#i've decided to stick with the sketch lines from now on

[nirinart]

whatever you do, don't think about Flannán with his hair down ✨

From The Good People IF <3

[mayordea]

Happy birthday to the number one princess in the world!! 💖

~from her biggest fans :)

ramble of my scattered thoughts on the piece under cut as usual cuz i love talking 😋

This has been an idea I've been cookin for a while, and it was so cluttered and unlike any other ensemble piece I've made... and I decided I oughta do it anyway. I love Miku, I love Vocaloid, and I wanted to do something really ambitious and crazy for her anniversary. Crazy that she's turning her "canon" age this year TwT

I had the idea floating around since like, May...? And then finally started acting on it around June 18. I'm terrible with deadlines, obvious with how I can never make a silly birthday post in time, so I started wayyyy ahead to make sure I have some room to be lazy lol, especially with an idea as ambitious as this.

This was finished on July 12! So I had to sit on this for an annoying amount of time. Very difficult for someone like me who just wants to talk about everything I'm working on to the masses. But at the very least, that gave me the time to work on the draft for this post.

~~~

Here's some ~behind the scenes~ scribbles leading up to the finished piece!

Left is the chicken scratch plan i made in my handy dandy notebook (whenever things are getting real and ambitious, i always made a rough ROUGH plan in there. Usually I'd do a rough pass of the full thing, but this was too complicated for me to do traditionally. I majorly benefited from digital tools to make this possible). CyberDiva and CyberSongman were considered, but I ended up cutting them cuz I just didn't feel like drawing them sorry-- (just pretend they're off to the side. They gave Ruby and Clara the pizza lol). Right is the "final" completed sketch (before I decided to include Chika mid-way through coloring and VY1 and VY2 near the finish line). I started by drawing the main "groups" separated on a different canvas so I can plop them into the main canvas for easy rearranging and transforming. However I got lazy and ended up drawing everyone in the bottom right corner directly on the canvas since I liked seeing the big picture of everyone's positions. Y'know.

Almost excluded Chika! But I like her design so much that I just felt like including her last-minute. You win this time, Chika fans. VY1 and VY2 were very close to being cut! I added them when I began doing the banner and thought "eh why not". I figured their non-human designs would be pretty easy to include pushed back in the bg. Ik VY1 is more commonly associated with the fan design, but I referenced the hairpin cuz it was simpler and the fan looked very annoying to draw 😭

Sorry to the fans of many Vocaloids I had to cut because this composition was insane enough as is. I promise I wanted to include fellas like CUL, LUMi and Sachiko 😭 I will admit I was a little biased on who I wanted to include over others. Like, I don't normally care for Bruno and Clara, but I wanted to get some more international 'loids in the mix. Also wanted to stick in the realm of official designs and not fan-designs since, as much as I can appreciate those, are just a whole "wait who is that guy supposed to be" situation I didn't wanna deal with. I also did wanna include even more character references through the balloons, but they ended up being kind of ugly and overcomplicated the BG :,) (Oh, and while this was originally planned to be a Vocaloid-only piece, I did end up including Teto, Neru, and Haku 'cuz those are Miku's besties dude!!! They may not be Officially in the club but they're her girls and it would be criminal to not invite them to her birthday).

Anyway, this project marks the first time I've drawn a lot of Vocaloids. Lily, Piko, Rana, Yuki, Yukari, Miki, Maika, and many more lol. All of 'em I've heard or seen in passing, but now I actually drew them, and some have really cool and fun designs!! I got into a habit of drawing Merli after this since I just love her design for example. And I'll probably be drawing more lol!!

Oh and the last thing I'll add for now!! The cake is indeed made up of various song references!! I wanted to reference the "big four" producers, just absolute icons in Vocaloid history. The pink/black checkerboard is "World is Mine" (Ryo), the crescents on the side is "Rolling Girl" (Wowaka), the smiley faces is "Matryoshka" (Hachi), and the three hearts on the side is "The Vampire" (DECO*27, which is sort of a symbol of his whole Mannequin album tbh). I know "The Vampire" is a bit modern but I couldn't think of anything else off the top of my head. I'm a fake DECO fan I know 😔 "Matryoshka" was originally going to be referenced in the colors of the candles but believe me it looked like shit so I just went for something else last minute 😭

That's all I have to say!!! Hope you didn't mind the text wall if you made it here. I hope you like it as much as I do!!!! Happy freakin' birthday Miku!!!!

I have to deal with tagging all these characters now for my page,,, in the drafts my tags got cut off after a certain point so I think I'm massively breaching the tag limit 😭 um... I'll figure that out later...

not losing sleep that i can't tag everyone, even for page organization purposes because some characters have pretty generic names and some are a little hard to see in full yknow. If you're one of those people who tag every character in the art piece you reblog... I am very sorry.

[mysecretlittlelibrary]

And So It Begins

Pairing: Steve Rogers x Reader

Word Count: 2.4k

Warnings: cockwarming and general conversation about sex but that's about it-

Genre: smut

Summary: Some things are not self explanatory, and Steve has decided he's going to fill in the gaps by coming to you to ask his questions about sex and some of those questions have more involved answers than you'd expect

***

The knock on your bedroom door barely pulls your attention away from the sketch you're working on in your bed, however, after a couple of minutes the persistence of it interrupts your focus enough that you finish up the line you're doing and put the drawing pad down with a sigh. You pause the show that was really just filling the silence while you worked and force yourself up to answer the door. Steve is standing on the other side of it, as stiff as ever.

"Hey Steve what's up?"

"You're a smart woman." He says.

"Thank you?" You frown unsure where he's going with this.

"I have some questions I'd like answers to and you're the only person here I trust to answer them truthfully without making me feel embarrassed about it." He explained.

"Usually when people have questions that they're embarrassed to ask, they just take them to Google. The search engine I've taught you to use several times."

"Oh I've tried Google but the answers I get from there are-" Steve trails off and clears his throat, avoiding your questioning gaze.

"Are these questions you need answered now or in the near future? Are there a lot of them? Did you make a list? What are we talking about here exactly?" You quirk an eyebrow up at him.

"I wrote a few down, but I'm sure some of the answers will lead to more questions."

"Alright, come on in. My knowledge is at your disposal." You step out of the doorway so Steve can walk into your room. He takes a seat in the armchair off to the side and flips open his notepad. You had been joking about him making a list but you shouldn't be surprised he did, this is Steve after all.

"Okay I'm not sure where to begin." He frowns at his list.

"Just start at the top babes, whatever you wrote down first." You shrug.

"Right, yes. What is- cockwarming?" He blinks at you. Your eyes widen in surprise. If you'd been drinking something you'd have spit it out.

"Jesus Christ Steve." You chuckle. He blushes when you call him handsome you'd never have guessed those words would come out of his mouth.

"Sorry, I should've warned you it was rather... vulgar." Steve frowns.

"I'm far from chaste Steve, I'm just- I can't believe you even know that word." You say.

"I read it somewhere and I didn't want to Google it because the couple of times I have Googled something like this the results were, undigestible. But you know a lot about sex so I figure-"

"Well hang I know a decent amount about sex, but that applies to a lot of things, it's not limited to sex I'm not the Kama Sutra." You cut him off.

"The what?" He asks.

"Kama Sutra- it's a book about sex and sensuality and what not."

"Oh okay." Steve takes a moment to scribble it down on a different page in his notepad. "Sorry okay so can you answer my question about the other thing or do you not know."

"Cockwarming? Yeah I know what it is." You shrug.

"Well?"

"It's pretty much exactly what it sounds like. Warming a dick. You stick it in a hole, but you're not supposed to move, you just- chill out."

"Stick it in a hole?" Steve blinks at you. Perhaps you could've done better than that but you've had to never explain sex things in a non-sexual relationship.

"Yeah. It could be your dick in a vagina, I'm sure queer couples do it also so it could be your dick in an asshole. Or a strap-on if it's about the... control of it all. Somebody's probably also tried it as an oral fixation thing but I can't imagine that would be nearly as pleasant." Your brows pull together as you consider the option.

"Oral fixation?" Steve asks.

"A desire to have something in your mouth." You say.

"What thing?"

"Anything. Varies from person to person really. Sometimes a dick, sometimes fingers, sometimes gags, the list goes on." You shrug. Steve jots down things as you talk, there's something a little endearing about his notetaking.

"This is all fascinating. But what's the point of cockwarming?"

"That is something I'm not sure how to explain to you." You shake your head.

"Why not?"

"Well because it's a thing people like, and obviously that's subjective. You may not like it but you'll only find that out if you ever try it and that's not something I can really help with."

"Why?" He asks.

"Excuse me?" You blink.

"Why can't you help with that?"

"Why would I help with that?"

"I told you I came to you because I trust your knowledge."

"Yeah but wouldn't a kinesthetic lesson like that be kind of crossing a line? Most people figure this stuff out through porn or with a partner."

"There are a lot of modern things I barely understand, this is an area I'd like to not make a fool of myself in down the line." Steve says.

"Okay. We're friends so- I'll help you out the best I can, I did already say my knowledge is at your disposal but we should probably have some rules if we're going to cross that line." You say.

"Of course. Whatever you think is best." He nods.

"I want to establish safe words. They're used like- referee cards during a sports game, kind of. I usually use a stoplight system. Green means keep going, yellow means slow down or proceed with caution, red means stop and whatever is happening would come to a complete halt. Of course we don't have to use the stoplight you can simply pick a word that works for you. Something easy to remember that won't get easily confused."

"Why wouldn't you just say stop?"

"Well- we can!  It's just that for some sexual activities saying stop may not be ideal." You say.

"What?"

"Sometimes saying stop is part of the sexual situation so you say it but you don't mean it so it's not really an effective way to indicate that you actually want something to stop. Like impact stuff, spankings and what not, sometimes you'll shout no or stop instinctively but you're not actually trying to ask them to stop, you're enjoying it. So you pick another word to mean stop. Plus there's consensual non-consent-"

"That's an oxymoron." He cuts you off.

"Yes I know but they call it that because all the risk is manufactured, predetermined, discussed and agreed upon in advance. It's all the thrill without any of the actual danger. That's a lesson for a different day. You can write it down if you want to come back to it."

"I like the stoplight. It's simple and self explanatory."

"Great, you can use it at any time to indicate how you're doing. If something is uncomfortable, say so. This isn't some sort of interrogation training, you are not obligated to endure anything and since this is about you learning don't hesitate to communicate with me if you realize something's not working or you have a question. Did all of that make sense?"

"Perfectly." He nods.

"Great. Any questions?" You ask.

"Just a general one- will we need a schedule for this?"

"For when you're allowed to come to me with sexual questions?"

"Well- since sometimes it'll involve more than a verbal explanation, should we have a plan for when it's a good time for you?"

"Nah it's fine. Our schedules aren't consistent enough for that really. Just ask whenever you have one and if it becomes a bigger thing that needs a more in depth explanation we can figure it out." You shrug.

"Well if that works for you, I'm okay with it."

"Very well, we'll start with your first question as today's lesson. Cockwarming. I've already told you what it is but you don't seem to understand why anyone would do it. It's mostly an intimacy thing. For those that do it there's something about the closeness that appeals to them."

"It just doesn't seem very comfortable. Plus wouldn't you want to move." He frowns.

"Well I don't have a dick so I don't know, you can sit there speculating or we can turn this into a hands on lesson and you can decide for yourself it you hate it." You say.

"Hands... on?"

"Yeah, we just went through all the logistics for it. Might as well put it into practice since you're so- curious about the details of this one. You don't have to of course, if you're too shy, feel free to let me know."

"I'm not too shy. I just wasn't expecting that suggestion."

"You wanna get why people do it? Try it. You can either try it now since you came to me for answers or ask your girlfriend when you eventually get one." You shrug. "Up to you of course. What would you like to do?"

"I- okay let's... try it." He says hesitantly.

"You sure?"

"Yes. I'm sure." He nods.

"Do you want me to turn around while you ready yourself?" You offer.

"Would you mind?"

"You know Steve, you'll have to get used to me seeing you naked if this is going to be our arrangement." You say turning your back to him. You do smile a little to yourself, it's a little cute that he's so nervous, and even cuter that apparently his determination outweighs that.

"Well... I guess, but you offered to-"

"I know, you're more on the reserved side and I want you to know your comfort is a priority, but I'm just saying some of your questions might be hard to answer kinesthetically if I can't look at you."

"Yeah, I suppose that makes sense. We'll get there. It might take me a while though." He says.

"That's fine Stevie, I'm just the tutor. We move at your pace." You shrug.

"Do I- this may be a silly question, but do I need to fully undress for this?"

"You can keep your top on if you'd like, but your pants and underwear have to come off."

"Okay then- I'm ready." He says. You turn around and Steve stands awkwardly and pantless in your room.

"Have a seat at the desk please." You nod your head towards your desk chair as you shimmy off your own shorts and panties. You can feel Steve's eyes on you as he moves to the seat you directed him to and you have to fight to suppress the smile pulling at your mouth. "Alright, it's pretty straightforward, I'm just going to sit in your lap."

"Wait do- we need to prepare at all for this? Are you sure you're ready?" He asks.

"Normally you'd be right but honestly I'm pretty good already. Trust me, we can skip that step this time around." You chuckle. That's as much as you're willing to tell him, whether he figures out what you mean or not is his business.

"Okay." His brow furrows a bit.

"Do you want to hold your dick for this or is it okay for me to do it?" You ask as you walk over to him.

"Oh- uh you can do it." Steve says his cheeks tinging the slightest shade of pink.

"Okay." You wrap your fingers around his dick and shuffle over his lap, hovering above him as you line him up with your entrance. He's hot and heavy in your hand as you gently rock your hips to help your body take him in. You're incredibly wet which helps but with how thick he is it takes a moment to settle fully onto his lap. He lets out a shuddering breath once you're seated. For a while you just sit silently, trying to control the reflexive clenching of your walls around his dick. You'll admit you haven't had sex in a while, and you don't really think about it often but you're really enjoying the feeling of being full right now.

"Christ." He eventually whispers.

"Are you okay?" You ask him.

"Y-you're so warm. It's like... a furnace." He grunts dropping his head to your shoulder.

"Yeah?" You hum. You almost want to laugh at the analogy.

"And you're so- wet. Are you, just always like this?" He asks breathily.

"I dunno, more often than not I guess? I've never given it much thought because usually there's a lot of foreplay involved in my sexcapades so, it's even wetter by the time I'm actually having sex." You shrug. Steve hisses and bucks into you, making you moan sharply.

"Sorry! Sorry. It just- you keep squeezing around me I can't focus." Steve groans, his hands settling on your hips. You hadn't even realized until now that he wasn't touching you.

"I'm not squeezing on purpose it just happens." You stutter.

"Really? God this is- intense." He sighs.

"Sometimes it's done after sex, if you don't want to lose the closeness of being joined this way even after, the act is over." You tell him.

"That- I can see how that would make sense." He grunts. "It does feel... nice. It's just- also really challenging. You're so- hot around me and unfortunately my anatomy reacts the same as anyone's would when in this situation. It's a true test of willpower."

"Do you want me to get up? If it's uncomfortable you don't have to- I think the point's been made. You've given it a try and-"

"No. No, I'm not- I like the feel of you around me. I'm not ready for you to move." His grip on your hips tighten slightly.

"So- you like it then?" You ask.

"Yeah- a lot actually." He nods.

"Well, now you know. Lesson successful I suppose."

"Do you- mind if we stay like this for a while?"

"Well I've got nowhere else to be at the moment." You shrug.

"Have you ever done this before?"

"Cockwarming?"

"Yeah-"

"Oh, yeah. This is far from my first rodeo."

"So you enjoy it?"

"I mean yeah, I like the closeness of it, and how full I feel. It's comforting, kinda like hugging a stuffed animal but- way different I suppose." You say.

"That's- one way to describe it."

"Sorry, I realize I'm being unecessarily genteel considering you're inside me right now." You chuckle.

"It's fine. It's, cute. But if it's about me, you don't have to be polite for my sake."

"I don't think you're ready for the kind of filth that could be coming out of my mouth in this setting Stevie." You warn.

"I'm not some blushing school boy you know." Steve scoffs.

"Maybe not, but I still think it's better to ease you into that version of me. I don't want it to take away from the point of this. We're not exploring my sexual preferences so no need to throw you into the deep end in that regard." You explain.

"I'm a pretty strong swimmer." He says and you laugh.

"You say that now." You hum.

"I feel like you have no faith in me."

"That's not it. I'm assessing. Thirty minutes ago I wouldn't have believed you'd be having an open conversation about sex with anyone in this tower, let alone me."

"You've got a lot to learn."

"So do you." You smirk, stroking his cheek. Honestly you think you could sit here talking to Steve like this for the rest of the day, as distracting as it is to have him inside you this way and not move, you're far more experienced in this than Steve, and the dull ache is easy to deal with when you're having silly conversations.

***

[kaenith]

I've been making window clingies of the elemental gems from Minish Cap and Four Swords (plus rainbows because pride month) and I thought I'd put together a tutorial :)

Materials needed:

Permanent markers

Clear cellophane wrap

Scisors

Paper to sketch or print your design on

Not strictly necessary but useful:

Tape (for holding your pattern in place)

Something with a straight edge, like a ruler or bone folder (for smoothing out the plastic)

Step one:

Decide on a design. I drew mine digitally and printed it out. The printer had an issue, but eh, I can still see the lines, it's good enough ¯\_(ツ)_/¯

Step two:

Fold a sheet of cellophane wrap in half to make a double-layered sheet that is a little bigger than your intended design. Try your best not to get it too crumply and wrinkled, but in my experience a little bit of crinkling is unavoidable. Best not to get too perfectionist about it, and just embrace it as part of the stained-glass look!

Unfortunately, cellophane being clear, this step is hard to photograph ^^;;

Step three:

Lay the double-sided cellophane sheet over the top of your design. The best way I found to keep everything in place was to tape the pattern to a smooth surface and stick the plastic down around it.

Starting with the lightest colors first to avoid color bleed, start coloring your design, leaving the lineart for last.

Step four:

At this point, the colors might look nice and vibrant against the white paper, but when you pick the plastic up and hold it up to the light, it will likely look washed-out and/or streaky.

To build up the colors more, fold another layer of cellophane and place it on top of the inked side of your current sheet. Then go over the colors and lines again, once again in order from lightest to darkest.

Keep adding layers until you're satisfied with the darkness of the colors. You can even get some interesting effects and shading by combining layers of different colors!

Step five:

When you're done, add one final layer of cellophane to the top to protect the inks. If you have a ruler or bone folder, I recommend using it now to smooth out the plastic and press the layers together as much as possible.

Then just trim around the edges and slap it on your window! :D

[dontdierobb]

July 2024 Patreon posts:

Oregon Coast Travel Logs Renfield 2023 Fanart The Count of Monte Cristo illustration WIP Senshi Body Pillow WIP Convention merchandise projects

August 2024 Patreon posts previsions:

Yaoi Con merchandise WIPS (Dungeon Meshi, Star Trek) More project pitches concept design More Count of Monte Cristo stuff

Join my Patreon now to access many months worth of sketches, line art, exclusive art under contract, personal gifts for friends and family...

Help support me to complete pitches and discover moodboards and story outlines for my comic projects.

Life updates:

I'm still unemployed, on the road to mental health recovery, housed by generous friends, and every dollar helps towards me being able to get back to my previous capacity to draw purely for fun like I used to and share it for free here on tumblr. I'm sorry that I am put in this position where I have to put my art behind a paywall like this, but so far it's been my only way to survive.

Still, whenever possible, I will keep posting as much free content on here as I can. Thanks to Patreon supporters and a generous loan from the convention organizer, I was able to table again this year. There is nothing I draw or write that I am not sharing either on tumblr or Patreon.

I've tried and failed to keep a day job to sustain me and save up for the marriage visa to move in with my husband. But on a lighter note, thanks to your patronage, I was able to seek mental healthcare, which made me realize the extent of my own abilities. So I've decided to give up on the day job project, as the process of leading a normal life will be a life long challenge for me. and instead put all my energy into Patreon, comic pitches, and conventions to move in with my husband as soon as possible. I have faith that once I live in a place I can call my own, with a partner that is keeping me strong by my side, it will be easier to create again.

Thank you for reading. Thank you to all my new followers for coming along, and I am forever thankful to my long time tumblr followers who stick through all the fandoms, hiatus, platform jumps, and hardships.

[queenofbaws]

! Pride Month Challenge 2024 !

Well hi there, everyone! With May winding down to a close and June just around the corner, it's about that time again...the time where @jadedsunshine, @unicornaffair, and I host our yearly create-a-thon! 🥳

What's the Pride Month Challenge, you might find yourself asking? Well, this year it's a little bingo game we've put together, featuring some classic tropes. The aim of this particular game? Make something!!! Anything! Just get those creative juices a-flowin' and see if you can snag a B-I-N-G-O along the way!

This challenge is open to everyone and anyone who wants to take part, whether you know the three of us or not! We're going to be using the tag #pridemonthchallenge2024 for the stuff we create, so if you decide to join in on the fun and games, feel free to stick that tag on whatever you make, too! If you're interested in more details, you can check below the cut or reach out and ask ;)c

Either way, happy almost-pride, and happy creating!!!

I don't write fic - can I still participate?

Ab. So. Lutely!!! We've done this challenge for a few years now (we've missed a year or two for weddings and other life stuff, whoops!), but in the past we've had people doodle, sketch, draw, make edits, create props or other physical art, and even curate playlists! The three of us are writers, so you're very likely to see fic or ficlets from us...but you? Oh. Oh, you can do whatever your heart desires!!!

Are there word limits/expectations for a finished product?

NO!!! :D Zero. Literally zero expectations. We aren't putting together an exchange, we aren't holding a competition, we're just trying to get the spirit of creation in the air. That's it! So whether you're writing 50 words or 5,000, whether you've made a rough sketch on a notebook page or fully lined/colored a scene, you're good! You're so good. As long as you've made something, you've earned a stamp on that bingo card, baby!!!

What if I don't want to do something fandom-y? Can it be OCs/original work?

OF COURSE!!! 100%. You don't even have to ask!!! Show the world your OCs! Tell the world about your story's worldbuilding! It's all fair game :)

What if I don't want to post what I made?

Don't sweat it! Again, this is...the farthest thing from official. This is for fun, and this is for the sake of making something. Sharing your work can be nerve-wracking - don't feel like you have to! We'd love to see you playing along with us, of course, but as long as you've made something that you're proud of, you've earned that stamp! No ifs, ands, or buts!

Is it cool if my creations aren't necessarily pride-themed?

Totally! We host this challenge during pride month because (1) it traditionally works better for the three of us than NaNoWriMo because of our schedules, and (2) we're queer creators ourselves! But if you're feeling a prompt and can't find a way to make it relevant to pride, PLEASE don't sweat it! As I've been known to say (and then get laughed at for saying), this challenge is no rules, just right, Outback Steakhouse :P

Let's say I get a bingo...what do I win?

:) Nothing. <3

Wait, really?

:) Really <3 Hehehe, in all seriousness, this challenge has been a fun way for us to sit down, take our minds off of life and our bigger projects and just...make some fun stuff! In our humble opinion(s), being able to point at a finished piece and say "I did that! I made that!" is its own kind of reward. The bingo board itself is really more for bragging rights ;)c Which, of course, we encourage wholeheartedly. Nothing wrong with a little bragging!!!

We hope to have you along for our month-long adventure! Again, we're going to be using the tag #pridemonthchallenge2024 for our own stuff, so if you'd like to use that tag - or tag any of us!!! - in whatever you end up creating, feel free!!! We love seeing what everyone comes up with, and this challenge is always so much more fun, knowing other people are taking part! <3 Hope to see you along for the ride!

*The bingo board was made by the lovely @jadedsunshine 🥰

[that-one-paintbrush]

Hey, Paintbrush here!

Recently noticed that a few others at Hotel OJ have made some tumblr blogs, so I decided to as well! Welcome to my blog, all :)

I'm Paintbrush (they/them) and I've competed on three seasons of Inanimate Insanity! Season three just ended and I've just been chilling at Hotel OJ for a while. Not doing much else, so I'll probably be answering asks frequently.

DISCLAIMER: this ask blog has (unintentionally) become an au

if you want to get the full context, feel free to scroll down certain lore tags or check out the archive! -mod

Tags of interest:

#painty yapping: Paintbrush answering asks, sometimes used for reblog convos

#painty posting: explained here!

#misc asks: Asks that don't particularly have anything to do with a plot line

#bristle blather: Asks or convos specifically related to Paintbrush's bristles

#burnt-out brush: Posts where Paintbrush aint doing so hot... also includes the mini arc where Painty ran away and Backgroundy temporarily took over answering

#magic anon: Temporary events that can be applied on the blog

#rough sketch duo: Posts that feature both Paintbrush and Animatic (from Animatic Battle), Animatic usually played by @animaticaskblog

#backgroundy: A character introduced through a magic anon event, backgroundy is a friendly face on the wall that occasionally shows up on this blog. ....or are they? friendly i mean. backgroundy clearly has a lot to hide, and becomes quite defensive upon being asked about their past

#torch/inner flame: angry paintbrush? wrong! a completely separate character!! torch is a secretive and smooth-talking individual that possesses paintbrush at seemingly random times. also narrates paintbrush's actions

#flooding memories chronicles: Posts taking a dive into Backgroundy's obscure past!

#rediscovering fire chronicles: Paintbrush has an inner flame now. WHAT!!! oh just kidding theyre just possessed. hi torch!! whats your backstory?

#false contract chronicles: AAAAAA SPRINGYS HERE HES GONNA HIRE US ALL AAAA

#painty yapping and yapping: posts where Paintbrush rambles for an extended amount of time, usually not dialogue

#animaticified saga: paintbrush gets ab animaticified. that's it

#art imitates life chronicles: paintbrushs past wasnt ALL sunshine and rainbows... if only they knew what happened!

#backfire arc: paintbrush makes a terrible no good absolutely horrible bad decision. they suffer the consequences accordingly!

#still waters runs deep chronicles: torch and backgroundy FINALLY talk things over like civilized adults

#history repeats itself chronicles: another life has been created via m!a,,,, waow

#mod kit: Posts from the mod! me!!

hey, mod here! (pandemonium, he/they/she)

there are a few things id like to mention:

this is my first ask blog. in the history of EVER!! so pls be patient with me

dont plan on including ships on this blog! but i dont mind ship-related asks ¯\_(ツ)_/¯ please just dont be weird or mention proships

like i said, dont be weird in the asks! please no nsfw or fetish-y asks either

dont be an asshole pretty please- i dont mind jokes and sarcasm but if ur only here to be a haterade pls leave 🥺

yall can do magic anons if you want! please try not to send too many tho 😁

i made the paintbrush asset myself! pls dont use it or steal it :')

i may not answer asks immediately so please be patient and dont spam or pressure me into answering! i may ignore and refuse to answer any asks if im uncomfortable as well

keep in mind some of what i say may be personal headcanons or made up on the spot! ill stick to canon as much as possible but if theres an opportunity to add a headcanon, ill likely do so

thanks for reading!

[meanbossart]

Some art-advice asks I've been meaning to reply to!

I use Clip Studio Paint Pro, though I'm not sure what tips I could give just in general. Just experiment with new things often, draw as much as your lifestyle allows, watch how other people do their work but try to avoid "Dont do THIS thing ever" type lessons and tutorials. Use as much reference as you'd like and take your time! To this day a simple sketch can still take me several hours to do depending on what it is.

Thank you so much!!! I didn't do any kind of formal art schooling but I've always been inclined towards arts and crafts, and started taking drawing semi seriously when I was about 17 (I'm 27 now). I draw a lot of inspiration from western comics and my favorite artists are jason shawn alexander and sean murphy.

Oh I'm so flattered to hear my stuff's inspired you to take up drawing again, I have a bunch of little crafty hobbies but art is by far the most fulfilling one to me - largely because you're constantly learning and improving.

You're definitely onto something already, I am constantly looking at other people's art (even If it isn't a style I would want to emulate) and analyzing how the pieces come together to create the final product. In my opinion this is pretty much the best way you can go about learning besides real-life reference drawing. You can even take something into your software of choice/print it out and trace it (just to yourself, of course) to get a sense of hand-motion and line use.

As a beginner I think there's no shame at all in taking heavy inspiration from your favorite artists, as long as you aren't straight up copying things and calling them your own. Your personal style Is likely to come out naturally, with time. That's very much how I started myself!

Also, just be patient with yourself, try to have realistic goals for your skill level while simultaneously being proud of everything you do. Even if you absolutely despise a drawing, you still drew something! And even if it doesn't feel that way you most definitely learned from it. Use learning tools and tutorials to whatever point you feel comfortable with but don't get stuck on people's arbitrary rules - unless we're talking about something tangible like real-life application of traditional art tools, things like anatomy, perspective and light are to be referenced from - but It's not the goal to emulate them 100% unless you ARE going for hyperrealism. As someone who uses a ton of reference these days, I can tell you first-hand that I often find myself straying from it on purpose to make a piece look more interesting.

Lastly, draw things you enjoy! Don't let anyone else dictate what you SHOULD be doing and don't fall into the trappings of wanting to stick to one specific style, process, or subject matter.

Good luck!!!

LOL thank you so much for your very evocative compliments! I haven't ever done a timelapse, not that I remember at least. I'm not sure how they work but I do so much of "I'm gonna try this thing 5 different ways and then decide what I like" that I'm not sure how comprehensive that would be LOL

I could put together a process showcase or something though, I feel like that might be better even, since I get to explain a little of what I'm doing through text and display how I use reference. Something to consider!

[gamebunny-advance]

Doodle Dump: Misc. Edition

Time for misc. doodles~

Notes under the cut.

1: "Ikigusare Idols". Like many people, "Injection Girl" randomly appeared in my Youtube feed, and I was admittedly charmed by them. It's like they're from a bygone era, but they just put out another music video last month. Currently, my favorite song is "スーパーZ指定ガール". (Content warning for mass violence in the lyrics.)

2-4: "Clown Doll Redesign". So, since I've started doll customizing as a hobby, I tend to lurk on the Dolls and CustomDolls subreddits on the lookout for inspo and info. Not too long ago, someone posted asking for advice/critique on their doll ideas. So I sketched these (and some notes on the original design, which are not included here) as a response. In the end, I never did reply because I don't actually have a reddit account, and I thought it would be weird to make one solely to criticize someone, so I'm just posting them here.

My main critiques were that there wasn't a lot of contrast in their color choices and that the blue and red hair seemed random when the rest of the design was pink/green. So, my main goal was to increase the contrast between the pink and green, so the different patterns would stick out more and to unify the pallet a bit more. The skintones differ from the reference because the doll they said they were going to use was a G3 Frankie Stein, who has bluish skin and a prosthetic left leg, so I'm not really sure why their sketch uses the original green skin or why the silver leg is on the wrong side, but it is what it is.

The first 2 are straight pallet swaps, but the 3rd is based on a second design that the OP made. They originally asked for users to pick between the two. Most people said they preferred the blue and yellow design because it was more cohesive, but the OP replied that they really wanted to make the pink and green one work somehow, so that's why I focused on using that one as the base, but I still included a version with the alternate pallet and patterns.

Here's a link to the original thread since I'm kinda reposting their art by including it with sketch. Just maybe avoid linking back to me >_<;

5-8: "Music Junkie Soundwave". In a similar vein, there was another user on the subreddit that wanted opinions on a potential Transformers fashion doll line, citing a video that one of their friends made on the idea.

Now despite having a limited knowledge of Transformers, and I'm still pretty green to the fashion doll world, I wrote a whole-ass dissertation on the idea because magical girl/boy robot dolls are totally something I'd be into.

But, for a similar reason to the clown doll, I didn't want to make a reddit account just to critique someone (though I still have the original response in my drafts).

When I finished writing that response, I decided to sketch how I would go about the idea as it'd been proposed, and created this Soundwave doll idea. Admittedly, he's very inspired by Giacomo from Pokemon Scarlet/Violet (never played it, but I do like some of the character designs in it). I dunno if the overalls are a little dorky, but I couldn't think of another way to represent his chest-deck in a meaningful way.

9-10: "Kingsley and Mamuta". I tried to make some human? designs for them, but it's not going great. I really wanted Mamuta to still be monstrous, but designs like that aren't my strong-suit... Kingsley I'm just not satisfied with yet.

11: "OC Line-Up". Just a few OCs of mine. From left to right: Carol, The Prince Formerly Known As Frog, Shapeshifter, and Fizz.

12: "Rival". An idea for a rival to Kun3h0, ala Shadow the Hedgehog and Wario. I made another sketch recently that goes in a very different direction, but I kinda want to finish that so I haven't included it in this dump.

[neptuniite]

I really love your paintings! I was curious if you wouldn't mind, could you show your process and tips for oil painting?

Thanks for asking! I had gone and taken progress photos while working on my recent painting of Hickey: hopefully this is enough to walk you through a general idea of how I complete a painting, or at least an Alla Prima (single ~3 hour session) portrait. It's a chaotic process, especially in the beginning, but a lot of fun. I want to start first by saying that this isn't exactly a tutorial, just a showing of how I work. I also want to say that if you are starting out with oil painting, you should be painting from LIFE when possible, rather than from photos. Only thing is, in my case, I cannot wrangle Adam Nagaitis into my room, so photos it is, when it comes to fandom work. Anyways...

Step 0. Brushes, paints, etc. I use sizes between 12-4, though I usually stick to 8 and 4 for most of my painting. Boar bristle brushes are great. For the paints, I'm using the Zorne palette: cadmium red, yellow ochre, titanium white, mars black. That's it. I don't bother to clean my palette between paintings, I usually mix new paint over what's there. Bad habit? Probably.

Step 1. Sketching over another sketch you don't like (clean canvas who??) Yes, this looks like a nightmare. Yes, you aren't really supposed to do this. Typically, I start my paintings on a clean TONED canvas, meaning solvent + a neutral transparent paint so it's not just a pure-white ground. In my next process post I'll show this. However, if I'm lazy and forgot to prepare surfaces, then I'll paint over an older piece I don't like. This was a failed cast study (on primed paper, so I can cut it later) that is now being repurposed into a cold boy. Can you see Hickey? My sketching is usually done with a transparent dark (in this case, alizarin crimson + mars black) and solvent to thin it out. This is slightly more sketching than I would typically do. Main structure lines to focus on are the angles for the eyes and nose, and then the centerline for the face as a whole. You can use a caliper to check proportions at this stage.

Step 2. Block in! With some paintings I'll block in the darks first, others I do the lights first. In this case, I started with the lights. The block-in stage for me consists of 2-3 values only. Dark and light. He looks scary. Goofy, even. You can see that the anatomy of the block-in is pretty bad, but that slowly gets corrected as the painting progresses.

Step 3. Added in the dark background, because it was getting difficult for me to judge the values of the painting with that pesky cast portrait in the background. Typically this isn't an issue when you're painting on a proper surface, lol. I also added his rosy cheeks in on this stage. I love painting from those outdoor scenes, because everyone has bright pink cheeks :)

Step 4. "Oh thank god, he has eyes now." I continue modeling the portrait by using intermediate values and highlights to round out the "planes" of the face. These planes are not that obvious in this particular painting, as the reference photo had very soft, ambient lighting. Always squint when looking at your reference to make sure you don't overstate shadows, especially in a case like this. I've also decided to leave the periphery of the face (hair, clothes, etc) very unfinished, almost untouched. Personal preference!

Step 5. Take care of some drawing mistakes. Here I am scraping away some paint from the forehead, since I realized the hat was up too high. A palette knife is excellent for taking care of this.

Step 6. Call it quits before you start overworking it too much :) I'll varnish this in a few weeks. Thanks for getting through to the end! I'll post more progress timelines in the future, as my process looks a little different depending on what I'm working on. Feel free to reach out if y'all have any questions.

[the-blind-assassin-12]

WIPS ON WIPS ON WIPS

So... over the last week or three, I've been tagged *checks notes* NINE (9) times in various wip posts, and I responded to *checks notes unnecessarily* NONE (0) of them. 🤦🏻‍♀️I am so sorry to everyone who tagged me for not responding sooner, I very much appreciate the tags and the interest/support. My brain has been down the drain for a while, so I've not really had anything worth sharing. BUT! I'm fixing that right here, right now, because better one to three weeks late than never, right?

Last Line Tags:

1- @something-tofightfor tagged me after sharing an upcoming part of Fool's Gold (which I have been LUCKY enough to read a few parts ahead on, and let me tell you guys, we're all in for a TREAT with this story), specifically looking for Jack or Marcus snippets. So let's go with the cowboy, shall we?

“I read you, Jack.” You waited a beat, heart slamming at your ribcage as you stared at the back of his seat in front of you. “Everything alright?” Well that’s a dumb question that I already know the answer to.  He let out a small humorless laugh that sounded far too flat to come from the man you knew. “Oh, just peachy.” You winced, closing your eyes and focusing on his voice. “Listen, I know Champ and Ginger want you to stick with me on this one. But I…” He swore under his breath. “I need you to stay with the Pony when we land. Can you promise me that?”  What? Your eyes flew open, brow creased with confusion. “That’s not…” You shook your head even though you knew he couldn’t see you. “Jack, that would be a violation of a direct order. I can��t-”  

2- @djarins-cyare tagged me in a sneak peek of a Din story she's working on, so I figured I'd reciprocate with some tin can man of my own.

You gasped as you stepped out from the cavern, mouth dropping open and eyes going wide as you took in the sight of the open sky, illuminated by Concordia’s silvery green glow, for the first time in your life. It’s real. You took another step, chin tilted upwards as you spun in a slow circle. A tear rolled down your cheek and slipped over your lip, your tongue flicking out to lick it away. It’s… “Beautiful,” you whispered. 

3- @oonajaeadira tagged me when she shared a snippet of Leave Off Your Wandering, which I cannot wait to catch up with because I adore that story so so much. The next thing I have cooking in my own Joel story is actually an Ellie interlude, so let's see what that girl is up to.

The faces that graced the pages of her notebook were all familiar ones, all people that mattered, all people that she loved. Working cameras were scarce in Jackson, and finding film for them wasn’t exactly easy either. But even if she could indiscriminately snap photos of everyone she cared about, she’d still opt to sketch them instead. To her it was a labor of love, capturing their features as she saw them through her eyes, using her own hand to create each likeness.  Joel on the porch steps with his guitar. Dina smirking with her arms crossed. Jesse with his teasing grin. There was a sketch of her and Kat from when they were together that still made Ellie smile even though they’d decided to go back to being friends. She’d even drawn scenes and images of things she’d seen around town or out on patrols. There was a whole page in one of her earlier books dedicated to her birthday trip to the Wyoming Museum of Science and History, including a side by side comparison of Tommy and the thick-skulled dinosaur that Joel swore was the spitting image of his brother. 

4- @burntheedges spoiled us by sharing TWO snippets - one of Girl Dad Frankie and one of Ballet AU Din (which I am very interested in, btw) and since I already shared some Din, let's see what I have for Francisco. (this is from a very nebulous wip for a Dog Rescue AU)

Standing from his desk and crossing his arms loosely over his chest, Frankie shifted his weight to one leg and called over his shoulder. “Hey, Ben?”  “Yeah?” The other man’s footsteps grew closer until he was standing in the doorway, one hand leaning on the frame. “You need somethin’? What’s- oh.” Frankie moved aside so Benny could see what - and who - he was looking at. “Well I’ll be goddamned.” The grin he wore was audible, causing Frankie to roll his eyes. Cocky little shit. “Guess I was right. She came back.”  “Yeah,” he said, letting out a small huff that was just as much astonishment as it was amusement. She sure did. He watched as you finished parking in the same spot you’d pulled into two days earlier, directly next to his truck, and then pulled a box out of the back seat. 

5- @stealyourblorbos tagged me in some wip drawings of Miguel O'Hara - a character who I only know through and because of her stunning artwork of him - and what I know I like very much. Gonna be *vague* here and post a couple bullet points from notes of something foolish I'm working on:

You’re co-starring in an action movie with Dieter. It’s your first time working together, but you get along really well and have instant chemistry. 

You’ve already filmed ⅓ of the movie - including a pretty hot sex scene - and now you’re working on scenes involving stunts and SFX.

Out Of Context Line Tags:

6- @littlemisspascal tagged me and shared a mystery snippet, so here I come with a mystery of my own. (this is fun. it's like tossing a confusion grenade and running away laughing.)

Normally, this was where he would veer away from the truth or else avoid it by changing the topic. It was a defense mechanism, putting up fences so tall he couldn’t be seen. In his mind, there was no point in delving into such deep character analysis. Not when the expiration date was already stamped on whatever skeletal relationship he was in with the mere asking of such a personal question

7- @burntheedges tagged me again but this time with no context. So I trade you one secret for another, Kate!

Despite the fact that you hadn’t fallen asleep until well after two in the morning, you were wide awake before sunrise the following day. For a moment, when you first blinked your eyes open, you thought - hoped - that it had all been a very vivid dream.

8- @keldabe-kriff came in hot with something that I truly have no context for, so in that vein, here you go.

“I can’t fucking believe it, Joel.” She plopped down on the seat beside him, drawing one leg up and resting it over his thigh. Hands coming up to the sides of her face, she blew out a breath that broke into a laugh. “Two offers? I-”  She laughed again, stopping only when he reached over to encircle one of her wrists with his fingers, pulling it down and away from her face. “I can.”

9- @rulexofxnines tagged me and shared a moodboard for an upcoming fic, and while I don't have a moodboard, here's the main inspo picture for the @dieterbravobrainrotclub May server challenge that I've been fiddling with:

THANK YOU AGAIN TO EVERYONE WHO TAGGED ME!!! I promise I am digging myself out of this deep funk and things are going to start moving again!!

[cringelordofchaos]

I love the way you draw Sticks so much! I've been wondering actually, any tips for drawing her hair and giving it like. A nice shape? I feel like I either make her boomerang locks too small or WAY too big.

Wufjfjrifh thank you !!!

I really suck at giving advice but imma try

I struggled with this too so I decided to just sort of deviate from being extremely on model and just be lenient with it a bit

So it all depends on what kind of artstyle you want to articulate bc in my case step by step I draw her like this

(blue means new lines)

(I rushed the sketches bc I'm pretty tired rn !! Sorry)

But for ppl w different artstyles the process is different especially when you don't want her hair to be as messy or random

At first k try to just draw uhm the lines so I can sorta get the basic shape of her hair thingy before I do anything else

I Personally try to add these triangles (parts of her hair sticking out) at the top and bottom of her hair.. thingy (??) Bc otherwise I.. don't actually know how to draw her well lmao

At the end I add the ends of her hair which almost always look horrible especially now bc i rushed everything

Shxjsixjdj I hope I explained and helped with at least SOMETHING I'm sorry if I didn't feel free to ask anything else if you wanted more specific answers.

Yeah sorry idk how to explain stuff and again I'm really tired and my head hurts and I rushed everything

[one-year-of-bad-art]

Howdy! My name is Saf and I'm going to be spending 2024 attempting to learn how to draw!

I used to love art a lot when I was a kid, then the gifted kid perfectionist tendencies kicked in and I started to hate making anything less than perfect. Unfortunately, art is one of those things you have to be really desperately bad at before you're even slightly good, so it kind of fell to the back burner of hobbies.

I've decided that my New Year's resolution for 2024 is to draw so much bad art that I just become passable at it by sheer brute force. My goal is that by the end of the year, I'll be able to draw a fanart I feel confident posting on my main blog!

The point of this blog specifically is to 1) peer pressure myself into sticking with this for longer than a week and 2) share the journey of being so incredibly bad at art to hopefully make any other struggling perfectionists out there feel better about themselves feel encouraged to start their own bad art journey!

To start us off, here are some of the first sketches I've done! I used a couple of different drawing books I've been gifted over the years, as well as my attempts at doodling from scratch!

In the future, I hope to go into more detail about the specific skills I'm working on but right now I'm just trying to make my lines straight when I want them to be straight and curved when I want them to be curved!

[plushmayhem]

Progress talk thread

I like to take a lot of backups as I draw so we I can show off my widdle Lilly wips!! I'm drawing again that means I get to talk about drawing again yahoo

Lately when starting a drawing I've been trying to block out very rough thumbnails as seen above! I usually just start drawing like, the head, and trying to then figure out a body under neath and line by line it all ends up pretty similar to my past stuff because it's just not planned out! I don't know where the road is taking me!

So by starting out and trying to throw together the general pose with just a blown up light brush I'm coming up with much more interesting piece! I can figure out the general shape of the entire piece and then start working on top. No making a shoulder then drawing the hand over it and then erasing the shoulder and getting frustrated because it just doesn't look connected right because I didn't plan it out… where does this drawing end? where's the limits?? where am I going?? So my current workflow involves

Make the dimensions of the piece roughly (just throw a coloured rectangle down) -> very roughly block out the shape of the body within it

This also has the benefit of inspiring me to fill in the blanks with a pose I didn't initially expect! The body is reversed from my initial vague idea because seeing the blobs made me go OH IT'D BE COOL IF I DID IT WITH THE BODY FACING THIS DIRECTION ACTUALLY LET'S MAKE THAT WORK!! If you look at the initial you can kinda see it looks more like she's looking down at you with the raised arm being the one facing you.

Anyways after doing my personal Holiday pic the other day, I was like, it would be cool to do a small run of postcards to send to people yahoo!! I checked the sizes of postcards and none were even close! They all had like an extra inch on of extra space on the bottom whoops! I free style my rectangle sizes when planning an illustration and I guess they're closer to square than the ideal rectangle! Whoops!

So for this one after getting the initial sketch down I thought, hey how close is this to 5x7? AND LO AND BEHOLD IT WAS THE SAME ISSUE!!! So I took filling out the extra space as a challenge. I'm trying to be more dynamic with my art after all!

I spent time adjusting the piece in sai2 using the transform tool with it's perspective skewing on. I wiggled and rotated and pushed n pulled and you get what you see above. A much more dynamic piece filling out the canvas!

The thing that took the most time in this phase was getting the skirt to a shape I found acceptable.

Up next was moving towards making it a finished piece!

Thick lineart is something I've been deciding if I want to stick with or not but honestly it's my natural state! I love thick lineart!! I grew up on manga I wanna see some black lines!!! In the future I wanna go back to colouring lineart as well but for now I believe I need to lean into my natural tendencies for thick lines!

I threw down my lineart to a mostly acceptable state, and brainstormed ways to fill the empty space surrounding Lilly. I found there was just a lot of empty space in the bottom left and I didn't really solve that in the final, but that's ok. It's something I'm trying to be aware of as I actually attempt illustrations. I want to finish pieces right now, I'm not in a place where I can let perfectionism slow me down.

Currently my layers are (face) and (lineart) I throw down some flat colours, a light layer above and for once I tried a shade layer too! It might of been a multiply layer. It was probably was. Anyways this is what I was happy with before moving forward with refining it. I'm currently going with more focus on like, backlighting/rimlighting because it's easier to make it work with my no context existing in da void illustrations haha.

To refine it, right now, I'm playing around with mainly using one layer. So I slammed together my layers other than the face (I made that mistake with my previous piece and that's how we ended up with the eyebrow incident. I wasn't going to put myself in a place where I had to erase an eyebrow again) and started sculpting!

I think sculpting is the best way to describe it, really. It's a lot of slamming down chunky lines, and since the lineart is on the same layer, I'm constantly pushing colours out and finding the ideal shape of both it and the lineart. It helps me push my shapes even farther and let the colours take priority when they need to. Instead of them being separate things I worry about they're all just one big piece!

I was a bit worried about merging the plaid pattern down as well, but I did my best to get the skirt in a place I wasn't going to adjust much after the merge. That was the biggest priority of the previous step really.

It's a lot of fun! I recommend people try it! Try sculpting your lineart a bit!

I added the necklace accessory after since I knew trying to fit it in earlier would also be a pain in the ass haha. I'm not a one layer purist! I'm just having fun!

The background, I went in with no idea for a bg. So this is what we get. I think it works fine for this piece, it's a vtuber attacking you with big fluffy bear claws with no context other than that they are a bear and they're going to fucking get you. Red fits, Lilly has a very orange/red hued design and it's an aggressive attack so the mood works. I could of even gone harder and made it look a bit more splattery but I wasn't sure if I was going to fill up the bottom left space or not.

Looking back maybe I could fit in her name on a cool blood splatter there but I am not a graphic design major my brain is growing slowly in this department thank you

Also fluffy claw gloves usually have much less defined fingers but I couldn't make mitts look good with my initial plans so I stuck with my initial idea!!! Thank u.

Anyways follow Lilly [Twitch]

[saltyyetbland]

I have just posted my fic that I wrote for the Petals of a Rose fanzine on AO3. You can find it here: https://archiveofourown.org/works/57670000

I have a lot of thoughts about this fic, the zine and the qsmp in general so I'm just going to write it all under the Keep Reading line cause this ramble might be as long as my fic lmao.

When I saw that applications were open for this zine, I initially didn't even consider joining. I liked hideduo but I was definitely out of the fandom by then. I haven't even written anything hideduo specific (I only had like 2 QSMP related fics on AO3 and they were more trauma than romance lmao) so in my head I thought that even if I applied, I wouldn't get selected.

And I guess that mentality ironically is what made me decide to impulse apply during my Marketing class at like 8pm.

And somehow I got accepted.

You can imagine my surprise when I get an email with a discord link saying that I got accepted to be apart of this zine. I joined and then I see a bunch of cool artists and writers that I recognize and my brain immediately goes "oh shit, i should not be here wtf" but thankfully I decided to not be impulsive this time and actually stick with this zine.

And then prompt creation starts and then artists and writer match-ups and then it fully dawned on me that art is going to be created out of my fic. And that was such a complex thought to swallow as I struggled with imposter syndrome yet again (it is what it is lol) and just me trying to grapple with the concept of fan creation as a product of inspiration while being a source of inspiration as well (the fan studies/media nerd in me is jumping out).

And then the sketches and conversations from Kye and Bio started and I was just in awe by their skill and effort that it motivated me to try and write better too.

And then after months of me struggling to write the fic, it was done. I had multiple people look over it including my irl writing group as well as a beta reader (shoutout to skelepen) and I then submitted it to the final submission google form.

There is a clear memory I have in which I am simply working and I just check over at the discord and I see a photo in general chat. It is a snippet of my fic and it is Aynee saying that "damn... this fic got hands" and like 4 other comments from other members of the discord basically saying the same thing. When I tell you that this has almost made me cry at work, I'm not joking cause this was the moment when I truly felt like I contributed enough to the zine.

And now the zine is published and it is 500 pages of pure effort and I feel satisfied with myself but I also feel the looming sense of closure that I know stems from the knowledge that this is the end of my qsmp era.

I've been aware of the qsmp since its inception but I only really got into it during the ice prison event where creators like tubbo, mouse and tina joined. And though i only really lurked in this fandom and occasionally posted, i can still see its effects on me today. I have discovered my ever-growing interest of community building in media and cross-cultural communications and translations. I am currently on a 300+ day streak on Duolingo for Portuguese. I was able to revitalize some of my previous knowledge of French and Korean and actually find joy in learning languages, something that I seriously struggled with when I was younger.

And for that, even though my relationship with the QSMP is now a bit more complicated, I am grateful for it opening my eyes and for allowing me to be a part of it, even in my small amount.

All in all, I am proud that this fic has been created. I am proud of this community that I have been apart of. And even though I am closing this era, it won't be on a bittersweet note like my previous fandoms.

So, thank you.

Thanks to Kye and Bio for creating amazing pieces for my fic, skelepen for beta reading my work, Aynee for creating the zine itself, the POAR discord for being such a cool and fun place and to the larger QSMP community as a whole for being a part of my life.

[rawrtriesagain]

Heya, found your Diakko art, and I wanted to say you’re an amazing artist, and was hoping you could answer some questions from an aspiring artist who hopes to be as good as you some day. How'd you learn to draw so well? Do you know any good online resources to help someone progressively better at art? Like videos on youtube/any online resource to learn the fundamentals of drawing? Anything you wish you knew before starting your art journey? But anyway, I hope you have a nice day!

Hi there! Just to begin this is very sweet of you to send and I'm very glad you like my art! I still have a ton to learn though and I truthfully don't think I draw all that well, but its very nice to know that someone's interested in what I've done to at least get to where I am now. I will warn I may not be the best to learn fundamentals from as I am objectively not an expert artist that can whip out the most jaw dropping thing anyone's ever seen (and this is not in a deprecating way, its just where I am in my stage of art), but since you are asking me directly I'll do my best to provide some help!

This might get long so I'll write everything under a Read More haha

I'm not entirely sure where you are in your stage as an artist (as some people start from the very ground up of learning how to draw a line, and that's completely ok), but growing up I did some doodles here and there which kind of set me up for what would become my art blog at @rawrroarart and now here once I wanted to take doing art more seriously.

I think at early early stages someone should just draw literally anything, even if its stick figures and the like so that your hand just gets used to general shapes and lines. A pretty key thing would be drawing against references (And this doesn't at all change in the later stages of art skill) like... if there's a banana in front of you, can you draw the banana?

Once you got that down pat, its time to start looking at guides especially to start learning how to draw human faces and the like. For me personally I was never a fan of realism and I'm still not so young me was subject to those "hoW to DraW animE" books which... shaped who i am as a person but i wouldnt recommend them for art lmaOO. if I were to start from the beginning and I was serious about drawing well, I probably would have forced myself to learning how to draw actual humans and bodies. Once you're able to draw and understand the human shape, it should be easier to stylize it to your liking (like anime aha). I'm p much talking out of my ass rn since I of course didnt do this, but I'm sure I'd have learned a lot faster if I did so.

Anyway I dug up some old ass embarrassing art from my personal blog so you can see where I started before becoming more serious about improving myself.

This is from like 2015 and I pretty much quit drawing right after this LOL

this was like where I peaked until 2020 when I started @rawrroarart heres me begging ppl to join my new blog:

From then on I've pretty much posted every single thing I've drawn on that blog to see my progress. Here's the last page of my blog if you're interested so you can see where I started and then just go backwards to see where I am now https://rawrroarart.tumblr.com/page/26

Anyway I was doing stuff like this against references from straight from google (looking up "snake"):

and then.. heres my first diana and the reference it was based off of

do note that this art took me a god awful amount of time to do still AND I copy and pasted half the face instead of forcing myself to learn properly and draw both sides. I know people have their opinions regarding the copy/paste abilities of digital art and I truthfully do not care what you do unless you're using AI, but for me personally pretty soon after this I decided I wanted to learn how to draw everything myself, even if it meant choosing to struggle just so I could learn. Of course since I became a digital artist, I have so many other tools I use while drawing and its such a gift, but even today I feel it may be detrimental to my growth haha but ive decided im pretty much only going to be a digital artist so, whatever, undo button has saved my ass so many times. If you're a digital artist, its just up to you really and how you measure your level of success.

Anyway if you follow along my art blog you can kind of see where my art started to get more refined, but anyway a big thing I want to touch on is References! Almost every single art I've done has had a reference one way or another. For example I have many pictures in my camera roll of my own hand in different angles, and when drawing clothes I try to get references of fabric and folds and the like. If I find a cool pose, I also will try to reference it since I still don't know shit about anatomy, and I used to reference heads and head angles until I got familiar with the general structure that I'm able to draw it from my thoughts (sometimes I'll still need a reference though, like trying to figure out how to draw someone looking straight up). My art is usually a mash up of all these different references that I put together.

In the early stages of my art I was looking for references from google like looking up something like "rolling on the floor" or something, and you'll find some good stuff here and there regarding poses. Something I noticed though was that a lot of the top google images were usually very... stiff and if its something drawn instead of a real person, its probably really stylized and not particularly helpful (to me). like id look up "anime eye" or something and I just think everything at the top is not something I wanna reference or draw lol

This is where pinterest comes in. there are a ton a ton of references and artstyles and guides from other fellow artists that help break down the human body into more simple shapes. for example these are some of my pins from back in my Assassins Creed Odyssey AU days:

General shapes and clear lines of movement and how different artist handle "movement" in general. Though I didn't end up drawing from these since I dropped Odyssey AU around the same time LMAO but if I did its the same process of studying how the body actually works here and trying it out myself. Then I'd look up something like "Assassins Creed Odyssey Armor" on google and slap on the clothes onto the naked body

Anyway sorry this is very anecdotal of course and I'm just blabbering on. But to keep things short and you are very free to keep asking questions, honestly I only really got better because I kept drawing what I wanted to draw. I really like Diana so I just kept drawing Diana lmao and I don't think I could draw any other character half as well (Akko gets a pass since I sometimes draw her too). If I was more serious about doing art though I think the number one thing I wish I did and I still wish I would start doing now if I wasn't a bum would be to practice drawing poses until I can form my own poses without needing a reference immediately.

I would ideally spend some time every single day on sites like these:

Maybe one day when I get insane about a fandom again I'll be back to do so, but at least for now I guess I don't have the drive to keep improving anymore.

As for picking an art style, honestly... just "steal" random things from artists you like lmao. artists are inspirations for other artists, thats just how it is. Obvi I don't mean trace someone's art and call it your own or anything like that like please don't do that, but if someones coloring style for example is rly nice to you, try it out yourself. If someone draws their characters hair really cool, try that out yourself. Over time you really just end up developing your own style even if it did start by being inspired by someone else. My sketchy/messy style is because idk how to do lineart

I used to be a hater for when artists would say things like "just practice" because it'd mean like absolutely nothing to me, but it really does just come down to practice lol. I'm not a particularly good artist in the sense that I could draw anything, but I am a good diakko artist because thats all I've drawn for the past 3 years (give or take given my months long hiatus every year lmao). If someone handed me a piece of paper and was like "draw ur mom" id probs just cry but if someone was like "draw diana cavendish" id be like bet

One thing to keep in mind that still gets to me to this day is to be ok with failing. Sometimes my art is straight garbage, and that's ok. Sometimes I get frustrated and cry when I can't get an eye right, and that's ok. I've scribbled, deleted, and restarted many art pieces until I deemed it ok to post, and even then I'll still eventually see them with disgust, and that's ok! I like to look at my very old art and compare it to what I can do now (even if I don't even like my art of the 'now') and I just think to myself, "hey I actually am improving!" and that lets me know that if I keep at it, one day I'll get to where I want to be. I think its nice to keep a log of all of your art (if you aren't already doing so) just to do exactly that

Just keep pushing my dude! I'm sure just based on you asking me this you're already on track to be a really good artist down the line, but you'll just need to be patient is all and know its not an overnight thing. Every single thing in your day to day is a potential inspiration for art, its just up to you what you decide to do with it :)

Hopefully this answers at least some of your questions! Feel free to ask any more and I'd be happy to ramble for a good hour haha

tl;dr: me like diakko, me draw diakko