#i'm pretty excited about this one

[shopwitchvamp]

Tarot video processing now.. looks like we've got about 20min until it's ready 😁

[justanoth3rday]

[sporeclan]

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Who's gonna tell him......... The Sequel

[lazylittledragon]

one of my last fake skin practices before they set me loose on my own flesh >:))

i also did some beautiful stippling on the web but i forgot to take a photo so you just have to trust that i did it

[nakaremfarlei]

Was just thinking about the amount of animals Obi-Wan interacts with compared to literally everyone else and in the Clone Wars episode where Kamino gets attacked he literally gets saved twice by the same ray-like animal and just...

The growth from judging Qui-Gon for the 'pathetic lifeforms' he picks up to whatever he has going on during the Clone Wars era. He must have gotten that from Qui-Gon though, right?

And because it's my brain and it's rotting with all the star wars stuff I am consuming I was thinking of Obi-Wan saving all these creatures and the 212th having to deal with that. Surely they made one of the rooms pet proof in case one of them needs a new home. There also have to be clones who love that because of course Obi-Wan can't really take care of rescues on top of all his duties.

After the first few times this happens Cody learns to order animal food and other necessities. And if the Republic doesn't fulfill these requests or asks too many questions he'll just have to make sure to organize them on planet during the campaigns.

[mercymaker]

i spent quite a bit of time thinking, considering my options and wondering if i should even respond to the 'apology' to begin with, but i feel like i've been here before, in this exact same position (i didn't respond to his original 'apology' because it felt off how he omitted the fact that he pretended to be the victim for a whole week, but even then i decided to not say anything and just let the dust settle and give him a chance to learn and do better) and doing nothing eventually just caused more harm. even if i can't reach the other side and find common understanding, i wanted to at least express what's been on my mind for such a long time.

i always try to approach people and situations with understanding and try to assume ignorance instead of malice when someone says or does something i consider questionable or wrong. but i also know we all have our limits. we are all human. and you can't take the heart out of the equation.

one thing in this 'apology' that really stood out to me was this:

how is it not malice to completely disregard another creator, hell, another person and their wishes and feelings when they have made it very clear that your actions are causing them harm?

how is it not malice to outright lie and misrepresent other people and situations in order to portray yourself in a better light?

how is it not malice to disrespect the people you've stolen from and then, after they (by your own words!) rightfully address it and try to bring your actions to light, you then turn around and vilify them to your friends and followers? portray them as bullies and gatekeepers?

all while repeating again and again how the whole experience made you stop creating? as if your actions didn't force people out of this space, this fandom? have you ever sat down to think how the person that made you a 40 minute video tutorial on gif making, the person that taught you so much, no longer makes anything at all because you turned your back on her and copied her sets? kept doing it after she blocked you? after she made text posts expressing how upsetting your behaviour was? you didn't care and kept doing it anyway. even saying things like 'i always credit where credit is due' in response to copying numerous sets from @minthara, down to the caption without ever crediting her.

and if that wasn't enough harm, you then took it a notch further and straight up lied to the people around you, trying to vilify petra and i by saying how the whole thing should've been dealt with in private. how is it not malice to omit the fact that I DID, in fact, reach out to you privately. that i did it in a civil manner. that i tried to explain to you how your actions were wrong and were rightfully upsetting other creators. how you ignored everything i've said and when i expressed that your response (or lack of it) made me uncomfortable and that because of it i couldn't give you permission to 'recreate' (copy) my work, you then insulted me and told me that it didn't matter what i wanted? that you would do as you please and there was nothing i could do about it? how you then immediately blocked me so i couldn't even respond? how is that not malice?

and then this was from your apology back in march:

and you insist that after this 'apology' you've learnt and were never doing anything wrong again and yet you are saying the same thing again in your new 'apology'. how after the march events you went to @galedekarios anyway, asking for permission, didn't wait for her response and posted your copy of her set anyway. which just makes me think that you've never learnt. it just makes it seem that asking people for permission never stemmed from a place of respect and understanding, but from the need to cover your ass in case someone brings the fact that you're still copying up. which someone did, apparently.

at the end of the day, this is my opinion and i might be wrong, but following all of your words and actions, it just seems like you chose notes and attention instead of people. that you kept lying and misrepresenting things and throwing us under the bus for your own gain. and that you only stopped because enough people eventually found out, not because you suddenly felt remorse. and this 'apology' was just another 'ask for permission from a creator', all just for optics. you couldn't even bother to unblock us before posting the 'apology' which just shows how little you were actually thinking about any of us.

[pushing500]

I have never been SO HAPPY to be raided before. Randy Random looking out for us today. What a madlad.

Why should we get our hands dirty when there are pigskin raiders and a killbox for that sort of thing?

Aaanytime you feel like stepping in, Kwahu...

That was so stressful omg

Thank goodness for raiders

Standard mechtech, here we gooooooo!!

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[bumblingbabooshka]

I hate when Chakotay is watered down to be Janeway's yes man because their disagreements are actually very interesting. [A lot of rambling analysis of this debate in particular below]

Chakotay in Parallax is very interesting in that he has to navigate a lot of different dynamics. Balance a lot of plates while being watched keenly by everyone around him. Immediately preceding this scene we see him ask B'Elanna for her opinion on the bridge - both as a chance to show her knowledge in his bid to make her chief engineer (because she wouldn't get a chance to otherwise as Janeway has clearly indicated that at this point she views B'Elanna as a troublemaker who won't be considered for the position) and because he just thinks she's a better engineer than Carey and wants the best possible chance of them succeeding. Janeway sees this as unacceptable. Carey is the chief engineer and so he should be called and Chakotay NOT asking for his opinion is an insult to Carey, Janeway, and might make the crew doubt Chakotay (and by extension the Maquis') loyalty to the Starfleet crew.

At this point it seems that to Janeway integration ["They're not your people"] means the path of least resistance, specifically tailored towards the Starfleet crew. She wants Chakotay by her side to keep the Maquis crew calm but also seems unwilling to consider them for important positions aboard the ship. Though she says that the Maquis are not Chakotay's people, not his crew, she certainly doesn't seem to consider them hers [Compare this to later instances where she stresses 'our' crew, here she simply says they aren't Chakotay's: Whose crew are they? Are they crew at all?]. This less leaves the impression of "We need to be a cohesive team" and more "You're not in charge here." She essentially accuses Chakotay of playing favorites. In her mind Chakotay's actions are not conducive to integrating the crews which would (again, in her mind) mean the Maquis being docile and accepting, obedient and content - not making trouble for the Starfleet crew. Chakotay counters Janeway's accusation with one of his own: That he IS trying to integrate them into the crew but her not allowing the Maquis any opportunity to prove themselves or succeed, not showing any trust in any of them (except, implicitly at this point, him) is making things difficult. At this point the Maquis crew are ready to mutiny on his word at any time. He knows this for a fact. Aside from that looming threat (the threat being that tensions are high and if nothing changes and they remain high there might be a mutiny even without his word) - Chakotay knows these people and trusts them. Though Starfleet and Janeway think of the Maquis as a violent bunch of criminal terrorists, Chakotay and a good number of the Maquis joined because they believed in the cause they were fighting for. These are people Chakotay knows WILL fight fiercely for what they believe in and conversely, AGAINST what they perceive as injustice. Even if they're not in the majority - they're used to picking fights which seem impossible to win. At this point Janeway admits that she ISN'T making it easy for Chakotay to integrate the Maquis - specifically talking about practical concerns; how she doesn't feel she can let Maquis crew have roles of importance on the ship because they lack the ability to hold them. "They don't have the discipline, they don't have the training," - asserting that they just aren't prepared for any such roles and it doesn't have to do with them being Maquis specifically. Ostensibly, she's treating them as she might treat anyone unqualified for the job.

Chakotay maintains that some of them, like B'Elanna, have the ability to be trained - challenging her point by saying that IF they're trained there's no reason for any Maquis member NOT to be given a more prominent role on the ship. He isn't suggesting they just unqualified people important jobs. If the problem is that they aren't trained, let's train them. These people have the ability to succeed if you give them the tools they need and a fair chance, he insists. Janeway then switches gears and her argument becomes not "The Maquis are untrained so they can't be given those jobs" but "The Maquis crew are unworthy of those jobs when compared to Starfleet personnel" saying that it'll cause insult and upset among the Starfleet crew if any member of the Maquis were to be promoted above them. Again, her idea of integration is based more on Maquis subservience to the Starfleet crew than it is the two crews working together. (Not that I believe she looks at it that way, it's just where her 'path of least resistance' leads) - though she accuses Chakotay of being too focused on "his" crew, she is admitting here that she believes her real crew are the Starfleet officers aboard, not the Maquis. She also admits here that the system she wishes to maintain (and is asking Chakotay to enforce) is one where there will ostensibly never be any chance of a Maquis crew member being promoted because no Maquis crew member will ever be more qualified, more worthy, than a member of Starfleet. We can see how it'd be difficult for Chakotay to convince his crew to remain calm under these circumstances. There's also Tuvok's behavior toward him at the beginning of the episode where the Vulcan nearly goes over Chakotay's head and when he doesn't do so (as Chakotay reminds him that HE'S the superior officer, the First Officer in fact,) Tuvok acts as if him backing down (partially) and conceding (partially) to Chakotay's authority is a favor to Chakotay.

Tuvok in this conversation is downright insubordinate to Chakotay. Despite Chakotay being the first officer, he doesn't take what he says seriously, argues that his own opinion on what should be done should be followed rather than Chakotay's, lectures the first officer about his conduct, and then almost seems to threaten him with a report. In Starfleet's rigidly hierarchical rules, acting like this to a superior officer (ESPECIALLY the first officer) wouldn't be tolerated and Tuvok knows this perfectly well. He isn't a rebellious character and clearly in other episodes adheres to these Starfleet hierarchies and codes of conduct very strictly. He values them highly. But Chakotay, a Maquis, shouldn't be First Officer. Why should he be given respect for a title he didn't earn? [Affirming Janeway's argument about how Starfleet officers won't be eager to follow a Maquis senior officer] Even though Chakotay tells Tuvok off for it ["I don't have to explain myself to you"] he doesn't threaten to put Tuvok on report or explicitly mention his insubordination. It's unclear if this is Chakotay's personality or if he just doesn't feel he CAN do that. Tuvok is one of the three most senior officers aboard and very close to Janeway. Chakotay has to think of the optics of any situation at all times - we see seconds after this conversation that rumors have already started swirling around B'Elanna being relegated to quarters that've fanned the flames of mutiny. Though we know Tuvok has personal reasons for behaving the way he does toward Chakotay (which he later admits), I really don't think it'd be out of the ordinary for this to be how most Starfleet personnel would treat the Maquis if they weren't outright hostile: Like they're only pretend crewmen. To a lesser extent we even see this with Janeway: In the following staff meeting, she clearly doesn't consider B'Elanna a viable option when Chakotay brings her up and almost ignores the suggestion entirely.

It also, again, leaves Chakotay in an impossible position. If he doesn't protect and fight for the Maquis crew, they won't ever be considered a true part of the crew and dissatisfaction will likely spread among them. Dissatisfaction which the Starfleet crew will then use to further label the Maquis as insubordinate, uncontrollable, unfit. Not to mention that if he doesn't advocate for them, he might lose their trust. However, if he DOES try to help the Maquis crew advance the Starfleet crew will view this as 'favoritism' and will further distrust him, won't respect the people he puts forth as worthy. Janeway seems to be intent on not advocating for any of the Maquis crew and also seems unwilling to ask that the Starfleet crew grant leniency. She implies that the Maquis crew need to learn to get in line and keep quiet and it seems almost like [we must remember the optics] she has Chakotay as the only Maquis in a position of power to facilitate that. Chakotay recognizes and pushes against that, saying that he won't just be her token Maquis - there only so she can point to him and say "See? We don't discriminate against the Maquis here." effectively a tool used to shut down any arguments of unfair treatment and a tool to quell the Maquis if any talk of mutiny DOES arise. In this model, Janeway can just tell Chakotay to calm them down and they'll listen because they trust him. She also doesn't have to really listen to anything he says: A token First Officer has no authority; his words don't hold weight. [Chakotay isn't Maquis anymore, they aren't his crew anymore - ok. What is he then? What are they? Nothing, without respect.] This plan seems untenable, as much as Janeway frames it as sensible: "I can't make it easy, Commander. Surely you can understand that," and alternatives as impossible "How am I supposed to ask them to accept a Maquis as their superior officer just because circumstances have forced us together?" - in the long run, how would this be sustainable? In any power structure, you cannot expect a group of people you're unwilling to grant trust or agency to obediently follow you forever. This proposed form of 'integration' in which the Maquis are kept on the bottom rung and told intermittently to stay there quietly by the only one of them granted permission to stand at the top would never be sustainable - especially with a group like the Maquis who again, were founded on the belief that its members should fight against inequity and are already on the verge of mutiny.

I specifically find the statement "How am I supposed to ask them to accept a Maquis as their superior officer just because circumstances have forced us together?" to be interesting because personally I'd say that being forced together for the rest of almost everyone's natural life is a pretty good reason to ask people to adapt and Janeway does understand this but only applies it to the Maquis - the Maquis are the ones who have to adapt, not Starfleet. The only thing the Starfleet crew have to do is tolerate their presence on board.

At this point Janeway again claims that if Chakotay can show her a 'qualified' Maquis candidate she'll consider them. I believe this is true but we already know that Janeway's standards for qualification will likely not fit the vast majority of the Maquis and Chakotay ignores the claim in favor of putting forth B'Elanna again, firmly. Janeway predictably dismisses her as unqualified and Chakotay disagrees, arguing that he knows her. He's worked with her. He KNOWS that B'Elanna can excel at the job even if she doesn't meet Starfleet/Janeway's qualifications. He doesn't value those qualifications over what he's observed about her - just as he didn't value Carey's title over what he knew about the gap between his and B'Elanna's abilities. Then, Chakotay switches gears. He admits that Janeway's right - he does view the Maquis as his crew but that's because Janeway (almost self admittingly) doesn't and if he doesn't, who will they have? [What kind of captain, kind of man, would he be?] "You're going to have to give them more authority if you want their loyalty." "Theirs or yours, Commander?" Janeway frames Chakotay's words pointing out the flaws in this plan which I outlined earlier, as almost a threat (if she doesn't have Chakotay's loyalty it'll most definitely mean mutiny). Chakotay asserts that it wasn't a threat, he's only trying to help by telling her how the Maquis crew will react to what she's telling him. "I'm sorry you can't see that" - not an apology for what he said but that she isn't willing to budge, not willing to listen to him and acknowledge that she might be as biased towards her crew as he is towards his. Chakotay is trying his best to acclimate his crew but if Janeway isn't willing to do the same, to talk to her people as he's talking to his, then this will not end well and that isn't a threat. It's just the reality of the situation. He then asks permission to leave, showing he is willing to observe Starfleet protocol (just as when he asked permission to speak freely), and Janeway lets him go, exhaling at the intensity of their debate when alone in her ready room.

[yo-yo-yoshiko]

I was complaining about not being able to draw him properly today so @ultrainfinitepit dared me to draw him seriously crying. Are you happy? He's sad now!!

[sysig]

I can't remember if you've done any drawings for this before, sorry, but I have a requestober prompt! Vargas ladyverse snake charmer au? Or ladyverse dryder au Scri, I feel like the potential for pretty spiderweb clothes is high there. I would request both, but I want to respect the rules ^^ Thank you!!

Day 27 - Skillfully spun sheer shawl

[fanaticmorelikefantastic]

Welcome Home : Hobie x fem!reader

This is my first fic for @the-kr8tor 's Octobie event! I'm really super excited and I hope you like it :D

Synopsis: Everything sucks and then you get cat distribution systemed to Hobie.

Tags: Hobie/reader, Hobie/fem!reader, Reader is from another country, I just assumed she was american, American reader, Supposed to be in the 70's?, Just pretend it's an au if anything sounds funny about it, Hurt/comfort, wee bit of angst, crying in the rain, etc.

Note: I tried my best to write it as a hurt comfort, but I'm not sure if it turned out that way. First snippet of a series of oneshots about an American immigrant reader and Hobie! das it :)

It was a dark, but not very stormy night. London, always a gloomy one, this city was. Not that I’m any better. Through a series of events, I found myself in this here alleyway, looking for answers. Riddle me this; how does one find a man, who is a spider, who is a man? You call me, that’s how. The dame came into my office, just wanted to know who her saviour was, she said. Told me she would hand over a handsome sum of cash if I could find him. Money makes the world go round, after all. Course I agreed, I was tight-strapped this month and something had to pay that rent.

The first step to knowing about the wanted is to know about the wanter. In this case, that would be me. In reality, there was no damsel bursting into a private eye’s office, there wasn’t even a large wad of cash. Just a girl, a masked hero, and a handwritten thank-you note. 

London was nowhere near the pearly and refined city it was advertised to be, especially not in this soot stained, half muddied alleyway. As for why I was found in said alleyway, several days ago, I had gotten into some trouble with some sort of crooked cop, but before anything extraordinarily unsavory could happen, I was saved in one fell swoop by a man in some strange costume. I believe that living out of hotels was taking a toll on my mental state, and living at all was taking a toll on my wallet. So, I figured it wouldn’t hurt to find who he was and thank him. A simple thank-you, that’s all, and maybe I would ask him if he was hiring.

My search took me from one end of the city to another, and eventually into this alleyway. They called him ‘Spider-Man’ or ‘Spider-Punk.’ Strange names, but I’m not too sure what I expected of a man who runs around dressed like such. At some point in my thread of conversations and inquiries, I was led to Camden, then to this very alley. Supposedly, he shows up here often, but apparently not today. That’s fine. It’s okay. I had only started my search because I had nothing better to do; I was just taking a break by doing this. Against my will, this spot made me start to think of… everything. My moving here, my lack of a job, my lack of a  house, that awful place that I had left behind, my dwindling visa, it all seemed like too much; it all was too much. I leaned on a dusty hvac machine, back heavy with worries, listening to the quiet shrills and screams of some not-so-far away concert. The music had deep, billowing bass and a powerful guitar. It was like no other music I had heard before, and it called to me somewhat. Unfortunately, the rotten worms in my head were louder than the music right now. Barely overshadowed by the crackling of my thoughts was a low rumble curling in the clouds above. I sighed when I heard a clap of thunder. The  muffled concert in the distance began to stop playing its heavy and low tones when the mouselike droplets evolved into a storm. I hated the rain. Not all rain, just this rain; this rain that marked the demise of my journey; this rain that reminded me I was only ever stupid and naive; this rain that told me to give up, pack my bags, and go back home; that I should have never left my country in the first place; that was the rain that I despised with all my heart. This wretched rain had gotten on my face. Yes, surely, it was the rain that was ruining the makeup I worked so hard on this morning. It was ripping up that stupid letter of mine and causing me to dig my face into my hands. All of this was blamed on the rain, who was innocent of all save for soaking my hair. 

I stayed like that for a while, next to the smoother gray wall, huddled over, soaked in mostly my own misery. My own waterfalls made the rain feel like a light shower. If nowhere else, I felt allowed in this alley. That I could cry and sob and be angry and scared and cold and nobody would care because they don’t expect to see sane people in an alleyway to begin with. I most certainly do not. The tears and rain that coated my palms made them almost suction to my face, but in the midst of my dolor, I heard a voice from somewhere beside or near me.

“What’s wrong lovie?” My head dragged up from my hands after the sound of a limoncello voice hung itself in the air. After a lousy wipe of my eyes, I was able to properly see the man who cared enough about a stranger’s tears to stop and ask what they cried for. That dingy street lamp flickered its light around him like a halo. It took me a moment to register the man, his dewy chocolate skin and glossy hazelnut eyes. His face was studded with silver stars, and despite his sharp expression, he held a certain softness about him. He held a bright red umbrella, funny, he didn’t look like the type. He was a tall man for certain, craning over so he could cover me. His presence made everything stop for a moment, a still, small, and quiet recognition fell on these two strangers in this back alley of London.

“Who are you calling lovie?” My voice was like a crisp, wobbling paper. I stood up to speak with him, but by the time I was at my full height, my waterworks were, once again, in full swing. He panicked a little, holding his free hand out in the way one would to try and calm a dog you’ve never seen before.

“Woa, woa, what's the matter with you? ‘s  everything alright?” I’m not quite sure what made me do it, maybe I’ve lost my mind since coming to this place, but I stood there and sobbed out everything that happened to me during my time in London. Words, and feelings, and thoughts and actions kept spilling, tumbling, out of my mouth like bricks collapsing through the bottom of a broken forklift. That whole time, he listened, actually, truly listened to the ramblings of a stranger who he’d just met in some shady back alley while it was raining. Once again, I held the feeling that everything about him glowed. 

“Well, have you got any place to stay tonight?” He spoke very softly to me.  

“If I did, I wouldn’t be hanging around here, would I?” I shivered like a wet rat, parts of my hair stuck to the nape of my neck. He laughs through his nose before shrugging off his studded black leather jacket and placing it around my shoulders. The lining was warm. 

“Well, let’s get you washed up. You look a bloody mess.”  He gave my shoulders a light tap.

“Am I bleeding?” I tapped my face a little, checking for anything warm. He gave me a funny look in response.

“Th’ name’s Hobie by the way. Hobie Brown.” I did my best to wipe my face off before telling him my name. I reached out my hand, and he gave it a quick shake.

“It’s nice to meet you.”

“Nice to meet you too.”

I followed him around the streets like a lost puppy, clutching the coat he gave me like it was a lifeline and occasionally looking at his silent face. The pavement we passed on was glossed over with the continuing rain. We passed building after building, some separated, some connected, and others so close they might as well be. I was certainly very close to someone who could, within reason, be mistaken for a building. If I ever began to wander too close to the edge of the umbrella, a steady and gentle hand would kindly guide me back to my spot beside him. We made our way to a canal style river thing in the middle of the city. He pointed my gaze toward a houseboat floating and rolling on the water. It looked like somewhere a retired pirate would live. 

The interior was surprisingly cozy despite its somewhat bare furnishings. Various knicknacks and things nestled themselves in unassuming spots around the place. The moment I set foot in the door, I felt right at home.

“Leave your shoes at the door, ’ll take that too.” Hobie. Hobie waited for me to unlatch my shoes and stand straight before taking his coat from my shoulders. I never noticed him put the umbrella away, but it’s gone, and his shoes are neatly set to the side on a not-so-neat towel. I don’t know what to say as I watch him take my shoes and line them right next to his, so I stand in the doorway and watch him wander out of view then right back in with some dry and clean clothes. He hands them to me with both hands, so that’s the exact way I receive them as I try to unclog my throat for words to flow through. I look back up at his face. He’s waiting so patiently for me to find my words, with that same sternly soft expression.

“Thank you.” The words came out a little too quiet, so I said it again. 

“You’ve been nothing but kind to me, even though we just met and I-” My voice broke again when I started tearing up. 

“Oh no, no, come on, love. You on’t have to cry.” Quickly, He thumbed away my budding tears, his palms warm on my face.

“I know, but I’m just- I’m so grateful, you know?” He did. He knew. I could see it in his shining gray eyes that he knew. If he didn’t, he wouldn’t have waited for me to stop my crying. If he didn’t, he wouldn’t have wiped away every stray tear himself. If he didn’t, he wouldn’t have been so quick to open his home to me. If he didn’t, he would have never lent me that coat of his. If he didn’t, he wouldn’t have handed me these clothes that I’m holding.

Once I got myself together, I was directed to the bathroom. Surprisingly, (according to him), there was warm water to shower with, and I did so happily. When I stepped into the living room I felt like I had on brand new skin. Hobie had the stove on and open while he stirred some milk into a second cup of tea. He turned around before I could even properly enter the kitchenette, as though he already knew that I was there. 

“Feelin’ better yet?” He handed me the cup he was holding with a smile, a deep and pretty blue. I held it and relished in the warmth of the cup from both his hands and the tea. 

“Wasn’t sure if you liked sugar, so I didn’t add any.” I wanted to cry again. He was overwhelming in all the best ways possible, but I had already put him through enough of my tears tonight, so I sucked them back in.

“I don’t” I smiled at him before taking a sip of what could very well be the best tea of my life. 

“If ‘s not uncomfortable, you could stay ‘ere till you get your own base of operation.” He was leaning on the counter, index tracing the edge of his own cup while speaking. Instead of this tea, I wish I could drink the color of his eyes as they’re looking at me. I'm suddenly smiling a lot right now.

"I will, if you'll have me."

[deoidesign]

how did u learn to paint?? like i just cant wrap my head around it

<3 I love answering asks like this!

You will have to bare with me, I don't save many of my studies, and my files aren't that organized so I don't have as many images as I would like.

The studies I've found most helpful for myself personally with painting are various master studies. (This is also, as always, alongside study of fundamentals.) And always follow a study with self-critique (and, if you can get it, outside critique!)

"Master" in this sense means anyone who you want to learn something from.

One way you can do this is by copying an artist's work directly. This is to try and understand some of their stylistic techniques. Leyendecker, Andrew Loomis, and John Singer Sargent are personal favorites of mine! I try to keep these quick, I'm not trying to get an exact copy.

I also get a lot out of copying photos. In this case, I'm not trying to glean some technique, rather, I'm trying to interpret the photo and explore my own stylizations.

(photo credit mountain men of alaska )

I also really enjoy taking a painting or piece that already exists, and making it "mine" by putting my characters in it haha, which is sort of a combination of master studies and photo studies!

(William Bruce Ellis - Covent Garden (1930)) (Barberini Faun)

And then, in my work that's not a study at all, I'm informed by all of these!

What master studies do is help me refine my style and practice my technique, but also I'm communicating with artists of the past through my art! They're teaching me! And I have so much to learn.

And of course... most importantly... I paint.

a lot.

I don't do as much study anymore, not because I feel I've learned all I need to, but because for work I draw 50+ drawings a week. 'Drawing for work' and 'study' occupy the same space in my brain and I need some fun drawing time!

So to sum up, draw a lot, reference constantly, and copy the people you want to draw more like!

(and, of course, when doing a study off of someone else's work, always give them credit. If it's your photos there's no need.)

[tblsomedoodles]

I thought i escaped sims 4 but it's dragged my dumbass back again.

I hate this game. I need so many mods just to be able to just to fix it so i can play without being frustrated. but no matter how frustrated i get, i keep coming back : /

Anyways! Like my new little me? (i forgot what they're called. Avatar? *Shrug*) I'll put some more stuff (and doodles) about them under the cut

They're a candle! The body and oversize hoodie are all the wax and the undercut ponytail is the little flame (like Ember from Danny Phantom lol). Her feet are kinda goopy and her hands never show b/c the sleeves of the hoodie drip over them (sometimes driping off completely.)

i got kinda bored with my old one (drawing me but purple) so they got a little upgrade for my silly little personal doodles.

That is all : )

[beesinspades]

why am i in witch hat atelier (this is the best thing that has ever happened to me) (please read witch hat atelier)

[that-butch-archivist]

1 out of 4 accelerated summer courses finished today. Next to go is Chem.