, but different situations can end up with the same negative outcome, like being in an overwhelming situation, or not being able to change your thinking and not easily being able to get over your expectations. I've personally suffered with both, and it's a regular thing for me, so I like writing about it, because maybe, just maybe, it'll help someone out, or help someone that isn't autistic understand a friend or relative or classmate or employee better. And I love these characters, I really do. The only ironic thing is that I see so much of myself in Leviathan, but I adore him and despise myself. Go figure 😂

Regardless, I hope you enjoyed, and if there's anything you guys have questions about (in regards to me and my experience), or any specific writing requests, asks are fully open!

Thanks so much for being here to support me, you have no idea how much it means to a little oddball such as myself.

[ariparri]

This drawing was inspired by a story my friend cursedautumn wrote for me as her part of our usual story for art trade.

It's been so long since I've drawn something in this style, I was scared I was going to give up half way through the entire thing. But nope, I was quite ambitious and pulled through 9 hours to finish this piece!

Look at that! It's absolutely beautiful 😭 I can stare at this and be so damn proud of it all day!

Speaking of the story, you can read it here under the cut. Flowers may be my absolute favorite from autumn's stories, but this was just too cute. I just adore the father/daughter dynamic Veruca and Elroy have.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

His Princess

"Alrighty, I'm leaving." Wilhelmina kissed Elroy on the cheek and took the bag. “I'll be there in the evening, don't wait for me early. I left a list of products that Vera needs to be fed. Are you sure you can handle it?"

"You underestimate me," Elroy growled, jokingly offended. "Veruca will be fine, I'm a fully capable father, Wil. Go and have a good rest, you'll see when you come back, the house will shine, and the child will have the tenth dream." Wilhelmina smiled dryly and rolled her eyes. "You're the same as always. Well, I'm off."

With that, she opened the door and went out. Elroy watched her go for a while until she disappeared behind the fence, then closed the door and took a deep breath. Elroy McQuaid was a father of two children, but, frankly, he had already forgotten what it was like to stay all day with a small child. Coby had grown up a long time ago, now he was at Hogwarts (where, by the way, he recently received an indignant letter from Minerva McGonagall about his son's behavior), and little Veruca did not want to sit still and quickly came up with entertainment for herself: she rolled away from her father, turning over from her back to her stomach, then, on the contrary, crawled up to him and began pulling his hair or stubble. Elroy didn't mind, but he couldn't let his daughter roll around on the floor all day and pinch him! He had to think of something to do. So he picked up Veruca in his arms and spoke,  "What should we do? We're going to play with toys, aren't we, baby?"

"Yes!" Veruca said glibly. She didn't know how to speak yet, but she already knew words like "yes", "not", "ma", "pa" and "Co-i" (that is, Coby). Elroy was infinitely proud of his daughter; Wilhelmina took it much more calmly and even laughed at his constant delight. Elroy was slightly offended: "How can you, Wil? She talks great for her age!", but there were no big quarrels because of this, and he understood that his wife showed love for her daughter in a slightly different way.

As soon as she was in her room, Veruca clung tightly to a wooden box filled to the brim with toys. There were dolls, plush toys, a plastic tea set, with which the baby sometimes gently beat her older brother, several suits with bat wings and many other means of entertainment. Elroy watched in silence as she turned over the wooden box, and sighed to himself: later he would have to take a long and painstaking time to clean up the mess that his daughter had made. But he obediently waited until all the contents of the box were on the floor, and smiled, "Come on, Vera, choose what we will play."

Veruca thought for a while and a soft bat colored so bright it was slowly eating out Elroy's eyes. This bat was given to the McQuaid family by friends a few years ago, and at first Coby played with it, and then it was taken away from him by his younger sister. Veruca took it out at every opportunity and forced the first family member she met to entertain her, holding her in their hands and "butting" the girl with a toy. Elroy didn't have much choice right now. He asked, "Are we going to play this?"

"Yes!" Veruca nodded. She had the same light green eyes as Elroy, like clear, transparent water.

"All right," he agreed. "I'll butt you. Come on…" Suddenly, he quickly grabbed the toy and began to gently poke his daughter in the face. Veruca burst into a ringing childish laugh, trying to grab a bat, and randomly waved her plump hands in the air. Elroy poked the toy first on her cheek, then in her stomach, then in her shoulder, and she laughed and made futile attempts to outwit dad and catch her pet. At that moment, Veruca strangely reminded Elroy of a young Wilhelmina, just as cheerful, laughing happily, not yet so strict and upset by the behavior of her growing son. Actually, Veruca was much more like her father, but there was already something about her that made her obviously the daughter of Wilhelmina McQuaid.

After playing with the bat, Veruca lost interest in it and took up a book of fairy tales written by the bard Beadle. Of course, it was still too early for her to read them, but the bright pictures on the glossy paper attracted the eye, and the baby ran her finger along the pages with genuine interest, looking questioningly at Elroy, as if asking what was depicted here. Most of all, she was interested in pictures of beautiful queens, princesses and sorceresses, women with long hair, dressed in dresses, robes and heavy jewelry. The girl especially liked the drawing of Morgan Le Fay, a tall red-haired woman with light green eyes, in a white dress. Veruca poked at it with her finger and hooted. 

"This, baby, is Morgan Le Fay. She was a very outstanding sorceress, healer and fortune-teller. The sorcerers bewitched people, Vera, they are also wizards, it's just that their magic was different. And Morgan was both a sorceress and a witch. It's complicated, isn't it?" Elroy explained, to which Veruca frowned and turned away, indicating that she was not interested in this topic. She always did this when she did not understand what was being said to her, but she did not want to show her ignorance — it hurts her pride so much!

And even though Veruca was still a very little girl, she had pride. This pleased Elroy: if self-confidence and healthy pride are inherent in a person from childhood, nothing will knock them out of there. So let his daughter be proud. It was better to have pride than not to have it, his sister had once told him, and Elroy completely agreed with her.

Suddenly, his daughter turned over on her stomach and, starting to turn over slowly, rolled in the opposite direction from him. Elroy was so surprised that he didn't even understand what was happening, and he stared at Veruсa with his mouth open for a few seconds, and then he realized that the typical willfulness of the McQuaids had awakened in her, and she decided to try to move herself. Attempts to "escape" have occurred before, but Wilhelmina, with the air of a connoisseur, assured that this is normal and there is no need to interfere with the child's self-development.

"Veruca!" Elroy called out to his daughter.

"Ah!" she answered him and giggled, once again turning over on her stomach. "Vera," the man said more quietly. "Where are you going?" Veruca smiled with an almost toothless mouth and giggled louder. Elroy sighed loudly and got to his feet to put the mischievous girl back in her place.

Suddenly, Veruca reached out with a tiny hand and grabbed the leg of a chair. She tensed, slightly lifting the body and pulling her legs under her.

And then she began to get up — in the literal sense, to get to her feet, holding tightly to the leg of the chair, as if for a handrail, and finally straightened up and stood up, swaying slightly. Elroy froze in mute amazement, joy and disbelief, watching his little daughter, his princess, stand on her feet for the first time, and was afraid to even sigh and break the great moment. This feeling was even brighter than what he had experienced when Coby first got on his feet, much, much brighter, although Elroy did not want to admit it to himself.

It seems that Veruca was afraid of her own independence and the next second fell on the carpet and began to cry. Elroy was at his daughter's side in the blink of an eye and hastily picked her up in his arms, saying affectionately:

"Don't cry, Vera, don't cry, my princess, everything will be fine, you're a good girl. Look, you got up for the first time today, can you imagine?" and he kissed the top of her head, stroking her back. Veruca's crying wasn't caused by pain or anything worse, it's just that she hardly expected such sharp physical progress from herself.

So he patiently calmed her down until the girl stopped crying and wearily buried her face in her father's shirt.

"Do you want to sleep?" Elroy asked gently. "Let's go sit outside. It started raining there, we'll swing in the chair, listen to the weather…"

They did just that. Elroy went out onto the terrace. There he sat down in a wicker rocking chair with Veruca in his arms and was quiet; a summer downpour was really rustling on the green street and in the garden. The storm swelled over the McQuaid estate, rallying in the sky in a dense purple wall, ready to crack and burst into lightning. But while there were no loud noises, Elroy held the sleeping Veruca, wrapped in a plump purple blanket with a bat's face, in his arms and looked at the blooming garden. There was an unusual calmness in his soul, although, in general, there was no cause for alarm; nevertheless, such satisfaction in his soul had not been for a long time-maybe because he was the father of two children, the eldest of whom was now supplying his school with problems, and the youngest was still very small and helpless, like a porcelain doll. They had to look after both of them, and it was difficult for him and Wilhelmina. Very difficult.

Elroy kissed the top of Veruca's head as she dozed off. No, he was grateful to his wife, Providence, and himself a million times for his daughter, because since his youth his dream was to have a daughter, his little princess, just like from fairy tales. As a child, he saw how carefully his father treats his sister, and just dreamed of doing the same.

And now he had Veruca.

His little girl.

His princess.

Elroy wrapped his daughter more tightly in the blanket and began to doze a little himself. The storm did not break out with thunder and lightning, only the rain began to rustle more loudly, and somewhere on the horizon a rainbow began to appear, as if the sky was watching the father and daughter and letting a bright ray through the summer rainy haze.

The rainbow was flaring up. Elroy and Veruca were sleeping peacefully.

[eagles-translated]

Analyzing the writing of Eagles

Here's a post I've been wanting to make for a while! I've expressed my thoughts on some of the storylines in previous posts, but I've never done a complete post on the writing of the whole show. I've divided this post into separate parts, focusing on each season and its plot points. Keep reading to see my analysis of the writing in Eagles! 👇 Word Count: 18k

If you've stumbled upon this post from the Young Royals or the Beartown tag (tagged them since I've drawn some parallels from those shows), here's a brief summary of what Eagles is, which you can watch with English subtitles here. This post contains Eagles spoilers from 1x01 - 3x10.

Eagles is a Swedish TV show that revolves around a few teenagers living in the Swedish ice hockey town Oskarshamn while experiencing friendship, love, and rivalry on the ice.

To start this off I would like to say that I have no experience with professional screenwriting and if anything, this is just a way for me to procrastinate on actually writing my own projects.

I love experiencing new stories and when I discover one I really like it's just natural for me to branch off with "what ifs" and to start wondering how the story would've turned out if some things were changed. Sometimes it's with a storyline improvement in mind, and other times it's just out of plain curiosity.

You might feel like this post is leaning towards the critical side, and I can definitely understand why since there are a lot of small details that I've picked apart from all seasons. I added a section for each season with things that I thought were really well done so this post wouldn't be too negative.

I actually did enjoy all seasons and I feel like the quality of not just the writing but every single thing has steadily increased each year.

Season 1: Tropes and clichés

Eagles premiered its first season in 2019 and was, despite many negative reviews, a big success among its target audience. Every episode on SVT Play amassed around 700 000–800 000 views and there didn't seem to be any doubt that the show would get renewed.

What the critics had issues with were that "Eagles rarely takes the unexpected path, and feels like a slightly soulless product of studied target group thinking a little too often," (Karolina Fjellborg in Aftonbladet) and "In Eagles, the characters seem to be locked in the role of a "teenager" but the humanity is missing. They've simplified the construction of the character," (Django Lorentzson in MovieZine).

Eagles was unfortunate enough to constantly be compared to SKAM in its infancy, and that's a tough comparison to live up to. SVT sort of shot themselves in the foot as they were the ones who contributed to it. While the show was still in the casting process, SVT wrote an article hyping the show up as a Swedish SKAM (which has since been edited, but led many to falsely believe that it would involve all the familiar SKAM characters with some hockey elements sprinkled in).

So, why exactly did critics think the first three episodes of the show were predictable and soulless? Well, it's pretty simple. They'd seen it all before. The setting, the characters, the storylines—just in different TV shows and movies.

Season 1 for me is nostalgic and very enjoyable despite its clichéd nature. I also felt like I'd seen the show before due to its generic storylines, but there is a reason why tropes are tropes and why clichés are clichés. It's because they're tried and true, and actually somewhat good writing tools as long as you expand on them. The keyword here is to expand—a story doesn't magically become good simply because you mimic something another writer has done. Tropes are fine to use but you can't just apply them and stop there. Everything in a story needs to be developed in order to be good.

It's safe to say that it's pretty much impossible to write a story without any tropes that have been used before. Striving to avoid clichés at all costs in hopes of making your story as original as possible is harder than it sounds, and almost impossible to boot. Here's a great piece of advice for aspiring writers written by a user on Carvezine:

[...] if you look down at your story and are worried it’s already been told before – don’t spend another second thinking about it. It has. A million times. The only difference is that it hasn’t been told by you. Accept that regurgitation is part of writing, and just do your best not to regurgitate the same way as the guy next to you. We’d all do well to acknowledge there is at least a portion of our stories that are really someone else’s. [...] Beyond that, write with the motivation that if you don’t get around to telling your story, eventually somebody else will.

Even the greatest books have storylines with some clichés. And that's not really a bad thing, either. Think about it. How many times have you decided to binge a TV show solely because it reminded you of another series? Or picked up a book simply because you love a good enemies to lovers romance, a battle between good and evil fantasy, or whatever it might be?

I found this article from Masterclass that perfectly describes what tropes are and why they're used. It's written from the perspective of novel writing but it is still applicable.

A trope in literary terms is a plot device or character attribute that is used so commonly in the genre that it’s seen as commonplace or conventional. For example, a trope in superhero stories is a villain who wants to take over the world. Tropes are popular for a reason—if something has been written about over and over again, there’s a good chance that it’s something readers enjoy reading! Tropes can be helpful, but a novel made up only of tropes will quickly start to feel stale and predictable to readers. That’s why you need to read up on tropes—and then innovate. Deliberately taking a favorite trope and turning it on its head is a great way to put your own unique spin on the genre and keep your readers interested.

Eagles, in its first season, didn't really do a lot of expanding upon the tropes they used and it's understandable that they were still trying to find their footing. I can also imagine it's difficult to do so when you only have eight 20 minute episodes in the season.

However... There definitely should've been more work put into these characters to make them their own. It's tricky, yes, but still achievable if you don't abandon them in their cookie-cutter form and try to actually decorate them with something unique and fresh.

So, how did they write their characters?

Felicia's character and backstory

To start off, Felicia is a famous influencer known for starring in a reality show next to her former NHL professional father. There's already a clear disconnect because it's hard to relate to a character with such a public past and large following. But it is 100% possible if you let the viewer know the character has humane qualities just like the person watching the show.

Look at Wilhelm from Netflix's Young Royals, another Swedish TV show. Wilhelm is the prince of Sweden, set to attend a prestigious elite boarding school, and is the heir to the throne. That doesn't exactly sound like a relatable scenario, does it? And yet the writers make it work because when we're introduced to Wilhelm we realize he's just like everybody else. He wants a normal life, he latches on to his older brother for support, he has anxiety, and he struggles between following his heart versus doing what his family is expecting him to do. A lot of these factors are relatable among the audience.

So, let's look at Felicia Kroon. She is in many ways portrayed as the main character of the show. Eagles starts off with her family having moved to Oskarshamn and the following episodes focus on her developing relationship with Ludde as well as her traumatic past. There's almost too much focus on Felicia here, and I'll get back to that.

Comparing Felicia to Wilhelm from Young Royals, they're both well-known teenagers with famous parents. Of course they have different circumstances considering Felicia is Instagram popular and Wilhelm is a blood royal, but in the grand scheme of things they're similar. Felicia is even referred to as a "Kroon princess" because of her last name Kroon bearing a resemblance to the Swedish word kronprinsessa, meaning crown princess.

The students of their respective schools treat their attendance as a big deal when they first arrive and then Wilhelm and Felicia start spending time with the "popular" crowd despite not really fitting in there.

I personally found it easy to relate to Wilhelm but difficult to relate to Felicia. Some people may feel differently, but her character is basically a popular party girl who attracts the attention of one of the school's star players and is "welcomed" by the popular crowd on her first day of school. I put welcome in quotation marks because Klara, the leader of the girl group, isn't exactly the most welcoming person but she does welcome Felicia to the school. My point is, Felicia doesn't have a lot of relatable traits in the first episodes.

Felicia then goes on a date with the guy she's met, Ludde. Okay, so there haven't been that many layers to her character yet. We're at the third episode and so far she's been kind of flat.

Near the end of the third episode, we get some depth to the character and we hear her back story.

Felicia: [...] We don’t have a good relationship, my dad and I. And that’s probably why we moved from the beginning, because he’s an idiot. We’ve never been close, but… Elias and he have been since they’ve had hockey. [...] And mom has been really involved, so… And I… They’ve never really cared about me. And… And I haven’t really been a problem either. I’ve had good grades, good friends, and… I don’t know why I’m telling you this. I don’t talk about it to people. [...] I just felt so fucking lonely and invisible. I was worried all the time, couldn’t sleep, panicked because I couldn’t sleep… So I started going out more. It went overboard. It started affecting school, my grades slipped… I started taking things to be able to concentrate. Everybody does stuff like that. And then I still couldn’t sleep, so… I started mixing with sleeping pills. And there’s always wine and booze at our place. I don’t want this to come out, that’s really important. Ludde: Of course, I’d never tell. Felicia: One night, something happened that made me… Act out of control more than usual. I woke up the next morning in the hospital. So they sent me to rehab. It was really rough for mom and dad that I was suddenly in focus. When I woke up, dad wasn’t even there. Ludde: What made you take too much that night? Felicia: I’d forgotten my phone at home, so I ran up and got it while my friends were waiting in an Uber. Then I came into the hall and I heard noises. You know, like, when somebody is doing it. Ludde: Okay. Felicia: And I thought it was really weird because mom wasn’t home. So I went into the living room… Dad was fucking my mom’s best friend. On the rug below the couch.

This gives Felicia more layers and does separate her from every other "popular pretty party girl" trope that you see on TV. But this is a huge info dump, and that's a problem. I would've liked to see this happen on-screen instead of only being told what went down. The golden rule of Show don't tell, as people like to say.

Show, don’t tell is a writing technique in which story and characters are related through sensory details and actions rather than exposition. It fosters a style of writing that’s more immersive for the reader, allowing them to “be in the room” with the characters. In his most commonly repeated quote, Chekhov said, “Don’t tell me the moon is shining. Show me the glint of light on broken glass."

This back story could've been more impactful that way if, perhaps, the show began with Felicia in a hospital bed with a strong headache and hazy flashbacks of that night where she saw her dad sleeping with another woman. Then we're introduced to her mother and brother sitting next to the hospital bed tired and worried, and Felicia notices her dad isn't present. They tell her Felicia is being sent to rehab and then there's a time-jump before we see the Kroon family having moved to Oskarshamn.

That's just an idea I threw together at the top of my head, but you get my point. It would've been more interesting if we knew from the beginning that Felicia had a traumatic past like this, leading the viewer to want to know more about what actually happened.

We did get a brief flashback at the very beginning of the show—we see Felicia partying with her friends and taking some pill before lying unconscious on the ground. There's also a glimpse of Ludde's car accident with Andreas yelling at him to get out of there.

That segment only lasts for around 45 seconds and it's easily forgettable upon your first viewing of the show. It's also hard to even recognize Felicia in the dark nightclub setting with the flashing lights. Some dialogue in that short scene could've made it more memorable, because I found that when I first watched season 1 I remembered Andreas yelling at Ludde despite that being drowned out by the music.

Ludde's backstory was way more well-done, in my opinion. We see him having crashed the car and bleeding from his head. He looks terrified and almost frozen by fear, needing to be pulled out of the car by a panicked Andreas yelling at him to bring Ludde back to the reality of the situation. We see Andreas yelling and pointing, telling Ludde he needs to run now. It's more powerful when we get to see it.

And in episode 8, when we learn the truth of what happened, it's not a long and dragged-out monologue. It fits into what's going on in the story. Felicia and Ludde have known each other for a few months now and are much closer than they were on their first date. They've had disagreements and fights, but at this moment they're in a good place.

And it feels like the right moment for Ludde to come clean about what happened to him.

Ludde: Hey… There’s something I’ve been meaning to tell you. Felicia: What? Ludde: About… My brother. It’s not really as everybody thinks. Felicia: What do you mean? Ludde: That night when he crashed… It wasn’t Andreas who drove the car. We were on our way home from one of his buddies. We’d had some fun drinking. And then… I’d just started learning how to drive. So I nagged and nagged at him. Felicia: So you were the one driving? But he’s an adult- Ludde: He was drunk as hell. He was going to leave the car, but I thought it was so cold and it was only three blocks away so I thought that I could drive. Felicia: And what happened? Ludde: It was slippery and really dark… And a car came. I hit the brakes in time, but it… Yeah. Right after he pushed me out of the car and yelled that I should run home straight away. He really didn’t want me to get into trouble. So, yeah… It was fucking bad luck. I want to just gather everybody and scream that it was me. Felicia: Hey… I love you. Ludde: I love you too. I love you so fucking much.

As Ludde is telling Felicia what happened as the other car came, we see a silent flashback of it along with Ludde's voice narrating. We see Andreas pulling him out of the car and yelling. Cutting to this scene that we've already seen in the beginning but might've forgotten about is a smart choice and makes the story Ludde is telling more real. We see it unfolding as Ludde is telling this to Felicia. It's a powerful scene.

We then see Felicia hugging Ludde from behind, a sign of support with no words needed. She tells him she loves him and Ludde says it back. It's an honest and sweet moment that comes at a perfect time in the story. It's not too early like Felicia's backstory was.

I sort of understand why Felicia's backstory was info-dumped because it was right before the drama of Mats accidentally spilling the beans to Klara's family. They wanted the audience to know what happened to her early, so they could move on to the plot point of Felicia thinking Ludde was the one who told everybody.

But we don't need every single detail of Felicia's story. Let it come organically. The only thing that was really needed was for Ludde to know that Felicia had struggled with drug use and was sent to rehab for this storyline to work. The reason why could've been saved for later, and it would've made for a more interesting reveal. Maybe just have Felicia allude to seeing something that night, but don't tell the viewers right away what it was.

In 1x06, Felicia is incredibly upset when she hears that her dad was the one who told Klara's family what happened to Felicia in the US. And rightly so.

Felicia: Don’t you get it? You ruined everything! Mats: What? Felicia: You told the whole damn town about me! About the US! Mats: I really didn’t mean to disclose you- Or disclose us. Sorry. Hey, sorry. Flisan, please. Hey. Felicia: Did you tell them you fucked mom’s best friend too? Yes, I saw you.

If this had been the moment where we first find out what Felicia saw, it would've been more surprising. Our reaction would've mirrored Mats's, and it would've been more heart-wrenching to know that Felicia was traumatized by an affair her dad had only to be cheated on herself in the very same episode.

Ludde's problematic nature

One of the scriptwriters of Eagles, Fanny Ekstrand, was interviewed in the behind-the-scenes documentary Edvins Skådisdrömmar. In this interview, she states:

Ludvig, he's the one who's been the easiest to retain the personality of. Because he's so... He's calm and friendly, but he makes dumb decisions. Ludvig isn't a typical hockey guy. He has a bunch of other qualities—music being one of them.

I found myself slightly disagreeing with this take, despite knowing Ekstrand is literally a part of the writing team and most likely helped shaped Ludde's personality. I just interpreted Ludde's character (at least in season 1) differently.

I also didn't find him that much different from any other typical hockey guy just because he happens to have another interest. That's a bit like saying Archie Andrews from The CW's Riverdale isn't a stereotypical jock because he also plays the guitar.

In season 1, we see Ludde break into the rink because he wanted to test out the ice. He just loves hockey that much. He also uses it as a way to express frustration and anger, which we saw in 1x05. He flirts with the new girl in school and in the beginning he even uses it as a tactic to gain a position on the main hockey team. This was confirmed by the creator Stefan H. Lindén in his Q&A, where he said:

My idea has always been that Ludde was blown away by Felicia and that he really likes her but that they both initially interacted and met to go swimming because Felicia knew it would piss her dad off and Ludde knew that it might throw Elias off since they were competing for the same position in the team.

I would say that the characteristics of a typical hockey guy would be someone like Adam—obsessed with the sport, flirting with girls, going to parties, and just spending a lot of time in the rink. Ludde checks off all of these points. However, I will give this the benefit of the doubt since season 2 Ludde seems to change a lot and it's easier to interpret him as the calm and friendly guy he was supposed to be in season 1.

So to me, Ludde wasn't calm and friendly at all. In season 2, yes, but when we're first introduced to him?

Ludde shows anger issues and violent tendencies in 1x05 when he head-butts Elias and breaks his nose. It's violent and messy. He then yells at Felicia to leave when she's trying to communicate with him and belittles her drug problems solely because she's rich. To me, Ludde wasn't a nice person in 1x04 either when he let his friends make suggestive comments about Felicia and what she was like in bed.

Omar: I can tell you one thing - you’re not borrowing my towel today cause I don’t know where that dick has been. Adam: It’s nice when she sucks, right? Omar: Can’t you tell us some more, does she bite you or is it just really, really nice? [...] Adam: Is that what you sound like when you’re coming? What does she sound like?

This was described as "locker room talk" and the writers probably wanted to show an authentic view of what being a hockey player is like. I understand that. But it's a little problematic when it's later swept under the rug and treated like something that we're just supposed to accept.

Elias: [...] it’s not very fun to sit in a hockey locker room where people are talking about how nice it is to fuck my sister. Felicia: Ludde would never say anything like that, you know that. Elias: He wouldn’t? It’s a locker room, Felicia. That’s the only thing they talk about.

It did not sit right with me how Felicia seemed to be the one Elias blamed in this scene, and Ludde and his friends never faced any real consequences for what they said. Elias did lash out at Ludde, but there was no severe consequence for Omar and Adam's comments.

Compare this scenario to another Swedish show, Beartown on HBO. Beartown is similar to Eagles and focuses on a hockey team in a small town with one of the star players hooking up with a girl who's recently moved to their small town.

This girl is raped by the hockey player. And because of his status as the star of the team, he has almost the whole school behind him. The girl however is labeled as a lying slut. It's unfair and frustrating to see it happen, but it's authentic and done in a way that doesn't glamorize the ugly side of hockey culture.

Eagles is not as dark as Beartown so this comparison might be a little unfair. Beartown's whole storyline did revolve around this incident while in Eagles the hockey culture is treated more as a side thought. It's like they decided to throw in a taste of what goes on in a locker room just to create drama without really addressing it further.

Beartown did a much better job of portraying the problematic and toxic elements of hockey culture without making it seem like it's just something normal that we should accept. It was honest and raw. If you haven't seen the show, this short video does a great job of depicting how much thought was put into the toxic hockey culture, winning mentality, and subsequently hockey players thinking they're entitled to do whatever they want.

So, to respond to Ekstrand's quote from Edvins Skådisdrömmar—I did not experience Ludde as a "good guy" who only makes dumb decisions at all. In season 1, he's a bad person for letting his friends sexualize a girl he likes and letting her brother hear their disgusting comments. He's a bad person for fighting with her brother and later yelling at her, saying her drug issues are insignificant despite acting supportive of her only two episodes earlier.

I don't mind conflicts like these because they drive the story forward. I didn't particularly like Ludde in season 1 because of the reasons I just stated, but they're necessary to create drama and make the show interesting.

It's just weird to me how one of the writers is saying that Ludde is a calm person and a good guy when that is not at all how I interpreted his character.

Eagles is a show targeted towards a young audience, among them probably a lot of easily influenced pre-teens. What kind of message does this send to them when the guy letting his friends sexualize a girl he's slept with and on top of that laughing at their inappropriate comments is referred to as the good guy?

Klara is mean... What else?

From the moment we're introduced to Klara, it seems obvious that she'll play a living and breathing version of the infamous Alpha Bitch trope. She's also a prime example of the basic Popular is Evil trope and has her own Girl Posse consisting of Sara and Amie.

Klara feels threatened by the arrival of a potential new popular girl, Felicia, and does everything in her power to bully Felicia to show dominance. She barely shows any good sides of herself.

The only instance I can think of where we sort of see season 1 Klara in a positive light is when she talks to Amie in 1x05 about their friendship and then accompanies Amie to her audition for the school band.

Klara: Ever since Felicia started at school… It’s felt like you only hang out with her and that you’ve forgotten about me. She like took you from me. Amie: But I haven’t forgotten you. Klara: No, but do you get what I mean? Amie: I get it, but I haven’t forgotten you. Klara: No, I know. Amie: I know, but it just turned out that way when school started. Klara: Okay. Amie: But I’m sorry. Klara: It’s fine. Amie: Are you sure? Klara: Yeah. You can make it up to me when you go on your world tour.

Klara is really supportive of Amie's musical endeavors, but she also uses her support as a way to alienate Felicia from the girl group. It's very on the nose and kind of feels suffocating in the way it's written.

Klara: Amie, did you remove the clips? Amie: Yeah, she said they weren’t good. Klara: She’s just jealous. It’s so obvious. I mean, I’m jealous. You sing absolutely amazing. I don’t know, I just think it was really rude of her to sit in the cafeteria and criticize you like that Amie: Yeah, maybe. But she apologized. Klara: But still. That clip of you in the bathroom… Like… Sorry, but I’d be so mad if someone had posted something like that of me. I mean, you were standing there without makeup, completely non-fixed up. And the whole thing with her filming you without you knowing. That’s really weird. You don’t do that. Don’t you think so?

I'm sure there are plenty of people who act like this in real life. And maybe that's part of the problem, because Klara in season 1 really isn't an interesting character. We've met this person before and we know exactly what she's like. There's nothing new to discover. So season 1 is essentially just Klara being petty and rude every chance she gets, and to me it felt like a large part of her character was written just to stir up drama.

In 1x06, we see Klara backstab Amie by filming her making out with Ludde at her Halloween party. But I thought it was established in 1x05 that Klara feels like Amie was taken from her? And if Klara actually cared about Amie and didn't want to lose her as a friend, she wouldn't just stand by and watch with her phone recording the whole thing. It doesn't make a lot of sense.

Klara even made that whole point about how it was really weird of Felicia to film Amie without her knowing. So why would Klara do it, when she expressed that's weird and not something a normal person does? Is that supposed to be foreshadowing? Because if so, that's a clear contradiction and not how foreshadowing works.

When Sara happens to see the video on Klara's phone she immediately says that Klara should delete it.

Sara: What is that? Did they know you were filming? Klara: No, of course they didn’t know. Sara: Oh my god, Klara. You should probably delete it. Klara: I’m going to! But it’s crazy, right? Sara: Yeah, god. But seriously, delete it. Klara: I’m going to.

So Klara says she's going to delete the video. But it's still unclear why it was filmed in the first place if Klara insists that she's going to delete it. It's not like she filmed it just to show it to Sara either, since Sara wasn't meant to see it and only saw it by chance while swiping through Klara's photos on her phone.

It doesn't make sense for Klara to film a video like that of her best friend that she's supposed to care about. It doesn't make sense for Klara to film a video of anybody without their knowledge when she previously made a big deal about how you shouldn't do that.

What Klara's character is, is a bad attempt at the classical mean girl. She's clichéd, boring, and full of tropes.

Even her eventual character development is riddled with tropes like the Heel Realization where a character realizes they're actually one of the bad guys. This realization seems to come in 1x08, where Felicia calls Klara out on her behavior.

Felicia: You know what, Klara. I’m so fucking tired of your fucking comments. You didn’t get to be Lucia this year. Poor you! Was dad unable to fix that? Cry then, Klara. Cry. You’re so fucking mean. Everybody here is tired- Everybody here is scared of you. Even those who liked you once, they can’t take it anymore. Klara: That’s not true. It’s not true. Felicia: Yes, everybody is scared of you. You know what? Look around. Show people some fucking respect. Klara: Well say something, Amie! Amie: What is there to say? She’s right.

Klara needed a wake-up call like this. It's just unfortunate that she goes back to her mean girl behavior and posts the video after Amie insinuated that Klara wasn't a real friend. Klara already knew that Amie felt that way since she said Felicia was right in her assessment of everybody being scared and tired of Klara. So wouldn't it have made more sense for Klara to post the video right after that moment instead of during Amie's performance?

Or rather, why not pull a Subverted Trope and not have Klara post the video at all after she realized how horrible she'd been acting? That would've made me respect her so much more and be a great introduction to her character development in season 2.

The Halloween Incident

To me, the whole Halloween episode was questionable. First off, we never got actual confirmation of what happened in that room between Amie and Ludde. Some viewers insist that they only made out and others believe they went all the way. Here's what the creator of the show, Stefan H. Lindén, had to say about this in a Q&A post he did:

I think if you went into the writers room of Eagles and asked all of us what really happened in that room [between Ludde and Amie at Klara's Halloween party] we would all have different answers.  I know what happened, but I’m not sure we will ever truly know for sure, unless Ludvig or Amie eventually are open enough to admit to anyone what really happened.

This is kind of a vague answer, but that's fair considering that when Stefan did this Q&A the latest episode that had been released was 2x05 and he probably didn't want to spoil anything. However, looking back at this answer knowing how the season turned out I still feel like it's unclear what happened. It's also strange that Stefan seems to be saying that they never actually decided what happened between them since the writers "would all have different answers".

1x06 was just an odd episode for me overall. Lots of things felt rushed and underdeveloped. Let's not forget that this episode also contained, in my opinion, some of the weirdest lines in the whole show (along with Elias's strange monologue about plague vampires).

Ludde: Hey, I only have like 3%. Do you have any power? Adam: Are you wondering if I have a power bank in my shorts? It’s coming-

Ludde: I like shellfish. (said to Amie, wearing a lobster costume)

Up until this episode, Ludde has shown zero interest and attraction towards Amie. We are basically told that Ludde only hooked up with Amie because he was so drunk that he practically had no idea what he was doing.

In 1x02, we see a drunk Amie try to kiss Tobbe and upon getting rejected she moves on to make out with Adam. She gets overly friendly when she's drunk so the fact that she makes out with Ludde later is... Weird, but not entirely out of the realms of possibility.

Ludde on the other hand is moping about Felicia all night. He regrets how he yelled at her at the end of 1x05 and it shows. He's trying to drown all his problems in alcohol and it seems to be working, because when it enters his system he seems to be on top of the world.

What I found kind of ambiguous in this incident was if Ludde even remembered what happened that night. He was drinking so much compared to Amie, who doesn't really need as much alcohol before she reaches her "overly friendly" state. I thought for sure that Ludde was oblivious to the situation when he woke up in his bed the next day and immediately messaged Felicia.

There are just so many questions to unpack here that were never answered. What prompted Amie and Ludde to go into that empty room? Why did Ludde come with her? Why didn't Adam seem to care about this, when he'd been sitting next to Ludde and taking care of him most of the night? And as I wrote before, why would Klara film this video of her best friend when she previously expressed that was a weird thing to do?

There's just too much in 1x06 left unanswered. The Amie/Ludde hook-up was a badly executed plot twist because there wasn't anything hinting that this would happen. It just came out of nowhere.

Unbalanced screentime and Elias's wasted potential

A large portion of season 1 was dedicated to Felicia. This was kind of a let-down for me since I thought more focus would be placed on Eagles as a hockey team (after all, that's what the show is named after). I also thought more attention would be on Elias since he's the talented star player who's supposed to live up to his father's legacy.

The show starts with a couple radio hosts hyping up how Elias Kroon, son of the legendary Mats Kroon, is going to join the Eagles hockey team.

Host #1: [...] It’s finally official. New center in the junior team - Elias Kroon, son to the legendary NHL-pro Mats Kroon, who has now chosen to move home from the US to his hometown where Elias will play in his father’s old club Oskarshamn Eagles. Host #2: This is so freaking cool. Who doesn’t want a Kroon on their team? Host #1: We hope that he’ll take a spot on the A-team.

But we don't learn a lot about who Elias actually is in the first episode. The attention is on Felicia and her interest in Ludde.

Elias is so discarded that he barely has anything to say in the first couple of scenes we see him in. Here are all his eight lines in 1x01, and I'm not even joking.

Elias: Yes. Elias: Shut up. Elias: Ow. Elias: It's fine. Elias: Really? Elias: Fucking hell. Elias: I'll stay here. Elias: No, it's fine.

In 1x02 he has even fewer lines. Three, to be exact, and all he says is that his injury is a sprain and that it's fine. Essentially just an echo of two of the lines he had in the previous episode. It's nothing new.

There's a way to have a character stand out when they don't have many lines, but Elias just fades into the background with every other extra. There's too much time spent on having other characters talk about Elias than us actually getting to know him. So when we do meet him, it's pretty underwhelming.

Compare Elias to his sister who gets so much more attention from the writers. I don't really understand why either, since I thought Elias was a much more interesting character than his influencer sister. Felicia's character only seems to revolve around a guy. I wonder how many times we've seen that before?

In 1x02 we see the Eagles hockey team play their first game, but Elias is unable to play and has to sit in the stands for what was supposed to be his debut match. Why? Because during a hockey practice session in 1x01, Adam rams his stick into Elias to purposely injure him. I mean, fair enough. Adam is trying to get Ludde on the main team since he and Elias are competing for the same position. The shot of Adam smiling after Elias sprains his wrist is a bit too on the nose, but whatever.

What this does is minimize Elias' presence in season 1 by a lot. We don't see the son of the legendary NHL professional play an actual game until 1x05, which is more than halfway into the season. It's kind of disappointing but I understand the injury is done to dramatize his situation.

Elias barely gets his own storylines in the first few episodes. He just has things done to him instead of acting on his own. When we do see him on screen he gets injured by Adam, reprimanded by his father, and later told he can't play in his debut game.

His sweet side (or any side of him, really) isn't shown until 1x03 when Amie wakes up at the Kroon house and Elias reassures her that they didn't do anything together and that she can borrow Felicia's clothes.

Elias doesn't really do much for the plot until he hears Ludde's friends objectify Felicia and he starts a fight with Ludde and confronts Felicia about it. That's when it feels like Elias is actually a part of this show instead of just being an extra shoved into the background. His actions are finally affecting the plot.

Elias's potential in season 1 was hugely wasted. The only episode where we actually got to see him shine was 1x07, when he travels to Karlskrona with Amie. We find out he doesn't want the hockey arrangement his dad has planned for him and that he's actually a pretty goofy guy who likes making jokes (and eating green candy).

If less time was spent with Felicia and the distribution of every episode's 20 minutes was more balanced, season 1 could've been massively improved. It got much better in season 2, but season 1 suffered and made many people think that Felicia was a basic and unentertaining character.

The side characters and their comic relief

So one thing that I found really disappointing with Felicia's amount of screentime is that we barely got enough time for the other main characters, let alone the side characters.

What I mean here is that the only people we really know on the Eagles hockey team are Ludde and Elias. Ludde's friends, Adam and Omar, just feel like comic relief sidekicks. We don't really know what they're like, besides the fact that they like to make jokes and mess around.

This issue is largely created by the short running time the episodes have along with season 1 only having eight episodes in total. That's definitely understandable. It did get better in season 3 where we see Ludde having a deeper conversation with Adam and Omar and they finally don't just feel like the comic relief characters, but actual people with layers.

Ludde: I’m going to quit hockey. Adam: Are you serious? Omar: What the hell are you saying? Ludde: It’s not the same anymore. I’m not passionate about it. I… Yes, it sucks, but… I’ve thought about it for a while now. Omar: We make jokes about it and all, but… Yeah. It wouldn’t be the same without you. Kingelikingen. Adam: I get that it’s a tough choice. But yeah… You’ll work things out. You and Felicia. You always do. Ludde: You guys are pretty awesome sometimes, actually.

This scene was really sweet, and I wish we could've had moments like this between the guys in season 1. Just one scene to show that they're not just the "typical hockey guys". It feels like Ludde was the only person on the team in season 1 who wasn't just a background character. Even Elias, who you would assume should be at the forefront, isn't properly developed until 1x05 where we see him defending his sister and starting a fight with Ludde. Otherwise, it very much felt like Elias was kept in the background.

There are also guys on the team called Herman, Simon, Näslund, Ekbäck, Hoffmann, Berglund (even Montell, which was a fun nod to the show's director)... But who are they, actually? Do you even remember their names? To be honest with you, I don't. Because they're just names—not actual characters.

None of the other guys on the team get any depth. They're just sort of there as extras and to give the audience a sense of comedy with their "hockey team shenanigans". This was illustrated in 1x08, where Adam and Omar make their teammate Liam do a "sexy dance" on a table because he lost his virginity. Or a more extreme example—Jönsson, who only exists to be the comic relief and the unlucky guy who just can't catch a break.

In 2x04, Jönsson is told by Jack to do extra time in the gym and gets told off when he only spends a few minutes on the exercise bike. Later, Jack also makes a joke about how he should get Jönsson a defibrillator. In 2x09 Jönsson invites Ludde, Adam, and Omar to come to his mom's place to hang out. After he's left, Adam makes a comment about how there's no way he's going to "rot" in Jönsson's apartment that doesn't even have a balcony.

Don't get me wrong, these scenes aren't bad and I don't mean they should've been scrapped. Comedy can absolutely have its place in a show like this. Let's take the scene where Ludde flashes a couple of unfortunate old ladies on his first date with Felicia as an example. It feels like something a teenage boy would do to try to make a girl he likes laugh. It's a brief scene and it's nice to see Ludde being able to goof off only moments after talking about Andreas. We know that's a touchy subject for him.

However, it feels slightly overdone sometimes with how almost everybody on the hockey team is only there for comedic purposes and to fill space. It's more refreshing when they're shown to be multi-dimensional. I wish this is something that the writers would've considered when the show is literally titled after the hockey team, yet most of the hockey players are hardly in the story.

To add to this, it felt like Sara and Tobbe completely disappeared from the story in season 2. With Sara we understand that she probably didn't want to hang out with Klara anymore after knowing she filmed the Halloween video and posted it on Instagram, so that's fair. But it would've been nice to see Tobbe stick around in season 2, and I'll get back to why I think that.

The potential of season 1

When I look back on season 1 I feel really nostalgic. No matter how many small details that irked me, I can't deny that the setting of the show is beautiful and I really appreciate the depiction of it. Instead of showing Oskarshamn as a boring small town, we're shown the beauty of it which is incorporated into the storylines.

Some examples would be Ludde and Felicia's first date at Gunnarsö and walk through Havslätt, the gorgeous view of the Oskarshamn harbor from Klara's house Villa Högklint, and Badholmen where the school band performs and we later see Elias and Amie walking by in season 3. All these places are listed on the Eagles Oskarshamn site and I feel like they did a great job tying the storylines in with the locations.

Another aspect of season 1 and its writing that I really enjoyed was Elias and Amie's budding relationship. They just have a natural chemistry together and the dialogue between them also felt authentic and sweet.

Season 1 is just a very polished teen drama overall compared to some of SVT's previous series.

Back in 2007-2010, SVT used to air a soap opera-style show focusing on a few teenagers living in Gothenburg that was called Andra Avenyn (translation: Second Avenue). I was only seven at the time but I watched this show religiously as it aired three times a week. Just mentioning the show brings a lot of nostalgia.

Andra Avenyn amassed around 500 000 viewers per episode and was, just like Eagles, nominated for a Kristallen television award. But how good was it, really? If I take off my rose-colored glasses for a second and actually consider the show's highly dramatized storylines and unlikely scenarios, it had a tendency to drag on (which usually happens with soap operas). It didn't offer a realistic view of teenage life and on IMDb it currently sits at a rating score of 5.6 stars out of 10.

Comparing this old teen series to SVT's newer one, Eagles season 1 was a huge improvement and continues to be the most popular teen series that SVT has aired so far.

This idea and all the characters have lived in Stefan H. Lindéns mind since 2008, while Andra Avenyn was still on the air. It's actually amazing how high the quality of most TV shows has risen since then. Eagles has a rating score of 7.4 out of 10 stars on IMDb and has become internationally known in a way that Andra Avenyn never was.

Eagles season 1 laid the groundwork for SVT's most successful teen series of all time, and that's a huge achievement.

Season 2: "Subverting expectations"

When Eagles came back for season 2, the script made it kind of obvious that the writers had listened to the critique of season 1 being predictable.

I did find season 2 a huge step up from season 1—the directing was so much better and when it came to the script we got a deeper look into all the characters that they hadn't really scratched the surface of in the first season. My main disappointment however was that it felt like they threw in a bunch of weird plot twists just for the sake of "subverting expectations".

The core idea of subverting expectations can be great if done correctly. You lead the audience to believe they know what's going to happen, but then you surprise them with an unexpected and clever twist.

A post in Cinematography written by Mason Leaver defines the phrase of "subverting expectations" as:

[...] a method of surprising the audience with some element of a story, be it the plot, themes, characters, etc. This goes beyond a “twist” in a film. Expectation subversion actively works within the genre of a story, and attempts to reinterpret or subvert the conventions of that genre, breaking patterns in surprising and interesting ways. However, this method of surprising the audience is not always well received- it can sometimes be the source of heavy criticism from fans of the tropes which have been subverted.

This included "unexpected" relationships such as Elias/Klara and Amie/Ludde. The former actually worked, but the latter? Not so much.

Amie's crush on Ludde—make it make sense!

Amie and Ludde were my biggest issue with season 2, and it felt so out of character of Amie to be head over heels for Ludde. They work great as friends but romantically they're a huge mismatch.

But they have music in common, I hear you say. Yes, they do. But having a shared interest doesn't mean people are automatically a good match. You have to consider their chemistry and overall compatibility.

Before actors are cast in a show or movie where their characters will be romantically involved with each other, it's common to do what's called a chemistry read. Here's a neat description from an article in Backstage written by Caroline Liem:

Chemistry is the complex emotional or psychological interaction between two people. If this were a romantic article, it would be about love. Instead, we are discussing the astonishing rapport between two actors, and how that connection is achieved in order to book [...] the role. A chemistry read is an opportunity to read with actors being considered for a role opposite yours, usually lead roles. The main purpose is to see how you instinctively connect and work with the other actor.

This obviously wasn't done for the actors playing Amie and Ludde, since there didn't seem to be any intention of having their characters be involved in a romantic relationship.

That was even confirmed by Stefan H. Lindén in his Q&A of season 2, where he said that a love triangle between Ludde/Felicia/Amie was planned but later scrapped.

I can confirm that from the beginning of development of the series and the first version of the storyline a triangle drama was at some point intended for season 1 but later removed  – however when creating the characters, Ludvigs skill in music and arts was always there from the beginning so by knowing that, we always knew that interactions would appear between them. When looking back at Season 1, in the first scene by the lockers when Amie tells Felicia who Ludvig is, she does know exactly who he is and she is well aware of that his friend Tobias is a music guy that Amie wants to get to know. Also when looking at it, when I was the same age as Ludvig and Amie I, and I am sure a lot of people can relate to it, fact is that we never really knew if it was love or friendship in the beginning.

Knowing that the triangle drama was scrapped for season 1, it makes sense why it seems so arbitrary. There was no groundwork laid down for this pairing before it was hastily thrown together in 1x06 for a cheap plot twist. This continues in season 2, where Amie and Ludde start spending more time together. Yet it's hard to see Ludde as a potential love interest for Amie in the way the writers want us to. They still come off as friends despite having hooked up at a party.

I mentioned that Tobbe should've stuck around for season 2 and here's why. Tobbe was written to be the leader of the school band that Amie later joins, and he was friends with Ludde before the video was posted. He would've been a perfect fit for the Amie/Ludde music storyline but he's completely absent. He had the potential to be the person who could've helped them with the song a little and then later picked up on whatever there was going on between them.

I think the Amie/Ludde storyline could've hugely benefitted from a scene between Amie and Tobbe, where Tobbe asks if she actually has feelings for Ludde and we get to hear exactly what Amie is feeling. Maybe she's torn, not wanting to get together with Ludde because of how much they hurt Felicia, but at the same time finds it hard to suppress her feelings. A scene like that would've allowed us to get into Amie's head and make the Amie/Ludde storyline much clearer.

To add, this storyline was in desperate need of more interest from Ludde's side. There needed to be some indication from him that would make Amie believe he liked him back, even if that wasn't the case. All we get is Ludde complimenting Amie's song and then a hug in 2x05 when Amie says the record label in Stockholm wanted a meeting. And apparently, that was enough for Amie to think Ludde was interested in her despite him blowing off the Stockholm meeting and Amie hearing Ludde say that the Halloween incident was a mistake.

Ludde and Amie don't really mesh as well as Elias/Amie do or even as well as Ludde/Felicia do. Elias and Amie had sparks flying from the very first scene they shared. That pairing is one of the main reasons why the show became popular internationally, and why is that? Because of the actors' chemistry.

Amie and Ludde are a clumsy attempt at throwing together two people who don't really work together with the intention of "subverting expectations". And I suppose that's what the writers wanted to depict—an awkward crush that doesn't really make sense, which I'm sure many people have experienced as a teenager. That part is fine. But what I didn't like about this storyline is that Amie had no good reason to believe Ludde would be interested in anything with her beyond a platonic friendship.

While season 2 was airing, I was convinced that Amie wasn't actually in love with Ludde. She was just lonely after the aftermath of the Halloween video and mistook her feelings for Ludde as love when she just appreciated his company. Here's what I wrote:

So as we know, Amie kissed Ludde in episode 6 when he was in the hospital after having been injured during the hockey game against Karlskrona. She immediately seemed to regret having done that and ran out without an explanation, leaving Ludde alone and confused. I honestly don’t think Amie has any romantic feelings towards Ludde. I think she might mistake her feelings for a crush or something, when in reality she’s just lonely and appreciates Ludde always being there for her and giving her compliments on her musical ability. Ludde was complimenting Amie at the hospital, saying she was amazing, and I think Amie was just really touched by that and maybe wanted to thank him somehow, and ended up kissing him. And then she freaked out and left because oh my god did she really just kiss Ludde. It was an uncomfortable and awkward situation and that’s probably why she ran out. However, I really believe that if she had just stayed to explain and apologize, Ludde would understand and they could’ve just laughed it off. But this is a drama show so of course that wouldn’t happen! Do I think the writers are making them into a couple? No, definitely not. They know that season 1 was sort of predictable and cliché, so they’re making season 2 as different as possible by including these unexpected pairings such as Klara & Elias and Amie & Ludde. But Amie and Ludde won’t ever be a couple, because Ludde is still very much hung up on Felicia. I don’t see them as a couple either - yes, they have music in common, but they work way better as friends than in a relationship.

In Edvins Skådisdrömmar, which is a behind-the-scenes documentary of Eagles season 2, writers Fanny Ekstrand and Michaela Hamilton discuss the writing of the show in the documentary's third episode. The third episode is mostly focused on the lead-up to the scene where Amie kisses Ludde at the hospital. Adrian Öjvindsson, who plays Ludde, says:

Filming the kissing scene was [...] awkward and weird, actually. And that's how it ended up. Yandeh and I haven't really had any intimate scenes. In this case you could take in that it was weird, because that's also what the scene wanted to depict.

When Edvin reads the script, he describes the scene as a "nightmare" scenario. I agree. And the lazy build-up to this Awkward Kiss trope doesn't make it any better, because just like the Halloween incident this doesn't make a lot of sense.

It's supposed to be awkward and weird, just like Adrian said. But he also mentioned one of the most important details: Yandeh and I haven't really had any intimate scenes.

Before this kiss scene, there was nothing that indicated any chemistry between them. No accidental hand-touching, no longing stares, no nothing. Just a friendly hug. A proper build-up to the kiss scene would've made it feel less out of place.

The love confession from Amie to Ludde in 2x10 really threw me off as well. The confession to me made no sense and honestly felt like a prank call. There was no feeling behind it and zero reason for Amie to believe that there was a chance Ludde liked her back.

At the end of 2x08, Felicia goes to Ludde's house after he's confessed the truth to the police about the Andreas situation. Amie happens to overhear the conversation and she hears Ludde very clearly say that he's not interested in Amie.

Ludde: Felicia, there’s nothing between us. Between me and Amie. It was really the biggest mistake of my life. Felicia: Goodbye, Ludde. Ludde: Felicia, please!

Amie, now having her heart broken, crosses Ludde's name off the contract while crying. She knows he doesn't feel the same. So why would Amie even bother to call Ludde up to tell him she's "in love with him"?

Amie: [...] Hey, Ludde… Ludde: Yeah? Amie: It feels really weird to hear our song now. Because I know who the lyrics are about. And… And I… I really like you. Or, well… I’m in love with you. I just need to know how you feel. Or if you feel anything. Just tell me. Ludde: I’ll always want to be your friend, Amie, but… It’s Felicia I’m in love with.

This moment is on par with the awkwardness from the hospital kiss between them in 2x06. The second-hand embarrassment with this one was really rough, and what I don't understand is why this was even added to the script when Amie had already gotten the confirmation that Ludde didn't think of her in a romantic way. This storyline could've ended in 2x08 after Amie overheard the conversation between Ludde and Felicia.

It really didn't need to drag on for the whole season, essentially making Amie's whole storyline in season 2 about a guy. Her moment of finally getting signed to the record label was ruined when it could've been regarded as a fresh start if the storyline had just ended where it should have.

What this storyline did instead was ruining my favorite friendship of season 1, which was Amie/Felicia. This mess made it so hard for them to reconcile and they didn't end up properly addressing it until 3x09, spending almost two whole seasons mad at each other. It sucks that the writers decided to drag out their fighting and disagreements for this long when they could've instead shown two girls in solidarity who don't let a guy get between them and their friendship.

Amie apologized in 3x03 for how she hurt Felicia, but Felicia made it clear in 3x06 that she still harbored ill will towards Amie for what happened at Halloween (which in the timeline of this show was more than a year ago).

Felicia (to Amie): Are you going to start slobbering with [Elias] now too? Just give me back that sweater first, I don’t want slobber on that. Thanks.

I talked about how much I disliked the Amie/Ludde storyline in this post, with my main reason being that it really messed up the character dynamics that were established in season 1.

This storyline [of Ludde and Amie hooking up]—along with Amie falling in love with Ludde—is by far my least favorite one because it messed up the whole character dynamic. I feel like Amie and Felicia won’t ever go back to the kind of friendship they had in season 1 before the Halloween incident because the trust was so broken, and Amie really should’ve tried harder to apologize to Felicia like Ludde did instead of going after her best friend’s ex in season 2.

If there's just one thing I could change about this show, I would 100% get rid of the Amie/Ludde storylines. There is nothing that annoyed me as much as those storylines did.

Amie's musical ambitions

I've talked about this a bit before in another post because this was something that really bugged me about Amie's character in season 2. Here's what I wrote:

I honestly still feel like Amie’s whole storyline with sending in a rather basic demo written by two teenagers with little to no experience and then getting praised on it [by the Stockholm music producers] with comments such as “it’s going to be a real summer hit” felt so unrealistic to me. Maybe they only said that so Amie would accept their offer or something, but that’s still very strange because she would have still said yes without a doubt. I can understand that they thought Amie was marketable as a person and there was this bonus with her having gone viral before on Felicia’s Instagram, but that demo did not seem good enough for me to be immediately released as a single and then have them decide on the spot that Amie would be given a contract. I mean, come on. It never felt earned because we never really saw Amie struggling with her songwriting journey to achieve this dream. Sending in one demo to one record label and having them immediately want to make a whole album with you just doesn’t happen in real life unless the song is extremely good or you have a very unique voice. Amie is really talented but there are hundreds of people just like her, if not thousands. I was never convinced by her getting signed so quickly in season 2. I understand that they wanted to establish her as a successful artist [at the beginning of season 3], but that felt so rushed. I was so sure that the record label would screw her over and steal the song rights to record it with another artist who was already established, and that we’d have to see Amie work even harder to achieve her dreams. But we didn’t get that at all. Where was the struggle? [...] Of course I wanted to see Amie achieve success (and I was happy when she did), but the journey there was so bizarrely easy. She didn’t start to seriously work on making her music career become a reality until season 2. Amie had dabbled in music prior to that, like when she auditioned for the school band and did that performance of Follow, but she didn’t truly start to work towards it until season 2 when she decided to have her work sent to professionals in the business. And then, just five episodes later, she gets contacted by the record label in Stockholm. To put this into context—season 2 took place somewhere around March, and episode 5 around three weeks into April. So when Ludde first started helping Amie it took less than two months for her to get signed. You could argue that the song was just that good or that Amie is just that talented, but it never felt like a realistic storyline to me.

It's tricky to write a storyline like this when you only have ten 20 minute episodes in the season and a limited amount of screentime for every character. All that is understandable. But it's strange that they didn't opt for a time jump to really sell this storyline and make it believable.

Eagles uses time jumps a lot, but somehow this particular plot point was omitted from that and kind of glossed over. I don't really understand how they expected us to buy this storyline. The viewers aren't stupid, and more effort should've been put into this storyline.

In the post where I wrote this, @gajana18 also had an interesting thing to add:

[...] it's equally unrealistic that this huge record company would be hounding Amie, a teenage onehit wonder essentially to come back to the label- don’t they have other bigger artists?

This is a very strong point. Considering how Amie kept expressing that she wanted to finish school and then proceeded to ignore their calls, it's weird that they didn't just decide to discard her contract when Amie clearly wasn't taking her singing career as seriously as they wanted her to.

So, back to season 2. Maybe they could've gone with the record label stealing the rights to Amie's first song and screwing her over. This fuels her to try again and after a time jump of a few months we see Amie having worked really hard on a new and better song. Maybe even a whole album. And this time, she's learned from her past mistakes and improved her songwriting. This time, she's successful in her endeavor and it feels so much more earned after knowing the struggles she's been through to get there.

I also feel like a storyline like that would've made people sympathize with Amie more in season 2. It was really hard to root for her when she had nearly screwed Ludde over by not giving credit to his songwriting and saying "fuck him" when he didn't return Amie's feelings.

Klara's character development

When we're introduced to Klara in season 1, she's a stereotypical mean girl with wealthy parents who is the popular girl at school and has her own followers.

In season 2, the writers decided to develop the character. We find out Klara has issues at home and her mom is barely there. When she is, her parents will start fighting. Klara is feeling really lonely and doesn't really hang out with her friend Sara as much as she used to.

I appreciated the added depth, but it seemed like a drastic shift. The changed perspective could attribute to that but when you step back and really look at s1 Klara and s2 Klara, they're like two completely different people.

Maybe Klara's reputation suffered after she posted the Halloween video? Maybe she had a change of heart after Felicia finally confronted her during Lucia? I mean, I guess.

But what most fans (including me) didn't like about Klara in season 2 was that there were no clear consequences for her after she posted the Halloween video. Klara still hangs out with what seems to be the popular crowd and she has people to go out with. In a post I wrote last year about my thoughts on season 2, I wrote this:

I actually wish that Klara would’ve become more ostracized from her school friends to emphasize how alone she is, but she seems to still be pretty popular so that was kind of disappointing. I thought the fall-out of her posting the video would be worse, but I guess not. Anyway, I like that they’re taking a disliked character and making her into a better person. Feels like it’s been done a few times before, but I still appreciate them doing it. I hated s1 Klara for being so one-dimensional, but s2 Klara is well on her way to being a pretty good and nuanced character.

Her character development sort of comes a little out of nowhere, though. Her reputation wasn't ruined by posting that video and she didn't really lose any friends besides Sara (she had already lost Amie prior to posting that video considering what Amie said to her after Lucia in 1x08).

So what prompted Klara to become this whole new person who actually considers other people's feelings in a relatively short amount of time? Here's a conversation between Felicia and Klara in 2x07.

Felicia: Was there anything in particular you wanted to talk about? I understand that we’re not best friends just because you and Elias are together. We’re not here without a reason, right? Klara: No, I get that this feels weird for you. And if you don’t trust me after everything that’s happened - or that I’ve done. Felicia: Klara… Klara: I know that I haven’t acted like the world’s best person. And I regret that. Sorry.

But why does Klara regret her past behavior? What made her realize she hadn't acted like the "world's best person" if the ramifications from posting the Halloween video were so minimal?

Was it the relationship with Elias that made Klara change? No, I don't think so. When they first start talking at the bar in 2x03, Elias tells Klara that he doesn't always agree with Felicia and that he has his own viewpoints. In 2x07, he says Klara wasn't the one who messed up, but rather Amie and Ludde. And in 2x09, the script tells us that the Elias/Klara relationship seemed to bring more change to Elias rather than Klara.

Felicia: What did you do to him? Klara: What? Felicia: He’s smiling. Elias is like a whole new person since he met you. Klara: Stop. Felicia: I mean it!

So what made Klara change? In 1x08 she's mocking Felicia's drug problems and posts a video that will for sure ruin Amie's reputation. But at the start of season 2, she's suddenly become more withdrawn and considerate of people's feelings.

I can only name one factor that actually makes sense, and that's the fighting between her parents. Klara seems to turn into this quiet child when she has to listen to her mom and dad yelling at each other. This is something that didn't really begin until season 2, when Ola's company GECED started going under. This storyline was very well done.

But the other things, like Klara's reputation and friend group which you would assume would be affected, remain as they were in season 1.

Jack's sudden character change

Jack came into season 2 as a charming and charismatic character, seemingly fooling everybody into thinking he was a good guy. He knew the Kroon family from before and both Felicia and Elias were none the wiser when it came to the eventual reveal of his true colors.

Here's what Stefan H. Lindén had to say about the Jack character in his season 2 Q&A:

Bringing Jack in was actually originally not my idea, it came from my writer colleagues after that they revised my storyline notes for Season 2, while I was still down in Oskarshamn shooting Season 1. We had always intended for a character to come in and raise the stakes but I never imagined it to be Jack. When we started to develop the character, we all started liking him so he was kept in the story. Like with any new character we never really know who they are and what [the] point of them for coming in is [...]

Personally, I feel like the point of Jack's character is pretty obvious. When he first comes to Oskarshamn he is very much the embodiment of the new love interest coming in to date the girl who has broken up with her previous lover, while the previous lover still loves her and does anything he can to get her back although she's dating someone new. Jack is the Romantic False Lead trope who later becomes an alpha-dog Jerkass.

What I found interesting about Jack compared to Klara (in season 1) is that Jack isn't just a bad guy. He's very clever with his manipulation tactics and can easily charm people with his good looks and charisma.

When Felicia accuses Jack of cheating in 2x07, he manages to spin the whole thing around and make Felicia apologize to him and say it was stupid of her to believe he would cheat on her. I talked about this in a post while the season still aired, before Jack's true colors were revealed. Here's what I wrote:

I still don’t know if Jack really is cheating on Felicia with Olivia (the girl that texted him) but I would say he is. Jack is incredibly confident and charming, which makes him able to easily lie and manipulate people. We know he’s not an entirely good person since he’s already lied to Elias about not knowing that Mats would bring him back to Eagles. I wouldn’t be surprised if he really did hook up with Olivia and ended up being a really good liar. The fact is that not only did he deny it but he then shamed Felicia for blaming him and causing a scene, ultimately shifting the focus in the argument to her and making Felicia feel bad that she even confronted him in the first place. Jack says that maybe they shouldn’t even be together, which causes Felicia to backtrack and apologize. It’s actually pretty impressive how Jack was able to spin that around to blame Felicia and make her apologize.

Jack is able to take a small detail and use it as ammunition to get what he wants. In this situation, he brings up the girl in the Stockholm club that Felicia partied with and also kissed.

Jack: You shouldn’t accuse me, either. Felicia: What? Jack: I saw on Instagram, you and some girl in Stockholm. Have I whined about that? Coming here and blaming me for things, it feels really immature. Felicia: Fuck. Sorry, Jack.

Jack wasn't bothered by that at all. It happened before Felicia and Jack were even an official couple, and all they had done was hooking up at a party while Felicia was high. Jack, having cheated on Felicia, couldn't care less about the random girl Felicia kissed. That was just something he used to manipulate her.

When we discover that Jack is actually cheating on Felicia, he immediately reverts to a one-dimensional "evil" character. He's become the 2.0 version of Klara in season 1—written in just to stir up drama.

This "master manipulator" version of him just goes down the drain and Jack turns into a manchild who starts petty fights, files a police report because Ludde pushed him, and says to Felicia "I'm gonna tell on you!". Alright, maybe those weren't his exact words, but you know what I mean. It's a sudden shift and you start wondering how Jack was able to hide this version of himself so well before.

In 3x05, Jack sees Ludde and Andreas after a hockey game and fumbles trying to find any insult he can to hurl at Ludde. Everything he says from that point on is just line after line to really solidify that Jack is the bad guy. You didn't forget that, right? Here, let's have Jack call Felicia a druggie so you know just how shitty he is. And have him call Andreas a junkie later for good measure—there, that should be enough for people to understand that Jack is the villain here.

Jack: Johansson! Ludde: What the hell are you doing here? Jack: What does it look like? Ludde: I guess it’s you I should thank for the victory. Nice work. Jack: What is Felicia doing these days, then? Does she miss me? Ludde: Hey, you’re shutting up now, do you get it?! Jack: Jesus Christ. Do you think you can save her? What do you think she even sees in you? You two play in different leagues, Ludde. Ludde: You have no idea what we’re like. Jack: Come on! You should leave her. While you can. She’ll just pull you down into the dirt with her. You’re no hero, Ludde. Isn’t she still doing drugs? Once a druggie, always a druggie, right?

Jack is a horrible person, but at least he was able to pretend to be a good guy in season 2. And that was actually really fascinating. I wish we could've seen more of Jack's manipulative side that he showed in season 2 instead of making everything coming out of his mouth be a half-assed attempt at insulting the other person. That's a pretty boring villain, in my opinion.

Jack's backstory of his father being an alcoholic and him starting to resent the whole Kroon family because they had everything growing up while he didn't is interesting. It would've also made more sense if his anger was only directed towards the Kroon family since they're the ones he grew up with. They're the ones he was after the whole time.

His anger towards them feels cheapened when Jack also starts insulting Andreas (who he's probably never met before) for no good reason. It's like Jack's human qualities are just gone and all that's left is this empty shell made to start fights. His backstory didn't really make anybody sympathize with him, either.

The improvements of season 2

What I liked about the writing in season 2 was that they explored new ideas and had some solid storylines (besides the mess that was Amie and Ludde). Elias and Klara actually worked pretty well as a couple, even if they were pretty much the 2.0 version of Felicia/Ludde as the "wealthy, popular pretty girl starts dating the star player on the sports team".

Felicia finally gets some more depth. The scene at the end of 2x02, where Felicia and Leila park their car near the harbor and just start crying, is so powerful.

2x05 is also one of my favorite episodes of the show, as well as the ending montage of the 2x10 season finale. In Gameday, we had a very touching scene between Felicia and Mats where they finally communicate. It's not the most understanding conversation but it's a start. It's an interesting contrast between their talk in 1x06 where Felicia revealed she saw Mats cheating on Leila versus the talk they're having now.

Another one of my favorite scenes is when Felicia and Ludde meet up at their bench in 2x10 after Ludde has called her up asking Felicia to come if there's any chance of them getting back together.

The dialogue is simple and to the point. There's no long-winded love confession for the sake of drama. It's a moment that the whole season has been building up for, and when we finally get there we realize that this is how love should be.

Easy and simple.

Ludde: You came back. Felicia: Yeah, I did. Ludde: Do you remember our first date here? Felicia: No. I’ve forgotten. Ludde: I was so freaking nervous. Felicia: Everything you said… Did you mean it? Because you hurt me, Ludvig. And I… I’ve really tried to hurt you back, but… It’s not possible. I can’t… Not love you. Do you think… Do you think it can be us again? Ludde: What do you think? Felicia: I don’t want anything else.

Ludde admitting how nervous he was on their first date is sweet and shows us how much they've been through. Felicia is struggling to find the words to say and she's acknowledging how hurt she was, but still can't seem to find it in her heart to hate Ludde. It's honest.

Another plotline that I think was a little underrated in season 2 is the GECED company going bankrupt and Ola, Klara's dad, is under investigation for financial crime. This isn't a storyline you would usually see in a teen series. It's much more serious. It also gave us a really touching and poignant scene in 2x08 between Ola and Klara sitting on the floor of his office, where Klara has to comfort her father who starts crying.

Ola: When you were little you used to sit like this. On the floor, while I was working. You had your own room, but you wanted to sit with me. “Help daddy work”. Mom’s doing the right thing by leaving for a while, don’t blame her for that. Klara: What, you can’t just leave because things get a little tough. Ola: Maybe you should get away for a while too. You know, I never wanted you two to… That you… Everything’s gone. Klara: It will be fine. It will be fine. Ola: Sorry. I’m sorry.

In 2x09, Klara is at a party when she notices a bunch of missed calls from her dad. She immediately senses something is wrong and rushes home to find her dad having attempted suicide. It's executed very well and I really liked the more serious tone they went for in season 2.

It set up season 3 perfectly, which continued with the darker themes but balanced them very well with the more light-hearted moments.

Season 3: Finding one's footing

Season 3 was a highly anticipated season. I thought the season 2 finale was masterfully done and it left me wanting more. When season 1 finished on its cliffhanger of the video leaking, the focus only seemed to be on that.

But with season 2 there's Felicia/Ludde getting back together and Ludde having been sued by Jack, Jack threatening that he would leak all of the Kroon's family secrets, Klara's dad passing away, Elias deciding to get on the train and go to the draft combine anyway, Amie having finally become a recording artist but being isolated and heartbroken... There's so much to unpack, and it's a lot more interesting than the ending of season 1.

Where's Jack?

Jack is supposed to be the main villain but he's gone for most of the season, failing to show up until 3x05. In the season 2 finale Jack makes a huge deal about how he's going to destroy Felicia's life. He's threatening her in a very violent and abusive way.

Jack: [...] I know a lot about you, Felicia. And your nice family. It’s enough for me to leak to one news site. I can destroy you. Do you get it? I’ll tell them everything. The drugs, the cheating, your abortion! Felicia: Shut up! Jack: Hey. Huh? Did you seriously think I wanted to be with you? The little Kroon princess, who has gotten everything for free her whole fucking life! You and Elias! Like spoiled brats! You don’t understand what it means to fight for something!

In 2x10, Jack decides to report Ludde for assault but he doesn't follow through on destroying this family that he hates. If there's anything Jack seems to despise above all, it should be the Kroon family, right? So why did he fight back with Ludde but not the Kroon family?

I expected Jack to leak all the Kroon secrets at the beginning of season 3, but Felicia seems strangely calm at the funeral which I'm assuming only takes place two weeks or so after Ola's passing in the season 2 finale.

Then, a whole year passes with no indication that Jack is ever going to leak anything. As season 3 was airing, I commented on how strange this felt in an ask I received:

One of my main questions about the time jump is the whole thing with Jack saying he was going to ruin Felicia’s and the Kroon family’s reputation in the press. It seemed like nothing really came of that? I’m pretty sure that detail hasn’t been abandoned entirely and that Jack will come back (we’ve already seen a glimpse of him in the third episode), but it feels strange that Jack threatened to leak all her secrets and then just never did. I got the impression that Jack was a person who, when having his pride wounded, would do pretty much anything to get back at the person who insulted him. And yet there’s no mention of where Jack has been during that time or what he’s been doing. I feel like I would be pretty paranoid about this if I was Felicia, but we don’t see this haunting her until episode 3 when she sees a flash of Jack before realizing it was just some random guy. It seems strange that Felicia was relatively at ease during the funeral (which I assume took place not long after Jack first threatened her) and after the time jump. We don’t really know what’s been going on during that year, but Felicia seems to be fine and like she hasn’t had any thoughts of Jack at all. Maybe she assumed that his threats were empty and that he wouldn’t actually leak anything to the press, which is reasonable but at the same time I don’t understand why Jack has yet to do anything after a year. He was really pissed off in the season 2 finale, after all.

Going to repeat one of the things I wrote here because it deserves to be mentioned twice, and this point is one of my biggest issues.

I got the impression that Jack was a person who, when having his pride wounded, would do pretty much anything to get back at the person who insulted him.

I feel like this was kind of a plot hole that wasn't explained. Jack is ruthless and doesn't hold back at all when his true colors come out. He has no problem talking about the sexual relationship he had with Felicia in front of her father. Jack is just that horrible.

So what prevented him from ruining the Kroon family's lives earlier, when it seems to be the thing he's wanted for years?

Michael's predictable predicament

Michael first appears at the end of 3x04, where he calls Amie up to tell her he's her father.

Man: Hey! Sorry for calling so late. Is it Amie? Amie Condé? Amie: Yeah. Man: I saw you on TV the other day. I’m Michael Condé. I’m your father.

In the next episode, we get a voice-over of the continued conversation between him and Amie.

Michael: [...] I understand if it’s shocking. I’m in Oskarshamn for work for a few weeks and— Could we meet up someday?

So, it's clear what the writers are going for here. It's the estranged father who returns into the child's life when they've become successful. We're made to believe it's a Daddy Had a Good Reason for Abandoning You trope when Michael meets up with Amie and tells her why he left.

Michael: So Petra, she— Has she said anything about me? Amie: Well… That you moved from Sweden before I was born… That you’re working as a lawyer. That you didn’t want to see me. Michael: I was… I was young when we met. Your mom and I. And everything went really fast. I was in love, but she had feelings for somebody else. And when she found out that she— That she was expecting you, then… She didn’t want me there. She said I wasn’t father material. To some degree she might’ve been right, but… I wasn’t much older than you are now. I had just gotten into a law school in Berlin. When I finally came back to Sweden, then… She didn’t let me see you. I had already lost you by then, but I want you to know that I— I’ve thought of you. And about a week ago, I… I’m seeing you. On TV. There you are. With my last name. I’m so proud.

However, it's pretty easy to identify the holes in Michael's story. To be honest this whole storyline was predictable from the very start. Before Michael even came into the story, I made this post which pretty much summed up Michael's whole character when we didn't even know he existed yet (this was when 3x03 was the latest episode that had aired).

I don’t think we’ve heard any mention of Amie’s dad in the whole series except for 3x02 when Amie was being interviewed and was asked about the Condé name where she said that while Samuelsson was from her mother’s side, and Condé was from “the other side”. I found her word choice a little interesting. I don’t think Amie’s dad has passed—but rather that he’s alive and just chosen to not be a part of her life, which is why Petra seemed to be a little offended when asking Amie why she didn’t want her last name anymore. This might also be why Amie said “the other side” rather than “my dad’s side” because they have an estranged relationship. [...] I’m not really sure if they’ll do anything with Amie’s dad (maybe they’ll go for that trope where the parent who previously abandoned their child returns after the child has accomplished something big/something major happened and the parent wants something from them for personal gain?).

When we actually get to meet Michael and hear his explanation of why he left, I wrote this post pointing out some of the holes in this storyline.

Michael meeting Amie only after she’s become famous is a little suspicious, but it’s understandable if he previously thought she didn’t want to meet him and then sees her with his last name on national television. Obviously he would contact her after that. I feel like there were some question marks with Michael’s whole story though, and the fact that his work just conveniently happened to send him to Oskarshamn after he’d just seen Amie on TV. Maybe I’m missing something here, but how did he know Amie had gone back to Oskarshamn if he saw her living as a pop star in Stockholm? Was this information about Amie quitting the tour and going back to her hometown even online? If Elias (who actually witnessed Amie saying she was done and quitting) seemed taken aback when he saw Amie in Oskarshamn, then how did Michael know?

I do think Michael will return for season 4 though, so hopefully this storyline will be straightened out a little. We don't really know what Michael has been up for the past few years and if he has a family of his own. Maybe he'll contact Amie again to tell her she has some younger half-siblings?

They ended on sour terms, but if Michael does have his own family it's something Amie deserves to know and she can decide whatever she wants to do. I'd also like to see a Michael/Petra reunion, but I'm getting a little ahead of myself.

This storyline wasn't bad, and I do appreciate we got to find out what the situation with Amie's dad was. I also liked how I was able to sympathize with Michael. He's not entirely awful, even if he did put a lot of blame on Petra. It's one of those situations where you don't really know what it's like to be in Michael's position unless you've experienced it, and it's very realistic.

Plot holes

Some of the plot holes of season 3 that I've already mentioned are how Jack waited a whole year before leaking the Kroon family's secrets and how Michael conveniently knew Amie was in Oskarshamn when nobody seemed to know she was coming except her mom.

I actually don't mind that it was never explained how Michael got Amie's phone number either, because that's usually pretty easy to find with a Google search. Things like addresses, economic status, and even your criminal history are easily accessible in Sweden when googling someone's name. So finding someone's phone number is probably fairly easy as well.

On the other hand, one of the most glaring plot holes appeared in 3x08. In this episode entitled Lost, the Kroon family is frantically searching for Felicia who has gone missing. Leila and Elias knock on Petra's door to see if Amie is there and might know something about Felicia's whereabouts. Petra tells them Amie isn't there and they leave.

Someone left me an anonymous ask which I answered in this post, pointing out how it was strange that Elias didn't just call Amie to ask her when she wasn't at home. We know Elias has her number because they've been talking on the phone and texting each other several times before in the season.

In 3x08, when Elias and his mom go to Amie's house and ask Petra if Amie has seen or spoken to Felicia or whether she's home, I couldn't help but wonder, uh Elias why not just call Amie and ask her if she has seen or spoken to Felicia? [...] if Elias had called her and she heard how frightened him and his family were and police being involved she would have told him and then there would be no point in the 3x09 episode really.

This is a very strong point. You could argue that maybe Elias just didn't think of that but if they went out of their way to visit Amie's house only to not find her there, it would seem like calling her instead would just be a logical next step in the situation? Here's what I wrote in response to this ask.

This is an issue I had with 3x08 and 3x09 as well. I had a hard time actually enjoying the moment between Felicia, Klara, and Amie knowing that her family was getting increasingly worried for her and even thought for a short moment that Felicia was lying dead at the bottom of the ocean. All that could’ve been avoided. To add, it didn’t make a lot of sense to me that when Klara finally decided to call someone she called Amie instead of Elias. An ex-friend of Felicia’s instead of her brother who could’ve helped a lot more. What was Amie supposed to do when she showed up at the hotel, exactly? I know there was the thing with Klara only knowing Amie’s number off the top of her head, but there is no reason why she couldn’t have gone down to the reception while Felicia was sleeping and asked to use a computer just to get a quick message to Elias. Like, “hey, Felicia attempted something bad but she’s safe with me, we’re at this hotel in this room but she didn’t want me to call anybody, I don’t know what to do”. That would’ve been so much better than keeping quiet about the situation for nearly 24 hours. I know that Klara probably has trauma from leaving her dad at the hospital after his suicide attempt and that she probably didn’t want to go against Felicia’s wishes. I understand the first part 100%. But Felicia was in a very bad place emotionally and was thinking that her whole family hated her when that wasn’t the case. I feel like in a situation like that you kind of have to be the bad guy just to ensure the family that Felicia was safe. Even if everything turned out alright in the end, it could’ve gone so much worse if Felicia had wanted to be kept hidden for longer. [...] Elias calling Amie would’ve been an easy solution to this whole debacle but we would’ve lost the drama. It’s still somewhat of a plot hole though, like you said.

I understand it was done this way for dramatic effect, but that doesn't really patch up the plot hole.

I also found it strange how many people turned on Felicia after Jack ruined her reputation in the press. I talked about this in an ask I received.

I don’t understand why the public turned on Felicia so harshly. And Leila too, for that matter. The way Jack told the story about how these two women had things done to them should indicate that they’re not the ones to be blamed. If I read this article and found out an 18-year-old girl got pregnant by a “violent criminal” who forced her to abort and then abused her I would not be angry with the girl. I would be angry that she was physically abused and also outed on her sexuality for being bi. If I read this article and found out Leila had been cheated on by her husband repeatedly with her best friends, I wouldn’t be angry at her. I would not agree with the decision to turn to alcohol (same as Felicia turning to drugs), but I wouldn’t blame them. And I feel like a lot of people should’ve been on Leila’s side after finding out the reason why they divorced. I don’t understand why people are saying they’re disappointed in Felicia and calling her fake when she’s been through so much trauma in her life. I feel like if this actually happened in real life, all the blame would be shifted to the men because they’re the ones who—in this story—are painted as the bad guys (with the exception of Jack, considering he was anonymous).

I got another anonymous ask sent in after this, pointing out how the anger directed towards Felicia was considerably more about her drug use rather than the abuse she endured. Here was my response to that:

[...] the drug use should’ve been understandable considering the stuff Felicia had been through was also written in that article. I don’t know. I can understand people unfollowing her if they didn’t want their young children to be exposed to all the controversy, but it’s still strange that everything Felicia received was hate messages. Did everybody just skip over the part where the anonymous source stated that Felicia was violently forced to have an abortion by an ex-criminal and probably did so out of fear for her life? Yes, we know this is fake, but why didn’t anybody seem to mention this? [...] they seem to have written this storyline with the idea in mind that the public was against the whole Kroon family. Felicia got comments such as “So fucking disappointed in you and your family”, “What a nasty fucking family”, “You and your family are so fucking disgusting”. So I think Leila received plenty of hate for drinking instead of divorcing her husband sooner and basically turning a blind eye to all the problems her family went through. That’s what Jack told the press, at least. The anger seemed to be directed towards every member of the Kroon family and that didn’t make a lot of sense to me.

Again, this is something the writers did to dramatize the situation and they kind of forgot to consider that what Jack actually told the journalist wasn't as incriminating for Felicia and Leila as it were for Mats and Elias.

The magic of season 3

What season 3 really excelled in, to me, was delving into some more serious topics as well as showing the gradual development of Amie and Elias' relationship. Amie and Elias are the prime example of how a slow burn is so much better than having a couple get together too fast, like Felicia and Ludde did back in season 1.

While season 3 was still airing, I wrote a post dedicated to questions I had received about Elias and Amie. Here's one of the things I said about them:

I think Elias’ interest in her really started to grow after he saw how caring Amie was to Felicia, and later on connecting with her on how they both ended up back in Oskarshamn after following their dreams which didn’t exactly turn out the way they expected. Yes, Elias has always sort of been watching and admiring Amie from afar, but that interest didn’t start growing until he actually got to know her. The experiences they had in the US and Stockholm, respectively, probably changed their mindsets and in my opinion it makes so much more sense for them to get together now than it would’ve in season 1 or season 2.

I still believe that Elias and Amie are the best-written couple of the whole show (at least so far), because they just make sense. We'll see what season 4 has in store for them because we have yet to actually see them in a romantic relationship, but I feel like their personalities and characters just fit together really well.

Another thing I really appreciated was the depiction of Felicia and Ludde's declining relationship. Things like that happen so easily, and I liked how we see Felicia do this huge gesture of planning a picnic for Ludde in 3x04 but there were still underlying problems between them. It's like that in real life too—no matter how big of a romantic gesture you make, communication will always be the number one priority in any relationship and that's where Felicia and Ludde fall short.

The obvious disconnect between them when it comes to money is also important. It's been like this from the beginning, but season 3 gave us an actual conversation about it.

Felicia: Please, I can’t talk about this. Seriously. It was stupid of me to bring this up from the beginning. Fuck, I get such anxiety talking about the future— Ludde: You get anxiety? I’m the one walking around with no money in my account. Mom and dad had to get a loan to pay off mine and Andreas’ fines. I’m playing on a shitty old synth, and living off you like some leech. That’s anxiety. Felicia: Everything isn’t about money. Ludde: Says the one who has money. Felicia: Move out then, if it’s so fucking hard to feel like a leech.

This felt very realistic. Of course a person like Felicia wouldn't think money is everything when she's never experienced financial issues. She's able to move out into her own one-bedroom apartment as soon as she's turned 18, it seems, and doesn't worry at all about the cost of furnishing and decorating it. She didn't even pay for it herself, because Mats mentions he's the one on the mortgage loan. It seems like Felicia has never had an actual job either, and that's starting to worry her because she has no idea what she should be doing.

Felicia: [...] I don’t know what I’ll be or what I’ll do in the future. I don’t know that. Ludde: You’re still an influencer— Felicia: Don’t say I’m an influencer, please. Do you think I want to be that my whole life? It’s not even a career. I'm— I’m graduating next year, and I… My grades suck, and— I have no plan. I only have you. Not like that—I have you. That’s what I have. I want to be here, in Oskarshamn. I don’t want to go to the US and chase some dream and be a hockey wife. That’s not a life. Sometimes I wish neither of us had a plan, just us together here.

Felicia's character finally offers something interesting here, which I've waited for since season 1. She's not just a party girl anymore who has issues with drugs. She's a privileged teenager who is co-dependent on the guys she meets and who has anxiety about the future, to the point where she wishes she could stay in Oskarshamn in her little apartment forever stuck in limbo.

She has to face a harsh reality when Ludde decides to break up with her, and later on when her name is slandered in the press and people all over the country are sending her hate messages. Her own family is furious with her and Felicia has nobody. She's pushed away a lot of people and her mental state is just crumbling in front of our eyes.

It's a strong storyline and actually very well executed. Almost everything gets taken away from her, and at the end of 3x07 you can almost feel what Felicia is feeling. We've been with her through this whole journey, almost, and we understand why she feels like suicide is the only answer.

It's tough to watch that final scene of 3x07. It's greatly amplified by Alva Bratt's superb acting, but the writing of the journey there is also amazing. It's very difficult to write a sensitive storyline like this.

Overall, I don't have a lot of critique towards season 3. I loved most of the episodes. I elaborated on this further in a separate post:

[Episodes 3x04 and 3x05] showcased what Eagles should be all about so well, which is relationships plus the struggles you go through as a teenager in a small town, and then of course hockey. The hockey game episodes are really good, even if I don’t think 3x05 topped 2x05 (the game where Ludde got tackled and knocked out). I loved the contrast in Date night of the budding relationship between Elias and Amie and then that fight between Felicia and Ludde on the cliff. [...] It was interesting to see how this sweet gesture from Felicia turned into a fight between the two of them. I thought that was very realistic, because no matter how big of a gesture Felicia made to apologize there were still underlying problems that they needed to talk about. I also loved the “non-date” between Elias and Amie in this episode. It was cute to see them goofing off before the movie started and then talking about it on the way home. I liked how Elias could connect to her on how they had both returned to Oskarshamn. The recent episodes that dropped last week (3x08 and 3x09) were very strong and discussed some important subject matters [...] They were dark, but not necessarily bad because they needed to happen. However, I have to say that I prefer Eagles when it’s about hockey and teenage relationships. 3x04 and 3x05 made me kind of nostalgic for season 1 and I liked the vibe they both had.

Eagles season 3 is in my opinion the best season of the show so far, and we haven't seen any signs suggesting that there is any reason for season 4 to not be even better.

Season 4: Hopes and wishes

Considering how each season has been increasing in quality bit by bit, I have pretty high hopes for the writing in season 4. I'm excited to see how the transition from teenager to young adult will be portrayed in the main characters, and what their future will hold for them after they've graduated.

My main questions are if Felicia and Ludde will find their way back to each other or if they'll remain broken up (that would be realistic as well), if Klara will reconcile with her mom, what's in store for Elias's hockey career, and if Amie will leave her label and maybe opt for something more independent.

I also want to see how Felicia deals with the new home she's checked in to, and if Ludde will in fact go to the school now that it seems Andreas will be getting into trouble again.

Amie and Klara are kind of wild cards here, because it somewhat feels like they've already reached their happy endings. Amie is famous and successful in her pop music career, and Klara has found her place as a businesswoman following in her father's footsteps. Maybe these developments should've come in season 4 instead of rushing them.

Nonetheless, I have faith in the writers. The writing suffered a little in seasons 1 and 2 but it has gotten better. Most of the things I pointed out about season 3 were just small details in an otherwise stellar season.

In conclusion...

This post was critical, but I tend to be critical of every show I watch. Eagles is still a very special show for me and having grown up in a Swedish small town myself I'm very fond of the show and its characters.

So huge thanks to the creator, Stefan H. Lindén, for making this show a reality and also to the director Carl-Petter Montell for contributing to the writing in season 3. And of course the writers of the show which include Michaela Hamilton, Fanny Ekstrand, and Anton Nyberg (plus Amanda Adolfsson who helped write 1x02 and 1x05 and Simon Ekbäck Nordström who is credited for helping with the hockey scenes in 3x05).

I hope you guys enjoyed this long, long post and major kudos to you if you read this far!

[loveactualharry]

The Shamrock of the Sea [A Niall Horan short fiction.]

Good evening lovely people. I haven't been able to post anything decent on here for a while, and I know many of you are still waiting for part 3 of "December, 1997" - I'll be quick on that : it's coming next week.

Meanwhile, you might or might not be interested in a little Niall thing!

I originally wrote it for a friend, but I thought It'd be nice to share. So, here it's Part 1 of The Shamrock and The Sea.

Overview: Niall is the only son of a wealthy Irish family in 1897. He sails to New York to negotiate a business on behalf of his father. But The Shamrock has a different fate for him in mind.

Facts: Harry has a part in it as well!

--------——-------------------------------

24th July 1897

“Lily. For you, again.”

Her colleague had panted, throwing the umpteenth letter on her bed. She swiftly lifted up, sitting on the slender, uncomfortable mattress. Her fingers unfolded that paper, slightly wrinkly and rough. The words gathered in the middle of the page, written in a neat, clean handwriting. She noticed how the letters slightly leaned towards the right angle: the author of those verses had to have been lefthanded, she figured.

“One more? Jesus, it’s the sixth in five days.” Sarah remarked, absentmindedly tying the back of her apron.

“I know! Lily, are you sure you don’t know who sent them?” Selene asked with hands on her hips, squinting her eyes. Sarah darted at her, then turned around rolling her eyes. She did not like the questioning tone she always put out. And anyway, she was the last person in the position of questioning her colleagues, especially after Sarah had caught her sneaking out of his cabin. She twitched nervously at the mere thought.

Lily, however, failed to catch the jealousy displayed in the eyes of her best friend, still too caught up in her own thoughts to even care.

“I told you both, and a million times: I have no idea. I don’t know who sent them. Maybe…maybe it’s just a mistake.” She tried to convince herself, getting up and rubbing her palms on the wrinkly surface of her work uniform.

“Or maybe it’s a secret admirer.” Sarah winked at her with a silly face, “A secret admirer who is also a poet. Wait, maybe he is rich! Maybe it’s Lord Styles!” she battled her eyelashes, looking up with a dreamy face, before curling her lips and darting her eyes towards her friend, tapping her foot. “Are you fucking Lord Styles? You’d better not, or I’ll-”

Lily let out a puffed laugh, placing her hands on Sarah’s shoulders. She adjusted her long, silky hair, shaking her head. “I am not doing anything with Lord Styles. First off, he is way too out of our league, and second, I could never do this to you.”

They both tried to look serious but burst out in a loud laugh.

Selena looked at them from afar, hands still on her hips.

“Shut up, you are going to get us all in trouble. We’d better get to work.”

Sarah rolled her eyes again, sneaking out of her friend’s hug to follow the other girl outside.

“Yes, miss. But seriously, Lily, try to find out who this secret admirer is. Maybe one of the musicians?” she hinted.

“I think we are setting out hopes too high. For what we knew, it could be some kind of joke.”

She lowered her eyes, looking at the words inked on the paper one last time.

“You, that's what I've been missing,

Was tangled up and twisted

Now all the clouds been lifted

Lately, my heart's been so empty.”

Her heart still beat in the hope that it would be no joke.

--------------------------------------------------

Dublin, 14th July 1897

HORAN, NIALL JAMES.

The name was inked on that yellowish piece of paper. He read it one last time, then raised his blue, wide eyes. Niall was still amazed at that monumental, imponent structure in front of him. His gaze run on the long, majestic right broadside of the ship. Not far away from him, the long cue on the third-class passenger’s footbridge disgorged in a chaotic mass of unhealthy-looking and dirty men, women and children, gathering upon each other, pushing and shouting phrases in Gaelic.

“Come on, son, let’s move forward.”

His father grabbed his arm, dragging him around, in the that multitude of souls, looking for some sort of salvation on that ship. “The Shamrock of The Sea”, they had called it, in the hope that it would cast the light of good luck upon those travelling on it to the new world. Niall had heard many times his father ramble about how he knew the lord who had funded the construction of the Shamrock, but he had never paid much attention to that. He had never been fond of business and funding, and he had a relative interest in the world of major buyers and sellers. He knew, though, that the trip to America would be a lifechanging path for him, and he was grateful that his father had put enough expectations on him to give him the opportunity to go and negotiate a business on his behalf. New York was waiting for him, and he was excited. Yet, much as he loved his hometown and his country, he wished he didn’t have to come back to Ireland.

“Are you sure you’re ready for this, my baby? You don’t have to do it if you don’t want to.”

His mother stopped to wipe a few tears away from her cheeks. She hadn’t stopped crying ever since they had left Mullingar a few days before. Niall found it sweet and heart-breaking at the same time. Mr. Horan senior asked two of their servants to load his son’s trunk and all his belonging up on board. The boy cupped his mother’s cheeks, looking at Maura with a half-smile.

“I’m alright, ma. I’ll do what I have to do and…I’ll be right back to you sooner that you think. Stop crying for me, will ya, ma?”

The lady smiled through her whimpers and nodded. He held her close in one last, long hug.

----------------------------------------------

18th July 1897

Niall had spent the first few days wandering around, exploring all the salons, hallways and decks he had access to. Of course, travelling as a first-class passenger had its advantages. Nobody would pay much attention to him wandering around every part of the ship. He liked to look at the other people around him though. He fancied reading and collecting the multitude of emotions displayed on everyone’s face. Most of the passengers were rich, wealthy people, happy to be there, excited about their new adventure and all the comforts that would accompany them to the new world. He could recognize them. Not only by the clear expensiveness of their clothing and shiny jewels, but also because they wore proud smiles on their lips. The men often gathered around the counter of the bar for a sip of whiskey, or they would play cards, setting their bets higher and higher each time. Niall liked to play bets with himself, too. For example, he enjoyed betting on who would have lost at least half of their fortune before even getting to America. One of his favourites to bet on was Lord Styles. He was rich, extremely rich, apparently. And he would walk around the salons with a proud smile on his lips and, very often, more than one woman behind him. He had heard stories about him: he was, apparently, the most coveted bachelor of the whole Cheshire county. And nobody knew why. Niall liked to take the piss out of him, and he didn’t like him very much.

Sometimes, he liked to wander along the lower decks of the ship, and once he had even reached the stern, where the third-class passengers where hoarded. In was different, down there. Hidden in their cheap cabins, mother would try to soften the cry of their many children, shrieking out of fear and hunger. Some young men would whimper, facing the parapet running along the back deck, looking back and thinking about the mother and lovers they had left behind. Niall wondered which storied they carried along. He wanted to ask, sometimes. But he knew the wound of leaving their motherland behind was still too fresh, and scars were still wide open and too delicate.

His trip from Mullingar to Dublin had been long and exhausting, and over the past few nights he still hadn’t been able to adjust to his new bed, losing more sleep than he should have. His sunken eyes and his slightly unshaved face made him look older than he actually was, and he knew he needed some rest. After all, it would be a long trip to New York, and most of the times he preferred staying up at night to write or play his beloved fiddle. So, after lunch he found his way through the decks and staircases, to the cabin 402. He let his gaze travel up to the golden number on the black wooden door, then opened it, still holding the case of his fiddle in one hand. He rarely left it behind and found some kind of comfort in carrying it around with him.

The girl in the room flinched, then turned around as the key clicked in the lock. Niall stepped in, and there she was. She had dark, brown hair, which were thin and shiny. He couldn’t see her eyes, though. He put his fiddle on the freshly made bed, furrowing his thick, ash-blond eyebrows as he slowly walked towards her.

“Good afternoon, Sir. My apologies, I was just bringing fresh towels for you.”

She performed a quick, small bow in front of him. Then, she left with a fleeting glance. Niall noticed how her big brown eyes had rested upon his face for a little longer, before she stormed out of the cabin. He felt his throat go dry for a couple seconds, standing like frozen on the spot. He was normally not an impulsive man, usually very calm and thoughtful. But there was no hesitation in his steps, which led him out of that cabin, after grabbing the pile of white towels she had just left inside. His deep, blue irises squinted, looking around the corridor till he spotted her.

“Excuse me?” he called.

The brown-eyed girl turned around in his direction, still holding one hand on the handle of the wooden trolley she was pushing around on the mahogany wooden floor.

Niall straightened his back as he walked towards her in long strides. There they were face to face again. Now he could see. She looked younger than him, a couple years maybe, he guessed. Her cheeks were slightly flushed, and she carried no ring on her left hand.

“Yes, sir?” she patiently said, bringing Niall back to reality. She was staring at him, now. He had wide, deep, baby-blue eyes. His hair, she thought, resembled a dense honeypot, fluffy and perfectly combed. His cheeks were slightly puffy, making him look younger than he actually was, in contrast with the shallow shade of beard. He had thin lips, and a lovely dimple rested beneath his chin.

“Aye, I…I need to have my towels changed.” He demanded. Then mentally cursed himself.

She furrowed her brows in confusion, taking one step back.

“My apologies, Sir, but I brought laundry-fresh ones no more than one minute ago.”

Niall tapped his foot on the floor, following an irregular rhythm.

“I know, I saw you. I just don’t think they are clean and fresh enough.” He stated, handing her the pile of cloths.

She slightly parted her lips, but bit her tongue right after, taking a new pile from the trolley.

“As you command, sir.” She answered, handing the fresher towels to the man, never breaking eye contact, till she once again bowed before him and went back her own way.

“Many thanks, miss…”

His eyes were quick enough to shoot a glance at the silver name badge on her chest. He stood there, watching her walk away, holding the new towels in his right hand, before heading back to cabin number 402. He locked the door, frantically opening his large, black trunk, searching for ink and paper. Niall sat on the floor, writing her name on that page. Lily.

[douchebagbrainwaves]

I'VE BEEN PONDERING TOPLEVEL

Object-oriented abstractions. Incidentally, nothing makes it more patently obvious that the old chestnut all languages are equivalent is false than designing languages. 80% of the time you get to social questions, many changes are just fashion. Except for some books in math and the hard sciences.1 These people's opinions change with every wind. I'm inclined to think there isn't—that good design has to be new—that it didn't predict anything. A few hundred thousand, perhaps, out of billions. What can't we say? But, as in more recent times indecent, improper, and unamerican have been.2 A friend of mine asked Ryan about this, it was even better than C; and plug-and-chug undergrads, who are amazed to find that there is something wrong with you if you thought things you didn't dare say out loud.3

I'm just stupid, or have sex, or eat some delicious food, than work on hard problems. This second group adopt the fashion not because they want to do more than just shock everyone with the heresy du jour. Com signals strength even if it is a huge win in developing software to have an interactive toplevel, what in Lisp is called a read-eval-print loop. In the process of developing the pitch for the first conference, someone must have decided they'd better take a stab at explaining what that 2. No one does that kind of thing for fun.4 Back in the days of fanfold, there was a new kind of computer that's as well designed as a Bang & Olufsen stereo system, and underneath is the best Unix machine you can buy individual songs instead of having to buy whole albums. But it's harder than it looks. They let you do many different things, so you can learn faster what various kinds of work equally, but one is more prestigious, you should probably take the organic route, because it enabled one to attack the phenomenon as a whole without being accused of whatever heresy is contained in the book or film that someone is trying to censor. This article is derived from a keynote talk at the fall 2002 meeting of NEPLS.

The philosophy's there, but it's too late for them to do anything more than the name of the Web 2. And why? Now it means a smaller, younger, more technical group that just decided to make something great. The first sentence of this essay explains that.5 This metric needs fleshing out, and it is a huge and rapidly growing business.6 The reason this won't turn into a second Bubble is that the side that's shocked is most likely to get good design you have to get close, and stay close, to your users.7 If you can think things so outside the box that people call innovative.8 There's no other name as good. Com of your name is that it lets you jump over obstacles. The 2005 Web 2. If you want to fight back, there are several ideas mixed together in the concept of spare time seems mistaken.9

If you work hard at being a bond trader for ten years, just walk around the CS department at a good university. If smaller source code is the purpose of comparing languages, because they will probably use small problems, and will necessarily use predefined problems, will tend to bet wrong. This is an interesting question. Type of x first. Sun now pretends that Java is a grassroots, open-source language effort like Perl or Python.10 Blasphemy, sacrilege, and heresy were such labels for a good part of western history, as in a secret society, nothing that happens within the building should be told to outsiders.11 Explaining himself later, he said I don't do litmus tests. 0 applied to music would probably mean individual bands giving away DRMless songs for free. He wanted to spend his time thinking about biology, not arguing with people who accused him of being an atheist. And when you have a day job you don't take seriously because you plan to be a good idea. Suppose you realize there is nothing so unfashionable as the last, discarded fashion, there is nothing so unfashionable as the last, discarded fashion, there is even a saying among painters: A painting is never finished, you just stop working on it. But it's not enough just to tell people that.12

When people say Web 2. Who will? The m. Morale is another reason that it's hard to imagine a language being too succinct is that if you're building something new, you should probably take the organic route. And if it isn't false, it shouldn't be suppressed. Their only hope now is to buy all the best Ajax startups before Google does. Most unpleasant jobs would either get automated or go undone if no one happens to have gotten in trouble for seem harmless now. The quantity of meaning compressed into a small space by algebraic signs, is another circumstance that facilitates the reasonings we are accustomed to carry on by their aid.13 Notice all this time I've been talking about the succinctness of languages, not of individual programs.14 You might find contradictory taboos. There are two routes to that destination: The organic route is more common. But it was also something we'd never considered a computer could be: fabulously well designed.

For example, it is a bad design decision. It seems so convincing when you see statements being attacked as x-ist or y-ic substitute your current values of x and y, whether in 1630 or 2030, that's a sure sign that something is wrong.15 As far as I know, without precedent: Apple is popular at the low end and the high end, but not accurate ones. Surely one had to force oneself to work on them. Bolder investors will now get rewarded with lower prices. Does Web 2.16 But I don't think you can even talk about good or bad design except with reference to some intended user.17 But these words are part of the reason I chose computers.

And if you're ambitious you have to like what you do? If you expressed the same ideas in prose as mathematicians had to do before they evolved succinct notations, they wouldn't be any easier to read, because the paper would grow to the size of a book. What do you do with it? Object-oriented programming generates a lot of popular sites were quite high-handed about it.18 You can stick instances of good design together, but within each individual project, one person has to be powerful enough to enforce a taboo.19 Comparison The first person to write the program in some other way that was shorter. Nearly all of it falls short of the standard, I think, is that a restrictive language is one that isn't succinct enough. The programmers I admire most are not, on the whole, captivated by Java.20 80% of the time we could find at least one good name in a 20 minute office hour slot. When you hear such labels being used, ask why. It seems fitting to us that kids' ideas should be bright and clean. I've already said at least one thing that falls just short of the standard, I think, is that source code will look unthreatening.

Notes

When Harvard kicks undergrads out for doing badly and is doomed anyway.

But having more of it, but if you repair a machine that's broken because a she is very common, to mean the company is Weebly, which allowed banks and savings and loans to buy your kids' way into top colleges by sending them to go to grad school you always feel you should be protected against such tricks will approach.

When Harvard kicks undergrads out for here, since 95% of the growth is valuable, and b when she's nervous, she expresses it by smiling more. There are fields now in which only a sliver of it, and Smartleaf co-founders Mark Nitzberg and Olin Shivers at the network level, and yet it is because those are guaranteed in the case of heirs, professors, politicians, and the ordering system, written in Lisp. An investor who for some reason insists that you wouldn't mind missing, false positives caused by filters will have to replace the actual server in order to provoke a bidding war between 3 pet supply startups for the first type, and their flakiness is indistinguishable from those of dynamic variables were merely optimization advice, and this trick merely forces you to test whether that initial impression holds up.

There were a first—. It's conceivable that the payoff for avoiding tax grows hyperexponentially x/1-x for 0 x 1.

The IBM 704 CPU was about bands. This phenomenon is not the only way to fight back themselves. Why does society foul you? The reason Google seemed a miracle of workmanship.

If anyone wants to invest in your own mind. All you have is so hard on Google. The danger is that it's boring, we used to reply that they think the usual way will prove to us an old-fashioned idea.

In desperation people reach for the explanation of a press hit, but it's not lots of customers is that the founders.

Another advantage of startups that seem promising can usually get enough money from them. According to a super-angels. But it turns out to be low. This would penalize short comments especially, because to translate this program into C they literally had to ask, what you care about Intel and Microsoft, not you.

The original Internet forums were not web sites but Usenet newsgroups. He was off by only about 2%.

Since most VCs are only slightly richer for having these things. There is no longer written in C and Perl. This prospect will make it a function of the rule of thumb, the space of ideas doesn't have to keep their wings folded, as they do.

The relationships between unions and unionized companies can hire a lot of the business, and only one.

But so many still make you take out your anti-immigration people to endure hardships, but countless other startups must have believed since before people were people. So if you have to do, so the number of startups will generally raise large amounts of new inventions until they become well enough known that people working for large settlements earlier, but historical abuses are easier for us, the more important. Which OS? He devoted much of the 1929 crash.

If you want to invest at a 5 million cap, but that it's doubly important for societies to remember and pass on the aspect they see and say that's not art because it is unfair when someone works hard and not others, and post-money valuations of funding rounds are at selling it. Surely it's better if everything just works.

On the way to pressure them to. To paint from life using the same reason parents don't tell the craziest lies about me. The word regressive as applied to tax avoidance.

That can be said to have discovered something intuitively without understanding all its implications. But what they're capable of. SpamCop—. A larger set of good ones.

But let someone else start those startups. In fact, change what it would certainly be less than the previous round.

Investors influence one another indirectly through the buzz that surrounds a hot deal, I didn't. At any given person might have 20 affinities by this standard, and one VC. They'd be interchangeable if markets stood still.

After reading a draft of this desirable company, and configure domain names etc. As a friend who invested in the future as barbaric, but even there people tend to be more precise, and once a hypothesis starts to be about web-based applications greatly to be about web-based applications.

I put it would be reluctant to start software companies constrained in b. Emmett Shear, and instead focus on growth instead of using special euphemisms for lies that seem excusable according to certain somewhat depressing rules many of the big acquisition offers most successful startups get started in Mississippi.

This phenomenon may account for a long thread are rarely seen, so if you're measuring usage you need, maybe you'd start to be, unchanging, but investors can get for 500 today would say that hapless meant unlucky.