#i'm so glad you like my blog !!

[mymhameme]

I came to your account from a post with eri and aizawa and now you’ve got me invested in spinner x shigaraki somehow :D? Ur account is cool! (I hope I’m using this feature right, not quite sure how this app works. U don’t have to respond btw I just thought it was funny)

Thank you! They sneak up on you for sure!

Tiny morsels for the newest spinaraki member 😊 <3

[sainz100]

Carlos Sainz | F1 London Live in 2017 | x x x x x

[lunarharp]

played dragon age 2...just simple scribbles

[disneynerdpumpkin]

Toulouse, Berlioz, and Marie just being the cutest Disney siblings ever

🎹🎨🌷

[pynkhues]

When black people tell you that some of your talking points are racist, you should probably sit up and listen rather than slinging accusations of terfism back at them. Just a suggestion.

I mean, I have been listening, anon, and I've actually been reading pretty widely, and as I said yesterday in this post, which I assume is the one you're replying to, my talking points aren't being addressed at all. What's happening is that strawman arguments are being created for people to demonstrate my apparent racism which are built on things that I never said and would never argue, because it's easier to do that than actually engage with the nuances of what masculinity is and has been.

One of the ways that I've been listening was in regards actually to that post I was linked to yesterday which talked about the fact that Louis doesn't embody Black masculinity in 1910, which was genuinely an argument I was really curious to know more about, but because it was a stated point and no argument was actually mounted, I did / am doing my own research - I read Michele Mitchell's The Black Man's Burden: African Americans, Imperialism, and Notions of Racial Manhood 1890-1910 last night and I've read parts of Alexa Dagan's These Hard Times Gon' Kill You: Black masculinity, racial and intimate violence, and the blues in the Mississippi Delta, 1918-1945 with the intention of reading it in full over the next few weeks - and those have provided really useful context, so I'm very glad to have read the former and be reading the latter, but they don't support the argument that Louis doesn't mark traditional Black masculinity for the era. In fact they argue the opposite - particularly the first one that specifically goes into Black men being emasculated by white supremacy and the impact that had on Black masculinity, and the effect of class mobility being Black men would distance themselves from lower class Black men when they attained wealth, both things which I think are really present in Jacob's astonishing performance.

I've also previously read Jesmyn Ward's The Men We Reaped, Maxine Beneba Clarke's The Hate Race, and Clint Smith's excellent poetry collection, Counting Descent, among many others, which all explore topics of contemporary Black masculinity (although are broader explorations of Black history, life and identity), and yeah, obviously I don't have lived experience - I'm open about being white and Australian - but y'know. I'm not completely ignorant, and I am listening to voices. A lot of them actually. I just don't agree with you, and I'm not sure why that offends you so much that you've come into my inbox a couple of times now to say words to this effect (calling me a racist before saying 'just saying' / 'just a suggestion' is kind of a tell, anon), but I would say that when you send me asks like this that you're being disingenuous. I don't think you're asking me to listen, I think you're telling me to shut up, which really goes back to that point about this whole thing being an exercise in control, not conversation, which I made in that last post.

I'd also just pose a question to you too, if that's alright. Why is this request for self-reflection never one that goes both ways? I am interrogating my internal biases, are you? Do you ask yourself the question of why TERF rhetoric is really, really pervasive in these talking points? Do you think about why it is you try to apply heteronormative gender essentialism to a queer character / couple? Do you ask yourself why it's so important to you that this character be 'female-coded'? I can appreciate the challenge of that - trust me, working internally in this sort of way is a lot, I know how hard it can be to unpack this sort of thing, and I really do mean that genuinely, so I hope that you take it that way - and look, it can be really hard to know where to start, so here are a few resources, just in case you do want to explore this and maybe start tackling your own biases, because it's not enough to put TERFs DNI in your bio, and it's not enough to only be listening to the terminally online on tumblr.com (I say as someone who's often on here, haha):

Archer Magazine is a great magazine that explores gender and sexuality, with a really big focus on trans and non-binary identity and queer sexuality. There's a physical magazine, but they post a lot online for free. Here's the gender tag, if you want to have a look. I'd really recommend signing up for their e-news though.

TeenVogue's On Queer Fandom and the Radicalization of the Underdog

Who's Afraid of Gender? by Judith Butler

The Argonauts by Maggie Nelson is a really interesting read on her romantic relationship with the trans artist, Harry Dodge, and merges memoir and philosophy. It talks also about gender and parenthood in ways that might be interesting in regards to these particular conversations.

Of course, the documentary Paris is Burning, which is available to watch free on YouTube here.

I also haven't read this one yet, but a few friends have recently recommended Invention of Women: Making an African Sense of Western Gender by Oyeronke Oyewumi that sounds genuinely pretty fascinating.

So, yes! Anyway. Not really sure how to close this one out, but again, just to reiterate, I've got no issue with you enjoying femme!Louis. Good for you, have fun, we interpret the character and the show differently. That's okay, anon, there are lots of people who like your interpretation more than mine, and I hope you guys have a great time with that in the hiatus and over the next season, but I'm gonna keep doing my thing over here.

[anghraine]

About a month ago, I found copies of Morgoth's Ring and The War of the Jewels in a local used bookstore after many years of looking for used editions, and immediately snatched them up to go with the copy of Peoples of Middle-earth and the LOTR drafts I've had for years.

I don't have The Fall of Gondolin, but even so, I was kind of fascinated by the different variants of the story Tolkien was coming up with until very late in his life. Christopher Tolkien could pretty authoritatively date some of the revisions to the 70s based on the typewriter his father was using, and iirc it was the last First Age material (JRR) Tolkien worked on, and he seemed to really think he could get it done after not touching it for 20 years.

But between the different texts that I do have, there are so many different versions and ideas for the Maeglin backstory that it's pretty wild.

Eöl was captured by Morgoth at some point and his skills made him useful enough in Angband that he got some limited privileges among the slaves and prisoners there, and also he learned some of his craftmanship because he was there. He either escaped because of this or """escaped""" (unconsciously a tool of Morgoth still). JRRT really liked this idea on a narrative level but rejected it for being too similar to Maeglin's own story.

Eöl was a Sindarin relative of Thingol's but had always been a hater in general, and left Doriath out of some mixture of personal antagonism and not wanting to be limited by the Girdle of Melian. His incredible craftmanship had nothing to do with Angband; he advanced his skills through his friendship with the dwarves.

Or maybe he was never one of the people of Doriath, actually, but akin in a looser sense of the broader Sindarin kinship group. He was, incidentally, wrong about the Noldor stealing Sindarin lands; the Sindar weren't occupying those particular lands in the first place.

Eöl was actually a Noldo who refused the final step of the journey and trapped/misled a young Aredhel before the Noldor ever even got to the Undying Lands (thus denying her the sight of the Two Trees). The Valinorean Noldor look down on him for being personally a loser, but there's no racial subtext to it.

Separately from any of this, Tolkien keeps confusing the exact generations that the Nolofinweans and Fëanorians belong to, so there's a draft where Aredhel is accidentally moved up a generation and Eöl regards Curufin and Celegorm as his shitty nephews.

JRRT wrote a whole passage about Curufin's motives in his interactions with Eöl, what he knew or guessed at what point about just who Eöl's mysterious wife was, and the importance of showing the better side of Curufin's character (given how awful he usually is, esp in Beren and Lúthien's story) in his relationship to Aredhel and his distaste for Eöl, even if he remains arrogant. Although Curufin unfortunately doesn't choose murder on that specific occasion, his annoyance with Eöl does cause significant delay that buys some time for Aredhel and Maeglin's escape.

There's more, but those are things I found interesting!

[shima-draws]

I haven't watched more than like, 8 episodes of once piece, but i just want to say that i'm loving your live(?) blogging of the episodes as you go. especially all the sanji x luffy, it's all very cute in general but also how excited you get about it is fantastic.

that's all! i just love seeing people passionately enjoy things.

AAGFGHGHF THANK YOU OMG........I feel like I've been REALLY annoying talking about Sanlu nonstop but I'm glad at least somebody is enjoying it lmao. But if there's one place where I SHOULD have no filter and feel free to talk about my ships constantly, it should be my own blog right. LOL

Essentially,

[vinkandpaint]

neeew sona reeeef

[silkjade]

i haven’t been here much recently, and i’m sorry i’ve only been negative on the off chance i’ve been online, but let me just say one last piece before the end of this month, so that maybe the next might be better….

[ryugrass]

I really hope this doesn't come off as shooting indirects but I noticed that you post a lot of gorgerous WIPs but I am never able to find the final piece. Do you upload your finished art somewhere else or like to a Patreon I can subscribe to? Or are you just really busy with your NDA work that you can't find the time to finish your personal work?

NDA :')

been so busy with two jobs that I had little to no energy to rly finish any personal art this year so I cope with posting wips LOL but there's no patreon so you havent been missing out on anything!

[keeps-ache]

i wanna be able to use these so lol :)

[scrawnytreedemon]

While I intend this blog to remain a largely news-free space due to the constant hellstate of the world, let me be clear that I stand in full support of both the Palestinian and Jewish peoples who are currently experiencing relentless hate and suffering in these horrid times.

I am disgusted at the number of people, especially "progressives" on this website who have used this situation to spread both Islamophobia and Antisemitism. This goes double if you dared to reblog those "punch nazis/fascists <3" and "[x] are welcome here!" posts while in the next breath spreading dangerous fucking narratives that kill people.

So many people in online political spaces evidently see this as nothing more than a case of picking "sides", when ultimately what matters is supporting the oppressed against fascist governments and militias, wherever they are.

Common people will always have more alike with each other than their leaders. This is not a novel concept. Your activism should always be motivated by love and compassion first, and hatred second. If you use your beliefs as an excuse to find an acceptable target to vent your hatred towards regardless of the actual material outcome, you are no fucking activist.

You're a bigot.

[dasnercaret]

8,9,10,15,17

8. squints. opens up isat to check.

....only 57!?!

9. i would wish for my lawn to be mowed because it's crazy overgrown! it sucks!! there's probably ticks and other bugs in there!!! it's all scruffy now (expertly dodges the question for the third time)

10. the universe assumes that i want my lawn to be Dead because if it dies i never have to mow it again. i end up with a big patch of yellow dead grass

15. sigh. siffrin...? he might be fun. i don't really like isabeau and mirabelle... (i've already answered odile and bonnie to this question i believe) i'm sorry... they just don't seem like people i would like all that much.......

(worth noting: i like them in that they're good characters they just seem like they would be A Lot to hang out with. isabeau is very tall and very loud. mirabelle is filled with anxiety and loves romance. i historically get along with Neither of these personality types)

17. of course <3 i proceed to get my ass beat by a preteen

[jichanxo]

ref

[darlingsart]

Hi everyone! 💕

I made a Patreon if anyone's interested in supporting me a bit more:

Patreon.com/Darlingsart

My patreon will run more or less like this blog, but with a few extra goodies! Over there, I'll be posting a few more sketches/doodle pages, WIPS, voting polls on what I should draw next, and some speed draws!

I'll still be posting all of my art on here like I always do! Patreon will just be like a little tipping jar so if you enjoy my art and my fics (and if you're able to!), feel free to subscribe to help me out. If not, I still appreciate all of the love! 🥰

[nottakingresponsibility]

"What the fuck does this mean. Why is it calling me that. I don't remember setting my name as that. Hey, wait a minute."