#i've put a lot of work into this and it's my child now

[californiaquail]

anyone else feeling fundamentally incapable of adjusting to society. also just discovered there's a 30 tag limit which i can't believe i've never hit before

[manasurge]

bleh

[magistralucis]

@absolut--kurant!

[silverselfshippingchaos]

it's the 23rd... you know what that means...

Happy Ash Day!

[incomplete-ruler]

Today started really heavy and shitty, but at least I feel better now.

[darkbluekies]

Christmas tendencies

Yandere!king x fem!reader

Summary: spending Christmas with Edmund can't go wrong<3 can it?

Warnings: Edmund not being nice, in fact being quite naughty, jealousy

Word count: 1.7k

A/N: i thought it'd be a waste to not post this when it was so near completion! So please enjoy and have a merry Christmas if you do celebrate it♡

As if on purpose, the snow has graced the earth for Christmas after not showing itself for the entirety of december. But now, a thick layer of snow covers everything that was once dead and grey. You can’t help but feel excitement. Maybe Christmas with Edmund won’t be hell after all? 

You’re standing in one of the gigantic windows, looking out over the castle grounds—the very same you’re not allowed out in. The castle’s gardeners have decorated every bush, every tree, with lights and decorations. 

“You’ve been standing here for a good forty five minutes now, my jewel”, Edmund says as he walks over to you, fixing his golden cufflinks. “How much more interesting can it get after ten?” 

“You don’t get it”, you reply over your shoulder. “The gardeners have spent a lot of time decorating the grounds, shouldn’t one get to admire their hard work?”

You feel how Edmund comes up behind you, sneaks his arms around your waist and buries his chin into your shoulder. 

“The staff has put a great detail into the interior too”, he mumbles. “Why don’t you stare at that for an hour or two?”

You scoff. 

“I think it’s pretty”, you reply and turn your eyes out the window again. “With the snow and everything. Besides, I’ve already inspected every decoration inside, I helped hang them up.”

“You did, and it’s very pretty. Just like you. I like your dress.”

It’s a red velvet dress reaching down to the floor with long, cape sleeves. 

You turn around to get a look at him. He's wearing a black suit with loose white pieces that puff out. Golden cufflinks and a white bow. His fluffy dark hair has been brushed back, face newly shaven—although there never was anything to shave to begin with.

“You look like you've been tortured”, you joke.

“Haha, funny”, he replies sarcastically, clearly not impressed. “I've told them time and time again that I have an extremely sensitive scalp but no one listens, they force me to do silly hairstyles like this. I think I must have lost at least half of my hair.”

You reach to fix a strand of hair that escaped his hairstyle. You can feel him shudder under your fingertips.

“You’ll live”, you say. “Besides, you look more grown this way.”

“Do I?” Edmund smirks proudly. “Do I look manly?”

“Don’t push it.”

He scoffs. 

Weirdly enough, Edmund has agreed on letting you out of the castle today. Just because it's a special day. The townsfolk are having a market that you have begged to visit and who is Edmund to deny your Christmas wish?

“Are you ready, my love?” he asks and takes your hand. “The carriage it out on the front yard. Let’s get this over with.”

“Can’t you at least pretend to be excited?” you ask with a sad pout. 

He sighs and rolls his eyes before nodding. 

“I’ll have to take a long, scolding bath right after coming back”, he mutters. “Who knows what kind of diseases they can carry? Oh, you’re taking that bath with me, by the way. My Christmas wish.”

He’s like a child when it comes to your bare body, getting eyes wide as moons when he gets to see the most vulnerable parts of you. It confuses you. In his past he has allowed himself to a majority of women and their bodies, so why does he look at you as if he’s never seen it before? 

It’s one of the few times you see him without his cocky exterior. He looks at you with eyes of gratitude, as if showing yourself to him is the greatest gift of mankind. 

Edmund holds your hand tightly as you walk out to the royal carriage. The driver holds the door open for you, but Edmund insists on helping you up in it. He sits down in front of you. The carriage is decorated with golden details and small cherubs.

“You don’t have to look like you’re being driven to your execution”, you say and raise your eyebrows. 

“I’m not happy about this”, he says. “This is something you want.”

“Can’t you be happy for me, then? Please, Eddie?”

His cheeks take on a red tone. The nickname has only been used by you, ever. You gave it to him, you’re the only one that is allowed to say it. The firs time you had said it, he hadn’t known how to react. He had been staring at you with large eyes, wondering what prompted you to give him a nickname when no one else had ever imagined to do such a thing. At first, he was unsure what he thought of the name. He was king Edmund. Had once been prince Edmund. Rarely Edmund. Never Eddie. 

“Fine”, he says and clears his throat, trying to play it off. “I’ll try. But don’t call me that when we’re there.”

“Are you scared that the townsfolk will lose respect for you if they hear that you have a cute, little nickname?” you giggle. 

Edmund rests his elbows on his knees and leans forward. 

“No”, he says, smirking devilishly. “Because I don’t want other people to know what you call out in bed.”

Your jaw hangs open in shock and you grab the pillow behind your back, hitting him. Edmund covers himself with his arms, laughing. 

“Watch the hair!” he shouts. 

“You didn’t like the hair anyway”, you remind him. 

“It’s Christmas, you’re supposed to be nice. Don’t be naughty!”

“Naughty? Who the hell started talking about naughty stuff? You started it!”

Edmund laughed. His blue eyes glittered. 

The carriage rolls into the town. You turn your eyes out the window to look at what you’ve been watching from afar. You get out together, Edmund holding onto you so that you don’t fall. The townsfolk keep a distance, knowing that the knights will go to attack if they come to close. Their bright eyes watch on as if they’ve seen something extraordinary. And maybe, you think, for them this is something extraordinary. 

Their eyes follow you to the christmas market. 

“All eyes are making me shy”, you whisper to Edmund. 

“Drink it all in, darling”, Edmund replies quietly. “They worship you, but not as much as I do … and if they try I’m going to kill them.”

“Be quiet!” you hiss. 

Edmund scoffs and rubs your back with his hand. You walk through the streets to the town’s square where multiple small sheds are put up, full of candy, baked bread, knitted goods and alcohol. While you walk around chit-chatting with the vendors, Edmund stands close behind you, a hand on you always. A warning, to everyone around you. You are his, and no one is going to forget that—absolutely not you. 

You buy something from every stand and insist of carrying it yourself. Edmund can’t understand why you want such … cheap crap. He can give you the same things but done well, made by professionals who cost him a fortune. He doesn’t let you eat anything and keeps a constant, watchful eyes around. 

“Smile a bit more, why don’t you?” he mutters in your ear. 

His jealousy is like a wildfire, spreading through him quickly and dangerously. With no easy way to stop it. 

“Edmund”, you whisper quietly. “Stop it.”

“You bought so much from that man”, he continued. “What did you hope to achieve?”

“Edmund!”

He stays silent the rest of the Christmas market. As soon as you get back to the carriage, he can’t keep quiet anymore. 

“Those are so fucking ugly”, says as the door to the carriage closes. 

“That is so unnecessarily mean”, you hiss back at him. “They don’t have what you have. They do their best. And, for having as little as they do, I think they look great.”

You hold your new treasures in your lap closely. 

“I don’t want to spend more time with you if you’re going to be like this”, you mumble without looking at him. 

You’re happy for your new things. But he doesn’t understand. Edmund sighs heavily, clenches his jaw and nods. 

“Okay”, he mutters and takes your hands in his. “I’m sorry … but I could have given you so much better things. If you wanted new mittens, I could have given you them. These things … who knows what could actually be in them?”

You put on the hand knitted mittens. 

“Take them off”, Edmund says, but he doesn’t sound angry or demanding like before. “Darling, my jewel, I’m serious. I don’t want you getting a rash, or something.”

“We’re taking a bath when we get back, don’t we?”

Edmund sighs and gives up. You hold up your hands.

“Aren’t they kind of cute?” you ask. “A little?”

“Fuck no.”

“What if I had made them?”

“You wouldn’t have. If you had knitted mittens, they’d be a thousand times better.”

“You are so mean.” You keep your eyes on your hands. “You were jealous out there too.”

“Of them? Of those filthy peasants?”

“Of those men.”

Edmund leans back in his seat, jaw tightening. 

“Men”, he scoffs and turns his head towards the window. “I wouldn’t call them ‘men’.”

“Childish jealousy doesn’t look good on a king”, you point out.

“You like it when I’m childish though. You laugh, whether you want to admit it or not.”

“You don’t need to be jealous over them. I don’t know them.”

“Everyone wants you. And it makes me sick.”

“Everyone wants you too.”

“They want to be me. But they want you. And I will never let that happen. You are mine.”

“I know. You’re the last person to let me forget that.”

When you get back to the castle, the two of you walk straight to the bathroom where the maids have poured a hot bubble bath that is burning to the touch. Edmund holds you close to him in his arms. 

The rest of the day is spent in the big living room, in front of the gigantic christmas tree that needed a dozen workers to decorate. Edmund wanted the entire town to be able to see the lights from his tree. 

“Merry Christmas, my love”, he says and holds out a red box.

You remove the wrapping smd open the box, finding a necklace with large, round pearls. It's heavy in your hands, and even heavier around your neck.

“These pears cost me quite a lot”, Edmund says and touches the pearls carefully. “But they're cheap in comparison to what my love for you is worth.”

And he means it. He really does.

[maidenvault]

During my last rewatch of the prequels I was actually shocked by how much I've misremembered or decontextualized certain moments in my mind because of how they're often talked about in fandom as showing the Jedi as too arrogant, too bureaucratic, generally just burying their heads in the sand while everything goes bad etc. So I'm gonna try to address every individual scene that typically gets brought up to argue that this is an actual theme in Lucas's portrayal of the Order.

The Council doesn't take Qui-Gon's account of meeting a Sith seriously.

Mace and Ki Adi Mundi do both express doubt this guy could be a Sith. (Understandably! Historically they've never known Sith to be able to hide their existence, and for them to have survived totally in secret for a thousand years is a pretty wild thing for Qui-Gon to be so sure of.)

BUT Yoda admits that the dark side is hard to see, and Mace assures Qui-Gon they'll do everything to find out the identity of the attacker. Later he's ordered to go back to Naboo and try to draw out Maul to discover more. Qui-Gon accepts this and doesn't ask for backup. Why should he? He held his own against Maul before, and Maul's probably not gonna show himself again to face a ton of Jedi. They end up missing the chance to learn who trained Maul because of how things go down, but Qui-Gon's death isn't the result of the Council mishandling the situation.

At the funeral, Yoda says the presence of one Sith means there's another out there. They know they've got to be on guard now and will be, but they've got no more leads for now.

2. Qui-Gon's not here to free slaves.

There's this idea that slavery existing on Tatooine shows the Order is apparently too tied up doing shady things for self-interested politicians (footage not found) to help the people who really need it. But Padme's shocked to know the Skywalkers are slaves for a reason. The truth is there isn't a lot of slavery in the galaxy at this time because the Jedi have helped keep it that way for centuries only by working with the Republic. In TCW we see that Zygerrian slavers have a particular hatred of Jedi because they're literally The Anti Slavery People and did so much of the work to crack down on their trade. But Tatooine is controlled by the Hutts and they simply don't have the resources to start a war with them.

(And honestly, it's crazy how people talk like Qui-Gon's a monster for honestly and apologetically telling Anakin no, that's not why he's here. This is a child he's already indebted to and who has a hero-worshipping idea of Jedi, it would be fucked up for him not to be clear about how he can't help him and his mom.)

3. They doubt Dooku could be behind the assassination attempt.

This I understand shows the Jedi to be a little naive. But they knew Dooku as a good man, and at this point he and his followers are still putting on a show of wanting to secede for idealistic reasons (and a few of them, manipulated by Dooku, actually do have good intentions). Only later do the Jedi learn they're illegally building an army before they've even officially left the Republic and clearly have no interest in the peaceful resolution Padme's been advocating for. And they only find this out because they have Obi-Wan investigate the assassin and this very quickly leads him to Dooku.

4. "Arrogance, yes. A trait more and more common among Jedi. Even the older, more experienced ones."

In context, this line from Yoda is clearly not meant to be taken so seriously. Obi-Wan says he fears Anakin is too arrogant, and this is Yoda's light-hearted way of telling him not to be so hard on him. Part of training a Padawan is learning to trust them so they can grow, and Obi-Wan perhaps needs the reminder that he isn't done learning himself.

Of course Yoda saying this could be partly motivated by them having been caught off guard before by the existence of Darth Maul and the dark side clouding their awareness, as we're told repeatedly throughout the PT they know is a problem. But it's kind of contradictory to take this as confirmation that this is a serious fatal flaw of theirs. If someone acknowledges their own arrogance then they're aware of their ability to be wrong, which means they can't actually be that arrogant. If truly meant in a general sense and not just as a gentle reproof of Obi-Wan, it's a pretty self-deprecating comment coming from Yoda.

5. "If an item does not appear in our records, it does not exist."

Chief Librarian Jocasta Nu gives this haughty response to Obi-Wan looking for Kamino, a system that's not in the Jedi Archives. So being so overly confident in the infallible knowledge of the Jedi, he takes her word for it and totally drops this lead.

Except no, he goes to someone older and wiser to figure out what this actually means. And he and Yoda are forced to conclude that the unthinkable - a trusted person among them somehow had reason to erase information from the archive - must nonetheless be what happened. This is honestly an exception that proves the rule: Kamino, and we can assume only Kamino, is missing from the archive only because it was removed, which is so suspicious it just shows he must be on the right track to discovering something. Jocasta is kind of snooty about it but theirs obviously is supposed to be one of the most accurate and complete databases in the galaxy.

6. Obi-Wan doesn't believe what Dooku tells him about the Senate.

For one thing, in this conversation Dooku's lying about basically everything but this. And I can't ever stress enough that Palpatine is a threat unlike anything the Jedi have ever dealt with before, who's already taken control of so much before they even know they're fighting anything, so the idea that a Sith is controlling the Senate would be really hard for anyone to believe.

Still, we know Obi-Wan reports this to the Council anyway. But it's a vague statement and they still don't have any information to act on. Palpatine soon has them very busy putting out fires in the war, and naturally fighting the Separatists who are led by Sith seems the best way for them to get to the bottom of what exactly is going on with the dark side. And they do finally turn their attention to how power-hungry Palpatine is getting once the war is nearly over and they've got the bandwidth for it, and think about what they might have to do if he's the threat to their democracy they fear, but of course he's too many steps ahead of them all the time.

---

So basically, what we see the Jedi being so guilty of in these examples are thought crimes. When confronted with the crazy explanation that happens to be true, their instinctive reaction is "No, I don't think that's possible." And then they do their due diligence to uncover as much of the truth as they can anyway. And Yoda, the Grand Master of them all, is often the first to admit that their first assumptions could be wrong. But Palpatine wouldn't be a good villain if his moves were predictable and he couldn't get an advantage over the good guys - that's just how storytelling works sometimes and it's not that deep.

It honestly felt stupid typing so much of this out because it's 90% just describing what actually happens in these scenes. But I guess it's a lot to ask that people actually carefully watch the films they discuss. 😒

[inkskinned]

hello. you left a neon pink post-it with pgs 194-359 due 9/12 in the book, by the way. it is now May 23rd and the library's printer is running out of ink. it jammed and tore my passport application. one of the librarians dutifully blacked out all my information (front and back!) before proceeding to use every unmarred inch as scrap paper.

i think maybe our (plural, inclusive) lives are connected. all of them. i have been thinking a lot about borrowing. about how people move through the world in waves, filling in the same spaces. i have probably stood on the same subway platform as you. we held the same book. all of us stand in the same line at the grocery, at the gas station. how many feet have stood washing dishes in my kitchen?

i hope you are doing well. the pen you used was a nice red, maybe a glitter pen? you have loopy, curling handwriting. i sometimes wonder if it is true that you can tell a personality by the shape of our letters. i'm borrowing my brother's car. he's got scrangly engineer handwriting (you know the one). it's a yellow-orange ford mustang boss. when i got out of the building, some kids were posing with it for a selfie. i felt a little bird grow in me and had to pause and pretend to be busy with my phone to give them more time for their laughing.

i have a habit of asking people what's the last good book you read? the librarian's handwriting on the back of my smeared-and-chewed passport application says the glass house in small undercase. i usually go for fantasy/sci fi, but she was glowing when she suggested it. i found your post-it on page 26, so i really hope you didn't have to read up to 359 in that particular book. i hope you're like me and just have a weird "random piece of trash" "bookmark" that somehow makes it through like, 58 books.

i wish the concept of soul mates was bigger. i wish it was about how my soul and your soul are reading the same work. how i actually put down that book at the same time you did - page 26 was like, all exposition. i wish we were soul mates with every person on the same train. how magical to exist and borrow the same space together. i like the idea that somewhere, someone is using the shirts i donated. i like the idea that every time i see a nice view and say oh gosh look at the view, you (plural, inclusive) said that too.

the kids hollered when i beeped the car. oh dude you set off the alarm, oh shit is she - dude that's her car!! one was extremely polite. "i like your car, Miss. i'm sorry we touched it." i said i wasn't busy, finish up the pictures. i folded your post-it into a paper crane while i waited. i thought about how my brother's a kind person but his handwriting looks angry. i thought about how for an entire year i drove someone to work every day - and i didn't even think to ask for gas money. my handwriting is straight capital letters.

i thought about how i can make a paper crane because i was taught by someone who was taught by someone else.

the kids asked me to rev the engine and you know i did. the way they reacted? you would have thought i brought the sun from the sky and poured it into a waterglass. i went home smiling about it. i later gave your post it-turned-bird to a tiny child on the bus. she put it in her mouth immediately.

how easy, standing in your shadow, casting my own. how our hands pass over each other in the same minor folds. i wonder how many of the same books you and i have read. i wonder how many people have the same favorite six songs or have been in the same restaurant or have attended the same movie premier. the other day i mentioned the Book Mill from a small town in western massachusetts - a lot of people knew of it. i wonder if i've ever passed you - and didn't even notice it.

i hope whatever i leave behind makes you happy. i hope my hands only leave gentle prints. i hope you and i get the same feeling when the sun comes out. soulmates across all of it.

[lovewithmary]

loving hearts (and growing homes), max verstappen & charles leclerc — one

an f1 x mcu crossover

★ fc: madison beer ☆ pairing: stark!oc x max verstappen (current), poly!max verstappen x stark!oc x charles leclerc (future) ★ summary: evangeline "evie" stark has been the subject of headlines even before she was born, subjecting her to much scrutiny over the years. ever since she became a teenager, the media has always speculated on who she was dating, whether it be her long-time best friend/colleague peter parker, or fellow billionaire's child, harry osborn, or whoever they can connect evie with. frankly, it was a little disparaging considering that she's been in a relationship with one max verstappen since they were 15. however, once their relationship has been revealed, will their relationship stay the same, or does a certain monegasque ferrari driver have something to say about it? (spoiler alert: charles wants both of them, not just one) ☆ notes: to those of you who are familiar with my work, this is a reboot of one of my old series, (not) moving on. however, this series is not going to be like (not) moving on, as i've changed a lot of things about the series and what's coming up. so i hope you guys enjoy it!

( 1997, 2004, 2009 ) ( pictures are in chronological order )

( 2012 )

Evie's phone buzzed, removing her attention from what she was working on to grab her phone quickly. She smiled at the sight of Max's text and texted back.

"Is that lover boy texting you? Do I have to revoke your phone privileges or can you refrain from making puppy dog eyes at it?" Tony teased his daughter, fully knowing what was taking her attention.

Evie looked up to see that both her dad and Peter were looking at her. Her dad with the smug look he always made when he had caught her doing something, and Peter with a clueless expression, looking like he didn't have any idea what the conversation was.

She rolled her eyes, sending a response to Max's text before putting her phone down. "I was not making puppy dog eyes. And for your information, it was Max," she said, going back to her laptop.

"Lover boy, Max, same person," Tony remarked.

"Who's Max?" Peter asked.

"Max is..." Evie trailed off, not knowing if Peter was even allowed to know.

Despite her and Max getting together only recently, they had readily agreed to keep their relationship a secret. Not because they were ashamed of it, never because of that (if it had been Max's choice, he would've told everyone he knew he was dating the Evie Stark, future CEO of Stark Industries) (and Evie would've been telling everyone she was dating the Max Verstappen, future F1 WDC).

It was because of the media, for the most part. They both knew how vicious news outlets and gossip columns were, considering they had a few stories come out about them and they didn't even do anything. Evie was familiar with being rumored to be in a relationship with every billionaire son who was in a close age range with her, so she had her fair share of rumors.

"Just tell the kid, he might be here for long enough to meet Max anyways," Tony shrugged.

Evie turned to Peter and said, "Whatever I'm about to tell you cannot leave this room,"

Peter quickly nodded and said, "I won't tell anyone,"

"I have a boyfriend," Evie said.

Peter blinked. "That's it?"

"Okay, I am so not loving the enthusiasm right now," she said.

"I mean, everyone gets boyfriends," Peter shrugged.

"I missed it when you were scared of me and thought I was going to terrorize you," Evie sighed.

"The rumors called you scary! I thought if I looked at you wrong, you were gonna yell at me!" Peter defended.

Evie rolled her eyes and said, "The only reason why I don't want a lot of people knowing is because he's a driver,"

"So what, he drives? I don't have my license yet but that's only 'cause we're in New York and who drives in New York besides Taxi Drivers and Business Men?"

Evie already felt a headache forming. "Not just a driver, a race car driver,"

"Like Dom Toretto? Is that why you're hiding your relationship, because he's older and illegally drives cars? Is he bald too?"

"What—no, Peter, I am dating someone that's our age and drives cars professionally and in no way illegal. And not bald!"

"Oh, who is he? Maybe I know him,"

"His name is Max Verstappen and I highly doubt you know him,"

"Verstappen? Isn't he that driver guy that drove for F1 and Mr Stark talked to him once?"

"Ha, I want you to refer to Jos as 'that driver guy' and see how he reacts," Tony cackled.

"It's not Jos, it's his son. And don't say that ever again, I do not want that insinuation in my mind," Evie gagged.

"Did you guys meet when Mr Stark's nearly died in Monaco?" Peter questioned, the relationship piquing his interest.

It wasn't every day you'd be able to hear the relationship details from someone as well-known as Evie Stark, especially since she had made him swear he wouldn't say anything. Also since a driver wasn't someone he expected Evie to be interested in. Peter thought that she would be dating a billionaire's son or the son of a superhero.

"We met when we were kids, actually. His dad knew mine, and I'm pretty sure Jos was trying to get on Dad's good side using me. But now I'm dating his son and he can't get rid of me so that backfired on him since he and Dad just bicker all the time whenever they see each other," she told him.

"You don't like him, Mr Stark?"

"More like I don't like how he treats his son sometimes, but that's neither here nor there. I just try to make sure the kid gets to be a kid with Evie sometimes," Tony said.

Peter was about to ask one more question, but Evie's phone started to buzz incessantly, indicating someone was calling her.

And based on how Evie's eyes lit up and how she smiled, Peter could only guess that it was Max. "Can I..." Evie trailed off, looking at her dad.

Tony rolled his eyes and said, "Go,"

Evie stood up from her chair and gave a brief hug to Tony and a wave to Peter then said, "Talk to you guys later!"

( 2016 )

"You don't have to watch every race. The time difference is too much, especially here in Spain and you're in New York," Max spoke into the phone.

"Nonsense, if I don't watch every race, then I can't say that I'm the biggest Max Verstappen fan since day one, can I?" Evie replied.

Max smiled at that. Despite Evie regularly insisting she was the original Max Verstappen fan, he still couldn't get used to how much faith she had in him. At this point, it had been 4 to 5 years since he had asked her to be his girlfriend, and she still was so confident in his abilities to reach F1 that he had actually managed to achieve it.

Being together this long was impressive, especially since they were still young and long distance for the most part due to Max's career. But both of them were willing to make it work and put in the effort that was needed to keep the relationship strong. Like daily phone calls and text messages throughout the day helped them.

"Besides, I was already awake so I might as well stay up for a little longer to watch your race," Evie casually said, but Max knew better.

"Did you stay up late again? You know how messed up your sleep schedule is," he lightly scolded her.

Evie had a habit of staying up to work on projects, which she got from Tony. From what he knew, she mainly worked on her dad's Iron Man suits and Peter's Spider-Man suit. There were many sleepless nights Max had spent with Evie when he was over in New York, trying to convince Evie to go to sleep. Most of the time it worked, but other times, he resigned himself to staying up with Evie so she had someone to be with, even if she was focused on her project and wasn't very talkative.

"I'll go to sleep right after your race, promise," she said to appease him, which it kind of did (he would've preferred she sleeps now but he'll take what he can get).

"You wouldn't even miss anything, I probably won't even finish the race again with my luck," Max sighed.

He heard rustling from the other side and Max could just tell that Evie had sat up indignantly, ready to scold him. "Max, you can't say that!" she said, sounding angry at him on his behalf.

"Look, Schat, I'm just being realistic. It's a miracle if I even finish a race," he told her.

"That's not very future World Champion of you,"

"World Champions would finish races," he countered.

"Maxie, you're not gonna win anything—"

"Well, thanks for the words of encouragement,"

"If you let me finish, smartass, you'll hear me say you aren't gonna win anything with that mindset. And do you think that every World Champion is going to win automatically? It's a process, and you'll get better with time,"

"And how do you know?"

"Because you're Max Verstappen, and when you have your first WDC, I'll be the one beside you to tell you I told you so, and this time I'll be the Trophy Girlfriend," Evie teased.

( 2021 )

sinews has tweeted!

───

f1 has tweeted!

───

f1gossip has posted on instagram!

29402 likes

f1gossip: Max Verstappen seen with mystery woman 👀👀

view the comments

user1: all these angles and you guys couldn’t even get her face??

user2: even dispatch could’ve gotten her face come on guys

user3: HE GETS BITCHES???

user4: all these years we thought he was bitchless, he just knew how to hide it from us

view all comments

───

eviestark has posted on instagram!

liked by tonystark, peterparker, pepperpotts, and 9914509 others

eviestark: my world champion <3

i don't want to say i told you so but... i told you so

ive been in love with you ever since we were 15 and knew you'd become an f1 wdc for even longer than that.

happy 9-year anniversary and congrats to your first wdc (and many more to come)!

tagged: maxverstappen

view all comments

maxverstappen: I love you schatje ❤︎ by eviestark and 56733 others

───

[mytheoristavenue]

How MHA Guys React to Fangirls

Summary: Dating a pro hero can be a challenge, especially one so handsome, with so many rabid fans.

Warnings: jealousy, fluff, gn!reader, very little angst

Katsuki Bakugo:

Bakugo has never been into having fans as he is just being all together admired. Not one for social interactions, he tends to clam up and become defensive when asked for an autograph, so when he's approached by a fangirl, he wants nothing to do with them. Especially if he's out with you, off duty. If one does happen to approach, and ignoring them doesn't do the trick, he'll make sure he's not their favorite hero anymore by the end of it.

"Do I look like I'm on duty to you? Can't you see I'm out with my partner or are you fucking blind? Piss off, I ain't signin' any damn autographs."

Izuku Midoriya:

Izuku totally understands how it feels to be a hopelessly obsessed fan, so he cuts his fans a lot of slack- sometimes too much. Though he rerfused to admit it at first, he has a lot of fangirls. and he's never the type to hurt someone's feelings on purpose, so he almost always stops for free autographs and photo ops. It can be sometimes frustrating how much of a people pleaser he can be, but rest assured, if he feels like you are getting too uncomfortable, or a fan is becoming too bold, he politely and swiftly ends the interaction.

"Hey, thanks for the support! I'd love to stay and chat, but it's actually my day off, so me and and my partner here are gonna move along. Hope to see you at the next event I attend, though!"

Tenya Iida:

Iida does truly enjoy interactions with his fanbase, but he considers that part of the job, and he's very strick about working off the clock. Because of this, he declines nearly every interaction if he's off duty. He absolutely has no tollerance for being flirted with, either, especially in front of you.

"I appreiciate your enthusiasm, but I and currently off duty and will not be indulging in fan interaction at this time! Please feel free to catch me anytime you see me in uniform! Good day!"

Shoto Todoroki:

Shoto doesn't beleive he has fans, genuinely. He can't quite wrap his head around having a fanbase, or being a fan of a celebrity in the first place, due to how he grew up. It tends to bewilder him when strangers approach him on the street wanting autographs, even more so when they try and put the moves on him. It just goes in one ear and out the other.

"You want an autograph? Why? Well, okay, I guess, but then we should get going. My partner and I are busy."

Eijiro Kirishima:

Kirishima tends to have a very healthy balance of pleasing fans and knowing when to say no. He loves giving out autographs, taking selfies, and giving hugs to all his fans. He especially loves interactions with child fans because it reminds him of how he idolized Crimson Riot, and he hopes to inspire someone like that too. He is, however, very aware when he's being flirted with or sexualized, and has no issue with promptly, albeit politely shutting it down.

"Alright, ladies, I understand someone as manly as me attracts a lot of attention, but my partner here is the only one I've got eyes for, and I ask that you please respect that."

Denki Kaminari:

Unfortunaely for you, Denki loves attention from fans, especially from his fangirls. He never turns down a signing or photo op, posing with girls however they want, even if it means something suggestive. To his credit, he will stop if you ask him to, but you still have to ask.

"Oh, what's that? Okay. Sorry ladies, we gotta run, but catch me at the next meet and greet!"

Hanta Sero:

Like Kirishima, Sero seems to have a pretty healthy mix of reactions. He loves his fans to death and would do most anything for them, especially kids. He lets his fangirls sexualize him to a small extent, knowing they probably don't totally realize he's a real person, but if they come to commenting on his body, or touching more than his shoulder, upper back, or elbows, he puts a stop to it.

"Now, that's enough, ladies. I appreiciate the admiration but even us celebrities have to set boundaries. It was nice meeting you, but it's actually my day off so me and my partner are gonna get, have a nice day!"

Minoru Mineta:

Like Denki, Mineta unfortunately lets his fangirls do whatever they want to him, short of carry him off. He actually does sometimes feel guilty for hurting your felings, however. He just doesn't realize how his flirting can affect you at times. He hopes you know that, even if he does flirt back, it's you who he truly loves!

"Awe, babe, I'm sorry! They don't even matter to me, I swear! It's you that I love, not some silly fangirl!"

Tokoyami Fumikage:

Tokoyami for the life of him does not know how to interact with his fans. He gets overwhelmed by crowds, but can usually handle interactions if they come one or two at a time. He typically caters to most requests, unless they happen to be personal questions, or something embarrassing. He doesn't like the idea of some fans being attracted to him, as he's only attracted to you, and he feels guilty beign someone's unrequited love. Due to this, he doesn't entertain any kind of flirting from any of his fans, no matter what gender.

"Sorry, I'm not comfrotable signing that for you, can you pick something else? My partner here is my only love, so it wouldn't be right of me to sign your photo with anything romantic."

Mezo Shoji:

It took a lot of convincing to get Shoji to understand that he had fans, let alone ones that were attracted to him. he's just not used to people other than you thinking of him that way, with his mutations and all. You actually had to show him all of the fan works of him online to get him to believe you. That being said, Shoji loves his fans, but he tends to get overwhelmed by the sheer number of them, and the fact that the can forget he's a person, not a character. In the past, he's had issues with fangirls stroking his muscles during photo ops, squeezing his pecks, and one even tried to yank his mask down. Luckily since then, he has learned how to manage fan interactions much better.

"Hey, don't do that. I'm a person, just like you, please treat me how you'd want to be treated. And don't disrespect my partner by tyring something inappropriate right in front of them."

Mashiroa Ojiro:

Like Shoji, Ojiro had a hard time accepting he had fans, but took much less convincing on your part. What he really struggled with was coming to terms with some of his fans liking him romantically. He doesn't typically turn away fan interactions, even on his days off, but he does cut them shorter that he would if he were working. If someone tries anything inappropriate, he ends the interaction right there.

"Sorry, I don't appreciate what you just did. Besides, it's my day off and I'd like to spend it with my partner here. I forgive you though, and hope to see you again at a meet and greet in the future!"

Tamaki Amajiki:

Tamaki appreciates the thought of having fans, and when standing intront of a cheering crowd, he can soemtiems handle it, but he really hates fan interactions. He never knows how to handle them, and many end up with him just nervously standing by while a stranger takes pictures with him, many times without his permission. Many times, you have to step up from him and ask the person politely to move along, which he always appreiciates.

"T-Thanks, babe... They were making me really uncomfortable but I didn't wanna hurt their feelings..."

[honeytonedhottie]

honey's it girl magazine november edition⋆.ೃ࿔*:･🎀

welcome back to honeys it girl magazine, this is the november catalog. get ready for the inside scoop on data that i've collected, things i've learned/started doing, and just general info like that organized in kind of a teen-magazine inspired fashion.

before we go any further i'd love to thank you all for the wonderful year we've had of it girls magazine, writing every catalog is SUCH a joy and im glad that u guys like it to. i'll continue to work on the magazine and make it more enjoyable for u all. i hope that as the magazine grows and evolves i'll have more lovely girlbloggers featured in my catalogs. this is THEE magazine for it girls ✨ and now please enjoy, the it girl magazine.

THE HISTORY OF HELLO KITTY ;

hello kitty was born in the suburbs of london. she lives with her parents and her twin sister mimmy who is her bff. her hobbies include baking cookies and making new friends. as she always says, “you can never have too many friends”. but what else is there to know about this 3 apples tall ray of sunshine? SOOO much actually which is why i decided to write about hello kitty’s history.

hello kitty was created by the japanese company sanrio in 1974. she was initially designed by yuko shimizu. hello kitty quickly became emblematic of the cute culture in japan and a global symbol of nostalgia and girliness. hello kitty’s representation of girliness played such an important role in defining and popularizing kawaii culture in japan. hello kitty became a subtle statement of empowerment in the 1970s and 80’s.

the average apple is 3 inches tall. take your height in inches and divide it by three to find out how many apples tall you are! im 21 apples tall…💬🎀

during the 70's and 80's expectations for women were shifting, and with this context hello kitty emerged not only as an adorable kitty but as an emblem of a new type of femininity—one that embraced softness and strength simultaneously. hello kitty is associated with things like happiness and joy. in the 21st century, hello kitty’s presence in pop culture exploded.

a lot of celebrities are seen with hello kitty items, hello kitty collaborated with high-fashion brands, artists etc. they all appreciated her mix of innocence and global acclaim. and i think that the fact that shes maintained her grip on society even now says so much! hello kitty just RESONATES.

and honestly, hello kitty's longevity is a testament to her universal appeal. over the decades, hello kitty has gone from being just a character to becoming a pop culture icon that resonates with people of all ages and regions of the world. whether it’s a child picking out their first hello kitty backpack or an adult rocking a limited-edition hello kitty x gucci collection, she bridges generations with her timeless charm 💖

the success of hello kitty has a lot to do with her straightforward yet unmistakably unique design. her iconic bow, the lack of a mouth—on purpose, so that she can "speak from the heart"—and her endless versatility only cement hello kitty as an open canvas for self-expression. she’s playful, she’s nostalgic, she’s even edgy, depending on how she’s styled or reimagined.

hello kitty became a symbol of softness and femininity because she showed that being gentle and kind could still be powerful. when she was created in the 70s, women were stepping into new roles, and hello kitty stood for a new kind of strength—which wasn’t about being loud or aggressive but about connection, joy, and kindness.

SELF GRATITUDE. YOU'RE SO AMAZING ;

gratitude is a feeling thats really emphasized during november and i think that we should always be most grateful to ourselves! no one puts as much effort or loves u as much as u do. so lets take some time to appreciate ourselves and everything that we've done for ourselves as 2024 comes to an end.

take a moment to recognize everything that you've achieved this year, challenges that you've overcome and things that you've done for yourself this year to create a better more glamorous life for yourself. dont forget to say thank you and celebrate yourself cuz ur literally so cute and amazing and capable 💕

some ways that u can celebrate yourself and show gratitude towards yourself include…💬🎀

♡ pamper yourself with a spa day ♡ book that appointment you wanted ♡ write a love letter to yourself ♡ buy yourself a bouquet of flowers

PREPPING FOR A SUCCESSFUL YEAR ;

2025 is right around the corner so we should prepare and set ourselves up for success in this new year. so to start off prep for the next year we should make a MANIFESTATION list. title the list "2025" and write down everything that u want to manifest that year in a list fashion.

an important aspect of setting urself up for success in the new year is to reflect on the year we just had. reflect on your year so that u can see what u accomplished this year/what u can do better in the next year…💬🎀

i break up my year into 4 quarters (each lasting 3 months) that way i can see my year broken up and i have a clear plan and i can be organized. quarter one (january - march) quarter two (april - june) so on and so forth. and after every quarter i do a little analysis. and finally wrap up some things projects, assignments and things of that nature so that u can go into the next year on a clean slate.

WHAT THE IT GIRLS ARE LISTENING TO ;

first im gonna start off by talking about txt's new album SANCTUARY cuz if u guys didn't know im a moa 🙈. i LOVED everything about this album, the concept EVERYTHING. my favorite song on the album is 41 winks and over the moon is also incredible, i loved all the songs!! literally u cant name one bad song txts ever released cuz it doesnt fucking exist their discography is perfect. 10/10. i highly recommend giving it a listen if u have not.

tyla also released push to start and the music video is just a work of ART. tyla has been consistently giving us hit after hit, shes so incredibly talented and i LOVE push to start. i love the choreography also, but something that i love the MOST about this music video is the fashion like HELLO?? tyla rocked tiny tops and big boots in this music video and im lowkey living for it. the fringes in her tiny top in the opening scene, her teensy denim shorts that she leaves unbuttoned to show off her blinged out panties like YES.

THE ADVICE COLUMN ;

Hi! Question for the advice column. I'm going on a trip for my birthday to a retreat, with a group of 10 friends in a couple of weeks. It's only 3 days but I am so excited. I am in a part of the world where it's summer right now, so my question is: what are your essentials for a summer trip? Swimming gear, accessories, skincare etc, I'm planning all my outfits in advance, so any advice is appreciated. Thank you! 𐙚˙⋆.˚ ᡣ𐭩

❤︎ SPF (between 30-50)

❤︎ lacy/frilly bikinis and swimsuits. they make u look like an absolute beach doll 🍬✨

❤︎ a yummy body butter + body shimmer (during the summer, we show lots of skin so its important to stay moisturized like a glazed doughnut and also to sparkle like the star u are)

❤︎ as for clothing i typically opt for tube tops, mini skirts, sundresses and things of that nature. i LOVE summer fashion

❤︎ blinged out water tumbler for fashionable hydration 💦 and ofc a portable mini fan

Do you know how to make yourself look more exotic/tropical in appearance? Like I want to look like a tropical mermaid - cotton candy doll

❤︎ use a bit of shimmery bronzer on ur cheekbones and collarbones to achieve that glowy sun kissed look

❤︎ when i think of cotton candy key west kitten doll i think of BEACHY WAVES and bubblegum pink lips so braiding ur hair overnight can help you to achieve beachy waves in the morning, and invest in a bubble gum pink/glossy coral colored lipgloss (i recommend candy baby 🍭 from victorias secret)

❤︎ use fragrances with notes of fruit and coconut

NOVEMBER TRENDS ;

one of my favorite trends this november is the women in male dominated fields trend. its been all over my tiktok and essentially the trend is just women behaving the way many men of today behave towards women and giving them a taste of their own toxic medicine.

this trend reminds me a lot of ciara's song "like a boy". some of my FAVORITE moments from this trend are as follows…💬🎀

♡ when hes pouring his heart out in front of me and i start practicing my jumpshot mid-argument

♡ when hes got tears running down his face explaining to me why my actions hurt him but i just ask him "why are u with me then" and carry on with my day

♡ when he catches me in a lie but i just hit him with the "alright believe what u want"

this trend puts into perspective the toxic and dismissive behaviors that are becoming more and more common and that are normalized in relationships, now that the roles are reversed. it also serves as a reminder of how important mutual respect and empathy are in any relationship.

[uncookedfeeler]

CITRUS I🍋

Yuna x Reader

Tags : 4k, light smut, incest,

Part 2

Parenting is one of life's most transformative experiences. It is a journey filled with joy, growth, challenges and the commitment to raise and guide another human being. From the moment a child is born into the world, parents find themselves on a rollercoaster ride of endless new experiences, emotional highs and lows, and unwavering love.

Parents are caregivers, teachers and coaches, constantly trying to decipher their child's needs and feelings. While the joys of parenting are many, the challenges can be daunting. From sleepless nights with a newborn to the complexities of teenage rebellion, each stage of a child's development brings its own set of hurdles.

After more than fifty years on this planet, half of them with your wife, you're lucky enough to have a 20-year-old girl as your child. From day one she has been the ray of sunshine that lights up your life. She is the person you love most and will remain your most precious treasure until your last breath. But your relationship has changed a lot over the years. Your little princess has gone from being Daddy's little girl to a gorgeous woman who has been driving a wedge between you since she was a teenager. 

This distance has increased since she became a famous idol and now lives between the dormitory and your house, although she only stays when she wants to. 

As usual, you come home from work late in the evening and enter the lock code to get into your house. Unlike before, the lights are still out and the house is deserted. You leave your keys on the hall stand and walk into the living room, closing the SAS door behind you.

You sigh as you walk through the living room to your bedroom, the room a bit messy with some of your dirty clothes from the night before still on the tripod, you sit down on your bed to remove your tie and finally free your neck, your suit disappears and you put on more relaxed clothes. At the same time, your phone rings and you see the name of one of your colleagues on the display:

"Sorry to call so late, hope I'm not disturbing you?" says a soft voice at the other end of the line.

"Not at all, Mrs Bae, I just got home, what can I do for you?" you reply, laughing.

"The CEO wants to see you in his office tomorrow, he came by earlier but you already left, he said he wants to talk about the last contract you secured". 

"Ahahah, the old man already knows it seems, ok ok, noted I'll meet him tomorrow, have a good night Ms.Bae".

"You too, Director"

You put your phone on the bed before returning to the kitchen to prepare your meal and pour yourself a well-deserved beer. With your face still in the fridge, you hear the front door open and a familiar voice echo through the room with a simple "I'm home, I'm tired! "

You immediately know who it is and reply, "Welcome my darling, good to see you home, how was your day, are you hungry?"

Without answering, you see a young woman with red hair jumping onto the sofa. 

"Yuna, please take off your shoes before entering the house, and at least take off your jacket, it's quite warm in the house," you begin to reproach your only child.

"Daddy, please don't start, I've already lost my mind today with the girls, leave me alone!" the young woman cries in obvious annoyance.

The routine is back and you make the effort to take off her shoes while she is lying on her stomach on the sofa, you notice her outfit for the day, a black leather jacket hiding a nice white t-shirt and beige trousers, so you take the opportunity to complicate your princess. 

"That's a nice outfit, darling."

"Thank you," she replies, blushing.

You put the shoes down in the hallway next to yours and see her already absorbed in her phone, so you try to get the conversation going again:

"What happened to make my little Yuna so upset?" you say.

"I'm not 13 anymore, Dad, you can call me by my first name".

"Ah ah, sorry, Yuna".

"Those bitches stole my concept for the shoot, we had to choose a fruit and we had matching colour outfits, during the pre-shoot meeting we agreed and as luck would have it today they used their "maknae shoot last" rule and took my fruit!!! "

"Please don't shout, so what happened after that?" you try to calm her down.

"What do you think, I got to the shoot and all that was left were shitty concepts, seriously, who the fuck thinks it's sexy to have a lemon in the middle of a t-shirt, they're going to laugh so hard at me for the pictures, I'm so ashamed, I left right after the shoot," she says as she stands up and faces you.

You can see the sadness in her eyes and you want to hug her and tell her that everything will be fine, but now that she's looking at you, you realise that she probably forgot to take off the famous shirt and with great regret you put a big smile on your face, almost on the verge of tears.

"No, darling, I'm sure it's a great shirt," you reply with difficulty.

"PAPA!!!, WHY ARE YOU SNIGGERING?" the young idol cries before following your eyes to her T-shirt, her face falling as she finally realises the reason, you're so sorry, but the situation is really too funny.

As you wipe your eyes you see your princess's blood red eyes, tears streaming down her cheeks and she slaps you hard in the face "I FUCKING HATE YOU, JUST FUCKING DIE YOU AND MOM" before running into her room, 

For the second time in your life you feel that pain, the pain you feel when you hurt someone you love, just like your wife did 7 years ago. 

The pain on your cheek is almost non-existent, unlike the pain in your heart. You admit that Yuna has become very withdrawn since your wife's departure, and that your clumsiness with her has hurt her before, but never to this extent.

On the one hand, your authority has been challenged once again, and for the first time she's dared to raise a hand to you. On the other hand, there is a deep sadness that hurts you, but also makes you deeply regret your actions.

You hear your daughter's cries through the door and, with a feeble step, you knock on the door before entering.

"Baby....i'm so sorry" you see her lying on her bed, her head in her pillow, her crying stops when she raises her head and looks at you, her face is turned upside down, her make-up has run down her face. Seeing your child like that tears your heart out, even though you're responsible.

"Just go, just go like Mum, you don't even like me, do you? I'm ashamed of you, go and die," she said in a cold, mean tone.

"Baby... "Hearing these words from your little princess hurts and brings tears to your eyes, so you get down on your knees to continue your apology.

"Forgive me," you tell her as your tears begin to fall, Yuna continues to reject you and her words only drive nails into your feelings, you've surely done the irreparable and you decide to get up and leave her room.

You have ruined your last family relationship with the person who meant the most to you. 

"I'll bring you dinner later, just rest," you say in an emotionless tone as you grab the door handle to leave.

Your steps towards the living room are slow and your body heavy, only to suddenly hear someone running behind you, the door slamming against the wall, and feel your sweet daughter's body against your back as she tries to wrap her arms around you.

"PLEASE, DON'T LEAVE ME SORRY," the red one cries with all her hot tears.

You drop to your knees and take your only child in your arms and hold her close, her head is under your chin as she buries herself in your neck, you stroke her head with one hand while the other pats her back, her arms struggle to wrap around your waist but she clings tightly to you.

"I'm sorry darling, I'm sorry for everything, just let it go now, Daddy's here, I won't leave you, ever"

"Daddy, I'm sorry, I love you"

"I love you too, sweetheart"

You stay like this for many minutes before you plant a loving kiss on her forehead, a sign of your unconditional love for her. She's your treasure and the most important woman in your life.

Yuna's red eyes shine into yours and the young idol plants her lips on yours, the sensation is sweet and pleasant, you are morally in a dilemma, never in a million years would you have imagined kissing your daughter like this, but on the other hand you tell yourself that she's probably had too much rejection for today and is just trying to express her love for me. 

You allow your daughter to express her desires and she wraps her arms around your neck as you hold her kiss, her tongue meets yours in a first dance, the heat in the corridor rises as her body crashes against yours, you feel her small breasts against your chest and her perfume floods your nostrils.

"Yu..na," you try to stop her, tapping her shoulder as she literally tries to eat your lips.

The young idol slowly pulls back, leaving a trickle of drool between your two mouths. You see an incredibly sexy woman, her hair a mess, her breathing heavy and hot, her hands on your chest burning and her eyes devouring you like a hungry tigress.

"The redhead doesn't know what to say when she realises what she's done, her face turning scarlet as she rests her forehead on your shoulder.

"Don't worry, it's not your fault, are you tired?

She nods as you carry her to her room and tuck her into bed, one last kiss before sending your little princess off to dreamland.

"Good night, baby," you say to her as she seems to have gone far away.

.

.

.

The night was harder than expected, and after a light dinner you went to bed with your head still full of the events of the evening, a flurry of emotions running through your body and mind, and faster than you could have imagined, the morning light appeared through your window.

It's almost 7am and you're getting ready for a long day. As soon as you wake up, your body starts to show its age and it takes you a long time to get dressed and get out of your room and into the kitchen. You decide on a quick, simple breakfast of fried egg and rice, and with this morning's appointment, you'll be ready to go in no time, having filled up on vitamins for the day despite your fatigue. As you prepare this, you hear Yuna's bedroom door open and see your daughter come into the kitchen, still wearing her white T-shirt, but her beige trousers have been replaced by blue shorts.

"Morning dad," she says shyly.

"Hi honey, no schedule today?"

"Not this morning," she replies quickly, shaking her head.

Neither of you seem comfortable with the conversation and you do your best to avoid meeting her gaze and vice versa. You discreetly exchange glances and smiles, the redhead in front of you is beautiful and you find yourself ogling her.

You continue to prepare breakfast, making sure you have enough for your daughter. The only exchange you've had since is asking her if she wants a coffee, which she refuses. You see her hovering around the table as if she wants to talk, then she finally gets up and goes behind your back to the fridge.

Then you look back over your shoulder, feel Yuna's embrace around your waist as she buries her face in your back, feel the warmth of her breath again and put your hands on hers.

"Are you all right, darling?"

"I'm sorry dad, my head has been on fire since yesterday, my body has been on fire since I saw you this morning, I just wanted to tell you that I love you very much," she answers as she places kisses on your spine.

You feel the tenderness of her lips on your skin as Yuna gently lifts your work shirt, you say nothing, letting your daughter express her feelings as Yuna's gentle attacks send electric shocks down your back.

"Please look at me," she says as she forces you to turn around, pulling you by your hips until your bottom is resting on the edge of the kitchen counter, face to face with your daughter, who is staring at you for the first time this morning.

Her eyes were trembling and she asked you in a soft, frightened voice: "Tell me you love me, Daddy", while she pressed her body against yours. You felt her soft breasts against your chest and she put her hands on the back of your neck. Your daughter brings her lips to yours, her eyes closed, waiting for you to confirm your feelings.

At this point your morality as a father is the only obstacle standing in the way of this relationship, your daughter may not realise it but it is an immoral relationship waiting to happen, your daughter is still looking for a way to fill the hole in her heart, the love of her members doesn't seem to be working for her and now she is relying on you, her father, to give her what she needs, it is a difficult choice but you are letting yourself be swallowed by the devil, your daughter's happiness is what matters.

You cupped her cheek with one hand before pressing your lips to hers as Yuna melted under the pressure of her emotions, you rediscovered the sensation of love and laid your daughter on the counter while maintaining the kiss.

Your daughter is now sitting on the worktop, the difference in height bringing her face level with yours, she grabs the back of your hair to pull you towards her, her legs wrapped around your hips, your lips still locked as your tongues meet again.

When the seal is finally broken, both your breaths are heavy and noisy, each under the hypnosis of its own pleasure, while your eyes are full of sparkles and plunge into each other's. Your princess's eyes shed small tears, which you hastily wipe away with your finger before giving her a long kiss on the forehead.

Daddy, my heart is going to explode,' she says as she takes your hand to her breast with her t-shirt, the feeling is even better than you had imagined, her small breasts are firm and pleasant to touch, as you gently knead her breasts, the young woman makes little moans that express the pleasure she is receiving.

"Yuna... do you like what Daddy is doing?"

She nods "I want to feel your hand on my skin," she replies as she takes both your hands and places them under her t-shirt, right on her breasts.

"Do you like my lemons daddy? squeeze them hard please" Yuna's sexy face and her words echo in your brain as your hands work on her juicy fruit.

The tension in the room rises and you place your mouth on her little lemon, which you have been kneading for a few minutes, you attack her nipple with your tongue while you suck, hoping to suck something, you alternate your hands, now covered with little red spots, your daughter moans with pleasure and prevents you from withdrawing.

"Daddy, suck on them, play with my little lemons that you love so much, they're yours".

All this excitement had made you hot and a knot had formed in your trousers. Your lips left her two Susson-marked mounds and now attacked her defenceless neck, licking it from bottom to top, following her carotid artery and planting long kisses under her jaw, making her tremble before she gently pushed you away.

"Dad, let me take care of you too, I've been feeling your lump on my leg for a while now".

Your daughter begins to unbuckle your belt, then your trousers, until she can finally see your underpants and cock. Then your daughter puts her hand on the front of your briefs to rub your cock, and you see her other hand go down her shorts, probably to check the state of her briefs.

"I'm soaking wet, keep playing with my tits and come and touch me down there while I take care of you".

Your daughter's hand reaches through your shorts and grabs your cock to stroke it gently, on your side you slide one of your hands up her thigh to her panties and rub her slit directly against her skin, she's wet and you can feel a small bush above her entrance, you wiggle your fingers up and down, taking the opportunity to go back and kiss your princess who moans at your actions.

Yuna's technique isn't the best, but who can blame her, the poor thing is fighting against her own body and the way she arched her back as you delicately knocked on her pussy door, freeing her lips from your kiss, the young idol expressed with volume what she was feeling,

♥Hmm....♥Ah....Papa, continue ♥Hmm, ah....♥

Your daughter's moans are like music to your ears and she quickly lets you know that her orgasm is coming as your fingers begin to penetrate her pussy from the inside, you feel little spasms running down her body and her pussy dripping with wetness, as you pull your fingers out you see the deception in her eyes before devouring her with your mouth, forcing her to let go of your cock in the process. 

Your cock is extremely hard after Yuna's work but your pleasure is not your priority as your tongue slides up and down your daughter's slit, her juices are delicious and you suck them in to capture the taste of her naughty hole in your memory. Her grip on your thin hair is powerful and she blocks your head with her legs as you finally hear the release.

"Daddy, I'm going to come, it's happening, da..." before she can finish her own sentence, stopped by her pleasure, Yuna comes all over your now wet face and falls onto her back on the worktop.

"Are you OK, sweetie?" you ask her, a little worried as she suddenly falls backwards, the pressure of her legs freeing you and you see a close-up of your daughter lying on her back in front of you, her face red and wrung out, her hair falling in the air on the other side of the table, her breasts exposed and marked by your many hickeys and her pretty pink pussy that you've just finished devouring.

You grab both her hands and pull her towards you so that she's at your full height, then you take her in your arms as if you were comforting a small child.

"You're so hard daddy, you can do it if you want to," she says with a little hesitation and tired eyes, then you notice that your cock is at the same height as her pussy.

The choice seems obvious but at the same time you don't want to take it lightly and spoil the moment, the lack of time and place is not what you want to give your princess who is offering herself to you so you shake your head in refusal then plant a long kiss on her lips.

"Not now baby, another time," you reply as you start to pull away from her, only to feel her hand holding you back.

"At least let me make you feel better, I want to make you feel better too," she says as she grabs your cock and starts to jerk it like before.

"Do you like it when I rub your naughty cock? Why does a father turn on his daughter so much?" Yuna tries to be provocative to arouse you, but the tone is off and her lack of experience is glaring, you just smile under your daughter's true words.

Your orgasm builds as Yuna experiments with your cock, trying to give you as much pleasure as possible. You put your hands on her tits again and play with them, which doesn't seem to bother her, far from it.

.

.

"Daddy?"

.

.

"Yes, sweetie?

.

.

"You know ... if you want my lemons to give you their juice, you'll have to give me yours first," she said, pointing to her pussy.

The image crosses your mind, the image of a father and daughter kissing the fruit of their forbidden love, a father giving his love to his daughter and a daughter giving birth to that love, your excitement and shame explode as your cock comes to paint the lower part of your daughter's body, her pussy and thighs marked by your essence.

I'm sorry, I'll clean you up,' you say, looking for something to wipe your cum-filled daughter with.

"It's OK, I'll do it myself,' she says as she scoops up the white liquid and brings it to her mouth.

Any young man would have been revitalised to see such a beautiful woman collecting cum on her body, but your cock is now in a less than glorious state and you pull up your trousers, taking care to get dressed.

"It's almost time darling, I have to go," you tell her as you haven't eaten or slept well, it's going to be a long day.

"Wait," she replies as she approaches you, still naked, "don't forget my goodbye kiss," as she presses her lips hard against yours, then whispers, "we'll continue tonight, I love you.

Your body and mind may be in bad shape, but knowing your princess will be there for you tonight fills your heart with a feeling you've been missing.

Later, in your car on the way to work, you get a notification that someone you're following has just started a live stream, obviously it's Yuna, she's the only one you follow, you pick up the stream on the way, but enough to hear your daughter say

My favourite fruit? mhhhhhhhhhh that's a good question, I'll go with lemon, it's a sweet fruit like me and TMI, but my dad loves lemons'.

______________________________________________________________

[topazadine]

Avoiding therapy speak in writing

I think we all know by now that therapy speak is irritating and unrealistic, especially if you are writing in a fantasy world that doesn't even have modern psychology.

Part of the reason that it is so annoying is that it is the definition of telling instead of showing: characters are just plainly informing us of their feelings rather than making us work for a better understanding. It's cheap and boring. Instead of making your characters seem like complex individuals with their own hangups and difficulties, they seem like plot points programmed to tell us things.

But obviously, you want to put these people in situations and have them talk about it! How do you do that without sounding maudlin? Here are some options.

Listen to real arguments/conversations

I cannot stress enough how important it is to listen to how actual real human beings talk to each other during heightened emotional states. They don't have to be nasty abusers, and they don't have to be perfect angels, just everyday people doing their normal thing.

Of course, I'd hope you're not seeing people argue all the time, but if you do happen to see it, listen carefully and notice how people actually address their problems. Think back to tough conversations that you have had, even if you wouldn't classify them as arguments. Consider how people acted and reacted to one another. Notice how normal humans talk about issues outside of therapy, even intelligent and emotionally evolved people.

I've had years of therapy, and even I do not talk in therapy ways about my issues when I'm talking to my family or friends. It just feels cheesy and fake outside of that particular setting - plus, it freaks other people out and can seem kind of manipulative. Try talking like that in a real conversation and see how uncomfortable it is. You'll understand why avoiding therapy speak is important.

Consider the character's own hangups

Just as everyone has their own unique speaking style and mindset, so do we all have our own argument styles. These are often informed by our pasts and upbringing; they are as varied as our own histories. However, there are a few different options.

Someone with a happy upbringing may be more assertive and willing to address their problems because they had that demonstrated to them as children.

A spoiled child will grow up to be a demanding adult who refuses to give any quarter.

Those who got yelled at a lot as children may shut down and fawn to avoid getting hurt.

Someone who grew up in a violent household may mimic that behavior and get incredibly aggressive when upset.

Individuals whose parents didn't teach them emotional regulation will lash out and get loud.

Manipulative people may stay very calm and gaslight the other person, or they may get hysterical to garner sympathy and make people focus on comforting them.

Someone who has gone to therapy may revert to their original argument style, or they may imperfectly apply what they have learned in a way that feels a bit unnatural. They may start out with rage, then force themselves to calm down through grounding techniques.

People who have been coached through previous emotional outbursts could demand a time out, then fail to actually calm themselves down.

Some may refuse to acknowledge they are upset and insist, in increasingly forceful terms, that they are fine.

Others may get quiet or crack a joke to ease the tension, but it doesn't really help.

Keep each confrontation short

IRL, emotional confrontations are generally not that long. They don't go on for hours and hours, though it can feel that way. No one is going on and on about their feelings and sharing every little detail of how they feel (at least not that I know of personally, maybe other people are different).

Even the worst arguments I have had, the real nexus of the argument was maybe an hour or two, though the fallout lasted much longer. I'd say there was an hour maximum of real, active confrontation, preceded or followed by hours/days/weeks of simmering frustration.

Why? Because arguments are exhausting. You don't have the energy for that in the heat of the moment. Yes, feuds and fights can last years, but each actual confrontation is short.

For longer, more serious issues, hash it out over a few sessions rather than all at once. It's rare to get everything out of the way immediately unless the characters already have a strong, loving relationship.

Show incongruencies

Especially for more reserved people, they will likely have their emotions leaking all over the place but won't actually say anything. As such, focus on body language while keeping the conversation more focused on the plot. For example, Character A might be crying but still trying to argue their point about whatever is going on.

Address physical complaints instead of emotional ones

In many cases, people will use "I'm tired" or "I didn't sleep well" or "I'm not feeling great" as shorthand for whatever is actually bothering them. It relieves pressure by not making them talk about upsetting matters while still addressing their discomfort in some form.

You should also consider the fact that some people can't connect physical sensations to feelings, so they may genuinely feel ill and not really understand why. This is especially common in people who can't emotionally regulate or have been through trauma.

For myself, I tend to somatize my feelings, so I might not feel upset, but I will feel physically sick. My stomach will hurt, my chest will get tight, or I'll get a headache, but my emotional state will seem calm. This isn't all that unusual, and many people experience this to different degrees.

As such, you can have your character say that their stomach hurts, or that they have a headache and can't discuss this anymore, or that they need to go lie down because they're dizzy. If we know they're relatively healthy, this can be a clue that they're getting overwhelmed but either cannot pinpoint their emotions or don't want to discuss them.

Let characters advance and retreat

A lot of the time, someone will address a scary emotion and then retreat again, sometimes over a period of hours, days, or even weeks. This is normal: most of us don't have the emotional fortitude to forge ahead through something difficult all in one go. Character A may say something vulnerable, then change the topic, laugh it off, say they're done discussing it, or even leave the situation.

Leave emotions partially unaddressed

Again, it's rare for someone to spill out everything they're feeling all in one go. As such, have Character A address the most important thing - or the least important, depending on their level of emotional maturity - and let it be done for then.

They might say their small piece, but when someone tries to probe deeper, they don't have an answer, or they get "stuck" on that one emotional level and cannot go further.

If Character B keeps pushing, then they may get incredibly upset and push back, or retreat.

Have Character B point out the feelings

Works especially well if the other character is a close companion or a parental figure. Often, people who know us really well will have better insight into our emotions than we do. Or, we might have good insight into our emotions but are still too afraid to open up. Having Character B point out the issue gives Character A grace to be more honest.

I can't tell you how many times I've been really upset, so I've distracted from the issue by getting angry about something completely different. Then, my mom will gently point out that I'm not actually crying about my new plastic cup being broken or whatever; I'm actually upset about XYZ. In that moment, I realize I've been caught out and admit that yes, that's what I'm really upset about.

Have Character A address it with a third character

Who among us hasn't gone to someone else to talk about our feelings? Having a third party serve as a sounding board is normal. Sometimes, Character A will feel such catharsis from this conversation that they don't address it as thoroughly with Character B.

Of course, you can use this to your advantage and create more tension if the third character gives bad advice or is biased.

Remember that just because the third party responded well does not mean that Character B does. You also have to avoid omniscience and remember that Character B wasn't privy to that conversation.

Have one confrontation be a stand-in for a larger one

I always think about the "The Iranian Yogurt Is Not the Issue" post when I think about this. Often times, things like not doing the dishes or whatever aren't actually the big deal: it's lack of boundaries, communication, or respect. A minor argument can be shorthand for a larger one that is too challenging for the characters to tackle.

This isn't just creating drama for the hell of it, though; it's about exploring the larger issues without making the characters lay it out on the table. A good reader will be able to see it's not about the Iranian Yogurt as long as you set up the relationship well.

Currently, I am writing a story where Uileac and his sister Cerie go to rescue Uileac's husband, Orrinir. On the way there, Uileac idly comments on how he wonders where a waterfall comes from because he's trying to distract himself from thinking about the fact that his husband is kidnapped and possibly dead.

Cerie, being pretty wound up too, starts arguing with him about it because she's like "why is this relevant? We're kind of too busy to think about geology right now!" Uileac gets annoyed at her for being so aggro, and she gets annoyed at him for being so irreverent. Both of them are upset about something completely different, but they're too scared and panicked to actually address that, so they release their frustrations by complaining about waterfalls.

Those bad vibes have to go somewhere, but neither of them are very good at talking about their feelings (though very good at stuffing them down). As such, they take the pressure off by sniping at one another. You've probably done this too, when you get into a dumb argument about something absolutely pointless because there's something you don't feel strong enough to discuss.

There's also the fact that if you're mad at someone about something but feel it's too stupid or petty to discuss, that frustration will leak out and everything else they do will annoy you, leading to a bunch of irrelevant arguments.

Use "reaffirmation" gestures

I talked about this in a different post, but after an argument, the "make up" stage doesn't always involve going "ohhh I forgive you" and big hugs and kisses, especially when the two characters aren't emotionally mature.

Instead, Character A makes gestures that reaffirm the relationship. This could be offering to do something Character B needs, making plans for later, or changing the topic to discuss something the other character cares about ("how are your cats doing?") etc.

Note that these "reaffirmation" gestures aren't the same as the cycle of abuse. This is more when two characters have had a difficult emotional conversation but aren't really sure how to continue being emotionally open, so they revert to something safer that still shows they care. They're not over-the-top gestures either, but more a special attention to something the other person loves. Knowing what the other person loves also demonstrates the depth of their relationship.

As always, I can't tell you what to do with your writing.

You are the crafter of your own story, and if you want people to talk like therapists for whatever reason, that's your choice. However, we want characters to feel like real people, and most real people don't lay it all out on the table every single time they're upset. If they do, they might be trauma vomiting, which is icky in and of itself.

Healthy communication isn't always perfect communication. People can have strong, loving relationships and still get things wrong - we're human. Having people calmly and rationally and easily talk about their feelings every single time is not only kind of boring, but it also feels weird, because unless we're primed to discuss those difficult topics and know we're perfectly safe, we're not going to do that.

People don't even do that in therapy, where they are paying for the service of talking about their feelings! Therapists also don't always do that IRL!

We're humans, and your characters need to feel like humans as well. That means letting them be imperfect communicators and using context clues rather than making them do all the work for the reader.

If you liked my advice, consider purchasing my book, 9 Years Yearning, for $3!

[creekfiend]

I wanted to make a bonsai kitten recovery post that outlines some of the stuff that I've been doing. Because I don't think that you need to ✨see a therapist✨ to start dealing with a lot of this stuff and I get really frustrated when that is the answer that everyone is constantly giving. Firstly a disclaimer, because I know what website I am on: this is a guide for things that have worked for me! I am not everyone and if there are things on here that do not work for you or even that you think are stupid, that is fine, but please do not make it my problem. If you are reading it and you're like "that sounds like it would actually be detrimental to my specific mental health because of my specific issues" then please disregard it. Use your critical thinking skills and do what you think is right for you!

My second disclaimer is that I didn't make any of this up myself; most of these are collected from various places either in therapeutic guide books or various websites about emotional regulation etc. Some of it is stuff that I have extrapolated from those places based on experience with what works for me or does not work for me. A lot of the way that I treat myself when I need to get my body and brain into a place where I can think about stuff productively is actually directly from gentle parenting guides, because frankly cptsd recovery stuff is very often like parenting a toddler. And the toddler is you. ALL THAT SAID,

The first skill that I had to get good at, that many of the other skills depend on, is to learn how to understand when I am Reacting to something. If I am Reacting it is extremely likely that that's going to only escalate the situation and make it much worse. I HAVE to be able to tell if I am Reacting emotionally to something in a way that is coming from a place of fear and panic. This is important because it involves not being prescriptive about your emotions. You could be Reacting to something that you do not logically feel is at all justified in making you feel that way and that doesn't matter! You can't be doing math equations to try to come to the answer of how you SHOULD be feeling; you have to be observing your mind and body to see how you factually ARE feeling and then respond to THAT. This can be really hard to learn how to do especially if you were abused as a child. (If you cannot think of yourself as someone who is abused as a child perhaps it would help to think of yourself as someone who simply was not taught various emotional regulation skills for mysterious reasons that have nothing to do with your parents' inadequacies.) I need to be able to glance inward and see what the physiological reaction that I'm having is and identify whether or not I feel like this is the biggest emergency in the world that needs to be addressed right now immediately! That is a sure sign that Mr Fight and Mr Flight are in the building and it is bad to make declarative statements or important decisions when that is the case. So, I have to work on dismissing them first. That is literally the first step to any of this. One of my friends calls this "fire mittens," which is to say, if you are wearing mittens that are on fire and you try to touch stuff, the stuff will also become on fire. You have to put the fire out first before you can touch other things.

Once I have determined that I am indeed Reacting and in a physiological state of fear, I have a document in my notes app that is a "what to do when you are in fight or flight mode" guide and it has several helpful things that I will try to outline here.

Firstly, the really important thing for me for trying to get back into an emotional state where I'm capable of making decisions and being thoughtful is to feel safe and comfortable. So I actually have some stuff in my document that is straight up just like "go in the blankie nest. put on this specific music album. light this specific scented candle." etc. You might want to have a specific food or drink that is comforting to you or some other sort of stim toy that helps you regulate. If there's any calming medication or supplements for anxiety that you take as needed, now is also the time to do that. Physical sensory grounding is really important for this. This is probably especially true if, like me, you are neurodivergent, but I think it is also true for everyone because we are animals! And you can't just think about it, you have to actually do it. Which sounds obvious but is the thing that has often tripped me up in the past. Once you start getting into the habit of actually physically doing this it DOES become easier though.

One of my rules is that if I want to respond to something but I am in fight or flight mode, I don't get to respond to it for at least 24 hours. I'm only allowed to respond once I've gotten myself out of fear mode. If it is some kind of comment on Facebook that has set me off, often this means that 24 hours later I realize that I actually don't want to get into it to begin with, which is great. If it's something that is pretty serious and interpersonal with a friend, sometimes that means I have to communicate to them that I'm going to take a while to process it and then get back to them. IMPORTANT: You CANNOT do this passive aggressively or else it undermines the whole thing. You can't phrase it in a way that will make your friends think that you are guilt tripping them for "making" you feel a way. It is VERY tempting to do this when you are in the first stages of trying to form this habit and you simply need to resist the urge because it will render this step worthless. I know. It sucks.

If I am feeling fearful and insecure about friends or loved ones, I also usually try to spend some time thinking about the people that I love and care about. Because often this stuff manifest for me as insecurity that the people that I care about do not care about me, or that they think that I'm being annoying, or that they are secretly thinking mean things about me. It's obviously not good for me to constantly be imagining that the people in my life who I care about are actually avatars of my own insecurity who are here to tell me that I'm secretly fundamentally unlovable! But crucially also it's ALSO not fair to those people to imagine them as that. They are not that guy, they are their own complex human beings with their own lives and experiences and interiority. So sometimes I do thought exercises where I will imagine my friends or loved ones doing things in their everyday lives and I will think about them as people and I will think about the things that they like to do and the things that they say and the places that they go, and I will try to imagine them fondly in those circumstances. This helps to remind me that they are just people and that the scary puppet wearing their faces is not real. To this end I sometimes will have a document of screenshots of things that they have said to me that I can use to reality check myself. I personally find reality checks to be essential for a lot of this. Things can feel true when they are not true at all. Things can feel wrong when they are actually true. The point of most of these exercises is to gently remind myself that those feelings are normal for me to be having, but that I do not need to let them dictate my responses.

It is crucial throughout all of this that you are nice to yourself. You can't talk to yourself in a mean way while you're doing this, or you will not get to a point where you are feeling safe enough to react from a place of not-fear. You can't make yourself feel ashamed or defensive for your emotional reactions. This is the particular area where I find gentle parenting protocols helpful. You HAVE to be patient with yourself.

Ok that's all for now bc I ran out of steam but I will try to think of more to add on another day maybe. Godspeed everyone

[olderthannetfic]

I got a comment from someone saying I was clearly pushing the trans agenda due to how I wrote one scene. The scene in question is a character who had once had his memories forcefully erased against his will, who has regained some of those memories as well as his ability to use magic, putting on an outfit that accidentally is very similar to what he used to wear when going into magical combat. It hits him how completely correct this feels and he has a whole moment internally where he realizes no matter what the person trying to manipulate his memories has told him, he is magical and he is strong and he can handle things on his own. He doesn't need to be hidden away and coddled like a child. He's an adult. He's got this.

Apparently this read like a trans allegory, which... as a cis man I feel like I've gained new insights into trans people. I'm sure the commenter was going for, "this is like trans. By which I mean, it's bad." but what I got was, "this is like trans. By which I mean, they deal with a lot of invalidation by people who claim to only want the best for them and it's exhausting and hard but being themselves is as vital to their mental health as breaking away from his abuser was for this character."

And now I'm rereading my work through a whole new lens. Rereading all of it - the invalidation of real experiences he had, the denial of memories he had, the constant silencing of his voice in his own house, the tight control on his every action, the way he was consistently pushed into being someone and something he fundamentally was not, and the fact that if he ever chafed under that manipulation and abuse he was seen as the bad guy here - I feel like I've gotten an accidental glimpse into the lives of trans people. Specifically, holy shit this would be miserable to try to live through. Particularly when, unlike in fiction, you can't escape via magic and sheer force of will. I feel like someone just turned to me and went, "Hey, that agony you've been writing? A ton of people are quietly enduring it every second of every day."

It seems so obvious in retrospect that I feel like an idiot for not seeing it sooner. Not the allegory, I mean, the sheer weight of what trans people go through.

I have never been so grateful for a hate comment. It really helped open my eyes to some things.

--

[wonderlandwalker]

First Impressions | Eddie Munson x Reader

Stranger Things Masterlist / Inbox Summary: Eddie learns that Dustin has a recently reunited sister, and from the moment he meets you he's a goner. (read part 2 here) Content Warnings / Tags: Pure fluff, henderson!reader, tiny mention of a fight but nothing descriptive, not edited, no use of y/n Word Count: 1.4k A/N: Eddie brain rot cause I couldn't keep it in. Don't know if this is my best work but I'm planning to write more chapters on this so it's just a start, hope you like it

“You need a ride home after this?” It was more of a formality than an actual question, he always drove Dustin home after a session.

“Oh that’s okay, my sister is picking me up.” Dustin didn’t even look up from packing his things away, but Eddie’s head shot up.

“Your- you have a sister, since when?” As far as he knew Dustin was an only child, but now he was wrecking his brain trying to think if he had ever mentioned you before.

“I know you’re bad at math Eddie, but I just told you she’s driving so try and put the pieces together.” Dustin was looking up at him now, challenging him.

“Alright smartass, it’s time for you to shut up.” He told him as he ruffled through his hair, leaving behind an agitated Dustin trying frantically to fix it. 

The others had already gone home, but Dustin stayed behind late to help Eddie finish up, a habit that became more and more common as the two grew closer. When they finished packing up Eddie locked the door behind them, and while walking to the parking lot decided he wasn’t quite done interrogating Dustin.

“If you have an older sister, how come I've never seen her around before?”

“I mean she’s been around during holidays before, she lived with dad though but they had a big fight so she’s moved here.” It seemed like a sore topic, so Eddie dropped it for now.

As they got to the entrance of the school and felt the cool air on their skin Eddie indeed noticed another car in the usually empty lot, and you were sitting on the hood of it, a book in your hands as you patiently waited. The last rays of sunshine graced your figure as if the heavens themselves were blessing you, and Eddie had never been so sure he’d seena goddess in his life. It was just like the tales he knew so well, the ones he still devoted his life to, it was as if they were becoming true. You looked up when you heard them approach, smiling at the sight of them and giving Dustin a quick side hug as they reached you.

“It’s nice to meet you, I’ve heard a lot of good things.” You held your hand out for Eddie to take, but all he could do was look at it, staring ahead as if hitting pause in a game, he stood still. He wanted to react, to not make the most horrible first impression possible, but the longer he looked at you the worse it got, getting lost in sight of your smile.

“Alright, not a fan of handshakes, noted.” You chuckled as you withdrew your hand, and Eddie cursed himself for not having taken the opportunity to feel how soft your skin must’ve been. You looked at him again, your eyes piercing straight through his soul and he wondered if maybe he had found himself in one of his fantasy worlds, he must have. But the next second he shook himself out of it, because you were real, you were real and in front of him and expecting him to say something.

“I’m Eddie.” he said, nodding his head as if to confirm his own statement.

“So I’ve been told.” Another giggle slipped past your lips, and Eddie wasnt sure if it was from nerves or entertainment, but he was dying to hear more of it, even if he had to make a fool of himself to do so.

Dustins head kept going back and forth as if watching a tennis match of idiocracy. He had never seen Eddie so flustered, so used to the man flaunting with every opportunity that presented itself that this seemed quite out of character. In full disclosure, it was kind of freaking him out to see Eddie so beside himself, and it was freaking him out even further that he couldn’t figure out why. It was probably blatantly obvious to anyone else, but maybe it was for the best that Dustin couldn’t place where the tension originated from, either way, his patience had run out

“Can we go home now, I still have to call Mike to discuss our net strategies” You tore your eyes from Eddie, deciding that maybe it was for the best to head home.

“Yeah alright, maybe I’ll see you around Eddie.” You gave him one last smile as you got in the car with Dustin and drove off, but it took him another minute to pick his shambled ego up from the concrete ground as he berated himself for not being able to utter one coherent sentence. As he got in his van and drove home as well he decided he’d have to grill Dustin for more information on you the next time he’d see him. As he got to the trailer he grumbled a hello to Wayne before disappearing to his room, ignoring the backhanded comment he got about his grumpy disposition. 

He wondered if he’d ever be able to convince you he was cool, whether he’d be able to get you to agree to see him again, but after what just transpired he figured the odds were slim. Not that he’d give up so easily, he didn’t have much of a reputation to lose and if he’d be able to get you to laugh again that would be more than enough. But he didn’t get to wonder for long as Wayne knocked on his door, he was ready to tell the man to leave him alone, but the next sentence was one that confused him immensely

“Someone on the phone for you.” Wayne held the phone out to him, expecting him to get up from the bed and take it, but Eddie didn’t move an inch.

“For me, you sure?” He was still not quite sure what to do.

“Unless another Eddie is living here I’m pretty sure.” He moved his hand again to accentuate the phone that was still on hold, but once again Eddie just sat there.

“If you want I can tell her to call back-” That’s when he sprung into action, snatching the phoen out of Wayne’s hand 

“No! No, I got it. Thank you.” The old man simply chuckled as he left again, closing the door behind him to give his nephew some privacy.

Eddie cleared his throat once before picking up the line put on hold. 

“Hello?” he asked, still not quite sure what to do.

“Hi, Eddie it’s me, just wanted to see if you were doing alright.” your sweet voice blessed his ears once more. He doesn’t know what he did to get the universe on his side like this, but he was grateful for it nonetheless.

“Yeah I’m good, listen-” Eddie figured this time he shouldn’t waste his chance, and he probably had some making up to do.

“- I’m sorry if I freaked you out earlier, just never seen anyone that pretty before.” You were giggling again, and it brought the biggest grin onto his face.

“You didn’t weird me out at all, it was kinda cute. I had to bribe Dustin to let me use the phone so I don’t have much time but I was wondering if maybe you’d like to go out this weekend?” Maybe he should’ve waited a beart before answering, but he was too eager to care.

“Go out, as in a date?” It got him blushing, the red creeping up on his cheeks as he wondered if that’s really what you were asking

“I mean, kinda, if you want to.” He could almost see you blushing on the other side of the line as well, and he decided it was now or never.

“I’d love to.” 

“That’s great, I’m still kind of new around here, do you know any good places?” Your smile was present as you spoke, and he was already looking forward to seeing it again, now knowing he wouldn’t have to wait long.

“How about I come and pick you up, we can go to the mall.” His confidence was growing with the minute now, absolutely elated by the turn of events.

“Im looking forward to it” He wondered what you’d wear, knowing whatever it was it would look beautiful on you, and he knew he’d spend the entire date amazed at your presence. 

“Me too” he said before the both of you hung up the phone, he had already started planning the most amazing evening out, and maybe, he thought, maybe this year really would take a turn for the better.

[part 2 here]