#i'm not yet quite used to the values and stuff

[dootznbootz]

As someone who is also really uncomfortable with the Zeus/Odysseus art trend, I completely understand where your coming from!

People’s treatment of Odysseus’s assaults in general makes me really upset. Just the other day I saw a comment on a post saying that “Odysseus wasn’t loyal to his wife yet expects her to be loyal to him” and not once in the replies did I see someone mention that he was literally assaulted. It’s absolutely gross and makes me hesitant to go deeper into the fandom.

I remember being so frustrated when the snippets of “There are Other Ways” came out because so many people were making Hamilton jokes and talking about how he always talks about his wife yet cheated. When in the song it was so clear he was being coerced which is yknow, not a form of consent. I couldn’t even listen to it because it made me so uncomfortable, and even now with the full version out the fandoms reaction to it overall have soured me to it. Which sucks, because I do think it’s a great song.

Also I don’t even think Epic completely erases Calypso’s assault? At least, I think it’s left ambiguous enough during the time jump that people can come to their own conclusions. Specifically when Calypso says “Soon into bed we’ll climb and spend our time” just really gives me the impression that something else happened.

I suppose in the snippets we’ve seen of “I’m Not Sorry For Loving You” it seems like Odysseus and Calypso are on slightly friendlier terms, but I don’t think that negates the fact she could’ve assaulted him. And I’ve always took that song as pretty manipulative on Calypso’s side, with Odysseus more so trying to placate her. But that’s going into theory territory.

And even if he isn’t SA’d in Epic it’s pretty clear he doesn’t want to be there!! Same with Homer’s Odyssey. It’s so infuriating to see the cheating narrative be so widely spread when that is just not what happened.

Anyway’s sorry for the long rant, but I wanted to say that it’s nice to see you take Odysseus’s SA seriously. It’s not something the fandom does enough.

It's okay for the long rant. Sorry I took a bit to get to it but I wanted some "soft chatters" for a bit before I tackled this one :)

"Just the other day I saw a comment on a post saying that “Odysseus wasn’t loyal to his wife yet expects her to be loyal to him” and not once in the replies did I see someone mention that he was literally assaulted. It’s absolutely gross and makes me hesitant to go deeper into the fandom."

I completely understand you with this stuff. ;~; I used to go through Odyssey tags often as I LOVE possibly finding new people to follow and fun things but too many times I would see shit that pissed me off. ;~; I've honestly kind of just stuck to my mutuals that I trust tbh. And honestly, there's soooo much shit of people just straight up not understanding the context/culture/meaning/etc. of the Epics and just taking it at face value and not understanding the meanings. :/ I'm no expert, but I also have analyzed and researched quite a bit on my own to try and get the full picture. I think in order to truly enjoy the Odyssey, you need to just... really soak shit in, you know?

When Calypso, that lovely goddess,  tried                           to keep me with her in her hollow cave, longing for me to become her husband,                                  or when, in the same way, the cunning witch Aeaean Circe held me in her home filled with a keen desire I’d marry her, they never won the heart here in my chest.

(Book 9, Johnston)

Odysseus tells this to the Phaecians. They are strangers that he will likely never see again and who are isolationists. Therefore his story that he told probably won't be "spread" to others so he can probably say whatever. So he doesn't have to worry about "Penelope hearing a different story than the one he told to her" if people wanna argue about how "Oh well, he didn't tell Penelope about the 'affairs'"(He tells her everything as well btw.)

He could literally say "Oh yeah, I had the time of my life!" but he doesn't because that's not true. Odysseus has no listed concubines, I just literally don't see him as the type of guy who's really into that.

And while yes, he would be devastated if she didn't "stay loyal", he does sound like he'd be understanding. He asks his mother in the Underworld if Penelope had gotten remarried to "the finest of Achaeans". And we all know of Odysseus' words of "when Telemachus has a beard, feel free to remarry". Even when first "rejected" by Penelope in that she didn't hug him when he sat across from her, he was incredibly hurt but asked for a separate bed. He literally could have had it where Penelope takes a different bed and he takes their luxurious/fancy one because he has the rest of the household on his side.

But he DOESN'T!

Because he adores her for fuck's sake!

Funny enough? I have the weird reaction of like, weirdly searching out "Good" animatics as it was a weird reassurance of "yes, people see that it's wrong." as while holy fuck. so many stupid, awful jokes about "Say No to This" in the comments (I have learned to just stay the fuck away from youtube comments on Odysseus shit. :') ) but like, seeing and HEARING how yes, this was fucked, was weirdly really nice for me. yeah, it took a lot of digging but there's a few "There Are Other Ways" that I love. Literally, both are unfinished wips and they're still my favorites. If you can, please give these two a watch and some love for the creator.

This was back before we heard the full song and it's still very good. How he's on guard until she "magics" him and the colors change. After that he kind of moves like a "puppet" but he's still resisting as best he can.

This one is literally still sketches but it's my absolute favorite. Oh my word. The body language, PENELOPE FLASHBACKS!!! Showing cute bits of Penelope's character and how awful this is for him. (Penelope is so cute. She puffs up her cheeks to make him laugh!) How he really is scared that he'll have to go through with this in order to save his friends until all his past trauma floods back and he just can't. It's lovely.

And yeah Idk how to feel about "I'm Not Sorry For Loving You" :/ I don't know how it'll be yet, maybe there's something in another song that shows Odysseus' real feelings or whatever.

And with just the whole cheating thing, yeah, it's really upsetting to call what is blatant assault "cheating". As wild as it sounds, Odysseus' story has been more relatable for me than any other stories like this, even modern ones. I've spoken a bit about it before but yeh, victim blaming at its finest. I find him and his story and his love for Penelope slkdfj very relatable. It's honestly really nice to write about in a sense..

(I'm pasting this from an old post of mine but yeh)

I have never had a story that felt like how it actually FEELS. The "aftermath" and "regaining life". It's hopeful and feels really good. It's been years since "everything" but it just felt nice to see "Everybody has the chance to get better." Even Nestor, Helen, and Menelaus, while still dealing with their traumas, are doing a lot better now. And after literal hell, Odysseus got to be with his family and loved ones again. He can start living again. It's why I'm just...idk passionate about this? I'm not a murderer or a war veteran but I see myself in him. Hopefully, y'all see me as nicer though!😂(plus, let's be honest, the Odyssey is romantic af and OdyPen is right up my alley as well >:D )

I really hate the whole "he's a guy so therefore ____" whether it's used as a "Boys will be boys. they can't help themselves" usually aimed at female victims or a "Men always want sex. they cannot be victims.". It's fucked up and used against ALL of us. :( Doesn't matter if it was history. People, no matter the era, should never be put through "Are you Victim™ enough?". He is one.

Idk the Odyssey means a lot to me. I hope it's okay I take some liberties with my fanfics as it's nice healing through him :D I AM kind of using my own experiences and ideas and it feels nice. I don't think Homer necessarily meant for this but eh, anything that helps is good :D He's a war criminal that I relate to.

[hzdtrees]

Endless swamp

[wombywoo]

Ok! I've finally decided to put together a (somewhat) comprehensive tutorial on my latest art~

Please enjoy this little step-by-step 💁‍♀️

First things first--references!

Now I'm not saying you have to go overboard, but I always find that this is a crucial starting point in any art piece I intend on making. Especially if you're a detail freak like me and want to make it as realistic as possible 🙃

As such, your web browser should look like this at any given point:

Since this is a historical piece, it means hours upon hours of meaningless research just to see what color the socks are, but...again. that isn't, strictly, necessary 😅

Once I've compiled all my lovely ref pics, I usually dump them into a big-ass collage ⬇️

(I will end up not using half of these, alas :'D)

Another reference search for background material, and getting to showcase our models of choice for this occasion~

When picking a reference for an actor or model, the main thing I keep in mind (besides prettiness 🤭) is lighting and orientation. Because I already kinda know what pose I'm gonna go with for this piece, I can look for specific angles that might fit the criteria. I should mention that I am a reference hound, and my current COD actor ref folder looks like this:

Also keep in mind, if you're using a ref that you need to flip, make sure you adjust accordingly. This especially applies to clothing, as certain things like pants zippers and belt buckles can be quite specific ☝️

Now that we've spent countless hours googling, it's time to start with a rough sketch:

It doesn't have to be pretty, folks, just a basic guideline of where you want the figures to be.

The next step is to define it more, and I know this looks like that 'how to draw an owl' meme, but I promise--getting from the loose sketch above to below is not that difficult.

Things to keep in mind are--don't go too in-depth with the details, because things are still subject to change at this point. In terms of making a suitable anatomically-correct sketch, I would suggest lots of studying. This doesn't even have to be things like figure drawing, I genuinely look at people around me for inspiration all the time. Familiarize yourself with the human form, and things like weight, proportions, posing will seem a little more feasible.

It's also important at this stage to consider your composition. Remember to flip the canvas frequently to make sure you're not leaning to one side too often. I'm sure something can be said for the spiral fibonacci stuff, which I don't really try to do on purpose, but I think keeping things like symmetry and balance in mind is a good start ✌️

Next step is just blocking in the figures. Standard. No fuss 👍

Now onto the background!

It's frankly hilarious how many people thought I was *hand-drawing* these maps and stuff 😂😂 I cannot even begin to comprehend how insanely difficult that would be. So yeah, we're just taking the lazy copy and paste way out 🤙

I almost always prepare my backgrounds first, and this is mostly to get a general color scheme off the bat. For collage work, it's really just a matter of trial and error, sticking this here, slapping this there, etc. I like to futz around with different overlay options until I've found a nice arrangement. Advice for this is just--go nuts 🤷‍♀️

Next, I add a few color adjustments. I tend to make at least 2 colors pop in an art piece, and low and behold, they usually tend to be red and blue ❤️💙There's something about warm/cool vibes, idk man..

Now we move on to coloring the figures. This is just a basic block and fill, not really defining any of the details yet.

Next, we add some cursory values. Sloppy airbrush works fine, it'll look better soon I promise 🙏

And now--rendering!

I know a lot of beginner artists are intimidated by rendering, and I can totally understand why. It's just one of those things you have to commit to 💪

I've decided to show a brief process of rendering our dear Johnny's face here:

Starting off, I usually rely on the trusty airbrush just to get some color values going. Note--I've kept my sketch layer on top, but feel free to turn it on and off as you work, so as to not be too bound to the sketch. For now, it's just a guideline.

This next stage may look like a huge jump, but it's really just adding more to the foundation. I try to think of it like putting on make-up in a way~ Adding contours, accentuating highlights. This is also where I start adding in more saturation, especially around areas such as ears, nose and lips. Still a bit fuzzy at this point, but that's why we keep adding to it 💪

A boy has appeared! See--now I've removed most of the line layer, and it holds up on its own. I'll admit that in order to achieve this realistic style, you'll need lots and lots of practice and skill, which shouldn't be discouraging! Just motivate yourself with the prospect of getting to look at pretty men for countless hours 🙆‍♀️

I'll probably do a more in-depth explanation about rendering at some point, but let's keep this rolling~

Moving forward is just a process of adding to the figures bit by bit. I do lean towards filling in each section from top to bottom, but you can feel free to pop around to certain parts that appeal to you more. I almost always do the faces first though, because if they end up sucking, I feel less guilty about scrapping it 😂 But no--I think he's pretty enough to proceed 😚

They're coming together now 🙆‍♀️ Another helpful tip--make sure you reuse color. By that, I mean--try to incorporate various colors throughout your piece, using the eyedropper tool to keep a consistent palette. I try to put in bits of red and blue where I can

Here they are fully rendered! Notice I've made a few subtle changes from the sketch, like adjusting the belt buckles because I made a mistake 😬 Hence why you shouldn't put too much stock in your initial sketch~

The next step is more of a stylistic choice, but I usually go over everything with an outline, typically in a bright color like green. Occasionally, I can just use my initial line layer, but for this, I've made a brand new, cleaner line 👍

And the final step is adjusting the color and adding some text:

Tada!! It's done!

All in all, this took me the better part of a week, but I have a lot of free time, so yeah ✌️

I hope you appreciated that little walkthrough~ I know people have been asking me how I do my art, but the truth is--I usually have no clue how to explain myself 😅 So have this half-assed tutorial~

As a bonus, here is a cute (cursed) image of Johnny without his mustache:

A baby, a literal infant child !!! who put this wee bairn on the front lines ??! 😭

Anyway! peace out ✌️

[dailyadventureprompts]

I've got a new d&d group and they're almost all new players, with some of them having played with me before in oneshots/ gotten a couple sessions into campaigns that fizzled.

There's the usual learning pains: No one's quite got a handle on the rules yet and is relying on me for which dice to roll ( it's a D20 friends, it's always going to be a D20 unless it's damage I don't know how many times I have to say that). Person A is nervous and over-talkative , person B is nervous and withdraws from conversation, Person C is always running a little late...

But what really surprises me is the difference between them and the group I've had going for 2 years now:

Newgroup THEORIZES in a way that I don't think I've ever seen despite playing this game for two decades. I'll ask them what they're doing and they'll have a multi-minute chat weighing the value of different options. They don't turn to ME, or ask me if things are possible ( which is what new players tend to do), they turn to eachother and ask if they think it's a good idea that they do X or Y and then what could happen from there. I'm trying to be a good DM and let them learn the ropes but it's FASCINATING response. For example; the barbarian says "I'll use my shield to pin the monster in place so we can question them about the villain" and before I can even get into my response another player will say "but what if I used my rope instead to tie them up?", meanwhile none of them have confirmed if the monster is in any way related to the villain or is capable of speech (it wasn't, it was a mimic fyi)

Newgroup is LASER targeted on their goal, which was a surprise as someone who was DMing for a party that purposefully jumped ship on the A plot ASAP and is actively resentful of anything resembling a main quest. Newgroup passes through a mining village that's been deserted after a recent attack by monsters which drove people up into the hills, a Classic rescue mission with a bit of a dungeon delve on top, intended to give the party some XP and magic items before they leave the early game and I stop pulling my punches. Newgroup stays just long enough to confirm that the monsters have nothing to do with the A plot and unanimously decide to leave the village post haste. Meanwhile I have to be careful about what information I drop to oldgroup, as if they catch a single whiff of villanious wrongdoing they'll drop what they're doing and divert their attention to wiping that threat off the map. I've now had to have multiple villains make peace treaties in all but name with this party because of their habit of knocking out rivals/threats/governments.

Because oldgroup know the game really well they're less experimental with what they want to accomplish. They know that things can be solved through class features/dice rolls/damage, and so those are their default solutions to most problems. Meanwhile newgroup has no IDEA what the limits of the game system are so they're trying clever stuff left and right. " Can I hit it in the eye with my arrow? Can I use this spell to find out if _____, Can we use the flying boots to _____?" They're asking genuinely good questions so often that it's made me want to play around with the d20 resolution system to get something more closed to the " drawback/mixed success" sorts of results you get in apocalypse world style games. ( I think I found a neat fix, more on that to come)

[nebbyy]

hello could you do headcanons smut of baldwin and his chubby wife

King Baldwin x reader - Nsfw headcanons

A/N: Wow these is the first explicit stuff I write for Baldwin!! Thank you so much for this prompt, thinking of a chubby medieval woman makes me think of all the portraits of beautiful women with the most harmonious curves I've ever seen😩😩

As always painting name is Romeo and Juliet by Frank Bernard Dicksee for my art enthusiasts :))

Warning: SMUT, reader is AFAB and uses she/her pronouns!

Unlike modern times, a fuller body has always been sign of beauty and fertility through western history

Although during medieval times anything related to attractiveness and sensuality was deemed as "bad", that still meant that a chubby woman would've been judged not for being against the beauty standard, but to be actually too tempting for the public!

So it comes without saying that young king Baldwin thought he might pass out the first time he saw you, knowing you were his betrothed

You'd awakened something in him, this burning desire to have you, to know how your soft curves would feel in his hands, how your silky skin would brush against his own

I see him having a long series of consecutive days where he woke up drenched in sweat, body slightly trembling as he'd come out of yet another wet dream about you, lying beneath him as he had his sweet way with you

He felt himself getting more and more impatient for the wedding night day to come, to finally be able to call you his

He'd also be quite insecure at first, and scared too. What if the sight of his body repulsed you? What if you wouldn't want to go near him to avoid the risk of getting the disease as well?

He wouldn't blame you for it, it'd be the wiser decision for the both of you

But still, he prays and hopes and dreams that you'd return the attraction he felt from you from the very start. He longs for the feeling of your touch against his numb body

He's a bundle of nerves during the whole ceremony, but he's good at hiding it (well the veil covering his head is); he seems to all calm down only once you're both sitting next to each other at the banquet, and you tentatively lay your soft hand over his laying on the table, shy touches blessing his skin

That night your marriage is consumed in no time, he's basically as gentle as humanly possible while he holds you in his arms, as he's slowly penetrating you

There was no really developed knowledge of foreplay or female anatomy in the middle ages, but it just felt natural for Baldwin to keep his focus on your every reactions while the two of you are making love

He doesn't know what he's doing, and neither do you considering that at that time you probably haven't even seen a naked man other than Baldwin himself, but that doesn't stop the two of you from exploring each other, taking your time to get to know what you like, what makes your eyes roll back and your back arch

I'm not sure if he'd be down for oral, I kind of see him as being a bit self conscious of the level of decay his mouth and face has reached, and I'm not too sure his cum would actually taste good with leprosy and all

Nevertheless, his fingers and cock are more than enough to bring you more pleasure than you could ever imagine

Don't expect any public stuff, Baldwin is still an extremely religious man whose values are not to be messed with: these things are meant for the privacy of your quarters alone, there's no need for him to bring this sacred thing you two have out where all eyes could possibly see

He'd probably be more on the vanilla side, being mostly against anything related to giving pain (he'd be indifferent to receiving it since his body is mainly numb, but he wouldn't enjoy it either)

Although he would probably enjoy being the more dominant one in the bedroom, the power dynamic would still remain on a pretty balanced level: you're still his beloved wife, his only equal in his eyes. That's why I could confidently say that Baldwin is the perfect example of soft dom

His favorite position would probably be missionary, just so that he could be able to see your pretty face while he pounds into you

Also because he could get to hold your plush thighs and see the delightful rolls that form on your belly

Your body screams femininity and fertility to him, an alluring combination that gets him going for as much time as you two have

His numbness also grants him a reduced sensibility, so he can afford to go more rounds at a time without having too many problems from it

But as the years pass, his mobility becomes more restricted by his declining health, and along with his agility and stamina in battle his sickness gets the best of him even in the bedroom

And through it all, his burning desire for you was what got him going, what made him spare just a little more energies to later spend with you

The two of you would have to adapt, though, probably changing positions and frequency at which you guys have sex

You might start trying to be the one on top, and he'd guide your every movement while also trying not to lose his mind over just how perfect you look riding him, your every curve bouncing as you move up and down over his cock

He dreams of giving you a baby in those moments, filling you up to the brim, seeing your body get even fuller with your conjoint love. It really saddens him to think that it might never happen

But hope is the last one to die, and he gets his hopes up every time that he comes into your welcoming body, emptying his seed into you, hoping that one day this union will give life to a creature as beautiful as its mother

[thefirst3chapters]

Overanalyzing the Danes family again and thinking about how they react to change:

Liz appears to have an affinity for material objects. When Luke goes to Liz and TJ's place in S7, they have lots of Renaissance faire decor, supplies for making jewelry, quite a few other decorative items, and what appears to be a sizable Beanie Babies collection. That could just be their style, but it's interesting that Luke mentions in S4 that Liz has ended up in situations where a guy leaves with her belongings and clears out her bank account. Perhaps having a lot of physical things around her that aren't very expensive and probably aren't family heirlooms makes her feel safe and gives her a sense of control when everything else changes. Those things might not be as likely to be stolen, and if they go missing she can acquire more.

In S6, Liz tells Luke after a successful run selling jewelry that she doesn't know what to do with all the money, and Luke's suggestion of putting it in a bank hadn't occurred to her. Maybe when Liz came across some money she liked going to thrift stores and getting as much as she could afford. I'm picturing her finding yet another lava lamp or doll and saying, "I feel a connection with this one, don't you think it belongs with us?" while four-year-old Jess, who has been dragging around Curious George Learns the Alphabet for months, stares at her blankly.

Most of the things Jess seems to value are sources of ideas (books and music) or have a clear practical purpose (his clothes, watch, and car). One notable exception is the bracelets he has in addition to the one he temporarily keeps from Rory, and there's that ring he has in AYITL. Maybe there's a story there, and it's possibly an interesting connection to Liz's interest in jewelry (cue the everlasting Gilmore Girls theme of being like your parents even if you don't realize it or try to resist it). Twice we see Jess moving out of town with just what he can carry, and it happened offscreen when he went back to New York. Luke points out that Jess doesn't have much when first gets to Stars Hollow, but he doesn't seem to mind and says that Liz will send the rest later. In that episode, Liz tells Luke it will be that Friday. When all this stuff arrives 10 episodes later, there is of course comedic value in Luke's frustration at being trapped by mountains of boxes, but it's interesting that there is so much, and Jess doesn't seem to care about most of it. Did Liz think Jess would be comforted by this in the way she might be? Even with the extra space when the addition is built, a lot of those things realistically would not have been kept. Jess doesn't seem to own much besides books when he's in his New York apartment either.

Liz is more gregarious than Luke and Jess, but she also appears less affected when people she loves are absent. Liz calls Luke to see if Jess got to town alright in his first episode but famously doesn't ask about Jess going back to New York for the holidays. In S4, Liz is happy to see Jess both times he is in town, but she doesn't go out of her way to find out where he is or if he's okay. In S6, when she projects her concerns by telling TJ that he's going to mess up their child and throws things at him, she tells Luke that TJ left her like all the guys before him, but she's calm about it because of her "new come-what-may philosophy." Luke's the one who intervenes and gets TJ to come back while Liz is busy making new friends, and then Liz is glad to reconcile with him. Maybe Liz's apparent ease with all of this and her inclination toward meeting new people is how she's gotten through all of the losses she's experienced. She's predisposed to moving on.

Jess isn't social by nature, and as a teenager he's extra resistant to being around other people. However, in the two examples we see, once he gets emotionally attached to someone, it's for life. Being estranged from Luke and Rory affects him deeply and for a long time, and when he reconciles with them he makes it clear how important they both are to him. When he's working at Truncheon, he and his co-workers are friends, and he's conversational enough to be a successful businessperson in that environment, but April still notes that "men in this family aren't chatty" when she meets him.

For Luke, the circle of people he likes being around is small, but to those people he's extensively loyal ("Once Luke Danes is in your life, he's in your life forever"). The absence of someone he cares about clearly distresses him, and he tends to seek solitude in response. His apartment isn't cluttered, but he seems to have kept high school trophies, and he has a strong emotional attachment to things that are connected to his family: the diner, the "William's Hardware" sign, the boat, and his grandmother's bedroom furniture. Luke's life has been a bit more stable because he's the one who stuck around to take care of his parents and run the family business, and he's often hesitant to accept change. When metaphorical storms uproot Liz and Jess and take them elsewhere, they have contrasting coping mechanisms that they take with them while Luke stays behind and tries to hold down the fort, and eventually Jess finds stable footing and is able to help him. Or something like that.

[bladekindeyewear]

HS^2 bloggin’ mainline 2024-09-14

(Previous post - current page 666)

Section 4 (now 5 since they added an hourglass to replay the intro, gee that's not symbolic of the time being spent here) of page 666 is now upd8'd, let's dive in! I had a busy weekend and visited a relative's place for a party I didn't know had cats for hours (super double allergic) that will probably knock me the fuck out for a day or two starting tomorrow so I'd better finish this post tonight before that happens!

Another aside before we begin, I haven't looked at much of the commentary stuff but on twitter I saw this particular bit from the past art commentary on the main account:

"...but I think it made a lot of sense to us that a character tucked away in the Candy timeline (even guided by mysterious visions and borrowed intuitions [borrowed from whom, I wonder...?]) wouldn't necessarily be able to wrap their head around the pure, potent purpose of The Plot Point[...]"

I thought this may have meant something even more significant when I was skimming and glanced at it, but it seems pretty clear to me now that I'm actually paying attention and not at all surprising, in line with our existing guesses but still important. To quote the page in question they're referencing, its dialoguelog:

CALLIOPE: yoU remember how we got so wrapped Up in the initial excitement of finding the singUlarity and the rUined jUjU arch, and sUbseqUently stabilizing it with oUr sUper cool cherUbic-lalondian tech... ROXY: its true our tech really is so fkn cool... CALLIOPE: and then, well... it felt like we were on sUch a roll when we came to the conclUsion that we needed to leverage vriska's hyperrelevance to scUrry oUt of here... ROXY: we did have a whole bunch of high fives about that... CALLIOPE: it was an exhilarating breakthroUgh! CALLIOPE: and an eqUally exhilarating high-five session! CALLIOPE: bUt then the conflict began to ramp Up, and yoUr son got into all those shenanigans, and i wanted yoU to feel like i had everything Under control down here so yoU could attend to it! CALLIOPE: and all that notwithstanding, we really DID need to hUrry Up and do SOMETHING. CALLIOPE: i worried that perhaps yoU'd be a bit relUctant to pUll the trigger on this if it felt like all the details weren't lined Up. CALLIOPE: and so i... CALLIOPE: well, i sUppose i might have implied a more complete knowledge of the a to zed of all this then i actUally... possessed. CALLIOPE: and continUe to possess.

In other words, Calliope and Roxy came to some startling breakthroughs and were guided to this course of action -- as if by a muse! -- through ideas that came together as if it hadn't quite been THEIR OWN plan all along. They were... inspired. And Callie and Roxy over in the CANON timeline were working on a plan for victory apart from alt!Callie which was cut off and unsaid, and we already had reason to believe that the entire SHAPE of the events of Candy had been essentially "written" as fanfiction by canon Calliope all over her as-of-yet unseen walls. Meaning that even though alt!Calliope doesn't act very happy about this plan of theirs, it was never HER plan-- it was a plan that spanned two different instances of Calliope and Roxy, across space and time and the canon barrier, possibly even across their shared Hearts, their not-yet-accessed Ultimate Selves which connect all instances of Roxy with Roxy and all instances of Calliope with Calliope. Their use of the plot point falls in line with Calliope and Roxy's plan across both stories... quite likely the most important plan at all, especially when alt!Callie keeps wanting to discount it. A plan where Roxy looks at the tumor-like growth of the House representing the shape of Homestuck and doesn't consider it too messy to be worth keeping around or in need of a total pruning/reset. A plan where everything they experienced in both places has value.

Alright, on to the update! Ooh, the others are numbered and this is labelled with chapter numbers 1 thru 4 but this one is "Chapter X", wonder if that's meaningful or a typo since we're getting some kind of Davepetasprite interlude. Honestly, I think a large part of what Vriska has been experiencing, this therapy, has been guided not just by Light or by Davepeta and the other squareds and the ghosts trapped here, but also by Vriska's Ultimate Soul/Self, ie the broader Heart of Vriska which has spanned all Vriskas and perhaps has the ability and knowledge to learn all her best lessons, instead of falling into Ultimate Dirk's trap of self as would normally seem most likely for Vriska. Let me just stop listening to the Murder Drones OST and get on with liveblogging, don't listen to the OST yourself it's too easy to spoil yourself seriously just watch the series from ep 1 (try even ONE MINUTE OR TWO of it) and know it gets increasingly better per episode. (Ahem... Shilling my interests aside...) *Clicking.*

Oh, no wonder it's "Chapter X", huh. so 5 is going to be the last? Or 6(66)?

Holy shit, that's some trepidation in their cool enby ass's expression. Is Davepeta embarrassed to be talking to Erisolsprite? I mean I don't know any other sprite squareds who could be here except... oh no, she couldn't be here, could she?? Not Jasprose?!

Some Dave-like riffing about the ringtone (which might be a meta joke about the new banging little ditty in the background music they used so the music wouldn't be the same), let's see...

Yeah it's Erisolsprite^2.

ERISOLSPRITE: dude.

hahahaha gosh talk about someone both sides of you have every reason to be sort of annoyed with but there's few others to talk to. Also technically, if Sprite^2s get a folding-in of all their other selves like an Ultimate Self as was implied repeatedly, this Erisolsprite includes all the Eridans who DIDN'T go on a genocidal rampage nad did better, and Solluxes who DIDN'T keep the same counterproductive outlook despite some crucial awesome actions, so perhaps he's not so ba- (EDIT FROM A FEW PARAGRAPHS DOWN: never mind I forgot it was one sprite prototyped by two corpses, there's no squared next to his name, he's not a squared sprite at all so not ultimate and very instanced, my misconceptions continue for a few sentences--) oh pff they're pinging him on his phone despite them being right next to them, I get it. XD

Oh, Erisol was calling THEM and THEY were hesitant to PICK UP the phone. Which he was calling despite being right next to them.

DAVEPETASPRITE^2: B33 < hahaha yeah i will, sorry man

Aww, gosh you're cool.

SDFJKLHLSDJKF

OH MY GOD I WAS WRONG I WAS RIGHT EARLIER OMFG THERE AREN'T EVEN TWO OF THEM THIS IS THE SAME ONE WHO IS OVER HELPING MEAT/CANON JANE PROBABLY LOSE THE ELECTION TO A TROLL RESIDENT OF HER WORLD AND REALIZE SHE HAS A RESPONSIBILITY TO CEDE CONTROL OF THEIR CREATION TO ITS INHABITANTS AAAAAAAAAA did that bonus material continue when HS2 resumed i havent even CHECKED since ages ago!?!?? don't answer that i don't even remember if iw as fully caught up on it ill browse thru the material and figure it out without spioling myself lather dsfjlk can't type JASPROSE IS HERE (ON THE PHONE (FROM A DIFFERENT PLANE)) AAAAAA

Dammit, you ascended ultimate Seer of Light plus cat, yes Davepeta WAS doing that thing where they started roleplaying outloud to themselves instead of picking up. Rose has always had uncanny guesses as to how someone was answering or avoiding answering her all throughout Homestuck from Act 1 onwards, and it was always a Seer of Light thing. Jasprose is obviously even better at it and also YEAH THESE TWO HAVE SOME BAGGAGE MAYBE between them even as ultimate selves!! No wonder Davepeta gets nervous about starting a conversation with her. Wait. Waitwaitwait.

Rose was a WANNABE PSYCHOTHERAPIST.

An Ultimate Rose instance like Jasprose might be a REAL PSYCHOTHERAPIST DOING EFFECTIVE THERAPY from parts of Rose within her who followed the non-amateur path due to her interests, and helping guide this entire Plot Point hyperbolic therapy chamber that seems so conveniently super on point for what Vriska psychologically needs!!!!!

...Davepeta did you just do a "nipah" is that a weeaboo thing

my google searching comes up with nothing but a zoonotic virus for the word, someone context me plz (EDIT: Good context has been provided here! That's a damned good point with the ultimate selves playing chess outside of canon with the inside of canon, that's very Umineko from what I've seen of it.)

Oh my god I still love her so fucking much. (Also I was right that this is "canon" Jasprose, in the bonus material, and her using the dubious canonicity of the setting she's ginned up for Jane and crew is awesome for an excuse to let her reach here, that's superb.)

Reading more into that line, The Plot Point's "hyperconcentrated essentiality field"... that sure sounds like Light, like a concentration of Light that simply cannot escape from its black hole container? *click...*

DAVEPETASPRITE^2: B33 < i hate that i understand what youre saying when you speak like this

LOL

JASPROSESPRITE^2: Isn't it delightful?

SHE'S HAVING A BLAST I LOVE HER LOOK AT HER LAUGH SPRITE I'M NOT SCREENSHOTTING

okay Davepeta has shortened it to The Point (again)

JASPROSESPRITE^2: How delightfully quirky! Let's get to ours, shall we?

JASPROSE LOOKS SO COY BUT I'M TOO EXHAUSTED TO SCREENSHOT HOW MUCH I LOVE HER

She's been having an incredible time? Theraputically scenario-driving Jane and crew, or helping here from the background?

EMBRACE the ship of the Dad Crocker and whichever midnight crew carapace he was working with i forget exactly if it was Slick or DD was it Slick? ship. EMBRACE THE SHIP and the silliness of them tracking after you-- wait wasn't there some hubbub they'd caused the main Jane crew after we last left off that bonus before the HS2 gigapause / team change? Fuck I forget. I'll refresh myself on all this some other time, I promise, I'm regaining my health and energy and there's tons of other stuff (including rereading my own liveblog of the bonus material before catching up on it) I have to get to if I don't want to lose track of whatever the fuck I might have thought was going on before seeing if there's more I missed.

They've been on your tails, I see what you did there.

JASPROSESPRITE^2: Eugh!

I've personally never met a lesbian that was too lesbian to appreciate a proper m/m relationship for solidarity's sake, but Jasprose IS sort of a self-loving lesbian singularity.

JASPROSESPRITE^2: But hey! Downing cold drinks and dodging hot lead, Midnight City certainly doesn't disappoint!

You're god damned right.

DAVEPETASPRITE^2: B33 < jasprose... youve been drinking?

Oh nooooo. DD: Davepeta's worry hurts my soul, she had better respond she is functionally immune to alcoholism in this form or some shit

JASPROSESPRITE^2: Please. JASPROSESPRITE^2: You know it's only milk bars for me.

HAHAHAA DAMMIT

It took way too long to realize she wasn't talking about Mom Lalonde's martinis and was instead amusing herself by talking about COW MILK in the most disturbing way possible and also the way Jaspers would

JASPROSESPRITE^2: Speaking of, I've made fantastic progress with the enchanting, yet problematic Ms. Crocker.

(Oh you incorrigible flirt.) I wonder if we're about to get a summary-form hint of the most important bonus content's drive to conclusion if the team isn't planning on continuing it separately themselves, so we get to hear the major twist and results (that those of us who caught onto the direction) may have already deduced will happen from there (that one side troll running against Jane or convincing her to drop out and winning the election for Earth C president instead of Jane)?

DAVEPETASPRITE^2: B33 < "enchanting yet prowlblematic" DAVEPETASPRITE^2: B33 < thats gotta be your favorite combination JASPROSESPRITE^2: Guilty as charged!

i love them, them Davepeta and them plural both sprites

JASPROSESPRITE^2: Sigh, it's almost a shame I'll have to pass her off soon!

Yes, it DOES seem we're getting hints to how that'll turn out, regardless if we ever see it live or not. But that's to be expected from a Seer of Light. I wonder if Jane and Jake ever had hope of a healthy relationship, or if there's some new pairing to be had that I've forgotten we were potentially driving towards?

JASPROSESPRITE^2: Her politics are still a little eye-brow raising, but they won't raise any torches and pitchforks yet.

Wait, I'd assumed that previous line of hers was talking about her relationship status, not the scenario itself. Either way, I've already covered in past bonus material liveblogging that Jasprose's efforts will ultimately correct Jane, regardless of her current (less Candy) political position (for the near future anyway), to be stood the fuck aside as Earth C wins dominion over itself and the Gods understand they don't run the place, just as Yiffy recently covered should have been the fucking case. I believe in Jasprose AND in Jane Crocker, they have this covered together. Jake specifically alluded very recently in Candy to himself that there exists a world where Jane wouldn't have turned out the way she did in Candy at all, and that that'll have to be enough for him, something only a Hope player very VERY committed to possibility and his aspect could use to justify his move forward away from and against her.

Ooh, now Jasprose is talking about developments regarding her timeline's Jake English and his "broken-hearted malaise" he's locked into, she's definitely trying to save him, too.

Yep, she's pointing the bat to the fences like Babe Ruth and saying we'll SEE Jake on the path to a fulfilling life before curtains are called on the story on the Canon side, and I certainly hope that's the case.

Pff, meta commentary on "how many w33ks of developments has this b33n" because those bonus materials were staaaalled. If Jasprose has half their temporal meta-awareness, their response will be...

JASPROSESPRITE^2: Oh Davepeta, we've only been out on the town for a single, sensual, enlightening night!

Impossible to tell whether she's aware of the metatemporal aspect she's utterly dunking on with this in-canon temporal truth, whether she's ignorant of it or dunking intentionally on the difference. XD

Ooh, the other Ultimate Seer of Light of the Meat timeline is disconnected enough from her other robotic self's Dirk-brainwashing and obsession with canon to tell how key what is being done in the Hyperbolic Therapy Chamber is for both timelines combined, however the fuck that's going to play out. *clicks*

DAVEPETASPRITE^2: B33 < well i mean DAVEPETASPRITE^2: B33 < its going

GAHAHAH is she actually genuinely shocked that Vriska is making psychological progress?!?!? Because from a psychologist-like perspective YEAH THAT'S SUPER SHOCKING, but from a Seer of Light perspective i can't help but think she's playing it up for the lol(cat)s

"That bad?" Oh dear, yeah okay maybe she's expecting it wouldn't have taken... quite as long... but she might believe in her fellow Light player a little more than deserved, given her taste for the "enchanting yet problematic". Vriska NEEDED this much time to iron herself out, there wasn't any real option than this much ironing in the fire to work out anything close to the lifetime's worth of trauma she'd gone through. (Also punways and conceptually, VRISKA being the iron in the fire (of hell) is hilarious.)

DAVEPETASPRITE^2: B33 < JR were fucked

(translation: JaspRose, we're fucked)

I wonder if Vriska really is going to finish her therapy while in here or if she has to 8r8k break out before she's come to a satisfied conclusion after that last bit of trauma beyond overcoming enough to START moving on. Actually, you know, that might just be for the best. Allow her to get her final resolutions through the end of the plot even moreso than already planned, rather than finishing all of her necessary therapy from WITHIN the plot point.

Or maybe they, or we, just need to clap their hands and believe in Pupa Pan's fairy just that little tiny bit harder.

Pff, you tell 'em. (But, is your time REALLY so unlimited? And if it isn't, wouldn't you know? Also, nice hyperbolic time chamber reference yet again, since the first ones all the way back in Homestuck original, and considering we're literally in one.)

DAVEPETASPRITE^2: B33 < but god daaaaaaaamn its 8 steps forward 7 leaps back every session

ahahahahah therapy. ahh therapy. therapy. :T look everyone should go to therapy i know it's frustrating but THERAPY HELPS when the therapist is good and you should shop around for a therapist you really feel gets and believes in y-- okay i'm too tired to get into THAT spiel moving on. I need to pick up the pace and keep reading so i can get this fucking DONE tonight and not do every quote in full detail

"this therapist shit is not easy" yeah you got that right

pffdsh NO DON'T GO FREUD WITH SMASHING 8-BALLS

wait she's smashing 8-balls now? again? more? I think she's finally perhaps meant to get the lesson those smashings are meant to represent, from the original comic run, if that last icon in the scenario is any indication... Kanaya's simple lesson that if she cleaned up her room, she wouldn't step on so many d8's and consider her luck so "bad" as the cause...

pff Davepeta can't map freudian parentage onto trolls lol

"youd probably be way better at this than me" well that confirms they're TRYING and perhaps being somewhat coy about not playing the therapist-- no they were never coy about that, Davepeta just said he had no idea how to do it which was true, so... who's guiding the scenario, like I asked before? From whence the self-confrontations, but the self?

"I would, yes." Are you still an untrained amateur though, even though you're a Seer of Light and suited to guide people onto the best path for themselves if you do your best anyway?

"im in hell and you dont even care" lolol its funny cause you should understand cats Davepeta

"it turns out hell is trying to get vriska serket to change her mind" LOLOLOL

NICE pun there because she is also literally trying to change her mind

Ooh Jasprose doesn't even know how long it's been. Davepeta says it's been an hour outside... and in "Centralized Point Time (CPT)" NO DAVE FUCKING STOP THAT'S A BAD RACIST JOKE YOU ASSHOLE YES I'M BLAMING THE DAVE SIDE OF YOU FOR THAT YOU KNOW WHAT YOU'RE DOING AND COASTING ON GOOD KARMA TO MAKE IT SOUND LIKE YOU WERE BEING IRONICALLY PSEUDORACIST THAT DOESN'T WORK PEOPLE HAVE TRIED IT

(I wonder if that was a genuine white-person accident and they'll re-edit and change that joke but i doubt it somehow, the accident part not the changing it part, though to be fair I don't even think they fixed the Jaspers funeral time discrepancy in early early HS2 i pointed out, i'd have to go back and look)

--(ahem, nvm that) oh god one hour to four years yeah that's a fucking time translation. I was wondering just how long things would have been progressing on the outside, I knew it would hopefully be quick from the others' perspective but... Yeah seeing the ratio is always stark.

Whoa, Jasprose is shocked/surprised?! (I guess the Point IS ensconced in void...) And yeah most would be shocked to hear.

"What have you even been doing there for 4 years?"

DAVEPETASPRITE^2: B33 < chilling

ahh, never change, the rest of Davepeta.

"That's all you've been doing? Chilling?" "p much" Yeah never change.

"Fucking incredible." AHAAHA JASPROSE GETS IT, I'd fistbunp her!

"I suppose it'd be in line with her particular brand to extend her stay another 4 years." Oh dear don't even 8-joke about that jasprose

"god can you imagine" okay PHEW looks like davepeta is laughing and understands it wont work out THAT badly

... the background went empty........ is this a unique dramatic pause for Davepeta to come back and say "oh fuck it probably will", or the end of the section?

Oh, clicking again made it go white and go back to the select screen.

...and the last icon is a whole 8-ball, which means the joke could be that FOUR MORE YEARS LATER could be the opening caption for the next section, oh god oh god oh GOD

...alright, phew, there wasn't too much content to blog about there. I'm free to relax for a bit. Probably will have other stuff going on because my weeks are getting busier, though even that tiny glimpse of relevant hint-dropping in earlier commentary at the start means I SHOULD PROBABLY GET ON THAT COMMENTARY but won't have energy or time............. ah well whatever, I won't beat myself up about it, you get the Boots that you get. or bladekindeyewear or right i have two screennames. Toodeloo! How the fuck do you spell that... Oh, I got it right the first time, it just red-underlined it because i'm American. Toodeloo, 'til next update or the next time I'm free and bored and have enough energy to think of doing blogwork!

Also it's possibly notable that even though we've only had 4-plus-X chapters, chapter 5 (the eight ball not done yet) is followed by the BOTTOM LINK for NEXT that could serve as a chapter 6 (for 666) or plunge us into just two more in a separate S-or-non-S thing until Chapter 8.

Maybe to fit with the Hell theme we'll have just TWO more years instead of four... making this a total of 6 years she's skipped. What timeframe catches her up with Candy John to start flirting, if she were to land at about the same age? Someone else do the math for me, I'm too exhausted tonight. Byeeeeeeee!

[reasonsforhope]

Upcoming Blog Thing

So I'm currently in the process of making a sideblog-for-a-sideblog for Reasons for Hope.

The idea is to use it to post mostly links/info on direct action (how to's, petitions, official government calls for comment on proposed policies, protests, info about cool things other activists are doing, etc. etc.) that doesn't fit on a good news blog. Plus informational/awareness posts, and my own activism and thoughts and takes about things that sometimes really, really do not belong on a good news blog. Or that half belong on a good news blog and half really don't, and the like.

The idea is also to create an official "format" for submissions so that people can send in posts without me having to take the time/spoons to make new posts out of ppl's asks and dms (this takes sooo much time sometimes). Then, if successful, do a similar thing for submissions on Reasons for Hope, bc I do want to make posts about lots of things ppl send me, but it would be way too much to do myself all the time.

I'd still be verifying everything and applying editorial standards, in both cases. I actually already wrote up most of an editorial standards policy for the new sideblog, too. It would include verifying and listing the sources and dates for everything, at a minimum.

I've been thinking about going ahead and doing this for quite a while now, but I finally decided I needed to go for it because uh. I just found out about something absolutely, completely fucked up that happened to my grandparents (and a lot of other people). And while I am planning to get involved in organizing about it in real life around the relevant issues (or at least flyer the shit out of relevant neighborhoods), I really need to be able to use what platform I have to talk about this - along with other issues - so I have somewhere to channel my rage and grief into activism

(You will hear more about what happened when the sideblog goes up, if you want to see know. For now, let's just say that it's been a really intense 48 hours.)

Also you know I actually have a small-to-moderate platform here and that's a hell of a lot more ability to reach people than I tend to have in person, esp with ~life~ and ~working~ and my disability shit

So yeah, heads up you have that to look forward to (if you want to engage). And there will be unique tags to filter for people who want to see the links to actions and organizing info without seeing the info about fucked up stuff.

Because I am firmly of the opinion that people can and should be able to engage with that kind of content only where and when they feel up for it, if they want, and especially if they're really struggling with spiraling over the state of things.

Anyway, let me know in the notes if there's anything you would particularly like to see from the upcoming sideblog. (I make no promises but would value information on this!) And if you have any thoughts on what I should call it because I haven't been able to figure out something satisfying yet.

[blueberrypancakesworld]

Hiiiiii I love your writing for Demetri! Now I'm curious if you would write something similar for Caius with a human mate and for Alec as adult of course for his human mate?

Caius,Alec - With a human mate

warning : minors don't read, talking about some kinky stuff, Alec using his power, blood, biting

masterlist

Info : Hiiiii and thanks for the kind wors and support I hope you like it dear anon and have fun reading everyone else too :)

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Caius :

°At first he hates it and sees no advantage in it until he realizes what effect it actually has on his heart. As a vampire who is thousands of years old and hardly among mortal men, he seems to have forgotten how good he looks. As his heart looked at him more and more often full of interest and curiosity.

°He saw the advantages of being him and her. Not only a vampire and his human buddies. But also a human woman who reacted to pretty much everything he did. Something he had taken a liking to.

°Every time he looked at her, his red eyes went over her body as she flinched, her breathing quickened and he watched with pleasure as she tried to escape from him.

°But he didn't let it get that far, he watched her in the darkness, always one step ahead and she belonged to him.

°He enjoyed how he could almost control her, even if he had no skills like the others, his slender guard between gangs and retribution was miraculous.

°He loves to use his teeth and blood. His sharp teeth running over the skin of his love. I felt her heartbeat increase as she barely dared to breathe and hissed every time her skin broke through his sharp canines.

°She clutched at the sheets and begged him to continue and stop at the same time. One of his hands was enough to push her back into the covers. To continue to stain the varnish red.

°Always and again to bite harder and more painful each time but also lovingly afterwards soft kisses over the injured skin.

°He loved when he poured a goblet of blood over your body, watching you try to hide and not give him what he wanted. Before he pressed you to him to lick the blood from your body and his cold hands made their way over your so sensitive body.

°Be sure that the nights with the Volturi leader are long, dark, full of pleading and blood. But in the end, he too will take care of your pleasure. His beautiful human wife must be rewarded.

~~~~~~~~~~~~~~~~~~~~~~~~~~~~

Alec :

°Having a human mate is something completely new for the still quite young vampire. He looks down on humans has always and yet. But he could not lie because his dead heart was drawn to her.

°The Volturis that the humans normally hid, they were nothing more than prey for the vampires. Than what they had in them. Blood. But she was more than blood, she was everything to Alec and in return he was everything to her.

°She brought him back that little bit of humanity in his dead life. Something he actually valued and made their relationship more healing and beneficial than either of them thought.

°But as the relationship progressed, it was also that the two found each other more often at night. She actively sought him out and Alec heard her heartbeat quicken more and more when she was with him.

°His cold fingers ran over her body and she pressed herself more and more against him. She was addicted to the cold being and he to her life.

°But if there was a side to him that he had found with her, it was his devoted and at the same time challenging cruelty. The Volturi had educated him and his devotion to torture was also evident in bed.

°Not for nothing he took the lead, enjoying her soft kisses but as soon as the black mist spread around her and took her senses from her. First her sense of touch did not let her feel how he bit her did not want to hurt her unnecessarily before he gave her back her sense.

°It came back to her in full and made it all the stronger and more exciting. When he took her sight and she was at his mercy more than usual it seemed as if only they existed. He was so precise and loving with her and yet he could pursue his own pleasure.

°He made her helpless and she belonged to him while he watched her lying there in the white lacquers stained with blood from the bites. Her lustful noises he picked up and only drove him more to use his skills.

°They were nights full of black fog that took everything from her, Alec that gave everything to her and the dark red moon that took its light with it and plunged the room in only more sensual darkness.

~~~~~~~~~~~~~~~~~~~~~~

@kimvolturicullen , @demetrivolturiswife , @archoniluthradanar , @iloveslasher , @lucansmina , @smolchubbygoddess , @certaintwilight , @ladyfairybunny , @nebulousfishgills

[thefaiao]

seeing your clowns made me go feral since my fixation is cringe and clown flavored

Who let you cook like that who let you cook AUTHHFFH UR ART IS SO COOL IM BEING DRAGGED AWAY

You’re hatching is so fucking inspiring since it’s soMETHING I try to do in my own work I LOVE UR ART

would it be fine to ask what brushes you use? I love ur values also, you’re so so good at shapes and form WAAAA I LOVE UR STUFF. I did dig up an old ask you made iirc, but I’m not sure if it’s changed

Hey! Thank you very much. I'll go through the brushes I use for each program: Drawpile

From what I understand most of these are MyPaint brushes... but I only know them as drawpile brushes because that's what I use. Main ones I've used lately is Irregular Ink and a default brush for coloring

I don't really change the size of irregular ink much and the pressure doesn't matter that much. It has high stabilization which I haven't changed, but I'm sure you could get away with lowering it. For the other brush I'm pretty sure it's a default one that I slightly tweaked (drawpile is a bit bad about communicating what brush exactly you are using to you.) I quite like it because it feels like playing with clay, makes it easy to map out the volume. I use it for those lineless pieces I do from time to time too. I change its size a lot while drawing. I've also used these two, one of the pencil brushes and a second one I stole from Jokioro that I have no idea what is called

I used the first one for the D'arce I did a while ago and the recent VTMB piece. It's great at emulating sketchy graphite pencils, I like layering it to do multi-colored hatching rendering. The second one I don't know how to use super well yet but it's probably my fourth most used as of late. It works very weirdly so if you wanna figure out how to make it work I recommend looking at how Jokioro draws. Clip Studio I bounce around a lot with all the brushes, but I use a loooot of stuff from the Frenden pack. Mainly Meeko Leako for lining and even coloring, it has a great texture to it, very fun

This has been my most used brush for years. It's great for super straight lines and produces a great difference in value between quick lines and thick lines. I haven't used it as much since I picked up drawpile more recently, but it's amazing! Other than that I use the default G-pen when I just want simple lines without much texture

It's a bit ugly at a glance but I think if you lock in it's great for super clean lines, just trying to get the point across without much noise. I also like coloring with it at times, when I'm going lineless. SAI Binary pen. Use the binary pen. It's the best brush ever made

It just feels super right to draw with it, it's so simple but it makes your lines look super slick, and it's just a binary pen. I guess they just got the behavior down perfect for it. But yeah, love this brush. IRL I've always used these archival ink pens in different sizes for basically everything I've done traditionally, and of course just a simple number 2 pencil for sketching and such. I've used a bit of charcoal recently, and been wanting to deep into darker pencils for detail, but this is still the default. I also will probably try out dip pens sometime

That's all I can think of immediately, but I always like to mess around to try and find another great brush, and you should do the same even if you end up using these a lot.

[moonselune]

Wyll and Lolth Drow reader who's trying to get better at empathy and stuff for him!! Like, shes from one of the third most powerful houses in Menzoberanzen and shes vv devoted to Lolth. Paladin and everything.

But she REALLY likes Wyll so shes trying?? Being nicer intentionally? Like she was already kinda nice, for a Drow, but shes being especially so? Also her being friends with Astarion and him making fun of her for that... and for the fact that shes like a foot taller than him. I just like big scary women and little guys sometimes.

Sorry if this is too specific!

yes yes yes yes yes yes

─── ･ ｡ﾟ☆: .☽ . :☆ﾟ. ───

Wyll x Drow!Paladin!reader | Look away Lolth

─── ･ ｡ﾟ☆: .☽ . :☆ﾟ. ───

Life in Menzoberranzan had always been about power, status, and devotion to Lolth. You, a paladin of the Spider Queen, had grown up steeped in these values, rising to prominence within the third most powerful house. Yet, despite your unwavering loyalty to Lolth and the ruthlessness you displayed on the battlefield, there was one person who had managed to capture your heart in a way you never thought possible: Wyll.

Wyll was everything you were not. Kind, compassionate, and empathetic, he exuded a warmth that was foreign to the cold, calculating world of the Underdark. Despite the vast differences in your upbringings and values, something about him intrigued you, drawing you in and making you want to be better—for him.

You had already been known as somewhat nice, for a Drow, with many of your peers insulting you for it, but with Wyll, you found yourself striving to be even kinder, even more understanding. It was a struggle, trying to balance your natural inclinations with this new desire to show empathy and care.

It was a quiet evening in the camp. The fire crackled softly, casting dancing shadows on the surrounding trees. You and Wyll sat close together, his warmth and presence a soothing balm to your otherwise tumultuous nature. You were listening intently as he recounted a tale from his past, his first stuggle after his exile, nodding and responding with genuine interest, something you were still getting used to.

"That must have been difficult for you," you said, your voice softer than usual. "But you managed to come out of it stronger."

Wyll smiled, his eyes reflecting the firelight. "It was tough, but I had good friends to help me through it. And now I have you."

The words warmed your heart, and you couldn't help but smile back. This was all new to you, but you were trying. For him. Just then, Astarion strolled into the camp, a smug grin on his face. He had a knack for making an entrance.

"Oh, look at you two lovebirds," he teased, his voice dripping with sarcasm. "It's almost sweet enough to make me gag."

You rolled your eyes, though there was no malice in your response. Astarion was a friend, albeit a mischievous one. "Jealous, Astarion?" you shot back, a smirk playing on your lips.

"Hardly," Astarion retorted, leaning against a tree. "I'm just fascinated by this new side of you, my dear. Trying to be all empathetic and nice. It's quite the transformation for a paladin of Lolth."

Wyll chuckled, his hand finding yours and giving it a reassuring squeeze. "She's doing a great job," he said, looking at you with admiration.

Astarion's eyes twinkled with mischief. "Oh, I have no doubt. But you know, it's still quite a sight—seeing someone who's practically a foot taller than Wyll, bending over backwards to be nice."

Before you could retort, Minthara walked over, her expression as stern as ever. "What nonsense are you spouting now, Astarion?"

Astarion raised his hands in mock surrender. "Just commenting on our friend's remarkable growth in empathy. It's heartwarming, really."

Minthara gave you a knowing look, her stern façade softening just a touch. "It's good to see you making an effort," she said quietly. "Even if it is for a surface dweller."

You nodded, feeling a strange sense of pride. "Thank you, Minthara."

Wyll squeezed your hand again, leaning in to whisper in your ear. "I'm proud of you, too. You've come a long way."

Your heart swelled at his words, and you felt a renewed determination to keep trying, to keep being better. For him, and maybe even for yourself.

Later that night, as you and Wyll sat by the fire, he looked at you with a tender smile. "You know, I never expected you to change for me. But seeing you try… it means more than you can imagine."

You met his gaze, your heart full. "I want to be better, Wyll. For you. Because you deserve it."

He leaned in, pressing a gentle kiss to your lips. "And you deserve to be happy," he murmured. "We'll figure this out together."

As you sat there, wrapped in his embrace, you felt a sense of peace and purpose that was new and exhilarating. You were a paladin of Lolth, a warrior of the Underdark, but you were also someone capable of love and kindness. And for Wyll, you were willing to embrace that side of yourself fully.

─── ･ ｡ﾟ☆: .☽ . :☆ﾟ. ───

Oh Wyll sweetums you deserve only the best, hope y'all enjoyed it ! - Seluney xox

[fitzs-trained-monkey]

🗒️ Vandal 🗒️

Word Count: 16,000+ (And nobody asked for any of it!)

Summary: A quiet high school student looks a little too closely at the tragic events afflicting their hometown. Can you uncover the truth while keeping your own secrets hidden? Or will a lapse in judgment expose you to a world of hurt? || Kol x disabled!reader || Here lies my Masterlist

Warnings: Some language, references to blood and gore, Kol being a psycho, and some dubious consent but nothing violent or graphic. This turned out a little more Yandere than I intended. Just expect ya gal's general tomfoolery.

A/N: Howdy-doo, this is your captain speaking. I know I promised a lot of you that I would have the sequel to Run for Your Life finished last week, but it's still not done and I'm really sorry. I wrote this instead. Please forgive me. I hate letting y'all down but inspiration has been really low as of late and, as some of you know, I've been facing some very serious struggles with people in my life. My sense of self-worth has been suffering, but writing this fic has been my best escape. So again, I'm really sorry to those who were expecting the Klaus fic, but I hope you like this one nonetheless.

🗒️ Story Begins Below 🗒️

When Niklaus Mikaelson confined himself to his studio, it was common knowledge among all parties of blood relation to the original hybrid that any sibling who valued their breathing privileges should promptly vacate the premises until such a time as that tortured artist ceased muttering his internal monologue aloud. 

Kol, for one, was quite fond of his breathing privileges, thank you very much. 

Ugh, breathing. 

The one thing he’d never thought would require adjusting to through the centuries was now yet another factor among a dozen others that required getting used to. 

The air of this new age he’d found himself in was thick and hazy with chemicals and other nonsense he didn’t care to think about. Drawing the filthy mixture into his lungs required significantly more effort from him than it used to. He wondered vaguely how the humans surrounding his seat at the bar of this stodgy town’s only decent restaurant did it with such ease. It must’ve been tiring. Perhaps that was why so many of the patrons around him seemed content to spend their morning religiously devoted to quaffing down as much of that - oh, what had Mary-Alice called it? - caffeine stuff as they could possibly contain. 

Though the name would suggest otherwise, Kol figured the only way the Mystic Grill, as the place was called, could remain in business was to serve breakfast, lunch, dinner, and drinks. Hence why the place was packed with half-conscious teenagers at the ungodly hour of six in the morning, stopping off for something to eat on their way to school. How did Rebekah enjoy this? Though she’d accompanied him to the grill, Kol’s sister had been quick to grab her coffee and ditch him. She wanted to arrive to school early so she could “talk”. (The notion tempted Kol to impale himself on a billiard cue.) 

Rebekah was also rather upset with him, or more specifically, his newfound enrollment in her high school. There was nothing he could do about that, however. If it was up to him, Kol would choose to spend his time literally any place else. Unfortunately for him, after that little incident with Rebekah’s date, mother dearest had been contemplating ways to keep him in line. High school was evidently what she’d come up with. It was Finn’s idea actually. Kol’s eldest brother - dull lout that he was - had suggested that perhaps attending high school with his sister would provide a convenient way for Kol to catch up on recent history, as well as assist him in developing some control over his appetite seeing as each family member had given their word not to shed the blood of any locals. As if that wasn’t bad enough, Esther had done more than just readily agree. She’d also cast a tracking spell on him. If he strayed beyond the town’s limits, she would know. 

Rest assured, he would find a way to weasel out of it - that was certain. But for now, Kol was stumped. This resurrected version of his mother wasn’t quite so dismissive of him as she’d been in Kol’s human life. He should have liked that - should have reveled in it. Yet, having her attention this time around came with a cold harshness he wasn’t so fond of. For now though, he would have to endure his punishment. Thanks to Klaus, he couldn’t even skip out.

Thus Kol found himself in an overly crowded restaurant, at six in the morning on his first day of school, surrounded by teenagers.

Kol desperately wished he could eat one or two of them. 

They were so rowdy and obnoxious. The whole world it seemed had grown significantly louder since he’d been daggered in nineteen fourteen. So much information assaulting his senses constantly. It was maddening. Being surrounded by thirty or so warm bodies didn’t exactly help. The chorus of their heartbeats fell on his sensitive ears like the cresting of ocean waves and like a riptide, he would surely be carried away if he allowed himself to listen much longer. 

The boy’s throat burned. He was hungry. Always hungry. He could practically taste the relief on his tongue. The high he could get from just one little cheerleader…

Kol got up from his seat, grabbed his bag, and shoved his way out the door, cursing Finn’s name to Hel and back. He reached the end of the street and stopped. Raking his fingers through his hair, Kol rolled his shoulders and took a deep breath.

Wrong move.

A gentle autumn breeze swept past and carried with it a hint of something sweet. No, that was too tame. That scent on the air was like pure sugar and spring water, something like berries and roses and cotton candy all rolled into one supremely tempting aroma so overpowering he nearly choked. White hot pain shot through him and his mouth watered. He was standing in the midst of town square before he even realized he’d moved. 

There, kneeling hunched over on the ground, all alone in the early morning, was a young woman who looked about the same age as he did. Any view of her face was obscured by the curtain of her hair as it fell around her in something of an untamed mess. Her clothes, nothing fancier than a t-shirt and shorts, were rumpled and irreparably stained with just about every color one could imagine as she focused intently on whatever she was doing. Scattered all around her were about a dozen cans of paint and at least a hundred individual sticks of chalk in a variety of shades. She was decorating the walkways, Kol realized as he watched her dip her hand directly into one of the cans of paint before slathering the color over the flagstones she was working on. Once satisfied that the area was evenly covered, she sat up.

The girl paused to wipe her hand on a wet rag before shuffling back around to a different section where the paint looked a little drier. 

Kol had just enough time to register the pattern of scrapes that decorated her hands and knees before that delicious scent washed over him again. It was stronger now that he was so close and like a punch to the gut, just a whiff of it knocked the wind out of him. His throat seared and his fangs ached. She was right there in front of him, trickles of blood seeping from her hands and knees - rivers of temptation. Whatever ichor was rushing through that girl’s veins would certainly be divine. Kol wanted it. He wanted to taste her warm human skin - wanted to lick the scarlet from those teasing little scrapes she’d made. No one was around. He could have that sweet, sweet crimson ambrosia all to himself. 

There was just one problem. This girl was a local. Her residence was clear from the tags dangling from her backpack which she’d tossed a few feet away. Kol couldn’t eat any of the locals, he’d given his word on it. 

Unfortunately for him, that boy’s sense of honor apparently wasn’t enough to keep his legs from moving. He was standing over her shoulder in a matter of seconds. His looming shadow must have caught her attention because the girl paused her work (she was rubbing lines of chalk into the paint now) and twisted around to look up at him, squinting against the rising sun at his back. Her cheeks were twinged with a delicious shade of pink, likely due to the warm, humid morning, and she smiled in a friendly, albeit slightly confused way.

“Hey!” She greeted - voice practically a chirp. The girl lifted a hand to her face in an effort to further block out the sun, but the offensive light couldn’t dampen her smile. Kol fought the urge to roll his eyes at her sunny disposition.

“Good morning, darling.” He flashed her a grin - the crooked one that made girls like her faint. Kol gestured to the swirling mix of hues currently stinging his eyes. “What’s this going to be?” 

The girl blinked and tilted her head. “Could you say that a little louder?” She asked. Her voice was soft but rich with a delicate, wispy quality to it like a warm caramel stretched apart. He supposed it wasn’t entirely unpleasant to listen to.

“Are you painting something specific or is it more abstract?” He wondered, raising his voice a little. Abstract was certainly the most polite term for eyesore, he thought. 

“Oh, uh, yeah! It’s Mystic Falls,” She said brightly. Then she paused. Her face scrunched up a bit and even Kol could admit it was a little endearing. “Um, I mean, not the town, but like, the falls as in the waterfalls… yeah.” Her voice tapered off into a whisper at the end and she cast her eyes away. 

Kol hummed. “I see.” He didn't actually care, however. He’d seen enough. This girl, tantalizing as her blood might be, wasn’t worth his time - nor his mother’s wrath should he break his oath. There was no thrill in chasing someone like that, girls like her gave in too easily. 

Without warning, the little artist stiffened and whipped her head back up to face him, drawing Kol from his thoughts. 

“Say, what’s the time?” She wondered, biting her lip anxiously. Her lips looked rather tasty when she did that.

Kol raised a brow and checked his watch. “Ten to seven,” He answered. 

She cocked her head again. “Sorry, what?”

“Ten to seven,” He repeated a little louder.

“Huh?”

“Bloody hell!” The boy huffed. “It’s six-fifty! Are you Deaf?”

She snorted. “Uh, huh. Yeah.” Kol’s eyes narrowed but the girl only turned her head, shoving a lock of hair back to reveal some technological array perched over her ear. The artist shrugged and faced him again. “It’s the accent, I think. Plus, it ain’t my fault you mumble. What time did you say it was again? I forgot.”

It wasn’t the disability that annoyed him, he wasn’t that shallow. It was her attitude he couldn’t stand. 

“Six. Fifty. One,” He ground out through clenched teeth.

Her eyes widened. “CRAP!” 

The annoying little artist sprang to her feet, scooped her bag from where she’d flung it, and dashed off just like that. He huffed at her lack of tact - not so much as a word of thanks. It was probably best for both of them if they never saw each other again. That mouth-watering ray of sunshine was unlikely to survive another encounter with him.

As he debated whether or not to just wander around aimlessly for the remainder of the day, Kol caught sight of an object that must have tumbled out of the artist’s bag. Only the slightest bit curious, he bent down to pick it up. Upon taking a closer look at it, Kol raised a brow. Well worn and faded, the sketchbook in his hands was nothing special - almost every artist had one, that was no surprise. What caught his attention, however, was the design on the cover, or more accurately, what had been made of it. Whereas the front of the sketchbook had once depicted a quaint scene from what he recognized to be the story Alice’s Adventures in Wonderland, with little Alice looking up at the Cheshire Cat perched lazily in a tree, the girl had turned it into something far more sinister. 

For one thing, she’d given Alice a broadsword. Her dress had been redecorated with dirt stains and blood. As for the Cheshire Cat, the artist had transformed the feline into a marionette with blood-stained teeth and dreadful claws. The background had been scribbled out with a black marker. All save for a grinning silhouette, tugging at the strings of its Cheshire Cat puppet, and a line of bold, bloody letters spelling out the phrase: “We’re All Mad Here.”

It was a delightfully grotesque perversion of a story Kol had rather enjoyed reading when it was first published. Perhaps that girl wasn’t quite so boring after all. 

Kol smirked and slipped the sketchbook into his own school bag. Serves her right for being so disrespectful. Besides, the book was steeped in that exquisite aroma of hers, and if he couldn’t devour the poor thing then keeping a little memento was his next best option. If she wanted it back, she’d simply have to prove herself deserving of it. Until then, that little book of horrors was all his.

Who knows what he might do with it?

No matter what, this was bound to be… entertaining.

***

You’d never liked cheerleaders. They’d always seemed so shallowly chipper - the sort of nice that giggles behind a person’s back. Most people said you were just jealous, wishing you could have their beauty, body, or popularity. They were wrong, of course, cheerleading simply wasn’t your thing. As for appearances, at least you were confident enough in your looks that you didn’t require validation from fellow minors. You never corrected the masses though. You let them think whatever they want. (After all, you had other, more important things on your mind.)

All feelings about cheerleaders aside, they were excellent subjects for drawing poses. It was them or the football team and you couldn’t be paid enough to go anywhere near them. Besides, you had already obtained permission from the members of the cheer squad to sit in on their practices. They figured you must have been lonely and seeking their approval. You didn’t correct them either. The girls on the squad were nice enough, though you didn’t know any of them very well. Just some first names. 

Caroline, Bonnie, Amber, Laura, Rebekah. 

Now that Rebekah was an odd one. She sort of unnerved you. Like the rest, the British blonde was nice enough, but something about her wasn’t quite right. She’d just dropped off the map for a month and a half and then showed up today as if she’d never been gone. Then there was her relationship with the other cheerleaders. Half of them avoided her like the plague and the other half worshiped the ground she walked on. It wasn’t normal.

Life isn’t like the drama shows all over tv. Kids in the real world don’t act that way. 

You hadn’t grown up in Mystic Falls. Your parents moved your family into town one year ago. Though you were just a sophomore then, you knew enough to understand that something about this whole town and everything that had been happening within the last year just wasn’t right. Within your sophomore and junior years alone, no less than twenty-six kids were reported missing. At least six were later confirmed dead.

Was it really any wonder you kept to yourself? 

You were fine with being alone. It didn’t bother you. 

What bothered you was that you had somehow lost track of your sketchbook. That bundle of pages hardly ever left your person. You never went anywhere without it, and yet when you had sat on the bleachers and reached into your backpack to pull it out, lo and behold, it was nowhere to be found. Who knew what small-town hic had gotten their grubby little hands on it? 

Alright, that was mean. You just wanted your book back. The idea of someone else flipping through your sketches irked you to no end.

“Well hello again, darling!” A semi-familiar voice rang out from behind you on the bleachers and you twisted around to face him. Had that kid been up there all this time? The boy grinned down at you. “Fancy meeting you here.”

You offered him a tight smile. 

“Yeah,” You said quietly. “Fancy that.”

The boy was pretty, that was for sure. Dark hair, dark eyes, a strong brow, and a sharp jawline. Not to mention that smile, you’d sooner light yourself on fire than call it “dazzling” but you would like to draw it sometime. All in all, he was probably the closest thing to masculine perfection you would ever lay eyes upon. But you weren’t dumb enough to judge a person off of looks alone. 

Though you had nothing to go off of aside from your brief meeting that morning, you didn’t quite like that kid. On the surface, he seemed alright. A little impatient but still pretty normal. It was the way he looked at you… it reminded you of the feeling you got back in your old town whenever you noticed that your best friend's pet boa constrictor was watching you from inside its tank - how its eyes would follow you no matter what you did. It wasn’t an exactly pleasant sensation. Those onyx eyes of his - when you looked into them, you couldn’t see much of a person looking back. His eyes sparkled when he smiled but behind them… behind them there was nothing. A charming grin without a person inside.

The boy’s odd smile only broadened. 

“You know, I-I didn’t take you for the cheerleading type,” He said. You tucked a strand of hair back behind your ear, squinting against the sun in your eyes. Did he always have to position himself so you had to blind yourself to look at him?

“I’m… not.”

He chuckled. “Obviously.” Climbing to his feet, the boy hopped up onto the seat in front of him and walked gracefully down to your level - at least, as gracefully as one can while walking on bleachers. You should probably warn him about the-

“Careful, that next one wobbles,” You spoke up. Your voice never seemed to come out as loud as you intended, yet he didn’t seem to have a problem catching it. 

“Ah-” He tested the next row with his foot and stepped over it lightly. “Thank you very much.” He grinned again as he jumped down beside you.

The boy was much too close for your liking. 

“You’re welcome,” You mumbled, shuffling away slightly. He only leaned in closer.

“So, if you’re with the cheerleaders, but you’re not one of them, then what does that make you?” He wondered, oblivious or insensitive to your discomfort. You couldn’t tell which. “Unrequited lover or wannabe?”

He raised a brow, smirking in a way that appeared bemused but you could sense its condescending edge. You just shrugged. He could think whatever he wanted. 

He was baiting you, that you were sure of. The dark-haired senior wanted you to answer. He waited for you to answer. But his was a lure you weren't going to bite.  You just kept on drawing - filling in lines, and fine-tuning expressions. You were sure he would give up eventually, kids like him always did.

“Are those your chemistry notes?” He asked finally. 

You hummed and nodded. You’d never been too much of a talker. It had nothing to do with your hearing loss, or maybe it did. That was just who you were either way.

“And you’re sketching in them?”

You shrugged. “Lost my sketchbook.”

“Oh, that’s too bad.” At least he had the decency to sound sympathetic. “Did you have it this morning?” You nodded. This boy was persistent, you would give him that. He kept talking. “I see… Well, I'm sorry to hear that, darling. I would have loved to see it,” He said. 

Your lips twitched up in a smile. You wouldn’t have shown him anyway, but that didn’t matter.

“Thanks,” You whispered.

"You never answered my question," He pointed out. He was trying to get to you - get closer to you - and while any other girl would do backflips for the attention of a boy like him, you weren't any other girl. If he wanted to know you, then you couldn't let that happen. If you did, he might figure out your secret. Then you could lose everything - your education, your clean record, and the only money-making opportunity you were likely to get in this tiny, provincial town.

"I know." You sighed and closed your substitute sketchbook, just a little fed up. Maybe it was time to let the sunny, shy-girl facade drop. Perhaps a quick glimpse of who you really were would deter him. "But you're here too. So which are you? Unrequited lover or wannabe?"

The boy threw his head back and laughed, loud and clear. His laugh sounded like a stone splashing into a calm pond. Sudden and unique - one of a kind. When his gaze returned to you, he seemed to look you over as if reevaluating his previous judgment of your character. After a moment, he gave a slight nod and shrugged. 

"That's a fair point you make there, darling. I'll have to disappoint you, however, as I am merely here to pick up my sister." He gestured to the girls practicing on the field and then shot you a smirk. The boy held out his hand. “Pleasure to meet you, darling. I'm Kol, Kol Mikaelson.”

Your eyes flicked to his outstretched hand, weary.

"I…" 

Glancing up, you met the endless black pits that were his eyes. Your stomach felt queasy. Better to be safe than sorry.

You pushed his hand away. "I… don't particularly care." 

Without another word, you packed up your things and skipped down the bleachers. Exiting left of the football field. 

Perhaps you'd left him stunned. You didn't bother looking back to check.

You started seeing Kol quite often after that, which wouldn't have been weird had he not been a year above you. If it wasn't coincidence that saw you sharing both lunch period and study hall with him, then you didn't want to think about what it was. He kept his distance, which you appreciated. Kol didn't approach you for a while, but whenever you were in the same room with him you couldn't seem to shake a feeling that you were being watched. Closely. 

The day that pattern changed was the day you walked down the hall and found yourself greeted by photocopies of your art taped to every locker. A chill ran down your spine as your eyes landed on that first row of metal doors. The papers fluttered in the wind generated by passing students but you would recognize your art anywhere. 

It was one of the pages from your sketchbook - one of the sketches no one was supposed to see. 

This one depicted the football team, gathered on the field for practice. The sky above was dark and they had their helmets off. Each player's complexion was ghostly pale and their glowing red eyes all stared soullessly at the viewer. Their expressions displayed no emotion, but together they stood in a threatening formation. You had taken inspiration from both classic zombie movies and The Matrix for that sketch. In the top left corner, you had etched the title. You called it "The Hive." 

The only problem was, you hadn't exactly obtained the team's permission to draw it. 

To make matters worse, someone had added an inscription to the image that read: "Members of The Hive possess no individual thought or personality. Furthermore, they acknowledge only other facets of their collective consciousness." The words were scrawled across a crumpled sticky note attached to the top right-hand corner of the page. You hadn't written those words, but it sure looked like your handwriting. Your name was even signed at the bottom.

Someone had stolen and altered your sketchbook, and now they were using it against you.

Panic and paranoia welled up inside you. Clutching your books to your chest, you quickened your pace, catching glimpses of more and more hallways decorated with your sketch. Whispers followed you as you rushed down the hall to your locker, hoping to escape and find solace in your first class of the day, but you had no such luck. Reaching your destination, you gasped at the sight before you, recoiling in shame and confusion. It was like a shot taken straight from a television drama. This thief - whoever they were - had covered your locker with copies of that picture. 

Who would do something like this? You had only been in town a year - you wouldn't have thought that long enough to garner this degree of animosity from anyone.

"What the actual hell, Y/N?" A student exclaimed from down the hall.

Your mouth hung, gaping in shock and you floundered for something - anything to say. There was nothing. No defense. 

"Yeah, Y/L/N! What did Matt and the team ever do to you?"

Your eyes widened. "What?" You shook your head, blinking rapidly as you tried to explain, but your voice refused to rise over the commotion, accusations, and judgment. "N-no, they didn't. I mean, I wasn't trying to-to…"

"You realize how sick this is, right?" Another kid demanded, closer to you this time. "Like, seriously. Judgy much?"

"No, it's not like that," You insisted. It felt like your whole world had been tossed upside down. "I-I just-" You stammered, hapless. For once, it was the people around you who couldn't seem to hear.

"What a creep," Muttered someone else as they passed close enough for your hearing aids to register. Was that what everyone thought of you?

"No! Y-you don't understand! I-I didn't mean it like that. I-" Your heart sank. Shame overwhelmed you and you buried your face in your hands, sliding down the wall to the floor.

Your heart felt like a voodoo doll, impaled with all sorts of pins. You'd never felt impressed to explain yourself to anyone. You had never cared what anyone else thought of you. But when you had imagined all the ways your life might fall apart, this wasn't one of the ways you had envisioned. That drawing and the dozens of others like it - they were yours. 

You wished you'd never made them in the first place.

Shaking your head, you switched off your hearing aids and hugged your arms around yourself, perfectly content to stew in your own misery. A dull roar met your ears as students passed by. None stopped to address you. A few of them tossed crumpled-up photocopies of your sketch at your head but you ignored them.

Then a hand settled itself on your knee. 

Startled, you peeked between your fingers, expecting someone like the assistant principal or guidance counselor to be kneeling in front of you. Instead, you were met with the concerned countenance of none other than Kol Mikaelson. 

You froze, staring at him with wide eyes. 

He proffered a gentle smile and said something, but his words were lost to the prattling hum that encompassed your world without hearing aids. You preferred it this way. It was your natural state. You saw instead of listened, it was what made you such a good artist. Or so you'd thought.

You shook your head at him weakly, pointing to your ears, and mouthed, "I can't hear you."

Why was he here? Was he just going to tease you as he had a few weeks ago on the football stands? 

Kol nodded. "I know," He signed. His movements were small and lax - nonthreatening. 

Unsure how to interpret his sudden kindness and understanding, you shifted to sit up a little straighter, eyeing him. Kol's lips pressed into a thin line that tried to look like a smile. Without warning, he removed the textbooks resting in your lap and stood.

"Let's get you out of here, yeah?" He sighed, offering you his hand. Hesitantly, you reached out and took it, allowing him to pull you to your feet. You stiffened as the boy let go of your hand and instead wrapped his arm around your waist. He pulled you swiftly against his side, shielding you from the view of others in the hallway as he hastily but gently herded you down crowded hallways and out the heavy steel front doors. 

Just outside the school, there were picnic tables set up where students could sit to study or eat lunch. Those were deserted by now as first period was speedily approaching. Kol guided you to one of them and dropped your books on the table, gesturing for you to sit. You weren't overly fond of being told what to do, but you figured this was probably Kol's best effort to be nice so you obliged. He sat down in front of you and cupped your jaw in his hand. With his brows furrowed and expression drawn the boy seemed to be inspecting your face, though for what you couldn't be sure. 

Absently, you noticed that his hands were very warm despite the changing season. (Why that thought made your stomach queasy was a question for another time.)

Kol's thumb brushed over your cheek and you wanted to look away to hide the flare of heat that consumed your cheeks, but he wouldn't let you. 

"Well, you're not panicking," He observed after what felt like an eternity. "That's good." 

His words were muffled without your hearing aids but now, away from the commotion of the bustling hallways, you could understand him well enough. 

You gave a small nod and, refusing to meet his eyes, focused instead on the grass beneath your feet. 

"I'm fine," You whispered. Your voice was a little hoarse but he didn't know you well enough to recognize that. 

"Are you sure?"

The question was inevitable, yet you found yourself scowling anyway. 

Of course you were fine. You were always fine. 

You wanted to tell him that you didn't want his pity, that you weren't some distressing damsel and that he needed to mind his own business. You weren't some charity case he could use to prove to all the senior girls that he could be a sensitive boyfriend. (You'd been there once. You weren't going through it again.) But, as always, the boldness in your head could never seem to leave your lips.

"It's not your responsibility to take care of me," You told him instead. In your lap, your hands fiddled and tugged on the too-long sleeves of your sweater. You'd gotten chalk on your jeans again.

He let his hand drop and the swirling autumn winds cooled your cheeks. You sort of missed the warmth.

"I know that." Kol's concern morphed into a smirk. This was it. You prepared for the incoming ridicule. It never came. "You don't like anyone getting close, do you?" He guessed, casually leaning back as though he already knew the answer. (And respected it.) "Makes you uncomfortable, I'd imagine."

You shrugged and picked at the loose threads on your sleeve. Honestly, he was right - you were just a bucket of trust issues in a Technicolor wrapper. But was that any of his business? No.

"Why are you here?" You wondered in lieu of an answer. 

Kol raised a brow. "Apologies, darling. I was unaware that it's illegal for a bloke to be a good friend 'this side of the pond." 

"It's not illegal," You said. Your eyes narrowed. "But we're not friends."

You'd made a handful of friends since moving to this town. None of them had come to your aid. Then again, none of them knew about your sketchbook.

Kol smirked. "Consider this an application then!" He surmised, eyes glinting. Those unnerving tar pits seemed a little less dead today than they had before. What changed? He chuckled, amused at your loss for words, and continued. "Besides, I get the feeling I'm just about the only one who knows that sketchbook of yours was stolen from you. The only thing I want to know is, what made you draw that picture?" 

Maybe… if you told him the truth about the sketches, he wouldn't look any closer. 

"I don't like Stefan Salvatore," Came your quiet answer. 

That didn't seem to be what he was expecting, but he didn't look disappointed. Kol's lips twitched and he wet his lips in a way that betrayed a certain excitement. 

"Go on."

You took a breath.

"He and I were the only two new kids last year," You began. If you said this, you were going to sound like a lunatic, that was why you'd always opted to draw it out instead. "Strange things happen in this town, and they happen around him. No town has as many "animal attacks" as this one and those only started when he showed up. People started going missing. Some were found dead. Mr. Saltzman is our history teacher because the guy before him got ripped up right over there in the parking lot just before Stefan's first game as part of team. The police said it was a mountain lion, but I was there; I saw the body and there were no scratches. Then there's the way some of his friends a-and Mr. Saltzman look at him sometimes - I've seen them do it - like he's about to murder everyone in the room and they don't know how to stop him."

Kol stared at you. His expression had grown increasingly weary the longer you kept on rambling. When you finally closed your mouth, he nodded slowly, brows furrowed. You bit your lip, awaiting his response.

"That is…" He trailed off. To your great surprise, however, he nodded as if he actually believed you. "Deeply disturbing, darling." Kol's eyes narrowed and he leaned in closer. "You say you saw your teacher's corpse?" He asked.

You nodded. "The "bite" on his neck looked a lot more like buck-shot to me."

His eyes widened. "You think someone killed him?" He hissed.

"And the police covered it up."

"So why draw the football team?"

You hugged your arms around yourself. "Because Matt Donovan is in on it. It's him, Tyler Lockwood, and Stefan Salvatore - they've been acting so weird. Two months ago, Tyler and Stefan started acting really mean all of a sudden and the rest of the football team just started acting like zombies, doing anything they said. It was really freaky."

"And you drew it so you wouldn't have to be afraid." Kol nodded, smiling softly. "Put all the horrors in a little book and out of your head."

This kid had you dead to rights.

You tugged on the sleeves of your sweater. "I never meant to hurt anyone," You sighed.

"I know," He said. "For the record, I quite liked your little interpretation."

"You don't think I'm crazy?"

"I'm not sure yet," The dark-haired boy admitted with a shrug. "Honestly, I've never known another town to have as many functions as this one."

"Right?!" You exclaimed. Finally, someone else saw it! "Smells like organized crime to me…"

"Or cult activity."

"Or that."

"Or maybe you're just a little paranoid," Kol surmised. "But if that's the case, then who am I to judge?"

For the first time in a while, your shoulders shook with a genuine laugh. 

"Thanks Kol."

"Anytime, love."

And that boy lived up to his word. Over the span of the next several weeks, more of your sketches were spread about the school. It wasn't long before your so-called friends had all cut contact. Kol became the only person in town willing to talk to you. Every time a drawing was leaked, no matter how dark, twisted, or gruesome the image, Kol was always there to comfort you and compliment your art style. 

Each drawing that circulated the school was more damaging to your reputation than the last. Anyone you thought was in on the secret of Mystic Falls' suspicious deaths, you turned into a monster in the pages of your sketchbook. 

Jeremy Gilbert became a tortured Voodoo doll. 

("Well, there's an odd comparison," Kol commented idly, inspecting the array of pages that had overtaken your locker. "I quite like it."

A student shoved past you on their way to class, ramming painfully into your shoulder. You winced, aware that the action was purposeful, but you didn't say anything. Kol, however, glared at the kid - a cold, chilling sort of glare. 

You shrugged, readjusting your backpack.

"He just always seems so pained lately. 'Looks at everyone like they're gonna kill 'em.")

Elena, his sister, you portrayed as a prim, psychotic puppet master. 

("I'm sorry, but have I done something to you?" The popular and gorgeous former cheerleader asked when she confronted you about the sketch she clutched in her hand. Seniors Stefan Salvatore and Matt Donovan stood with their arms crossed, flanking her on both sides. The sight only served to reinforce the role your imagination had given her - the girl wore her ex's around her like accessories. They were always there to cover for her strange behavior.

"N-no, it's not like that. I-I-I swear!" You stammered, eyes flicking between her broad-shouldered bodyguards. You swallowed thickly. 

"Look, Y/N," Elena sighed. "I'm not mad at you, but whatever is going on in your life, you can't take it out on me. Or anyone else." 

"That's not what I'm doing," You mumbled, shuffling your feet. She didn't seem to hear you. 

"You know, if there's something bothering you, then you need to tell someone about it," Elena said. You were only a few months younger than her, yet she talked down to you as though you were a toddler. You wished the anger that flared and frothed inside you, didn't look like shame as it stained your cheeks. "I know we're not close, but you can always tell me if something's happening, okay?"

"No thank you, I'm fine." 

"Y/N, it's okay to let someone in." The girl pressed. 

You gritted your teeth, wishing she would just go. "I-"

"Pretty sure she doesn't have to tell you anything, sweetheart," A melodiously snide voice hummed from behind you. Glancing over your shoulder, you shot Kol a relieved smile. He dropped a quick wink in return before focusing on his fellow seniors. Elena and her posse seemed to tense up around him for some reason. 

"What's it to you, Kol?" Stefan demanded. 

"Oh, I dunno. Basic human decency? Nothing much," He replied. The dark-haired senior shoved his hands in his pockets and smirked, smug as a bug. 

"How 'bout you mind your own damn business for a change," Matt snapped. He almost made a move toward your friend but Elena stopped him with a hand on his arm.

Kol snorted at their reactions. "Why so defensive? 'Weren't expecting this lovely young lady to have some back-up?" He slung an arm around your shoulder and began twisting a lock of your hair around and around his finger. You sort of liked him tugging on it the way he did.

"We were just a little concerned," Elena claimed.

"Right." Kol smiled thinly. Releasing his fingers from your hair, he took a threatening step forward. You hadn't realized before just how tall that boy was. "Well, as Y/N said, she doesn't need your concern. So why don't you run along and take your puppets with you." 

The three seniors reluctantly surrendered under the force of Kol's steely glare and you watched them go, hugging your arms around yourself and shivering. Kol turned back to you. His hands found their way to your shoulders and he stopped down a little to look you in the eyes.

"Are you alright?" He asked. His eyes were still dark, but not the pits of tar they'd been before. They were more like soft dirt now, holding the promise of future life. 

Kol gently smoothed his hands over your arms, spreading a gooey, molten warmth everywhere his skin touched. There was something bubbly in your lungs and the shudder that ran down your spine this time wasn't from nerves. 

You took a breath and tried to ignore how his touch made you want to melt.

"I'm fine," You lied. You were fine. You were always fine.

The boy smiled as though he didn't quite believe you. "That's good." He tilted his head in the direction Elena and the others had disappeared to. "You were right about them, though. There's definitely something strange going on there."

You nodded. "Thanks."

"Of course, darling.")

Bonnie Bennett, by the grace of your overactive imagination, had been transformed into a wicked witch. Ancient runes glowed in the air, surrounding her dark ritual. Oddly enough, the thief had changed a few of them, though you weren't sure why.  

("If I might ask, why a witch for that one?" Kol asked as the girl herself scowled venomously at you from the other side of the gym.

He sat with his arm wrapped firmly around your waist, leaning in close so you would hear him though he spoke softly, having stayed a little longer after school to help you with your chemistry homework now that no one else would. You could smell cinnamon and something tangy on his breath as his lips brushed over your ear and you tried not to shiver. The whole school probably thought you were a couple, but you knew that wasn't the case. 

"There's some weird looking stuff in that girl's locker," You whispered back, pretending to be blissfully unaware of the daggers she was glaring at your head. If you didn't know better, you would have sworn the temperature of the room dropped a few degrees. "At the fundraiser we had last year, there was this car that just caught fire outta nowhere. The thing wasn't even running and it just exploded. Everybody was freaking out and running but Bonnie just stood there, staring at it like she was possessed."

Kol glanced up at the Bennett girl again. "You know what?" He decided, tilting his head. "I can see it." He sent Bonnie a little wave and turned back to your homework. "I loved the runes you included in that drawing, though," The boy added. 

"Yeah?" You couldn't help but smile.

"Absolutely. Most of them were even correct," He shot you a crooked grin. "It was impressive."

You raised a brow. "Can you… read Runic?"

"Mmhm," He hummed, checking off another problem on your homework. "Remind me and I'll teach you sometime."

You were about to ask where and when he would have learned something like that, but the question was plucked from your brain before you got the chance.

You drew in a sharp breath as his hand, which had previously rested like a ghost's on your hip, slipped deftly under your shirt. Unsure whether you liked it or not, you couldn't decide as your brain had simply quit functioning properly. All you could seem to register was that Kol was touching you and it wasn't a "just friends" sort of touch. Your cheeks felt like they'd caught fire as you glanced up at him, blinking owlishly, only to find that he was already watching you with an unexpectedly sweet smile. He studied your expression, waiting for you to protest - to say no. 

When you remained silent, that sweet smile twisted into a smirk. Leaning down, you felt a soft, tender kiss to your cheek just as Kol pressed his fingers firmly into your skin, wasting no time before he began to explore. His hand was warm, gentle, and soft as he stroked and petted your stomach. Something warm and jittery built up in your chest. It climbed up your throat, threatening to spill out. You whimpered quietly, unable to hold it back. Yet, that only seemed to encourage him. Kol hummed and slid his hand lower with another kiss to your cheek. What was that boy doing to you? Your whole body burned as he continued to fondle and caress you shamelessly. Shuddering, you bit back a moan and curled yourself closer to him, fisting his jacket as though he could hide you from the world. Kol just smirked and continued going over your homework. 

He didn't let go of you - didn't stop touching you - until the bell rang. Then he just got up, shot you a wink, and left without another word.)

Slowly, that boy earned your trust because, though you didn't know exactly how to define your relationship with him, he was always there for you. It was nice to have someone who knew why you had drawn those pictures. Not because you were self-righteous and judgemental, but because there was something very real and very disturbing going on and you needed a way to purge the constant fear from your mind.

Kol believed you. There was something wrong with this town. You weren't crazy.

But no one else could see that. 

The day a sketch of Sheriff Forbes - Caroline's mother - made its way around the student body was the day you were called to the principal's office. The picture displayed Sheriff Forbes as a creature like the Other Mother from Coraline, dutifully sewing shut the mouths of townspeople and stitching buttons over their eyes. The Sheriff was a kind woman. She didn't deserve to be depicted that way. But at the same time, you knew she was hiding something.

So there you sat on the wrong side of the principal's desk, eyes locked firmly on your lap as the graying woman watched you with a disappointed frown.

"Y/N, this is not acceptable," She said, tight-lipped with tired eyes.

"I know," You mumbled.

"Then why did you draw these pictures in the first place?" The woman demanded. 

You shrugged haplessly. She wouldn't believe you if you told the truth. She'd probably recommend you to a mental health institution. 

The principal sighed. "Y/N, it's not my business what you do in your free time, but this has to stop. You need to stop."

"It's not me!" You protested. "Someone stole my sketchbook."

"Well, then you had better find a way to get it back, and once you do I highly recommend you burn it. Otherwise, I will have no choice but to suspend you," She said, folding her hands atop the desk. "The mayor has also been made aware of these sketches and she asked me to warn you that, should another one of these offensive images appear, you can consider her commission canceled."

Your heart stuttered and sank. 

You wanted to scream and cry and tell the world it was all so unfair but all that came out of your mouth was, "Okay."

The principal nodded. "Good afternoon, Miss Y/L/N."

That was your cue to leave. 

You exited her office and shut the door behind you, letting go of a long sigh. Kol was sitting outside, waiting for you. He was always there for you. Upon seeing your distraught expression, the boy got up and wound his arms around you, holding you close. You clung to him, squeezing your eyes shut and grinding your teeth as you buried your face in his chest. 

Kol pressed a feather-light kiss to the crown of your head. “Are you alright?” He asked, just as he always did.

You took a deep breath-

(You were fine. You were always fine.)

-and let out a string of cuss words so foul they’d make a sailor blush.

He hissed in sympathy and hugged you tighter. “I take it that’s a no.”

Kol was a good friend. True, his words sometimes carried a sting to them and some of his touches lingered a little too long to be just friendly. But he was good. The two of you had come a long way since you'd first met him. When he pulled away, he probably should have rested his hands on your waist but Kol grabbed you by your hips instead. His hands were very warm and you found yourself blushing. But if you were being honest, you liked the way he was touching you - the way he had been for a while now.

"Do you want to talk about it?" He asked, hesitantly watching your face though you refused to meet his eyes.

"No," You answered. 

Kol offered you a strained smile and tugged you back into that tight hug. "You know you can tell me anything, right?" He said, gently.

Kol had been such a good friend to you. The least you could do was show him some trust.

"I'd rather show you." 

***

Her hand slid down his arm to his hand which Kol reluctantly lifted off her hip. Then, without another word - because she didn’t talk all that much - she led him off down the hallway. He allowed her to pull him along, amused (and two other things he was trying really hard to ignore.)

There was this funny feeling he got when he looked at that girl sometimes, with her chalk and paint-stained clothes, messy hair, and tired eyes. It was warm and pleasant and it reminded him of how he felt after a really big feed, except not like that at all. He felt satisfied, content… full, but there was nothing sinister about it. Kol found himself unsure how to label that sensation seeing has he’d so rarely felt it and when he had it was fleeting - gone before he could enjoy it. 

This time, however, when it came, that feeling lingered.

And not because he’d killed anyone recently! Kol Mikaelson had not rubbed out a single soul in that miserable little town. (A surprise to all, certainly.) That odd feeling stayed with him day to day, and he tried to ignore how pleasant it was because surly it would disappear any day now… But it never did. Kol knew it had something to do with his little artist but, honestly, that just confused him further. More baffling still was the notion that, over the past few weeks, he hadn’t found himself craving the high that exacting death always afforded him. Sure, he felt a little… hungry (that didn’t seem like the right term) on the weekends, but then he’d see her in the hallways and he felt content again. It wasn’t the sort of satisfaction he took from any of his games either.

That’s what this whole thing had started as - what it was. (Just that he had to remind himself of that fact was unsettling.) It was just a game. He’d played it hundreds of times before with hundreds of girls like her. It was the game where he came into their lives from out of the blue, stripped away every single thing they cared about - robbed them of their friends, their reputation, their comforts, their dreams - and did that all while making them love him for it. Then, once he got them into his bed, he shattered their illusions right before he killed them.

He was so close to winning this one too. Her friends had all abandoned her, half the town was convinced she was schizophrenic, and her dreams were one little sketchbook page away from being crushed. There was just one problem. 

This time, he didn’t want the game to end.

This time, he felt an uncomfortable stabbing sensation in his chest (not unlike the point of a dagger) every time she flinched. Every time she switched off her hearing aids, every time she hugged herself and sighed, every time she pursed her lips on the verge of tears - Kol felt something he hadn’t felt in well over nine hundred years. Guilt. Because he was the one spreading that girl’s naughty little pictures through the halls just so she would want him around. 

Kol simply didn’t understand what made her different. She was human. She wasn’t strong or powerful or even witty. The girl was shy, she hardly said a word to anyone but him, and when some kid shouted abuse in her face she just stood there and took it. She was so plain and boring that Kol often found himself wondering why he hadn’t eaten her yet. 

Sometimes though, she surprised him. 

She surprised him when she shoved her way though the front doors in the middle of the school day. Previously, Kol was convinced that girl had never broken a rule in her life.

She surprised him when she cussed like a sailor and didn’t apologize one bit. Was a girl like that even allowed to say those words? Legally?

But most of all, she surprised him when she tugged him along by the hand in the drizzling rain through the backwoods of Virginia, off the hiking trails, and down into a ravine where she only stopped in front of a looming chain-link fence. That fence had a big, red “No Trespassing” sign attached to it.

She suprised him when she was always fine. That girl accepted his hugs, his touch, his comfort - but she didn’t need it.

Thus, Kol was well and truly floored when his tiny sweet, delicious little artist dropped his hand and scrambled up and over that fence like a monkey scales a tree. He couldn’t believe his eyes. She had absolutely, positively, and without a doubt just broken a law. That couldn’t be right. She was too shy to break the law. This was the same girl that apologized when she broke her bloody pencil.

"You coming or not?" She challenged. And then... Then, she smiled.

The sight of it took Kol's breath away.

That smile. He didn't understand it. Y/N was no witch - he knew that for certain. But somehow there was something magical about that smile.

There were moments - only a handful of them - like the one he was in right then. Those times were so rare but when they occurred, Kol's tiny, sweet, piquant little artist would look back at him, usually over her shoulder, and send him this... this smile. The twist of her lips he'd seen her wear when he'd first met her, the one she passed out to her so-called friends, was a fake he came to realize.

This real one was so much prettier.

Words had so rarely failed him, but there was no language Kol knew that could quite describe just what that smile looked like - what it made him feel or why. That smile of her's was just so real - so deeply heartfelt - that it always made him want to smile back. Her's was never never a silly or obnoxious grin that she gave to him. It was this tiny quirk of her lips that made her eyes sparkle and her cheeks glow a subtle, appetizing pink. Her beauty wasn't like that of the models in those magazines Bekah liked - she wasn't spectacularly eye-catching. That girl's smile didn't light up a room, but it lit a fire in his chest the likes of which he'd never known. It twisted his stomach and Kol felt so hungry every time he got to witness that smile. Except that hunger wasn't the sinister kind he was so familiar with. When she smiled at him, he didn't want to hurt that girl.

He just wanted to pin her against a tree and kiss those beautifully curled lips until the taste of his extraordinary artist was seared into his infallible mind for all eternity.

It wasn't just lust either. It was more than that. Kol didn't want her just because she had a pretty smile. He needed her because that smile only appeared for him - no one else. Kol could make that girl smile and it had nothing to do with his physical appearance. His little artist's smile was reserved just for him simply because he was there to see it. She smiled because he existed and that idea was one he couldn't help but revel in. After all, when was the last time he got something all to himself without having to fight tooth and nail for it?

“Say, love, are we getting close to the bridge?” He wondered. It was the bridge or the falls, but he couldn’t be sure. Y/N didn’t reply. Her lovely, perfect, scrumptious little laugh was all he got in response. After a few more minutes of walking in silence - which he found he liked better than all the other girls he’d ever played with who always felt a need to fill the gap with meaningless prattle - they reached their destination.

So, Kol grinned. That was his real smile too. Only she could bring it out. "Of couse, darling."

He jumped and scaled the fence with the same ease as his quiet companion who took off again as soon as his feet hit the ground. It wasn't long before his enhanced hearing caught the sound of water rushing nearby.

Once free of the tree line, Kol glimpsed the dreary silhouette of Wickery Bridge breaking through the haze of rain and gloom. His little artist glanced back at him with something wild and ferocious gleaming in her eyes. For a moment, he was taken aback by the sight. But that moment was swiftly overtaken by sheer, lucidious excitement. He returned her smile and she bounded off down toward the water. He followed, enraptured and curious as she came to a stop underneath the bridge. 

“Alright, my sweet, I think I’ve let you go on long enough,” He said upon catching up with her, not that doing so was any struggle. “What’s so important that you brought me all the way out here?” 

The girl didn’t say anything. Instead, she began climbing up the mess of rocks and driftwood that had collected on the banks of the river, making her way up to the crevice where the bridge split from the shoreline. As she did, her hand slipped on one of the rocks and she spat out another string of cuss words that would peel the scales off a snake. Normally, Kol would have been impressed; however, he was a little too busy focusing on the minuscule part of him that didn’t want to rip out her throat. 

She’d cut her hand on those rocks and it wasn’t just a little scrape, like the ones he’d grown accustomed to. This was a long, jagged slit across her palm and her all-too-tempting blood was spilling down her arm in beautiful crimson rivers. 

And terrible, awful, horrid reality came crashing back in on him.

For a while there, Kol had almost forgotten the two of them weren’t the same. Somehow he’d felt full enough - full of something, full of her - for long enough that he’d forgotten he wasn’t who and what he was pretending to be. He’d forgotten about what he was doing and why he was there and what he was supposed to be doing with her. He’d forgotten that he was the predator and she was the prey. 

He was there solely to charm her into surrendering her blood and her body. That was it.

THAT. WAS. IT.

Kol hurt people. That was what he did. He screwed up, and he hurt people, and he laughed about it.

So why did the thought of sinking his teeth into that artist’s pretty little neck seem to tear his lungs to shreds? No - not his lungs - that thing between them. That thing he ignored. That thing he didn’t have. Most people call it a heart.

What was that about? Kol was a monster. He hadn’t felt anything in years, aside from rage, hunger, and the occasional apathy. One thousand years of never giving a damn about the value of human life. And now what? His heart suddenly decided to garner affection for one lonely, miserable, pathetic, perfect, baffling, innocent, gorgeous, plush, soft, disillusioned little artist? Now?

Why now? Why her?

(It had been so long. And he’d had no one.)

She was the only one who ever smiled just for him. The only one who ever trusted him enough to let him see how terrified she truly was. She was scared, so scared all the time that something would spring from the shadows that lurked around every corner to snuff out her soul. She should be, he knew. She was right to be scared. Because Kol was right next to her and he was the only person not in her sketchbook. Sure, she’d never had the chance to put him in there but he’d asked her once what he would look like if she were to draw him like she did everyone else, and his tantalizing little artist had told him she didn’t see Kol that way - that he was her friend. She didn’t know it, and he didn’t want her to know it, but she should be scared of him. 

Kol wanted to kill her - needed to kill her. He craved so desperately to ravish that appetizing girl right where they stood. Bloody hell, she should be terrified! 

Yet, he didn’t want to scare her - didn’t mean to. He was just hungry - that was all. No one was around. No one could stop him. She didn’t need to be afraid. He could make her feel good. She might like it. Kol was just hungry - he didn’t want to hurt her. One taste wouldn’t hurt her so bad, would it? She would forgive him. One bite would be enough and then he’d stop. Except he wouldn’t and Kol knew that. He would drain every last drop of scarlet from her body and he knew she would be the most exhilarating high he’d ever get. But he didn’t have to feel bad about it. He could dump her body in the river and he’d never see her again. 

Oh.

That was it.

He’d never see her again.

No. No, he wanted to see her smile again. Wanted to hear her laugh. Wanted to listen to all of her secrets and wanted that girl to let him touch her for real. No. No, no, no, nonononononononononono.

And all this ran through his head before his artist had even finished cussing. 

Y/N waved her hand in the air, displaying her cut. “God hates me!” She called down to him cheerfully. That sunny demeanor that had once annoyed him so now brought him a laugh.

“That’s on you, darling. Perhaps if you were to tell me what it is that you’re trying to achieve, I might be able to assist,” He pointed out, still chuckling to himself. The girl shrugged and reached into the crevice, feeling around for something. “If you get bit by a snake, I’m going to laugh,” Kol mused. She twisted her other hand around and flipped him the bird. After another moment of watching her grope around in a dark hole, his little artist let out an exclamation of success and retrieved her arm which was now attached to a large, black duffle bag. Carefully, she climbed down and tossed the bag on the ground. 

“Ta da!” She grinned at him. It was an odd expression - like her face didn’t quite know how to express her current joy to another being.

Kol raised a brow. “Wow,” He deadpanned. “Color me impressed.” 

Her smile didn’t falter.

“The council just finished renovating this bridge,” She said as though that explained everything.

“And?”

Instead of answering, she simply bent down and unzipped the bag at her feet. Meanwhile, ever the gentleman, Kol forced himself to turn away from admiring the exquisite view of her cleavage this action presented him. He wanted her, yes. Kol delighted in reducing his little artist into a blushing puddle when he touched her. But if he was going to have that girl, he was going to have her everything. Her smile, her heart, her mind, her body, and her respect. Everything. Not just empty lust.

From out of the bag, Y/N drew a pair of gloves, a mask, and two cans of what Kol now recognized to be spray paint. Then, donning the gloves and mask, she marched down to the concrete trusses of Wickery Bridge and got to work. The giant concrete slabs were practically one perfectly untouched canvas for her to exploit.

Suddenly, all those strange behaviors made a whole lot of sense.

“Bloody hell, the girl’s a vandal!” Kol barked a laugh. "I wondered what it was you were so desperate to keep me away from,” He said, shaking his head. “I had my suspicions but this… was not one of them.”

“Oh really,” His artist scoffed. She started out her mural with layers of red. “And what were those suspicions?”

“Abusive parents was number one,” He listed, stretching out casually on the ground, back against a rock. Not the most uncomfortable position he’d ever held. “Self-harm was number two, and number three was a sordid drug habit.”

“Do I really come off that pathetic?” She wondered blithely. 

“Most of the time, yeah.”  

The girl snorted. “Good for me!”

“That desperate to hide your little crimes, are you?” He chuckled.

“Yep!”

“Why?”

“Well, mostly-” She paused to switch colors, going with black now. “-because if Mayor Lockwood ever found out I was the one painting her little town red, I’d lose my commission to paint town square and uh… I like money.”

“Understandable.” He nodded. “I sense an “and” coming.”

“And,” She continued with a slight laugh. “I might have possibly tagged a few properties worth a lot more than a bridge.” She hesitated. “Or a town… or a castle.”

That last remark was enough to have Kol sitting up straight. “So you were the miscreant who wrote out “Blood Money” on the side of my house!” He exclaimed, wide-eyed. It was impressive as no one in his family had heard anyone approach the house that night, yet the message had been there in bright red the next morning. How had she pulled that off?

The girl froze in her painting. “That was your house?”

“Indeed it was.”

“Whoops.”

Kol waved a hand. “Eh. No harm done.” 

“So… not a mafia base then?” 

He wished she was wrong. Kol really wished he wasn’t everything that terrified his precious artist. But he was. And that wouldn’t change.

So he laughed.

“Well, if I told you that, I’d have to kill you,” He joked. Except it wasn’t a joke. But he could let her think it was. He could pretend he believed that too. He could pretend he was just a normal kid, enjoying the company of a beautiful girl. He could pretend that.

She threw her head back and laughed. 

What a beautiful thing.

“Okay! I’m done talking now!” She announced without providing any segue whatsoever. He liked that about her though, that she was blunt and direct. It amused him. 

“Well, what am I supposed to do then?” He protested. He wasn’t all that broken up about it. Just being around that girl was enough to sate his hunger for her. That's what his little game had turned into. 

She shrugged and flipped her hearing aids off, so he supposed that was the end of it. 

“You know, I’m actually a vampire,” He told her. Kol knew she couldn’t hear him and his words fell on deaf ears. He figured he should tell her the truth though. Even if it was only this once. At least then he could say he had. 

“I’ve murdered hundreds of thousands of people - plenty of them for no reason at all. As for you…

“Well, I’ll probably kill you one day. Hell, I almost did just now. I’m not all that great at self-control, you see.” He let go of a bitter laugh and scooped a pebble off the ground, laying back he tossed it over his head and caught it again and again. “But I’m really great at screwing things up!”

“I stole your sketchbook,” He admitted, a little quieter. “It was just supposed to be a bit of fun, but it’s not fun anymore. I-I don’t like to see you hurting. I could stop. That bloody school would never see another picture.” 

He lifted his head, watching her back as she continued painting. 

“But would you still love me if I did?” Kol sighed, shaking his head. “I don’t think you would. You don’t need me.”

This time, when he tossed the rock, he didn’t catch it. The stone flew and landed in the river, lost to the moving water.

“Nobody does.”

He was glad she couldn’t hear him. He could talk to her and she would never know. Blissfully ignorant, he could watch with a lazy smile as she swung her hips and just kept on painting, without a care in the world. His horribly lovely artist sang quietly to herself as the light of the setting sun bounded off the water and carded through her hair, casting an ephemeral glow all around her. He wondered if her quiet verse might be meant for him. He knew that wasn’t the case. For someone so observant and suspicious, she could be quite blind. He doubted she could be in love with him or that she understood how he felt for her. But like with the rest of this bittersweet scene, Kol could pretend. 

“Sunshine, lollipops and rainbows

Everything that's wonderful is what I feel when we're together

Brighter than a lucky penny

When you're near the rain goes, disappears, dear

And I feel so fine

Just to know that you are mine…”

***

Robert Frost had been right, you decided the day your world fell apart. You would have preferred your world had been destroyed in one giant, raging fire. Of course, you didn't get to choose. Your world froze over slowly. The cold strangled your opportunities and relationships one by one until you were left entirely alone.

You stood in front of your locker that day, staring at the final nail in the coffin of your reputation and future. This was how it was to end. In ice. You felt like ice as you stared at that final drawing - cold and despondent. 

That sketch was of Alaric Saltzman, your kindhearted history teacher who believed in infinite chances for a student's grades. He always wore a pained smile - it was a smile for everyone else because he was still hurting but wanted the kids he taught to look forward to the rest of their lives as he no longer did.

You had drawn him differently.

No smile. Just the pain. Pain that had morphed into bitterness and bitterness into hate. He was sitting in his desk chair, facing towards the door - toward the viewer - with a bottle of bourbon in one hand, and a gun in the other. Smoke rose from the barrel of that gun, and the viewer's perception was tinted red.

You had drawn your history teacher murdering you in cold blood. 

Who does that?

"So…" The silky lilt of Kol's gentle accent tugged you from your thoughts and brought just a little relief. Even if you had nothing, you had Kol. "Do I want to know what inspired this one? Or would I rather sleep tonight?"

You shrugged, apathetic. The weight of the moment yet to sink in.

"I saw a gun in his desk," You answered tonelessly. 

"No shit?"

"Uh, huh." You nodded. "Right next to the colored pencils."

The boy whistled. "I'm regretting some of the things I put in my essay now," He said. 

A tiny smile tugged at your lips. "As if you did it."

"Ouch, darling. That hurts." He chuckled lightly and you felt his arms encircle your waist from behind. He tugged you close, resting his head on your shoulder. "You don't know everything about me."

He was trying to joke, for your sake. But nothing could make this better.

"What do I do now?" You asked with a sigh. Kol pressed a kiss to your cheek - light as a feather. For whatever reason, it felt like an apology.

"Well, if I were you," He said. "I'd go out with a bang."

You nodded and shrugged - indifferent. "A bang sounds good."

Kol released you as you slipped your backpack off your shoulders. Eyeing you with a mix of confusion and anticipation, your best friend's eyes flew wide as he watched you wander over to the nearest window, arms reeling back. 

With all your might, you flung your back through the window.

It shattered into a million tiny pieces.

The raucous hallway fell silent and a few dozen pairs of eyes locked on you.

"One of you bastards stole my sketchbook," You told them, not bothering to raise your voice in the slightest. "Is that what you wanted? To see me fall apart?"

No one answered of course as you glanced between stunned expressions.

"Well, I hope you're happy now," You rasped. Shoving a few kids out of your way with the harshness that had been building inside you for months now, you left that school behind you and didn't look back.

The only sound to be heard was Kol's low whistle as the heavy steel doors swung shut. The tears streaming down your face were silent.

You sprinted home through the driving rain, the sky dark and close, almost like a blanket. Perhaps the whole world was crying with you. After all, it always seemed to rain when you were sad.

To your relief, your parents were still at work. You had the comfort of crying in peace. Slamming the door shut, you pressed your back against it, slid to the floor… and screamed.

This was your life and it was crumbling in your hands. What else were you supposed to do?

A light knock tapped against the door. So quiet you wouldn't have heard it if the vibrations weren't centered right next to your ear. 

"Y/N?" Kol's voice called from the other side of the wood. You didn't say anything, though your ragged breathing was far from quiet. "Y/N, I know you're in there. I can hear you crying." He laid his hand flat. You could hear that ring he always wore scraping against the wooden surface. "Please let me in?"

You shook your head. "I'm not some charity case," You choked out, throat raw.

"Perhaps to someone else you are," Kol said. He must have been kneeling on your front porch. "But not me. I don't have charity, darling. I'm rather selfish actually."

You huffed a laugh. It was humorless.

"Then why come?"

"Because I'm selfish," He replied. Then quieter. "I don't like to see you cry." His ring tapped against the door a few times. "Darling, please let me in? I want to help."

Your teeth clenched like a vice.

"I don't need you."

For years you'd longed to say those words. Finally, in this haze of fury and anguish, they weren't so hard to speak.

"I know." He sighed. "I know you don't, darling. It's part of why I like you so much."

Well as long as he understood, perhaps it was alright 

You scraped yourself off the floor and opened the door. Kol stood outside, drenched to the bone, same as you. His eyes weren't dead anymore - not the distant black holes they'd once been. No, his eyes were warm chocolate now, melting with something sad. He really did care.

"Come in," You signed, too worn out to speak. 

Kol's brows furrowed. He seemed worried for a moment, though you couldn't guess why. Then he took a tentative step through the door, smiled, and stepped closer, closing the door behind him. 

You watched him take his shoes and coat off through the dim light. Your house was dark. You hadn't bothered with any lights. Once he'd finished, Kol glanced up at you questioningly. You regarded him for a moment. After all, these sorts of situations never seemed to turn out well in the books you'd read and the shows you'd watched. The characters in those stories always seemed to end up doing something they'd regret.

Or maybe they didn't regret it. 

You thought you would though. 

So, contrary to what Kol was likely expecting, you didn't throw yourself into his arms. You just turned and shuffled into the kitchen. You finally switched on some lights. After a moment, he followed you, watching intently. Milling about in science, you collected the supplies required to make the two of you a cup of tea. Your quiet nature combined with your parent's distrust of humanity meant you'd never really had a friend like Kol before - someone you brought to your house and shared food with.

"You hungry?" You asked, waiting for the water to boil. Your hands shook a little, but you didn't feel like speaking. He leaned against the counter opposite you and offered a thin smile you felt you didn't quite understand.

"I'll be okay," He signed back after a moment. He took a deep breath. "I'm more worried about you."

You grimaced involuntarily, eyes shifting to the kettle on the stove. Inside, the pressure would be building until it all rushed out.

"I'm not broken, Kol," You whispered, voice hoarse and thick with more emotion than you'd ever known how to say.

"I know that-" He began, lifting his hands defensively.

"Then why do you look at me like I am?"

Kol's lips pressed into a thin line, nodding. You'd caught onto his ways a long time ago. That boy had been eyeing you like no one you'd ever known since you'd first met him. The only difference was now you were brave enough to call him out on it. So what if he saw you for who you really were? He'd seen enough of it by now. You were sick of hiding anyway.

Kol sighed and pushed off the counter. He made his way toward you with soft eyes and tentative steps until he stood just inches away, boxing you in. You met his dark chocolate eyes and refused to back down even though you knew your cheeks were stained pink. You'd never let anyone this close before.

Pursing his lips, the boy glanced down at the space between you and lifted his hand. He trailed his knuckles hesitantly over your side, then met your eyes again as if to ask permission. You swallowed thickly, but didn't tell him no. With a ghost of a smile, Kol laid his hands on your hips and squeezed firmly. You couldn’t withhold a shudder. His thumbs slipped under your shirt and rubbed your skin softly as he'd done for you a few times before, knowing how much you liked it. His hands seemed to fit perfectly over your hips as though he'd been made to hold you. 

Your eyes fluttered shut and you relaxed into his touch, letting go of a sigh. His searing hands felt nice when the whole world felt so cold. You needed him closer. 

Reaching up, you fisted the collar of his shirt rather harshly and dragged him toward you, pressing your whole body against his. He flinched slightly, surprised by your newfound eagerness, but he quickly reciprocated. Kol chuckled softly and you felt his lips graze your temple before he clinched your hips tighter and lifted you to sit atop the counter. Your heart stuttered and raced in your chest and you gasped sharply, drawing back enough to catch the smirk dancing on his lips. Your cheeks reddened further as he urged you to spread your legs so he could stand between them. His arms circled around your back and you hesitated.

So what if he was a senior? So what if you were a couple of months younger than he was? He'd been a good friend to you. 

Shaking your doubts away, you wrapped your legs around him and rested your head on his chest. Kol hummed quietly and pressed another soft kiss to the crown of your hair.

"I know you're not broken, darling," He said. His hands ran up and down your back, massaging a blazing heat into your bones. "I'm just trying to figure out what it is that you really are."

Your hands on his shirt clenched tighter.

"I'm angry,” You admitted. 

“Why?”

His question prompted your lips to twist into a scowl as a hysterical laugh bubbled past your lips.

“Really? You’re asking me why?” You huffed, shaking your head. “How ‘bout why not? I’m sick of it, Kol. All of it. The lies, the expectations - nothing is right in this town and I hate it! I’m seventeen! I should get to feel safe but I see people and they’re dropping like flies. And you’d think I’d at least get the luxury of being terrified, but no! I have to act like nothing is wrong!” You looked up at him, tears returning to sting your eyes. “I tried to. I really did. But it was too much and I couldn’t and I had to put it all somewhere. Now some idiot who thinks they’re funny just up and ruined my whole future. I’ll never get a job here now, not like it matters because mom and dad are shipping me off to some mental institution-”

“What?!” Kol cut your rambling off suddenly. Reeling back, he stared at you with wide eyes. You just shrugged. “Your parents are sending you away over this?” He demanded.

You raised a brow. “Kol, this is kind of a big thing.”

“How?!” He exclaimed. His grip on your hips tightened. He seemed agitated - more than you would expect. “You drew some creepy pictures. So what?! Who cares?!”

“A lot of people care,” You deadpanned. “I drew the likeness of people around me without their consent. That's a big no-no. My parents are worried I’m overstressed, narcissistic, and paranoid. They say I need help.”

“No, that’s not-” He cut himself off this time, teeth grinding. He wouldn’t look at you, just squeezed his eyes shut tight. You waited for him to gather his thoughts. 

“They can’t take you away from me.” 

Finally, he looked up. Smoldering black eyes met your own with a determination that couldn’t possibly have belonged to an eighteen year old boy. It was etherial - hard to capture and even harder to understand. His eyes seemed darker all of a sudden. An odd trick of the light. 

“That’s a nice sentiment,” You said quietly. “But unless you’ve got some hard-core magic up your sleeve, it’s not gonna change anything.”

Kol nodded stiffly. “Magic, eh?” His voice was dry - strained almost. He let go of you and took a step back, bracing his hands on the counter. The breaths he drew were long and deep - shaking. His eyes flicked back to yours, blazing with something needy. He cursed. 

“Screw it.”

The boy surged forward and his lips caught yours before you could even blink. His arms wound around you again and held you tight and close. One hand wove itself into your hair, tugging on the strands greedily. You couldn’t seem to focus enough to keep your eyes open, they fluttered closed as Kol pressed closer to you. You weren’t sure what to do or how to react, so you just tentatively kissed him back.

Kol flinched. Actually flinched, like he hadn’t expected his affection to be returned.

He pulled away, chest heaving with ragged, uneven breaths. 

Had you done the right thing? Would you regret this tomorrow? Would he?

“Kol, wha-”

His lips on yours shut your doubts up pretty quickly. 

“I’m so sorry about all of this,” That boy whispered into your mouth. “But it’s okay. You don’t have to worry anymore. I’m going to fix everything, darling. I promise.”

He left you no time to think. He just pressed you closer - as close as he possibly could and you felt warm. Warm and safe and wanted. His fervent kisses grew increasingly heated and desperate by the second. It was like you were in a haze, possessed almost. There was a sweetness and hunger to him that you were entirely unaccustomed to. Holding the back of your head with a gentle hand, Kol was tender and patient yet determined as he licked at the seam of your mouth. You gasped, flinching as you felt his arm around your waist constrict almost painfully. Seizing the opportunity, Kol swiftly deepened the kiss with a hum of satisfaction. He wasn’t harsh or forceful about it. You just weren’t sure. A tiny whimper escaped your throat but he just swallowed it eagerly. Did you really want this? Were you ready? 

You felt suffocated, trapped, and unable to breathe. You pulled back, trembling. But Kol wouldn’t let you go. He broke away, shaking his head.

“No, no. Darling, shhhhhh.” He combed your hair back with his fingers. It was comforting. “You’re alright. I’m not doing anything.”

“Kol, please-”

“No, you’re fine. Everything is going to be alright. Just trust me,” He promised. The boy smiled and settled his lips on yours again. You didn’t fight him. All you could seem to do was shudder as he captured your lower lip and bit down. On his shirt, your hands relaxed. It was almost as if he’d drugged you. Something about that was disturbing, yet you clenched your thighs around him nonetheless.

“See?” Kol flashed you a soft grin as he broke away this time, pressing a sweet kiss against the corner of your mouth. “You’re okay, love. This isn’t me hurting you.”

Then what was?

Kol’s hands slid beneath your shirt and they were so warm as he ran them over your waist and higher onto your ribcage. You had half a mind to let him do anything he wanted, but something wasn’t right. The realization hit you like a ton of bricks at terminal velocity. 

On the stovetop, the tea kettle screamed a warning.

Magic was your first clue. That and he’d said he’d fix things. 

What if he already had?

You stilled. All the warmth in his touch faded in an instant and you let go of him. You didn’t cry out or shove him back. You just quit moving.

Kol’s mouth slowed soon enough. He pulled his hands away and stepped back. The boy eyed you for a moment, but you wouldn’t look at him. Then he cursed. 

“Y/N, I’m so sorry. I-I don’t know what happened.” Throwing his head back, he scrubbed a hand over his face and groaned. “I don’t even know what I was thinking. I shouldn’t have pushed you. That was a disgusting thing to do. Please forgive me?”

You didn’t. You just drew your knees up to your chest, curling into a ball. The tears came back. Your ribcage shook with your pained breaths. 

“Y/N?” His voice was faint and far away. “Y/N, please look at me?”

You hardly heard the words that left his lips. You were too busy processing his greater sin.

The declaration came out as hardly a whisper. 

“It was you.”

Kol blinked. Then he frowned. 

“Darling… what are you talking about?”

You shook your head. Tears streamed down your face.

“Why?” You seethed. “Why would you do it?!”

He took a step back, seeming hurt. “Sweetheart… I’m sorry but you’re not making any sense.”

You weren’t going to play that game. Wordlessly, you hopped off the counter and strode over to the kitchen doorway. Kol had dropped his backpack there. You tore it open and rummaged around until you found it. A little book covered in black Sharpie. 

“How many high school students do you think know Nordic Runes?” You challenged softly.

“I dunno.” He shrugged. “Probably quite a few. I suspect it’s a relatively common niche interest.”

You hummed. “Let me rephrase then: How many high school students in Mystic Falls do you think are fluent enough in runic languages to correct it when they see a mistranslation?” You whipped around, displaying your oh-so-precious stolen sketchbook in your hands.

The color drained from Kol’s face.

“Darling… I can explain that,” He tried, voice raw - desperate for you to believe him. You wouldn’t. 

You offered him a smile. That same fake, hateful smile you offered to all the people in this town who lied to you. 

“Leave.”

Kol looked as though he’d been shot. 

“Y/N, please. Just let me explain.”

You shook your head. 

“I won’t say it twice,” You spat. Then, switching off your hearing aids, you turned away and started for the stairs. “You know where the door is,” You called over your shoulder, half growling the words. “Don’t let it hit you on the way out… bastard.”

Upstairs in your room, you locked the door and cried. This time you didn’t make a sound.

***

Kol had screwed up. Royally. 

In fact, he was convinced that this was even worse than that time he’d accidentally played god on the continent now known as Australia. (Mammals shouldn’t lay eggs and none would if not for his hubris and an escaped lab rat. Or in this case, a lab platypus.) However, this time, Kol couldn’t just run away. Of course, there was mother dearest’s spell to consider but, that wasn’t the only thing keeping him from leaving that girl and her stupid precious tears behind. For whatever reason, he couldn’t stand what he’d done. He knew this for a fact because he’d had all night to think about it.

Her face, sparkling with fresh tears, was an image burned into his memory. Kol couldn’t seem to forget the tremble in her voice as she’d pulled that bloody sketchbook out of his bag. He could still hear her crying on the other side of her bedroom door. No matter how long he’d begged her to let him in, that door had remained locked. 

This wasn’t how things were meant to go - not when he’d been so close. He couldn’t stand it. 

She’d almost been his. Kol had finally held his sweet little artist in his arms and nothing, nothing - no drug nor blood-induced high he’d ever experienced - could ever compare to finally getting to touch her. He could have had more. He could have won his prize - could have kept her forever.

But he’d screwed up. Now, she loathed him.

He could stand losing a game every now and again. That was what kept things fun. But this wasn’t a game anymore. It hadn’t been for a long time. He couldn’t lose. Kol refused to lose.

Luckily, his delicious little artist was very, very human. 

He would go to her one more time, he resolved, to try to explain things. Truthfully, he knew there was no excuse for what he’d done, but that couldn’t change the facts. Kol needed her. He wouldn’t give her up just because he’d been dumb enough to let her snatch that sketchbook from his satchel. It wasn’t her fault. Had their roles been reversed, he wouldn’t forgive himself either. But luckily, his steel-spined artist was human. Luckily, Kol could erase his little mistake. 

Perhaps he could grab a quick bite from her too before he wiped her memory. A little taste might aid his patience for her - he didn’t fancy slipping up again like he had the night before. If he hurt her without realizing what he was doing, Kol knew he would kill his little artist far too soon.

He’d made his decision. The only thing that gave him pause was the wrinkled sheet of paper Bekah found that morning. 

“Kol?” Her voice rang through their brother’s mansion carrying confusion and worry. “I think you might want to see this…”

He’d been at her side in a split second, snatching the paper from her hands. It was a drawing, and Kol recognized its style of it instantly. Her lines were intimately familiar to him now, even as harsh and erratic as they were in the sketch he held. 

His beloved artist had finally drawn him. 

The twisted image was startlingly and horrifically accurate. Something clenched in his chest at the sight. She’d drawn his countenance pale, his hair was a wild mess and his eyes were black, empty holes. A vicious snarl warped his lips, accompanying razor-sharp fangs that looked all too real. In the picture, he knelt in the driving rain, cradling a limp corpse. His lips were coated in thick, crimson blood. Enamored as he was with his nightmarish likeness, Kol’s eyes were drawn to the most lifeless part of the image. He would have recognized those paint-stained clothes anywhere.

Now, Kol had added little notes to the drawings he’d stolen from his sweet artist’s sketchbook. This time, she had included her own. 

The harsh, hate-filled words read: “Vampire - a creature that feeds off the misery of others.”

At the bottom of the page, his artist had left him one more note.

“I hope you’re satisfied.”

Rebekah, peering over his shoulder now, whistled lowly. 

“That’s not Nik’s work,” She noted.

“No.” His voice came out sharp, clipped. “No, its not.”

“So who’d you piss off this time?”

Kol shrugged and tucked the drawing in his pocket. “No one important,” He lied. 

Shortly after that, he arrived beneath the trusses of Wickery Bridge. He knew where that girl would be - knew his artist couldn’t leave a piece unfinished. If she noticed him coming from a far ways off, she gave no inclination. Kol, however, noticed quite a few things. The tremor in her hands as she moved a can of paint back and forth in front of her. A used sleeping bag laid out among the rocks. A banana peel displaying the only proof she’d eaten any sort of meager breakfast. He noticed. He always noticed. 

His feet crunched on the gravel as he approached but he doubted the girl heard it - more than likely she had her hearing aids powered off. He could see the appeal in it. After all, it got quite loud in his head sometimes. Turning off the sounds of the world might be nice, but such was not his curse. 

Kol wound his arms around her waist from behind and leaned down. Her skin was so smooth and perfect, it was hard to resist simply biting down and taking her all to himself, but instead of piercing her throat he opted to kiss her a few times, gently. He knew how she would react by now. Y/N wouldn’t fight or squirm, she wouldn’t even scream. 

She just relaxed. 

Fight, flight, freeze, and fawn. 

A spitfire when angered, she could be quite impressive; however, when confronted she would always resort to that last option.

He could scent her fresh tears as they slipped down her face, while in his arms her body shuddered, though not quite the way he would prefer. Only one word could seem to manifest through her pain. 

"Why?" She didn't say it out loud, just signed it. Kol held her tighter, shrugging.

"Because I'm an attention whore," He answered simply. It was the truth too. "And I don't know when to stop."

He would always need that artist more than she needed him. From the first moment he'd met her, that was how their story had gone.

If it was even possible, that girl melted further into his embrace. Her head rested against his collarbone and she sighed.

"So you think I'm crazy too, huh?" She smiled and it was a miserable thing.

"I never thought you were crazy, love," He admitted, pressing a kiss to her temple. "I just didn't care for a while at first."

"What changed?" She wondered, brows furrowing.

"You smiled at me."

The girl barked a laugh. "Oh, well that's nice." She rolled her eyes.

Kol pulled her closer to him, as though he could make her feel the emotions he couldn't explain. "Don't believe me?"

"Nope." And she never minced words.

"It does sound rather cliche, doesn't it?"

"Ya think?" She scoffed. Her chest still shook with sobs she tried to suppress. He twisted her body around to pull her into a proper hug. Again, she didn't resist. She'd completely given up. 

Kol didn't like this hopeless, hysterical version of the strong, dagger-sharp artist he'd come to adore. He'd seen this sort of apathy before and typically it bored him. In her, it only seemed to hurt. It impressed him to hold her close until she finally understood that he was bloody sorry!

"Can you ever forgive me?" Kol found himself asking. Funny, he couldn't seem to remember another time he'd wondered such a thing. 

Y/N snorted humorlessly. 

"Maybe in a million years," She replied sourly. "Or maybe when the nut-house straightens me out - whichever comes last."

Those words stung like poison. It had been so, so long since he'd made a mistake he couldn't fix with a snap of his fingers. Accountability was a nasty, uncomfortable thing. 

A voice in the back of his mind reminded Kol that he could always compel his pretty little artist. But… he'd rather hoped her affection for him might be real. He didn't want to ruin that just yet.

Kol groaned quietly and tucked his face into the crook of her neck, fixing his lips over that girl's pulse again. The effect was somewhat calming despite making his fangs ache like nothing else. 

"I care about you, darling," He mumbled into her skin. 

"And I trusted you."

He understood. That girl didn't trust anyone. Now he was just another reason why.

A police siren flared to life in the distance, drawing closer. The artist in his arms chuckled dryly.

"Sounds like my ride's here," She observed, void of all life or emotion. The wheels of a police cruiser pulled to a stop not far off. She'd be caught in the act and Kol happened to know the police force had been set on vervain. 

"I won't let them take you," He swore, tightening his grip on his little artist. A car door slammed shut. Footsteps began approaching.

"And what are you gonna-"

Kol picked her up and ran. Consequences be damned. That girl was his. 

He stopped on the pretentious front porch of his brother's mansion and allowed her to absorb her new surroundings. She trembled in his arms, eyes round as saucers as she glanced around.

Her eyes met his and she shook her head, taking a step back. "Kol?" Her voice was thick with dread. "What… just-"

"You're okay," He assured her in lieu of an answer. He spoke calmingly, but she wouldn’t allow him to step any nearer. "You're safe now."

"No." Her voice was bold and firm. She held out a hand, increasing the space between them. “Tha-that wasn’t right. We-we-we were, uh… We were there… a-and now we’re here. What happened? Tell me. Tell me what you did!”

“Relax darling, there’s nothing to be afraid of,” He lied. The boy smiled disarmingly, voice a honeyed guise - it had worked before, back before she’d trusted him. “It’s just me.”

“No… No, y-you’re not-” She bit her lip and retreated further, blinking rapidly. 

He took another step closer, shushing her disoriented protests. “You’re alright, love. It’s. Just. Me.”

“NO!” The girl cried out with a tone forged from steel, but Kol watched as her resolve warped and cracked. He could see it rise to the surface - that all-consuming fear in his delectable little artist that he so relished and despised. “No… Kol, stop. Please.” Her sweet melody of a voice came out as a hoarse whisper now. “Y-you were my friend, and… I-I still want you, I do. But you need to stop. You’re not supposed to be like everyone else. Stop lying.”

Kol sighed heavily. His artist had been betrayed, time and time again. He couldn’t be like the rest of this godforsaken town - not if he wanted her. Yet… If he told her the truth - if he revealed himself to be everything that terrified her so - how would she possibly stand his presence?

“Do you truly wish to know?” He asked, unable to meet her gorgeous, all-too-perceptive eyes.

"I have to,” She whispered, almost to herself. “I’m not crazy. I-I didn't just imagine that!"

“You’re right.” He nodded and offered her a slight, halfhearted smirk. "You see too much for your own good, sweet thing. But please remember, you asked to be shown this part."

Kol thought about her - about his gorgeous, perfect artist. He inhaled deeply, taking in her mouth-watering scent. He focused on her heartbeat - wet and strong - let it lull him. He pictured that adorable, appetizing blush that always spread across her cheeks when he touched her. Kol allowed himself to imagine just how sweet, how lush, how devastatingly succulent that girl would taste just beneath her soft, warm human skin.

Then, welcoming that corrupt temptation, surrendering to it, he opened his eyes. 

His little artist screamed.

Tagging: @yn-ymn-yln @r13mar @rootbeerfaygo @iiskittles16ii @fandomrulesall-blog @dark-night-sky-99 @railingsofsorrow @apolloroid @thatweirdoleigh @misswe03 @eat-cake @felinegrate @cute-freak27 @fayeatheart @archangelslollipop @aonungs-tsahik @sleepneverheardofher @heartbreakgrill @whatsupb18 @enchantedlandcoffee @trikigirl271 @dreamingwithrafe @her-violent-delights @witchcraftandgeekness @dreamingwithrafe @acixsracix Comment or DM me if you want to be added to my tag list!

[gaviicreates]

Gavii Learns Stuff - Colorwork and also FFXIV

I don't know colorwork, so naturally I'm making G'raha Tia's Endwalker scarf. Oh, and I'm also primarily a crocheter, so let's plan to knit it instead.

I have no self control when inspiration strikes, and also I like to learn by doing, so here we are - this'll be my journey.

Step 1: Screenshot the hell out of Raha

Can we talk a moment about how strange this scarf design is? Not the colorwork, but the actual structure of this strange piece of material.

The main center design drapes down from his right shoulder to his left, then down the front, but then the opposite length somehow wraps, then pivots to turn right back down the same shoulder. There's gotta be a button or something, and even with the twine or rope that's clearly keeping everything together, I can't figure out the full construction of this one. If inspo strikes along the way we'll see, but for now I think I plan to just make a full scarf, and worst case, it can be knotted on the the left shoulder to create the effect where the two length drape down the same side in the front and back.

We can make it work. But, darling, your scarf makes no sense.

Step 2: Study the design, draft, re-draft, rinse repeat

I'm not accustomed to making my own graph patterns, or patterns in general, but I guess the concept is what it is. Make the thing into pixels and color code?

I got to work in Excel, copy & pasted. Compared it to the scarf, and tried again. Then once I figured out the general shape, the hardest part was figuring out what repeat would work for both the bottom design and the main in order to have everything flow.

There will end up being quite the length of stockinette in grey between designs. I haven't yet figured out how far I want to go, so that's another thing we'll be winging.

My plan is to work the pattern in the round to create a scarf tube, so this can be two sided to account for some of the fabric waving I think is going on Once complete I can sew up the ends and add the fringe.

Step 3: Yarn and Go

I'm writing this having started the project already, so I think if I make this again in the future I might go down to a DK weight. The pattern is working, and I think it will be fine, but it will be a big scarf - somewhere between a scarf width and a shawl width. My pattern might end up a bit bigger than anticipated, overall. That said - I am using a value acrylic in worsted weight - JOANN's Big Twist in Titanium, Varsity Gold, and Black.

For the first few rows I was figuring out the tension for my floats, because while I did actually practice with a different yarn and needle size for a bit, who has time for swatching? Remember that jumping right into a project thing I like to do?

Yeah, I did that again.

Thanks for coming on my THIRD ffxiv project! I'm excited for this one, and I am so glad it's going to be such a good one to learn from. I know I haven't posted too much lately, but I promise - I'm always crafting.

[fleabagsjoy]

Ok so i just binge-watched Oniisama E (Dear Brother) and i have.... thoughts. And feelings.

(SPOILERS AHEAD!)

Not super eloquent ones, I don't have any type of degree or formal education on writing or media analysis, i'm just word vomiting what i think and feel without any sources or facts to back it up so i hope that's okay. And i feel like i should preface with the fact that i didn't actually watch the last four episodes because i dreaded having to sit through Kaoru and Mariko ending up with men idgaf about, and instead read a summary of those last four episodes on Wikipedia.

With that being said, i absolutely loved this anime, i had already watched Revolutionary Girl Utena and everyone who enjoyed that one was talking about this anime so i figured I'd give it a try too and i don't regret it at all. The characters, the setting, the ANIMATION, the main plot and subplots (some of which i enjoyed more than others), i enjoyed it all.

I don't want to point out the obvious about the ending, we all know. But i was prepared, went in with the mindset of completely ignoring eps 36-39, specially the "Real Love is Heterosexual Love" speech that it pulls in the last couple episodes, so i'm not that upset by it. I will say that putting "you will only know what true love is when you find a man for yourself" is some twisted, sexist and lesbophobic stuff to put in an anime where Nanako, Rei and Mariko canonically fall in love with girls and whoever came up with that will not be seeing the pearly gates of heaven. And if that wasn't enough, they had to make the girls end up with men because uuhhh i guess they have to! But anyways, i still read the summary of what happened in those last four episodes.

I read a review from 3 years ago by medivhtirisfal that mentioned this and i'm so glad i'm not the only one but this really reminds me of a series of books that i used to collect when i was younger about an all girls boarding school and all types of adventures and mischief they got up to (the St. Clare's series) and i guess part of me always craved more of that. Oniisama E scratched that itch i suppose, i'll always crave all female casts and to see interactions and relationships that form between them, all types of relationships really: sisterhood, platonic, romantic, sexual, healthy, toxic, simple, complex... women stories matter! And i love when they're the center and backbone of the plot.

Now back to the actual anime. I haven't read the manga yet, don't think i will for a while even though i do like the mangakas artstyle from the few panels i've seen. But like i mentioned, Oniisama E reminds me of those books i used to collect, it's a string of events that happen during the first school year at an all-girls academy of our main character Misonoo Nanako.

It was very satisfying to see Nanako be a bit more submissive when everything and everyone was new to her vs. becoming more confident in her decisions and standing up for herself and others she cares about later on. She was always very caring for others, but i do feel like she let herself be shoved around in the first few episodes so seeing her stand up for Rei against Fukiko and quit the Sorority because of her loyalty not just to Mariko, but to herself and her values, made her one of my favorite characters. Also who can't relate to falling in love with Rei... Asaka Rei was undoubtedly one of the reasons that got me to watch the anime.

I gotta prepare myself before i write a paragraph for her because wow... too much to unpack. I can't elaborate better than some other Asaka Rei understanders about the intricacies of witnessing her own mother take her life in front of her daughter, after telling her to protect and take care of Fumiko, and how that pressure of committing to her mother's final wish lead to Rei's confusion of feelings for her own sister, devoting her everything to her, even her life. I suspect never dealing with the loss of her mother properly is what lead to Rei's severe depression and inability to understand all types love and bonds that she could have with other people, seeing Fukiko as her beginning and end from that moment.

Needless to say that, as much as i wanted her to realize this and free herself from this torment so she could deal with her trauma properly, she had to do it by herself so she could gain some sense of self and build an identity outside of someone she worshiped for so long and SPECIALLY before getting into a relationship with anyone (r.i.p. nanakorei). She's the most tragic character in this story to me, all of this started at a very young age and she had no way to get out of it and when she got close to that, the plot decided to say NOPE. NO CHANCES OF A HAPPY ENDING FOR YOU. Bottom line is: she desperately needed therapy. Veeery early on.

I have to follow up with Ichinomiya Fukiko, a really toxic and abusive teenage girl with too much power over the other girls at school, she lives in a bubble built for incredibly rich people (as do many of the other characters), leader of the Sorority (an academy "elite club"). One of the best things about shoujo ai like this is that all female characters are so fleshed out and have so much to give to the viewers and Fukiko is no exception. I will say that i fail to see a character that has so much (negative) impact on most of the other main characters as she was very often abusing/taking advantage of/humiliating others.

It's definitely because of her upbringing but she always bottled up her feelings to keep up a façade of composure, with Nanako's constant defiance, after confronting her feelings for Henmi and her relationship with Rei, as well as after the abolition of the Sorority, we gradually got to see different sides of her. She's... complicated. Not an evil mastermind or anything, her attempts of sabotage seemed very desperate adn half-hearted, but she could still be very cruel and take advantage even of people she claimed to love. Still, Fukiko was one of the main driving forces of the story and i can always appreciate a character like that.

Of course that leads me to Orihara Kaoru! She is probably one of the most consistent characters in the anime, loyal, determined and resolute, very sure of where she stands, oh my god... i'd crush on her so hard too if i was one of the girls at the academy. I loved the relationship she had with Rei, the soulmateism was off the charts, they had an incredibly intimate bond that no one could replicate and, besides Nanako, i felt for her the most when Rei passed away. I'm pretty sure her having to face the past between her and Henmi was also a big part of her character but again, i really don't wanna witness how that ends so i'm not gonna elaborate too much on what happens in the last four episodes, which is unfortunate because i'm sure a lot of her own development as a character happens in those but whatever...

I didn't expect this when i started Oniisama e but Shinobu Mariko is my favorite character!! It took a while for her to grow on me but i love her a lot. Mariko is mostly known for the misandrist lines (which... real) and i appreciate that she never really changed that (until #those episodes but i won't consider them strictly canon for my sake), but she had such a great story arc with facing her loneliness and facing the problems she had with her parents. I'm no psychologist but BPD is heavily implied and from what i've seen by other fans with BPD, a lot of symptoms were shown throughout the anime, which i appreciate since Mariko wasn't villainized and was instead shown as someone with her own issues with boundaries and relationships at first but that she could manage and balance in a healthier way later on... it's not something you can easily see in anime, specially not from this time. I was really happy when Mariko, Nanako and Tomoko became a great friend trio who could rely on each other halfway through, another testament to her character development.

Tomoko was one of my favs as well! A lot of other characters were very interesting and had important moments in main characters arc like Misaki and Henmi. It's been a while since i've seen an older shoujo but the animation and editing was fascinating to me, very gorgeous, over the top sometimes but we need that! What happened to that! Anyways it's very beautiful, i appreciate it. The intro song will stick with me too and the damn Academy bell... Very melodramatic, but very fun, it's a hit for me!

I'm still grieving Rei so i can't really face anything that happened in eps 33-35. We're past making the lesbians suffer, NANAKO AND REI DESERVED THEIR DATE ON THE BEACH!!

I fear i will be upset by that for the time being but hey, that's what fanfiction is for.

[cath-lic]

Hallo! I was pleasantly surprised to open up your profile to find out you're both trans and catholic!! (This might be a long read)

I'm the same! But in recent years due to my transness/queerness + my criticisms of the church I've kind of distanced myself from the church. I still go to mass and receive communion and do what is expected of me (I'm in a very catholic family) but I do it with a hollow feeling in my heart.

Almost paradoxically though, I really like Jesus, I think he's a cool guy, I have unending respect for him + I take bible classes and I find it to be really fun and interesting, esp the gospels and I guess the new testament in general. Studying the characters, the setting and the meaning of the story is always so cool to me and I really really love it.

However, the environment i grew up in and the Catholics I grew up with gave me a really sour feeling and I feel a lot of spite because of the blatant hate they spew towards lgbtq people/ their hypocrisy at times (things like defending isr4el's actions vehemently even though they're contradicting themselves to their face when they preach about love and anti harm and stuff) umm I lost my sentence, basically I feel like lgbtq people would be the last thing Jesus would consider a problem and I'm just soo sick of hypocrisy among catholics and Christians that it's made me almost resentful but I'm not quite there yet

What I wanted to ask was, how are you keeping your faith despite all these things? Despite all the horrible actions people commit each day in the name of Jesus and Christianity (just look at, say, the treatment of trans people in the US, Project 2025, all that, book banning, just... Blatant misuse of the faith, I hope you know what I'm talking about). I feel like the more I hear about stuff like this, the less I want to associate myself with the church. I feel ashamed, I guess. I figure that I've lost myself in all this, but any advice? I'd love to hear your thoughts :)

this ended up being a long answer, so i'll put it under a cut!

hello my sibling, i know exactly how you feel. i was lucky enough to grow up in a non-hostile and fairly liberal environment, but for similar reasons, i am in the closet as well.

seeing the violence and vitriol that so many christians espouse on a daily basis is extremely upsetting to me. i absolutely despise the fact that christianity has become popularly associated with hatred. at the same time, i acknowledge that many christians have wielded our faith in such a way that they are absolutely deserving of that reputation.

what helps me is having catholic friends IRL and online that make me feel sane. building this type of community online honestly helped me in so many ways—i no longer feel like one of the few catholics in the usa that aren’t associated with the alt-right.

another thing that helped me was, ironically, finding a different church. though i am still catholic, i go to an episcopal church. it’s smaller and friendlier, and i felt much more welcomed there as well, and i feel comfortable knowing that these are people who share both my values and (most of) my religious beliefs.

i think i become more gung-ho about the faith when seeing the horrible things that people do in the name of christianity, actually. i tend to post more when i’m riled up about it, because i KNOW they’re wrong! so basically, when i’m feeling down, i turn to the source material. more often than not, they reaffirm my faith and reaffirm that god has sanctioned absolutely none of the shit that republicans are trying to pull.

i want people to know that being catholic does not mean being conservative, so i yell about it in my own space here. i don’t want to, you know, proselytize to people—so i make sure that this is a blog they can block. i would like to attend pride events and bring my own signs, and protect others from protestors at some point.

i’m sorry i don’t have a more succinct answer for you, my sibling. i can only assure you that you are not alone, and that so many of us trans catholics feel the exact same way. sending all my love to you ❤️❤️❤️

[goldenpinof]

For the editing comparison, one example for me is the Incoherent video (edited by Kris) vs. pre-hiatus Santa Banter video.

Both are turn-based card games where they read stuff and think for the answer, but in the incoherent video, there’s a lot more jump cuts, zooms, edits etc. while they’re thinking whereas in santa banter, it was mostly just one extended clip from pre-reading card banter to post-answering banter. The incoherent video also cuts out a lot more of the parts where they’re pulling a card or switching an answered card for a new one. While those bits might not add much comedic value, I feel like they go a long way to make the video seem more chill and coherent in its entirety.

Also (this might just be my personal opinion) both dnp seem to talk in a more excited/exaggerated tone and cadence now? Especially in the shorter videos. They also tend to use more upbeat and prominent background music now for those, so with that and the editing combined a lot of the post hiatus videos end up feeling too quick-paced yet scattered to me :/

Cal @calvinahobbes this might be interesting to you :)

yeah, anon, i get what you mean. and thank you so much for giving an example and explaining it. content-wise Incohearent is the S tier video, editing-wise? not so much. that's what i meant when i said in tags "idc what they do now, old editing will always be there for me". post-hiatus ideas and content can be excellent, but if i feel like i have to chase the video because of the editing? bye. i'm not gonna return to it unless i need to (to take notes or gif). i have no desire to rewatch the majority of the new videos for the sake of rewatching. and i want to rewatch old videos quite frequently. maybe nostalgia plays into it as well, but also the knowledge that i won't see 100500 unnecessary jump cuts and will see the process of playing the games. even if it's slow sometimes, idc, i like the process.

and yeah, i also agree that they exaggerate more (tone and reactions). mostly Dan. i don't think i noticed Phil doing it (maybe because he does the same on the ap channel, and i just stopped pointing it out to myself). idk if Dan genuinely thinks that loud = funny, but unfortunately it doesn't usually work like that. and if he's trying to show sarcasm by exaggerating his reaction, it also doesn't always land. sometimes this loudness is on point, so i'm not saying "shut the fuck up". i'm just saying that i noticed the shift as well. he is acting on camera a little bit more, giving the people what they want. but sweetie, i don't want that. i want boring shit, i want him to yap about politics and injustice and his interests, watch the games load and pull cards.

genuinely praying for more streaming content, because that is unedited yapping and fuckups <3