#i'm so familiar with the ways that those posting them DO fandom
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mockturtletale · 5 months ago
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"#also jesus christ who was going to tell me taylor hall is a blackhawk now" He's a WHAT NOW?? 😂😅 that was a surprise
right???? i peaced out of hockey fandom like ... 8 years ago, now? and that fandom was a massively formative one for me, so a ton of my friends are friends i made there and while most of them have moved on too, a few still post hockey crumbs every now and then but no one thought to tell me that taylor hall is a chicago blackhawk now!!!!!!!!!!!
before this ask, i would have been completely willing and able to convince myself that finding that out last night had been a dream. like in WHAT UNIVERSE.
several of the rosters i glanced through yesterday did serious psychological damage to me, honestly.
the NHL is like the most unhinged scripted drama i've ever even very very sparingly been aware of.
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hexiva · 10 months ago
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Roleplay Is Not Dead Nor Doth It Sleep
There's a post going around about how text-based, freeform roleplay is dead, and I was typing up a huge response to this, with an accompanying guide on how to find roleplayer in 2024, when I realized it might have a bigger reach if I made it its own post. So here's that guide.
I hesitate to say that there isn't a problem with the new format of social media making roleplay more difficult to find, but in the desire to make that point, the OP of the original post has left people with the idea that there's no way for them to get into freeform text roleplay in 2024. Which just isn't true! Here, look at all the ways.
Forums
The link to RPG-Directory to find roleplaying forums is a good start. Once you've found a forum RPG, even if you don't join, there's usually an 'advertising' section on that forum where other forum RPGs post their ads - this may help you to find forums that don't advertise on RPG-D.
Another really good forum to find roleplay on is Barbermonger. Barbermonger is focused on connecting people for one-on-one roleplays.
This last one's going to be weird, but it turns out that there are still people seeking roleplay on the Gaia Online forums after all these years. I think this is delightfully retro and then crowd there seems a little older than average. No pre-existing knowledge of Gaia required.
Tumblr
You can also find forum roleplay groups (as well as tumblr and Discord groups) right here on Tumblr. Usually, the thing to do is to use the search function - search for "[genre] rp" or "[fandom] rp" and sort by "latest." (If you sort by Top, you are likely to find dead RPs.) For example, here's fantasy rp, historical rp, and marvel rp. You can also try jcink rp, as most roleplay forums are hosted on Jcink these days, or discord rp, depending on your favored platform.
There are also tumblr blogs specifically dedicated to advertising roleplays. I'm not super familiar with these nowadays, but just in the process of searching those tags above, I found these:
Jcink Tinder
RPG Adverts
RPings
There are more, I just don't know them off the top of my head.
Reddit
Listen, don't run away, I swear it's good now - I swear Reddit is good now -
Reddit is a good place to find Discord roleplays. It's a little heavier on smut-only roleplays than other platforms mentioned here, but it's not impossible to find sexless, plot-based roleplay here either. Most ads are for one on one RP, but you can find groups mixed in here too. The big subreddits for text-based freeform RP seem to be:
r/DiscordRP
r/RoleplayPartnerSearch
r/roleplaying
r/Roleplay
Some of these have weird rules about what you can put in your ad, and I don't remember which ones, so read carefully and don't get discouraged if your ad is initially removed.
Discord
In 2024, Discord is by far the biggest and most popular platform for roleplay, and it has its own native roleplay advertising hubs. Here are a bunch:
roleplay partner hub
Rockin Roleplay
The Roleplay Garden
roleplay help
the roleplay connection
RP Central
Roleplay Central
Roleplay Hub
Barbermonger also has a Discord server
Roleplay Meets: Reborn
RP Hub
The Scribes Guild
DM Rp Village
cherry blossom! roleplay hub
DM-RP
Roleplay Round Table (21+)
The Historical Syndicate (specifically for historical roleplay)
The Roleplayer's Directory
If you can't find the Discord roleplay you want on here, you can also try Discord hub websites, like Disboard. These work similar to tumblr tags - search for [genre] rp or [fandom] rp.
Other
The original post specifically mentions that 'all the old "omegle but for role play" type websites died out ages ago'. This is mostly true, but not quite! There's still Rolechat. It's a little janky, but what it needs more than anything is a bigger user base. Their Discord server is also a good place to find one on one discord roleplay. It is, of course, free, but if you want to support its development, they have a patreon.
Please reblog this post, and add your own tips on how to find roleplay!
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the-eeveekins · 6 months ago
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I'm so proud of how Sulemio fans have come togther to support these girls, but also defend them from the flood of misinformation and bullshit. We're pouring post after post of love explaining who they are, why they're important and why we love them.
I'm familiar with Destiel because of the memes and it being one of the most infamous cases of Queerbait/Bury Your Gays around, but never interacted with the fandom (why would I?). And man like... the arrogance? They're so dismissive of Sulemio as "generic anime girls I've never heard of" and act like we should vote for them and hand them the win on a silver platter because of something like tumblr history or a the number of A03 fics. Those "generic anime girls" you've never heard from are currently kicking your ass, and it just show how much you underestimate the competition. Competition that beat Hannigram, Avatrice, Bubbline and Ineffable Husbands. The way they're so dismissive of anime and don't even know what Mobile Suit Gundam is is very telling that they look down on any form of media outside a very western/live-action sphere.
The majority of them can't give a reason why you should vote for Destiel beyond Tumblr History, like any of us should give a damn about that? I care about media with queer couples being important FROM THE START, and getting happy endings married to each other. Destiel's history has nothing to do with my fandom experience, especially as a sapphic women who loves yuri.
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oraclefreak · 6 months ago
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I think we, DPS fans, don't talk about Charlie during the school's tribute to Neil enough.
He's not singing.
Meeks, Pitts and Knox are singing, letting all their feelings out.
Cameron is singing a little calmer. You can see the sadness in him though.
Todd is stuttering words, not even singing—but he's trying.
Charlie does not sing.
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I'm sorry for the picture's quality.
At first I thought he didn't sing because he was angry at Neil for leaving all of them; the Dead Poets, Keating and his dreams of becoming an actor. We saw at the beginning of the film how Charlie tried to convince Neil to speak up to his parents. I think he really wanted Neil to be happy, and he knew he wouldn't be if he stayed silent and pursued being a doctor because of his father.
During Neil and Mr. Keating's talk in the office, Neil mentioned Charlie: "We are not a rich family like Charlie's" (quoted by memory). Charlie tried to make Neil pursue acting when they had different social backgrounds; Charlie could go against his parents and not ruin everything. But Neil was an only child from a family that was mantained by his father and no one else... and not particularly wealthy either.
Even if they had those differences, they didn't separate them. And both of them were boys with dreams they couldn't follow easily. Charlie was more rebellious (especially when it came to school's authorities). Neil was more of the type to go with whatever people wanted. Charlie was more risk-taking. Neil's risk in the whole movie was participating in the play (yes, the club wasn't a Neil risk; it was all of the poets').
Charlie was really proud of Neil for finally following his dreams.
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"He's good. He's really good."
Sounds familiar?
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"I was good. I was really good."
This parallel makes sense to me, especially if we analyze the very first scene of Charlie and Neil in the movie. As I said, Charlie wanted Neil to speak up to his father. And when he did and it all broke apart; Neil said words Charlie had said about him during the play.
Obviously, Charlie disliked Neil's dad. We can be sure about that, definitely.
The school's tribute to Neil was either Mr. Perry's idea or he gave the permission to do it. The authorities thought of Neil's death as the institution's problem. Keating was suspicious from the beginning because of his unconventional teaching methods (plus Mr. Perry thought Keating told Neil to keep his place in the performance, which he did—but he made it look like it was a real problem... 1950s, let's go).
Charlie didn't think this event of singing words of grief and so on was for Neil. Neil didn't die to be missed. Neil died because he would miss out on what he wanted to do. But that reasoning didn't even come across the authorities' heads.
I think of Charlie as a person who has an internal philosophy, a reasoning that most people wouldn't think of. So, when every single one of his friends are singing because they miss Neil; Charlie does not sing because this is a way to pay respects to Mr. Perry for losing his son. A way to say the authorities are right. A way to say "Neil... poor boy." Neil was miserable because he wasn't free. And his only way to be free was... not living.
I believe this "Charlie wasn't singing" thing can be interpreted in many, many ways. I probably overanalyzed it because 6 years of DPS make someone go insane eventually. What I do think is clear is that Neil and Charlie's friendship was very obvious from the start. And yes, the not singing thing is something to observe and think about... but their whole friendship isn't very talked about in the fandom! And I had the idea to write about not only the movie's scenes that have both of them, but also how I perceive it (hence why I would describe this post as a theory rather than facts).
I would love to see other people's takes on this subject too !!
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ckret2 · 26 days ago
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Long time lurker, first time asker!
How do you keep different voices/characters in your fics so distinct? I'm writing my first longer than 2k word fic and it's... a time.
First, I'm going to link you the best essay I've ever read about How To Write Canon Character Voices—what's too much accent, what's too little, how to pay attention to word choice and the way they phrase things, etc. It's about Transformers but the skills are transferrable to other fandoms (or original writing). The original essay is down so all I can offer is the archive.org version, but it's worth it.
Second, I'm going to link you this post I wrote about how I study character voices. It's about Hazbin but it shows you the kinds of things I pay attention to when I'm learning a character voice.
Third, I'm going to offer you some extra general advice that isn't in the above posts:
Some people try to make characters sound like themselves by basically parroting their catch phrases or most common quotes. Do that and you're just gonna make your version of the character sound like a robot. (Note: if you're writing a character who only knows how to say a few quotes, that's okay lmao.) The readers already know what the characters said in canon, they're reading a fic to hear them say something new. Example: if you have Bill Cipher arrive on the scene and say "Did you miss me? Admit it, you missed me!" word-for-word, you don't sound like you're writing Bill, you sound like you're quoting Bill from That One Scene where He Said That Thing.
But... directly borrowing characters' quotes is kind of a stepping stone on the way toward figuring out how they speak. Think about things they've already said, but use those quotes as a guide for how to write them.
Example: from that quote above, we get that when Bill shows up around people who definitely did NOT miss him, he just... decides that they did and tells them so. This shows you a bit of his sense of humor (he makes jokes to annoy someone who hates him—it's not even a mean joke, just annoying), a bit of his ego (he knows he's clowning around, but even when he's clowning he's going to say something that makes himself sound popular rather than hated), his casual & familiar attitude with someone he barely knows, his tendency to just request people do what he wants (saying "admit it, you missed me" instead of something like "I know you missed me")... etc.
And I kinda already said this in the Hazbin post, but the most important thing you can do when you're struggling with a character voice is just rewatch their episodes and pay close attention to how they speak (or rewatch their movie scenes, or reread their chapters/comic issues—whatever you're writing about). If they're from a visual/audio medium (TV, movie, podcast, etc), then if need be, read transcripts to see how their voices look when written down. Type down the transcripts yourself if there aren't any—and that's also a good physical exercise to make you slow down and pay attention to how they speak. (You notice where they tend to pause in sentences when you're the one who has to decide where to put commas; you notice their accent when you're the one who has to decide whether that word sounds more like walking or walkin'.)
Pay attention to cadence, accent, interjections, sentence length, active voice, passive voice, preferred vocabulary, preferred slang, word choice, sentence length, sentence complexity, any phrases they're fond of (but again—don't overuse a phrase unless they overuse a phrase), how they tend to refer to the people around them (by first name, last name, any titles, any nicknames—and do they change in different contexts?)... Pay attention to anything you can think of. You want to be able to hear the character's voice clearly in your head—read everything you write in their voice, and if it doesn't sound like their voice in your head, change it.
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spacedace · 1 year ago
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Reluctant War AU Part 3
Part 1 Part 2
More of the brain worm that has taken me over, gonna probably post it to Ao3 here before too long. Already got another part started and so many ideas for additional stuff, someone please send help I've been consumed by this thing lol
Sorry if Waller seems out of character, outside of fandom I'm mostly familiar with her through Justice League the animated show & Justice League: Unlimited and her vibe there has always struck me as "deeply incredibly unlikable character that also kind of has a point but also has done so much fucked up shit in the name of her goals that you don't really care about her point anymore." So you know, complicated lol. If she's completely unrecognizable let me know, but I'm hoping she feels at least somewhat like Waller.
Forgot to say this in the last update, but still feel free to use all this as an overly long prompt if yall want. Literally anything I throw out to the void should be treated as a prompt lol If there's anything at all interesting to you in any of this nonsense go for it <3 <3 <3
---
Amanda Waller was someone who did what needed to be done.
Ruthless, heartless, vicious, cruel.
She’d been called it all. Wore the words thrown as insults as a badges of pride and valor. Because at the end of the day, when it came to the problems she was given to face, the issues she was meant to solve, those words meant she’d done what others had been too squeamish or cowardly to do. Life was a never ending slog of trolley problems and she the only one unshakable enough to pull the levers that needed pulling.
It wasn’t so simple as a matter of greater good.
Greater good was what the weak willed muttered to themselves after having feelings over doing the bare minimum. A justification used by people on all sides to do what they wanted with fractured, faulty logic thrown around like truth was a thing immutable. To assuage their guilt when they were forced to make a call they didn’t want to.
It wasn’t a matter of greater good. It was a matter of preservation. Of protection. Of digging through the filth to find the threats skittering beneath and crush them with ruthless abandon. Of facing a god and not blinking because if you did it could cost the world.
Of doing what needed to be done, no matter how underhanded or atrocious it was.
Hands dirty.
Hands red.
Hands wrapped tight around the throat of something that could threaten to destroy it all.
When the Ghost Investigation Ward had been shoved her way with it’s sucking wound of a budget, it’s bloated incompetent staff, its asinine methods she’d seen a rotted limb in need of hacking off. It hadn’t been until she’d been conducting her inspection, digging through the trash for a few pearls of effective agents she could snatch up and put to work elsewhere, that she’d truly seen what they were working on. The potential.
Potential to better arm themselves with in the forms of the strange new weapons being created.
Potential for threats far greater than anything even she had thought possible before.
The GIW as it had been when she’d first come across it was a fetid waste of time and resources. A laughing stock agency only secret because no one took them seriously enough to look. Made stupid and useless with its own conceited delusions of importance it didn’t actually have. Yet.
She went to work on it. Hacking away as she’d originally intended, but this time with a different goal in mind. She ripped out the weeds with bare, calloused hands and planted proficiency and loyalty in their place. She took over as director herself, tossing the self-aggrandizing fool that had been running the place into the ground to the dogs as the culprit for misappropriate spendings, saving the agency by tweaking things until their ballooning budget was pinned neatly onto the former director as an embezzling charge.
Then she got to work.
The Fentons were brilliant, if entirely insane. But Amanda could work with that. She’d reigned Harley Quinn in - more or less - she could do the same to the two deranged scientists that so eagerly wanted to be apart of the fight against the dead. Especially when the benefit came in the form of the inventions they threw together so easily, especially when those inventions were weapons.
It took very little to get them on board with her plans for the GIW. Keeping their focus could be a chore, at times, but she didn’t even have to really do much in the way of pressing to get them back where she wanted them. They craved knowledge and understanding nearly as much as they craved the eradication of the entities themselves. Letting them have the first look at a new subject here, free reign over a vivisection there, it took so little to fuel their fervor and keep them busy working on the projects she set for them.
Things had been going smoothly.
For a time at least.
Until Phantom.
He’d been the main focus of the previous director’s attention, the big fish he’d so desperately wanted to catch and put up on his wall. Amanda wouldn’t lie and say it wasn’t a tempting prospect, but not one she’d put above the other projects she had set in motion since taking over. No, Phantom was powerful, enough to be a real problem one day, but she could the awkward youth in the way he held himself, the inexperience in how he handled situations. She had time to get everything else in order before focusing on getting Amity Park’s would-be hero brought to heel.
And he would be brought to heel. One way or another.
Hands dirty.
Hands red.
Hands wrapped tight around the Core of a fledgling god and bending him to her will.
An artifact, old an powerful, recovered with some effort. A means of controlling specters, of chaining them to the will of the artifact’s wielder. Dangerous in the wrong hands. Dangerous in the right hands.
It was shattered, and even whole and functional Phantom was resistant to its power. But Amanda Waller prided herself in her ability to see the potential in things. It could be repaired, be made better. Even gods could be bound, be made to kneel, with the right pieces, with the right application of force.
It was just a matter of time to gather everything needed.
Phantom didn’t know he could single handedly destroy every last member of the Justice League. The baby fat, the innocent eyes, the split-second hesitations when he fought. He knew enough to be confident in fighting the usual ghosts that haunted Amity Park, but he still very much saw himself as a little fish. Maybe it was the part of him that was still Daniel Fenton, gangly teenager not quite sure what he was truly capable of yet.
She had time before the Fenton’s son truly became an issue. Time to judge if his parents’ obsessiveness would overcome their - rather shoddy, by Amanda’s estimation - parental instincts and continue to hunt him once they knew the truth. Time to get as much out of them as she could before hand, should they falter at the idea of attacking their own son. Time for the staff to be repaired and returned to working order, to get the other items needed for the truly big fish hidden on the other side of the veil between worlds.
She had time.
Until she didn’t.
Pariah Dark had not been something she thought she’d have to account for - not yet, at least.
If he wasn’t already dead, she’d ring the Ghost King’s neck with her bare hands. His arrival had opened Phantom’s eyes to what he was capable of, of just how big of a fish he was. Worse still, Phantom’s defeat of the war mongering King changed the state of play. Phantom was no longer an impressively powerful half dead teenager.
He was King Infinite.
He was an Ancient.
He was getting on her last damn nerves.
Phantom’s rogue gallery were now firmly under the boy’s control. Still distinct nuisances around Amity Park, but no longer considered true concerns. They were loyal to their boy king, delighting in ruffling his feathers but never crossing the line into treason or attempted regicide. Which meant that the GIW was the only thing that held his attention.
Amanda took the time to send a care package to the former GIW director in his tiny, dank prison cell. As thanks for his carelessness in revealing to the entire town - both living and dead - of the agency’s existence and their intentions. Had he stuck to standard protocol, Phantom would have been none the wiser to their presence. Would have scratched his head and shrugged his shoulders at the ghost that went missing upon occasion. Would have been boredly uninterested in the people his parents had begun working with. Would have been taken by surprise when they finally came for him.
But no.
No that self-obsessed, fame chasing imbecile had to go and announce to everyone and their dead mother that the GIW existed and exactly what it was they were in Amity Park to do.
Phantom knew what they were there to do.
They could only count on his naive certainty that he could broker peace with them for so long.
Peace. As if he and his people weren’t the invading force, the monsters slipping in through the cracks between worlds, the latest threat that had to be accounted for. As if he himself hadn’t rent their world asunder himself in another world, another time. No. Peace was not something they could hash out with this baby-faced monarch with his too-big crown. Peace was the assurance of safety, security. Of control of the situation.
There could be no peace.
The higher ups were somehow surprised when Phantom took that to mean there would be war.
Amanda Waller was not.
The Fentons, as suspected, took the right side when all was revealed. Steady hands and flinty eyes as they crafted the weapons that would be needed for the coming fight. Minds even sharper in their maddened grief, hearts set on revenge for the son lost and the entity that stole his face and friends and sister in his garish pretense at humanity. They were blinded to the reality of the situation in its entirety, the potential in what their son truly was, but at the end of the day it didn’t really matter. They did what she needed them to do, they could believe whatever it was they wanted so long as they did.
By the time the boy king and his armies marched upon the Amity park facility, preparations had been put into place. The base in Amity had been stripped back to bare essentials, everything of importance moved to more secured locations.
The weapons labs.
The artifact.
The girl.
All tucked well away from the front lines where Phantom and his motley crew could not reach. Their time to be put in play would come, but not yet. First she needed to gauge what Phantom and his people were capable of, what they were willing to do in the name of what they wanted. Amity Park was a pawn well sacrificed on that front. As were the other facilities she’d left easy to find.
The problem with making children gods, with giving them crowns and calling them King and giving them armies to play with, was that they thought there should be rules. That even in the trenches tearing apart their enemies, there was a certain level of playing fair that everyone was held to. They thought there was a way the world worked, of how things should be that blinded them to more effective options even as time stretched on and desperation set in.
It was the Dead’s problem though, not hers.
She reached out to the Justice League. Sour faced, unhappy, bitterly reluctant to accept that she needed their help. Stone faced and barely containing their rage at what little they knew of the situation, they agreed to a meeting.
She didn’t let herself smile until she was well and truly alone in her office.
Greater good. A lie people told themselves. A fairytale told to children. A means of convincing the weaker willed that they had no choice, that they had a noble duty to bend to. A belief that could be wielded like a weapon if the fantasy of the idea had dug in deep enough. And there were few it had dug into so deep as the members of the Justice League.
Amanda Waller was someone who did what needed to be done.
Hands dirty.
Hands red.
Hands clenched tight on a victory long in the making.
---
Part Four
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olderthannetfic · 9 days ago
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I have a fandom friend who isn't shy about sending me her fics in the DMs and asking me to read them (not as in beta reading but as in link to AO3).
The thing is, they're really not up my alley because I'm really finnicky about style and story construction and the like: her fics have a lot of telling and not a lot of showing, there's rarely significant tension or change (which might not bother some but it does bother ME personally as a reader), so there's nothing pushing me to read on, and she usually writes detached scenes from the AUs she has in her head, which feels a bit like someone grabbing me by the pussy with no foreplay. I'm not that familiar with the version of the characters/story from the AU so I'm not attached to those storylines the way she is (again, no buildup of tension that makes the emotional scene hit right).
Basically, I really enjoy talking about The Blorbos with her but every time I have to read something of hers it feels like a chore and I either get bored in two paragraphs or my hand starts itching for a red pen. Sometimes I just put it off and hope she forgets but I feel awful and guilty about it because she clearly cares about her fic (it's just too self-indulgent for me to enjoy it from the outside).
She never asks for feedback, so I think it would be incredibly rude to give unsolicited critique or, like, suggest that I could be a beta reader (with how forward she is she'd have asked already if she wanted it).
How do I address this? I want to keep being on friendly terms with her and I'd be open to reading more from her if she fixed some of the consistent issues with her writing (I think the CONCEPTS she entertains are interesting and cool), but also for me the joy of having a hobby is being able to engage with it on my own terms without having "required reading" and what's going on right now ain't it.
(I'm aware that this will make so many people feel really insecure and paranoid about their own writing/readership and I'm sorry for that :/ I'm sure there are people who do enjoy my friend's fic as is, but I can't help my own preferences or attention span)
--
Does she press you for a reaction? If a friend sends me a link, I often thank them for it but don't actually read. Or maybe I skim it or something but don't actually say much to them about it.
I think it's fine to go "I posted a thing!" with the link and expect a "Wow, you finished that so fast!" or "Congrats on finally finishing that longfic!" or whatever. I think it's unwise to expect one's friends to read all of one's work, to like one's work, and to give praise. That way lies disappointment and awkward feelings on both sides.
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kaythefloppa · 8 months ago
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The Current Timeline of Wild Kratts:
Remember 3 years ago during the hiatus when I made that detailed post explaining the chronological lore of Wild Kratts and analyzed its timeline of a decade's worth of episode with a dash of my own HC involved in it and posted it onto the Wild Kratts fandom subreddit?
Yeah, I promised updates to it when the new episodes arrived, and here I am years later where the season has already premiered. Not to mention there were people who messaged me about legitimate errors I made that I accepted humbly, but didn't actually fix. Not to mention the crossovers that I completely ignored.
Well, much like in 2021, I had wayy too much free time on my hands and decided to go back and finally update that timeline. Unfortunately, Reddit's character limit prevented me from getting the edited version posted so I grit my teeth and decided to bring this fucker to Tumblr via copy and paste. Yeah, I'm not even kidding. So if you've ALSO got enough free time on your hands or are someone who read the original post who was desperately searching for an update, you've got it.
Full post underneath the cut: Warning, shit gets crazy down there.
The PBS Kids original animated show “Wild Kratts” has turned a decade old in the 2020's. Within that time, an autobiography, a 200 episode milestone, and a theatrical film based on the series is confirmed to be in development.
With new episodes of the show coming out, I figured that I’d analyze the show by making an analysis for its timeline. Like many shows, it does have continuity, but Wild Kratts is one of those shows which apparently has an extremely open universe where events happen within that universe, but they don’t seem to have a coherent timeline or any serialization. Many episodes are aired out of order and it’s hard to find a passage of time in a show which doesn’t rely on over-serialization in order to tell its own story.
I partly blame this on production errors as well as strict scheduling as well as the network focusing on releasing episodes in order of when they were produced as opposed to the intended date.
I’ll give it the benefit of the doubt that it doesn’t just rehash its timeline over and over again (unlike some other shows I know cough cough Arthur & Family Guy cough cough). Continuity does exist. It’s just figuring out how it falls in line that is the hard part.
I’ll update this post every time a new episode comes out. My plan is to analyze every single episode until the series finale so that we can determine how much time passes in the show. The way I'll order the timeline is by chronological order first. If there exists an episode or a group of episodes that do not contradict the order, but is not stated to go within this order, I will place them by original air-date and not production order.
I had found a website that lists every Wild Kratts episode (minus the hour-long specials) in order by air-date, unlike the Wild Kratts wiki & Wikipedia. Now, I did find some errors, as it claims that the first 2 episode aired on December 31st and not January 3rd, however I can forgive that as that has been a misconception for years and it got only the date wrong and not the order of episodes. So I was able to use that as a reliable source, more so than the fandom wiki. I am also running off of vivid memory based on my viewing experience as a kid, since I grew up with the show and have come to realize how much info I've retained from the universe of my hyperfixation and how I can use that to this post's advantage. Let's get into it.
Activate Analysis Powers!
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SEASON 1:
Let’s start with the very first 2 episodes to be released: Mom of a Croc and Whale of a Squid.
In that episode, we see that the Kratt Brothers are already familiar with what’s around them. They’re familiar with the Minaturizer, their Creature Power Suits and Disks, and adventuring with the coolest creatures from oceans to trees (sorry, had to squeeze that reference in).
We see that some animals and inventions are introduced into this episode like the Hippo Sub, Crocodilla, and her daughters. However, let’s focus on things which aren’t introduced in this episode.
Most notably, the Gharial Power Disks and the Miniaturizer. Let’s focus on the disks first.
Near the climax of the episode, the Kratt Brothers use the Gharial Power Disks to substitute for Crocodile Powers since they did not have a disk. Gharials and Nile Crocodiles are both in the order Crocodillia, but were not in the same species nor family. That, along with different designs, makes gharials and crocodiles in general very different animals, which is why the activation didn’t hold up (I hope to god they actually make an episode around gharials in the next season).
Many people assume that this episode only takes place after Kerhonk since Chris uses Gharial Crocodile Power, but this is actually false. Listen closely to what Chris is saying.
“Ha! Crocodile. And a gharial is a type of crocodile!”
Now we’ve already established that a gharial is NOT a crocodile despite being a crocodillian, but let’s get to the important part. Chris is saying that as he pulls out his Crocodile Disk for the Creature Power Suit. Now here is the thing. He doesn’t pull out a Gharial Disk. He uses the Croc Disk to activate Gharial Power, but he doesn’t use a gharial disk to activate the corresponding power suit.
So if Aviva did invent Gharial Power by the events of Kerhonk, Chris would’ve used that instead of using the Crocodile Disk as a substitute. And assuming that episode predates Mom of a Croc, the Kratt Brothers would’ve obviously used the Crocodile Disk since they have used it before.
So that means there was some off-screen adventure where Aviva made Gharial Powers which took place before Kerhonk.
...But that would mean Chris would already have a Gharial Power Disk by the events of Kerhonk and Mom of a Croc. One of 2 things is likely the case. Either Chris didn’t have access to the disk and used Crocodile Power as a last resort (as we see, the disk holder doesn’t exist until Season 2, so he probably stuffs them in his pockets), or that episode exists in an alternate timeline, which we know isn’t the case since that episode’s continuity is brought up later (we will see soon).
So we’ve established that Kerhonk takes place after Mom of a Croc, which takes place after an unseen series of events that predate the series itself as we know it.
Now onto the Miniaturizer. We see it in this episode, but 4 episodes later in Mystery of the Squirmy Wormy, the miniaturizer is invented. That leads me to believe that the episode takes place before Mom of a Croc. However, if you look in the background, you can see that the Walrus Power Suit is in the background with a harness and strap over it. This debunks my original theory of this episode predating the invention of the Creature Power Disks.
With the Walrus Power Suit in mind, it has a harness and strap over it, which brings up the question of why?
My answer would be that the harness and strap was meant for the Walrus Suit after it was damaged in Polar Bears Don’t Dance.
So now we’re at the original pilot episode, the first piece of Wild Kratts media produced by PBS Kids (excluding the Flash games that came out a month prior and were removed 9 years later, *sobs*). Here, the operation of the suits is different. Here, Aviva modified the suits for arctic survival and all it takes is for them to touch the animals with the gloves and then press the button. In many episodes, the modification occurs with the existence of a Creature Power Disc, or the disk is seen off-screen.
But the more I see into it, the more it makes sense. Ever wonder why we don’t see some creature power disks of creature powers in the earlier episodes? Maybe it could be the same reason why we don’t see the Polar Bear and Walrus Disk for the Creature Power Suit.
Aviva pre-programs the Creature Power Suits into the animal that the user can activate into not because she prefers this over making discs, or because the discs are already inserted into the suit, but because this was before she began making Creature Power Discs. This explains why in many Season 1 episodes, we don’t see the disc itself because the power is preprogrammed into the suit.
So at what point does this end and Aviva starts making discs? Any could be. All we know is that this would soon become the norm over preprogramming the power into the suits.
Polar Bears Don’t Dance could possibly chronologically take place around the earliest in the Wild Kratts timeline.
In Mystery of the Weird Looking Walrus, Aviva talks about upgrading features into the Walrus Power Suit. Maybe she isn’t talking about inventing the suits, but modifying the suits, which is fitting considering the walrus suit somehow malfunctioned and got jammed (which was presumably due to the cold arctic ice).
In the same episode, Zach and Donita’s interactions appear to be as if they had met recently, with Donita referring to Zach as the one who “vomitted from clams under the table.” So already we’re forming a coherent timeline with these episodes and we’re not even half-way through Season 1.
There would be one inconsistency. In this episode, Aviva says Jimmy’s controller is waterproof (along with food-proof) but in Seasquatch, 16 episodes later, Jimmy’s controller is protected by a shrink-wrap, indicating that it isn’t safe from the environment. Well, here’s the thing.
That episode shows a second appearance of the Squid Power Suit and Bumper the Sperm Whale from the episode Whale of a Squid which aired alongside Mom of a Croc on the premiere date of the series.
There’s no reason not to believe that the whale episode takes place after Mom of a Croc, which we have already established, takes place long after Polar Bears Don’t Dance. With that, my only explanation is that Jimmy’s controller wasn’t 100% waterproof since salty water can actually be very damaging to technology.
In Octopus WildKratticus Koki lists down many Creature Powers shown. This includes Honey Badgers, Polar Bears, and Octopi. This indeed indicates that these episodes where these powers debut are placed before this episode (some say it’s a retcon, but I disagree since Martin could’ve activated Honey Badger Power after the events of Honey Seekers).
Now let’s address the continuity in the series.
In Season 1, the Kratt Brothers have 2 adventures in the Australian Outback: Ones with kangaroos and koalas. In the koala episode, Chris mentions Aviva inventing Thorny Devil Disks for the Creature Power Suits the last time they were there. Considering that the kangaroo episode was 2 episodes prior to this one, I’m making it count.
Mimic is a sequel to Cheetah Racer, which takes place after Falcon City. In Mimic, the Cheetah Power Disk is invented, which is later used in Caracal Minton.
A Huge Orange Problem takes place after Kerhonk since Schnozzle (I think that is his name appears and Chris and Martin refer to him by that name.) This means that Kerhonk is in the official timeline of WK, meaning the only explanation as to why the Kratt Brothers had little access to either the Gharial and Crocodile Power Disc is that they physically had no access to it due to misorganization.
The Food Chain Game introduces new Creature Powers treated as familiar powers, which indicates that they were already invented off-screen. No episodes introduce these Creature Powers so that means the episode can't be out of order.
In Masked Bandits, Chris and Martin originally intend to use Wolf Power as costumes for their Halloween party, but instead Raccoon Powers are activated and Wolf Power is instead invented in Little Howler.
Ok so let’s go over the established time-line so far. When listing down the time-line, I’ll first do the episodes that chronologically fit together, then I’ll list episodes through air-date if there’s no connection or contradiction between them, then I will go back to chronology if I need to.
Polar Bears Don’t Dance → The Mystery of the Squirmy Wormy → The Mystery of the Weird Looking Walrus→ Unnamed Gharial Crocodile Adventure Episode → Mom of a Croc → Whale of a Squid → Aardvark Town → Flight of the Draco → Platypus Cafe → Bass Class → Build it Beaver → Voyage of the Butterflier XT → Honey Seekers → Fireflies → Tazzy Chris → Octopus Wildkratticus → Walk on the Wetside → Elephant in the Room → Let the Rhinos Roll → Kickin’ it with the Roos → Koala Balloon → The Blue and the Grey → Falcon City → Cheetah Racer → Mimic → Kerhonk → A Huge Orange Problem → Caracal Minton → Zig-Zagged → Seasquatch → The Food Chain Game → Masked Bandits → Little Howler → The Gecko Effect → Flight of the Pollinators → Birds of a Feather → Googly Eye: The Night Guru → Stuck on Sharks → A Bat in the Brownies → Raptor Roundup → Quillbur's Birthday Present
And that’s the end of the S1 timeline
Season 2:
Now already, we can see that Season 2 is a continuation of Season 1. The Tortuga HQ has an upgraded design, most likely from Aviva, which foreshadows the events of “Tortuga Tune Up.”
For the sake of things, I will put Speaking Dolphinese and Blowfish Blowout at the start of the S2 timeline because we don’t see the Tortuga so there’s a high possibility of it retaining its original design from S1 (I’m not including Lost at Sea because that was a terrible special that did nothing but combine 2 unrelated episodes into a movie).
The Seahorse Rodeo takes place afterwards since in Tortuga Tune Up, we see Blimpy (who is now an adult) and Ocean Pony.
Next we have Tortuga Tune Up, which shows Aviva modifying the Tortuga for swimming mode. Obviously I like to think the Tortuga’s redesign was an attempt to fix it, until Aviva had realized something was amiss.
Rocket Jaw: Rescuer of the Reef is a part of the Coral Reef saga of episodes so I count it at the beginning of S2.
Then we have Bad Hair Day, Race for the Hippo Disc, Creature Power Challenge, and Termites Versus Tongues, all of which are the first 4 ep. of S2 and take place in Africa. I consider those 3 chronologically connected. Plus, Zach recalls stealing the Creature Power Disc in one episode.
Happy Turkey Day is a Thanksgiving-related episode but I can easily consider it to be in the timeline.
Bugs or Monkeys serves as the first installment of the Central American Rainforest/Coral Reef saga. Followed by Shadow: The Black Jaguar, Rainforest Stew, Secrets of the Spider's Web, and To Touch a Hummingbird.
Then we get a bunch of episodes taking place in the Sonoran Desert. First we have Rattlesnake Crystal, which introduces the Sonoran Desert. I include this directly after the hummingbird episode because here, Aviva modifies Eyelash Viper Power for Rattlesnake Powers.
In the episode “Roadrunner” Chris and Martin say they have only JUST arrived at the Sonoran Desert. That episode’s plot is focused around the Tortuga getting a resupply, which is fitting considering they just recently crashed.
I would put “Skunked” after Roadrunner since it appears that they have enough resources by now. Then we’d get “Gila Monster Under My House,” then “Desert Elves”
Aqua Frog would come next I assume, I see no reason not to.
Groundhog Wakeup Call and Journey to the Subnivian zone have little ties to other episodes so I can place them in order of air-date. Since Attack of the Tree Eating Aliens takes place in the spring, we can have them come after those episodes.
So the Season 2 timeline goes like this:
Speaking Dolphinese → Blowfish Blowout → Rocket Jaw: Rescuer of the Reef → Seahorse Rodeo → Tortuga Tune Up → Bad Hair Day → Race for the Hippo Disc → Creature Power Challenge → Termites V. Tongues → Neck and Neck → Happy Turkey Day → Bugs or Monkeys → Shadow: The Black Jaguar → Rainforest Stew → Secret of the Spider's Web → To Touch a Hummingbird → Rattlesnake Crystal → Roadrunner → Skunked → Gila Monster Under My House → Desert Elves → Unnamed Burrowing Owl Disc Creation Episode → Aqua Frog → Journey to the Subnivian Zone → Snow Runners! → Groundhog Wakeup Call → Attack of the Tree Eating Aliens
Season 3:
Now, a lot of misconceptions have been made around Season 3 in terms of both continuity and air-date. My stance? Don’t believe a goddamn word that Google, Wikipedia, or the Wild Kratts wiki says. They have been getting the episode air-dates wrong since the very beginning, which is the reason I have to organize them.
As a longtime fan of the show who has been there since the beginning, I pretty much know the air-dates of the episodes by heart and the order.
The first episode is Hermit Crab Shell Exchange, second is Where the Bison Roam, third is Bandito: The Black Footed Ferret, fourth is When Fish Fly, fifth is Osprey. All 7 of these episodes premiered from April 7th to April 11th, 2014 as a part of PBS Kids' Wild Kratts Week, celebrating the show returning for its 3rd season.
The episode to air after that is the double-length episode, Back in Creature Time, which despite popular belief is NOT the Season 3 finale. The last episodes of Season 3 were centered around Madagascar. But before that, we see some adventures in the cypress swamp and the prairie.
Now that we’ve cleared up the misconceptions that people have had about Season 3’s episode order for the past 7 years (yeah a BIG fuck you to Wikipedia for that shit) let’s address the order continuity wise.
The first 7 episodes aired from April 7-11th as part of PBS Kids’ Wild Kratts Week! Celebrating the show’s renewal of S3. All but one would likely remain at their place. All except for Where the Bison Roam and Bandito since it introduces the prairie arc.
Back in Creature Time was after a LONG hiatus. Just to give you a good idea as to how long it was, the first 7 episodes of S3 aired in April when I was still in school, then the Back in Creature Time special aired months later long after I had moved into a different house during summer vacation.
The first episode to air after Back in Creature Time was Mosquito Dragon and Crocogator Contest (they were aired together as part of a special called “Swamp Things” but that special sucked for the same reasons why Lost at Sea did).
Now, this is something I noticed. Mosquito Bots were already invented by the time of Back in Creature Time, meaning that episode takes place after Mosquito Dragon.
And if we’re to include the cypress swamp saga, that means that Back in Creature Time comes in around the middle of the S3 timeline chronologically. That’s not even including the prairie episodes.
There were also Madagascar episodes. I consider Lemur Legs is chronologically the first of the order since the Kratts enter Madagascar here, and the finale of this arc is Golden Bamboo Lemur, where they leave.
This will be hard to crack, but I might be able to do it.
A thing that I noticed was that the Dragonfly Power Suits got redesigns frequently in S3. In Osprey and Mosquito Dragon, it has basket legs, resembling its S1 counterpart, but in Florida Panther and Back in Creature Time, they look completely different. In-universe, this can be credited to Aviva redesigning the suit, so I tried to arrange the episodes in a way that would make the suit's metamorphosis (pun not intended) feel less jarring than if you were watching the episodes in production order or viewing order.
So the S3 timeline is
Hermit Crab Shell Exchange → When Fish Fly → Osprey → Crocogator Contest → Mosquito Dragon → The Search for the Florida Panther → Opossum in My Pocket → Slider: The Otter → Back in Creature Time → Where the Bison Roam → Bandito: The Black Footed Ferret → The Amazing Creature Race → Prairie Who → Mystery on the Prarie → Under Frozen Pond → Capture the Fishmobiles → Praying Mantis → Lemur Legs → Chameleons on Target → Aye-Aye → Lemur Stink Fight → Tenrec Treasure Hunt → Fossa Palooza → Mini Madagascar → Golden Bamboo Lemur
Season 4:
Once again, this season was distributed out of order and the years that have passed since its release, however, as someone who, once again, watched every episode the day they aired, I can correct the misconceptions.
Firstly, the first episode of S4 was The Last Largest Lobster, and the last episode was Musk Ox Mania. The 3rd episode was A Creature Christmas, followed by 5 additional episodes, one of which introduced Paisley Paver and Rex into the show.
Now the confusion is that A Creatire Christmas aired as the 3rd episode of S4, yet animals and Creature Powers in that episode wouldn’t be introduced until later. So I’ll list down all of the episodes that come before the Christmas special.
The Last Largest Lobster comes before Stars of the Tide (they literally aired back-to-back).
Panda Power Up comes first in the China-located episodes. Next up comes Golden Snub Nosed Monkey Man. Red Panda Rescue features both Giant Panda and Snub Nosed Monkey Power, so I imagine it comes next. At the end of that episode, Aviva alludes to Red Panda Power, which is present in “The Colors of China”
Pangolin Rescue follows that (remember, all of these take place before A Creature Christmas). Along with the Two-Tusked Narwhal Adventure, the Snowy Owl Invasion, the Puffin adventure, the Other Martins, and This Orca Likes Sharks.
At this point, we’ve covered all of the pre-Christmas episodes. Now let’s do the ones we have left.
Liturgusa Krattorum, Eel-lectric!, Sea Otter Swim, Box Turtled In!, Animals Who Live to be 100 years old, Archerfish School, and many others.
Something to note is that Aviva narrates how the villains have never before teamed-up. Ignoring the fact that it is not true, that episode would have to come before Krattorum.
Here’s the timeline of S4:
The Last Largest Lobster → Stars of the Tides → Box Turtled In → The Other Martins → Sea Otter Swim → Animals who Live to be 100 Years Old → Spirit Bear → Panda Power Up → Snowy Owl Invasion → Golden Snub Nosed Monkey Man → Red Panda Rescue → The Colors of China → Pangolin Rescue → Archerfish School → Baby Tooth & Kid Musky → Musk Ox Mania → Puffin Rescue→ Mystery of the Two Horned Narwhal → This Orca Likes Sharks → A Creature Christmas → Cheetah Adopted → Eel-lectric → Liturgusa Krattorum → Creatures of the Deep Sea
Season 5:
I’m gonna throw in my personal opinion… This is my least favorite season of the show. The premiere episode, Alaska: Hero’s Journey was pretty cool and in my opinion, jumped the shark for Wild Kratts as we know it. Not only did it establish continuity with previous adventures and use it as a key-factor for the episode’s story, but it introduced a Creature Power Suit for Koki and had a very mature theme and an awesome message.
And then it went downhill from there. A lot of episodes, whilst enjoyable, felt pretty weak. Some were forgettable, and it felt like it talked down to its audience more, and there were just a lot of things that I felt didn’t work. This is where I think the show began a heavy seasonal rot and I know I'm not alone in this.
Ok, opinions aside, the time-line of this season is a lot easier to decipher than the earlier ones because there were less episodes.
Even though Alaska: Hero’s Journey was the first episode of S5 to be aired, the Bald Eagle Power Suit was shown, yet it wouldn’t be invented until The Fourth Bald Eagle.
Many listings show Mystery of the North Pole Penguins as the S5 premiere. And given that there are no continuity errors in that episode, I can see it being the start of Season 5’s storyline.
In the next episode, Temple of the Tigers, Martin and Chris head to India to adventure with tigers. A majority of S5 takes place in India, including the episode where Paisley Paver and Rex return, so I view the tiger episode as the start of the “India” arc.
There are also several episodes centered in Europe, as part of what I like to call, the “Europe” arc.
Creepy Creatures would go near the end of this timeline, as we see many S5 Creature Powers and animals by then.
So here’s the timeline for S5
Mystery of the North Pole Penguins? → Temple of the Tigers → The Dhole Duplicator → The Cobra King → Sloth Bear Suction → Elephant Brains → Cheeks the Hamster → Fire Salamander → Komodo Dragon → Wild Ponies ---> City Hoppers! → Blue Heron → Choose your Swordfish → The Erminator → Hercules: The Giant Beetle → Creepy Creatures! → The Fourth Bald Eagle → Alaska: Hero’s Journey
Season 6:
This season in my opinion, was a slight step up from the 5th season, since we get to see more interesting animals, and the writing feels a lot more breathable. The color palette, I specifically would go without, because it just looks weird. What I do like is how they recasted Koki, a character of color, to be voiced by a woman of color, and I'm glad this change is permanent.
Instantly, we get an instance of a continuity error: Martin is shown to have a Jackrabbit Power Disc in the 2nd episode of S6, yet he doesn’t get it until the Easter special, In Search of the Easter Bunny. There’s actually a reason behind this. The original title for the episode focusing on bunnies was titled “Spring Bunnies” and was listed as the Season 6 premiere, however this was cut and the bunny episode was released almost a year later. My working theory is that because of tight schedules, “Spots in the Desert” was released before the introduction of the Jackrabbit Power Disc.
We return to the Amazon once again with the double-length episode, Amazin’ Amazon Adventure and we get some newer amazon episodes after that.
In a promotional video for Hero’s Journey, the Kratt Brothers said that Season 5 would have at least 23 episodes. My guess is that they had to cut down the last 5 episodes because of COVID or something.
There are two things that stand out the most to me in this season's timeline. For starters, in the Hammerheads episodes, we see that the brothers have an Antelope Disc for the Creature Power Suit despite there being no episode centered around those creatures or introducing a Power Disc. Much like the Burrowing Owl and Gharial Discs, we're to assume that there was an adventure focusing around that animal/an invention of that Creature Power Disc that was not televised, and thus is part of this season's lineup.
The second was how in one of the first episodes of Season 7, Chris expresses a desire to adventure with wolverines, despite that happening in the previous season. So in a rare case, this has to go in a different season's timeline to remain consistent.
Anyways, let’s go onto the timeline of the most recent season. I’ll be going off of habitat here just to be consistent.
In Search of the Easter Bunny → Mystery of the Flamingo’s Pink → Spots in the Desert → Wolf Hawks → Deer Buckaroo → Unnamed Antelope Adventure Episode → Hammerheads → The Vanishing Stingray → The Real Ant Farm → Mystery of the Mini Monkey Models → Amazin’ Amazon Adventure → The Great Froggyback Ride → Parrot Power → The Race to Goat Mountain → Iron Wolverine → Adapto the Coyote → Tartigrade Xtreme → Uh Oh-Ostrich! → The Great Creature Tail Fail → Cats and Dogs →
Season 7:
The long-awaited Season 7 has arrived as of 2023, marking the return of the show to PBS Kids after two years of a hiatus. With eight episodes having been released, 13 more confirmed on the way, and the 200th episode milestone airing in S7, fans have a lot to hope for. And thankfully it means new fodder for my timeline list.
As I've said before, The Race to Goat Mountain cannot be a part of Season 7's timeline since it has to take place before their actual wolverine adventure.
This in of itself is purely subjective but I like to imagine that Clever the Raven would be the first episode of S7. For a few reasons. One, it was the first episode of the season to be confirmed (in an interview with Jane Goodall). Secondly, compared to Outfoxed, it felt more like a season premiere. With the fanservice-callbacks, the villains returning, the simple-structure of the plot with no rising or falling action and the episode's overall writing, it basically marks off a check-list of everything in the show that you were missing out on for 2 years and everything that you're coming back to after such a long break. Plus it's my favorite out of all of the S7 premiere episodes. Call me biased, but this one's going first.
Our Blue and Green World was the first of the episode batch in 2024. Personally, I am putting it as the most recent spot in the S7 timeline, after the other 3 episodes. The reason being is because with Paisley Paver's redemption, this episode feels like a huge game-changer, one that the writers hint will affect the rest of the series. I think this special should've been the last to air in the batch just to get viewers hyped for what's next. It's basically like a mid-season finale of some sorts:
Three new episodes will air in November of 2024: Salamander Streaming, Bumblezzz, and Chimpanzee and Me. Until the episodes come out, I will list them in the timeline in their release date order.
Timeline of Season 7:
Clever the Raven → Outfoxed → Owl Odyssey → No Name Dream → Backpack the Camel → Fish Out of Water → Our Blue and Green World → Salamander Streaming → Bumblezzz → Chimpanzee and Me
CROSSOVERS:
There are three shows that Wild Kratts has crossed over with. One of which came out after I made this post, two of which before, but I decided to add them here just for the fun of it and to commit to the lore-dump of the timeline. Whether or not I'll extrapolate that into forming a huge novel about the expanded universe of PBS Kids, only time will tell.
Night Shift: (Odd Squad)
This was the first crossover the brothers had done with another show, Odd Squad, a live action math-based cartoon that is set to air its fourth season in 2024. The Kratt Brothers have their traditional live-action opening that is interrupted by Otis and Olympia solving their 'odd problem' a running gag with various different characters throughout the series as a 'cold opener.' The reason there is such a massive overlap between the two fandoms is because of that scene in the episode.
How to fit it into the canon? Well, since this is shot similarly to a Wild Kratts live action opener segment, then we can equate it with the "what if!?" element of the show. It should be noted that the Kratts are following a white-tail-deer, an animal they would later adventure with in Season 6. So you could have this episode take place directly before the "what-if?!" section of that episode that transitions into the animated story.
Wild Batts: (Nature Cat)
In 2015, PBS Kids launched a new nature based show known as "Nature Cat" featuring the titular cat and his gang of animals exploring nature. This special aired directly after Wild Kratts: A Creature Christmas, so PBS Kids often marketed both the WK Christmas special and the Nature Cat premiere, so much so that at the end of the Christmas episode, the Kratt Brothers themselves promoted the new Nature Cat special. It only made sense that these nature brothers from another mother teamed up! And thus we had Wild Batts! In this episode, Chris and Martin "Batt" have to find a new home, after their old one is destroyed, challening Nature Cat and Ronald's fear of bats in the process and learning more all about them. Several references to the Kratt's show are made, such as the classic "Living free and in the wild!"
How to fit it into the canon? In the episode's context they are literally bats, but in the context of the show itself, they would probably be in Creature Power Suits. And one thing interesting is that Chris and Martin are said to be Indiana bats, an endangered species of North American bats. We know that there is no singular Creature Power Suit for a generalized species as we've seen with the crocodillian, owl, and snake-based Power Suits. So it's possible that Aviva modified the Little Brown Bat/Vampire Bat programing with Indiana Bat Power. So this would probably take place post-Season 1. I have it take place in Season 6 since Wild Batts aired around the same time that Season 6 just started airing, ironic ain't it?
Oh, and the episode also makes bat references to other PBS Kids characters, such as Peg + Bat (Peg + Cat), George the Curious Bat (Curious George) Daniel Bat (Daniel Tiger's Neighborhood) and the Bat/Cat in the Hat. Now, the logical man within me says that these are easy puns to laugh at and not look into. However, the sick twisted fuck that is me says, connect that shit together. Since we've already established Odd Squad, we can probably say that there was an 'odd problem' turning these random PBS Kids characters into bats (probably including the Kratt Brothers if you don't buy the idea that they're in very convincing Creature Power Suits) and that the Odd Squad is able to save them with a reverse-bat-inator and they all go their separate ways, never to meet each other again until their grand return in PBS: Endgame (ok maybe I'm going too far into it but just a funny thought, also yes that is the one MCU reference I decided to cash in).
Cry Wolf: Molly of Denali
The 3rd of the Wild Kratts crossovers, airing in summer of 2022. This was a massive thing in the WK fandom, mainly because around that time, news had come out that the show would not air any new episodes until 2023, which was a massive low blow. This crossover between Wild Kratts and Molly of Denali, while not enough... at least damaged this blow and is an okay entry point to Molly of Denali, another pretty damn good PBS Kids show.
The Kratt Brothers help Molly and her dad track a missing pack of endangered wolves, learning more about them on the way. In the episode it's established that Molly is a huge fan of Wild Kratts, referencing their show a lot, implying that the Kratts we see here are 2D representations of their IRL selves rather than their 2D-in-universe selves. Still, I came here to overanalyze, and overanalyze I shall! Since the Kratts did their whole "what-if!?" skit in Odd Squad, then I could see the same happening here, just not being necessary for the episode's plot. I'll suspend my disbelief again because what the hell.
How to fit it into the canon? I'd have it come between Season 6 and 7. It aired around that time, and again, it was almost certainly done so as compensation for making fans wait 2 years for the new season to drop. Plus it lines up with my headcanon of Clever the Raven being the first in S7's timeline, since the brothers would still be in the mood to adventure with wolves.
So to conclude, all of these crossovers I see as very recent in the show, you could cut them out and lose nothing, but add them in and get more of something, which is what I'm doing. In terms of timeline to the crossovers specifically, here it goes.
Wild Batts → Night-Shift → Cry Wolf
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CONCLUSION: THE CURRENT TIMELINE OF WILD KRATTS
Polar Bears Don’t Dance → The Mystery of the Squirmy Wormy → The Mystery of the Weird Looking Walrus→ Unnamed Gharial Crocodile Adventure Episode → Mom of a Croc → Whale of a Squid → Aardvark Town → Flight of the Draco → Platypus Cafe → Bass Class → Build it Beaver → Voyage of the Butterflier XT → Honey Seekers → Fireflies → Tazzy Chris → Octopus Wildkratticus → Walk on the Wetside → Elephant in the Room → Let the Rhinos Roll → Kickin’ it with the Roos → Koala Balloon → The Blue and the Grey → Falcon City → Cheetah Racer → Mimic → Kerhonk → A Huge Orange Problem → Caracal Minton → Zig-Zagged → Seasquatch → The Food Chain Game → Masked Bandits → Little Howler → The Gecko Effect → Flight of the Pollinators → Birds of a Feather → Googly Eye: The Night Guru → Stuck on Sharks → A Bat in the Brownies → Raptor Roundup → Quillbur's Birthday Present → Speaking Dolphinese → Blowfish Blowout → Rocket Jaw: Rescuer of the Reef → Seahorse Rodeo → Tortuga Tune Up → Bad Hair Day → Race for the Hippo Disc → Creature Power Challenge → Termites V. Tongues → Neck and Neck → Happy Turkey Day → Bugs or Monkeys → Shadow: The Black Jaguar → Rainforest Stew → Secret of the Spider's Web → To Touch a Hummingbird → Rattlesnake Crystal → Roadrunner → Skunked → Gila Monster Under My House → Desert Elves → Unnamed Burrowing Owl Disc Creation Episode → Aqua Frog → Journey to the Subnivian Zone → Snow Runners! → Groundhog Wakeup Call → Attack of the Tree Eating Aliens → Hermit Crab Shell Exchange → When Fish Fly → Osprey → Crocogator Contest → Mosquito Dragon → The Search for the Florida Panther → Opossum in My Pocket → Slider: The Otter → Back in Creature Time → Where the Bison Roam → Bandito: The Black Footed Ferret → The Amazing Creature Race → Prairie Who → Mystery on the Prarie → Under Frozen Pond → Capture the Fishmobiles → Praying Mantis → Lemur Legs → Chameleons on Target → Aye-Aye → Lemur Stink Fight → Tenrec Treasure Hunt → Fossa Palooza → Mini Madagascar → Golden Bamboo Lemur → The Last Largest Lobster → Stars of the Tides → Box Turtled In → The Other Martins → Sea Otter Swim → Animals who Live to be 100 Years Old → Spirit Bear → Panda Power Up → Snowy Owl Invasion → Golden Snub Nosed Monkey Man → Red Panda Rescue → The Colors of China → Pangolin Rescue → Archerfish School → Baby Tooth & Kid Musky → Musk Ox Mania → Puffin Rescue→ Mystery of the Two Horned Narwhal → This Orca Likes Sharks → A Creature Christmas → Cheetah Adopted → Eel-lectric → Liturgusa Krattorum → Creatures of the Deep Sea → Mystery of the North Pole Penguins? → Temple of the Tigers → The Dhole Duplicator → The Cobra King → Sloth Bear Suction → Elephant Brains → Cheeks the Hamster → Fire Salamadner → Komodo Dragon → Wild Ponies -> City Hoppers! → Blue Heron → Choose your Swordfish → The Erminator → Hercules: The Giant Beetle → Creepy Creatures! → The Fourth Bald Eagle → Alaska: Hero’s Journey → In Search of the Easter Bunny → Mystery of the Flamingo’s Pink → Wild Batts → Spots in the Desert → Wolf Hawks → Night-Shift → Deer Buckaroo → Unnamed Antelope Adventure Episode → Hammerheads → The Vanishing Stingray → The Real Ant Farm → Mystery of the Mini Monkey Models → Amazin’ Amazon Adventure → The Great Froggyback Ride → Parrot Power → The Race to Goat Mountain → Iron Wolverine → Adapto the Coyote → Tartigrade Xtreme → Uh Oh-Ostrich! → The Great Creature Tail Fail → Cats and Dogs → Cry Wolf → Clever the Raven → Outfoxed → Owl Odyssey → No Name Dream → Backpack the Camel → Fish Out of Water → Our Blue and Green World → Salamander Streaming → Bumblezz → Chimpanzee and Me
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And there you have it so far folks. Thirteen years, seven seasons, 160 televised episodes, plus four crossover episodes amounting to 164 canon episodes in the current Wild Kratts timeline. More are on their way and more of this grand Creature Adventure is beyond the horizon. Keep on Creature Adventuring, see ya on the Creature Trail!
Am I a genius, or am I a genius?
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captainsophiestark · 1 month ago
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Naval Wedding
Natasha "Phoenix" Trace x Reader
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Masterlist - Join My Taglist!
Written for my personal fic writing challenge for 2024, Sophie's Year of Fic! Featuring a new fic being posted every Friday, all year long :)
Fandom: Top Gun
Summary: Phoenix needs a fake date to a Naval wedding to avoid sailors hitting on her all night, so who better to ask than her best friend?
Word Count: 2,925
Category: Fluff, Humor
Putting work into an AI program without permission is illegal. You do not have my permission. Do not do it.
"I have a favor to ask you."
I sighed dramatically, making a show of pulling my attention from my laptop to my best friend, Natasha "Phoenix" Trace, who sat across the table from me. She held her coffee mug with both hands and stared intently at me. Clearly, whatever she was about to say next had been on her mind for a bit now.
"It's something I need you to help me out with, if you don't mind. And if you're not busy."
I raised an eyebrow, closing my laptop and leaning across the table to match Natasha's posture.
"Okay, spit it out, Nat. You've never danced around something the way you're doing right now the entire time I've known you. What's wrong?"
Nat took a deep breath and squared her shoulders, then met my eyes with a new determination.
"I need you to be my fake date for a Navy wedding next weekend."
Honestly, I wasn't sure what I'd been expecting her to say, but it definitely wasn't that. The corner of my mouth quirked up in a smile, and I had to work to hold back a laugh.
"Nat... first of all, I'm in." Her shoulders immediately relaxed, the dire look on her face morphing into one of relief as she eaased back in her chair. I shook my head, still smiling. "Second, you seriously need to work on your delivery. I thougth you were about to ask me to help you hide a body."
Her eyebrow shot up.
"You thought I prefaced asking you to hide a body with 'if you don't mind' and 'if you're free'?"
I just shrugged and waved her off. "You were crazy grim and looked more stressed than I've ever seen you. I didn't think the favor was gonig to involve a party. Which brings me to third: why? I'm happy to go with you, but I'm a little surprised you're asking."
She sighed and rolled her eyes. "You know I work with a lot of men. Most of them are fine. Some of them are great. Some of them I want to punch in the nose sometimes. But at big Navy weddings, there's always tons of pilots I'm not familiar with, and at least a few of them always try to hit on me. This time, I don't want to deal with it. So... fake date."
I grinned. "Natasha Trace. Are you telling me that I get to scare off Naval Aviators all night if they try to hit on my girlfriend?"
Natasha grinned and shook her head with a laugh. I waited until she faced me again, then raised an eyebrow since she still hadn't answered my question.
"Alright, sure. You get to scare off anybody who flirts with me, any way you want to."
"Amazing."
****************
The next weekend, I stood in front of the mirror adjusting my outfit nervously while I waited for Natasha to arrive. We were meeting at my house, then driving over together.
When I'd told her I'd be happy to go as her fake date to this wedding, it had been a partial lie. I'd been wrestling with some feelings for my best friend since a few months ago, and I wasn't completely thrilled about the "fake" part of "fake date". When my doorbell finally rang and I opened the door to find Natasha looking like an absolute knockout, my heart did a few backflips before breaking in half as I remembered that she wasn't actually here for a real date.
"Wow," she said, sounding a little breathier than normal as she looked me up and down. "You look great."
"Me? Nat, you look stunning. Like, wow."
Nat looked up and met my eyes with a smile.
"Well, then I guess we make a good pair."
My heart did another flip, so I took a deep breath and stepped through the door to join Nat on the porch before she could give me a heart attack.
"Those Navy boys won't know what hit 'em," I declared, holding my arm out for Nat. She took it with a grin, and we headed for the car arm in arm. My heart skipped a couple beats at the proximity, and I did my best to tell it to shut up.
It mostly listened throughout the wedding ceremony. When we got to the venue, we got some looks and some raised eyebrows, especially from Natasha's closest Navy friends, who she apparently hadn't told about her plan. I got to ditch Hangman to cross the room and chase off a more tangentally-invited pilot who'd been hitting on Nat, which had been a highlight of the night so far, especially as she leaned into my side and I wrapped an arm around her. Unfortunately, we didn't get to linger, since we had to take our seats for the wedding itself.
It was beautiful, and thankfully, didn't stretch on too long. Before I knew it, we were heading to the reception, throwing a few of Nat's aviator friends in the back of the car to get to the venue hosting the reception. We blasted music, laughed, and I even got up the courage to reach out and take Nat's hand while she drove. She turned to me with a grin and squeezed my hand back, and I tried not to let my imagination run away from me about whether that might mean something.
We pulled into the venue, and Natasha immediately took my hand in hers. I bumped my shoulder into hers, and we shared a grin as we flowed through the doors with the rest of the wedding guests. The music was already blasting, and people were floating around and snacking while we waited for the bride and groom to arrive with the rest of the wedding party. Nat's friends went ahead of us as she stopped, turning to me with a smile.
"Alright, what's first? Food or drinks?"
"Hmm... I know the guests of honor aren't here yet, but what about dance floor?"
She laughed. "Okay, drinks it is. If you actually want to pull me out there, I'm going to need more than just water in my veins."
"I don't think the alcohol actually goes into your veins-"
"You know what I mean! Come on, I'll get you your favorite. On me."
"Isn't it an open bar?"
"And isn't it the thought that counts?"
I laughed, letting Natasha pull me along and through the crowd, trailing after her with a happy smile. When she came to a stop at the bar, tugging me up to stand next to her, I had to fight very hard against the urge to lean in and kiss her, then and there. I swallowed, but managed to get a hold of myself and respond to her instead.
"Yeah. Yeah, it's the thought that counts."
Nat and I ate the snacks and chatted with her close friends while we waited for the couple to arrive, and then for the party to really start. Dinner was delicious, the toasts were sweet, and not long after the last one finished, the dance floor officially opened for business.
I turned to Nat, intending to make good on my answer of what I first wanted to do when we got here, but I found her facing in the other direction as some guy in a suit smiled down at her, one of his hands resting on the back of her chair. I narrowed my eyes.
He didn't notice me, he was too focused on Nat. I knew she was more than capable of telling him to get lost on her own, but I also knew that the main reason she'd asked me to be her date at all tonight was to avoid dealing with clowns like these. I stood and walked around to stand next to him, pushing my way into the spot between him and the table and holding a hand out to Nat.
"Hey, babe," I said, smiling at Nat without sparing a glance for the guy. "You ready to hit the dancefloor?"
She grinned back at me in sync with the guy beside me saying "Babe?" as a clear question directed at me. I turned to face him like I had all the time in the world, keeping a straight face as I met his eyes.
"Yeah. That's generally what I call my girlfriend. You got a comment about that?"
The guy blanched, taking a half step back and removing his arm from the back of Natasha's chair.
"Uh... no. Sorry."
"Don't apologize to me, she's the one who had to put up with some random guy trying to put moves on her."
The guy scowled, but he muttered a quick apology to Natasha all the same before heading off into the crowd again. I watched him go, then turned to Nat with the massive grin I'd been holding back the whole time.
She shook her head, mirroring my grin all the same.
"You have way too much fun doing that."
I shrugged. "Maybe. But you don't have any fun doing it for yourself, so this seems like by far the best option."
"I guess I can't argue with you there."
"You're right, you can't. Now come on, I want to dance with my girlfriend. Let's get out there."
My heart hammered in my chest at my own words, worried that I'd overstepped, even in the context of a group in public for our fake-date situation. But Natasha just smiled at me again, softer this time, and took my hand.
"Fine. I guess I'm tipsy enough for this. Barely."
I laughed, pulling her out onto the dancefloor behind me. Tipsy or not, I usually enjoyed making a fool of myself on the dancefloor, and it turned out to be even better with Nat's hand in mine, the two of us spinning in and out of each other's arms.
The rest of the wedding party disappeared as we lost ourselves in the music, just the two of us, breathing hard between laughs and holding each other tightly. Eventually, the music wound down from the high-energy stuff we'd been listening to, shifting to something made for slow dancing. We stuttered to a stop on the floor as couples flocked in all around us, and I looked at Nat.
She shrugged, stepping closer to me and putting her hands on my waist.
"We're supposed to be a couple too, right?"
I grinned back at her. "Damn right."
I laid my arms across Nat's shoulders and the two of us swayed back and forth on the dancefloor, the low lights sweeping over us as we moved. I couldn't take my eyes off of her, and the corner of her mouth lifted up like she'd noticed. Slowly, she leaned in, and my heart just about stopped in my chest. She rested her forehead against mine, and I sighed, half content to stay here like this with her as long as she wanted, half disappointed she hadn't been going in for a kiss.
When the music of the slow dance faded, we just stayed where we were for a long moment before finally pulling away from each other. I opened my mouth to say something, although I wasn't totally sure what yet, but before either of us got the chance to speak the music picked up again, and her closer aviator friends swarmed us on the dancefloor.
"I can't believe you got Phoenix out to dance!" called Fanboy, grinning as he threw one arm over her shoulder, jumping up and down to the beat. Natasha tried to duck his arm, presumably to ditch the dancefloor, but Fanboy knew her well enough that he managed to stop her. I gave them a half-hearted smile, then took the opportunity myself to slip away from the crowd.
I knew Nat probably would've wanted me making up a girlfriend excuse to get her out of there. Normally I would've helped her, but that moment on the dancefloor before her friends showed up had felt so real, and I needed to take a moment to remind myself that it wasn't.
I ducked and weaved through the crowd with relative ease, since only Nat's close friends would've recognized me and they were all out on the dancefloor. I made my way to the bar, not even ordering, just leaning against it for a second. Enough other people hovered around that it'd be hard to spot me amongst the crowd, but I could still see Nat out on the dancefloor, laughing and smiling even as she shook her head and tried to tell her friends to get lost.
I was in love with her. Her attitude, confidence, strength, wit. The way she smiled at me when I said something funny or called Hangman "Bagman" even though I barely knew him and had no reason (other than loyalty to Nat) to use the nickname. I was in love with her, and I had been for a long time, but after tonight, I wasn't going to be able to ignore it anymore. This night had been a mistake.
"Hey! You want a drink?"
I reluctantly turned to face the person shouting in my ear only to find Rooster, one of Natasha's best friends, leaning over to talk to me, his shirt unbuttoned and his tie around his head.
"Uh... that's okay," I said. "I think I'm good."
"You sure? You made me a lot of money tonight!"
I crossed my arms and raised an eyebrow at him, but he was drunk enough that he didn't get the hint. He turned and quickly snagged two bottles of beer from the bartender, who had to explain to Rooster that it was an open bar and he didn't need to pay, before Rooster finally turned back to me with a grin.
"Want one of these?"
"No," I said, gently pushing aside the bottle he offered me as I took a step forward. "Rooster, what do you mean I made you a lot of money tonight?"
"Technically you and Phoenix! Everybody kept betting that you guys weren't going to figure out your shit for another month at least, but I had faith-"
"Bradley, what the hell are you talking about?"
"You guys!" he said, motioning emphatically with the beers in his hands between me and the dancefloor, where Nat had been cajoled into enjoying at least one song. "Finally getting together! After hearing her wax poetic about how great you are since the day you guys met, we started taking bets on when she'd finally do something about it. And I won! So, thanks!"
"Hold on..." I reached out, taking Rooster's arm to steady myself. The room had started spinning around me, and it had nothing to do with alcohol. "Roos, what are you saying? What do you mean, Nat's been talking about me since the day we met?"
"Ah, I probably shouldn't have told you," he said, shaking his head and at last lowering his voice to normal volume, although it was still far from a whisper. "But it's probably fine now, since you're dating. God, she used to drive us all crazy talking about how great you were and how much of a thing she had for you. It's probably gonna get worse now though, since you guys finally admitted you were pining after each other- Hey, where are you going?"
I ignored Rooster as I headed back to the dance floor, a buzzing in my brain as his words echoed. He was clearly drunk, but if anything, that made me more confident that what he'd told me was the truth. The whole time I'd been driving myself crazy trying not to admit feelings for one of my best friends, she'd been doing the same thing.
Before I knew it, I stood in front of Natasha again. The music still thumped, people laughing and jumping and twirling all around us, but I barely noticed. Nat stood to one side of Fanboy, with Bob on his other side, the two of them holding him up as he attempted to drag them both into a dance, so it took Nat a minute to notice me. But once she did, she straightened up.
"Hey, are you okay?"
I nodded, taking a step closer to her.
"Rooster spilled his guts. You like me. For real."
Shock registered on her face, then straight rage as she whipped her head around to look for Rooster. I just grinned, pushing Fanboy's arm off her as I closed the rest of the distance between us.
"Nat. I like you, too. For real."
She whipped her head back around so quickly that she almost broke my nose. Her wide eyes searched mine, one eyebrow raised.
"Are you kidding?"
"Hell no I'm not kidding. Nat... can I kiss you?"
She grinned, any trace of trepidation or irritation melting away all at once.
"Hell yeah you can."
I grinned back, letting my hand come up to the back of her neck as I leaned in and finally, finally kissed Natasha. She wrapped an arm tightly around my waist, pulling me closer to her as we deepened the kiss. Some cheers and whoops from her friends snapped us both out of it enough to finally pull away, both of us smiling delirious-looking smiles.
"I'm so glad you asked me to be your date to this, Nat," I breathed, letting my arms fall to rest on her shoulders. Her hands came onto my waist, her smile turning into more of a grin.
"Me too. Although, I am looking forward to an opportunity for a real date, without my idiot friends in range or any other people trying to hit on me."
"Sounds great. How about... tomorrow night?"
Nat threw her head back and laughed, but when she met my eyes again and saw me looking as serious as ever, she grinned again.
"Alright. Tomorrow night it is."
"I can't wait."
****************
Everything Taglist: @rosecentury @kmc1989 @space-helen
Top Gun Taglist: @elenavampire21
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detailtilted · 6 months ago
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In Search of Supernatural Fans from the Early Years
Hi! I’m looking for the legends who originally recorded old Supernatural convention panels featuring Jared or Jensen, or possibly Misha. See "What I'm Looking For" below. If you know one of them, or if you're a member of a community with people who were in the fandom in those early years, I’d greatly appreciate it if you could let them know about this post. I can be reached at [email protected] or here on Tumblr.
If you aren’t familiar with my project, see the “Project Background” section below. This is not a low-effort exercise to merely repackage old videos. I’m putting many hours of work into each video to improve their watchability and accessibility. I will always credit my sources unless you wish to remain anonymous.
Even if your videos are on YouTube, I’m likely to have more success upscaling them if I can get the original video files. Thanks to the videos AgtSpooky kindly sent me, I've learned how big of a difference it can make when I have the original files to work with. That's why I’m putting more effort into finding those elusive original video takers.
The problem is that they all seem to have fallen off the face of the earth. Most of their YouTube accounts, LiveJournal accounts, and whatever other accounts I’ve dug up haven’t had any activity in 10-15 years. I’ve left a few messages on some of them, but I doubt they’ll be seen on dormant accounts. I’ve also gone down some crazy and twisted Googling paths trying to find current contact info for them, but without much success. In one case I even messaged the wrong person, who was at least kind enough to reply to the psycho asking for videos to let me know she wasn't the person I'd hoped she was. Oops!
What I’m Looking For
I’ve already finished CHICON 2007, Comic-Con 2008, and CHICON 2008, so I don’t need videos from those events, but I’d be happy to try to upscale your videos for your own collection if you have some you'd like to send me.
Actually, I could use CHICON 2008 Breakfast videos if you have any. I plan to attempt to redo that video either late this year or early next year.
I’ve been trying especially hard to reach people with original video files from either LA 2009 or Asylum 3 (2009), and I’d also be ecstatic to get some from LA 2008.
Any other old con videos you’re willing to share that have Jared or Jensen in them would be awesome. I hope to get to all the old conventions eventually. I haven’t yet defined “old”, so I don’t have a specific cutoff point.
Even if you just have audio files without video, those could be helpful too.
Length doesn't matter. Both long and short videos are welcome. Maybe I won't end up using them all, but the more options I have the better. Even if I don't put your video in my final edit, it would still be used because I always listen to every single video I can find when I'm finalizing my subtitles. Each video sounds at least a little different, and sometimes just hearing the audio in a slightly different way lets me catch a subtitle I'd missed or misheard.
Also, just to be clear, it isn’t necessarily my intent to exclude Misha. I’ve watched and enjoyed many of his convention videos and I liked Castiel for the most part, especially in the earlier seasons. I’m just not obsessed with Misha like I am with Jared and Jensen, and these videos do take quite a lot of work, so I’ve been putting my energy where my greatest interests lie. I’ll absolutely be including him when he’s in panels with Jared and/or Jensen, and in the future I may consider doing some of his solo panels.
So if you have original video files of Misha's solo panels that you’d like to send me, I’d be happy to add them to my stockpile for future possible use. If your videos turn out to be mostly complete, and if they upscale easily, then I might go ahead and do his panel at the same time I do the other panels from the same convention. If they'll take more effort to work with, I’ll probably skip them for now, but I may come back and tackle them if/when I run out of old Jared and Jensen videos to work with.
For any con videos you send me, regardless of whether I use them or not, I’d be happy to try to upscale them and send them back to you for your collection. I can’t always get things to upscale, so I can’t promise success, but I’ll definitely try.
Project Background - Enhanced Edition Con Videos
You can find my videos on my YouTube channel. (If you're already familiar with my project, skip to the next section -- there's nothing new to see here.)
I started this project in December 2023 to enhance old convention videos. My goal is to make them easier on the eyes and more accessible to both new and old fans from around the world. The videos on YouTube from that time can be difficult both to watch and to understand due to a combination of the older technology used to record them, the difficult recording conditions the fans were working with, and the lack of subtitles that make any sense.
I’m enhancing the videos as follows:
Visual Improvements: I’m upscaling the videos if possible, making color corrections if needed, and adding some slight stabilization to reduce the jitteriness. The end result is far from perfect because there’s only so much that current technology can do, but it's noticeably improved if you compare it to the originals.
Subtitles: I’m adding good, color-coded, English subtitles that can be turned on or off through YouTube’s CC button. The color-coding makes it more clear who's saying what when multiple people are speaking, and YouTube can auto-translate them into other languages to improve the accessibility.
Multiple Sources: If one video has gaps in it, then I'll try to find another that I can edit in to fill those gaps so the end result is as complete as possible. If I have more than one source that captured the same portion of the event, then I'll cut to whichever video I think had the best view of the action. In a few cases I’ve added a split screen with two different videos showing simultaneously so we can see action that's taking place in two separate areas. For example, when Jared and Jensen are on opposite sides of the stage. (There were also the infernal talking head bubbles on my Comic-Con 2008 video which nearly made me throw in the towel, but taught me a lot. 😅)
Extra Content for Context: These older videos don’t take up the full width of a modern video frame, so I’ve taken advantage of the extra space to display some still images with text to add extra context for many of the things they discuss. Some things are a lot funnier, or at least a lot more relevant, when you know exactly what they’re talking about. I clarify Supernatural episode references and pop culture references among other things. Sometimes I’ve also inserted short video clips, usually just a few seconds’ worth, if I thought it would add worthwhile clarity or entertainment to the topic at hand.
Current Project Status
If anyone has been wondering how I’m doing on my current video and what’s next… I’m almost done with the last video from CHICON 2008, which was Jensen’s solo panel. I should be ready to publish it on YouTube this Friday, May 24. I plan to use the same schedule as last time and put the Tumblr post up the following Tuesday when it’s a little more likely to be noticed here.
The next sequential conventions are LA 2009 and Asylum 2009, but I haven’t had much success in my attempts to upscale the available videos. If I were to work with what I have now, I know I could turn out something better than what’s on YouTube today, but the end result wouldn’t be nearly as good as what I might be able to achieve if I can get some original videos to work with. So I think it’s more logical to skip over these conventions for now and give it some time to see if I get any responses, in hope of a better end result.
I do intend to come back to the skipped conventions eventually, even if nobody sends me anything. Once I run out of conventions for which I can upscale the videos, if I still don't have anything better to work with for the ones I skipped, I’ll just do the best I can with what’s available. Even if I can't upscale, I can still do color corrections and stabilization, plus the subtitles and extra content. Some of these panels are split up into a bunch of very short videos, so it would also add value if I can combine them into something more sequential and cohesive. (I found 130 videos from the Jared and/or Jensen panels at LA 2009, and most of them were under 2 minutes long. 🤣) I don’t know if there’s enough footage to cover the entire panels seamlessly, but I’m itching to get my hands on that jigsaw puzzle of videos to try to make sense out of them.
So… the next videos I intend to work on will be from Vancouver 2009. This is one of the conventions that AgtSpooky attended and sent me videos for and they upscaled very well. Her breakfast video had already found its way onto YouTube, but wasn't properly credited. Her main panel videos aren't on YouTube as far as I could find, so that version may be new to newer fans. I'm only just starting to play around with upscaling the other sources out there, but my first attempt at the other main Breakfast source came out well. Both breakfast videos were taken from extreme opposite angles, so that should provide some useful editing opportunities. I’d still love to get more videos of this event if anyone has them.
If you made it this far, I am in awe. Sorry for putting this wall of text on your screen! 😅
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marshmallowprotection · 5 months ago
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Saeran and Saeyoung Birthday Art Analysis 2024!
I don't know if anybody grasps how insane it is to have an image of Unknown and MC in a romantic light. Do you know how many of us clamored for one of those in 2016? The fans are finally getting what they've been asking for all along!
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You would think that they would have more images together because he's an antagonist and there are so many endings where you fall into his clutches, but they just don't exist. If we're speaking strictly about the game itself, there were only two images before last night where Unknown and MC were in the same frame.
Zen's Route and the Christmas DLC.
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The only other photo we have apart from these two in game is the one from the Secret Ending where SE Saeran is next to MC. I do not count it even though Unknown and SE Saeran are the same person.
Because we use the names SE Saeran and Unknown in the fandom to distinguish between them—where they are in regards to the timeline is relative to white hair versus red hair, you know. I knew we didn't have many pictures with him, but when I went back to double check myself, I was put in a position where I felt floored.
All these years, and these are the only pictures we have in the game of Unknown and MC? I don't know why I briefly thought there might have been more than that.
I am so happy regardless of the quantity because the quality of the picture we received last night was beyond my expectation. I didn't think we were going to get separate pictures. I think most, if not all of us, assumed the boys would be together and there would be no sign of MC. That's the way it's been for the past 2 years, after all.
In favor of doing less art, they decided to put the brothers together instead of separating them. I can't fault them for that because it has to take a long time to do art for them! It's a surprise when we're able to get more than one, though!
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I think the thing that stood out to me almost right away was the use of purple. Now, Ray, Suit Saeran, and GE Saeran are depicted with the color pink. But, do you know who was depicted with only purple before that? Unknown.
I know this may not be something the newer fans are familiar with, but, in all of the merchandise that used to be created for Unknown, his accent color was a deep purple. I can give you a few examples to look at. I knew this was Unknown when I looked at it, but the fact the artist went out of their way to use purple told me they knew what they were doing.
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I like seeing him with purple because it's an homage to the beginning and he's been watching us from the start. To be completely honest, I liked the idea that the Saeran hearts would be his purple. I was all too surprised when they gave him a magenta color, which is a blend of a nice pink and purple.
It makes sense for his character in Another Story, but when I think about Unknown and SE Saeran, I can't detach them from purple. I'm certainly not complaining, purple is my favorite color. These ribbons are close to my favorite shade of purple, which is lilac, so it's lighter than his traditional purple, but close enough to make my heart swell.
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Actually, I know what you guys were waiting for. You came into this post to ask me questions about flowers and by God, I'm going to tell you guys about flowers. So, I'm going to lay down the flowers that are depicted in the photo and you guys are going to listen to it.
The flowers that are in MC's hair could go one way or the other. I'm going to present both options and leave it up to you to decide. They could be camellias or peach blossoms. Visually, they do share some similarities but in a photo like this where artistic choices have been made for minimalism, it's hard to figure it out one way or the other.
Pink Camellias.
Pink camellias can symbolize longing, especially for someone who is missed. They can be given to friends or romantic partners in both platonic and romantic relationships. For example, they can be a good choice for someone in a long distance relationship.
Peach Blossom.
In Chinese culture, it is believed that its delicate and pink petals have the power to cleanse the spirit and attract good luck and fortune. The blossoms are often used in traditional Japanese art and poetry to symbolize the transience of life and the importance of cherishing every moment. In addition, peach blossom flowers are also associated with the spring season, which represents new beginnings and growth.
Okay, the rest of these I'm sure of and don't think I'm wagering a wrong guess.
Red Roses.
Red roses are a classic symbol of love, passion, romance, and devotion. Red roses have been used as a way to express love for centuries, even when verbal expression was considered inappropriate. During the Victorian era, lovers used the language of flowers, or floriography, to send secret messages.
The shade of red can also have different meanings: Bright red: Symbolizes passion, love, and desire Dark red: Represents deep emotions, longing, and devotion
Red Alstroemerias.
Red alstroemeria, also known as the Peruvian lily, can symbolize love, passion, romance, and intense feelings. It can also be a way to say "I love you" without using red roses. The alstroemeria flower is the flower of total happiness. It symbolizes the sheer pleasure of being together, in friendship, as well as in love.
Pink Roses.
Pink roses can symbolize sweetness, femininity, appreciation, and admiration. They can also represent grace, gentleness, and joy. Pink roses are a delightful way to express gratitude for someone, for any type of relationship, romantic or not. Lighter hues of pink reference joy in relationships. This can symbolize the beginning of a new relationship with blossoming feelings towards one another, or simply the beginning of a great friendship.
Unknown falling in love with somebody is something that happened slowly, not all at once. You need to respect his boundaries. It is beyond important to help him feel like he's his own person, to allow him the opportunity to look in the mirror and not feel sick at the person he sees. You help him realize there's more to life than what he gave up on, and he can dream of a better world. He's grateful to have known you.
He adores and admires you but he can't always say it. It's hard to say he loves you. It's hard to say those specific words. It puts him in a vulnerable place. It takes him time to say it because no matter how much he tells himself that you won't hurt him when he confesses his vulnerability, there's always a fear in the back of his head.
That fear never goes away even if he wants it to. He doesn't want to think that way, though. He doesn't want to be afraid, either. But, that is one of the reasons why it takes so long to get close to him in the first place. You need to break down his walls and he needs to let you break them down to begin with. You need to show him that he isn't being forced to trust or even like you. You only want him to trust you because he wants to.
You want him to have self-autonomy.
You sit together at first, then you start holding hands little by little, and it builds from that point. You steal glances at each other, you smile, you laugh, and he sighs, not because he's annoyed, but rather because, he's happy. He's happy to see you smile and by God, he's so happy he can smile after a lifetime of apathy. He doesn't need to kiss you to show you he loves you... and even if he takes forever to say the three little words, you almost don't even need to say it.
That's how good you are at being able to communicate with each other silently.
There's something very deeply beautiful about Unknown or even SE Saeran holding hands with you. It's the way I've always imagined him to express his affection.
Even if he can't say it, he can show it.
I'm going to cover this in this post because I've talked about it all day at this point. I'm aware of the AI accusations for Saeyoung's artwork in particular. Please read this post I made about the subject since it needs to be spoken about in some capacity. I'm aware of people who have already reached out to Cheritz for clarity, so we're going to have to wait and see what they have to say about the matter.
[Post]
I can't say if AI was used one way or the other in the image. I can say I understand why people believe that portion of the image was created with AI. I think the artist was forced to go on a time crunch to get out the image out by this Thursday no matter what.
As far as we know, there's only one artist doing all this art. Counting the four images released last night, that makes a total of five images for the month of June. That is a lot of artwork for anyone to do, much less to complete in a month. July is also the anniversary, which leads me to believe that this artist probably was told they needed to get the art done for this month so they could get started on that image since anniversary art has almost always had a lot of characters.
This is PURE SPECULATION but it's possible that the time crunch and deadline they're on had Cheritz make them use AI to touch up or even finish the image they drew to meet the deadline; And, if it wasn't AI, there's also REASON TO SPECULATE, that they rushed the artist to get it out even if they made mistakes.
Because, I noticed one error in the Unknown artwork that could be an artist mistake, one that a lot of artists make. That's the fact that one of the water ripples is just above the frosting on the cake? I swear I've done things like that before. I'll have the layer in the wrong place and I won't notice until I post it. I hate it when that happens, but, hey it's a mistake a lot of artists make accidentally.
I don't want to believe that Cheritz would use AI in Mystic Messenger art because they said they wouldn't but words are just words. They're not powerful when Cheritz used AI in the past without so much as a second thought. Once you break that trust it is damn near impossible to win that trust back. I can't blame people for speculating when they see something off in an image. But, I hate that it's come to this and it isn't fair to anyone.
[Another Rant about AI]
I hate that the current environment has people on edge. I hate that people have to prove themselves. I hate that people can't trust each other. I hate that we have to deal with art theft. I hate that we have to see artists suffer. I hate that art theft nearly killed this fandom in the first place and THAT art theft is not only art being reposted without credit now, it's art being STOLEN and USED TO TRAIN AI.
I hate that Cheritz even remotely thought it was okay to use AI in the SSUM. I hate that people look at what could possibly be a byproduct of an artist being rushed to meet a direct deadline no matter what is seen as AI. I hate the possibility that AI was actually used in the art to get it done, no matter how much AI was used, whether it just be for a cake, or the entire image itself.
I hate that art is being fed to soulless algorithms for some heartless people to churn out bullshit because they don't want to learn how to draw and they don't want to pay actual artists what they're worth.
Because no matter what, AI or not, it hurts me to know that AI itself caused this conversation to begin in the first place. Even if there's no AI involved, like I said, rushing an artist to meet a deadline isn't it. We could've waited another week. All you had to do was say, "We need a little more time! Sorry folks!"
Transparency is what makes a world of difference for people.
Cheritz broke the trust of their fans by using AI in the first place, and once you break someone's trust, they might never trust you again. It's painful but it's true. So, AI or not in the birthday artwork, the reason I have to say something about this at all is because they used AI in the SSUM and now the smallest error in a drawing makes people want to speculate and tear the image apart to find out if it's AI or not.
It hurts me because I look forward every year to being able to write and analyze the artwork we've given. I love being able to find details that show me the artist really put their heart into it. That's something AI can't do. It can make a concept all day long, it can even make the art look "pretty", but it's making it with our stolen artwork and that's what makes it soulless.
It stole the hearts of wonderful artists and their hard work to create an amalgamation of "self-gratifying" bullshit by people who just don't care about the time and effort that goes into creative pursuits. I don't want to sit here and talk about how much I hate AI, I want to sit here and write about how much I love Mystic Messenger and what it has done for me and my life. But, I can't avoid the elephant in room when I talk about this art because the less we talk about what's happening, the more of a damn problem it is.
Until we see some clarity from Cheritz, we won't know one way or the other about the mistakes in the artwork. I want to believe the artist in this situation was rushed to meet the deadline and that lead to some mistakes slipping through the cracks. If that's not the case, then I will have to come back to this post and edit it to say, "Wow, they used AI for sure. It's no longer speculative."
I'm disappointed either way that we have to live this way.
I just don't like having to live in a world where we have no real choice but to analyze and speculate for AI all the damn time. The world is a bad enough place as it is at times, even if we all try our best to find a sense of good in it, and I'm so exhausted. So, hang tight, hopefully it is just a mistake of the artist being rushed to meet the deadline. That is my hope. It may be a naive and childish hope, but I'm so tired and I just don't want to hear them say they used AI again.
We'll see.
Moving on because I want to talk about what I noticed in the cake that didn't set me off.
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So, I'm going to break your hearts in a matter of seconds. Prepare yourself for this one. So, in the birthday illustration from two years ago, Saeran and Saeyoung have a cake with both strawberries and blueberries.
That look on Saeran's face seems to imply the cake was a surprise to him. Saeyoung is winking as he looks at the cake, which tells me he's recently figured out his brother likes strawberries and blueberries on his cake. When I was analyzing that photo two years ago, I suspected that maybe Saeyoung liked blueberries.
But, that went against the core headcanon I've had for years about Saeyoung loving cherries. I've shaped a lot of his interest around his love of cherries in my mind, so to see him with a cherry cake stands out as an important reference and a brief moment for me to say that I got it right, hehehe! It makes sense, Dr. Pepper has cherry flavor in it.
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But, do you notice something else interesting about that cherry cake? It's from Saeran! That tells me he wants his brother to have something that he enjoys for his birthday instead of always doing something for him instead. He needs to stop diminishing his own needs in favor of Saeran's.
Which, if anybody was going to make a point of telling him to think more of himself, I think the only person he would listen to would be his brother and to some extent, his MC. That man never thinks about what he wants. He would rather take the clothes off of his back every time if it means somebody else gets to be warm even if it makes him cold.
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You know what, MC appreciation moment because I love the dress MC is wearing. It feels in style for them because it looks a lot like the dress from the proposal scene!
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Did you guys know that there are flowers on the cake? You have to let your eyes look beyond the cherries! Right there! Did you know those flowers are also depicted in two other places in the game?
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One place is in the common gallery where we see the bookmark that V tried to give Ray, and the other place we see is a birthday image from a few years ago with Saeyoung and MC, where they're wearing a set of matching rings. They are the same flower depicted time and time again to represent Saeyoung, well, outside of baby's breath. His Christmas CG was a baby's breath bouquet, after all!
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Those flowers are geraniums.
Red geraniums are representative of a wish for good health. They are often gifted as a house-warming present to ward off negative energy from approaching your loved ones.
If you ask me, these are the perfect flowers to represent Saeyoung.
Who is he if not someone who has wanted to gift peace and protection to his brother? That's his dream, but I think in many ways, it's important he learns how to accept that he is also deserving of happiness and protection. Saeran wants his brother to be happy and healthy, too. It isn't fair for only Saeran to know peace and prosperity.
Saeyoung is just as worthy.
I think it's important to point out that the apartment drawn in this picture is not Rika's apartment. This is what her apartment looks like and we've got two angles to work with.
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And this is the background in the new image. There is nothing similar about these backgrounds whatsoever!
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Why is it significant? Well, I ask you to think about it a little bit harder than that. The bunker is the place he created to protect himself from all the monsters and demons that could ever think of hurting him and his family. He would never leave that bunker willingly unless he knew his family would be safe without a shadow of a doubt.
So, given the fact that he is in an apartment that's not Rika's—that means they've moved out of the bunker and they have a cute little apartment in the city.
An apartment where he doesn't have to feel like he has to live underground. He gets to see the sky, the clouds, the sun, the moon, buildings, people, and the rest of the world. He gets to have the world at his fingertips.
Can you believe that? Can you believe that this man whose face is a depiction of what it means to be paranoid in the dictionary is living in an apartment without fear? I can hardly believe it because I've always thought of him to be somebody who is terrified of what comes next.
I can't blame him for feeling that way because all of the monsters and demons he's afraid of are real. They're not something he cooked up in his head. They are real people who can hurt everyone he loves. So, for him to be in this apartment tells me that there is no longer a reason to be afraid.
His father and anyone from the agency who might come after him must be taken care of now. He doesn't have to be afraid and it means he gets to build the kind of life he wants to live. Better yet, he gets to have a normal life and it's a life worth living.
The cake is from his twin brother. I know I already talked about this earlier in the post, but I feel like it's an important distinction to bring it up here.
The only reason why he would have a cake delivery from his brother is if he wasn't with his brother on their birthday. I know, I know, I can already hear a lot of you trying to tell me that the boys shouldn't be separated. I don't think they should be separated either, but I do think this means SE Saeran gets to live separately from Saeyoung and MC.
I think that's the healthiest outcome after he's had time to heal and there's no more demons threatening their livelihoods.
He wouldn't want to live with his brother but that doesn't mean he wouldn't want to see his brother. That's why his sending a cake to his twin brother is such a big deal. Sure, they might have a celebration for their birthday together, but it's ultimately okay to have individual celebrations, too.
It's okay to enjoy the day by yourself.
Saeyoung is undoubtedly guilty of smothering his brother in this timeline. Many of us understand why he does it, and if you would like to read more about why he tries so hard in the first place, [I should point you in the direction of this post I wrote not too long ago about parentification.]
We know why he wants to do everything he can to make sure his brother stays alive and gets to experience life for what it is. But we also know that his methods aren't always the healthiest. He does the best with what he has but that doesn't make it okay, you know? His smothering of Saeran is... well, we know why he does it, but it doesn't make it the right choice.
His willingness to let his brother live alone is a huge step not only for his paranoia but in working to heal the relationship between them after everything that happened in the Secret Ending and Saeyoung's Route.
I don't think they would live far apart from each other, but I do think there would be enough distance so they could breathe. They need to be able to be individuals just as much as they need to be a family in my opinion. See, this is one timeline where I think it would be for the best if they didn't live together.
I want them to live together post-RAE. But, the only reason why I can see that working is because they're in a different position and it's easier for them to talk about their issues in a constructive way. You can't have that in the SE, per se. It's not tainted forever but it's not easy for either one of them to come to terms with everything.
I know things are going to get better for them in the future, but it's never going to be the way it was when they were kids. It couldn't even be like that in the RAE. There's just a different and unique sense of loss in the Secret Ending that isn't present in the RAE. It's not a bad thing, it's just different and that can be hard to stomach for a lot of people, I know.
Different lives, different choices, and different experiences led to different paths.
But, you know what gives me hope?
The fact that Unknown (or, who we could presume to be SE Saeran after dying his hair back to white) is wearing a cross. There is no real reason whatsoever for him to be wearing a cross. He's not the type to love church. Side eye at Mint Eye for being also being a byproduct of Rika's religious trauma.
He is not the religious type. I don't know for sure if he believes in God, but I know he believes in something, not sure what exactly, because he doesn't want to believe in nothing. I can't see him wearing a cross as it isn't something that brings him peace. But you know who it does brings peace to? His older brother, Saeyoung.
So, if you ask me, I think his brother gave him the cross because that was a way to make sure his brother was always protected.
"Could you wear this for me? It's okay if you don't want to wear it, I just... I want you to hang onto this for me while we're living apart. I... want you to have a piece of me with you. I know that's asking a lot of you... Something to always remind you that I'm thinking of you and that I never stopped thinking of you. This kept me safe and even if it's not the same magic for you— I want you to know you this is a part of me that is undeniable. You'll never have to doubt yourself. You'll have a piece of Saeyoung-hyung with you this time while we're separated. Not forever... we can see each other whenever we want now."
Because Saeran had no proof his brother existed outside of his own memories until Mint Eye gave him the chance to peek into the RFA servers.
Even if it's silly, Saeyoung wants his brother to have a piece of his soul to keep him safe. Saeran being ultimately willing to wear a cross is a big deal, and being willing to wear the same cross his brother has worn for years is an even larger deal. Saeyoung believes in that cross.
The cross kept him safe and he clutched onto it tightly when he prayed for Saeran's happiness.
That cross is filled with years of Saeyoung's belief and hope for a happy tomorrow.
It's just as much proof of as the images on the floppy disc are. The church is what helped Saeyoung find a way to help himself and his brother, and even if it didn't work out the way he planned, that still means something to him.
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Saeran's wearing something his brother gave him to keep him safe and he's not mad about it. He didn't steal that cross, either. It's not a show of power to mock Saeyoung. The image that is reflected at the top of this post is not one where we are meant to be at the cusp of an elixir bathtub.
It's a staged photo shoot.
It's one where Saeran is looking at the camera.
His face doesn't seem like the typical one you'd expect for someone rotting away in Mint Eye. He seems more at peace. If that is the case, then it makes sense that he's wearing something of his brother's to give him peace of mind. It's a token he took not because he wanted his brother not to smother him—but because it's something he took as he finally understood that his brother just wanted to protect him even if he hasn't always done it the way Saeran might have liked.
After all, it's not Saeyoung's fault that Rika and V failed.
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Something something, these bracelets remind me of shackles after the chains have been broken. Unknown is no longer bound in chains. He's free. What more could anyone want for him? In conclusion, I will say that I love him very much and I'm going to keep staring at him for a while to feel better after this long day. Oh, wait, I have one more left in me.
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MC'S DRESS LOOKS LIKE A BIG FLOWER AND UNKNOWN IS THE CENTER PIECE.
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whoishotteranimepolls · 4 months ago
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why do people want to fuck grell sutcliff? she looks like a little freak who'd slit my throat in the middle of the night and drink my blood, somehow doing it homoerotically even though i'm staining my mattress. Her teeth? HORRIBLE. As a woman, i feel obligated to ask why ANYONE would want that near their pussy. they're so sharp. and widely spaced. i feel like she'd have to drink smoothies instead of eating actual food bc her teeth r fucked up. also those glasses? they are NOT helping her face shape. i mean, she already looks like a triangle, why does she want to look like a square? (sorry if i used the wrong pronouns, i looked it up but it seemed kinda smokey? idk it said that she refers to herself as a female so i just followed that, pls correct me if im wrong lol)
Defend Your Blurbo #24
Please remember this post is about curiosity and genuine fandom discourse. Be kind with your answers because this is not a debate essay, this is a discussion between fans
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Meet Grell Sutcliff from Black Butler. I'm pretty sure most of you are familiar with them since they are one of the most requested characters, and Grell was one of the first characters to nearly beat Senshi
When it comes to the pronouns, Grell is definitely not Cis. I've seen arguments that they can be non-binary, but the fandom consensus seems to be that Grell is a trans woman. I received some fascinating essays with lots of evidence both ways for the pride month request, but let's not touch that here because that will turn into a fight. But if you guys want to debate that topic it is something more suited for Fandoms vs. Illiteracy.
Now, I'm curious to see if you all are going to challenge the One Piece fandom's rulership of the horny jail. So, Black Butler Fandom, Defend your Blorbo.
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pastellieria · 5 months ago
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The latest round of AO3 comment discourse crossing my dash made me suddenly realize that people are just taking it as a given that AO3 is a "fandom community website". AO3 is often directly compared to Livejournal and other older fandom hubs amidst laments about how "no one cares about participating in their community anymore".
But AO3 is not a "community" website. It's not social media. It's a fanfic archive that was designed to center the fics first and foremost. There is no space on the site for general, casual fandom discussion. You can't even DM other users. The site was designed this way on purpose to protect writers, because its creators were familiar with the ways in which writers have been harassed on other sites and wanted to minimize direct access to writers as much as possible, but that decision comes with the tradeoff of limiting the amount of communication and discussion between fans that is possible on the site.
This is, to be clear, not a criticism of AO3. It accomplishes its goal of being an archive very well. I don't particularly want DMs or larger discussion forums on the site, and I enjoy how it centers the writing it hosts. But as it exists now, it is simply not built to be a "community" and does not function as one. Unlike sites like Livejournal where fic posting and general interpersonal fandom interactions all took place in the same space, fics are posted to AO3 while the "community" for any given fandom now largely takes place on Twitter, Tumblr, Discord, or another site, depending on the fandom.
You're free to personally dislike those spaces and voice valid criticisms about how they function as communities, but they are undeniably where the actual "community" parts of most fandoms currently reside. These sites, not AO3, are where most fans talk to one another, form friendships, and express themselves. It's not impossible to do these things on AO3, but it is not the norm because the site simply is not designed that way.
The latest posts I have seen about commenting culture have gotten this dynamic exactly backwards. If readers are discussing a fic amongst themselves on Twitter or Discord, they're characterized as antisocial and accused of "not participating in the fandom community". But Twitter and Discord are the fandom community sites! The "bookclub" servers and Twitter threads are where the community bonds are being forged between fans! These spaces are the modern analogue to the old Livejournal groups and web rings, not the comments section of any one individual fanfic on AO3.
If an author's only interaction with their fandom is to post fics to AO3 and passively wait to be found, and they aren't seeking out their fellow fans in these other spaces and interacting with them... they are the ones who are "not participating" as much as the readers that are so readily being cast in so much of this discussion as "selfish" or deliberately spiteful for not commenting "enough".
I understand why many of my fellow writers feel this way. I too often find socialization on sites like Twitter and Discord draining and difficult. It takes time and effort to build friendships organically, discuss ideas and share snippets to pique people's interest in a fic before it is posted, and provide reciprocal effort when it comes to everyone else's ideas and snippets and stories, and there are many days when I just don't have the energy for it all. At the same time, I'm also very curious about my readers' thoughts on my stories, and if I learned that they were being discussed in a server I couldn't access, I would want to know what was being said. It's a natural impulse to feel curiosity like this when it comes to one's creative work. And of course, I also love getting comments on my own fics and I'm not immune to feeling disappointed when a fic seems to "flop".
However, it's not fair to take out feelings of disappointment and frustration on readers for participating in their fandom in the spaces where their fandom's community actually exists. If you find out that fandom discussions are happening in a place where you are not present, you have a choice in what action you will take. You can either make the effort to join the discussion, or you can knowingly distance yourself from it. Neither of these choices are objectively correct for every single individual's situation, but you, the AO3 denizen, are the one who needs to choose whether or not to engage with your fandom's community, because AO3 is not where the community lives.
If you choose not to join your fellow fans in their actual community hubs because of low social battery, annoying features, or a site culture you dislike, that's perfectly fine and a valid choice... but you shouldn't be surprised when the author who is participating in their fandom outside of AO3 gets more comments on their fics. And you certainly don't have the right to project your own social withdrawal onto your readers and accuse them of maliciously withholding "community" from you.
Comments are wonderful, and positively encouraging people to leave comments on the fics they enjoy is completely fine, but comments are not community. AO3 is not a community website and in fact is designed to put us writers behind a wall for our own protection. We are the ones who need to choose whether or not to venture out from behind the wall and join our communities, instead of getting angry that the community isn't spontaneously appearing in our comments sections.
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waterflowing-under-ground · 3 months ago
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I've seen some posts from people in the Witcher fandom (usually who are into both the Netflix show and the books) being confused as to why book fans think Geralt being mean to Dandelion (Jaskier) is a canon divergence in the TV show, when in the books, there are times when Geralt can be very cutting and even a bit mean to Dandelion.
My takeaway from their relationship in the books is that this conflict has the purpose of developing both of their characters (and serving as allegory because we KNOW Mr. Sapkowski loves allegory, and we love him for it! Or at least I do), and there's context around why they can be this way with each other. There's a rich history in this friendship, a comfort and casualness with one another that one wouldn't have with someone they weren't that close with, which in a lot of relationships comes with a safety to BE cutting and blunt with each other at times and know that having these conflicts is not going to mean an end to their relationship. They tend to move on from their arguments and all is forgiven (sometimes after a period of distance, but that's also normal after a hard conversation I feel - both parties sometimes need to process and lick their wounds, or wounded egos), and it's implied (at least to me) that their friendship is an "always" thing, even when they do blow up at each other, and even when the things they say are harsh.
Furthermore, there's so much "off screen" (off-page?) time between them that we don't get to see. But their closeness is implied by others and themselves throughout the entire saga and the short stories. And the things they say to other people indicate how important they are to one another as well.
I do want to point out that my personal take on their relationship is tempered by me being in my 40's and having more than one long term relationship (namely my closest and longest-running friendship which is going on 25 years now, and my marriage which is almost 15 years old this year) where there IS that familiarity and "safety" to sometimes have cutting conversations, or at least "brutally honest" conversations, telling each other things we might not want to hear, but perhaps need to.
My best friend, for example, saw me through a 6-year relationship that was actually abusive. She felt that she had to tell me some truths that I needed to hear, and while some things she told me were hard to hear during that period, I'm so glad she felt safe and comfortable enough with me to be honest about what she saw happening.
She is not a fuzzy-wuzzy cuddly person. But she is MY person. She has been my rock for nearly a quarter century. I would actually trust this woman with my life. I would donate a kidney to this woman if I were a match and she needed one. We are not cutesy fuzzy with each other (although most of the time we're warm, generous, and supportive like a certain witcher and minstrel duo). She's not the type to say "I love you" out loud, so we don't do that because I know that would make her uncomfortable (she's even like this with her partner of several years - some people just aren't as demonstrative with saying the WORDS, but it doesn't mean they don't FEEL it). But we LOVE each other dearly. We don't have to actually say "I love you" to say I love you to one another.
Because we're all human, we can even at times slip up and not be as tactful and sensitive with each other as we should be, or even in a moment of vulnerability get angry and snap (which is completely Geralt in Baptism of Fire). Some of the conflicts I've had with my best friend and my spouse can look a lot like what we encounter in the books between Geralt and Dandelion when they do get into a heated discussion or argument. But these relationships are, to me, "safe" and "always" in my mind and heart. I know we'd have to do something truly *despicable* and abusive to one another for those relationships to end entirely.
What I think people are saying, when they say, "Book Geralt would never *be mean* to Dandelion," isn't that Geralt could never *literally* be mean. It's that the portrayal of their friendship and the conflicts they could have were lacking any kind of context whatsoever. Furthermore, the Netflix show didn't make us believe they were ever MUTUAL friends who loved each other (mutually) in the first place, didn't do enough to build up their relationship and show its history and why they're so bonded to each other, why they're proud of each other, show us HOW the "opposites attract" thing actually works in their relationship, how they add value to each other's lives by having different but complementary personalities, why they had such a strong connection in the first place, why they loved each other, why they enjoyed and valued each other's company and place in their lives.
Instead they made it seem like Geralt was simply tolerating this silly little guy who gets him into trouble all the time, and then out of nowhere you get a tirade of verbal abuse that goes on about how this silly little guy ruined his entire life, and basically a "get out of my life" tirade which is extremely hurtful and broke the show character's heart (understandably enough). Geralt also punches Dandelion in the show, and while they have their share of verbal arguments in the books, Geralt never lays a hand on Dandelion, and even goes out of his way to protect him and save him from violence and physical danger multiple times throughout the entire saga.
Geralt's attempts to push the Hanza away in Baptism of Fire are often cited as the example of Geralt being mean, by Netflix viewers who are confused by book fans saying Geralt being mean isn't canon.
But I think book fans pretty universally agree that Geralt's "meanness" in Baptism of Fire actually stems partially from him wanting to protect the other members of the Hanza from danger, and partially from feeling like he's messed everything up so badly he doesn't *deserve* help or support, or that he can't *truly atone* for Ciri's separation and unhappiness unless he completes the mission entirely alone.
He tries to emotionally push everyone away by being, well, a jerk (which if one is looking to push people away, that can definitely be an effective way of doing so). But his friends see right through this defense mechanism, seem to intuitively know where it's coming from, and seem to understand what he's going through, and are not afraid to call him out on it!
They rightfully roast him for it, but in a way that to me comes across as loving, albeit tough love. To me it's in the vein of, "We see right through your nonsense, we know why you're being like this, because you think you're leading us right into harm's way and you don't want to do that, plus you're losing your mind because you're in a lot of pain and you've lost your daughter and de facto wife who you were JUST beginning to mend fences with before she and your daughter were ripped away from you, so you're freaking out and not being rational. This isn't going to work on us, we're not going to leave you, so just sit down, chop these veggies, and eat this fish soup with us, and shut up you silly man." My favorite moment is when Milva makes the remark about how wolves don't actually hunt alone. Wolves are, after all, pack animals who work as a team to survive.
Modern toxic masculinity harkens a lot to his idea of "alpha males" and "lone wolves" which is total fallacy and nonsense and runs completely counter to what real life is actually like. People, like wolves, are communal animals. We literally need one another to survive. Interdependence, not independence, is the optimal way of being human. Having love, comeraderie, and support are not just frivolities, they're necessities!
To close this, I think the heart of why book fans take issue with this portrayal of their friendship is that Dandelion and Geralt are the longest running thread through the series, each other's "always" person (which in a long lifetime often IS someone's closest platonic relationship, whether that be a chosen best friend or a close sibling for example), and they're so instrumental to each other's character development, that to bludgeon that in the show just runs so counter to what I feel as a fan of this series is one of its central themes, which is that nobody actually CAN do everything alone and without support, that being isolated and alone really leads down a dark path for us as human beings. By stripping away this piece of the story (Dandelion and Geralt's friendship in its true nature, not a contrived one) it fails to adapt the story on that level.
Keep in mind that these are just my opinions. If you made it this far, thanks for reading!
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So, I recently saw Dragons Rising S2 part 2, and an interesting thought occurred to me.
Spoilers underneath the cut
Early series Arin sorta acts as a representation of the fandom. He grew up with stories of the ninja, and absolutely adores them. He knows basically every publicly known fact about them, and is eager to infodump those facts to anyone who will listen.
So with that context, it makes the arc Arin goes through in the second part of S2 where he becomes disillusioned with the ninja and loses faith and trust in them utterly fascinating.
It is no secret that much of the fandom has themselves become disillusioned with Ninjago in recent years. You see that online all the time. Hell, I've met people like that in real life twice this year.
As someone who has been active in the online fandom for at least five years (and a fan of the show for longer), the way that Arin regards Wu is all too familiar.
Now, I love Wu. I am not shy about it, and will continue to say it til the end of time. But I don't love him because I think he is a perfect, flawless person who has done no wrong. No, I love him because he is complicated and nuanced. He clearly loves the ninja - that is clear as day to me - but he also has a fatal flaw with his secret keeping.
I can 100% believe he fucked up somehow, and that resulted in the Merge. Whether that be as simple as him just not telling the ninja about the coalescence and thus failing to prepare them for it, or even something he actively did that resulted in the Merge. It's not like he hasn't done similar things in the past, after all.
I do not buy for a second that there was any malicious intent behind it.
I cannot see a world where Wu would intentionally, knowingly endanger his students or even the world at large. We don't know the full story yet. There are pieces of the puzzle still missing, I'm sure.
But Arin, much like the fandom, cannot see the nuance in Wu's actions. Arin once believed Wu to be this infallible ideal of a wise old mentor figure. And the second that illusion broke, that Arin learned Wu was in some way responsible for causing the Merge, Wu immediately became the bad guy.
Arin cannot understand why the others struggle to accept that Wu is some terrible person because Arin didn't know Wu like the ninja do. The ninja knew Wu for years, they've seen his strengths and his flaws firsthand. They know him too well to immediately assume the worst of him, because they know how hard he's worked to protect Ninjago from the worst threats it has ever faced.
I could probably go on, but I think this post is long enough.
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asteriass · 7 months ago
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The progression of the “Villainess” trope
Y'know, thinking about it, it's very ironic how a trope made to subvert one's expectations & give more depth to 1 dimensional villains in cliche novels by "humanizing" them more & providing their side of the story, eventually became oversaturated with cartoony villains & flat MCs. Thus, completely failing in its goal to "subvert expectations" as it too turned into mind numbing cliche, becoming the exact opposite of what the troupe initially aimed to achieved.
I am talking about "Villainess" series.
I remember seeing a twitter post a while back saying how a lot of the villainess stuff the authors & studios are putting out nowadays lack any sort of nuance when it comes to its characters. And how a lot authors simply switch the roles of the cast (Like: OG MC -> villain | OG villain -> MC) & call it a day. And I 100% agree with that.
This troupe kinda ended up becoming the dictionary definition of the saying, "You either die as a hero, or live long enough to see yourself become a villain” lmao
What could've been an opportunity to write nuanced villains & morally ambiguous main characters, turned EXACTLY into the cliche it was pocking fun at.
In an attempt to reveal how the MCs of your typical cliche novels can also be in the wrong at times, flaws that the story & its (in-canon) fandom may purposefully ignore, the villainess stories ended up doing EXACT SAME thing EXECPT this time it's the "villains" doing it rather than the OG FL or OG ML of the “OG novel”. In an attempt to stop cliche villains from remaining cliche, while we did ended up getting slightly more nuance for the “OG villain” characters, in the process, the OG MCs turned exactly into those flat cliche villains.
Alot of villainess series poke fun at the troupes they themself use, but not in a satirical way.
So many villainess series poke fun at the OG novels for being problematic or stupid & the fandom of said novels basically ignoring its flaws & problems, only gushing over the OG FL. Which yea, is nice & all, but y'know... that's exactly what those villainess series do too. SO MANYY of them borderline have the FLs participating in literal slavery. & More often than not have a borderline colonizer ML. Not to mention the numerous which carry weird undertones of colorism, and many such other things. All the while, the fandom of these villainess series continue to ignore their glaring problems & flaws & instead just gush over the FL and ML.
And I'm not even saying this in a hating sort of way (well, aside from the series with issues of colorism, orientalism, etc). Moreover, this is all not to say that one can not enjoy such stories, because admittedly, there is indeed fun in just reading a simple and familiar story line. But this is all more me being intrigued by this trope’s almost ironic progression as companies rush their staff to produce something which they think will be able to ride the waves of the current trends, only for the vast majority to simply drown in a sea of mediocrity (with many even being canceled due to this)
[Though I mean, something as simple as villainess tropes won’t be the only one to go through this. Like a lot of Shakespearean works, a subversion of the classics & typical troupes back then, got turned into ones of those classics and by many are now considered cliche. And that's just scrapping the bottom of the barrel!]
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