#i'm still not completely sure on the significance now?

[chaosinplural]

Charlie using Alastor's mic staff thingy

[divinekangaroo]

not the paper nor the words we waste (but time and lives) - pettiot - Peaky Blinders (TV) [Archive of Our Own]

Post S4 and pre S6, snippets of Thomas Shelby's political career.

Ch 1: On the proposed Measure to Grant the Government Additional Powers to Seize the Children of Narrowboat Dwellers who fail to comply with compulsory School Attendence. A day very early in his career where junior Minister Thomas Shelby must defend the right of families to live together on narrowboats.

Ch 2: An Examination of the Emergence of Sir Oswald Mosley’s BUF in the Midlands (pt 1). Oswald Mosley meets with a fellow Labour ally in contemplation of what happened to the original South Birmingham contender.

Ch 3: The Minister and his Wife converse about Home Affairs over the 'Phone. Lizzie can't quite believe how seriously Tommy's taking it all.

Ch 4: An Examination of the Emergence of Sir Oswald Mosley’s BUF in the Midlands (pt 2). Oswald and Cynthia have Winston over for dinner, with ulterior motives all around.

Ch 5: The Law of Inverse Relevance: the less you intend to do about something the more you must keep talking about it. Adam the aide politely housetrains his minister. (Alas...)

.

[vynegar]

help i have such Opinions on translation now

[entitled-fangirl]

A Northern Lannister.

Cregan Stark x Lannister!wife!reader

Summary: the reader proves she’s worthy of being the Lady of Winterfell.

Warnings: blood, death, fighting, cursing, yelling

Masterlist

…………………………………..

They hate her.

She's sure of it.

They all hate her.

A Lannister lion in a den of Stark wolves.

Cregan was wonderful, and he made no actions that would lead her to believe he thought her less than for not being a northerner.

But the whispers were still there.

Their mother's last contribution to the earth, Y/n was born the much younger third sibling to the twins, Tyland and Jason. The two treasured her. Due to their significant age difference, she was much more like a daughter than a dear sister. So when she was to marry, they knew the beauty had potential.

And with the war looming over their heads, she was sent to Cregan in an attempt to gain the North's favor.

The greens failed in their attempt at gaining Cregan's favor, however, the girl had not.

He quite liked her.

She had a fire to her that he knew would cause trouble.

And he also liked trouble.

What a deadly combination.

…

"I assure you, I am no delicate rose, Lord Mormont," she said through gritted teeth.

He chuckled in amusement, "You're a mere woman. We will not have you discussing battle plans."

"Mere woman?" She scoffed. "I am your Lady of Winterfell. I am married to the Warden of the North- the man you raise your banners for!"

He shrugged, "My loyalty is to him, not a Lannister wench."

Her eyes burned with fury. "Watch your tongue, Mormont-"

"-Or what?" He taunted. "You'll have your Lord Husband take it? He wouldn't."

Her fists clenched so hard she swore her nails cut into her palm.

She couldn't cause trouble. She couldn't cause trouble.


She huffed and turned around, walking away from the man, ignoring his taunting words as she did so.

…

Cregan stepped up to his war table and looked around at the men, "Where is my wife?"

They all looked around and at each other, lost at what he meant.

His brows furrowed, "Where is my wife?" He tried again. When no answer came, he snapped at a servant, "Where did she go?"

The servant bit her lip, "I last saw her storming from the castle, my lord."

"What?"

…

Hours passed, and Cregan became more and more worried, but he couldn't walk away from his war table until the meeting was finished.

Luckily, she returned.

Mid-meeting, she threw the doors open, making all in the room jump from the sound.

She stood in the doorframe, covered in blood with a look of rage in her eyes. A bag in hand.

They all stood at the sight of the lady, utterly shocked.

Cregan's eyes widened and he immediately rounded the table to get to her, "My love? Wha-"

She threw the bag down and moved to Lord Mormont. "You."

Mormont frowned, "My lady?"

She gripped his cloak with one hand and swung at hard as she could with the other, breaking his nose.

All around the table gasped, completely shocked by the woman's actions as Mormont fell against the table, holding his nose when blood gushed from it.

Her rage was all but tamed, "CALL ME A WENCH AGAIN! I FUCKING DARE YOU!"

Cregan raced forward, pulling his wife back by the waist when she began to wind up for another punch.

She grunted and fought against him, "DO IT! FUCKING DO IT!"

Cregan held one arm around her waist, the other gently around her neck to push her head back against his chest and he whispered to her, "Stop this."

But she was far from done, "I'M A FUCKING STARK! A WOLF! MORE WOLF THAN YOU!"

Cregan tried again, "C'mon."

She looked around, noting the wide eyes, "YOU CAN BE NEXT IF YOU WANT!"

Mormont stood up now, the bottom half of his face completely red, "Control your lady wife, Stark!"

Cregan's brows furrowed, "Pardon me?" His voice lowered, "Did you call my wife a wench, Mormont?"

Y/n finally quieted herself, her chest heaving but her eyes glaring.

Cregan finally looked at her and really took in the blood, "Where did all this blood come from?"

She looked over to the cloth bag she left on the floor.

Lord Bolton crossed the room, picking up the bag and grimacing when he saw what laid inside. "My lord?"

Stark's eyes moved between his wife and the man. "What is it?"

"Two heads, my lord."

All eyes moved to her frame slowly, continually being shocked by the woman.

"Love? What happened out there?"

She pulled herself away from him and reached up, trying to wipe the blood from her face but smearing it instead. "Green spies."

He frowned, "How did you know?"

"Tried to take me back."

Silence fell over the group and Mormont decided to break it, "Perhaps they should have."

Instant rage fell over Cregan's face and he rushed forward, throwing a punch at the man, connecting with his jaw. "YOU BASTARD!"

Bolton stepped forward, "My lord. Please."

Cregan held the bloody Mormont up by his cloak, his jaw clenched as he growled the words out, "To the wall."

Mormont frowned, "w…what?"

"To. The. FUCKING WALL!" And he threw him to the ground.

Cregan then turned to the rest of his war council with equal anger, "Anyone else wish to spew insults in my face?"

When no one answered, he turned to his wife, whose anger had disappeared and surprise had replaced it at his actions. "Are you alright?"

She nodded, "Yes, Cregan."

He grunted and moved back to his place at the table. "Go wash yourself and return. You're needed here."

She nodded, leaving the room quickly.

"Someone get this Mormont scum out of here!"

…

The entire North heard of the Lannister girl's actions, and it was quickly forgotten that she was of Lannister blood entirely.

She was a Northerner.

There was no doubt about that anymore.

………………………………

Cregan Stark taglist: @misswynters, @cosmosnkaz, @sithapprentice, @kaniromi, @lovemesomevesey, @its-jackie-bb, @callsignwidow, @8812-342, @nyxbranwenn, @thorins-queen-of-erebor

[controld3vil]

popcorn bucket

pairing(s): dune 2 cast x actor!reader (ALL platonic) synopsis: dune dune DUNE. thats it. notes: this completely out of genre for me but i genuinely really like these actor!reader fics !! they're soooo good. and the reader is intended to be gender neutral :D OH and no beta read..

"Maude, a.k.a Maude'Dib for Nerdist!" There was a laugh coming from Rebecca Ferguson as you situated yourself next to her. "Hi! How are you guys?" The blonde woman who supposedly to be your interviewer, Maude Garrett, warmly welcomes the two of you with friendly gestures. "This is my first one of these,"

"This is my second actually," you recuperate back a loveable grin, scouting your back towards the chair. "For you... I'd imagine," then cast a glance to your seatmate, for her response.

"I've been doing them but this is my first." As Rebecca situates herself, holding her phone in one hand, and you, patting any creases found on your trousers. "I'm- I'm down to it - I'm googling..."

A short pause but no matter, as you leaned towards Rebecca's screen and read it out loud. "Dune's Popcorn Bucket,"

"Yeah I don't understand, what's happening?" she shifts the screen for you to have a better look before looking up at the interviewer in pure confusion and bizarreness. You knock your head sideways, trying to discern the confusing photo. A small pout forms on your lips as your brain toggles what exactly you're looking at.

"Oh, you don't know about the AMC popcorn bucket?!" The kind woman exasperates, eyes widening in pure surprise.

Not a second later, your eyes look up at the revelation. "Oh, I see it now!"

Rebecca lifts up her phone and presents what the two of you are looking at. "I'm seeing something but I'm not sure what's going on? What it is?" She still didn't understand what it was and you swirled your hips towards her in a swooshing motion.

"You're supposed to put your hand in there and eat the popcorn," Pivoting your head a little, a grimaced look is plastered on your face. "It's the worm!" The camera zooms into your disturbed expression and then cuts to the Garrett looking straight at them, giving a moment for the audience to register what had happened.

Your costar turns to you and her expression quickly switches to a mischievous one. "Oh." Your strained childish smile almost falters as you try to hold your laugh in.

A few significant chuckles from the blonde interviewee while Rebecca looks back and forth from the film crew to you, her, and the camera. "I don't think they had an intern that had a, you know, "different mindset"."

"How uhm,"

"Interesting!

"Sensual!" A short muffled laugh escapes your laugh coming off as a snort as you instinctively cover your mouth out of embarrassment. Rebecca's word of choice definitely caught you off guard which caused some ruckus behind the camera as well.

"How sensual! That's the perfect word for it," The camera pans towards your red puffed cheeks, looking forward nodding alongside the interviewee who is taking the conversation so charismatically well.

"Yes! Yes!"

"You could say you have to ride the sandworm to earn your spots," Garrett teasingly says while Rebecca and you nod in agreement.

"Well look at that. That's what happened back in the days of MGM, but thankfully we've moved on," she replies tiddling with the toothpick in her mouth as you held your breath for a second. A delayed puff comes from Garrett, looking at the actress beside you in shock.

To say the three of you had a blast through the next hour of the interview.

In another interview, you were paired up with Josh Brolin who had played Gurney Halleck. In respect of your character, his pupil, you couldn't help but feel excited because in very few instances had they given you the chance to be in an interview with him.

Lainey Lui who was eager to talk the both of you, sat across from you both in front of a majestic poster of the project. The title, Dune Part Two was shown in its iconic font. The background was a still of one of the sets used in the film which displayed muted colors and curves.

The woman briefly introduced herself and you did the same. Spotting Brolin, you give a small wave before taking the seat beside him where he earnestly wraps his arm around your back. In full comfort and level of readiness, you felt the tiny jitters fly away.

"It's nice to see you two! So what about introducing Gurney and being able to reunite with someone that means so much to him?"

With a variety of cast members, the film was expansive to bring its sets to life. You felt it on day one of filming the first Dune movie. Yet you become more determined to do more when the production of the second film comes. It was phenomenal teamwork, from the film and cast crew. People in wardrobe and makeup were dedicated to making the costumes feel authentic and lived in. The works of Denise Villeneuve is something you've been fascinated with for a while, dating back to his early works.

It all comes back circle to Josh Brolin, remembrance in all of the heartfelt scenes he had done with Timothee of Gurney's and Paul's reunion. He reminds the interviewee that Paul's relationship with him is strong and familial. And that initially the scene was improvised due to their filming schedule.

"He really is like an anchor for him." "Yeah because for the past nine months, he's been spiraling and lost his family." Brolin nods in agreement, making an analogy with his fingers swirling down in a circle. You couldn't help but feel captivated about what they said, placing an elbow on your knee to better listen.

"And- This means no offense to your character!" Lui, the interviewer almost frantically calls out, moving the attention to you. And suddenly you wake from your trance of listening to being pulled back to their conversation.

"Oh no no! Not at all!" As you try to sweep the worry off, waving your hands in a panic.

A soft chuckle erupts from Brolin, seeing how almost innocently you want to pay no heed to the attention. "Of course, Gurney's moment with Paul could never amount to his and Nerre's- I mean I think their relationship really evolved in this movie than the last one," He sarcastically dismissed, crossing his arms while you dramatically gape at your co-star.

"Of course it did! What are you tryna to say, Brolin?" You leaned forward in your chair towards his direction almost like a child would when wanting to make a point.

"Come on, I hope you're not choosing favorites between your family," The interviewee cutely teases, giving a smile.

"I just think- You know for not having to see him for so long, you could've," It was a tiny joke you and the cast had made before while filming the exact scene he had discussed. In a similar scene to where Paul reunites with Gurney, he reunites with Nerre, your character, his pupil, and has been a father figure too. Shoots were slightly rocking as your reaction to seeing Gurney for the first time on the scene didn't go as satisfactory as Denise Villeneuve had intended. Instead, the two of you (and very much of the crew) couldn't stop giggling at your attempted sad faces. Nerre in the final cut, when meeting Gurney becomes teary-eyed and ultimately cries in his arms. While in actuality, you couldn't take it seriously enough to go rushing to give Brolin a hug. "Put much more of an effort to look happy?"

"That!" You wave an X with both arms, embarrassed how your own co-star would drag you out like this. "I say was very much my fault but we got the take in the end!"

"Sure we did," The older actor aimlessly nods, not once believing your words, having the biggest grin on his face. Evidently, the interview goes smoothly with occasional hits and jabs between the both of you regarding your performance. And sooner it comes full circle back to you and the dynamic of Gurney and Nerre.

"As you've said earlier," your head snaps back to the male actor poignantly, as if mocking, "I don't think Gurney and Paul's relationship would deter anything with Nerre. They're very tight-knitted because we are all family essentially," You spread your hands out as if mimicking a large circle, "I know a lot of people wanted to see Gurney and Nerre's growth and I'm glad we got to see that. But it's essentially Paul that we're seeing spiral toward madness. So it makes sense to see him meeting Gurney more meaningful."

"Yes, it really shows the stakes they all have to deal with!"

"Exactly, my point!" One last look from Brolin as he makes eye contact with you before raising his hand for a high five. Were you now going to compete for Josh Brolin's favoritism against Timothee without his acknowledgment? Of course, you are.

Out in the deserts of Abu Dhabi, the vast bodies of sand were infinite. Much of the crew delivered and prepared props, and essential needs as their number one priority. In it's hot weather and shivering nights, the film production didn't discover much disturbance from the weather. It was rather quite pleasant under it's wake luckily. Some crew were happily taking pictures and filming some of the crew walking around to promote their upcoming project.

"This costume rocks!" You jump off from a small rock platform into the frame of the vertical camera focus and give two thumbs up. You then waved towards the cameraman with an enthusiastic smile. "Good morning!"

"Good morning!" Rebecca Ferguson's shout can be heard on the other side of the set as the view pivots towards her in full costume of robes and blue tattoos. "Another day of shooting!"

Day in and out, the production in Abu Dhabi was fun for you. It wasn't much of a nuisance you had feared due to the sand and hot weather but surprisingly pleasant with the luminescent scenery always present behind every camera view.

In another clip, it's shown in the grand hall at the climax of the movie. Where the massive amount of extras were standing, circling the space in the middle for the camera crew to shoot. Timothee was off in the background, practicing his moves with Austin Butler who supposedly would have a spontaneous battle against each other. On the side, you were happily chatting with Florence Pugh in her exquisite attire as Princess Irulan and Christopher Walken were only a few steps behind. You looked beyond curious and happy. A cute short was captured of you trying to poke the small blades on Florence's costume.

The camera expands to reveal all of the other cast such as Zendaya and Rebecca and Javier Bardem chatting. And Denise Villeneuve improvising a scene with Josh Brolin.

Lastly an endearing story comes from your story of Zendaya dragging you with water as you try your best to stand on your feet. You forget who had your phone (Was it Timothee? Or Josh Brolin?) but they were behind the camera, following you around as you struggled to walk to the table full of water cauldrons.

Zendaya was by your side, having a hand on your back, says, "Come on, you can do it!" An determined yelp for your name and you childishly groan.

"I feel like my legs are gonna fall off!"

"You should've taken more water with you kid!" It was Brolin's voice from the far right which confirms Timothee was the one behind the camera. The set production was a few feet, resulting in why cast members always to bring water. Yet from an odd perspective, you had tired yourself out too much. It was as if you had just run a ten-meter run.

Though it felt a marathon, you were doing fall stunts constantly up and down the hills of sand. And to say you were exhausted was an understatement. A chuckle erupts and the air feels lighter when Javier Bardem arrives into frame, seeing your poor state.

"Drink some more water!"

As your next story slides to you chugging down a full hydro flask of water like an animal thirsting for air. Your female costar beside you looked at you in horror, almost terrified of stopping you.

"Hey slow down!"

This wasn't the final moment of your press for the film. However, it was the most captivating and relishing one. In the room full of your favorite people and an interviewee dedicated to the works of Dune, Naz Perez, you all delved into the complex characters you all portrayed onscreen and discussed the juggling topics of characters, love, and how to ride a sandworm.

One by one, the woman pointed out interesting questions for all of your cast to expand upon and you couldn't help but be pulled into a trance to what everyone said. From the dynamics of the new characters beginnings to the interior struggles they had, the room felt revelating of the dedicated work of Denise Villeneueve.

Until Perez perfectly transitions her attention to you after listening to Austin Butler's performance. "Speaking of elevating performances," A few of the people on the couch cooed and awed as you bashfully clamped your hands together in an innocent manner. Your name is spoken out. "Nerre's transformation in Part Two is really eye-opening. For someone who had started out as a young, skilled, and playful warrior to a more serious and revengeful one, how do you think they helped Nerre evolve as a person?"

"I've wanted to point this out before, yeah Nerre kind of starts out a free-willed comedic character," You nod trying to find the right words to describe your interpretation of your character. "But then after "losing" Gurney and being separated from everyone, they could only look forward towards the perpetrators which were the Harkonnen. And for that, they're consumed with the idea of revenge, taking back what was once theirs, their home. You see this when Paul or the other Fremen question their motives because that's a dark path to go by," Each person you mentioned turn their heads to listen to your words carefully, knowing how dedicated you were to the film.

"Right, and for better and or for worse, they have matured. They're being front about the decisions being made, and what's happening in Arrakis, so tell me the conflicts they must've had to deal with others."

"Mmm I would say a lot of their internal turmoil " You were hesitant to say if it was going to spoiler territory. But glancing towards everyone, made you feel assured you were doing fine. "Is always guarded against others. But upon the last film, I believe the revelation of the destruction of House Atreides opened their eyes to first found war. And it terrifies them you know, you have to put in perspective they were young teenagers. So seeing that and then meeting these new characters who are vastly different and want for change, motivates them to induce war. So it brings conflict to almost everyone because war will attract more chaos." You attempt to piece together your last remaining sentences, looking up and down at the interviewer.

"No words can be better said," Perez dazedly comments, placing a hand over her heart you flaunt lovingly. "Reminds me of a certain psycho."

"Right! You know Feyd-Rautha and Nerre could've been besties!" You snapped your fingers which made both Zendaya and Florence burst out laughing. While Austin stares at you smiling, nodding in agreement.

[soapssuds]

+18, smut, fingering, p in v, mdni, she/her pronouns used for reader

Can't help but to think of Childe competing with Capitano when it comes to you.

Everyone knew who you were. You are the captain's significant other. Someone who was both untouchable and taken. And yet Childe still managed to grab ahold of you whilst you were still in Capitano's grasp.

But, make no mistake. Childe was just trying to prove himself. And the Captain was merely letting the weaker harbinger show him what he's got.

"You won't make her cum at this rate."

Capitano's tone made Childe grit his teeth as he harshly shoved his fingers deep into your cunt. The quick jolt of pain made you yelp as you grabbed onto Capitano's forearms.

You were currently settled in his lap with Childe kneeling before you both. A determined look on his face as he continued to bully your insides with his deft fingers.

"She will," Childe said defiantly, his palm harshly rubbed against your clit everytime he plunged his fingers in deep.

"She won't."

"Capitano," you whined.

Childe wasn't going easy on you, and you felt strangely uncomfortable. The way his fingers kept abusing a singular spot made your eyes twist shut, and your whole body try to escape into the comfort of Capitano's embrace.

And when tears finally started to prick the corners of your eyes, Capitano finally pulled your sore, dripping cunt away from Childe's hold.

"I'm not done. I can still-"

"That is enough."

Capitano easily silenced Childe's retort as he easily undid his belt buckle before pulling out his hardened cock from its confines.

"Even after all the chances I gave you, you still can't satisfy her. Though, you shouldn't feel too bad, her body can only react to me, after all."

And then, slowly but surely, Capitano lifted you from his lap. The muscles in his arms flexing as he easily maneuvered you so that your puffy folds were grazing against his red, angry tip.

"And make no mistake, I am not teaching you how to please her. I am merely showing you who she belongs to."

And in a soft motion, much softer than how Childe was treating your poor pussy, Capitano has lowered you onto his shaft. His cock easily stretching you out as he sunk you deeper on to his length, inch by inch. And the moment that you you fully engulfed his cock, your high completely washed over you. Or orgasm hitting you harder than ever as you let yourself lay against his chest.

"Now get out. You've had your fun."

[nats--sw]

Gold chain (pt3) | Leah Williamson

A bit more of Leah while everything around you gets more intense warnings: just fluff and slow burn pt1 - pt4 - my masterlist

Leah's love for tennis skirts had just been solidified. She found herself frozen, her fork suspended midway to her mouth. Your video call had caught her off guard, and the first thing to greet her on the screen was you, your back facing the camera, only in your sports bra and the skirt you wore during your recent match, which had wrapped up just a few hours ago.

"Hellooo?" Leah said, gently placing her fork back onto the table.

"Just a sec!" you called out, still with your back turned to the camera.

Leah watched as you reached into your bag, pulling out a black t-shirt that you slipped on.  Unlike the tight one you wore for tennis, this one was baggy—definitely a guy’s shirt, she thought.

"Did you watch my match?" you asked, now facing the camera on your phone, which sat at the coffee table in the room.

"Yep" Leah replied, flipping her phone’s camera to show the TV tuned to the sports channel.  “Feeling nervous about the quarterfinals?” she asked, sounding both curious and supportive.

"Nah... I don't know who I'll be facing yet though," you said, slipping off your socks. "At least I’ve got two days to rest before the game."

"Yeah, like you’ll actually rest," Leah teased.

"You're probably right," you chuckled knowing she had you figured out. During your first call yesterday, you had explained your intense training routine before matches. "What are you having?" you asked Leah, curiosity evident in your voice as you held your phone again.

"Smiley faces," Leah said, poking a potato and showing it to you through the camera.

"What?" you laughed, not quite sure what she was showing you.

"Potato smiles. Delicious," she said, grinning as she popped the potato into her mouth.

"Ew! Didn't your mum teach you not to talk with your mouth full?" you teased, though you found it amusing to watch Leah goof around. "Do they taste like real potatoes? I've never tried them."

"What are you talking about?" Leah gasped, dramatically dropping her fork onto her plate. "Are you kidding me?"

"Whoa, you sound genuinely offended," you said, struggling to contain your laughter.

"Of course I am! How is it possible you've never tasted these? What did you eat all through your childhood?" she asked, her face completely serious.

"Leah... would you believe me if I told you I didn't try a nugget until I was 16?" you said, your tone turning more serious. "It was when a friend from school invited me over for dinner. My mum was always particular about what I ate." Leah's expression turned to a slight frown as she listened intently. "I always had well-balanced, hearty meals. She just wasn't a fan of processed food," you said, hoping to provide context and prevent any misconceptions about your mother.

"Sounds... kind of sad," Leah said, finishing her last potato. "I should invite you over for smiley faces, shouldn't I?" she asked with a shy smile.

"You could... I'd gladly accept," you replied.

"I'll think about it," Leah said, shaking her head with a playful grin. After a brief pause, her face suddenly lit up. "Oh, I wanted to ask you something."

"What is it?" you asked, intrigued.

"Today, something caught my eye. Well, actually, it's been catching my eye for a while now, but I think I've finally spotted a pattern," Leah explained, narrowing her eyes. "Your chain around your neck... I've seen you tug on it from time to time."

By reflex, your hand went to your neck, and you felt a brief panic when you didn't feel the chain right away, realizing it was hidden beneath your shirt.

"Is it something significant to you?" Leah asked.

"Yes and no. It's kind of silly," you replied, settling into bed and arranging the phone between the pillows. "Sometimes when I'm feeling nervous or a bit anxious, I tug on it to remind myself it's there, but it's not a big deal to me. I started wearing it a few years ago for a silly reason."

You hesitated, thinking you might bore Leah with the details. But seeing her through the screen, now cozy on her couch with a blanket over her legs and a smile on her face, you realized that perhaps this time someone would actually be interested in listening to you.

"I've never been picky," you began to explain. "I never asked my parents for anything special. They always gave me everything I needed, especially when it came to things that could improve my game. But as for gifts, I always felt too embarrassed to ask for certain things." You bit your lip, trying to stay on track with your story. "The thing is, I always wanted a chain. I didn't care much about the material. Everyone at the academy had one, boys and girls. It's a common accessory, after all. I wanted to be like them."

You fell silent, suddenly feeling a bit silly for sharing such trivial details. Leah, however, misinterpreted your silence and blank stare, thinking she had touched on a sensitive subject.

"Did someone special give you the chain you wear?" Leah's gentle voice interrupted your thoughts.

"No," you shook your head, trying to suppress a smile. "I bought it myself. That's why it has my initial on it," you explained, holding the chain up to the camera.

Leah felt conflicted. On one hand, the story ended with a bit of humor, but on the other, there was a hint of sadness. It was the kind of gift typically given by a loved one or partner, and in the end, you had to buy it for yourself… which was a bit sad.

"After I won my first WTA title, I had quite a bit of money, so I went to the first jewelry store I could find and bought it," you explained.

You noticed the puzzled expression on Leah's face; she had gone silent when you expected her to laugh at the end of the story. You smiled nervously, wondering if you were diving too deep into conversations with her.

"Maybe she thinks you're weird," the insecurity echoed in your head.

Just then, a notification popped up on your phone, rescuing you from overthinking.

"Ugh, I've got to go meet Lucas. He wants to work on my serve," you said, standing up quickly with your phone in hand.

"You have a great serve," Leah said without hesitation.

"You're only saying that because you're a fan," you replied, rolling your eyes and trying to ignore the butterflies in your stomach that always fluttered when Leah complimented your game.

"Exactly, and I watch every move you make," she said, crossing her arms and wrinkling her nose playfully.

"How adorable," you thought to yourself.

"Tell your coach you don't need any improvement," Leah said.

"He's my coach. I pay him to help me get better," you said as you slipped on your shoes.

"Yeah, whatever," Leah responded with a playful smirk.

"Do you buy the whole love at first sight thing? Ouch!" you winced as your physio applied pressure, stretching your leg into a position that felt tight.

"Take a deep breath," advised your therapist, easing off the pressure. "There you go," she said, gently returning your leg to its natural position.

"It's not something I believe in, in case you're wondering," you said, laying face down on the table and removing your headphones. Conversations during your physio sessions were rare, you typically dozed off, hence the headphones to drown out the noise around you.

"I guess that's not your cup of tea," your physio chuckled softly, now focusing on massaging your calves. "Is she pretty? They say love often comes in through the eyes, especially if it's love at first sight, as you said."

"She's definitely pretty, yeah," you admitted, wincing as your therapist's thumbs applied pressure into your muscles. "Geez, who said these sessions were relaxing?" you muttered, closing your eyes to bear the discomfort. "She's pretty, but it's more than that... I feel like I can talk to her."

"Y/N, you talk with tons of people every day," your therapist reminded you. "Honestly, you never seem to stop talking," she added with a laugh.

"It's different with her. I can talk about anything, even tennis, but there's no pressure... It's like talking to her puts me at ease," you explained.

It was so calming that you had fallen asleep chatting with her the last two nights.

"I shouldn't be catching feelings for someone I'm just getting to know," you sighed.

"Well, actually, it's perfectly normal," your physio reassured you.

You sighed with relief as the tension in your muscles began to ease under her skilled hands. It wasn't a sigh of relief because someone validated your growing feelings for Leah. Definitely not.

"There are times when love hits you fast and hard, you know? When it's intense." the woman explained, now focusing on your back. "And you, my dear, are intense. It wouldn't be surprising if you fell in love just as fast."

"I haven't fallen in love," you protested, attempting to sit up from the table, but your therapist effortlessly kept you pinned down with a swift motion.

"And you're impulsive," she added with a tired sigh, familiar with your reactions. "I'm surprised you haven't declared yourself to her already."

"There is no one," you insisted.

"You've already admitted there's a pretty girl and that you have feelings for her, even if you're not quite sure what those feelings are yet," she teased with a mischievous smile. Maybe it wouldn't hurt to have someone special," she suggested, helping you onto your back on the table. "She could be good for you… here" she said, gently touching your heart. "And here," she continued, touching your temple with her finger.

"What are we watching?" Lia asked, settling down next to Leah on the couch. They had planned a dinner date to catch up, but Lia suspected it was more about Leah avoiding another night of cooking.

"There's a match about to start," Leah replied, quickly grabbing the remote from her friend's hands.

Lia glanced at the screen, which now displayed the stats of two tennis players. "Has Wimbledon started already?"

"No," Leah sighed, rolling her eyes. "There are tournaments throughout the year, not just the Grand Slams," she explained, her focus on the screen.

"Since when are you an expert on this?" Lia asked, raising an eyebrow.

"It's basic knowledge, not all sports revolve around football," Leah defended herself as the players stepped onto the court.

"Is this match a big deal?" 

"It's the quarterfinals," Leah replied.

"How do they win?" Lia inquired further.

"They win by taking two sets." Leah explained, her irritation starting to show.

"And how do they win those sets?" Lia pressed on.

"God, Lia, just watch and you'll figure it out," Leah snapped, feeling her nerves creeping in. She was clearly on edge.

“Why are you so grumpy today?” Lia eyed her suspiciously.

"What's wrong with her? What's she doing?" murmured Leah, leaning back on the couch, her eyes glued to the match on the tv screen.

"Huh?" Lia turned to her.

"She's struggling to reach her shots," Leah pointed out, just as you lost another point. "She had the match in her bag."

It was true. You had started strong, winning the first set 6-1 and even taking a 4-1 lead in the second set. But now, your opponent had fought back, and you found yourself in a 1-6 tiebreaker, unable to secure more than a single point.

"Set point," was announced on the tv, and Leah waved her hand.

You positioned yourself, shifting from side to side, anticipating your opponent's serve. But before you could react, she sent a powerful shot down the line, leaving you with no chance to return it.

"Bloody hell," Leah exclaimed, standing up from the couch.

"Woah, I didn't know you were so into tennis," Lia remarked, intrigued by Leah's intense reaction.

"It just frustrates me when they give away easy points during a match," Leah explained, which was partly true. Your unforced errors had contributed to your opponent's comeback in the set.

Leah let out a long sigh and sank back onto the couch. She couldn't relax until you managed to turn the match around and win the third set tiebreaker 7-4, securing your spot in the semifinals. You had come dangerously close to losing your spot in the semifinals.

Leah couldn't bring herself to try talking to you all day. It had been a dreadful match, one of the worst she had ever seen you play. Despite not knowing you that well, Leah figured you probably needed some space and didn't want to talk to anyone for a while. She had watched you storm off the court after the match, something she had never seen you do before. The heated exchanges with the chair umpire and the tense moments with your coach had been impossible to ignore. 

She had only mustered the courage to send a brief message: 

"Hope you're doing okay." 

But you hadn't responded yet.

So, when she was already tucked up in bed, half asleep, she was surprised to see an incoming video call from you.

"Y/N?" Leah replied, not looking at the screen as she fumbled to switch on her nightstand lamp.

"Shit, I didn't mean to wake you up." you apologized.

"I wasn't quite asleep yet," Leah said, finally turning her attention to the screen. "Are you okay?" she asked, sitting up in bed, noticing your slightly red and puffy eyes.

"Yeah," you lied, settling back on the couch and pulling your blanket up to your neck. "What about you? How was your day?"

"I just watched your match, which was horrible," Leah thought, feeling sorry for you, but instead she replied, "Not much. I just had dinner with some friends."

Leah couldn't help but smile as she saw your features relax at her answer. She knew you had probably anticipated her bringing up the match. You had mentioned how intense your day usually was: tennis talk at breakfast, tennis talk in the afternoon, tennis talk at dinner.

"Nothing too delicious," Leah continued. "Did you have dinner?"

You didn't respond verbally, instead, you shook your head and bit your lip, a sign of your struggle to hold back tears. Leah immediately noticed.

"I was running late and didn't feel like eating alone," you explained. "But my physio brought me a sandwich about half an hour ago. I'm just not hungry."

Leah frowned. She mentally calculated the hours since the match had ended at noon. Considering the disastrous game, you probably hadn't eaten afterward, and your stomach was likely empty except for breakfast.

"You should eat," Leah insisted gently.

"I don't want to eat alone, it's... depressing," you admitted, sinking further into the couch. Leah could barely see your mouth now, the blanket covering you.

"Okay, hold on," Leah said, letting out a sigh as she got out of bed. She placed the phone on her bed and reached for a hoodie. "Come on," she said, picking up her phone again.

You watched through the screen as Leah left her room and headed to her kitchen, leaving the phone on the counter.

"Okay, what kind of sandwich did you get?"

"Huh?"

"I'll eat with you," Leah explained simply, reaching for the bag of bread. "Well?"

You rolled your eyes but couldn't help but smile. It was such a tender gesture, one that softened your heart. Leaning over to the coffee table, you picked up the bag your physio had left there. You hadn't even opened it yet.

"Let me see..." you said, pulling out the sandwich and reading the ingredients on the box. "Tuna, cucumber, mayonnaise, and salad cream."

"Ugh, not my favorite," Leah said, her face visible at the edge of the screen as she looked through her fridge.

"What's your favorite?" you asked, starting to unwrap your sandwich. Suddenly feeling your appetite return.

"I'm a ham and cheese girl. I like to keep it simple," Leah explained, already assembling her own sandwich.

"Sounds boring," you teased with a chuckle. Leah stuck her tongue out at you. "I prefer egg sandwiches. Probably the store didn't have any."

"What else did your physio get you?"

"Uh... a bottle of water and a bottle of juice."

"Orange?" Leah guessed, reaching for a box of orange juice.

"Yes," you confirmed, smiling as you watched Leah return to the couch, settled in just like you with a blanket on her lap. She held up her sandwich to the camera.

"Shall we eat?"

An hour later, you were in bed, with Leah still on the screen, tucked under her own sheets. The time had flown by as Leah passionately tried to convince you why Arsenal was the top club in London.

"Uh, according to Google, the men's team hasn't won a league since 2004," you teased in a mocking tone, enjoying Leah's furrowed brow and her stumbling attempts to defend her team. "And the women's team... maybe I shouldn't say anything," you added innocently, staring up at the ceiling.

"Oi! You're being mean!" Leah protested. "I just won a cup, you know?"

Of course you knew, you had seen the post on Leah’s instagram. 

"Winning a cup isn't quite the same as winning a league," you continued to tease.

"What would you know about it? You only just learned the difference between a cup and a league because I explained it to you," Leah retorted, though she couldn't help but crack a smile. Despite her attempt to feign annoyance, she couldn't shake the sense of relief seeing you in a better mood than an hour ago "You're such a headache sometimes.”

"Sorry," you said between laughs. "Well, I'd better get some sleep. Got an early start tomorrow."

Leah's heart sank at the reminder of your upcoming semifinal match. She knew you had pushed yourself to the limit today, both physically and mentally.

"Thank you," you added, catching Leah off guard.

"Huh?" Leah's brow furrowed in confusion.

"For not bringing that up," you explained, your cheeks tinted with embarrassment. "I really appreciate it... I just needed to talk to someone. And you're easy to talk to."

Leah's heart skipped a beat. 

"It was nothing. You can talk to me anytime, about anything, including that," Leah assured, offering you a warm smile.

You fell silent for a moment, your eyes closed. Leah almost thought you had drifted off to sleep until she heard your voice again.

"I've never won a semifinal match on grass," you confessed. "I hate playing on grass. I can't move like I want to, can't slide, the ball bounces weird... It's a faster game, and I don't like it."

Leah struggled to find the right words to comfort you, though it seemed you weren't seeking comfort. You just needed to vocalize your thoughts.

"Well… get some good rest," you said "Speak to you tomorrow."

"Sleep well," Leah replied softly, just before you disappeared from her screen.

Leah hadn't been able to watch your game; she'd been tied up with a radio interview in the afternoon. Perhaps it was a good thing, sparing her from witnessing what felt like a complete disaster.

You were trailing 1-0 after losing the first set 6-2.

"Y/N, listen up," Lucas's voice echoed in your head as you wiped your face with your towel. He sounded both concerned and frustrated. "You've got to get up to the net. Focus and do it just like we practiced this morning.”

The tension intensified in the second set, now tied at 3-3. Each point intensified, increasing the pressure on your already fatigued body.

Struggling to steady your breath and calm your racing heart, you attempted to regain your composure. Lucas's instructions only seemed to agitate you further. Your serves lacked accuracy and power, the weight of exhaustion settled in your arms and legs.

With your breath hitching, you turned to Lucas "Gotta keep your mouth shut," you muttered to him, before returning to your position on the court.

You squeezed your eyes shut for a moment, trying to shut out your coach's voice which, instead of helping, was only adding to the overwhelming pressure and fear of failure creeping in. 

For a while, you felt completely disconnected from the game, just focusing on getting the ball back over the net and hoping for the best. Your ears felt muffled, you swung at balls in every direction, chasing after them when your legs allowed. It felt like your body was on autopilot.

When you finally regained control, you glanced at the scoreboard. It read 5-4, with the set tied at 30-30. Had you been playing for that long already?

"Just 2 more points and I'm out," you muttered to yourself, accepting the ball from the ball kid who hesitated a moment before returning to her position. Your emotional state must have caught her attention, you could feel tears welling up, but you refused to let them fall now. You couldn't afford to show weakness, not in front of them.

You adjusted your visor lower, not too concerned that it obstructed your view. After all, you were resigned to the inevitable defeat, recovering from this set, let alone the entire match, felt beyond your grasp.

Taking a deep breath, you served. Your opponent effortlessly returned the ball, and when you sent it back, she executed a perfect drop shot with spin. Despite your best efforts, your legs failed to get you to the net before the ball bounced a second time. 

All you could do was shake your head and chuckle at the brilliance of the shot. It was a damn good point.

The next rally was a bit longer. Determined to get at least a point, you decided to take a calculated risk. You placed the ball strategically close to the net, hoping to force your opponent into a difficult position. Yet, she managed to return the ball, forcing you to approach the net. Anticipating her move, you weren't surprised when the ball sailed over your head, landing just inside the line behind you.

And with that, it was over.

"Stay the hell away from me!" you shouted as Lucas and your physio entered the dressing room. You pointed your racket at him. "I don't want to hear a word from you!"

"Y/N, calm down," Lucas said, his brow furrowed in concern.

"I said no! Get out!" Tears streaked down your face, your voice raw with frustration. "You're the reason I lost!" you accused him, venom lacing your words as you vented on your racket, smashing it against the ground. "You told me to charge the net," you seethed, the anger palpable. "And what happens? She pulls off the damn shot of her life!"

Deep down, you knew it wasn't entirely his fault.

Lucas struggled to make out your words through your sobs and the racket's crashing impact. He signaled to your physio to grab your bag of remaining rackets before you decided to destroy another one.

"You need to cool off," your physio interjected, her tone firm.

"I need everyone to leave me the hell alone!" you yelled, throwing the shattered pieces of your racket against the wall in a burst of frustration.

Lucas shook his head and firmly guided you to sit on the bench. "Listen to me," he said,but you shook your head, lost in your thoughts. Frustrated, Lucas removed your visor and tossed it aside to get a clear view of your face, then gently tilted your chin to meet his eyes. "I said listen to me, kiddo."

You met his gaze, holding your breath. He looked visibly upset, his brow furrowed deeper than usual. Taking a moment to study him, you noticed the new wrinkles and more gray hairs, likely a result of the stress you often caused him.

"You played well today," he continued, his voice steady but firm, still holding your gaze. "But she played better. It's not a reflection of your performance, it's not about you playing badly. Can we improve? Absolutely. And we will, I promise you that. But for now, we need to stop."

"What do you mean?" you asked.

"You're drained," your physio chimed in. "Your body can't handle more. Your muscles are exhausted."

"And your mind isn't much better. Since the first game you've been clouded," Lucas added, sighing. "We're heading back to England first thing tomorrow."

"Eastbourne?" you asked. 

Lucas shook his head. "No, you won't be playing in any more tournaments until Wimbledon. I've made it clear, you need to stop," he said firmly, now taking a seat beside you. "We're heading to London. Your psychologist is already there."

You had resisted having a psychologist travel with your team for months, but now circumstances were different.

"You'll see the psychologist tomorrow and then you'll rest for a few days. Your rackets are off-limits," your physio said, your bag slung over her shoulder as she tried to lighten the mood. "Seriously, no tennis, not even for fun," she added quickly, when she saw you about to protest. "We'll focus on light gym sessions, nothing more. These are your days off, you'll do anything but tennis."

You nodded, feeling somewhat scolded, almost like a child.

As the tension eased, the reality of a few days off in London began to sink in.

"Leah," you muttered. 

"Huh? Did you say something?" Lucas turned to you when he heard your voice. You hadn't realized you had spoken aloud.

"What time is our flight?"

[bluehourbucky]

My Mom Thinks You're Hot

pairing: beefy!bucky x singlemom!reader

summary: your son tries to set you up with an avenger in a grocery store

a/n: short drabble bc why not

masterlist

_______________________________________

Getting groceries might not be fun for most families but for you and your 6 year old son it's almost as fun as going to the park.

The store that you visit has small cart for kids which your son loves to push, making him feel like a big boy. It's absolutely adorable and you take a picture of him every time. You don't know how you got lucky that your son loves grocery shopping as most kids find it either boring or too stimulating which is completely normal.

"Mommy look it's Avengers cereal!"

As any other kid his age, he's obsessed with The Avengers.

"Yes it is and it's very cool but we already have cereal at home." his face falls and puts the cereal box back.

"Can we get it next time?"

"Of course honey." you chuckle when you see him do a little victory dance.

You were slowly but surely making your way through the grocery list, slowly because your son decided to stop in front every single Avengers food.

Now for your favourite.

Ice Cream.

You turn your head quickly when you hear your son squeal.

"MOMMY THE AVENGERS! CAPTAIN AMERICA! AND BUCKY!" He whisper yells

you look over to where he's pointing and it's true there stand Sam Willson and James Buchanan Barnes.

"Can we please say hi." he holds your hand and gives you his best puppy eyes. You give in since it's not every day you get to meet heroes.

"Hi! You're really cool!"

Two men look down at the 6 year old boy and smile.

"Hey champ,what's your name?" Captain America asks and crouches down to his eye level.

"That's such a cool name!"

"Thank you my mom chose it!" you immediately blush when both men look at you.

"Hi. We just wanted to say hi and uh thank you for saving the world and all that." you avoid looking at James Bucky Barnes because you might have a huge crush on him. Ever since you were a teen and studied for history you thought he was very handsome.

"All part of the job ma'am." Sam salutes you and you smile a little, he's the perfect Captain America.

"I have so many questions!"

"Honey, they are very busy we can't keep them all day. How about just one question for each of them? That's of course if you're okay with that." You look at two heroes,who reply with a nod

"Alright you heard your mom, what do you have."

He thinks so hard and finally asks.

"What's the name of your bird!?" Bucky bursts out laughing, that's not what he thought the boy would ask Sam. Your heart might have done a flip at the sound,you try to hide your face by looking at the floor.

"His name is Redwing."

"Well that's pretty boring why doesn't he have a cool name." At this the three of you laugh.

Sam looks mildly offended.

"What do you have for me?" Bucky asks and whatever he thought the boy would ask it certainly was not this.

"Mr Bucky sir - Do you have a girlfriend or boyfriend or partner? My mom thinks you're hot."

You immediately pull your son into you and cover his mouth. Bucky blushes deeply and so do you.

"Oh my god, I'm so sorry. We have to go right now." You're so embarrassed that you leave your full cart and go straight for the exit pulling your son by the arm.

"But he didn't answer the question." your son whines.

"We don't need to know that. That's a personal question you don't ask people!"

"Uh I don't mind answering that question." Buckys voice says and you stop in your tracks, you turn around but still avoid the eye contact.

"Really you don't have to!"

"I want to. And I'd like to ask a personal question too if that's okay with you of course?"

Your knees almost give out when you manage to make eye contact.

"No, I do not have a significant other. And I don't know how this works at this day and age, but I'd like to ask for your number,doll."

_____________________________________

some years later

"Thank you for coming guest's that I know and don't know. My mom is getting married to my dad! You should all be thanking me because I made that happen!"

You look at your now husband and smile.

Maybe it's not the way you thought you'd meet the love of your life but sure is a story your guests and son find very entertaining.

[alyrasturnz]

can u write a small cute little proposal for matt and reader

EIGHTEEN

❐ summary » matt proposes to y/n at the very spot where he first confessed his love for her when they were both 18. the place holds a special significance in their hearts, making the moment even more poignant and memorable. as he slips the ring onto her finger, memories of their youthful love flood back, intertwining with the promise of their future together.

❐ pairings » fiance!matt x fem!reader

❐ warnings » the bolded texts indicate flashbacks

❐ a/n && w/c » 800 special cause eighteen • 801

"i know i'm only 18 and there's so much i don't understand about life," matt began, his voice tinged with uncertainty. "but there's one thing i'm sure of, and that's how i feel about you. i've never felt this way before, and it scares me a little, but it also feels right." he paused, taking a deep breath, his eyes searching yours for reassurance.

"will you be my girlfriend?" matt inquired, his voice barely above a whisper, as he turned towards you, his eyes filled with a mixture of hope and vulnerability. a sheepish expression danced across his features, and your smile, warm and inviting, was the only response he needed.

“yes,” you replied, your voice barely above a whisper, before closing the distance between you both and pressing your lips to his. his arms encircled you, drawing you closer as the autumn leaves cascaded around you like a tapestry of nature’s confetti. when you finally pulled away, soft giggles escaped your lips. you glanced upward, watching the leaves dance in the breeze, feeling as though the world had momentarily paused just for the two of you.

the words reverberated through the park, resonating like a distant echo yet carrying the weight of a cherished memory.

“why are we here, matt?” you inquire, gazing upward as autumn leaves cascade gently to the earth. it has been an eternity since you last stood here with him.

“it’s a nice autumn day,” matt said, taking your hand with a gentle yet firm grip, leading you through the rustling carpet of fallen leaves to the familiar tree where he had confessed his feelings. “you know i’d do anything for a stroll on an autumn day.”

you smiled, a wave of nostalgia enveloping you like a warm embrace. “yeah, it’s beautiful. are you sure there isn't more to this?”

matt halted beneath the tree, his eyes a blend of seriousness and tenderness. “there is more, y/n. this place holds a deep significance for us, doesn’t it?”

you nodded, memories of that first confession cascading through your mind like a river. “of course, it does. it’s where everything started.”

he took a deep breath, reaching into his pocket. “and now, i want it to be the place where everything continues.” he said, gently tilting your head, causing your eyebrows to furrow in curiosity.

he reached into his pocket, your eyes darting to it as they widened slightly in anticipation.

“y/n, i’ve been thinking a lot about us lately. about how we’ve grown together, laughed together, and even cried together. you’ve been my rock, my confidant, my best friend. every moment with you has been a treasure, and i can’t imagine my life without you,” he said, his eyes still on yours, his voice a tender whisper as his hand gently brushed a strand of hair from your face.

he paused, his voice softening to a near whisper. “i’ve loved you since we were 18. back then, i understood that to love is to be vulnerable. i was scared of that, but you taught me there was nothing to fear. you revealed to me that love is the most beautiful experience we can have.”

he gazed deeply into your eyes, his stare penetrating the very depths of your soul. “i believe that we’re the missing pieces to each other's puzzles. you complete me in ways i never knew were possible. i want to share every sunrise, every challenge, every joy with you. you’ve made me a better person, and i want to spend the rest of my days making you as happy as you’ve made me.”

you took a step back as he gracefully descended onto one knee, unveiling a ring with a flourish. “y/n, will you marry me?”

your lips parted in astonishment, words escaping you as tears immediately streamed down your face, tears of pure joy.

“yes!” you choked out, matt’s eyes brightening as a radiant smile spread across his face. he delicately took your hand, sliding the ring onto your finger with a tender precision before rising. without hesitation, he enveloped you in a passionate embrace, his arms encircling your waist with a protective fervor, while your hands instinctively found their way to cup his face, feeling the warmth of his skin beneath your fingertips.

your tears mingled with each other's, creating a poignant blend of emotion. an autumn leaf gently descended, landing on your head, prompting a soft giggle. you extricated yourself from the kiss, your eyes meeting his with an unspoken understanding.

looking up, you both watched as a cascade of leaves danced around you, each one a silent witness to your shared moment. the world seemed to pause, the rustling leaves a gentle symphony to your love. amidst the falling foliage, you felt a profound connection, a promise of many more seasons to come, intertwined with laughter and tears.

taglist — @imwetforyourmom @meatballzerz69 @pinkishpearls @bandanamatt @thedangerousalleyway @muchloveforhacker @frozenpeanutbutterr @jetaimevous @everleiqh @conspiracy-ash @ifwdominicfike @blahbel668 @slutforsturnioloss @realuvrrr @sturnobsessedwh0re @cerismo

[tunemyart]

So I've just watched the finale and I'm feeling... Weird. I think part of it is because this show started with everything I like in a story (cool badass ladies, a queer romance, found family, redemption, etc etc) and ended up being... Not all that (most characters die, the romance is doomed, and I guess the redemption mostly happened but wasn't entirely satisfactory to me). Also, I'm someone who as Trauma (tm) with death so, I guess my brain's first reaction is "fuck that I just want them all happy and safe" and it takes me a while to accept when stories take these paths, however well written they might be.

Still, I thought it all went a bit fast in the last 2 eps, with parts of the show ringing just a little bit more hollow than I would have expected? I'm left feeling like the characters of Alice, Mrs Hart and Jen were treated a bit superficially (Lillia's story felt more complete). I also wished we had seen more of Agatha's past because spending centuries just conning witches then killing them is... a bit boring? (maybe we learn more about her in WandaVision, I haven't seen it). And obviously I wished we had seen more of Agatha and Rio. It's like the show couldn't decide if it was about Agatha or about Billy (partly because, I'm guessing it's setting up a 3rd show about him?), and with this short format we ended losing a bit on Agatha's part.

Anyway, curious of what you think of all that because your analysis are always super interesting, and like I said my own brain might be a bit biased towards resistance with this one. And obviously would love to read your fanfic(s) should you write any!

So, I've started and restarted a reply to this a few times, but I think what my answer boils down to is: we're meant to have multilayered responses to this finale. We're meant to sit with it. It's meant to change our experience of the show we've had to this point.

I think the best metaphor for this is the fact the revelation that Rio is Death. Bear with me, because I know this got spoiled for us way early on and we all knew it and were all just waiting for the revelation to drop - but imagine for a second that we didn't know that Rio, Agatha's ex-girlfriend and spooky fun vaguely-a-psychopath as played by the delightful Aubrey Plaza, is death. Your perception of Rio would have been turned on its head. Your perception of Agatha would have been turned on its head. Your perception of the Witches' Road and what we're even doing here with Death walking alongside us as a tourist would have been turned on its head.

Now, we all had an incredibly fun time even with the knowledge that Rio is death before we should have had it. But I think some of the power for what it meant for the story - and our perception of what was really happening - was muted.

Jen, at the beginning of 1.08, says, "She told us who she was from the very beginning."

Sit with that - because the same is true of this story.

---

It turns out that the Road is a metaphor for death. This isn't fully illustrated for us until Nicky, the author of the Ballad, walks down the road with Death's hand in his, and we go, oh. Oh.

Agatha tells us in the beginning that the Road doesn't exist, a rare instance of her giving anyone unbridled truth. And sure - the Road that our coven walked down doesn't exist. The Road that all the witches Agatha lured to the deaths believed in doesn't exist. It's a fiction. But it's significant that Agatha lured them all to the Road and killed them. They wanted to walk the Road. They died. Not "they died instead" - it's a two-fold statement. They wanted to walk the Road and they died. In a gruesome way, Agatha's been taking witches on the Witches' Road since the 1750s.

I don't think the significance of that is lost on Agatha, either, especially where we pick up at the beginning of 1.08. Lilia's dead, and everybody's reeling.

Perhaps Agatha more than anybody.

---

I also want to quickly take a look at Rio's accusation of Agatha regarding Billy.

"The bodies are really piling up." "Did you doubt me?" "Yeah, I did. I thought there'd be a trick in there somewhere. And there was! You were distracting me from him."

Because this is a revelation about Agatha's actions toward not just Rio, but any audience watching her - i.e., us the viewers. She's been distracting us! Not from who Billy is, we know that of course, but with regard to what the Road itself is. Agatha's known the Road isn't real the entire time. She's been protecting Billy from that knowledge. She's been protecting Billy from Rio. She's been protecting the coven itself from disintegrating. And, the biggest con woman move of them all, she's been distracting us - with less and less success as the show goes on - from the fact that she is not even the slightest bit in control.

---

So I definitely want to circle back to what you said about how the show started out with everything you like in a story, because oof, yeah, I felt that. I felt that hard in the finale. Coming off the impact of the incredible storytelling in 1.07, and the queer jokes and campy Wicked cosplay balancing out the sad, I think many of us spent the next week expecting some kind of emotional resolution that probably involved the remaining coven banding together in some more of that found family we've felt them becoming along the way.

Here's where things starts going wrong, right off the bat: they don't. Instead, they splinter. Not only are you aware of just how few of them are left (Jen, Billy, Agatha), but Jen and Agatha can't handle Lilia's death. Jen's distraught. The close up on Agatha running away out of the trial and back onto the Road, alone, shows her looking hunted and wild in her guilt. Everything that follows has its seeds in that moment of rending that began with Lilia's death.

From the beginning, the point has been that Agatha Harkness is a covenless witch. It's something we've seen her revel in - maybe simply because she has no choice but to own it. But the fact is that here, for the first time in centuries, she had a coven. She didn't intend to have one - she intended to kill them all in her basement and not think twice about them again. But events transpired the way they did. They became her coven. And one by one, they all died on the Road.

Rio, of course, has the words to cut right to the quick: "Your coven is shrinking," she teases Agatha cruelly. Agatha looks wild - because she's right. The worst thing is that she killed Alice - and she didn't mean to. She didn't want to. But she did, and in exactly the same way she'd intended to kill her at the beginning, the same way she's been killing witches for hundreds of years. "Your coven is shrinking," and it's Agatha's fault. It's Agatha's coven. It's Agatha's coven.

Hold on to that, too.

---

One of the things that I've been mulling over most is Agatha's character. She's so much fun in the beginning. We're all fucking charmed by her. We also don't have the full context of just how much of a serial killer she is.

So for me, at least, watching 1.08 and not only not getting found family, but getting an Agatha so far away from a "redemption" story that she only just barely is willing to not sacrifice Billy for herself, was kind of a rude awakening. Agatha's a lot more of a villain that I was prepared for. Surprise!

Agatha's so far away from "redemption", in fact, that she's only just barely starting to feel empathy for other witches. She's just starting to be affected by people who aren't #1. And that's a trauma response. And it's so, so, so deeply rooted in her that she's only just starting to be able to conceive of the idea of people who care for her. Of the possibility of being able to live in community. She's not ready for a redemption arc. There was no way that the kind of redemption arc she'd need could fit into nine episodes, because so much of it would for her be predicated on a mental shift that Agatha just hasn't arrived at yet. She's still so angry. She's still so traumatized. She's done almost none of the work. And even at the end, even with the final gesture of sacrificing herself for Billy, that's not a final act of redemption, oh Agatha's now a good person/forgiven/insert word frame of choice.

What this show did in terms of redemption for Agatha was set her up to be in a place where she might want it - where she might want to do and be better for Billy, and someday, for Nicky.

And it's significant that that point comes for Agatha in dying… and after death.

---

This show is about death. The Road is about death. Death is a character on the show.

Like, okay, you're saying. Fine. But what about my gay fun times? What about my queer romance, my found family?

And please know that I'm there with you.

I'm not hugely in touch with what the larger fandom is saying and how they're reacting because I have my little echo chamber here on tumblr and a few friends who have actual social media, but even here I get the sense that we're all kind of :/ for fairly similar reasons. What happened to the show I fell in love with?

And for me, the last few days, I think it's been important to realize that the fact that the show I fell in love with didn't suddenly become a different show. It didn't pull a bait and switch. No twists were in bad faith. Everything has been right here in the text of the show from the very beginning.

And I think it's important to see the story that Jac Schaeffer et al. were actually telling vs. our expectations of what they were telling, or worse, what we wanted them to tell. For just one example, I was convinced we were going to see Alice again - maybe Lorna Wu, too. I wasn't expecting it to be for the sole purpose of recognizing that not only is she dead, but to give Alice herself the space to say that it wasn't fair, that she wasn't ready, that she'd just broken her family's curse, that now she can really do something with her life! Because, ugh, yeah! It's not fair, for all those reasons! But that's also death. Likewise, Sharon's just dead, and worse, her death was pretty much meaningless. Lilia rediscovered herself again, and she chose her death to save everyone else - extremely meaningful. But at the end - she's just dead. We don't see her again. She's gone. She, like the others, walked the Road and away with Death.

I loved these covenless witches. I loved them finding themselves together. I loved them bonding around the campfire and discovering community. I miss them all, so so much. But they told us from the beginning how haunted by death all of them were: Alice and her mom, Lilia and her coven in Sicily, Billy and William Kaplan, Agatha and her son and her ex-lover. And of course, Death herself. Forget haunting these individuals - she came to actually join the temporary coven. Like, fuck. They told us what this show was about.

---

This show is about death, but it's more complicated than that: we'll take our cue from Rio again, who, in being Death, is also the original Green Witch. In short, this show is about Green Craft, "growth and decay in constant flow."

So yes - almost every single witch in the coven dies. Yes, it's permanent. No, the queer romance isn't resolved happily. No, Agatha doesn't have a redemption, satisfying or otherwise. And no, none of it follows what we've come to expect from found family story trajectories.

But the focus shouldn't be solely on the decay. There's a whole cycle of growth coming up after it, even now, and it's being made possible by the death and decay that we just witnessed. And most importantly, it's confirmed that this isn't the end of the story - just the end of "Agatha All Along."

---

I'll finish by actually answering your question - I've been sitting with the finale for a few days, because I also felt weird about it. And I think that's the right word: "Weird." Very spooky season-esque, first of all, but also not tipping all the way right into "bad".

The first thing to acknowledge is that no story is perfect - they were limited by nine episodes by what they had the space to show, and finales are really hard to get just right. The second is that you're allowed to not like any or all of it, especially when something happens that asks you to change your entire understanding of the story thus far, i.e. the Road isn't real, or when you have a particular trauma around death and it turns out that that's what the whole show is about in ways we hadn't fully realized. The third is that it's worth sitting with stories sometimes and seeing how they marinate and develop in your brain and your soul over time. All of these things can and should coexist.

This isn't my first go-round with a series finale that initially made me ???, so I was fortunate in that I felt like I had a cheat sheet. I've still got some marinating to do to see how this continues to change for me. But it's helped me to realize that my ??? reaction is what the story wanted me to have - that the characters are reeling right along with me. Not just Alice in shock about her death, but also Billy at the implications of his creation of the Road regarding his responsiblity for what happened on it. We're meant to feel this way… and then we're meant to reconsider the journey we've been on, the Road we've walked with all of them and the death we've died alongside them, and see it anew for what it really is.

[jenny-in-a-jar]

My surgery is tomorrow!!! ✨💕🥰✨💕🥰

(Picture taken June 23, 2024)

I'm very very excited for my surgery (it's my second gender affirming surgery but this one is more significant to me since it'll be top and bottom surgery) and I was obviously counting the days until it and I thought some people might be interested in my trans journey 🏳️‍⚧️ I finished up most of the story a few days ago so now I'll towards future under the cut! 🌈🌈🌈

With these surgeries I feel like I'm completing the "main campaign" and all that'll be left will be "side quests"

Like I will still have voice training. Also hair removal and getting my birth certificate updated.

Oh!! That's other things I forgot to mention in early posts 😅

I got my name legally changed in the summer of 2021. I just paid a lawyer to handle it for me with my stimulus check money. And I remember getting an updated social security was a whole process 😮‍💨 Now I just need to get my birth certificate updated before I lose the chance to 🙃

Also it was in 2022 that I got laser hair removal. The place locally had this weird plan where you pay for an area and it's pretty expensive but it covers all sessions you can keep coming back for life if there's ever any regrowth (which their definitely was). Honestly, I have a lot of really light hair so I'll be finishing it off Electrolysis.

I had a consultation for body contouring a month or so ago. And she said that she didn't recommend it since I had so little fat that it would be very risky and have minimal results 😔 She did say that she could do a tummy tuck since I have a bit of loose skin there 😅 But she said it would be one of the most painful surgeries which made sense to me as bc I remember they pulled a little bit of fat for my FFS from there and that was the most painful part 😬 Also getting a big scar just to get rid of a bit of flabbiness, especially if I couldn't also get an ass out of it just did not seem worth it. Maybe in a decade when my metabolism goes down, I'll reconsider it. I'll have to go in to replace my implants anyways 🤷‍♀️

Oh!! I'll make sure to upload a picture after I get the surgery! But it might be a few days

But after this surgery I'll done for awhile, finally 😮‍💨😮‍💨😮‍💨 But life is all about change so I doubt I'll ever consider myself fully done with transitioning. I'm excited to see the person I'll become 🥰🥰🥰

Also thank you everyone who left kind messages in the tags and comments 🥺🥺🥺

[sanctus-ingenium]

we need to talk about Inprnt.com

Following a really good post with more screenshots and evidence by @dynasoar5 i'm going to talk about my own experiences with @inprnt and why I am about to put my shop on indefinite hiatus from Monday the 14th of August.

First of all I'll say that since starting my print shop last year it has been a significant help to me financially - I was able to not worry about affording car insurance or motor tax (together commonly over a thousand euro) when I bought my first car, for example. I am immeasurably grateful to anyone who chose to buy one and I treasure all the pictures I've been sent of my prints hanging up on people's walls. Right now they are displayed in a real (if small) art exhibition in my home town.

(top right print is not from inprnt though)

They're great prints. Never had any complaints about them. But here's what's going on behind the scenes.

Earlier this year, around March or April, Inprnt sales started increasing in regularity. I'd made as much as $600 a week during previous sales when I made proper promo posts here, but with this increase in regularity, I felt that I couldn't make promo posts every single week. And then one day, I'm not sure when tbh, the sale just never ended. It just didn't stop having that "Ending soon! 15% off your order" banner at the top of the site. Right now it says "Final Hours: $5 Worldwide shipping and save up to 35% off your order!" and not even for a second do I believe in this final hours bullshit. It's been 'final hours' for weeks now. Months, even.

Why is this a problem? Well, how tf am I meant to make a promo post for a sale that is always "ending soon!!" and then never ends. One week it'll say "this weekend only!!" and then when the weekend is over, the sale banner just changes its wording and the sale doesn't end. I can't promo this, it makes me look like a liar and a skeevy salesman by association! It makes the site look like it's 1 week from crashing and burning, and the site owners are just scrabbling to suck as much money from artists as possible before they drown.

And they are sucking money from us. To peel back the curtain, Inprnt money can only be transferred to my paypal account 30 days after the sale is made, just in case the order is cancelled and refunded. This means I used to make one withdrawal every couple of months, when there was enough build-up of money to make it worthwhile. It also forbids withdrawing any sum under $50 btw. I would make a withdrawal request and then, after a 10 business day wait, it would reach my Paypal account.

Not anymore! The past few withdrawals have taken over a month to complete. They are straight up keeping my earnings from me for longer the agreed period. This was my last fulfilled withdrawal:

Note the date.

Almost two months.

And here is the latest withdrawal request that still has not been fulfilled.

It's coming up on 1 month and if the pattern continues, it could literally be November or December by the time I fully clear all sales.

So what's going to happen to my print shop? Because my art is currently being exhibited with a QR code linking to the shop, I can't close the shop this week. Instead I will close it on Monday the 14th of August, next week. That means that on the 14th of September, I can withdraw all of the remaining money without having any left over. My account balance will go to 0 and stay there. Although I'll de-list my prints I will leave my account there, because at the end of the day I don't want to leave Inprnt. It still offers the best artist margins and as I'm now unemployed after graduating, the additional support is such a load off my mind. So this is a chance to wait and see - if they improve their services, I'll happily re-open.

It's a big deal to me because selling prints is sort of my ideal life as an artist. I never had the attention span or self-discipline for commission work and I found that it left me creatively stagnant. I always want to try new things, new concepts and ideas, and being able to think "yeah, people will like this as a print" while I experiment is honestly very reassuring. And I know that in going on hiatus, it'll break a lot of "buy a print" links in my circulating posts. Oh well lmao. If you want to buy a print right now - go ahead, it might be your last opportunity. Another way to support me would be to check out my ko-fi for once-off donations or some nice sketchbooks/comics/book samples you can buy, or subscribing to my Patreon.

As of right now, Inprnt owes me $381 (the unfulfilled request submitted above for $186.60 and my current standing balance of $194.80 which takes 30 days from each transaction to clear).

[pomefioredove]

heyyy! i really love your writing🥹🥹 btw can i request a hc with riddle and jamil (separated) with gn!reader who’s very lazy and they have a test and only study the morning before the test? but somehow pass?? i wanna see their reaction

anyway sorry if i made any mistakes, this is my very first request and english is not my first language😔 it’s fine if you can’t do it!!

-🎲

no worries! this is a great request, their reactions would be very funny

summary: reader miraculously passes a test they last-minute studied for type of post: headcanons characters: riddle, jamil additional info: platonic or romantic, reader is not specified to be yuu, reader is gender neutral, not proofread

Jamil knew that it wasn't his place to judge

after all, being raised with the al-Asims, he'd been taught to keep his bitter thoughts to himself

but something about your carelessness reminded him all too much of Kalim

...okay... maybe you weren't exactly partying, or spacing out, but your complete lack of conviction is almost identical

and, so, Jamil decides to give you a word of advice the day before the big exam

"Worried about tomorrow's History of Magic test?"

he even gives you a big smile, trying to play it off as a casual question

you shrug. "Eh, not really,"

"If I were you, I'd be a little more concerned. The grading system is very strict at NRC,"

and with that, he's gone

his sly remark, spoken as if in friendly conversation, leaves him feeling a little more satisfied with himself

he doesn't even feel irked when Kalim nearly sleeps through the test, or when he forgets his notes, or when he absent-mindedly reads the questions aloud during...

in fact, Jamil is quite confident that in any case, you'll do much worse than Kalim, which saves the both of them

after the exam scores are posted in the hall, you find him

"What did you get?"

Jamil hates answering these kinds of questions, especially knowing that he could be in the top of the class if he was allowed to try. "Passing. And you?"

"Well..." you smile. "I really thought about what you said, so I studied this morning."

Jamil's sour mood at his own score seems to lighten

you studied the morning of the exam? oh, this was going to be rich

"...And I got full marks!"

...what.

you show him the paper and it takes all his strength to keep his usual poker face

otherwise, his jaw would drop

"How did... how?"

you shrug. "Good study plan, I guess,"

"Hmph," he crosses his arms. "Well, then... you'll have to come tutor Kalim sometime. What works for you must work for him,"

Riddle spends the entire week pestering you about studying

"I just don't feel like it," you groan

goodness. you sound just like that terrible Floyd...

"It's not a matter of want, it's a matter of need. This exam counts for a significant amount of your grade!"

"Eh... I'll just wing it,"

wing it?! oh, now you've really done it

"Consider yourself lucky for not being a part of Heartslabyul. I would have your head for that!"

and then he storms out. how graceful!

when he sees you the following afternoon, that calm, unbothered look of yours is still on your face. it drives him mad

"If I were you, I'd be praying," he says. he's almost smug about it

Riddle earns full points on every exam- it's just a given. he's sure that the two of you will be on polar opposites of the grade spectrum once the results are posted

you shrug. "Yeah, about that... I thought about what you said, and decided that I don't want to have to retake this class. So I studied this morning,"

he almost smirks. "One last-minute cram won't be enough to raise your grade above failing, I'm afraid. But perhaps this will serve as a lesson, next time you-"

Riddle stops dead in his tracks as Trein posts the exam results on the wall behind you

his eyes widen

"Full... full marks?! We're in the same percent!? How is that possible?!"

You chuckle as his face goes all red, both frustrated and flustered

"Hey, you should count this as a victory for yourself. You give great advice,"

[sitepathos]

I love from gold to mold but now I'm wondering from one of the ask what if reader was tortured to death and just kinda wanted to die so when the deal happens he just kinds of say sure have my body, I don't care, just let me die. So they do, maybe his conscience it's still there somewhere in a coma they don't want to wake up from, but the megamycete is the one in complete control and they decide hey, maybe the polite thing is to notify, so they go to the batfam and spill the entire beans.

And then shit hit the fan. Completelly

It’s a nice thought, imagining the Megamycete recreating Y/N’s body and exacting revenge on his behalf, but unfortunately, that couldn’t happen. If it could, it would’ve left that cave years ago. No, in order to leave the cave, it requires a living host and if you had died, it would’ve just absorbed your corpse to add to its biomass and archived your memories into its records. Once you die, you lose that spark of life, making you just food to the sentient mold and unable to commune with it like you did in Chapter 3.

However, if this were to happen, the process of absorption and archiving wouldn’t go as normally as it normally does. See, most corpses it gets ahold of have long since gone cold, so when it gets through the body’s memories, its sensations and feelings aren’t as powerful (think of it like watered down alcohol).

You, however, are freshly killed, your body still warm and your brain still active, leaving memories fresh. As it absorbs your memories, the rage and sadness you’ve experienced for years hit it like a freight train. It’s been alive for over 400 years and this is the first time in its long existence it knows the feelings of hatred, depression, grief, and loss.

It’s thanks to this that the Megamycete holds you in high regards, valuing you more than the countless corpses its absorbed.

As it goes through your memories, it sees how much you hated the Waynes and wanted nothing more than to make them miserable and so, it seeks to grant your wish as thanks for allowing it to feel for the first time in years.

While it can’t assume a corporeal body, it can expand its roots, burrow them underneath the foundation of Wayne Manor and Wayne Tower and cause significant damage, even causing them to collapse entirely.

And when the roots infiltrate the Batcave? It’ll use them to attack them, whipping them or wrapping around their bodies and crushing them into powder. While I can’t say if the Megamycete could kill them or not, it would provide them with quite the challenge.

[ashherahh]

what messages you need right now

Note: Please take it if it resonates, leave it if it doesn't. Meditate before making your decision. It's completely okay if you don't resonate with this reading. The collective is huge and I'm sure you'll receive the messages you need in due time.

pile 1

If everything worked out for you all the time, how would you ever grow?

This period of your life is calling you to cultivate a new perspective of not only yourself but your life as a whole.

I'm picking up the energy of someone who has always known what to do. Someone who made plans that always worked out for them. You never had to worry about things not working out because they always did. And now that you've found yourself in a rut of sorts and your plans are falling through, your confidence has gone down the metaphorical drain.

Spirit wants you to know that you have been blessed with being decisive and secure in yourself, you never had a reason to doubt your decision. This season is just meant to broaden that, to help you gain a deeper understanding of yourself. Your being called to become someone, who no matter what happens around you or what doesn't work out for you, you are still solid in who you are.

The time you spend focusing on this will pay off and I see you going on to achieve so much more than you could ever hope for.

pile 2

Your family is very important to you. You would do anything for them, and there's a situation taking place right now, with the more nurturing and maternal figure in your life.

You are so stressed and you're taking so much on your plate. I literally just want to hug you right now. I'm feeling this weight in my belly and my chest. The burden you carry is too much for one person. You are feeling so stuck. I literally feel like crying while doing this reading for you.

This is not the first time it's happening so no wonder you feel stuck. You keep pouring from your cup and you don't have the time to fill it or there's no one around to fill up your cup.

As hard as it will be do to, you are being called to create some balance. You are such a loyal person, it feels like you're betraying them by focusing on you because you feel they need your time and resources more than you do.

Spend time outside, do breath work, meditate, and do this consistently. If you can't make the decision now to create balance, at least find the time to breath and do some grounding exercises.

You can't be there for anyone else if you're not there for yourself first.

pile 3

Spiritually and emotionally, you are very strong but this is not reflecting in your physical world at the moment.

I see that your intuition is strong, but there's doubts, fears, you feel as though it can't possibly be true if it's from you. I'm seeing the word insecurity. I'm picking up on very, very intense emotions.

Do you doubt yourself because you rarely received affirmation?

I want you to know that not everyone needs to hear what you have to say. I say this because not everyone has the capacity to understand you. This pile is a very spiritual group of individuals, many of you had been outcasts because you couldn't connect with others.

You are still in your shell, you are still being moulded and transformed. It's a process that should be intimate, not everyone needs to know and not everyone needs to see.

Spiritual transformations are always intense because we wish someone could guide us. Some are fortunate enough to be blessed with that environment and with teachers, but if you are the first in your line, which I see many of you are, you will have to forge your own path.

The Moon is quite significant to you and in this process. Now is a good to take up following the Moon cycle.

[buggachat]

So, this is very important. Emilie or Amelie?

(Answer: Amelie. But seriously, I'm getting ahead of myself, let's talk about it.)

This is kind of a long post. If you don't want to read all of my ramblings, feel free to skip to the final point. That's the important one.

A mysterious woman who is clearly one of the two Graham de Vanily twins was in attendance of the party at the end of the episode. But is she Emilie (Adrien's dead mom, revived by Gabriel's wish) or Amelie (Adrien's already alive aunt)?

Here's the thing. The answer to this question is actually extremely important. Emilie being alive would be a HUGE deal and would have extreme consequences on the narrative and themes of the show.

Seriously. We need to know whether or not Emilie is alive. So, let's discuss— what do we know?

1. Amelie should be at this party.

Seriously. Amelie would be at Adrien's party.

You know who is in attendance at Adrien's party? Not just his friends, but also adults in his life. Nathalie. Su-Han. Jagged Stone. Penny Rolling.

You know what Penny Rolling's relationship is to Adrien? She's the manager/new girlfriend of his friend Luka's recently-undeadbeated-dad. And she was invited to Adrien's party.

Seriously. This is a party of any significant character. Everyone and their mother was invited and— hey wait, where's Félix's mother? Félix is here, and certainly our favorite mommy's boy would invite his mother along. Surely Adrien's aunt would be invited to Adrien's party.

You know, Amelie's aunt, who had a not insignificant arc in the story? A family member to the Agrestes, who we've seen struggle, who would well deserve a shot of her smiling at a party at the finale?

Amelie, who had some unresolved tension with Nathalie, centered around their respective relationships with Gabriel? Tension that would likely be rectified after Gabriel's demise?

Not only would Amelie be at this party, but I absolutely believe she would be sitting next to Nathalie. (I mean, they do know each other. Who else at that party does Amelie even know?)

If that's not Amelie, then where is she?

Oh, and side note, what was the shot just before the shot of the mysterious woman? Oh, that's right. Amelie's son.

2. She only appears for a brief flash, given no more significance than any other character in attendance.

There's a reason why everyone is using the same shot of the mysterious woman when discussing her. That is the only shot of her. There are more shots of Penny Rolling than of her.

Here's the thing. Either Emilie is alive in this final scene, or she isn't. So, how would you expect this scene to play for these circumstances?

Here is a complete list of everything I would expect if Emilie were not alive:

A brief shot of Amelie.

Here is an incomplete list of some of the things I would expect from a "Emilie, the mother of the deuteragonist and ghost that has been haunting the narrative for 5 Seasons, is alive now" reveal, at the bare minimum:

A shot that lingers on Emilie.

Emilie, seated with Nathalie AND HER TWIN SISTER.

A shot of Emilie opening her eyes during Gabriel's wish.

The newscast, which they watch during the party, having a mention of "... and Parisians are still celebrating the rescue of Emilie Agreste, who was previously missing but recently found!"

Adrien literally acknowledging that his dead mother is suddenly alive at all? AT ALL? Looking at her, mentioning her, literally ANYTHING from him? I mean, seriously, what did he think happened—

3. Adrien's perception of his mother's reappearance would need to be addressed. It was not.

Adrien does not know the wish was cast.

Adrien does not know anything.

Here's the thing. While, yes, Emilie has been described as "missing"/"disappeared" in the show, it is absolutely clear to the audience that Adrien has been under the impression that Emilie is dead.

We know this from the painting in the foyer that depicts Gabriel and Adrien in mourning. We know this from the way that Adrien (correctly) draws the conclusion that "Nathalie has the same illness as my mother, therefore she is dying". We know this from the way that Adrien speaks about his mother in past tense, how he encourages his father to move on and date Nathalie, how he has never once in the show seemed to be under the impression that Emilie could come back.

So, if Emilie suddenly came back........... someone would need to explain it to Adrien. He would need to be fed another lie about it. We would need to be made privy as to what he believes happened.

Examples of how this could have been easily achieved:

Again, the newscast. Nadja acknowledging that the missing Emilie Agreste had been found. Maybe mentioning that "she was found being held captive by Monarch" or something. I dunno, whatever lie that works.

Adrien, during his conversation with Marinette, mentioning what happened to Emilie from his perspective, the same way he vocalized to her what his perception of Gabriel's death was. I mean, seriously, Adrien was already doing this expositional dialogue... why wouldn't he mention his mom during it?

4. Leaked production material does not change the final product.

Yes, scripts were leaked of this season. There are deleted scenes in the storyboards. There are script changes and allusions to certain things and mentions here and there in these materials that suggest that the mysterious woman could have, at some point in production, been Emilie.

... at some point in production.

So, here's the thing. This is the most solid Emilie argument we have. In fact, I'd argue it's the only argument that holds any real ground at all. .......... and it's in content that we aren't supposed to have.

( Actually, it's the only real Emilie argument I've seen... period. The only other one I've seen is the fact her statue is gone, but I'd argue that the removal of her statue has symbolic weight no matter what. It was a symbol of Gabriel's obsession over her, the way that she haunts the narrative, the way she looms over the Agreste household. Alive or not, this is not the case anymore. So it makes sense to remove it. )

If your interpretation of the source material is solely, and I mean SOLELY based off of out-of-context snippets of things that were in the writer's room Vaguely At Some Point, things that now directly contradict the final product, things that the audience was absolutely under no circumstances meant to see...

You're not interpreting the episode. You're interpreting out-of-context snippets of a rough draft of it.

So, here's the thing. I've seen some of these leaks, I've seen a lot of people talk about these leaks, I've seen the rumors and I've heard the gossip. I'm not going to parrot it, because honestly, I'm still annoyed that the leaks exist at all. It feels a bit insulting to the art form, tbh, that incomplete scripts are being passed around and touted as significant and more accurate than the actual completed script.

But I'll say one thing:

If the rough drafts of scripts, deleted scenes, etc pointed to Emilie being alive.......

Why did they remove them?

(The answer is simple: because they changed their minds. And you don't have to stress about or mull over why they did it, because you were never supposed to know that it was changed, because you were never supposed to know about out-of-context rough drafts of the script in the first place. It doesn't matter. It's not the product. Writers are allowed to toss around ideas and scripts and then change them. It's unimportant and you're not supposed to be privy to it. It's not for you. It's not what they made. It's certainly not more accurate to the direction they're headed than what they settled on. )

Point is:

IF THE LEAKS DIDN'T EXIST, YOU WOULDN'T BE CONFUSED.

YOU ARE NOT SUPPOSED TO SEE THE LEAKS.

YOU ARE NOT SUPPOSED TO BE CONFUSED.

5. So, Astruc on twitter.

Okay, I love perusing Astruc's twitter for snippets of information as much as the next obsessive miraculous fan. I have perused his twitter a lot. Astruc always addresses comments and concerns under like 20 layers of coyness.

People ask him, "is it Emilie or Amelie"? And basically, every time, he responds with some variation on "pay attention and you'll know".

He's been shooting down people presenting the clues they find to him, on both sides of the argument. Some examples (which include the Amelie wearing black and Emilie wearing white thing):

So, what does this mean, beyond the already known fact that Astruc likes to mess with us?

Obviously, I'm not Astruc. I don't know his mind. I also don't have much of vested interest in dissecting everything he says, nor do I take his word at face value a lot of the time (again, he likes to mess with us).

However, I think two things are fairly clear here:

It IS possible to know whether or not Emilie was revived by watching the episode.

It's not the small details he wants us to look at. Admittedly, color schemes and set dressings are small details. It's not the big picture. It's not important. It's not the heart of what he, or any writer in his position, would want us to interpret.

( Side note, but if nearly every single Emilie argument is based off of things NOT ACTUALLY IN THE EPISODE, then doesn't Astruc saying the answer is in the episode shoot that down right off the bat? But hey! I digress. )

So, what is the big picture? What are the things that writers are truly proud of? What is the thing that a writer would want us to pay attention to? What are the details of the show that can help point us to what transpired in the episode? What—

6. The WRITING of the ENTIRE SERIES, INCLUDING within THIS VERY episode, the dialogue, the themes, the character beats, the symbolism— Literally. All of it. Points to Emilie. STAYING. DEAD.

This is actually the heart of my point.

Emilie absolutely was not revived here.

Here's the thing. The themes of grief and loss and mourning are extremely present within the Agreste arc. Throughout the entire series, the following has been hammered in by the writing:

Gabriel is obsessive for wanting to bring Emilie back. His desires are not healthy or sound. He is delusional. He is hurting Adrien and Nathalie by living in this fantasy.

Gabriel should have moved on.

Nathalie wants to move on.

Adrien has already moved on.

EMILIE HERSELF wanted them all to move on.

Emilie is a nearly angelic figure. Adrien is literally the deuteragonist of the series. Nathalie is a morally grey character with a clear redemption arc. Gabriel is the antagonist.

The "better" the character is, the more certain they are that Emilie should not be revived.

The CORRECT choice, if Gabriel and Nathalie chose the "right" path from the start, would have been for Gabriel and Nathalie to focus on parenting Adrien themselves, instead of obsessing over bringing a dead woman who has already come to terms with her death back to life. That's what Emilie wanted. That's what Adrien wants. That's what Nathalie has wanted but was too afraid to say. That's what Gabriel refuses to accept.

Look, if I go in depth into the scenes where this is addressed, I'd be here all day. Instead, have a screenshot compilation, I guess.

Again. That's been a core message of the series this entire time. And while I don't have screenshots of it being spoken so plainly in seasons 1 and 2, Gabriel has always been depicted as sinister, and his obsession has always been framed in the wrong.

Now, if you're one of those people who refuse to analyze the text at all or interpret what the messages of the show are on the grounds of "the writing sucks so who cares, it's probably just inconsistent writing and they forgot about the themes in the final episode" or whatever, then like. Ok. But here's the thing— this theme is even more hammered home in the finale.

Guys. I'm serious. What the hell do you think the scene before the wish was saying?

Gabriel, at his lowest moment, brought down. Gabriel, detransformed and on his knees before Bug Noir. Gabriel, at the final hour of his life, near tears, still obsessing over his wife, still thinking of his wife his wife his wife above all else, as Bug Noir lays out the literal themes of the show to him in all their beautiful glory.

And then literally forces him to watch the very videos that he had tried to force Nathalie to delete. Forces him to face the very words he refused to acknowledge. Forces him, at his lowest, to come face-to-face with the truth he denied.

.... And it hits him. What she's saying hits him. Because how can he deny Emilie's own words? The very woman he's doing it all for? How can he bring her back to life when she would want nothing less? How can he force the love of his life to live knowing that someone had died for her to, when she didn't want that? How could he have lost himself so much in the madness?

And then Bug Noir comes in with THIS

.... And Gabriel says....

.... Note that, he does not continue to deny it. He does not plead his case that Emilie should be alive. He is no longer arguing that. Here, he has seemingly begun to accept the premise that Emilie should not be brought back to life. Instead, he has a new premise:

He does not want to be alive if Emilie is not.

Gabriel is not selfless. Gabriel is not a good man. Gabriel says, earlier in the episode, flat out, that he is more than willing to kill whoever it takes, whatever rando he wants, to get what he wants.

Here's the thing.

Gabriel wants to be with Emilie.

Gabriel is willing to kill anyone, whoever it takes, to make this happen.

Gabriel realizes Emilie does not want to be alive.

Gabriel decides that he will honor Emilie's final wish......... only partially.

Because Emilie wanted both Gabriel and Nathalie to take care of Adrien. But Gabriel does not want that. It's not that Gabriel is above killing someone to save his own life, it's that he realizes that he, too, does not want to be saved. Because he does not want to live in a world without Emilie.

He would rather be dead, with her, than alive and caring for his own son.

Gabriel Agreste's wish is a suicide. I mean, we already knew this— but I mean, literally. It's not a selfless sacrifice. It's not one final act of goodness. It's a suicide. He decides he wants to die, and he decides that he will save Nathalie in the act— because it's what Emilie wanted, and Gabriel is obsessive. The only person who would reason with him is Emilie herself.

And what does Gabriel's wish look like? How is it depicted to us?

Gabriel and Emilie, cast in a white light. Emilie lifts from her coffin, notably still limp, as Gabriel rises up with her.

He rises up with her, notably supporting her limp head with his hand. She is still unconscious. And he is joining her.

One last selfish act. The final nail into his "trying to be a dad" coffin. He doesn't want to be a dad anymore. He only wants to be with Emilie. And he will gladly pass that responsibility, the responsibility of parentage, onto Nathalie— The only character in the show who has been showing an explicit, vested interest in LIVING to take care of and be a parent to Adrien.

Nathalie is alive. Nathalie is well. A life for a life. One life for one life. That's all that's depicted. That's all that's shown.

Is it TECHNICALLY POSSIBLE that more could've been a part of that wish? Is it TECHNICALLY POSSIBLE that the wish could've been more complicated? Is it TECHNICALLY POSSIBLE that some random other person died? Is it TECHNICALLY POSSIBLE that all of that dialogue and that entire scene and the entire buildup of Emilie's recordings were just soooooo lol random and that Emilie just decided that she's totally cool with being revived and alive now and that the entire themes of the series were a lie?

I also think it's technically possible that Marinette has secretly been a hamster wearing a human suit this whole time, and Lila is actually secretly a sentimonster made by Gorilla. And maybe this show isn't a romance, actually, and that Adrien and Marinette aren't meant to be endgame. In fact, maybe the entire series was a big prank. Maybe I'm adopted and my parents lied to me about it.

But how it looks, from what I see, from what I've watched, what just happened is....

Gabriel accepted that Emilie is dead.

This made Gabriel want to die, too. Because he doesn't care about Adrien as much as he cares about Emilie.

So, he did. And he shirked parentage onto Nathalie.

Is this "winning", by the way? By any stretch? Is this "Gabriel getting what he always wanted"? Is this "Gabriel being proved right"? Is this a lack of consequences? Are we really going to call a broken man, who has been slowly turning to ash and rotting away for an entire season, who suffered and was beaten down and, at the very end, had the only people ever in his corner (Nathalie and Adrien) cursing his name and wanting him dead.... him being right all along? Is him committing suicide the series justifying his actions? Is him committing suicide (again, not a selfless sacrifice) him "doing good" and "being redeemed" by the narrative? Is a faux image of him, a false narrative, a complete fictional person that he never truly was being celebrated by ignorant Parisians, him "being redeemed"? I suppose that's another essay altogether. But I'm tired of writing.

also, there was still only one goddamn twin at that party