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cozycottagetarot · 1 year ago

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Quick Pick: Messages From Your Person

Hello, my loves! It's been way too long, but I'm finally back (hopefully for a long time) with a new reading as well as a bit of a rebrand. Today's reading is focused on messages from your person (kind of in the realm of a future spouse but generally a long-term partner) but I think for some of you it may come across as a current partner as well.

This is a pretty experimental reading for me. I want to start including an 'energy check' of sorts to help you better figure out if a pile is for you or not. I've done 'channelled' messages before but I felt weird about them so I've decided to give it a try again. The message aspect of this reading is just a free-flow writing of the cards that were pulled. And of course, I decided to play around a little bit more with my graphics. I'm always open to feedback, so I'd love to gather your thoughts on the set-up and reading itself.

Elle 🌿

P.S. I'm trying to re-do my masterlist but can't locate all my old pacs easily. If you come across one, I wouldn't mind if you send me the link. 🙏

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Disclaimer: When reading tarot, my aim is to focus on self-reflection and seeking guidance. The readings you'll find here are designed to add a pinch of fun and entertainment to your day. While I might sprinkle in some advice that hopefully vibes with you, please remember that these insights aren't a substitute for any professional advice you might need-- after all, you know your journey best! For any love-related or future-focused readings, consider them captivating musings exploring possibilities. Divination inspired stories even. I can't predict the future but I do hope to add some enjoyment and insights into your everyday. Lastly my darlings, please take from these readings what resonates with you most, be it some, all or none, and leave the rest. 🌟

PILE 1

Note: Pile 1 your pile gave me absolute hell the first time around 😭. I was writing/channelling the message and the energy literally just gave way at one point, I was flabbergasted 🫨. Anyway, the second pull was much clearer, but I included notes I felt were important from the first pull in the post-reading notes section.

Your Energy:

Going through an awakening. A need or call for self-reflection. A new cycle is beginning. You must face what you are running from within, but you must also be patient. Rely on your inner strength. Needing to learn more about yourself before doing/trying something different. Potentially finding yourself in part of a mentorship. Connecting with people similar to yourself. Navigating regrets. Needing to let go of the old you. Needing to ground yourself. A strong energy of needing to look within yourself. It is time to prepare yourself for your next journey.

The Message:

Can you let the past go? We’ve been through so much, the both of us, on our own and together. Why do you hold on to it when our future is waiting for us? I know I hurt you and I apologize. You didn’t deserve any of the pain I caused you. I don’t blame you [it felt like there was a specific reason but I couldn’t get the specifics] but I feel lost without you. I could tell you why, I want to, but words mean nothing without action. You know my story. My relationship with my mother, how that shaped me. You know I love the attention of it all, having everyone’s eyes on me. Makes me feel good.. makes me feel. But no one else’s attention mattered like yours did. I felt most close to myself with you. Please, please let go of that version of me you’re holding onto in your head. I’m taking space because I need to heal. I need to heal my relationship with me first before I can heal it with us. This isn’t goodbye; just so long for now. I’m taking time to put that me in the past too and find myself and what I want from this life. I mean it’s simple really, I want you, us. I want to give you the good life you deserve, but I need to fix myself first. Give me the self-love I deserve.

Post-Reading Notes:

There’s a mature, sad regretful energy. Someone on a journey of self-exploration. Two hurting souls who met at the wrong time. One of you may be further along in your healing journey or you’ve both healed parts of yourself and your relationship that the other one hasn’t healed yet.

First Pull Notes:

One of the first things that came to mind for me is a dark night of the soul… I haven’t heard that term in so long and I’ve completely forgotten what it means, but for someone in this pile, I feel like that may resonate a lot. Going through a tough time. Blow after blow. Your higher self or inner wisdom is trying to reach you. Introspection before a new beginning. An ending of something you don’t want to let go of?

Big things are happening in your life, and significant changes are taking place even though it might not seem that way right now. Lots of air energy. Gaining mental clarity is super important for you right now. Breakup vibes? You two are like opposite sides or motivations of the same energy. Holding on when you know you should let go. This is definitely your person (one of the cards literally says ‘You’re my person’).

PILE 2

Your Energy:

For some of you are at the end of suffering but lying to yourself about the truth of the outcome, while for others you’re running from the mistakes made along the way. Maybe it's both. You’re still grieving all that is lost, be gentle with yourself. Hard work and consistency may await you but keep at it. Adventure is closer than you think. You’re on the brink of success. Moving forward hurts, but you must. Your person (or something you've been romanticising) is waiting for you. You just have to be brave enough to step through the gate. Opportunities are coming your way. If you're interested in floral hobbies or embroidery go for it.

The Message:

I hear you. I haven’t given up on you. I hear the songs you play for me, I hear the songs of your heart. You’re my love, my soulmate. We were meant to be, you and me. You’re not crazy or insane, or any other term you demean yourself with. You’re my everything. I can feel your soul even though we’re apart. If I close my eyes hard enough, I can feel you there. I can see your sparkling soul mirroring mine... sad eyes, bright smile, you leave me in awe. I know you call to me, and I’m sorry I’m not there. Don’t hate me for it, please. I’m leaving behind all that has been holding me back… the same as you. I’m sorry it’s so lonely. I want to meet. What do you say? Impromptu trip to the tropics? Somewhere cold? I just want to escape the world with you and lie in your arms. You’re my home. I sit in your energy and let it guide me your way. But I do need time. Please be patient with me. I haven’t abandoned you. I’m finding me, for you. I dream about you so often and being the kind of person you’d inspire me to be.

Post-Reading Notes:

"I need you to run to me, run to me, lover." (Run by Hozier, the chorus specifically. I know the song is supposed to be a metaphor but I'm suggesting it at face value). A very healing energy to your person's messages. Your person could also fantasise about you a lot... in a non-x-rated 18+ kind of way. It was mentioned on one of the cards but that part of the card felt awkward in the rest of the cards. They’re possessive, it doesn't seem like in a negative or extreme way but again, that's not something that was strong or clear. There’s something to do with the attention of others. They just want to be yours completely… Honestly, a submissive yet dominant kind of energy. A protector and/or provider (take that as you will) who is absolutely smitten with you and will do anything you say.

I don't typically read for it, but one of the cards had twin flame written on it. It could also be symbolic of mirroring each other in your personal journeys in life.

PILE 3

Your Energy:

Powerful yet solitary energy. A new chapter of your life. Accomplishing a big goal. Moving to a new location. Creating a good foundation for yourself in preparation for what comes next. Balancing your energies. Sleep issues. Struggling with anxiety or managing thoughts after a traumatic event. Celebration. Having security. Authoritarian role or vibes.

The Message:

Okay, I can do this: I can’t get you off of my mind. I’m constantly thinking of you, viewing your content, trying to set myself up to run into you. I know it’s silly, especially since you hurt me. Who pines after the person that hurt them? Well, it wasn't meant to be mean. You’re just so mysterious I can’t ever read you and it or you make me nervous. I’m always worrying about what to say. I want to talk to you but opening up to others is hard. I’m afraid I’ll start crying or you’ll hear my voice crack. You’re my person. I’m sure of it. You’re everything I’ve hoped for in a person, everything I dream about before I go to sleep at night. You’re doing so well for yourself, but I want to spoil you and be there for you. Not always materially. I know you can cover that for yourself. But being there for you and spending time with you… I heard you were seeing someone. I hope it’s not true and even if it is, I hope it doesn't last. No, I’m not sorry. I’m going to work up the courage to reach out to you soon.

Post-Reading Notes:

Oh Pile 3, you’re so intimidating to your person. Secret admirer vibes. I definitely think you’ve got a very serious or professional energy and an intimidating appearance. That may especially be true if you’re taller than average for your demographic/s. The energies here feel very balanced or neutral (not heavily feminine or masculine) on both your end and theirs.

PILE 4

Your Energy:

Such a beautiful light-hearted energy. There’s such a beautiful and hopeful energy in this relationship here but it’s also possible someone or something is working against you right now. A very important decision is being made. Someone could be trying to take something from you, but keep going. You’ve got this incredible power/energy to you. Vows are super important, be it making them with someone else or making a vow to yourself to gain or achieve something. Collaboration. Having everything you need to succeed. There could be challengers coming your way but you're strong enough to overcome them.

The Message:

I’m sorry. I don’t know, that was immature of me. I swear it wasn’t like you thought but don’t worry I’m going to do better. Honest. You know, I dream about us being together and growing old. I dream about our kids. They’re so stinking cute. We’ve still got growing to do, ok, or I’ve still got growing to do. Please talk to me. You know I hate it when you give me the silent treatment. I know I disappeared on you and that wasn’t cool. I just get so… I care about you a lot. I don’t want to see you hurt. I want the best for you. I know I act all big and bad but I’m a softie at heart. That fight was weird. I don’t like it. It wasn’t like us. It meant nothing I know. Would you pack up and run away with me if I asked? I hate the distance between us right now. Im always listening to our playlist. I know I acted like I'm uninterested in something serious but I am. I want you. I miss you. I want to spoil you and give you everything you deserve. Just give me a chance. Please hear me out.

Post-Reading Notes:

The vibes while doing the reading felt like very young vibes? There’s a youthfulness there. Someone who either is actually young in age or hasn’t grown up emotionally in a certain aspect. It felt like they did something prideful that was hurtful to you and you two are in a disconnect during the moment captured in the reading. It didn’t feel like a serious fight. More so when you’re upset with someone and acting like you’re madder than you really are (your vibes) and the other person is sweating and begging you to talk to them again (their vibes).

Also, idk why but Peter Parker kept coming into my head 🕸️. I’m not feeling to analyse it so take it as you will.

#pick a card #pick a pile #pick a picture #pac reading #pick a card reading #pick a pile reading #cozycottagetarot #future spouse reading #future spouse tarot reading #messages from your person #cozycottagetarot readings

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weirdmageddon · 6 months ago

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ok. let's finally talk about this thing i've been wanting to go public with for ages

so i am not a fan of needing THC to help me curb the embarrassment i have in being happy talking about my real realll special interests, because perceived rejection of my interests feels like rejection of myself since i put so much of myself (my time) into them. i anticipate rejection from others because the stuff i find myself occupied with is detached, abstract, highly technical, or niche, and i'm aware of the surrounding cultural assumptions. some of them, and the level at which i am in involved in understanding them, are really specialized or esoteric, so even opening up about them is like "fuuuck im gonna be made fun of or it’s gonna be too technical that they zone out and dont understand why this is so meaningful to me" ive even posted about that feeling before.

see if i start accumulating too much self-context made in my own mind without sharing it i start to feel more and more isolated from other people around me, that they’re not seeing the full extent of what im seeing myself. i don’t share it, because i fear rejection or superficial judgments in other people’s eyes (probably because it’s happened to me and i’ve seen it happen to others). but at the same time it has to be shared with more people around me or else i feel like i have an intestinal blockage in my mind. what happens is my mental colon explodes from all the shit accumulated over time and vou get a post like this. i’m sorry for that mental image btw. anyway back the point of this post

anything where i can systematize archetypes in real, everyday situations has always been my strong suit. so when people ask me my hobbies im like ... uhhh what am i supposed to say? i analyze stuff about the world and rotate it in my mind. when carl jung wrote there are “as many archetypes as there are typical situations in life” i know exactly what he was talking about.

i’ve been toeing the line to really talk about this thing for two years, so let me tell you about socionics. if you already know what im talking about i love you. if you don’t (or even if you do, keep reading there’s probably stuff you don’t know in here), it is part abstract cybernetic model, part jungian concepts, part philosophy of information exchange. it classifies how people communicate and exchange information. it was created in eastern europe in the late 70s, developed primarily in the 80s-90s by other authors and it’s been an endlessly fascinating, elegant, and reliable tool for me.

usually people dismiss personality typology systems because the mbti became so watered down and pop-culturally saturated that people seemed to collectively take a stance of not taking anyone that genuinely cares about it seriously, or at least that’s the impression i got.

(btw — i need to go on this brief rant — i will never forgive 16personalities for being the big five rebranded and people thinking it's mbti. 16personalities gives you your big five type. they explicitly state on their website that they don’t borrow any concepts from jung. -A and -T don’t exist in the mbti and correspond directly to low and high neuroticism respectively. i figured out myself they mapped each letter dichotomy to the other four measures on the big five: extraversion (I/E), conscientiousness (P/J), agreeableness (T/F), openness to experience (S/N). which is stupid and it’s false advertising. take 16p and a big five test see for yourself how they match up. your personal mbti type can be different from its correlated big five type. the actual mbti using jungian concepts as a base is alright though. oh, and the best neo-jungian mbti stuff is by far michael pierce’d takes on it. if you actually fw that heres a carrd i created a few years ago about the cognitive function axes.)

but i always end up going to the bottom of the iceberg in anything i get really into, and i basically integrate it into my own understanding of the world around me for a while. maybe it was because i had a bad experience genuinely talking about it a few years ago from some people who made superficial judgments about it that made me sort of quiet about my interest in typology systems. i assume it’s because myers and briggs used the tool towards racist ends; it acquired negative connotations, bullshit intuition supremacy, and left the study of psychological types tainted in the united states. even if the individual’s study of the system is neutral, unbiased, out of pure curiosity as a way to classify and relate different personality structures to each other, as was the case with me. in addition to 16personalities being an invalid “mbti” test that bought their way to the front page of google, and rampant superficial information at all levels of study, finding anyone who was into it like me was basically impossible. the reason i have a preferred interpretation of jungian + mbti concepts is because i’ve tried different ones on and sensed how well they conform to reality as a way of describing phenomenon, ditching old ones that werent as clear. michael pierce’s i’ve found are the closest to what i sense jung's intentions were. (actually quite likely this is something i would attribute to being because all three of us are types LIl (and also all infj too, how about that?) brain-to-brain communication LII (carl jung) to LII (michael pierce) to LII (me)). so i felt like michael pierce kept the things that worked in real life and ditched the things that didn’t, leaving behind his elegant integration of the concepts.

anyway, i was under the assumption that anything that could be mistaken for it—which socionics often is at a glance—would be dismissed out of hand, even though it’s entirely different. plus, there’s all the context i’d need to clarify about how “it’s different from the “fun” unserious pop-psych mbti and also absurdly more technical” and what's the point in doing that if they don't respect you enough to hear you out anyway? so it just made me closed off.

they share a common ancestor though. the concepts are still based on carl jung’s book ‘psychological types’ which is why there is some shallow overlap, but the scope, structure, and application of it is different. i feel like this system is a lot more “living” and relevant to real interactions and communication between people in our everyday lives. i am always seeing specific examples of these concepts in play in real life and in characters depicted in media. it’s also been more empirically studied and successfully implemented over in eastern europe, and has gone under constant development and contribution. while since the 50s, mbti had crystalized and become stagnant with diverging interpretations to the point where it’s become basically meaningless to try to talk about because nobody can agree on concepts or semantics; there are virtually no distinctions between “schools” or “models” to differentiate interpretations — (although i have my preference for what i think are the most meaningful and reasonable one; as i said, that goes to michael pierce.) eastern (not so much western) socionics is incredibly more well put-together than mbti or kiersey for squeezing the potential from jung’s original ideas, and goes much deeper. that said, i will ALWAYS advise self-studying typlogy concepts over taking a test. the algorithm of a test can never possibly know you and your individual biases in interpreting the meaning of the words better than the knowledge you just have about yourself. if you learn the theory underlying it you will actually learn about yourself and others and it will actually mean something to you instead of a being an empty decoration for your profile.

here is a comparison chart i translated into english so you can get some idea of where these systems actually differ.

Букалов, А. (2019). On the advantages of socionics over other post-Jungian typologies. Socionics, Mentology and Personality Psychology, (6), 5–7. Retrieved from https://publishing.socionic.info/index.php/socionics/article/view/2603

for me it’s been super insightful applied to real life. it is like a toolkit for interpreting why some people just rub me the wrong way and our communication feels disjointed. or why some people pass my vibe check to enter my personal inner circle and i feel like talking with them is easier and not an uphill battle. who i feel drawn to and want to get to know better. to deconstruct why i and other people interpret information in the world the way they do, and how that explains the kind of people i end up curating in my life. it has put into words the concepts i haven’t been able to find the words for beforehand, and thus enables me to retrospectively pinpoint exactly what unconsciously makes people feel more at ease or why communication is just easier with some and why it’s harder with others, regardless of any other factors. there are other factors of course, that are the result of unique circumstances—nurture, culture, and upbringing—and i of course account for those, it’s not as pertinent to me as the framework that provides the skeletal structure regardless of those individual variations that are simply already a given for me. that was actually the whole point of its creation.

the system gives me a common language to communicate these ideas with, at least to the few people i talk to who have learned it, but i can adapt the concepts in how they relate to specific circumstances and convey it to a lay audience. i’ve been doing just that to explain why, of the people who have been made aware of the hs rarepair john-aradia, i have seen no one object to it, and instead, everyone i saw found it intriguing the more they thought about it, even when they initally thought was “so random”. and i realized, “hey wait! i know how to explain that!”, but that's in another post i've been working on.

[i was actually originally writing this post in the middle of said aradia and john analysis but i felt like there was way too much i wanted to talk about as its own thing. i figured people are going to be reading that post for john-aradia explanation, not public updates about my mind. i just didn’t want to rewrite this to account for the context because the point i made was still relevant]:

but now i’m thinking okay… i’m talking to a bunch of homestucks. why am i prostrating myself here? why am i so defensive? they’re probably creaming their pants at the idea of another symmetrically divisible system of classification to get their hands on. homestuck itself is founded upon a bunch of ideas with symmetrical divisions and classifications (divisible products of 2). aspect dichotomies, quadrants, cards, black-white, yin/yang and literally countless other abstract systems. if there is a common word to refer to these sorts of things, please let me know.

but in socionics terms, all of this sort of stuff i’m refering to would be within the domain of extraverted/black intuition (Ne) information, and classifying or positioning someone within those frameworks would be introverted/white logic (Ti). you can read more about these “elements” here. homestuck has familiarized you with notionally irreducible aspects present in everything, dual yin/yang forces permeating everything, so if you understand all of the sorts of abstract classification systems in homestuck you’re basically already 75% the way to fundamentally grasping model A socionics. it is way more structured and stable than the typologies in homestuck though. but you will perceive there to be similarities in the need for archetypal/thematic sense skills.

if you want to learn socionics, for the love of god start here. there are many weak places out there to start out with that will set you up with a faulty and loose understanding, but school of classic socionics is the best foundation to start with. i saw it emerge from the beginning when it was founded, having been part of it since late 2022.

this is an introduction to SCS, what makes it special, and and how differs from other socionics schools. i find SCS to be the most comprehensive, and i’m active within a side discord to discuss theoretical constructs related to model A. i’ve helped find the links between some concepts in model A that weren’t fully substantiated in augusta’s original works, specifically the importance of the asking/declaring reinin dichotomy, how it fits with regard to the rest of model A’s structure, how it underpins the ring of social benefit (which was missing from her writing), and how it can be used as an information element charge just like positivist/negativist can (i.e. all process types have positive asking Ne (+Ne? and all result types have negative declaring Ne (-Ne!). i’m still working on transfering my essay on that to a document.)

i know the intricacies of this system like the back of my hand but yeah i never post much about it because it’s so niche and i dont know who would even want to hear it besides people who i already know would, like in that small specialist group, but they actually been quiet lately even though i’m still active in there sharing things i realized. and i even feel alienated in most casual socionics discussion groups, especially larger ones. i need people who can match my freak about it.

because i have nowhere else to talk about it i’m starting to feel guilty yapping my friends’ ears off about it when i deconstruct everything i come across in light of this system like i’m being annoying about it. but at the same time when im doing that i am constantly reinforcing the merit of the system in successfully finding some dynamic i see in the drama of real life in connection to some idea from the model. i can immediately lock on to the core principles that are at play in any situation, validating the patterns that have been observed by others. by what measure do these people / characters / groups relate to each other, how do we define the specific “feeling” of the energy between them together? i could do a socionical analysis for anything that captures my interest.

it’s also been incredible for self-insight. i can now accurately explain my thought process.

i can change my perspective of the scope of my thinking on different levels. depending on the urgency of a situation developing around me and my respect for other people’s time, i can expand my reasoning from splitting hairs at the smallest pedantic specifics—although i prefer not to, to the most holistic global hard binary 0/1 (no/yes) judgment.

it’s fractal-like; once i know how to classify and compare the features of something to another, everything else with overlapping logical relationships instantly rises up in the same way, which of course is what leads to me having insights that reinforce the potential inherent in the things around me, because my way of thinking is isomorphic. i also experience strong animated mental imagery accompanying my conscious thoughts about these systems, minimalist shapes or lines of the barebones motion happening. i feel like my mental activity and what i actually write down is trying to capture what im seeing in my head.

i prefer to be brief, but that requires sharing contexts with someone. once i've established similar ways of talking about the same thing with someone so that we’re on the same page, our messages basically become exchanging code words with each other. all of the potential densely packed into these efficient little terms.

the effect is that i am reducing the amount of time and energy i have to spend trying to explain things to someone. i just want to communicate easily and be understood by the people i talk to so that i can enjoy my time with them. this is why i felt like such a long, clarifying, in-depth post was necessary, which would rip the bandaid off and pull it all up at once, instead of on a private, individual-to-individual level. i had to have it engraved somewhere i could just point someone to instead of repeatedly having to explain the same thing over and over cause that’s a waste of time and energy.

in fact, that revelation i had about myself just now can be explained by model A too! my own type is LIl and this type’s id block houses the information elements +Te! → +Ni?, which aushra describes as “The quality of deeds and actions and the efficient expenditure of energy in work—only performing for what is truly necessary—leads to peace of mind in the future.”

or, for example, coming at it from another angle, here is an older post i made before i was even aware of socionics. i was already talking about my experiences, patterns of thinking and self-awareness in a way that was so on the nose for a socionics analysis.

is that not the clearest example of phase 2’s sensitivity (for me it is information about sensorics)? -Fi? → -Se! superego block, anyone? and did you see how much i gave attention to the time i spend working; +Te! -> +Ni? id block? [information element descriptions here]. you could also derive the progression of the information metabolism stages in my own psyche (phase 1: Ethics -> phase 2: Sensorics -> phase 3: Logic -> phase 4: Intuition).

(from The Characteristic of SLI)

so through socionics it’s like i can find an explanation for just about everything i observe in others and myself just because i’ve extrapolated the logical relationships from that system and can isomorphically apply them to anything.

and i don't say that lightly! i'm not saying anything in this post lightly. like i have a degree in biopsychology from an honors college (ncf; yes, the liberal arts college desantis got his soulless hands on because it was “too woke"). having taken courses in statistics, research methods in psychology, and others, i know all about proper research design (and designing them myself). and of course i ended my four years there with my undergrad thesis, examining temporoparietal synchrony in autistic individuals when working alone and together, where for months on end i was doing nothing but reading and interpreting the validity of research papers. i even deconstructed poorly designed psychological constructs commonly used in autistic research in mine.

i also took personality psychology as a course during my time there. i got a birds eye view of most of the popular paradigms and still felt like i was more knowledgeable in the discourse behind some of the topics we glossed over since the course material was more of a broad comprehensive thing than an in-depth one for anything specific. in totality, all of the models i read about in relation to each other seemed so fragmented into different cuts and perspectives in trying to understand and find the patterns in people’s mental life. and yet none of the models i read about hold as as great of an everyday explanatory power as socionics does for explaining ways of thinking, people's proneness to certain tendencies, and the energetic tension that happens between certain people.

people can say otherwise that it’s pseudoscience. even though there are numerous studies built on real-world observations, the large-scale statistical data like from victor talanov. there's school of system socionics who emphasize its practice. it would be impossible to add all the evidence i can to support my claims to this post but you can see for youself - there are still countless new articles being published from different authors. regardless of that, even if it isn't accepted within the rigors of “scientific canon” i really dont give a fuck since it absolutely does indeed have explanatory and predictive power, and that’s all i care about. i’m confident in this not only through firsthand experience, the ability to frame what i know to be true about the real world within it and have it successfully describe those things, as well as talking to other people about my observations.

additionally, i see people make conclusions about interpersonal dynamics where they unknowingly repeat information that can be derived from socionics concepts.

something i noticed a LOT and ive repeatedly thought about and come to the same conclusion multiple times is that i think i naturally might "embody" the most optimal ways of interacting with other people for myself. it gives me insight into the nature of the personal relationships that i already procure in my life, but it’s not really a self-fulfilling prophecy because i dont use socionics to prescribe who i "should" be friends with. that's silly. thats a silly thing to do because people do have idiosyncracies that don't perfectly align with a system if you rigidly adhere to it, so you're bound to be set up for failure if you try to force that and you will be disappointed. it's better to let these feelings happen naturally without pretense, because that's where the observations that fuel my insight comes from.

i have a subconscious sense for who i will be able to get along with in the long term almost instantly without the need for any kind of system, just based on their actual mannerisms and “vibes”, but that alone is not good enough for me, i want to know why. socionics just gives me tools to figure out why so that i know what im dealing with and its not just ineffable energies, but i can put a name to those energies to think and talk about it and compare and discover patterns in what ive curated in my inner circle over my life, what i feel drawn towards. and indeed i do find plentiful amounts of recurring patterns. the simplification and abstraction is not to destroy the soul and expression of individuals but to wrap my head around them and understand them deeper in relation to everything else, including myself.

i am aware it can be confusing for many people which turns them away. but if theres any questions you have or youre confused about any concepts i can answer them

but yeah um, i’ve really only scratched the surface of this cognitive cybernetic tool. if you are genuinely interested in what i have to say and want me to talk more about it please openly tell me since i’m not a mind reader! i assume disinterest by default.

anyway if you got to this point thanks for reading. i wanted to just put it out there for context about any posts i make in the future. just stating my honest thoughts and whats been occupying my mind for the past two years.

be on the lookout for the john and aradia analysis soon where i’ll use it in practice to deconstruct some things about those characters. and if you’re coming to this post from that analysis after ive posted it, i’m sorry this post is so long in the middle of an already long-ish post. i just thought the context was important.

#mine #socionics #model A

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raavenb2619 · 22 days ago

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Can you talk more about aromanticism in Do Androids Dream of Electric Sheep :o But yeah as someone who read the book before watching the movie, I thought it was weird they didn't include how animals were super important in the world as a sign of empathy and showing empathy was a status symbol.

Yes, I would love to talk more about this! I have a bunch of incomplete thoughts rattling around in my brain about Blade Runner and Do Androids Dream of Electric Sheep, including about the interesting parts of the book that were cut, like Mercerism, the importance of animals, the empathy boxes, the emotion dialing machines, the spider scene, the other police department, the use and non-use of the empathy test, the fact that multiple androids can share the same face, and the narrative/story treatment of Rachel. I'd like to organize and share my thoughts with other people, but first: I need to watch Blade Runner 2049 because I've heard it's got things for me to analyze, compare, and contrast with the original film and the novel; then I need to decide how many versions of the original film I need to watch and analyze (so far I've only seen The Final Cut, which seems to be the version most people like and recommend, but I think that having Deckard narrate sections could change the worldbuilding and potentially add roboticism that I felt was lacking in The Final Cut); then I probably need to spend some time piecing my ideas together into something coherent that other people can read and understand, but then I'd love to publish my thoughts (probably as an essay on Wordpress, though maybe something a bit more informal) and let people read it and have a conversation about it.

How long will that take? I don't really know. My Frozen essay took four months; DADoES + BR + BR 2049 might take longer because there's more material to analyze. But by asking for my thoughts, you've somehow given me the motivation and inspiration to actually write something about this. (So, thank you for that :).) I'd also like to try to share some of my progress, thoughts, realizations, and questions as they happen on Tumblr, because I'm interested in doing media analysis with other people (and because that might reduce the risk of me losing motivation while working on this), so I may end up rebranding my blog a bit at some point.

Here are some other media analysis/writing things that I'd like to do some day. It turns out that other people asking what my thoughts are on a thing is a really good motivator for me to write down what my thoughts are on a thing, so if anyone wants to encourage me to write an essay or blog post about any parts of any of the following topics, feel free to send me an ask:

Wicked (the musical). One angle I'd like to explore is looking at the musical through an aromantic lens, and reading Elphaba as alloaro/alloaro-aligned. I might broaden the scope to look at other Wizard-of-Oz media, and maybe also aro-aligned villains and aro-aligned anti-heros in media, but maybe that would be better served as a series of essays/blog posts and not an essay so long it should be a book. There's also so much musical/motivic analysis I need to do of Wicked, it has so much depth and I still find more things when I relisten to the music.

The portrayal of robots in fiction. One angle I'd like to explore is, "why are robots and aromanticism linked?" And I'm not happy with the shallow answer of "robots don't have emotions and people think aromantic means you don't have emotions"; I want to actually know "why are robots and aromanticism linked? How did the portrayal of robots evolve for there to be a link? Was that inevitable, or could robots have turned out differently so that they weren't liked to aromanticism? What does the linking of robots and aromanticism say about society and fictional depictions of humanity and lack thereof?" I also need to rewatch and actually finish Battlestar Galactica, though I think that might be more interesting through an ace lens than an aro lens.

Isaac Asimov's fiction and related works. I've been reading a lot of his fiction in publishing order in part because of my interest in the origin of robots and aromanticism, but there's definitely interesting things to be said about his novels and short stories, and also the Foundation TV series, such as how they treat love. (I also want an excuse to rewatch all the episodes just to answer nerdy music theory questions about Demerzel and does she have two musical motifs and why is one very legato and lilting and the other is staccato and halting and is that representing an inner struggle between her humanity and her roboticism?)

An analysis of @kernsing's aromantic sonnet #1 (this is still on my todo list, I got busy but didn't forget, but I have Things to say and I want to Find even More Things to say about this poem)

"Why Beauty and the Beast (1991) is fundamentally arophobic and can't be fixed." Okay, I haven't thought about this in a while so it's possible my perspective has changed and I'll find a way that the story could be changed to not be arophobic, but I know that the conclusion I came to a while ago was that the story structure itself was fundamentally problematic and that changing it enough to make it no longer be arophobic would require changing the story structure so much that it would be a fundamentally different story. This would not exactly be a fun essay to read or write, because I can't imagine many people enjoy someone digging into why a movie so many people love is arophobic to its core, but I'd still like to do it, some day.

Is "The Grinch Who Stole Christmas" a distant relative of "Beauty and the Beast"? (I mean the story structure, not genetics/family trees.)

An analysis of Walt Disney Animation Studios films over the years. After my Frozen essay I spent like a month watching almost every Walt Disney Animation Studios film and tracking how the films treated a bunch of different aspects (e.g. sex, romance, marriage, third wheel, kissing, jealousy, love, true love, meet-cutes, queerness, gender, sexism, transmisogyny, homophobia, multiple concrete aspects of amatonormativity, queercoding). But I never really tabulated or aggregated my notes.

The discarded best friend trope (this is an arophobic trope I noticed and came up with a name for), and some examples and subversions of it.

Why does High School Musical (and HSM 2 and HSM 3) lack romantic love songs despite being a loose retelling of Romeo and Juliet that allegedly preserves the central romance? What are the queer things that can be found in the movies? What would I do if I could remake it as a multi-season TV show that was overflowing with explicit queerness that touched on things that weren't shown in the movies? Can I be normal about Kelsi? (I absolutely can't)

Why does Heartless (the TV show) make me read Tao as aro all the time?

Fairy tales! What is a fairy tale? Fairy tales through an aro lens! Do fairy tales have a distinct musical sound/style/identity? Has the musical sound of fairy tales changed over time?

Why do stories typically have room for a heroic love interest, but not a villainous love interest? (I'm not happy with the shallow answer of "because of amatonormativity/arophobia". I want to know, why are stories like this? Does it have to do with the structure and pacing of stories? How do pure narrative reasons interact with societal forces and expectations?)

"Katniss Everdeen from The Hunger Games has always felt aspec to me, and here's why." The last time I read through the trilogy, I felt she came across as demi I think? It might be interesting to compare the books to the movies and look at what and how the adaptation changes, especially with regards to romance, relationships, and aspec coding.

Something about how you can have in depth discussions about aspec politics without using aspec terminology, and maybe using too much aspec terminology makes conversations in the aspec community less accessible to new aspecs as well as well-meaning and open-minded allos who would be better allies to us if they could more easily understand what we talk about. When it comes to things like amatonormativity and allonormativity and the societal norms and issues we face, the more people who understand us and agree with us, the easier it'll be to shift society to be better for aspecs. So, sometimes it makes sense to try to talk about complicated, in-depth aspec issues using as little specialized terminology as possible.

Something something aro Celeste. A while ago a friend joked that I should do an aro analysis of Celeste, and then I started actually thinking about it and saying words and they realized they'd made a mistake, but I never wrote down any of the thoughts I had. Just brainstorming here, but there's probably something I could say about Crystal Hearts as collectibles that gate access to more difficult content and have three different art styles depending on where they appear and how they push you away unless you dash into them and break them and how you can die after collecting a Crystal Heart, Madeline's ex, Madeline and Theo's friendship and Grannie and Theo's grandfather's friendship, Madeline and Badeline's story arc through a "Show Yourself"-like aro lens, and Theo's instagram photos of Madeline doing archery. (This essay would be more on the silly side of things, basically proving that given enough disparate pieces in media I can cobble them together with thumbtacks and red string to make shapes that don't exist. And yes, I came up with the brainstorming list in about 5 minutes off the cuff while writing this bullet point)

An aro reading of Homestuck. I would need to finish Homestuck first, and I'm going to start from the beginning at...some point. I remember really liking and getting excited by the "troll QPRs", and I'm probably going to get nerd-sniped by trying to build my own understanding of how leprechaun romance can make sense. (Yes, I know this might be another thumbtacks and red string essay. No spoilers please)

Something about Gravity Falls, The Owl House, She-Ra, Steven Universe, or other similar TV shows?

Tron and Tron: Legacy? Idk I rewatched them semi recently, and expected to dislike the sequel because I had been listening to the album totally wrong. But then I disliked the original and liked the sequel a lot. There's potentially a music theory lens here, but I'm not sure if there's a queer lens here. But that's okay, maybe someone will suggest one, or maybe I'll just write up my thoughts even though there isn't any queerness to speak of, because my media analysis doesn't always have to be through a queer lens.

Something else that I haven't listed here because I don't have an actual list of things anywhere and I've probably forgotten multiple things?

Something I haven't thought of? If you want to know my thoughts on something or want me to analyze something, feel free to send an ask or a reblog or something. No promises I'll answer in a timely fashion (or ever), but I might

#... this was supposed to be a short answer.#anyways i've been wanting to sort-of rebrand my blog for a bit and more frequent casual posting about media analysis seems appealing to me.#so thank you for the ask and motivation to want to write things.#feel free to treat this list as a menu and order off of it; just be aware that your order may arrive in four-to-never months lol.#aro #aromantic #media analysis #queer #lgbtq #original #ask

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wannaeatramyeon · 1 year ago

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Please james lee fluff...

Apologies for the delay. I've been struck down with covid... 😷

James Lee/DG x Reader: Haircut

G/N. Fluff.

"Yes?"

"No."

"But your hair is dark pink anyway!"

"It's red."

"Dark pink," you mutter bitterly under your breath, adding his new name with your lip curled, "DG."

You try once more, holding up your phone with a photoshopped picture of your boyfriend with pink hair. "You'll look so good though!"

He doesn't bother glancing in your direction, instead continuing to flip nonchalantly through a magazine. "I'll look good in any colour."

Usually you would agree, because as arrogant as this man is, he is also aware of his good looks. Today, you don't play to his ego and only respond by sticking your tongue out.

DG's hand darts out, fingers pinching your tongue and you jolt. It's gross. You squirm-

...And you're stuck.

"Stick your tongue out at me again," he drawls, finally turning to peer at you and releasing you from his grip, "and see what happens."

Oh. Like that is it?

You give him a devilish grin, tongue poking once more between your lips and he gives you a playful eyeroll in return.

"I just told you-"

"Mr. Kang?" Just before DG can make good on whatever he had been thinking of as punishment, the hairdresser makes a very timely entrance to whisk him away for his appointment.

(Even if she does bat her eyelashes at him, it is completely ignored as he kisses you on the cheek and tells you he won't be long.) . . That was a lie.

An hour turns into two. You think if you have another coffee you might vibrate out of your skin. You're completely caught up on the magazines and celebrity gossip and you must be bored out of your skin because you're thinking of doing something productive with your time like check your emails.

"You got your wish," A familiar voice murmurs, hot and silky into your ear.

A beam stretches on your face before you can even catch DG's new baby pink hair style and goddamn, you were right. It looks impeccable and so cool.

The pink a very flattering shade for his skin tone, and his bangs frame his sharp eyes and high cheekbones perfectly. He looks every inch the k-pop idol he's trying to rebrand into.

"You did it!" You squeal.

"Only because it's your favourite colour,"

"And I'm your favourite person?" you give him a fond nudge with your shoulder.

"Hmm, I suppose."

#lookism #lookism x reader #lookism fic #lookism webtoon #lookism manhwa #dg #dg x reader #lookism dg #diego kang #kang dagyeom #kang dagyum #james lee x reader #james lee #wannaeatramyeon

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thydungeongal · 1 month ago

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Huh okay so it looks like Mythras by The Design Mechanism has been on sale for quite a while now. I personally grabbed it on sale quite a while ago but it's still going

For context, Mythras is effectively a rebranding of The Design Mechanism's RuneQuest 6th edition. The RuneQuest IP has been kind of all over the place, having been at first the Chaosium RPG (Greg Stafford originally founded Chaosium to publish his Glorantha board games), the license then having switched to Avalon Hill, then Mongoose, then The Design Mechanism, and now back to Chaosium (who have released the latest edition of it with the subtitle Roleplaying in Glorantha).

Because the RuneQuest IP has not always switched hands concurrently with the publishing rights to Glorantha (the original RuneQuest setting) the game has developed a reputation as something of a toolkit fantasy RPG with heavy integration of society, beliefs, and organizations into the gameplay. Mythras basically upholds that legacy of RuneQuest, with RuneQuest now once again being The Glorantha Game.

Anyway I've personally gotten the Mythras brainworms. Ultimately it runs on the same workhorse BRP engine of Call of Cthulhu and RuneQuest, and it's a decidedly lower-powered game than many other fantasy RPGs. It remains gritty at all levels of play.

It's a toolkit game and obviously carries its own setting expectations, but in the hands of different GMs I could see it being fit to a bunch of different purposes:

Because of the integration of cults and other organizations into the gameplay and character advancement it remains perfect for bronze age fantasy in the style of RuneQuest.

Due to combat being gritty it obviously works for dark fantasy (with some further options in the Mythras Companion to elevate that style) but also for any style of fantasy gameplay where you want to actively disincentivize engaging in casual combat, including...

Romantic fantasy, which gains further support from the system of Passions, character connections and ideals that are mechanically enforced and can both benefit and hinder characters.

Finally, the focus on integrating cults and various other organizations into the gameplay actively means that it encourages characters to create actual connections into the world, and is also the worldbuilding diseased GM's dream game.

Also, in-text integration of queer narratives, including joining a cult to access the gift of Trans Your Gender and forbidden queer love because heterosexuality is considered taboo in your cult

⬆️Link to buy da game

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thepaladincosplays · 22 days ago

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I'm Retiring.

Yeah, no. No funny openings, no witty banter, not even an easy way to explain the title other than: Yea. I'm retiring... kind of. More below.

As you guys know I've been writing for the Callyieverse and Tales of Mewni for quite some time. It's almost been 7 years. Seven. Years. As Callyie once put it, I'm literally one of the founders of the Callyieverse. I ain't the creator herself but I respect to her for inspirin' me all those years back to get back into writing fanfiction and all that. Having said that:

I'm no longer going to be writing anything Callyieverse or Tales of Mewni related. I'm just burnt out of it, truth be told, this has been one of my biggest hyperfixations for a long time and even though I never finished quite a few storylines, I just can't really bring myself to continue writing for it. Burn out's real and, honey, call me Icarus bc I've been flying by the sun these last few years.

What does this mean moving forward?

Well, simply put, the following:

All my current, on-going projects are cancelled.

Most likely any commissions, art or fic, will be all you see of my characters unless someone else writes them.

This blog'll remain active since it's my main but just be aware that any fanfics ya see will be other fandom related

I won't be taking commissions any longer.

I'd also like to share with everyone how the following storylines would've gone.

Protecting the Peace

First off, holy hell there would have been so much new lore pushed into Mewni. With the Southern Vale being a completely closed off area there was going to be a lot more "return to formula" type creatures and more of the original show's feel.

Also, it would've revealed that the Goliaths weren't actually nearly as extinct as I've said they were these last few years. An enclave of Goliaths, taking one of the old cities and rebranding it "New Janek City," would have been one of the final obstacles in Visas' journey.

How would it have ended? Well...

Visas, everyone that came down to help her (Petal, Nia, Sunshine, Luci, Higgs, Pearl, Sarasim, and Hava (whose disappearance would've also been explained), and Elza would've discovered that (a) Visas and Elza were actually sisters after Haku and Eboshi had a fling together a few years before Haku met Higgs; (b) Visas was becoming more Precursor than Mewman bc of Precursor genetics and that change was being accelerated by Precursor magic; and (c) there were Gods watching over Mewni this whole time. Yeah. There would've been an explanation that they were amongst the first gods in creation but they didn't vibe with the feel of many dimensions until they reached Mewni, in its infancy, wherein they staked their claim and ruled over this new land. However, by the time Mewmans started taking over everything they'd long been forgotten to the point of being myths of myths, but the ancient Precursors kept the belief in them alive in the Vale when they established the first Magic Empire. Despite their disconnect from Mewni and Mewmanity, the Gods would not have been happy with the fact Astro was king. Not because he's a Titan (they scoffed at the idea of Gods despising Titans, seeing themselves as "above petty ideologies") but literally because Mewni was established as a Matriarchy and they imply they had a hand in tipping the scales in the Mewmans' favor (via the MHC) in exchange for Mewmans modelling themselves after the Gods.

Visas and co. return back to the Sanctuary wherein Visas declares that, by divine right, she's the Empress of the Vale and the first thing she's doing is going home, taking her sister with her, and beginning to live her life for herself for once.

Tony and Stacie Q

Now I know this'll come as a shock, but... T and Q would've ended up with a happily ever after. The next big fic I was working on was a dinner date where Tony was going to meet her parents, but, like I said, burn out's a bitch and I just never got around to finishing it.

Ashur, Nenet, the Hydra

Ash trying to overcome his greatest inner turmoil would've been... a long thing coming. He'd have a lot of insecurities to work through and even having slip ups like him getting into a fight with Lars over Nenet. Eventually, his Hydra side and him would've realized that neither could exist without the other and Ash would've fully embraced that side of him, effectively getting rid of it and finally living his life the way he wants to.

Tales of Mewni: Ragnarok

Loki and Cordelia would've ended up together... kind of? And the story would've ended with the fabled battle between the Aesir and Jotnar with Loki finding out his dead wife's soul was being made to fight for Odin. That would not have ended well for anyone involved. Loki also would demonstrate his immense magic power, to stop the fighting, by holding the weather still across all Nine Realms and even Avalon itself. All to remind everyone who exactly he is, why he's declaring the battle over, and sending the Jotnar back to their respective realms.

And... that's all.

I wanna thank quite a few people in no particular order, but first I'd like to thank @princesscallyie for taking a chance at reading The New Kids when I first brought it to her attention back in January of 2018 and for creating this next gen verse as a whole. I'd also like to thank @kururu418 for being there along my side helping me figure out ways to make things work for the Tales of Mewni side of things. @laylaylamode, I love the Stacies and the way you encouraged me even in my lowest moments with writing for the verse. @onelastfic, thank you for being such an amazing friend and confidant, as well as someone who I could always share and work on ideas with.

And to all my friends whom I talk to the most @princekaiofstars @aj-thegreatest @omnitheleader @yah-gurl-ari @des-the-girl @froppy-butterflyfan2000 @cooltmoney95, I cannot thank you guys enough for your support.

#thepaladinrambles #tales of mewni #callyieverse #visas #tony #stacie q #loki heedsi #elza #tales of mewni protecting the peace #tales of mewni ragnarok

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turnabout-cats · 1 year ago

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ace attorney characters as cats day 79: i've wanted to post this one since the start of the rebrand, it's really cute!! thankfully i've finally found a cat picture that won't mess up the cropping...

#ace attorney #turnaboutcats #dick gumshoe #pearl fey #aa2 #gyakuten saiban #harumi ayasato #itonokogiri keisuke

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joontroverted · 3 months ago

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siren sweet, swim with me

pairing : nanami kento x reader

fandom : jujutsu kaisen

tags : pop idol reader, cfo nanami, fluff, angst, smut (later on), more tags to be added as the fic progresses

status : ongoing

summary :

after all, computers crash, people die, relationships fall apart. the best we can do is breathe and -

carrie bradshaw did not know what the fuck she was talking about. because when your international sensation girl group STARDUST collapses in on itself, everything you've ever known is hanging on by a thread.

disgruntled and exhausted, nanami kento, cfo, knows everything there is to know about his life. the books, the cash flow- the world he had built for himself made sense. until now. as the irrational nagging sense of uncertainty leads to a random moment of circumstance, the two of your lives are entangled.

ie. it's entirely up to you as to whether you'll shine in the spotlight, or explode and fade into obscurity like a supernova. it's also up to you as to whether you want to fall for the disgustingly handsome office worker.

author's note : first nanami long fic! can you tell i'm scared? anyways, this is an idea i've hadd since summer. summer! i'm glad i've gotten started finally 🥲 this is just the first chapter so it's just the set up. hope you have fun!

₊˚.⋆☾⋆⁺₊✧ ⋆⁺₊⋆ ☾⋆⁺₊⋆

index -

chapter 1 (ao3)

yuki's staring at you in a way that makes you want to reach across the table and swing your fist across her face.

you would've, if yuki wasn't very very important to you, and wasn't still built like a wrestler.

“it's fine,” you mutter. “i'm fine,” you repeat, more clearly this time. your phone buzzes in your bag.

yuki blinks, breaking herself out of her dead stare for a moment. “you're not, but that's fine. no one would be, at the moment, and that's all right!”

pushing her chair back, she gets up and makes her way to you, wrapping an arm around your shoulders. her blonde bangs tickle your face as she leans in closer, and her ginormous tits cover your arm from both sides as if hugging you to comfort you. if your mind wasn't running a million miles an hour and constantly hitting dead ends, you'd probably feel a little more comforted and a little less... crushed.

she waves a hand in front of you, as if gesturing to a marvellous new life. “we just need some time to rebrand you! some new girls, a fresh new concept, dye your hair some color we haven't done before and you're ready to hit the stage again!”

your eyes widen at that. “no.”

yuki straightens. “what do you mean, no?”

“i'm not joining a new group!”

“well you wouldn't be joining a group, you'd be the centre of a new group. the new group would be formed for you!”

“well i don't want that. i wanna be a solo artist now.”

there. you've said it. you've put the dreaded words out there, and now it's real. and judging by the way yuki's face falls, it's a reality that's not gonna come to fruition smoothly.

she straightens, her warmth leaving you. “oh.”

you bite your lip and look into her eyes. “just say it. tell me how terrible of an idea you think it is.”

“it's a terrible idea.”

she can probably see how your face falls, because yuki does something that yuki rarely does. she backtracks.

“or, what about a hiatus? you can go on a vacation! you can make a whole trip out of it, show how travel has healed you, you could even attend a few events with some international artists, and that could bring in a whole new crowd, huh?”

you put your face in your hands and shake your head, as you feel your phone buzzing away in your bag again. “yumi's already done the healing journey thing, and it's actually authentic to her.”

“yumi was never cut out for this life, don't compare yourself to her,” says yuki, her tone sharp. “of course she'd love frolicking in fields,” she grumbles.

you grin, despite her words. “yumi's doing great, by the way.”

“i know,” says yuki, folding her arms, “we've been in touch. you're attending the lauch party aren't you?”

“launch gathering,” you correct. “she's living a simple life now.”

“she can die."

“yuki!” you giggle.

“it's not the fact that she left -you know i'm all about ethical work, it's why i made a whole agency- it's that she did it so suddenly! we had had so many discussions where she swore up and down on her own volition that she'd renew the contract and all it took was a week for her to tear down this... this empire that we've built!”

“she's a simple girl.”

“a real simple person would know that they want a simple life from the beginning. which so called simple person auditions five times and then trains for years and then debuts to become the biggest girl group of the generation? and then just dips?”

“she just needed a taste of the high life to know what she really needed. like buddha.”

“people live and die for this life. people live and die for what she has. had,” she grumbles, “and what about all that talent? is she truly going to be satisfied doing the dishes in her little down to earth cafe?”

“she was more than content doing the dishes back when we were poor. she'll hardly be doing the dishes in her cafe, she's a milliona-”

“a simple millionaire.” you both say at the same time, and then burst into laughter.

“we are getting wildly off topic,” says yuki, after a beat.

you stare at your shoes. “i know.”

“any chance you're gonna wanna take back what you just said?” she asks, looking slightly like she pities you.

“no,” you reply, feeling and looking a lot more pitiful.

she sighs and takes the chair next to you. the two of you are silent for a moment, and that gives you some time to take in her office. when yuki had begun as a manager no one took her seriously. no matter how successful and glamourous her career as a wrestler was, she was still a newbie in the entertainment industry and had neither weight nor connections to her name. she used what little connections she had and started off as an assisstant in one of the entertainment giants and worked her way up to manager. what she lacked in her network, she made up for greatly with her charisma and eagerness to learn about the industry. and then she met you.

her golden duck that lay gold eggs, is what she called you.

you were sure you were just an ugly duckling that blossomed into a swan under her care, but whatever.

she got sick and tired of being controlled by people who barely cared for the craft and cared even lesser about humans they managed, so she broke off from the company to start her own. and through a leap of faith, you followed her.

and the rest is history.

her last championship's belt that sits right above her chair glints at you, pink and white, sparkling away in the sunlight. the office is so yuki. gaudy, but neat and professional. rhinestone embedded decor sits on shelves, reminiscent of the 2000s with the nice fur carpet and the literal disco ball that hangs from the ceiling. framed pictures of all the other groups and artists under Star City Entertainment decorate the walls, but your group is the highlight, with multiple pictures, much bigger than the others.

STARDUST, the group that made the company sky rocket.

yuki wheels the chair around to face you.

“why?”

“it just seems... correct.”

she purses her lips together. “i'd rather you not make me say it, but it's my duty as your manager to be frank with you. you don't really have what it takes to be a solo artist.”

“well, we can work on that, there are so many- ”

she holds a hand up. “especially after being a part of such a prominent group for so long. the general public love you but the fans already know that you neither write nor make the music. being involved in the behind the scenes is way more important to fans than before and it defines an artist a lot more these days. it gives them cause and meaning, some attachment to the craft that they're selling themselves with. you had yumi and seika to distract the fans from that before, but now it's just you. how long can you hold on to star power? and how far will that alone take you?”

the best thing about yuki is that she's brutally honest and always looks out for you. the worst thing about yuki is that she's brutally honest and always looks out for you.

it's as if her words have opened a chest of secrets that you had locked and chained deep inside you. your flaws were not flaws when you were in the group. they were just... things that you didn't need to do.

seika was good at producing and song writing, tasks that she was more than happy to have her hand in. yumi was musically talented beyond words. to date there hadn't been an instrument that she didn't excel in, and her voice seemingly knew no bounds, considering she had professional training to be an opera singer before this.

and you did everything else.

main dancer, the looks, the socializing, the personality... the star power, was all yours. if there was one thing that you had, it was what it took to be the it girl of the group, of the generation, and that combination of skills among the three propelled STARDUST and subsequently, Star City Entertainment to massive success that only grew as the years passed.

it was an open secret that this was the division among all of you. but everyone was okay with that. everyone was happy to perform their role, do what they excelled at and what was expected out of them. you all dabbled in each other's work, as you naturally would after these many years together, but the recipe to your success was the three of you, exactly as you were. and now it's just you. without them, there's nothing for you to stand on. there's nothing to add your special touch, your sparkle on to.

anyone could tell that.

the reality of the situation grips you like an ice cold fist and the hollowness that you felt ever since the decision was made public expands like a vast cavern beneath your feet. you are all out of tears, but your face still threatens to scrunch up with dry sobs as your lip wobbles.

“why don't you want to be a part of a group?” asks yuki.

“as if what we had can be replicated,” you mutter. “i really don't have it in me to start afresh with new girls who would definitely be younger than me and definitely have some buried animosity for me right from the beginning. oh, and the people. they already scrutinize us from the ends of our hair to the nails of our toes, i can already hear all the people talking about how i peaked with STARDUST and it's not gonna happen again. and what about GALAXY? they're not gonna take me being in another group lightly! i wouldn't even be ble to call them GALAXY anymore!”

“we don't necessarily have to have a three member group. maybe a five member group this time? that would lessen the direct focus on you and give the four other girls a chance to shine!”

“or it could give four other girls a chance to hate me more for stealing their spotlight if we do well, or for being dead weight if we don't.”

“we could scout some girls from other big groups that just disbanded! that girl from CROWN seems to be popular and jobless at the moment. what about her?”

“i just don't see it! don't you think the public knows that we'd just be trying to recreate STARDUST? also neither yumi nor seika are continuing in a group because both of them know that it was a one time thing. it's the exact same chemistry, or nothing! it'd be such a mess.”

“and even that is a safer option than you as a soloist.”

“wow,” you breathe, laughing, leaning back. “wow.”

“i never mean to hurt you.”

“wouldn't it be so funny if i went home and committed suicide after all this? then we wouldn't have to worry about what i'm gonna do next. my name will be remembered forever, i'm gonna go out with a bang- literally!”

“okay!” says yuki, throwing her hands up. "you're going on a hiatus! go on a vacation! find a new hobby, do whatever you want, i don't care- " she narrows her eyes and points a sharp finger at you, "and no, you cannot commit suicide!"

"geez, can't a girl joke?" you roll your eyes. "and i don't think it'd be wise for me to go on hiatus right now. i'd lose momentum and i'd lose my mind."

"finally, you're saying things that make sense. we haven't yet released any news of this, so you're safe. the public still thinks that STARDUST is on hiatus after the last tour so we have time. GALAXY has, however noticed that there's a lack of posts on seika's twitter and instagram, which we will be dealing with. you and yumi have been posting regularly and innocently enough, which is good. all in all, you'll be fine! the tour was enormous, so it would definitely make sense that you guys are on the dl now doing your own thing..."

she goes on about how doing nothing is okay, and your mind wanders to how it all began.

yumi had been sobbing almost every day ever since the last concert in the last venue. it had all started from there. she couldn't keep up with being an idol, and you couldn't blame her. yumi was never really the type. she was from an upper middle class family, and a musical genius. a sweet girl, who started off with posting covers on youtube and then began to look into joining a group, because she too knew that a group helps make up for what she lacked, which was everything else. and now, richer and more than satisfied with the taste she got of the idol life, she said she'd be happier in the food industry and going back to posting covers as and when she felt like it.

yumi's waning passion had set off seika too, frustratingly enough. seika was the opposite of yumi. she had joined the company as a producing intern which somehow led to her becoming a trainee, and when she always seemed to get the sound and the music for the concepts just right and picked up dance quick enough, there she was. she took it all in stride because everything seemed to work out just well, but even she knew that yumi leaving would finally give her an opportunity to come back to her origins and true passion.

your lip wobbles again, and you tune back to yuki just in time to hear her listing out things that you could do during hiatus.

" -of them are so fucking stupid, but i'm sure we can find someone sexy. a fun fling with an actor, how 'bout that? when was the last time you had a cute little scandal, huh? or you could study something, oh! you could do some volunteer work with animals, you used to be a horse girl, right? i think we could really- “

the door slams open, and the two of you jump at the sound. utahime iori stands at the doorway, mouth screwed up.

“are you incapable of picking up your phone?”

“hime!” you say, surprised.

“and what are you doing here?” asks yuki.

utahime ignores her. instead she makes her way to you, throwing her arms around you in a hug. she pulls back and looks into your eyes. “you're gonna be okay. so what if STARDUST disbands? you'll be the main girl of a new group!”

“see, even she thinks it'll be a great idea to be in a new group.”

“i wanna be a soloist,” you say dully staring at utahime's chest which is in eye level.

“exactly, and you're gonna be the greatest soloist ever!”

“oh please, not this again, i just talked her out of it!” yuki groans. “and how did you know about this? did you tell her?”

“no she didn't, have some faith in her. i put two and two together. seika's been more or less sleeping over in the studio with all the free time, yumi's gallivanting around the world, happier than ever and this one's been completely MIA other than the mandatory appearances at events. if they were gearing up for another comeback they would've been discussing concepts by now. also, i find it really insulting that you didn't tell me, ya know?” she concludes, looking down to you.

utahime iori, former trainee, part time choreographer/back up dancer but full time makeup artist to STARDUST. also, your closest friend. it's kinda sad that all your friends are more or less your co workers. yumi and seika, yuki and hime. now everyone's camaraderie is to test considering you're not really working together anymore. suddenly you realize that you don't even have a job anymore.

“she's doing her job. i'm doing my job. and what exactly are you doing?” asks yuki, now standing up.

“i'm doing my job!” says utahime.

yuki cocks her eyebrow.

“my jooob,” she falters, looking away for a second, “of being her best friend. yeah. someone needs to look out for her and care for her, as a person- ”

“and that's what you do, looking out for and taking care of people, huh?”

oh for fuck's sake. you're sitting between the two women who are standing over you, and in any other moment, you would've enjoyed being seated between two gorgeous arguing women, who most definitely need to fuck each other instead. you and utahime had been friends ever since she was a trainee in Star City, but yuki and utahime only really met when she was assigned as one of the official makeup artists for the group. nearly everyone had been victim of their terrible... flirtationship, as seika called it.

these fools are not flirting. not on purpose at least. they've been so enamoured and amazed by each other's existence that they just have to do something about it but that sinething never meant dating or kissing or fucking, it meant quarreling and irritating everyone till the end of time. they can't seem to fathom the idea of dating each other, or at least utahime can't. you do believe that yuki is warming up to the idea of it considering there's been less push from her side and more of her allowing utahime to speak over her. as much as one can speak over yuki that is.

“are you guys done flirting,” you say flatly, eyes closed.

“we're not flirting!” they both declare.

“good, because i wanna leave.”

“oh?” says utahime. you open your eyes and you see her glance towards yuki for half a second before determinedly looking back at you and nodding. “yes! let's go! we're leaving!”

it's sweet that she stands by you although she would definitely like to f̶l̶i̶r̶t̶ argue with yuki more.

“let's go!” she loops her arm around yours and pulls you up. you turn around to look at a slightly disappointed yuki.

“bye yu,” you mutter, giving her a half hearted hug.

she in turn wraps her arms around you and squeezes tight, almost lifting you off of the ground. “don't worry kiddo! it'll all work out. just... hang in there, okay? think about what i said!" she finishes, looking kind of awkward.

kiddo. she's really feeling terrible.

you feel bad, but not really. you're glad you managed to upset her this much, considering how she and well, everyone, had no qualms in upsetting you.

except utahime, that is.

you nod and give in to utahime's tugging and follow her.

"do you want me to stick my tongue out at her? or pull a face? i can pull really ugly faces, you know, right?" she whispers to you.

"have at it!" you snort, exiting the room as you watch utahime turn and pull a face at yuki which is quite the feat, considering how pretty she is.

the door shuts behind you and you make your way out the building with her, arm in arm in silence. utahime hums as the two of you go to the parking lot and get into one of the company cars, with a driver waiting for you.

the moment you shut the door and the car is moving out the building from one of the back exits, you thank god for tinted windows as you immediately lay down, your head in utahime's lap, sniffling.

“oh!” she gasps.

watanabe is nice enough to have raised the partition the moment he started the car. you stare blearily out the window as you pass buildings as utahime gently strokes and twiddles with your hair.

“i'm sorry,” she says softly. “i really am.”

“i'm sorry. you don't have a job anymore.”

“mm, makeup artists always have a job. i just need to talk to some people and get the ball rolling. i'm always down for collabs and teaching classes. i'll be fine. although i've heard that the NDA Star City is sending around would require for us to be quiet about our unemployment till you release an official statement.”

you nod, wondering about the near hundred people employed both directly and indirectly due STARDUST, and whether they have it all sorted, or if they're scrambling. like you.

you pull up the group chat and send a quick text telling the girls that you'd like to send a confidential broadcast to everyone that they could reach out if they had issues finding a job. neither of them have even received the message. obviously. you toss the phone back into your bag and curl into utahime's stomach.

“what am i gonna dooo?” you groan, inhaling her sweet perfume.

“have you considered going home? spending some time with your family?"

"that's just escapism." your parents are worlds apart from yours. two middle middle class engineers, and no siblings. they're very important to you, but unless they give you a solution to this... this mess, you don't want to go to one of your few safe spaces and ruin it with your hopelessness. you need something concrete. something real.

"you could also..." you look up to see hime's face scrunched up the way it usually does when she's gonna say something so fuck ass. "you know your unemployment is not the same as anyone else's unemployment, right? you're a millionaire! you coud drop off the face of the earth and live off of royalty and stocks alone. and then when you're bored you could start an exclusive luxury clothing line and enter the industry again! loads of people have done it!"

you stare at her.

"i'm sorry."

"you should be."

"do you want some ice cream?"

"yes. get some for watanabe san too. you're buying though, i'm unemployed now."

she flicks your nose before she asks watanabe to stop the car near an ice cream truck. utahime's popular, but only in the industry. regardless, she snaps on a face mask and heads out to the truck.

what if you became a host. like for a show like too hot to handle or single's inferno. what if you joined a show. you could enter like a special contestant in the middle and topple the social heirarchy that was established there. the analysis videos would be come aplenty with that one, oh and so would the downfall of the generation's it girl video essays. you don't watch or consume news/media about yourself but you do watch a lot of video essays so what would you do if one of your favourite youtubers made one about you? you could hang yourself and give them more to talk about. no, that's way too serious, even for you. what if you got a regular--

"-- and here we have roasted almond for my baby! and plain ol' vanilla for watanabe san, no, put your wallet down! we insist!"

you bristle, getting up from still being curled up on the backseat. leaning back, you lick the side of the cone that has ice cream threatening to dribble down your hand and wonder if this really is the end of it all.

"it is."

“um, should i perhaps inform gojo san of the time? i don't think it's healthy to-- "

"ijichi."

"i'm sorry! just give me five minutes, i will be back!"

kento watches as ijichi scurries away round the corner. he sighs. he never means to be short with ijichi but anything that doesn't directly contribute to solving an issue at hand doesn't require more than a simple conversation, let alone an entire back and forth.

it's even more insulting that ijichi thinks that satoru has any say over how long he's working. satoru wouldn't care less if he worked from his office or if he worked from a rager in aruba. he thinks he'd even prefer it.

speaking of satoru, he hasn't seen him the entire day. they hadn't had any meetings that required more than a phone call and one he had meeting with suguru, but suguru had been happy to come over to his office to talk. just the thought of the two of them makes his eyes immediately unwillingly flit over to the other side of the floor. to the wide office far opposite to him, past the darkness of the empty cublicle space, he can see the yellow light from one of satoru's newer lamps on and the blinds shut. a wave of irritation passes through him before he forcibly dismisses the thought, aching for the bitter taste of the coffee he's awaiting.

he has work to do.

he slides his spectacles back down to his nose bridge from where they were perched on his forehead and cringes with the initial burn from staring at the screen. has his power increased? he should get it checked and changed, he notes down mentally.

“nanamin!”

oh he is going to gut ijichi alive.

he looks up and it seems that ijichi seems to value his life because he's made himself scarce. instead at his office door, bouncing from one foot to the other, swaying from side to side, clearly not caring for the well being of the coffee in his hand is gojo satoru.

“and where is ijichi?” asks kento, motioning for his coffee.

satoru takes that as an invitation to enter and sprawl his upper half over kento's desk, smiling face staring down at him, coffee still in his hand. kento snatches it back carefully. clearly he's going to need it now more than ever.

“ijichi came cowering to my office saying that my cute kouhai's on his eighth coffee of the day! made it seem like i'm some terrorizing dictator making his precious nanami san work overtime. that's hardly the truth now, is it?” he says, pulling a sad face, expectantly looking at kento.

kento sips his coffee. “ijichi did not make this.”

“and he never could! i sent him home. i made the coffee myself, you're welcome. one could call me a humble man.”

kento grunts. one never would. however both of them knew that while ijichi's coffee is what he expected, satoru made his taste... unfortunately nice.

“i'm nearly done. i'll just finish looking over this bit and then i'm packing. you can go back to your office.” he waves to satoru, eyes back on the screen. placebo effect or not, the caffeine makes sifting through all the numbers a little less of a task this time.

there's silence as kento makes his way down the document, making sure that it was up to expectations, the only sound being the squeak of his chair as he leans forward at times to see something more clearly.

“are you done yet? because i finished reading that almost a minute ago and it's all good.”

satoru's made his way to behind kento and is leaning over his shoulder, speaking directly into his ear.

kento exits out of the document with a smash of keys. “what do you want?” he bellows.

satoru reaches out to his computer, shutting it down over kento's head, literally, and then spins kento to face him. if kento ground his teeth anymore, he'd have a mouth full of powder.

“i need you.”

“you have three seconds, maximum.”

“okey dokey. i'm inviting superstar it girl of our generation, the only icon more iconic than me, celestial beauty siren to the party.”

kento nods, getting up to leave. “amazing. i'll try to contain my excitement."

“it will not be easy,” says satoru, pushing kento down. he scoots his ass onto his table, chin in hand. “it won't be easy at all.”

kento rolls his eyes. “and why is that,” he says, flatly.

that actually makes satoru fully direct his attention to him, a grin spreading across his face. “boy, do i have some gossip for you!” he cackles. “but you need cross your heart and hope to die pwomise not to tell anyone what i'm just about to tell you!”

kento crosses his heart with one finger, head in hand.

“okay so initially i wanted to invite the whole damn group because duh, that's how the magic happens, but imagine the resistance i got from the company like damn not a single bitch in that building is available to speak to? i almost pulled a do you know who you're talking to? so i dug deep. or rather i bullied megumi to dig deep until i had to enter the field and take matters into my own hands. pull up a few contacts, ask a few favors- ”

“why is this one band so important to you?”

“group. girl group. anyways guess what i found!” satoru doesn't leave kento any time to answer, not that he had any answers. he leans forward conspiringly, his eyes a mix of mischief and malice. “STARDUST... is no more.”

“they died?” kento starts, taken aback. satoru's gossip was neither worth sharing nor listening, but for once he had delivered some quality news. a girl group that big? japan would be in shambles. nobara would be in shamles, he realizes.

“this is worse. they broke up!”

“and how is that worse?” he stands up, tired of this conversation. he straightens himself and begins to pack for home, putting things in place in record speed. there's yesterday's leftovers waiting for him, along with a new bottle of wine he would definitely need after the day that he had had. satoru follows him, and before kento can react he snatches his briefcase away from him, holding it hostage.

“it's terrible! i cannot fathom a reason why! what they have is... is once in a lifetime stuff, and they're throwing that away for what? the industry loves them, and GALAXY...” he sniffles, “and the girls...” he mumbles, looking at his feet, head downcast, pouting.

“i'm sure you'll be fine. within days there will be a new group of 20 somethings singing and dancing and -”

“don't you see how much pressure there is on me now?” exclaims satoru, now hugging the briefcase, his lips twisted into a frown. “i promised the girls that they're gonna get a surprise! i can't just turn up with only one 'em!”

“who?”

“nanako and mimiko!" he whispers. "don't tell suguru!"

oh. oh god. the gloom that's been in him grows and kento almost loosens his tie to breathe.

kento purses his lips, moving to snatch his briefcase and satoru dodges out the way. "give it to me!" he hisses, "unlike you, i don't have time to waste over silly whims of children."

satoru scoffs. "you would move heaven and earth for yuuji, even nobara! silly whims of children, my ass! you spoil them rotten!"

"i spoil them a reasonable amount, none of which is your business. invite them all, invite none, i don't care. just today i went through mountains of reports. i've been buried in these numbers all day, trying to forecast next quarter's revenue and-"

"kento please." satoru's looking at him with a wrinkle between his brows, and he can't help but take in how ridiculous he looks. hair mussed from running his fingers through them and his glasses are nowhere to be seen. he's blinking more than usual because of it too. the ceo of the infinity hotels, gojo satoru hassled over the breakup of a girl group seems laughable, but kento begrudgingly suspects what this means for him. the ticket to the nice big happy-

“you've never cared for those girls before. what changed now?”

“i've cared for those girls!” he squaks. “i care about all children.”

kento just looks at him.

satoru doubles down. “i care about megumi, and yuuji and even young kugisaki, even though she barely acknowledges my presence. i care about your kids, so,” he shrugs. “it's only natural that i care about my partner's kids! all my partner's kids,” he adds.

satoru is an amazing liar. kento knows what satoru looks like when he lies well. and kento knows that satoru's lying right now, and he's so lov- lost that he doesn't even realize how badly he's lying. he almost gags.

"i'm asking you this as a friend," continues satoru. "i know..." he looks away, his eyes bouncing about the room. "i know things have been... rocky recently, i've been too busy with work, and patching things up with suguru, and the girls because i think" his voice softens, “i think it'll work out this time. infinity's been doing great, all the time and money's finally paid off, suguru's parents have finally- it's nearly been a fucking decade- come around and let me off the handle for making... um, influencing suguru to drop out, and the girls are old enough to let suguru at least entertain the thought of dating. i just... need to win them over a little!”

the question hangs in the air between them, and kento knows that satoru wishes he won't reach out and address. regarding any otehr issue relation to satoru, kento gladly wouldn't. however-

“but why?”

“it's... it's suguru!” is all satoru says, faltering. “he's my best friend, and he's your friend too. i want to do something nice for him, and you know he loves his daughters!” satoru pumps his arm with a guffaw that sounds all too full of fake enthusiam. or rather real enthusiasm, but something else.

the weary look on satoru's face turns something in kento. he has almost never in the last thirteen years of knowing satoru ever seen him so... genuinely concerned for anything. not when they made this company, not when their first hotel launched, hell not even when his parents nearly cut him off for all the risks. only one man made him quiver so, and he'd do anything for him. the rest of the men and materials around him were just collateral damage.

he swallows. fixes his tie and looks away. “what do you want from me?” he grits out.

satoru lights up like a christmas tree. he pulls out his phone and wow- there's an entire spreadsheet's worth of information he has compiled.

“okay, so from what i've gathered, mirage is on a complete hiatus from everything and melody is either out of the country or has left the industry entirely... or both. i'd still like you too check- ” he glances up at kento and takes in his lost look. he rolls his eyes.

“okay grandpa. mirage,” he says slowly, “is the stage name of seika. this one,” he points at a girl with a halo of curls and loads of freckles. “and melody is the stage name of yumi, who is this.” he is now looking at a rather plain but sweet looking girl.

he pulls his glasses on and looks closer. “i think i've seen them before.”

“yeah no shit you've seen them before, they're literally japan's pride,” mutters satoru. “anyways. this, is siren. also known as the celestial beauty siren, her actual...” he goes on, his eyes lighting up as he talks about this siren.

kento looks at the picture. and well. he knew next to nothing about your singing capabilities but looks wise, they weren't joking around when they named you siren. and to make it even more accurate the public called you celestial beauty siren. the picture is of you smiling up at him, like you knew exactly what you were.

“so what exactly do you want me to do?” he asks, giving the phone back.

“i need all of them here, so you'll have to make some phone calls. at the moment, melody and mirage are allegedly MIA but i need you to be a hundred percent sure first. best case scenario we're getting all three. worst case scenario we're getting just one and in this case it's siren. we- ”

“wouldn't the worst case scenario be that we're getting none? and if they're broken up i doubt some company's launch party will be on their list of things to care about.”

“well!” satoru claps, “good thing we're not just some company! we're infinity hotels! we're limitless, and if you work hard enough- ”

“we work hard enough”

“you work hard enough, there isn't a chance that we're getting none of 'em! come on kento, you can do it!”

“why is this suddenly no longer a group project?”

“oh it is a group project, yes yes,” satoru nods sagely. “between you and megumi that is.”

kento tsks and steps back, looking up and down at satoru and his audacity that seems to have grown ten feet taller than him. at least he has the decency to look embarassed.

“i am the cfo of this company. so why, pray tell, would i be tasked to snoop around the well concealed affairs of some pop girl group with your assistant who's barely out of university?”

satoru wrings his hands. “i'm too busy, and there's no way to do all this without them finding out! it's not the same as inviting any regular celebrity especially considering all the strings i pulled to get confidential information! if it's not a meeting with ten boring senior citizens that fret over the same bullshit, it's date nights with- date nights, or my family being on my ass about something or the other, or trying and failing to bond with the girls- ”

“you just had to open your stupid mouth and ask if they could be returned to the kennel the moment you met them, didn't you?”

“how the fuck could i have known that they were forced to live in a literal cage?”

“oh imagine that. how bizarre it is that every child on this planet wasn't born with a silver spoon in their mouth and five maid servants to run around after them.”

“exactly, and now they're getting to wear miu miu and party with the closest things we have to magical girls in real life. they'll think i'm amazing, we all win.”

kento rubs his temple, feeling the beginning of a dull headache.

“fine. which ones are their favourite,” he sighs, hoping to reach the end of this conversation. he's going to be having the leftovers and ordering in tonight, he assures himself .

“i got nothing,” shrugs satoru.

“they're just three girls, which one do they talk about the least?”

“ehhh,” he says, tilting his head to the side, pulling a face. “they kinda stop talking whenever i'm around and just glare at me till i leave.”

“okay, then ask megumi to ask them.”

“he's blocked on every platform.”

“then ask suguru!”

“and how would that come up naturally in a conversation? and i don't want him to have the slightest clue about all this, i can't just ask suguru!”

“ask me what?”

the two men whip their heads to the sound of the deep yet silky voice coming from the doorway. geto suguru stands, leaning against the frame. his eyes move from satoru to kento to satoru again. he's in the usual work attire, except his hair is down, and the necklaces he usually keeps tucked into his shirt hangs out in front. he purses his lips and folds his arms. he clears his throat. “ask me what?” he repeats, sounding less... breathy this time.

“nothing,” chokes out satoru.

it's amazing how much he's effected. even the greatest liars seem to fall short at their game.

suguru turns to kento instead. “kento?”

“if you were willing to review some of the reports with me. the workload's been piling up recently, and i thought it would be more effecient if we had an extra pair of eyes to clarify some things.”

suguru's eyes widen. “of course! just send them over tomorrow morning. and satoruuu...” he drags out his name, eyes sliding to the other man, who's been standing in silence. “why couldn't you ask me, huh?”

satoru straightens immediately, pulling an easy grin. “wouldn't wanna bother you, late night and all. that would be unprofessional.”

“it's hardly unprofessional to come ask me for help. especially when kento here is burning the midnight oil too, isn't he? come talk to me next time, yeah? both of you,” he adds at the end, to kento too.

kento would rather they beat him to death with a bat than drag him into whatever perverse flirtation this is.

“all right then. i'll send over the reports tomorrow morning. now if that's all, i'm going to head out.” satoru's hands still clutching kento's briefcase are limp enough for him to snatch it away from him. he gives satoru a sharp nod.

“good night kento!" wishes suguru warmly as he passes him at the doorway.

a “good night” sits at the tip of his tongue. he turns to face suguru and pulls on a smile. "you've put on satoru's blazer instead, by the way. good night."

the quick blink of suguru's otherwise relaxed purple eyes is a small win. he leaves before he hears whatever suguru has to say.

#nanami x reader #nanami kento x reader #nanami #kento nanami x reader #jjk x reader #jujutsu kaisen x reader #nanami kento x you #nanami kento x y/n

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