#i've come here to ramble about my feelings

[dogtoling]

General life- and blog update , since I assume at least a few people might have been wondering where I've been and what i've been up to recently. I obviously haven't been posting or drawing much this year in general. This will probably be an important post if you care about stuff on this blog, and I already rambled on Sheezy, but that site isn't very populated yet and it's also very good at hiding journals so let's just ramble again...

The summary of this post if you hate reading: I'm heavily considering just stepping away from Splatoon. That decision obviously would affect this blog (mostly, my OCs, which is kinda most of the blog at this point). I don't think the blog itself will go anywhere, and I'll probably use it for something in the future... alternatively i'll cherry pick stuff from here into an archive for people who like the worldbuilding.

Longer post under cut:

So what have I been up to this year? The answer is quite simple: NOTHING. Like, actually absolutely nothing. Aside from Art Fight, this has probably been one of my worst art output years of all time, which is really frustrating. That's between my horrendous mental health and depression chasms this year and a complete lack of both focus and inspiration (which can also get chalked down to the depression to a degree, yeah). So the very real reason to why there hasn't been much activity on this blog this year is because I just haven't Done Anything in general.

Now because I know there will be a few people who think "that's fine! you shouldn't judge yourself based on productivity!" you're right! I also agree. However the issue for me specifically is that most (if not all) the time I spend NOT drawing or creating, I spend sitting around wishing I could start drawing or creating, because that is like the 1 thing that keeps me sane on this freaking earth. Unfortunately coming up with OC scenarios in my head doesn't really result in output I can feel fulfilled by in any form as much as I wish it did, lol.

Now; The Issue. It doesn't take a genius to see that if you spend 9 months trying to finish like a dozen OC pages that you COULD do in a week or 2 if you wanted to, then there's probably more than just the problem of executive dysfunction (even though that's at least 60% of it for sure). Obviously my other major problem is that I live by imaginary rules and structures that make sense, but aren't actually useful at ALL in reality and are more than a hindrance if anything (the mental to do-list in my head that says i can't do X until I've done Y doesn't do very much if task Y takes 10 months and I also don't want to do it, and it also has no structured ending).

How does this tie into stepping away from Splatoon, you may ask. Well, the issue is that I have foreseeably fallen out of love with the series. Which isn't exactly news lol. Currently, I'm not even sure i will get the next game, if and when the time comes. Yes, the loss of interest is also expected, given that Splatoon 3 has ended and every fandom has this kind of downtime and lukewarm in-between-titles period. But the truth is that modern Splatoon (almost 10 years old!!!!) is tangibly different from the way the series was back when I fell in love with it. That was Splatoon 1, and while the series has improved in a lot of aspects and is thriving, it's grown in a direction that I just don't really like. Splatoon 3 had the most freaking horrendous, immersion breaking story mode they could've done, then they followed it up with a DLC story that was pretty cool but also compounded a lot of my fears about the series' future and played into every single thing i do not want Splatoon stories to be - fully character focused, random fucking villain, mundane event that's unrealistically world-threatening just because a kids video game needs a scary climax even though it's immersion breaking AGAIN, the whole thing taking place in cyberspace and thus offering basically no worldbuilding even though there is SO MUCH WORLD. I COULD GO ON.

The gist of it is that nowadays, rather than playing Splatoon and being inspired and excited at what comes next, I mostly find myself dreading what dumbass plot they will do next to throw a wrench in the otherwise good stuff. And when that's like THE main approach I have to what's supposed to be my favorite series, it is HARROWING. I can't even really blame the game for this; the story is NOT its selling point, the developers probably do their best to get the bits to us that they really want to tell, and at the end of the day the game is unfortunately a product. Worldbuilding for Splatoon is fun to a point. It's less fun when in order to actually write or create something coherent, instead of filling in the blanks, the blanks are 90% of the freaking thing. At that point you're just better off making something of your own instead of being anchored onto an IP that gives more problems than answers and occasionally shoots you with like a machine gun. Working in the realm of Splatoon is frustrating because more often than not, the questions I have ARE NOT MINE TO ANSWER, and the likelihood that the specific-ass questions I need answers to will ever be actually addressed is really low.

Tying this back to my OCs. Obviously I love my OCs more than I love myself which admittedly isn't that high of a bar but you get the point. The problem is that I spend a lot of time mulling over worldbuilding that, again, frankly isn't mine to do. Because if I want it to be Splatoon, then it should be mostly accurate to how Splatoon is! But the problem with that is that there's really not THAT MUCH worldbuilding in the series that you can work with, and most of the core game mechanics are just abstract enough that it's actually horrendous to try and come up with workarounds and ways for things to make sense that don't require just constructing a full knockoff version mirror dimension of the game and saying fuck everything that's in place here because Inkopolis Plaza literally has no roads in or out of there and I have no fucking idea how that's allowed when your only option is to jump the fence (or, nowadays, take the train which also isnt connected to a street as far as I remember). Between the face value issue and the lack of REALLY IMPORTANT worldbuilding, like - I will always come back to this - THE INK TANK'S FUNCTION 10 YEARS DOWN THE LINE - there's a goddamn ocean of plot holes and things that end up being obstacles to creativity rather than inspiration. I feel like I'm pretty solidly at the point (and have been for a while) where hanging onto Splatoon is really only contributing to creativity block and frustration with lack of freedom and the ability to actually do things.

So I guess those are my reasonings that I've put together just sitting here for the time being. The TL;DR is that I wish I could just do stuff without Splatoon's canon getting in the way, which is a really stupid problem to have if you're making Splatoon OCs. I feel this frustration extremely strongly every time I have to work with actual bigger aspects of the world; we still don't have an Inkopolis map, we don't know what the world around Inkopolis looks like, we don't know what the wilderness is like aside from Just Normal Forest and Desert and very few snippets as to what modern wildlife MIGHT be, I still don't know how the fuck the Inklings teleport to the goddamn arctic ocean to play a turf war at Shipshape Cargo co. These are all actually really important things if you're trying to establish a setting in any kind of storytelling that's outside of immediate city bounds (and even there, you need to know the layout of the city and its important areas). Also a fucking mutant bear and a baby salmon and a squid not wearing suitable gear went to space and fought on a rocket in space. These are some things that would give me peace of mind to not have to deal with in my own writing, probably.

So where do we go from here? Unsure. I haven't really made a decision on this front yet, though right now I'm leaning more towards actually going ahead with trying to do my own thing. That will result in obvious design and setting changes for my OCs whenever I get around to it. This blog probably won't go anywhere (again, unless I impulse delete it during a mood swing like i've almost done on like three separate occasions this year), but it will probably get less use, and I will probably end up making a new blog to post about whatever I end up doing once I get to a point where it feels like it makes sense. There's a chance that I will delete this blog and put all the interesting stuff on an archive blog for the people who are here just for the worldbuilding. My actual true passion for a long time now hasn't even been Splatoon anymore, it's just been cephalopods. I'm kind of done having Splatoon get in the way of the cephalopods, as thankful as I am that it introduced me to them...

If you read this to the end heres a treat for you = 🍪

[leo-artista]

There are some things I've been thinking about in regards to Stan and Ford and their relationship with guilt that I don't really know how to express so I'm just gonna ramble about it here bc I need to get this out of my head somehow

Okay, so, Stan's one defining trait is that he feels guilty All The Time about a lot of stuff, and it's kinda what motivates most of his actions. The whole reason he spent 30 years working on the portal is because he felt guilty about accidentaly shoving Ford into it, and you could even argue that it's what leads him to sacrifice himself in the finale (which is actually very depressing if you think about it for too long)

Meanwhile Ford is... a bit more complicated. He does feel guilty, especially about being the reason the portal was made. But I think he also tries to shove guilt and other feelings aside in pursuit of what he thinks is more important- achieving his goals, studying anomalies, stopping Bill, etc, and therefore he doesn't really leave a lot of space to actually feel or process it, and I think it's the reason he can come across as egotistical and uncaring a lot of times

So because of this, I like to think that after weirdmageddon happens and they reconcile, there's a bit of a role reversal between them- Stanley's more at peace with his mistakes now that he's been forgiven, and he's not feeling as much self-guilt as he did before (although it still hasn't gone away completely), but now the one who's forced to come to terms with his guilt for his actions that directly or indirectly hurt other people is Ford since he didn't do that before, because he was more focused on other things and wasn't very self aware. And maybe he struggles with it, trying to make up for not being the best brother/friend he could have been to the people he cares about, thinking of how many chances he had to change and be better but chose not to because he was too self centered- and I think if it came to that, it would be Stanley who would help keep him grounded and prevent his self-blaming from spiraling out of control, because he knows better than anyone the kind of road that line of thinking leads to

Idk man I just like imagining how they would cope with shit like that- Ford making an effort to be more sensible and empathetic to other people's feelings and trying harder to show how much he cares, Stanley learning to not beat himself for his own mistakes after seeing his brother do the same thing and helping Ford understand that not everything was his fault and that circumstances also played a part in how everything turned out- idk I just feel like it would be something interesting to explore

[bibliophilesince2003]

The Bad Batch

Here's a little theory for you to mull over; I sincerely wonder whether I am alone in thinking this. I could also be heavily exhausted over and influenced by the papers I had to polish off for some of my college courses, or perhaps motivated by the fact that I am re-watching The Bad Batch because most modern shows these days, in my opinion, disappoint. At any rate, here it is.

Why do we like the Bad Batch so much? What makes them relatable and/or realistic?

Upon meeting Omega, most of the Bad Batch behave in a very dad-like manner. This is not surprising, no. Plenty of memes and incorrect quotes have stemmed from this simple observation. They don't have all the answers and they don't know what to do with Omega half the time. That's the thing about dads... usually, they're just "winging it" and trying to do their best. Moms come with a built-in instinct to nurture. Dads come with a built-in instinct to protect and lead. Sometimes, dads aren't quite sure what to do with a crying infant or a struggling teenager.

Let's not forget... Hunter and the others are soldiers. That isn't to say they can't be kind or gentle; even the toughest men have their weak points. As a military brat, though, I have noticed that such a profession can mold a man, and at times they forget to "turn off" their seriousness when at home after having dealt with extremely hard situations. I really appreciate that the producers of this show didn't change Hunter and the others just to make them more approachable from Omega's standpoint. If they do change, it's gradual.

Do Hunter and the others think about the consequences of bringing Omega into their lives? *eyeballs toothpick man* With exceptions, of course. Well, until season three. The answer? Absolutely not. They believe they have the strength and ability to keep her safe, as most dads would. They believe they will always have that strength and ability. Let me break it down for you and give you a look into the brain of a dad:

Dad: *involved in a dangerous situation*

Dad: I can do that.

Dad: *remembers their child is with them*

Dad: Oh. Well, I guess becomes a life lesson. I've got you, kid. Just... don't tell your mom.

Dad: *keeps an eye out for anything suspicious*

Kid: *perfectly content*

I've heard it said that dads don't say "I love you" but show they love you. I personally have experienced both, but given the seriousness of most dads... I can see how that would be the case. At the very least, their actions speak louder than words. The Bad Batch are very much this way towards Omega. They put their lives on the line. They want to make her happy. Wrecker assembles a spot for Omega to call her own on the Marauder. Tech grabs her before an explosion can reach them. Echo has hugged Omega the most. Hunter is usually within three feet of Omega at all times.

The subtle gestures of kindness captivated all our hearts, I know.

Why?

It's Star Wars, a fictional universe. It's not complete fiction, though. Hunter and the others represent a specific kind of love. Fathers may be cautious and unsure at first, but eventually they want the kid by their side for everything. We've all seen the videos of dads using infants as pretend machine guns or making them dance, the kid's neck rolling lazily. Gently, of course. If they can't protect the kid from everything, they use themselves as a shield, which extends to good mothers, too, though that's not what this post is about.

Hunter and the others may be soldiers, but they embody the very spirit of fatherhood. This was such a wonderful theme to see develop despite the grittiness and action.

Phew, I feel like there was more I wanted to say, but I'm tired, so you're spared from more rambling.

[holybasementdweller]

wanted to add my two cents because shipping discourse is just all over recently. Forgive me rambling a bit here. I have a lot of thoughts on this topic and would like to get them out there in some form.

Stop harassing CC's about their boundaries.

Would you go up to a random person whom you've never met before in your life, who has never met you either, and likely has no idea who you are, purely to ask them if you can draw/write/ship them with one of their co-workers?

No! It's a wildly uncomfortable question to a lot of people, it puts them on the spot, and some CC's may not care as long as they never see it. Now that the concept has been shoved in their face, they're forced to view the idea.

I feel like a large part of the issue is the divide between younger, newer fandom members and older, traditional ones. Primarily the concept that fan content is not intended for CCs, but for fans specifically. Most 'traditional' and older fandom participants follow this view because that's what fandom is. You get to make cool things, and ramble about different head cannons and ideas with your friends and maybe find other fans who become your friends along the way. Maybe you want to throw these characters you really like into this elaborate superhero AU, or draw them in costume, or explore relationship dynamics because it's fun and you get to ramble with fellow fans. It's called a fandom for a reason!

I'd like to clarify here that this post is not meant to target anyone in particular; it's going off a general trend I've noticed.

There's been an influx of people who create fan works or fanart that seems to be aimed more to gain clout or to be noticed by CCs. It's something they wanted to make, but is leaving the realm of "by fans, for fans," in a sense that it seems to have lost more of that "for fans." The work is then shoved at the CC more aggressively than if it was just for friends.

There's a reason that spaces like AO3 and Tumblr exist with such large fan communities- because the communities are meant for fans. It's all well and good when CC's decide to take a peek or participate in said fan spaces of their own volition. They're the ones making the choice to engage. It's NOT all well and good when someone, as a fan, is trying to make that choice FOR them by shoving fanworks at the CC begging for clarification on what is okay with them. You're not going to help anyone in that way. Fan spaces exist separately from the CC spaces for a reason. The CC is a person behind the screen who you don't know. The character or role they play in the series you watch? You might know just about everything there is to know about them!

If a CC has laid out a boundary that they aren't comfortable with X Y Z, then there's a really, really simple solution here. Don't show it to them.

Don't put it in main tags, don't tag them in the post, hell, block the CC so you know they won't be able to view something that makes them uncomfortable.

There's a lot of what comes across as almost puritanical virtue signaling I've seen lately, where people are talking about CC boundaries everywhere and trying to police fanwork. I will again refer you to the point above. The fanwork is not made for the CC. It is made for fans, and if it is something the CC isn't comfortable with, then don't go posting it where they might regularly look at things (such as main fanart/fanwork tags.)

Yes, there are CCs who are over here. Yes, they look through fan works. This app is primarily a fan-oriented space and it has tags that CC's (or anyone else!!) can block to avoid things they are uncomfortable with. Though at this point the few that are over here either were already gay dot com natives or have basically become one.

I may have gone a bit off my original topic but TL;DR:

KEEP FAN WORKS TO FAN SPACES, AND STOP HARASSING THE CC'S PLEASE. LET THEM EXIST IN PEACE.

[quietlyblooms]

alright, friends, it's time for a lil heart-to-heart.

for quite a while now, i've struggled with feeling like the rpc is an actual community. there's a few things that contribute to this feeling, but it mostly comes down to a lack of interaction and visible interest. sometimes i feel very one-sided in my interest and attachment to my mutuals bc when i see their ooc posts or headcanons, i like them or comment, yet this isn't reciprocated by everyone. i can usually guess who i'm about to see in my notifications, and to be absolutely clear, i'm very grateful for those people!! it's a handful or two of you, but it could be just one and i'd be grateful. it's not about numbers whatsoever but rather growing uncomfortable that not all of my mutuals are all that interested in my character or me.

i write on here to share the excitement of creating with other people. i write on here to create together, too, but i'm also here to share characters and ideas and lore with people i know are happy to hear me ramble. i'm just getting to the point in which i'm questioning how many of you are actually happy to listen, and that's just not a good feeling at all. i'm not a mind reader, y'all. if you don't tell or show me that you care about the things i talk about or even about interacting, there's no way for me to know. eventually, i'm going to question why you're following me if i never see or hear from you, and eventually, i'm going to softblock and move on. that's the only way forward i see right now because i just do not feel comfortable on my own blog. i feel like i'm retreating into this quiet bubble to avoid discomfort, and it really sucks. it's killing my muse.

i'm not perfect. none of us are, and we can't be online at all times to catch every little post. but if we're a community, then we should be supporting each other when we can and liking headcanons, liking/commenting on those lil ooc posts that remind us our writing partners are humans with lives outside this site, reblogging their promo posts, sending in that meme they've reblogged even if we're nervous to reach out first -- if we're a roleplaying community, then we need to act like it. " community " implies connection, and a connection doesn't really begin when you follow each other. it begins when you reach out, even if it's in some small way.

tldr: i think we can all do better to support our mutuals and to connect, and i'm going to softblock people rather than continue to feel unsure where i stand with my mutuals. i won't start until sometime next week, and i won't make one of those " like this to remain mutuals " posts. they're not helpful to me, if i'm honest. if you're worried, just reach out. i'm literally a 4'9'' gremlin who sleeps with a m.unchlax plushie -- i promise i'm not scary despite this post uvu

[silusvesuius]

this tree from my new drawing looking goated afffffff 👑👑

[swinging-stars-from-satellites]

live with me forever now (just not for long, for long); October '23

Fall Out Boy, Heartbreak Feels So Good // The Farewell (2019) dir. Lulu Wang // Fall Out Boy, Hum Hallelujah // unknown // Amy Hempel // Erin Slaughter // Sally Wen Mao // Richard Siken // Laura Makabresku, The Anatomy of Melancholy // Trista Mateer // A Softer World // unknown // The Farewell // Hosho McCreesh // unknown // Fall Out Boy, Heaven, Iowa // The Farewell // Kaveh Akbar // locket engraved with words by E. E. Cummings (source unknown) // Panic! at the Disco, Trade Mistakes // Hieu Minh Nguyen

[averlym]

ghostwriter (their grandma would tell them she'd lose half her soul)

[zxal]

let's meet again

[unknownteapot]

no no i am dONE. DONE u hear me?? i see u smosh redditors who lurk on here and put our posts on r/smosh to discuss!!!! i SEE you, how about u join tumblr?? how about u make posts of ur own?? how about we become moots?? do it. do it are u scared. you're scared aren't u. c'mon be moots with me. join the smoshblr community. i dare u.

[moe-broey]

HELP maybe this is influenced by how I'm writing this, or maybe it was supposed to be gleaned from canon and I just. Haven't fully thought about it til now. Haven't Deeply analyzed it beyond the blaring alarm bells that go off when reading this. But. Alfonse's,

Straight into.

This isn't him doubling down. This is him BACKTRACKING. This is him going, "oh fuck I think maybe I came on a little too strong maybe I was a bit too vulnerable and that's really scary. How do I fix this" and he's running through all the dialogue options in his head like Okay. Play it Cool. Keep it Casual. Proclaim your undying loyalty and devotion to your Trusted Partner (person he just told in the beginning of this conversation that he didn't intend to become friends with) by making yourself a blade and shield for them. NAILED IT 👍

[ichorblossoms]

sentences that make it extremely obvious that i have problems and perhaps mental illness but i saw an actual yarrow plant today and got very excited abt that eheheheee

[tvrningout]

with the new year comes some little bits of housekeeping, and it's mainly how i plan to approach interactions moving forward. the plain and unfortunate truth is i suck at keeping up with messages. it's easier the closer i feel to someone, but i can still get easily overwhelmed. i'm still forgetful, both with messages and interaction calls. so this year, i'm going to do my best to act in accordance to my strengths and stop pushing myself to do something that i simply don't have the mental energy to do constantly.

what does this mean? well, i won't be making plotting calls going forward; instead, i plan to make lists of plots for each muse as well as general plots/dynamics i want, and i'll approach you if you like one of these posts. this should make dynamics easier to develop since we'll already have a starting place. i will also occasionally reblog a plotting meme of some sort, so if you want a more personalized idea from me, those will be the way to go. i probably won't like plotting calls myself unless i have a pretty solid idea in mind.

when i make starter/inbox calls, i'm going to start placing a cap on them so that i don't bite off more than i can chew. if i get through that initial cap, i might raise it if i still feel good enough to do more, but if i don't, it's okay bc i guarantee i'll make another interaction call before long! i just need to start doing this bc i honestly forget what i owe within a few days if i get busy.

and i want to be honest -- the little interactions make me more comfortable around my mutuals and more likely to pursue interactions. liking my headcanons/ooc posts/etc., commenting on posts, and sending in memes ( ic or ooc ) show me you do have an interest in what i have to offer. i understand reaching out is nerve-wracking bc i get nervous, too, but reaching out can be something as small as liking a post. and this is just a general note in regards to my own comfort that i might put in my rules! i guess what i'm saying is, if you're having a hard time approaching me, just a little interaction will help me bridge the gap, if that makes sense. if both of us feel shy but at least one of us reaches out even in a small way, we can make a connection over time!

i think that's it for the time being! i promise i'll be doing my best to show my interest even when it's hard for me to talk, and i hope these changes make it easier to connect <3

[sskk-manifesto]

(´･ᴗ･ ` )

[welcometogrouchland]

Also in the replies of the Steph concept art on twitter announcing she was gonna be in a new project at DC (posted by Travis Mercer), there were at least 3 comments saying "will Tim be there?" I don't care how hard you ship timsteph I'm exploding you with my eyeballs if you do that on my girls post again

[lord-squiggletits]

Between TF and my other fandoms like BG3 and TES, I keep finding myself making OCs that have some element of "battle hardened hero who is actually good and righteous, but so traumatized by the toll of war that even after the war ends they feel empty/wrecked and can't enjoy the fruits of victory" and I'm not sure if it's bc I gravitate to a certain type of media where such OCs fit in best, or bc I have a specific character archetype I like and gravitate towards media that contains those things.