#i'm still proud i love my kids

[pickled-paintbrush]

I'll have to go back and tweak a few things here and there, but Summer and Eva have joined the OC doll party!

Also I made work clothes for the Poelstras :3

Used this pattern for the dolls themselves (as always), this one for the eyes, and these other ones for the hair and some of the clothes

[fag4dykestobin]

yesterday, i wrote a little snippet of a steve coming out scene that had been living in my head for a bit, and i thought that that was it. and then i kept writing little snippets until this was nearly 3k words long <3 so. enjoy!!

-

Steve looks up at the popcorn ceiling, heart beating, beating, beating, nearly out of… his… chest. Steve doesn’t look at Robin, but… he… knows that Robin is looking at… her?

“Feel like we should be in the bathroom for this,” Steve croaks. Robin huffs out a laugh.

“We can move in there, if you want. My parent’s probably won’t need to use it, they’re in bed already.”

Steve shakes… her…? his. His(/her?) head. “No. I feel better in here.”

“Okay.” And then it’s quiet, between them, and it’s up to Steve to fill that silence. Awesome. Steve can do that. Well, Steve could do that, usually, but unfortunately there is something in Steve’s throat that is blocking everything and anything from coming out of it. Maybe Robin will just let him(/her?) sit here in silence forever, until they both fall asleep, and then when they wake up in the morning they can go along with their lives like there’s nothing building up in Steve’s soul, clawing and raging and desperate to come out.

Robin shifts, so that their feet, propped on the wall in front of them, are touching. It’s enough to get Steve going.

“You know when we were in the Russian base, and you said the thing about your life being one big error?”

Robin made a noise of affirmation.

“Were you talking about, like, being gay?”

Robin sits with the question for a few moments. “... Mostly,” is the answer she decides to go with. Steve waits for her to elaborate.

“I guess it was like, well. Some of it had to do with how we ended up in the Russian base, right? It didn’t feel real. Or like it was supposed to happen. But it also felt like just one more thing in my life that went wrong, and I kinda connect all the bad things that happen to me with me being a lesbian.” There’s a beat of silence. “Which I know isn’t really good. But I’ve been doing it for a while, so it’s hard to stop.”

“Yeah.”

“Do you feel like that? About being, um, half-gay?” The term they’ve landed on for Steve’s sexuality is kind of ridiculous, but neither of them could think of anything better for it. And it’s not like they really refer to it by name outside of hushed and rare conversations like this one. 

“I guess?” Steve thinks on it a little. “Not really. Not like you, at least. It’s, like…” Steve lets himself(/herself?) brush against the problem in his(/her?) brain. Think about it for more than a fleeting moment.

Terror envelopes him(/her?)(cut that shit out pick one and stick to it). Steve tries to think through it, but it’s kind of hard to breathe.

“It’s more about, um. I don’t know. I… It feels stupid.” It feels wrong. It feels criminal.

“I won’t think you’re stupid,” Robin says, so earnestly, like she believes it. Oh, that’s horrible to think about her. Steve screws his eyes shut. Steve screws her eyes shut.

Pick one. (pick he.) And stick to it.

“Sometimes I… mmm. Sometimes I… Robin, if you—” Steve cuts himself off. This feels evil, what he’s about to say. Maybe more evil than what he is. “If I what?” Robin sounds concerned. Like, worried concerned. It makes Steve want to stop everything and wrap her up in a big hug and never talk about this again. Besides, what was Steve even going to say? Robin, if you hate me after this… what? What does he want her to do? Robin, if you hate me after what I say, please don’t.

If Robin hated Steve for this, he might just die.

“Steve? Are you okay?” Robin takes her legs down from the wall and sits up, leans over Steve, trying to get a good look at his face. Steve covers his eyes with his hands.

“I don’t know. I don’t— eugh.” Steve gulps in a big breath, “Robin, if you— hate me, um—”

“No! No no no no no! No! Steve, look at me! Right now!” Steve wants to, but that might make him actually cry. Steve digs her palms into her eyes. No. His palms, his eyes.

God.

“Steve, Evie, please. Please.” The nickname makes Steve’s eyes water. He swipes at them to make them go away, but they keep flowing. Okay, this is going a bit disastrously. The most important thing to do right now is keep his eyes closed and not look at Robin, or else he might shatter into a million little pieces.

“No, I— let me just— I don’t want you to—”

“I won’t hate you, ever. For anything. Are you okay?” Robin sounds miserably anxious. You can’t promise that, Steve wants to bite out. He swallows it. Steve has to trust Robin, because if she can’t, maybe she truly isn’t meant to be like this. Maybe Robin won’t hate him, maybe Robin will help him fix it.

“Sometimes I think about being a girl.”

The words sit heavy between them. Steve kind of wants to throw up about it.

“... Okay.” Robin says. She sounds a little breathless. Steve tries to imagine the look on her face, but can’t imagine it through the fuzz of terror. And like hell will he open his eyes.

“... Okay?” Steve croaks, after Robin fails to elaborate.

“Yeah, that’s fine.” She still has that breathless note in her voice, but it’s more like an aftermath-of-anxiety breathlessness than still-actively-anxious breathlessness.

Steve worries that he’s(.../she’s?) downplayed the problem here. Steve swallows, mouth dry, throat dry.

“No, I, I don’t just think about it, I like thinking about it. I like it when, um, the kids make fun of me by calling me, a, a mom, and I like when you or Max or El paints my nails, and I, I think about stealing your clothes sometimes and it makes me want to kill myself but I can’t, I can’t stop, I…” Steve is now hyperventilating. 

Robin tackles Steve, and Steve’s horrible, traitorous mind wonders if she’ll wrap her hands around his(/her?) throat and kill her(/him?) rather than let him(her?) leave this room.

Steve opens her(/his?) mouth to, who knows, tell her that it’s okay? That he(/she?) understands? That she(/he?) loves her? But nothing comes out, and after a second, Steve realizes that it’s a hug. Obviously. And then Steve starts sobbing.

It takes a few minutes for Steve to stop losing… his? her? God, the thought of either makes Steve want to puke. It takes a few minutes for Steve to stop losing Steve’s mind. And Robin strokes Steve’s hair the whole time, and holds Steve the whole time, and whispers that it’s okay and that she loves Steve, the whole time. It kind of prolongs the sobbing, in a way, because Steve just can’t believe it. But Steve does eventually calm down.

“Steve,” Robin whispers.

Steve sniffles and swallows thickly. “Yeah?”

“It’s fine. You’re fine.”

“I don’t… I don’t know.”

“Well,” says Robin, and then she pauses, like she’s thinking. Steve lets her. There’s a headache brewing in Steve’s temple, and the silence is nice, in a way.

“Well,” Robin starts up again. “I don’t think you’re weird, or messed up, and I definitely don’t hate you. We’ve seen bad things and bad people. And you’re not bad.”

“Well, I… if I’m not bad, or weird, for this, I don’t know what I am.” Steve can hardly believe how well Robin is taking this. It really shouldn’t surprise Steve at all, because Robin is so, so good, but this is something that Steve hates, and they’re usually a united front on that, when it really matters.

So… maybe Robin is right.

Robin climbs off of Steve, lays down next to Steve again. But instead of propping her legs up on the wall, like Steve for some goddamn reason is still doing, she curls next to Steve, facing Steve. Looking at Steve. Still holding Steve’s hands.

“We’ll figure it out.” She squeezes. Steve squeezes right back, and keeps the grip tight.

“Okay.”

They sit in silence, and Steve just… breathes. Tries to will the headache away; not happening, ugh. Drops the legs from the wall. Steve plays with Robin’s fingers, not even trying to process what had happened yet. That can wait til later.

After a few minutes, Robin speaks up again. “Are you okay with questions? If not, that’s fine.” And Steve knows she means it. She will totally drop it for the night and let them settle down and watch a movie or three. But Steve doesn’t really want that right now. Steve wants to stay in this space where, at least for now, what Steve is feeling is fine, and alright. Steve’s never had that before, for this.

“Yeah,” Steve says. “They’re okay.” Maybe they can do the figuring out thing right now. Maybe all of Steve’s problems will be solved tonight. Wouldn’t that be a relief? Robin pulls her hands away, and Steve hears the rasping of her shirt material being rubbed together between her fingers.

“So… do you want to be a girl?” The question doesn’t sound harsh leaving Robin’s mouth, but the words are heavy. It makes alarm bells ring in Steve’s head, forbidden question! Don’t think about it! Don’t think about it! Years of routine repression make it hard for Steve to even consider the question, but Steve tries. Slowly and agonizingly, Steve thinks about it. It genuinely takes a few minutes, but Robin can clearly sense that Steve is thinking about it, so she doesn’t interrupt. Steve loves her so much.

“Kinda,” Steve whispers. “It’s… I don’t know. Really. It’s stupid.”

“Nuh-uh. No stupid stuff right now. Just say how you feel.”

“I kinda wanna be half-girl. Like how I’m half-gay.” It feels stupid. It feels evil. It feels way too indulgent. Even in a perfect world, it’s one or the other. Steve can’t, like, hog them both. They cancel each other out. Right?

“Uh-huh?” Robin is prompting Steve to go on. Oh God.

“Um. Like. I still… like the guy parts of me, you know? I still like being a guy.” That feels really important to emphasize. Steve feels kind of insane, talking like this, actually getting Steve’s thoughts out into the real world. But Robin is still listening, no judgment. It kind of makes Steve want to cry again, but that would make the headache worse so, no thanks. “But I… I like the girl parts, too. I like when you call me Evie, but I don’t want you to stop calling me Steve.”

Steve can feel Robin shift, like she’s nodding. “Okay,” she says again.

“Okay?”

“Yeah. You can… you can be a half-girl, half-guy.” And it sounds simple and a little obscene, when she says it. Maybe not obscene. Maybe more like tantalizing.

“I don’t know,” Steve whispers. “Is that, like… allowed?”

Steve finally turns to look at Robin. Her eyes are big and full of thought. It feels stupid, thinking like that, but there’s nothing else to describe it. Steve can see the thoughts dancing around in her pupils and irises and whatever else is in an eye. It’s so beautiful. Steve loves her so much.

“... I think that you can do whatever you want,” Robin whispers back. “And be whatever you want.”

Steve’s face crumples, just a little bit. Not enough that it means tears, but enough to bring the idea to mind. Steve pinches Steve’s nose. “It can’t be that simple, though.”

Robin tilts her head in a way that can only be described as birdlike. She hates when people compare her to birds, just because of her name, but it fits right now, in the secrecy of Steve’s brain. She looks serious and intent. “Why not?”

“Nobody has ever done this before. I think.”

“Nobody that we know of. We live in Hawkins, Steve, we know like, 500 people. There are probably people in New York, or Chicago, or whatever, that feel exactly like you.”

Steve can’t reconcile with that. It feels so lonely, being like this. It feels inherently lonely.

“And even if you are the only one in the world that feels like this… Well, that’s fine! You can be whoever you want! Especially around me.” Robin grabs Steve’s hands in her own. Her hands are always so cold. Steve loves to hold them and feel them warm up bit by bit. It’s grounding, especially right now.

“I don’t want you to hide yourself. Not from me. I hid for so long, around everyone else, and it was killing me.” Robin’s eyes bore into Steve’s. “And I didn’t know it was killing me, but looking back, it’s like, wow, I was going to die.” Her voice cracks, just a little bit, and Steve makes an involuntary noise. Holds her hands just a little tighter. The warmth is already equalizing between them. “And, I don’t know. I don’t want you to get there. Or, if… you’re there already, I don’t want you getting any further.”

Sometimes it astounds Steve, just how much Robin gets things. This isn’t one of those times, though. It feels deeply right, and deeply sad.

“Alright,” Steve says.

“You won’t hide this from me? After this?”

A shake of the head. “No.” And it sounds so easy, promising this. Maybe it can be easy. Steve hopes it will be easy.

“I love you,” Robin says, and she pulls Steve into a hug. Steve melts into it. Robin gives very bony and kinda twitchy hugs, minute movements every few seconds, and Steve loves them. Robin, a while ago, maybe a couple months after Starcourt, had expressed anxiety about her hugs being ‘godawful uncomfortable,’ her words, but Steve had denied that fiercely. Her hugs were God’s gift to mankind, and if everyone else hated it, fine. More for Steve.

“I love you too,” Steve says into her chest.

They lapse into silence again. Steve thinks about asking for some water, but that would mean one or both of them leaving this room, and all possible configurations seem worse than the lack of water, right now. Steve presses closer into Robin.

“Another question.”

“Yeah?”

“So, you like Steve and Evie, and you’re a girl and a guy. Do you like he and she?”

There’s the dreaded question. Steve can’t hold back a groan. “I don’t know,” Steve says into her chest. “I’ve kinda, thought about it a bit, but… both of them feel weird, by themselves. I guess I like both, but only when they’re next to each other. I can’t really decide on one.”

Robin hums in consideration. “I mean, we’re making all this up as we go. If they don’t feel right by themselves, then why do they have to be by themselves?”

Steve thinks about it. “It feels like they’re supposed to cancel each other out,” Steve says, voicing a thought from earlier.

“They clearly don’t, at least in your case.” Robin presses her cheek to the top of Steve’s head, flattening the hair there. “Don’t think about how things should be. Think about what you want.”

What Steve wants. Okay.

He thinks about he. She thinks about she. And how, apart, they really only feel like half of himself, but together, they feel like they tell the whole story and show the whole picture.

Steve can’t help but think about those optical illusions Dustin had shown her a while back. The one with the two faces. If you concentrated, you see whichever one you wanted at will. And they seemed so opposed, yet so intertwined, and you couldn’t have one face without the other. Maybe he’s an optical illusion. It’s better than being evil.

“Okay. Yeah. Both are good.” Steve can feel Robin smile into her hair.

“Do you want me to use them both?”

Steve feels a flash of panic. “Um— augh. Not… not around other people, um, but—”

Robin squeezes him closer. “Oh, God, obviously!” she says, and Steve is so grateful that they’re on the same page, like, 90% of the time, and that this falls into that 90%. “I can sneak them into conversations between us. Pronouns don’t really pop up in conversations between two people, but maybe if we got a cat or a goldfish or a turtle I could talk to it about you in front of you. Or is that weird? Hm. It might be weird.”

Steve can’t help the smile dawning on her face. Maybe everything will be okay. “It’s kinda weird. But we should do it anyway.”

Robin laughs, and Steve still has his face buried in her chest, so he can feel it. “Yeah,” she says fondly. “I guess that hasn’t stopped us before.”

[heavendraven]

do you think they explored each other's bodies

[sabrondabrainrot]

I never posted these pieces but I'm so big into Kid Flash, flash, DC, etc. Wally West, Wallace West, and Bart Allen (i love Barry too but he's not drawn here). I always really liked Wally's suit redesign with the new 52 and rebirth issues. Both of these pieces I made were done 09/18-09/20 alllll the way back in 2021. I ended up not posting them because after doing the 3 hour experiment of coloring Wally West, my husband, I showed it to some friends and they proceeded to tell me his feet were wrong (they are...) so I just gave up and never wanted to post it. 🤣🤣🤣

The Sanrio x Flash was basically going to be a crowded mall as the bros hang out but I hate drawing crowds and gave up. Looking back, I actually learned a lot while working on this. I'm actually really proud of my 2021 self for attempting perspective.

Also just tossing in sketches cause I like showing off sketches. I specifically was referencing a lot of flash comics for the sketches so it's relevant.

Even though these were 3 years ago, I still remember learning a lot working on both of these. The Wally West running actually was the first instance of a coloring technique I still use to this day 😂

Crazy to me these were exactly 3 years ago!

⚡09/18/21⚡ & ⚡09/20/21⚡

⚠️Disclaimer: I used to never sign my art. But I've recently noticed some of my old stuff being stolen from my Instagram/Twitter and uploaded to Pinterest. I've never posted any of my work to Pinterest so it's all been stolen. My friends have encouraged and reminded me to sign my stuff which is why my recent art usually will include a signature or water mark of some type. ⚠️

🚨I've never once consented to my art being reposted or uploaded to anything that's not my accounts.🚨

🚨I do not consent, and never will, to my art being used to train AI.🚨

[wildflowercryptid]

potentially batshit headcanon, but i think it'd be funny if these two were related somehow.

[wayfinderships]

Good evening gamers! I hope everyone's day has gone well! :>

As for me, I'm just thinking about all my familial f/os. Specially my kids and fankids-

[anglerflsh]

Do you have a sancho panza to your don quito

Not only that I also have a liege to swear my loyalty to. Not telling you who either of them are, though

[kakusu-shipping]

My mini contribution to @echoes-lighthouse's Evil Slasher Orphanage! My wife Anna and I are here to help, and brought a few more kids of our own.

I really thought I was a horror fan until I sat down to draw this and came up blank. I guess I'm not a slasher guy, because a LOT more Monsters and Beasts came to mind, so it took a while to form a list. Though I did include Sam who is certainly a Creeture but.. They're human enough.

[mars-ipan]

this is gonna sound incredibly virtue signal-y i fear but i have been feeling. so fiercely protective of all the transfems i've ever met lately

[astrxealis]

btw to filipino moots im gna be an arenean B) or iskolar ng bayan who knows!

[vaguely-concerned]

blue getting zero an arm (+ helmet and body armor??? a sword?????) made out of beskar to give him an edge fighting against force users/lightsabers..........

(cortosis weave might be more doable, honestly, but it lacks that edge of delicious cultural specificity blue normally dodges so ably haha. giving your partner beskar for their armor sounds like some traditional mando wedding gift bullshit and that's exactly the kind of unhinged romantic I suspect blue could be once unleashed. beskar seems to have been extremely tightly regulated and restricted by the empire during the time this would be relevant, but also blue works there, has no principles, and knows hacking better than any of his comparatively boomer colleagues... I believe in him I think he could've pulled off this completely bonkers move of a romantic gesture if inspiration struck him. also very funny way of him losing his job and having to join the rebels if he gets caught)

sorry. sorry I can't hear anything or anyone over the mental image of zero in full splendid knight gear. terrifying loyal right hand man knight (who's a DJ and space mario kart champion in his spare time), standing next to his Little Dude/bitch-boy-liege-lord-but-only-in-a-kinky-sense/partner, who looks like nature set out, through trial and error and millions of years of evolution, to produce a being optimally shaped to be shoved into lockers. (and you could certainly try but also: aforementioned loyal right hand ruthless killer & karter currently chuckling over funny cat videos.) I am so right for this I think

[emometalhead]

.

[mythvoiced]

-. bro... i'm... bro this draft thing is actually working BRO- hehe~

[soryualeksi]

Big Kiddo: "What does this read? S T O..."

Now he's reading out Start and Stop.

A big day.

[todayisafridaynight]

Right??? Thanks so much! I actually first fell in love with Jo's character when RGGJo's voice lines came out haha, so it's super fun to be able to share them.

But I can think of a couple of reasons for the wild personality gap, and for me it starts at their respective roles. Obviously main antagonist and major supporting character are going to draw different levels of attention to themselves, but I think it's chiefly that RGGJo is not just Jo, but he's both Jo and Masato as one character.

RGGJo is much, much closer in age to Ichi, and though they're not "twins" like Ichi and Masato are (RGGJo is a little more than 2 years older), it's thematically there I think. The whole "twin dragonfish," dark and light, two sides of the same coin kind of thing.

And just as Ichi was initially conceptualized as a sort of "greatest hits compilation" of the previous protagonists' most compelling traits, I think there's a strong case for RGGJo being the same for the previous antagonists--specifically Nishiki, Ryuji, and Mine, who are pretty clearly Yokoyama's favorites anyway lol.

I have a feeling casting has something to do with it as well. RGGJo's actor, Hiroki Takahashi, is actually the exact same age as he is, and he's voiced his fair share of fun, flamboyant villains. If I wanted to speculate, he's also voiced his fair share of BL, so that may be why RGGJo's voice lines have a Certain Slant to them; directing his delivery to capitalize on his established appeal (although he has quite a range) makes sense.

Tsutsumi is also only a few years off from Y7Jo, and he was cast for having the dignity and screen presence to "make every word feel like it might have a deeper meaning." Yokoyama (and Takeuchi) wrote the games, he and Nagoshi handled the casting, and Yokoyama generally handles the voice direction for the main story, so a lot of it's specific to his vision.

Within that context I think it's relevant that he wrote Y7Jo while picturing Tsutsumi specifically. RGGJo was more malleable and less "consequential" in terms of the franchise, so, y'know, why not have a little fun with it? I think that's reflected in their designs as well. RGGJo's is larger-than-life while Y7Jo's is relatively subdued.

Overall, I get the sense RGGJo's role is more akin to "son" and "brother," (aniki, if you will), like Masato, whereas Y7Jo's role is more akin to "co-parent" and "father" and I guess "Evil Stepdad" in a Cinderella kind of way. It's not exact across the board, it's not literal across the board, but it's the archetype, right? And I think that does, exactly like you said, have far-reaching consequences for their backgrounds and who they've become as a result.

BTW, you actually are up to speed on Ichi's story, because uh… that's where it stops lol. It was discontinued at roughly the equivalent of the start of Chapter 12 in 7; the rest of the story was written, but not published. It Kills Me.

But I think, despite any concrete backstory, the implication for RGGJo is that (if I assume he joined earlier than Ichi, which would make sense given he's captain), he was at most 18 or 19 when he joined, and he's exactly the same kind of Arakawa fanboy Ichi is. The 15th anniversary book goes on to say he "was purely in love with [Arakawa]'s greatness" and so cannot tolerate the idea of allowing him to live and die in obscurity at the bottom rungs, of Arakawa being in a position not equivalent to his "greatness" in his eyes.

But Ichi thinks that's regardless of what Arakawa himself may want, since RGGJo is apparently not going to stop until he makes him chairman, which the Arakawa Ichi knows wouldn't really care about. I think there's an interesting mix of selflessness and selfishness in his desires that reminds me of Mine.

And that's explicitly as opposed to Y7Jo, whose loyalty remains the same, but whose feelings and motivations are complicated by the existence of Masato; the usage of "purely" before is notable here, as another suitable translation would be "uncomplicatedly," which to me would suggest that degree of admiration is a component of his loyalty in 7 as well.

So I think you're absolutely right the circumstances with Masato are a major aspect of what's going on with Y7Jo. It's inextricable because he's got this immense gratitude towards Arakawa for raising his son and also a need, a primary driving force, to be a part of his son's life at (almost) all costs. The natural result of that is going to be reluctance to do anything that tips the balance.

I think that's one of the things that make him so compelling, he's forced to make a lot of tough, meaningful decisions and there's often (but not always) no right answer. And that's really clear to see with Aoki, as you say.

(Kind of a side note, but somewhat contrary to the above, Masato may actually have existed in RGGO's timeline. There was a comment from Yokoyama or Takeuchi suggesting he's not in RGGO not because he simply "doesn't exist, but specifically because Arakawa may not have opened the right locker or may not have made it to the lockers in time. I guess the other implication would be that Masato would've been Arakawa's biological son in RGGO instead, since RGGJo would've been too young and there was no need for a switcheroo? It was just an off-hand comment, but it's interesting to think about.)

Also, loved your tags haha. It's SO funny you start off like you're going to say something crazy and then it turns out to actually be something I wanted to write about in the previous ask, but that I cut out because I couldn't make it flow. I guess it might just be the case that I'm crazy on the same wavelength?

But yes! I think a lot of the time, impressions of that aspect Jo's backstory sort of begin and end at Evil Stepdad Perpetuates Cycle Of Abuse, perhaps understandably, but there's genuinely so much that's established in both his and Arakawa's backstories that have clearly stayed with them that I'm positive your take on it is at the very least least true to the character, whether or not it's intentional.

Because like, Arakawa and Jo both came from abusive households. And they're both affected by Aoki's "parental abuse" (although Aoki doesn't know it himself, I guess he doesn't need to). But the way Arakawa has always dealt with abuse is defiance; I think the implication of one of the first scenes is that that's how he got his scar. Jo, on the other hand, has always dealt with abuse with avoidance. Running away. Brushing it under the rug, like he says he and Ikumi had done all their lives; I think that statement's fairly clearly linked to abuse and neglect.

And I think that shows both in Arakawa and Jo's respective responses to traditional authority figures and in how they choose to handle things with Aoki. Arakawa defies Aoki's plans in his own way at every turn, and he ends up getting killed for it. Jo, on the other hand, ignores it until there's nothing left to do but sever himself completely, in the same way there was nothing left to do back then but run. IT'S SO. Ugh.

Each Jo's respective role in the overall plot of their stories definitely plays a part in why they turn out different from each other the way they do; it's interesting to see how RGG decided to handle Jo's character to sort of 'adjust him' to fit better as more of a background figure than The Big Bad, and to especially see how his relationships end up is spectacular. Choosing to divide that devotion between his son and his boss in Y7 is something I'm just positively obsessed with: it's clear he joined the yakuza predominantly for Masato's sake, but the concept of Jo gradually coming to genuinely respect Arakawa as an individual opposed to someone that he just happens to have to follow after because his son's involved heightens him as a character for me (I might have to write a side piece on the psyche of Jo- there's just a bunch of aspects to him that I want to explore better and really intrigue me, but I refuse to try and squeeze any of that into this long-as-is answer lmao).

I definitely recognize Ryuji and Mine the easiest in RGGJo (Mine's influence still persists a bit in Y7 to me, if not solely for his devotion and his own version of The Knife Scene existing as The Eye Scene; though Jo's anger wasn't purely due to Arakawa's death in that scene like Mine's was due to Daigo's 'death', it was clear Arakawa's passing was a sore subject). Jo's dedication to Arakawa in RGGO really is totally reminiscent of Mine's devotion to Daigo: both willing to take drastic measures to secure the ones they idolize the spot they feel they deserve and to exterminate any opposition to that dream (if I'm remembering Mine's RGGO story right wherein he partakes in the Okinawa deal as a HUGE ploy just to secure Daigo remains chairman should he wake up, but I don't have to clarify how that didn't go as planned).

As for Nishiki, it's clear Jo borrows his 'position' in the story, just as Ichi obviously takes Kiryu's. To yoink a phrasing from another ask I got, they're 'dark parallels': though they both clearly want the best for Arakawa, they're going about it in different ways (in that sense, Y7Arakawa's line about him seeing the Arakawa Family as his 'sons' makes this situation a little funny: just two kids fighting each other for what's best for their dad lmao). It's a shame the story didn't go on any more after the Millenium fight, but I'm a little happy knowing in that I'm not missing anything (what I will scratch my head over is what RGGOMasato would've been like. I guess it's not exactly certain whether or not he survived The Locker Incident or he was just so considerably normal he wasn't worth bringing up, but regardless I'll have a ponder about it..). It'd be rad if RGG ever decided to release at least the drafts of the rest of the story one day, but I won't hold my breath.

I've peaked over at Takahashi's past roles (I didn't realize he's voiced so many characters I know omg), and I think that's a fair conclusion to come to: he repertoire combines characters with sort of 'harsh' tones to their voices/dialogue, but as you said he does benefit from having voiced some 'lighter' characters! As for Tsutsumi, I think I've made it a little clear on my blog that I've taken time to look at his past projects, and though I haven't seen all of his roles, Jo's an interesting inclusion to his list (but by no means an inappropriate fit. If I were to compare him to one of Tsutsumi's past roles, Nobunaga Oda from Honnouji Hotel is similar in being an intimidating man with a violent reputation but still having a 'soft'/deeper side). It gets more fun when I think of it: Tsutsumi, from what I can gather, is a tad renowned for playing loving fathers (whether they're perfect fathers depends on the character, but they all absolutely adore their kid/family- this might be the only time I've seen him play a father and he isn't doting on his kid, lmao). Yokoyama and Nagoshi are definitely masters at deciding who should play who and how to utilize their talents efficiently, and having prior knowledge to Tsutsumi's roles, I feel as though audience members would have been able to get a hint at Jo's whole character early on (just as RGG had capitalized on Takahashi's reputation) which I personally find to be a fun tidbit, if not just grateful that they chose such an excellent actor to play such an intricate character. Ergo, his ability to give 'deep' performances and have that sort of presence and give his character that type of atmosphere definitely helps enhance the human aspect of Jo's character.

It's a great blend into Jo's otherwise cold demeanor, and going off the idea that RGGJo was a combination of Masato and Jo, the decision to have Jo be a committed father to Masato (as much as he's allowed to be, anyhow) while Masato became the power-hungry villain (even if RGGJo's motivations were ironically centered around Arakawa succeeding moreover himself), it's somewhat of a roundabout way to have them still be connected: though they're not the same character anymore, there's that bond that keeps them stitched together that I find neat.

AND THANK YOU ABOUT MY TAGS I can't sugarcoat it, I'm not a very confident person, so I'm glad you've gleamed there's some validity to what I'm saying. And I'm glad you've expanded on not just Jo, but Arakawa's upbringing as well: though they both come from abusive homes, they do handle it differently, and I feel so blind for not even having wholly noticed it in how they react to Aoki- it's so brilliant I almost want to scream. It's a tragic irony that despite Jo resolving to not 'half-ass' things anymore and to face things head-on, to 'take responsibility', he incidentally falls back into trying to avoid the problem for as long as he can. It's poetic really, and I'm positively going to go insane over the fact.