#i've only watched the movies

[nyaslashthreat]

shout out to when i told my dad about goncharov and he figured out it was fake because i told him "1973 martin scorsese film with robert de niro" and he said that wasn't possible because the godfather came out in 1972 and the godfather part II came out in 1974 and they wouldn't have had time to make a movie in between. a perfectly good jest, foiled by this man's weird and vast knowledge set

[castiel]

i knew i needed to come back and save you  ⤷ I Saw The TV Glow (2024) -- dir. Jane Schoenbrun

[paunchsalazar]

they have to write Cas into some sort of binding situation elsewhere every few episodes because if Cas and Dean got to be in the bunker for more than a week they would have had sex with each other

[meowmeowmeowmeow4x]

Supersons +1 prompt answer

If you asked Danny, 12 year old half-ghost hero of Amity Park, how half-life was going, he'd tell you things were mixed.

On the one hand, he had just spent the last three or four months in family/scientist/'this house is a death trap waiting to happen' therapy with Jazz, and by some miracle, it worked. He wasn't sure if this was some kind of dream as his parents poured over years upon years of research, crossing out lines, rewriting equations, and reevaulating everything they thought they knew about ghosts.

Was the shudders family therapy worth not going over how they'd like to dissect him? he's still not sure. The horror.

Not to mention the attention. Danny was sure he was going to throw up if his parents drag him away for more bonding time, only for a ghost to attack and for him to run off to transform. What made it worse was when the Fentons came barrelling out, guns blazing, alternating between getting mad that he'd interrupted their family time, and asking him questions about "Your suspicious spook culture, if you even have one you dangerous delusional delinquent!"

At least they were trying, but Danny was very much comfortable not spilling the beans on the whole half-ghost situation, thank you very much.

And that's why, when Dad proposed to take him to Gotham to show off their latest invention, he jumped at the chance. The home city of the Batman, one of the greatest heroes known to man (except for Martian Manhunter and Superman of course) and Dad promised to take him to Gotham Observatory too. Not to mention how much he wanted to get away from Jazz's smug looks of superiority. Gotham here he comes!

~~~~~~~~~~~~~~~

Damian Wayne scowled as he scanned the crowed of scientists with more smarts than sense. Really, a flying toilet seat. For what deviant?

"Maybe they're for people who can fly." Kent piped up beside him. Father had let the two of them run off together, and his company was mildly more appealing than being alone with his thoughts.

"Why would Superman ever need to relieve himself mid-air. I do not believe you would appreciate your father's rear end being on display for all the world to see."

"True." Jon hummed. His voice lowered to a whisper. "You think indecent exposure is what your dad meant by "scoping out any potential future villains?"

Damian gave Jon a flat look. The sooner this convention ended, the better.

The crowded shifted, and the mass of visitors pushed toward a certain corner, where a man large enough to rival Superman's build stood upon a podium, with a boy their age off to the side.

"Ladies and gentlemen, let me introduce to you the latest in FentonWorks' innovations, the Fenton Ghost Zone Radar, soon to revolutionise the study of ghosts!"

"I thought ghosts were a magic thing." Jon said. "You know, stuff Constantine and JLD deal with."

"They are."

"Mixing magic and science is like, like, oil and water. No way this guy's serious, is he?"

"His name is Jack Fenton. That's Daniel Fenton, his son." Damian pointed to the boy in question, looking like he'd seen this scene a hundred times before, but with that knowing glint that promised something deeper. "They're normally spotted alongside Jack's wife, Madeline. Widely regarded as quacks by the larger scientific community for chasing paper-thin theories about ghosts, they've nonetheless gained funding from the government. This is the first time they've left their base of operations in Amity Park for years."

"Woah, you know your stuff, Dami!"

Damian glared at the young Superboy in disguise. "I read the briefing files. Didn't you?"

Kent looked uncomfortable and looked away. "Uhh, maybe?"

"Typical."

"Well, if he's so crazy, then why'd your dad even let him in." Upon another scathing glare, Kent relented. "Oh right, the whole supervillain thing."

"Enough chatter. We'll zero in on the younger Fenton. I intend to squeeze him like a grape, and make Father proud."

"Dami maybe you should be a little nicer-" Only for Damian to march off without him.

Honestly, inane niceties were above someone of his status. Those things were Superboy's job, and if Daniel Fenton wouldn't crack, then Damian was itching to try a new torture technique.

@impyssadobsessions

[theunmarkedtombstone]

CARLITO'S WAY dir. Brian de Palma

[arttsuka]

I wanted to talk about Toothless and how his design and personality changed for the worst throughout the 3 animated movies (I won't be tackling any of the shows because I haven't watched them)

In the first movie he's at his best. His design is actually amazing, from the overall model structure to the patterns on his skin (which are visible in every shot, especially the ones taking place during the day, without ruining the 'illusion' of his black skin. It actually feels like it's resembling a panther aka black leopard in which the fur patterns are still visible). His face has a more aerodynamic shape, more sharp, a big curve.

His snarky but intelligent personality was really fitting for him. And we got to see more of it as the movie was progressing and he was getting more comfortable with humans.

In the second movie the patterns on his skin are still mostly there, way less prominent but still visible. His face got squashed down (a problem which only because stronger in the 3rd movie) but as a whole he still looks presentable, kinda. His posture changed too (but I'm too lazy to find evidence, you'll have to take my word for it).

I remember not having a problem with his personality in the second movie which is why I was surprised to see that this was only half true. He acts more domesticated, that's to be expected, but only around humans? When he interacts with other dragons it's like he's a completely different character, closer to what he became in httyd 3 than 1. He's still quite intelligent and more used to human equipment and people in general. In the first part of the film (especially this scene with Hiccup) he acts like how I'd imagine he should be in the 3rd movie, here it should have been a 'middle' ground, not 100% domesticated but not movie 1 feral either.

In the third movie he suffered the worst. Gone are the patterns on his skin, he's solid black now. His face got weirder too.

His personality got reduced to this stupid, slobbering 'dog'. His pupils are always dilated and his tongue almost constantly out. He acts unintelligent and he doesn't have that snarky personality he had in the first and even the second movie. He's basically a different character altogether. (That scene where he tries to 'woo' the light fury is embarrassing at best and shows exactly what's wrong with his character now).

They did it to make him more 'likable' to younger audiences + to make a good visual contrast to the light fury (who has an undercooked personality AND awful design as well), which is weird because they gave the light fury patterns on her wings?

The light fury looks like a beluga whale in the worst way possible. She has almost nothing going on visually to the point it doesn't even make sense. Her skin looks fragile, she's so weirdly smooth for no reason. It would legit be better if they took a night fury model and painted it white.

They gave her a 'cat' personality and took it away from Toothless (why couldn't both be 'cats'?). Also she's the 'girl' character, her only purpose is to be the romantic interest. She adds nothing to the film.

No comment in the live action design. Just ugly. Atrocious even.

Also something else that's been bothering me from the live action remake is this scene.

They've basically recreated every scene exactly as it was in the original so far (which is a bad thing) but the slight hesitation Toothless showed before touching Hiccups hand was the one thing they chose not to include? (I know the scene wasn't meant to have that in the beginning and it was an error in animation which they decided to keep because it gave the scene more personality so, why not include it in the live action?)

[mix-no-sense]

popcorn

[megalomari]

i'm watching Pirates of the Caribbean for the first time, guess who my faves are

[therealkaidertrash21]

I could never be convinced this man is brainless when he says stuff like this

[atomicsuperrobot]

I am cringe, but I am free.

Here's to a better new year, hopefully. The prospects are pretty bleak, but we stay silly.

[moodypetrichorlove]

tom holland in uncharted is a treat to watch. just hits different. iykyk.

[smallenoughtopurr]

Sorry is this anything?

[sskk-manifesto]

Bungou Stray Dogs: Dead Apple and how “ability users” (opposite to “normal people”) learning to accept themselves through the acceptance of their own abilities is a queer metaphor of acceptance of own's sexual orientation and gender: an essay by me

[littledemo0n]

Watched yesterday the TF ONE finally. Glad to say i'll never recover from it :]

[inkedberries]

the passion and love for this series..... imma cry

read more here: https://www.japanaradio.com/node/98

text under read more

How much involvement did Nightow-sensei have in the production of the show? You mentioned in your panel earlier that he just gave a green light and said to just have fun. Can you elaborate further?

K: It started with Nightow-sensei, myself, the director Muto, and also producer Takei. So four people altogether, just talking to each other for quite a long time. We heard from Nightow-sensei about what kind of a person he is, what he was thinking about when he was creating Trigun, and what he wanted to cover in that story. And that's where we started. Building on that, we moved on to the concept stage. We had two main staff members working on that.

We had Kouji Tajima, who worked on the concept art, and Takehiko Oshiki, who worked on the setup, writing the text that would describe the overall concepts of the world. Oshiki-san is a huge Trigun fan, a fan of the original anime and the manga. And so, he gathered together for us a bunch of design documents, set up documents, describing the themes that were covered in the original manga, and also the themes that were hinted at, but not really ever explored. Then, based on the text that he had pulled together and written for us, Tajima-san started creating concept art. His goal was to create concept art that would show the overall feel of this world and help us with world building, to envision what kind of a world the planet is, and he took over a year working on all the concept art.

During all of these conceptual design parts, we were continually checking in with Nightow-sensei. So, even before the usual pre-production process, we're showing him the setup text and the concept art, and he gave the okay to all of that. After being deeply involved in the concept design, he told us, "Everything, from here on out, the scripts, the character designs and so forth, the regular stuff of pre-production, you can do as you wish. That's because I'm confident now that you fully understand where you're going with this, and I've signed off on all the pre-pre-production concept designs that you've done."

It's not like he gave us completely free rein to do whatever we wanted. However, because we had actually that much deep, intense collaboration at the very start, he thought that we knew where we were going with this, and he's also good with where we chose to take this.

M: Usually, when you're adapting a book, a manga, to anime, you'd just be facing the book itself. But, in my case, I really wanted to face the person who created it first.

[inpacho]

I saw the tv glow